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2025 - FANTASTIC ✅️

ROUND-UP -

* I've been lucky enough to shoot with such lovely people and every moment has been an absolute treat!

* Adolescence was released and has just completely changed my career. A massive thank you to a crew with unlimited skill!

* I had the pleasure of shooting abroad on multiple shoots and really understood why steadicam/TRINITY in 40°C requires many wardrobe changes a day.

* Podcasts and giving talks on stage to budding filmmakers and experienced operators about my work/style as a camera operator was not on my bingo card for 2025, but it has been so much fun!

* Helping out with the BSC at a DP and operators course was very rewarding being able to give back to the film community.

* I got my first Producer credit for One shot with Ed Sheeran: A music experience. A different sort of challenge, but unreal.

* France, Malta, India, USA - All because of the amazing people who have helped me get to where I am. THANK YOU!

2026 is looking to be a cracker as we begin prep for the next bigun!! Happy New Year to all you legends!

2025 - FANTASTIC ✅️

ROUND-UP -

* I've been lucky enough to shoot with such lovely people and every moment has been an absolute treat!

* Adolescence was released and has just completely changed my career. A massive thank you to a crew with unlimited skill!

* I had the pleasure of shooting abroad on multiple shoots and really understood why steadicam/TRINITY in 40°C requires many wardrobe changes a day.

* Podcasts and giving talks on stage to budding filmmakers and experienced operators about my work/style as a camera operator was not on my bingo card for 2025, but it has been so much fun!

* Helping out with the BSC at a DP and operators course was very rewarding being able to give back to the film community.

* I got my first Producer credit for One shot with Ed Sheeran: A music experience. A different sort of challenge, but unreal.

* France, Malta, India, USA - All because of the amazing people who have helped me get to where I am. THANK YOU!

2026 is looking to be a cracker as we begin prep for the next bigun!! Happy New Year to all you legends!

2025 - FANTASTIC ✅️

ROUND-UP -

* I've been lucky enough to shoot with such lovely people and every moment has been an absolute treat!

* Adolescence was released and has just completely changed my career. A massive thank you to a crew with unlimited skill!

* I had the pleasure of shooting abroad on multiple shoots and really understood why steadicam/TRINITY in 40°C requires many wardrobe changes a day.

* Podcasts and giving talks on stage to budding filmmakers and experienced operators about my work/style as a camera operator was not on my bingo card for 2025, but it has been so much fun!

* Helping out with the BSC at a DP and operators course was very rewarding being able to give back to the film community.

* I got my first Producer credit for One shot with Ed Sheeran: A music experience. A different sort of challenge, but unreal.

* France, Malta, India, USA - All because of the amazing people who have helped me get to where I am. THANK YOU!

2026 is looking to be a cracker as we begin prep for the next bigun!! Happy New Year to all you legends!

2025 - FANTASTIC ✅️

ROUND-UP -

* I've been lucky enough to shoot with such lovely people and every moment has been an absolute treat!

* Adolescence was released and has just completely changed my career. A massive thank you to a crew with unlimited skill!

* I had the pleasure of shooting abroad on multiple shoots and really understood why steadicam/TRINITY in 40°C requires many wardrobe changes a day.

* Podcasts and giving talks on stage to budding filmmakers and experienced operators about my work/style as a camera operator was not on my bingo card for 2025, but it has been so much fun!

* Helping out with the BSC at a DP and operators course was very rewarding being able to give back to the film community.

* I got my first Producer credit for One shot with Ed Sheeran: A music experience. A different sort of challenge, but unreal.

* France, Malta, India, USA - All because of the amazing people who have helped me get to where I am. THANK YOU!

2026 is looking to be a cracker as we begin prep for the next bigun!! Happy New Year to all you legends!

2025 - FANTASTIC ✅️

ROUND-UP -

* I've been lucky enough to shoot with such lovely people and every moment has been an absolute treat!

* Adolescence was released and has just completely changed my career. A massive thank you to a crew with unlimited skill!

* I had the pleasure of shooting abroad on multiple shoots and really understood why steadicam/TRINITY in 40°C requires many wardrobe changes a day.

* Podcasts and giving talks on stage to budding filmmakers and experienced operators about my work/style as a camera operator was not on my bingo card for 2025, but it has been so much fun!

* Helping out with the BSC at a DP and operators course was very rewarding being able to give back to the film community.

* I got my first Producer credit for One shot with Ed Sheeran: A music experience. A different sort of challenge, but unreal.

* France, Malta, India, USA - All because of the amazing people who have helped me get to where I am. THANK YOU!

2026 is looking to be a cracker as we begin prep for the next bigun!! Happy New Year to all you legends!

2025 - FANTASTIC ✅️

ROUND-UP -

* I've been lucky enough to shoot with such lovely people and every moment has been an absolute treat!

* Adolescence was released and has just completely changed my career. A massive thank you to a crew with unlimited skill!

