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Grateful to be shown at
Art Wolf Gallery’s
The Female Gaze
Contemporary Women Artists in Sculpture, Painting, Photography, and Ceramics
At Pacific Design Center
@artwolfgallery
@pacificdesigncenter
Featuring
Susanna Speirs Ali
Lois Samuels
dopez
Lareina Holsopple
Osiris Zuñiga
Sofia Peters
Justina Blakeney
#SusannaSpeirsAli @vessel.by.lois @loisnsamuels
@dopez
#LareinaHolsopple
@osiriszunigaart
@art_4urbrain
@justinablakeney
#ArtWolfGallery #ArtWolfArtist #BuyArtFromWomen #CollectWomenArtists
#PutWomenInCharge #TheFemaleGaze

Early Christmas gift by @modernluxuryinteriors @interiors_chicago
🤍🤍🤍

Early Christmas gift by @modernluxuryinteriors @interiors_chicago
🤍🤍🤍

Early Christmas gift by @modernluxuryinteriors @interiors_chicago
🤍🤍🤍

Early Christmas gift by @modernluxuryinteriors @interiors_chicago
🤍🤍🤍

Early Christmas gift by @modernluxuryinteriors @interiors_chicago
🤍🤍🤍

Early Christmas gift by @modernluxuryinteriors @interiors_chicago
🤍🤍🤍

Early Christmas gift by @modernluxuryinteriors @interiors_chicago
🤍🤍🤍

Early Christmas gift by @modernluxuryinteriors @interiors_chicago
🤍🤍🤍

Currently on view in MATRIARCHY

A Silvered Reverie
Clair van der Swan
Fiber Glass, Antiqued Silver Leaf
5 ft 3.5 in L x 3 ft 10 in H x 3 ft 4 in W

#Matriarchy #WomenArtists #WomenFurnitureDesigners #MatriarchyNow

GROW

Painting, Sculpture, Modern Tapestry, Photography

Landscape Horizon
K’era Morgan
Mixed-media and polypropylene rope on wood panel
36” x 48”

Unplug
Justina Blakeney
Acrylic on Canvas
31” x 25.5”

Absence
Susanna Speirs Ali
Kiln Cast Glass, Copper, Bronze, Stainless Steel Cable
36 inches

Eve’s Garden
Ané Krutova
Acrylics on Canvas
47” x 47”

Take the First Step
Adrienne Muse
Oil on Canvas
36 x 48 inches

Of Essence & Earth
K’era Morgan
Mixed media on canvas and wood
28.5” x 55”

Sensorial Pools of Refracted Light
K’era Morgan
Mixed media on canvas and wood
28.5” x 55”

Follow the Plants
Denise Silva (Xicana|Hopi|Mescalero Apache)
Archival Giclée
28 x 36 inches

amanda jaguar
dopez
giclée printing on acrylic
24 x 16 inches

“Bend Over And Take it, Self!” Sincerely, Self
Michele Murtaugh
Oil on linen
40 x 36 inches
Series: Mechanics of Chaos

Still.Mine.
Clair van der Swan
Marble
12′′ × 12′′ × 14′′h

Untitled Glitch Weaving
Jaime Derringer
Wool, acrylic, acrylic blend, and cotton
7.5”W x 19”H with fringe, 15.25” without fringe

Untitled Glitch Weaving
Jaime Derringer
Wool, acrylic, acrylic blend, and cotton 8” x 8”

Untitled Glitch Weaving
Jaime Derringer
Wool, acrylic, acrylic blend 13”W x 13.5”H

#Matriarchy #MatriarchyNow #WomenArtists

GROW

Painting, Sculpture, Modern Tapestry, Photography

Landscape Horizon
K’era Morgan
Mixed-media and polypropylene rope on wood panel
36” x 48”

Unplug
Justina Blakeney
Acrylic on Canvas
31” x 25.5”

Absence
Susanna Speirs Ali
Kiln Cast Glass, Copper, Bronze, Stainless Steel Cable
36 inches

Eve’s Garden
Ané Krutova
Acrylics on Canvas
47” x 47”

Take the First Step
Adrienne Muse
Oil on Canvas
36 x 48 inches

Of Essence & Earth
K’era Morgan
Mixed media on canvas and wood
28.5” x 55”

