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basic.space
Basic.Space
Own The Future™
Next in design, art and fashion.
Basic.Space London will take place 12-14 June at the Old Selfridges Hotel.
Our first international edition revolves around design, art, fashion and sound — drawing on the city’s legacy of underground culture, spirit of rebellion and cross-disciplinary exchange.
Link in bio for tickets.
Basic.Space London will take place 12-14 June at the Old Selfridges Hotel.
Our first international edition revolves around design, art, fashion and sound — drawing on the city’s legacy of underground culture, spirit of rebellion and cross-disciplinary exchange.
Link in bio for tickets.
Basic.Space London will take place 12-14 June at the Old Selfridges Hotel.
Our first international edition revolves around design, art, fashion and sound — drawing on the city’s legacy of underground culture, spirit of rebellion and cross-disciplinary exchange.
Link in bio for tickets.
Pick up a walking stick and join the tour. In the studio with Eric Wareheim (@ericwareheim) at Serpentine Los Angeles.
One-of-a-kind objects from artists and antiquarians across the African continent. Sourced by @xanika__ from Dar es Salaam to Dakar, Cape Town to Bamako.
The latest curation, available now on Basic.Space.
One-of-a-kind objects from artists and antiquarians across the African continent. Sourced by @xanika__ from Dar es Salaam to Dakar, Cape Town to Bamako.
The latest curation, available now on Basic.Space.
One-of-a-kind objects from artists and antiquarians across the African continent. Sourced by @xanika__ from Dar es Salaam to Dakar, Cape Town to Bamako.
The latest curation, available now on Basic.Space.
One-of-a-kind objects from artists and antiquarians across the African continent. Sourced by @xanika__ from Dar es Salaam to Dakar, Cape Town to Bamako.
The latest curation, available now on Basic.Space.
One-of-a-kind objects from artists and antiquarians across the African continent. Sourced by @xanika__ from Dar es Salaam to Dakar, Cape Town to Bamako.
The latest curation, available now on Basic.Space.
Serpentine Los Angeles is built around timeless objects with history and presence.
From rare vintage furniture to one the largest collections of Willy Guhl pieces in the world, every object feels weathered in the right way.
Available now on Basic.Space
Video @reefturner
A look inside Serpentine Los Angeles. Full studio tour coming soon.
Plus, a new edit of Serpentine pieces just dropped on Basic.Space.
Serpentine Los Angeles is a study in presence through objects — sculptural, aged, and intentionally collected.
New items and studio tour coming soon.
📸 @reefturner
Serpentine Los Angeles is a study in presence through objects — sculptural, aged, and intentionally collected.
New items and studio tour coming soon.
📸 @reefturner
Serpentine Los Angeles is a study in presence through objects — sculptural, aged, and intentionally collected.
New items and studio tour coming soon.
📸 @reefturner
Serpentine Los Angeles is a study in presence through objects — sculptural, aged, and intentionally collected.
New items and studio tour coming soon.
📸 @reefturner
Serpentine Los Angeles is a study in presence through objects — sculptural, aged, and intentionally collected.
New items and studio tour coming soon.
📸 @reefturner
Serpentine Los Angeles is a study in presence through objects — sculptural, aged, and intentionally collected.
New items and studio tour coming soon.
📸 @reefturner
Serpentine Los Angeles is a study in presence through objects — sculptural, aged, and intentionally collected.
New items and studio tour coming soon.
📸 @reefturner
Serpentine Los Angeles is a study in presence through objects — sculptural, aged, and intentionally collected.
New items and studio tour coming soon.
📸 @reefturner
Serpentine Los Angeles is a study in presence through objects — sculptural, aged, and intentionally collected.
New items and studio tour coming soon.
📸 @reefturner
Serpentine Los Angeles is a study in presence through objects — sculptural, aged, and intentionally collected.
New items and studio tour coming soon.
📸 @reefturner
Objects with presence.
Clean lines, sculptural forms, and the kind of pieces that quietly change a room. @tylerbarrydesign feels somewhere between functional object and art piece.
Objects with presence.
Clean lines, sculptural forms, and the kind of pieces that quietly change a room. @tylerbarrydesign feels somewhere between functional object and art piece.
Objects with presence.
Clean lines, sculptural forms, and the kind of pieces that quietly change a room. @tylerbarrydesign feels somewhere between functional object and art piece.
Objects with presence.
Clean lines, sculptural forms, and the kind of pieces that quietly change a room. @tylerbarrydesign feels somewhere between functional object and art piece.
Call Eli Russell Linnetz a multi-hyphenate and you’ve already missed the point. Hyphens suggest separation; Linnetz deals in cohesion.
“It’s the push and pull of reality meeting imagination. And that tension both implodes and expands constantly.”
Read the interview now on Substack. Link in bio.
Call Eli Russell Linnetz a multi-hyphenate and you’ve already missed the point. Hyphens suggest separation; Linnetz deals in cohesion.
“It’s the push and pull of reality meeting imagination. And that tension both implodes and expands constantly.”
Read the interview now on Substack. Link in bio.
Call Eli Russell Linnetz a multi-hyphenate and you’ve already missed the point. Hyphens suggest separation; Linnetz deals in cohesion.
“It’s the push and pull of reality meeting imagination. And that tension both implodes and expands constantly.”
Read the interview now on Substack. Link in bio.