* I had the pleasure of shooting abroad on multiple shoots and really understood why steadicam/TRINITY in 40°C requires many wardrobe changes a day.

* Podcasts and giving talks on stage to budding filmmakers and experienced operators about my work/style as a camera operator was not on my bingo card for 2025, but it has been so much fun!

* Helping out with the BSC at a DP and operators course was very rewarding being able to give back to the film community.

* I got my first Producer credit for One shot with Ed Sheeran: A music experience. A different sort of challenge, but unreal.

* France, Malta, India, USA - All because of the amazing people who have helped me get to where I am. THANK YOU!

2026 is looking to be a cracker as we begin prep for the next bigun!! Happy New Year to all you legends!

2025 - FANTASTIC ✅️

ROUND-UP -

* I've been lucky enough to shoot with such lovely people and every moment has been an absolute treat!

* Adolescence was released and has just completely changed my career. A massive thank you to a crew with unlimited skill!

* I had the pleasure of shooting abroad on multiple shoots and really understood why steadicam/TRINITY in 40°C requires many wardrobe changes a day.

* Podcasts and giving talks on stage to budding filmmakers and experienced operators about my work/style as a camera operator was not on my bingo card for 2025, but it has been so much fun!

* Helping out with the BSC at a DP and operators course was very rewarding being able to give back to the film community.

* I got my first Producer credit for One shot with Ed Sheeran: A music experience. A different sort of challenge, but unreal.

* France, Malta, India, USA - All because of the amazing people who have helped me get to where I am. THANK YOU!

2026 is looking to be a cracker as we begin prep for the next bigun!! Happy New Year to all you legends!

2025 - FANTASTIC ✅️

ROUND-UP -

* I've been lucky enough to shoot with such lovely people and every moment has been an absolute treat!

* Adolescence was released and has just completely changed my career. A massive thank you to a crew with unlimited skill!

* I had the pleasure of shooting abroad on multiple shoots and really understood why steadicam/TRINITY in 40°C requires many wardrobe changes a day.

* Podcasts and giving talks on stage to budding filmmakers and experienced operators about my work/style as a camera operator was not on my bingo card for 2025, but it has been so much fun!

* Helping out with the BSC at a DP and operators course was very rewarding being able to give back to the film community.

* I got my first Producer credit for One shot with Ed Sheeran: A music experience. A different sort of challenge, but unreal.

* France, Malta, India, USA - All because of the amazing people who have helped me get to where I am. THANK YOU!

2026 is looking to be a cracker as we begin prep for the next bigun!! Happy New Year to all you legends!

2025 - FANTASTIC ✅️

ROUND-UP -

* I've been lucky enough to shoot with such lovely people and every moment has been an absolute treat!

* Adolescence was released and has just completely changed my career. A massive thank you to a crew with unlimited skill!

* I had the pleasure of shooting abroad on multiple shoots and really understood why steadicam/TRINITY in 40°C requires many wardrobe changes a day.

* Podcasts and giving talks on stage to budding filmmakers and experienced operators about my work/style as a camera operator was not on my bingo card for 2025, but it has been so much fun!

* Helping out with the BSC at a DP and operators course was very rewarding being able to give back to the film community.

* I got my first Producer credit for One shot with Ed Sheeran: A music experience. A different sort of challenge, but unreal.

* France, Malta, India, USA - All because of the amazing people who have helped me get to where I am. THANK YOU!

2026 is looking to be a cracker as we begin prep for the next bigun!! Happy New Year to all you legends!

2025 - FANTASTIC ✅️

ROUND-UP -

* I've been lucky enough to shoot with such lovely people and every moment has been an absolute treat!

* Adolescence was released and has just completely changed my career. A massive thank you to a crew with unlimited skill!

* I had the pleasure of shooting abroad on multiple shoots and really understood why steadicam/TRINITY in 40°C requires many wardrobe changes a day.

* Podcasts and giving talks on stage to budding filmmakers and experienced operators about my work/style as a camera operator was not on my bingo card for 2025, but it has been so much fun!

* Helping out with the BSC at a DP and operators course was very rewarding being able to give back to the film community.

* I got my first Producer credit for One shot with Ed Sheeran: A music experience. A different sort of challenge, but unreal.

* France, Malta, India, USA - All because of the amazing people who have helped me get to where I am. THANK YOU!

2026 is looking to be a cracker as we begin prep for the next bigun!! Happy New Year to all you legends!

2025 - FANTASTIC ✅️

ROUND-UP -

* I've been lucky enough to shoot with such lovely people and every moment has been an absolute treat!

* Adolescence was released and has just completely changed my career. A massive thank you to a crew with unlimited skill!

* I had the pleasure of shooting abroad on multiple shoots and really understood why steadicam/TRINITY in 40°C requires many wardrobe changes a day.

* Podcasts and giving talks on stage to budding filmmakers and experienced operators about my work/style as a camera operator was not on my bingo card for 2025, but it has been so much fun!

* Helping out with the BSC at a DP and operators course was very rewarding being able to give back to the film community.