Sensorial Pools of Refracted Light
K’era Morgan
Mixed media on canvas and wood
28.5” x 55”

Follow the Plants
Denise Silva (Xicana|Hopi|Mescalero Apache)
Archival Giclée
28 x 36 inches

amanda jaguar
dopez
giclée printing on acrylic
24 x 16 inches

“Bend Over And Take it, Self!” Sincerely, Self
Michele Murtaugh
Oil on linen
40 x 36 inches
Series: Mechanics of Chaos

Still.Mine.
Clair van der Swan
Marble
12′′ × 12′′ × 14′′h

Untitled Glitch Weaving
Jaime Derringer
Wool, acrylic, acrylic blend, and cotton
7.5”W x 19”H with fringe, 15.25” without fringe

Untitled Glitch Weaving
Jaime Derringer
Wool, acrylic, acrylic blend, and cotton 8” x 8”

Untitled Glitch Weaving
Jaime Derringer
Wool, acrylic, acrylic blend 13”W x 13.5”H

#Matriarchy #MatriarchyNow #WomenArtists

GROW

Painting, Sculpture, Modern Tapestry, Photography

Landscape Horizon
K’era Morgan
Mixed-media and polypropylene rope on wood panel
36” x 48”

Unplug
Justina Blakeney
Acrylic on Canvas
31” x 25.5”

Absence
Susanna Speirs Ali
Kiln Cast Glass, Copper, Bronze, Stainless Steel Cable
36 inches

Eve’s Garden
Ané Krutova
Acrylics on Canvas
47” x 47”

Take the First Step
Adrienne Muse
Oil on Canvas
36 x 48 inches

Of Essence & Earth
K’era Morgan
Mixed media on canvas and wood
28.5” x 55”

Sensorial Pools of Refracted Light
K’era Morgan
Mixed media on canvas and wood
28.5” x 55”

Follow the Plants
Denise Silva (Xicana|Hopi|Mescalero Apache)
Archival Giclée
28 x 36 inches

amanda jaguar
dopez
giclée printing on acrylic
24 x 16 inches

“Bend Over And Take it, Self!” Sincerely, Self
Michele Murtaugh
Oil on linen
40 x 36 inches
Series: Mechanics of Chaos

Still.Mine.
Clair van der Swan
Marble
12′′ × 12′′ × 14′′h

Untitled Glitch Weaving
Jaime Derringer
Wool, acrylic, acrylic blend, and cotton
7.5”W x 19”H with fringe, 15.25” without fringe

Untitled Glitch Weaving
Jaime Derringer
Wool, acrylic, acrylic blend, and cotton 8” x 8”

Untitled Glitch Weaving
Jaime Derringer
Wool, acrylic, acrylic blend 13”W x 13.5”H

#Matriarchy #MatriarchyNow #WomenArtists

GROW

Painting, Sculpture, Modern Tapestry, Photography

Landscape Horizon
K’era Morgan
Mixed-media and polypropylene rope on wood panel
36” x 48”

Unplug
Justina Blakeney
Acrylic on Canvas
31” x 25.5”

Absence
Susanna Speirs Ali
Kiln Cast Glass, Copper, Bronze, Stainless Steel Cable
36 inches

Eve’s Garden
Ané Krutova
Acrylics on Canvas
47” x 47”

Take the First Step
Adrienne Muse
Oil on Canvas
36 x 48 inches

Of Essence & Earth
K’era Morgan
Mixed media on canvas and wood
28.5” x 55”

Sensorial Pools of Refracted Light
K’era Morgan
Mixed media on canvas and wood
28.5” x 55”

Follow the Plants
Denise Silva (Xicana|Hopi|Mescalero Apache)
Archival Giclée
28 x 36 inches

amanda jaguar
dopez
giclée printing on acrylic
24 x 16 inches

“Bend Over And Take it, Self!” Sincerely, Self
Michele Murtaugh
Oil on linen
40 x 36 inches
Series: Mechanics of Chaos

Still.Mine.
Clair van der Swan
Marble
12′′ × 12′′ × 14′′h

Untitled Glitch Weaving
Jaime Derringer
Wool, acrylic, acrylic blend, and cotton
7.5”W x 19”H with fringe, 15.25” without fringe