Call Eli Russell Linnetz a multi-hyphenate and you’ve already missed the point. Hyphens suggest separation; Linnetz deals in cohesion.
“It’s the push and pull of reality meeting imagination. And that tension both implodes and expands constantly.”
Read the interview now on Substack. Link in bio.
Call Eli Russell Linnetz a multi-hyphenate and you’ve already missed the point. Hyphens suggest separation; Linnetz deals in cohesion.
“It’s the push and pull of reality meeting imagination. And that tension both implodes and expands constantly.”
Read the interview now on Substack. Link in bio.
Call Eli Russell Linnetz a multi-hyphenate and you’ve already missed the point. Hyphens suggest separation; Linnetz deals in cohesion.
“It’s the push and pull of reality meeting imagination. And that tension both implodes and expands constantly.”
Read the interview now on Substack. Link in bio.
Call Eli Russell Linnetz a multi-hyphenate and you’ve already missed the point. Hyphens suggest separation; Linnetz deals in cohesion.
“It’s the push and pull of reality meeting imagination. And that tension both implodes and expands constantly.”
Read the interview now on Substack. Link in bio.
Call Eli Russell Linnetz a multi-hyphenate and you’ve already missed the point. Hyphens suggest separation; Linnetz deals in cohesion.
“It’s the push and pull of reality meeting imagination. And that tension both implodes and expands constantly.”
Read the interview now on Substack. Link in bio.
Call Eli Russell Linnetz a multi-hyphenate and you’ve already missed the point. Hyphens suggest separation; Linnetz deals in cohesion.
“It’s the push and pull of reality meeting imagination. And that tension both implodes and expands constantly.”
Read the interview now on Substack. Link in bio.
Chandigarh furniture from the private collection of @rajanbijlani.
Designed by Pierre Jeanneret for a new city in 1950s India — teak, cane, and necessity. Built for government buildings, made by local hands, meant to last. Discarded, then rediscovered. Now it defines an entire language of design.
Now available on Basic.Space.
Chandigarh furniture from the private collection of @rajanbijlani.
Designed by Pierre Jeanneret for a new city in 1950s India — teak, cane, and necessity. Built for government buildings, made by local hands, meant to last. Discarded, then rediscovered. Now it defines an entire language of design.
Now available on Basic.Space.
Chandigarh furniture from the private collection of @rajanbijlani.
Designed by Pierre Jeanneret for a new city in 1950s India — teak, cane, and necessity. Built for government buildings, made by local hands, meant to last. Discarded, then rediscovered. Now it defines an entire language of design.
Now available on Basic.Space.
Chandigarh furniture from the private collection of @rajanbijlani.
Designed by Pierre Jeanneret for a new city in 1950s India — teak, cane, and necessity. Built for government buildings, made by local hands, meant to last. Discarded, then rediscovered. Now it defines an entire language of design.
Now available on Basic.Space.
Chandigarh furniture from the private collection of @rajanbijlani.
Designed by Pierre Jeanneret for a new city in 1950s India — teak, cane, and necessity. Built for government buildings, made by local hands, meant to last. Discarded, then rediscovered. Now it defines an entire language of design.
Now available on Basic.Space.
Chandigarh furniture from the private collection of @rajanbijlani.
Designed by Pierre Jeanneret for a new city in 1950s India — teak, cane, and necessity. Built for government buildings, made by local hands, meant to last. Discarded, then rediscovered. Now it defines an entire language of design.
Now available on Basic.Space.
Chandigarh furniture from the private collection of @rajanbijlani.
Designed by Pierre Jeanneret for a new city in 1950s India — teak, cane, and necessity. Built for government buildings, made by local hands, meant to last. Discarded, then rediscovered. Now it defines an entire language of design.
Now available on Basic.Space.
1983: the year the internet was born, the first mobile phone call was made, and Karl Lagerfeld debuted at Chanel.
Known only through a handful of photos, Lagerfeld’s Monaco apartment lives on in pop culture mythology. He tapped Memphis – Ettore Sottsass’ radical design collective founded two years earlier – to furnish his new home.
“It was love at first sight,” he recalled. “I wanted it all modern, and instantly thought that Memphis would be the Art Deco of the 80s. I was right. And what I like about all the Memphis stuff is its humor.”
Images: Jacques Schumacher
1983: the year the internet was born, the first mobile phone call was made, and Karl Lagerfeld debuted at Chanel.
Known only through a handful of photos, Lagerfeld’s Monaco apartment lives on in pop culture mythology. He tapped Memphis – Ettore Sottsass’ radical design collective founded two years earlier – to furnish his new home.
“It was love at first sight,” he recalled. “I wanted it all modern, and instantly thought that Memphis would be the Art Deco of the 80s. I was right. And what I like about all the Memphis stuff is its humor.”
Images: Jacques Schumacher
1983: the year the internet was born, the first mobile phone call was made, and Karl Lagerfeld debuted at Chanel.
Known only through a handful of photos, Lagerfeld’s Monaco apartment lives on in pop culture mythology. He tapped Memphis – Ettore Sottsass’ radical design collective founded two years earlier – to furnish his new home.
“It was love at first sight,” he recalled. “I wanted it all modern, and instantly thought that Memphis would be the Art Deco of the 80s. I was right. And what I like about all the Memphis stuff is its humor.”
Images: Jacques Schumacher
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