Untitled Glitch Weaving
Jaime Derringer
Wool, acrylic, acrylic blend, and cotton 8” x 8”

Untitled Glitch Weaving
Jaime Derringer
Wool, acrylic, acrylic blend 13”W x 13.5”H

#Matriarchy #MatriarchyNow #WomenArtists

GROW

Painting, Sculpture, Modern Tapestry, Photography

Landscape Horizon
K’era Morgan
Mixed-media and polypropylene rope on wood panel
36” x 48”

Unplug
Justina Blakeney
Acrylic on Canvas
31” x 25.5”

Absence
Susanna Speirs Ali
Kiln Cast Glass, Copper, Bronze, Stainless Steel Cable
36 inches

Eve’s Garden
Ané Krutova
Acrylics on Canvas
47” x 47”

Take the First Step
Adrienne Muse
Oil on Canvas
36 x 48 inches

Of Essence & Earth
K’era Morgan
Mixed media on canvas and wood
28.5” x 55”

Sensorial Pools of Refracted Light
K’era Morgan
Mixed media on canvas and wood
28.5” x 55”

Follow the Plants
Denise Silva (Xicana|Hopi|Mescalero Apache)
Archival Giclée
28 x 36 inches

amanda jaguar
dopez
giclée printing on acrylic
24 x 16 inches

“Bend Over And Take it, Self!” Sincerely, Self
Michele Murtaugh
Oil on linen
40 x 36 inches
Series: Mechanics of Chaos

Still.Mine.
Clair van der Swan
Marble
12′′ × 12′′ × 14′′h

Untitled Glitch Weaving
Jaime Derringer
Wool, acrylic, acrylic blend, and cotton
7.5”W x 19”H with fringe, 15.25” without fringe

Untitled Glitch Weaving
Jaime Derringer
Wool, acrylic, acrylic blend, and cotton 8” x 8”

Untitled Glitch Weaving
Jaime Derringer
Wool, acrylic, acrylic blend 13”W x 13.5”H

#Matriarchy #MatriarchyNow #WomenArtists

Sculpture, Painting, Photography, Collectible Design, Modern Tapestry by Contemporary Women Artists

Gallery Hours
Wednesday March 18th, 9am - 6pm
Thursday March 19th, 9am - 6pm 🪩 PARTY 4-6pm
Friday March 20th, 9am - 6pm
All are welcome

Pacific Design Center
8687 Melrose Ave B377
Blue building 🔵 3rd floor
West Hollywood, CA 90069

#Matriarchy #MatriarchyNow #WomenArtists

Super excited to recognized by @interiordesignmag for this year’s LA’s top 30 30/30 Residential Design Awards, Each year INTERIOR DESIGN brings this program to key design cities to recognize 30 standout professionals under the age of 35. Congratulations class of 2026, and what a blast dinner with our @marielle_monogram
#interiors #interiordesigner #community

Super excited to recognized by @interiordesignmag for this year’s LA’s top 30 30/30 Residential Design Awards, Each year INTERIOR DESIGN brings this program to key design cities to recognize 30 standout professionals under the age of 35. Congratulations class of 2026, and what a blast dinner with our @marielle_monogram
#interiors #interiordesigner #community

Super excited to recognized by @interiordesignmag for this year’s LA’s top 30 30/30 Residential Design Awards, Each year INTERIOR DESIGN brings this program to key design cities to recognize 30 standout professionals under the age of 35. Congratulations class of 2026, and what a blast dinner with our @marielle_monogram
#interiors #interiordesigner #community

Super excited to recognized by @interiordesignmag for this year’s LA’s top 30 30/30 Residential Design Awards, Each year INTERIOR DESIGN brings this program to key design cities to recognize 30 standout professionals under the age of 35. Congratulations class of 2026, and what a blast dinner with our @marielle_monogram
#interiors #interiordesigner #community

Super excited to recognized by @interiordesignmag for this year’s LA’s top 30 30/30 Residential Design Awards, Each year INTERIOR DESIGN brings this program to key design cities to recognize 30 standout professionals under the age of 35. Congratulations class of 2026, and what a blast dinner with our @marielle_monogram
#interiors #interiordesigner #community

Dayuanxiang Museum is less a museum and more a time vault.
Born from the ruins of a 160-year-old Qing-dynasty porcelain workshop, it now houses one of the most extensive collections of traditional Ba-Yu architectural elements in China. Carved doors, stone thresholds, window lattices—each piece once belonged to a lived-in home, carrying symbols of prosperity, protection, and lineage.
Walking through the collection feels like moving across centuries, where craftsmanship was a form of belief and architecture was memory made solid.

#fuji #art #archtecture

Dayuanxiang Museum is less a museum and more a time vault.
Born from the ruins of a 160-year-old Qing-dynasty porcelain workshop, it now houses one of the most extensive collections of traditional Ba-Yu architectural elements in China. Carved doors, stone thresholds, window lattices—each piece once belonged to a lived-in home, carrying symbols of prosperity, protection, and lineage.
Walking through the collection feels like moving across centuries, where craftsmanship was a form of belief and architecture was memory made solid.

#fuji #art #archtecture

Dayuanxiang Museum is less a museum and more a time vault.
Born from the ruins of a 160-year-old Qing-dynasty porcelain workshop, it now houses one of the most extensive collections of traditional Ba-Yu architectural elements in China. Carved doors, stone thresholds, window lattices—each piece once belonged to a lived-in home, carrying symbols of prosperity, protection, and lineage.
Walking through the collection feels like moving across centuries, where craftsmanship was a form of belief and architecture was memory made solid.

#fuji #art #archtecture

Dayuanxiang Museum is less a museum and more a time vault.
Born from the ruins of a 160-year-old Qing-dynasty porcelain workshop, it now houses one of the most extensive collections of traditional Ba-Yu architectural elements in China. Carved doors, stone thresholds, window lattices—each piece once belonged to a lived-in home, carrying symbols of prosperity, protection, and lineage.
Walking through the collection feels like moving across centuries, where craftsmanship was a form of belief and architecture was memory made solid.

#fuji #art #archtecture

Dayuanxiang Museum is less a museum and more a time vault.
Born from the ruins of a 160-year-old Qing-dynasty porcelain workshop, it now houses one of the most extensive collections of traditional Ba-Yu architectural elements in China. Carved doors, stone thresholds, window lattices—each piece once belonged to a lived-in home, carrying symbols of prosperity, protection, and lineage.
Walking through the collection feels like moving across centuries, where craftsmanship was a form of belief and architecture was memory made solid.

#fuji #art #archtecture

Dayuanxiang Museum is less a museum and more a time vault.
Born from the ruins of a 160-year-old Qing-dynasty porcelain workshop, it now houses one of the most extensive collections of traditional Ba-Yu architectural elements in China. Carved doors, stone thresholds, window lattices—each piece once belonged to a lived-in home, carrying symbols of prosperity, protection, and lineage.
Walking through the collection feels like moving across centuries, where craftsmanship was a form of belief and architecture was memory made solid.

#fuji #art #archtecture

Dayuanxiang Museum is less a museum and more a time vault.
Born from the ruins of a 160-year-old Qing-dynasty porcelain workshop, it now houses one of the most extensive collections of traditional Ba-Yu architectural elements in China. Carved doors, stone thresholds, window lattices—each piece once belonged to a lived-in home, carrying symbols of prosperity, protection, and lineage.
Walking through the collection feels like moving across centuries, where craftsmanship was a form of belief and architecture was memory made solid.

#fuji #art #archtecture

Dayuanxiang Museum is less a museum and more a time vault.
Born from the ruins of a 160-year-old Qing-dynasty porcelain workshop, it now houses one of the most extensive collections of traditional Ba-Yu architectural elements in China. Carved doors, stone thresholds, window lattices—each piece once belonged to a lived-in home, carrying symbols of prosperity, protection, and lineage.
Walking through the collection feels like moving across centuries, where craftsmanship was a form of belief and architecture was memory made solid.

#fuji #art #archtecture

Dayuanxiang Museum is less a museum and more a time vault.
Born from the ruins of a 160-year-old Qing-dynasty porcelain workshop, it now houses one of the most extensive collections of traditional Ba-Yu architectural elements in China. Carved doors, stone thresholds, window lattices—each piece once belonged to a lived-in home, carrying symbols of prosperity, protection, and lineage.
Walking through the collection feels like moving across centuries, where craftsmanship was a form of belief and architecture was memory made solid.

#fuji #art #archtecture

Dayuanxiang Museum is less a museum and more a time vault.
Born from the ruins of a 160-year-old Qing-dynasty porcelain workshop, it now houses one of the most extensive collections of traditional Ba-Yu architectural elements in China. Carved doors, stone thresholds, window lattices—each piece once belonged to a lived-in home, carrying symbols of prosperity, protection, and lineage.
Walking through the collection feels like moving across centuries, where craftsmanship was a form of belief and architecture was memory made solid.

#fuji #art #archtecture

Dayuanxiang Museum is less a museum and more a time vault.
Born from the ruins of a 160-year-old Qing-dynasty porcelain workshop, it now houses one of the most extensive collections of traditional Ba-Yu architectural elements in China. Carved doors, stone thresholds, window lattices—each piece once belonged to a lived-in home, carrying symbols of prosperity, protection, and lineage.
Walking through the collection feels like moving across centuries, where craftsmanship was a form of belief and architecture was memory made solid.

#fuji #art #archtecture

Tokyo: Lighting a light for Yourself in a Noisy World.

Many people say it’s fast, oppressive. But in Tokyo, for the first time, I felt a quiet kind of tenderness—something like warmth without spectacle.

It doesn’t welcome you loudly, doesn’t urge you to slow down. It simply leaves a light on for you, always.

#oldlens_tokyo #tokyo

A Silvered Reverie by Clair van der Swan
“Came into this city like a stranger stepping onto a stage for the first time, I always thought about the idea of fitting in, but never sure I would ever fit it, like the ink that dried before the dawn, try as I might to write myself into its pages, only to find the strange geometry of my own reflection among the sky, the hills and billion of lights. Bowie once said that Los Angeles is a prism that refracts you—splinters you into pieces until you find the shard that’s truly yours.
So this sculptural seat is my little piece of that prism. It’s not about what it would fit it, how the audience would precieve it, once I gave it its form it developed its own personality separate and apart from me. It’s a personal kind of relic — an antique, silver-leafed daydream where I’m neither lost nor found, just suspended in time.
A seat carved out of my own making. Like a verse from a song that never needed a chorus. Like the will of refusing to settle down for the comfort of strangers’ eyes.”

A Silvered Reverie
Clair van der Swan
Fiber Glass, Antiqued Silver Leaf
5 ft 3.5 in L x 3 ft 10 in H x 3 ft 4 in W
2025

As seen in The Art Wolf Gallery at The San Francisco Fall Show

#CollectibleDesign #WomenArtists #SilverLeaf #WomenFurnitureDesigners

A Silvered Reverie by Clair van der Swan
“Came into this city like a stranger stepping onto a stage for the first time, I always thought about the idea of fitting in, but never sure I would ever fit it, like the ink that dried before the dawn, try as I might to write myself into its pages, only to find the strange geometry of my own reflection among the sky, the hills and billion of lights. Bowie once said that Los Angeles is a prism that refracts you—splinters you into pieces until you find the shard that’s truly yours.
So this sculptural seat is my little piece of that prism. It’s not about what it would fit it, how the audience would precieve it, once I gave it its form it developed its own personality separate and apart from me. It’s a personal kind of relic — an antique, silver-leafed daydream where I’m neither lost nor found, just suspended in time.
A seat carved out of my own making. Like a verse from a song that never needed a chorus. Like the will of refusing to settle down for the comfort of strangers’ eyes.”

A Silvered Reverie
Clair van der Swan
Fiber Glass, Antiqued Silver Leaf
5 ft 3.5 in L x 3 ft 10 in H x 3 ft 4 in W
2025

As seen in The Art Wolf Gallery at The San Francisco Fall Show

#CollectibleDesign #WomenArtists #SilverLeaf #WomenFurnitureDesigners

A Silvered Reverie by Clair van der Swan
“Came into this city like a stranger stepping onto a stage for the first time, I always thought about the idea of fitting in, but never sure I would ever fit it, like the ink that dried before the dawn, try as I might to write myself into its pages, only to find the strange geometry of my own reflection among the sky, the hills and billion of lights. Bowie once said that Los Angeles is a prism that refracts you—splinters you into pieces until you find the shard that’s truly yours.
So this sculptural seat is my little piece of that prism. It’s not about what it would fit it, how the audience would precieve it, once I gave it its form it developed its own personality separate and apart from me. It’s a personal kind of relic — an antique, silver-leafed daydream where I’m neither lost nor found, just suspended in time.
A seat carved out of my own making. Like a verse from a song that never needed a chorus. Like the will of refusing to settle down for the comfort of strangers’ eyes.”

A Silvered Reverie
Clair van der Swan
Fiber Glass, Antiqued Silver Leaf
5 ft 3.5 in L x 3 ft 10 in H x 3 ft 4 in W
2025

As seen in The Art Wolf Gallery at The San Francisco Fall Show

#CollectibleDesign #WomenArtists #SilverLeaf #WomenFurnitureDesigners

A Silvered Reverie by Clair van der Swan
“Came into this city like a stranger stepping onto a stage for the first time, I always thought about the idea of fitting in, but never sure I would ever fit it, like the ink that dried before the dawn, try as I might to write myself into its pages, only to find the strange geometry of my own reflection among the sky, the hills and billion of lights. Bowie once said that Los Angeles is a prism that refracts you—splinters you into pieces until you find the shard that’s truly yours.
So this sculptural seat is my little piece of that prism. It’s not about what it would fit it, how the audience would precieve it, once I gave it its form it developed its own personality separate and apart from me. It’s a personal kind of relic — an antique, silver-leafed daydream where I’m neither lost nor found, just suspended in time.
A seat carved out of my own making. Like a verse from a song that never needed a chorus. Like the will of refusing to settle down for the comfort of strangers’ eyes.”

A Silvered Reverie
Clair van der Swan
Fiber Glass, Antiqued Silver Leaf
5 ft 3.5 in L x 3 ft 10 in H x 3 ft 4 in W
2025

As seen in The Art Wolf Gallery at The San Francisco Fall Show

#CollectibleDesign #WomenArtists #SilverLeaf #WomenFurnitureDesigners

Grateful to be a part of@dna_paris this year and be one of the winners, it gathered elite designersarchitects from 80 countries, such talents and kindnesses. 🤍

#paris #parisdesignaward #interiordesign

Grateful to be a part of@dna_paris this year and be one of the winners, it gathered elite designersarchitects from 80 countries, such talents and kindnesses. 🤍

#paris #parisdesignaward #interiordesign

Grateful to be a part of@dna_paris this year and be one of the winners, it gathered elite designersarchitects from 80 countries, such talents and kindnesses. 🤍

#paris #parisdesignaward #interiordesign

Bits of the San Francisco Fall show. Beyond grateful to be a part of it.

Bits of the San Francisco Fall show. Beyond grateful to be a part of it.

Bits of the San Francisco Fall show. Beyond grateful to be a part of it.

Bits of the San Francisco Fall show. Beyond grateful to be a part of it.

Bits of the San Francisco Fall show. Beyond grateful to be a part of it.

Bits of the San Francisco Fall show. Beyond grateful to be a part of it.

Bits of the San Francisco Fall show. Beyond grateful to be a part of it.

Bits of the San Francisco Fall show. Beyond grateful to be a part of it.

Bits of the San Francisco Fall show. Beyond grateful to be a part of it.

Bits of the San Francisco Fall show. Beyond grateful to be a part of it.

Bits of the San Francisco Fall show. Beyond grateful to be a part of it.

Bits of the San Francisco Fall show. Beyond grateful to be a part of it.

Beyond grateful to present my Silvered Reverie sculpture chair and Still.Mine marble sculpture at @artwolfgallery at The San Francisco fall show, among all the brilliant women artists. Can’t wait to share my journey with my pieces.
Special finish: @dfafinishes
@lkrphoto
#womeninspiringwomen #womenartists #collecthowyouwantthefuturetolook