* I got my first Producer credit for One shot with Ed Sheeran: A music experience. A different sort of challenge, but unreal.

* France, Malta, India, USA - All because of the amazing people who have helped me get to where I am. THANK YOU!

2026 is looking to be a cracker as we begin prep for the next bigun!! Happy New Year to all you legends!

2025 - FANTASTIC ✅️

ROUND-UP -

* I've been lucky enough to shoot with such lovely people and every moment has been an absolute treat!

* Adolescence was released and has just completely changed my career. A massive thank you to a crew with unlimited skill!

* I had the pleasure of shooting abroad on multiple shoots and really understood why steadicam/TRINITY in 40°C requires many wardrobe changes a day.

* Podcasts and giving talks on stage to budding filmmakers and experienced operators about my work/style as a camera operator was not on my bingo card for 2025, but it has been so much fun!

* Helping out with the BSC at a DP and operators course was very rewarding being able to give back to the film community.

* I got my first Producer credit for One shot with Ed Sheeran: A music experience. A different sort of challenge, but unreal.

* France, Malta, India, USA - All because of the amazing people who have helped me get to where I am. THANK YOU!

2026 is looking to be a cracker as we begin prep for the next bigun!! Happy New Year to all you legends!

2025 - FANTASTIC ✅️

ROUND-UP -

* I've been lucky enough to shoot with such lovely people and every moment has been an absolute treat!

* Adolescence was released and has just completely changed my career. A massive thank you to a crew with unlimited skill!

* I had the pleasure of shooting abroad on multiple shoots and really understood why steadicam/TRINITY in 40°C requires many wardrobe changes a day.

* Podcasts and giving talks on stage to budding filmmakers and experienced operators about my work/style as a camera operator was not on my bingo card for 2025, but it has been so much fun!

* Helping out with the BSC at a DP and operators course was very rewarding being able to give back to the film community.

* I got my first Producer credit for One shot with Ed Sheeran: A music experience. A different sort of challenge, but unreal.

* France, Malta, India, USA - All because of the amazing people who have helped me get to where I am. THANK YOU!

2026 is looking to be a cracker as we begin prep for the next bigun!! Happy New Year to all you legends!

2025 - FANTASTIC ✅️

ROUND-UP -

* I've been lucky enough to shoot with such lovely people and every moment has been an absolute treat!

* Adolescence was released and has just completely changed my career. A massive thank you to a crew with unlimited skill!

* I had the pleasure of shooting abroad on multiple shoots and really understood why steadicam/TRINITY in 40°C requires many wardrobe changes a day.

* Podcasts and giving talks on stage to budding filmmakers and experienced operators about my work/style as a camera operator was not on my bingo card for 2025, but it has been so much fun!

* Helping out with the BSC at a DP and operators course was very rewarding being able to give back to the film community.

* I got my first Producer credit for One shot with Ed Sheeran: A music experience. A different sort of challenge, but unreal.

* France, Malta, India, USA - All because of the amazing people who have helped me get to where I am. THANK YOU!

2026 is looking to be a cracker as we begin prep for the next bigun!! Happy New Year to all you legends!

2025 - FANTASTIC ✅️

ROUND-UP -

* I've been lucky enough to shoot with such lovely people and every moment has been an absolute treat!

* Adolescence was released and has just completely changed my career. A massive thank you to a crew with unlimited skill!

* I had the pleasure of shooting abroad on multiple shoots and really understood why steadicam/TRINITY in 40°C requires many wardrobe changes a day.

* Podcasts and giving talks on stage to budding filmmakers and experienced operators about my work/style as a camera operator was not on my bingo card for 2025, but it has been so much fun!

* Helping out with the BSC at a DP and operators course was very rewarding being able to give back to the film community.

* I got my first Producer credit for One shot with Ed Sheeran: A music experience. A different sort of challenge, but unreal.

* France, Malta, India, USA - All because of the amazing people who have helped me get to where I am. THANK YOU!

2026 is looking to be a cracker as we begin prep for the next bigun!! Happy New Year to all you legends!

2025 - FANTASTIC ✅️

ROUND-UP -

* I've been lucky enough to shoot with such lovely people and every moment has been an absolute treat!

* Adolescence was released and has just completely changed my career. A massive thank you to a crew with unlimited skill!

* I had the pleasure of shooting abroad on multiple shoots and really understood why steadicam/TRINITY in 40°C requires many wardrobe changes a day.

* Podcasts and giving talks on stage to budding filmmakers and experienced operators about my work/style as a camera operator was not on my bingo card for 2025, but it has been so much fun!

* Helping out with the BSC at a DP and operators course was very rewarding being able to give back to the film community.

* I got my first Producer credit for One shot with Ed Sheeran: A music experience. A different sort of challenge, but unreal.

* France, Malta, India, USA - All because of the amazing people who have helped me get to where I am. THANK YOU!

2026 is looking to be a cracker as we begin prep for the next bigun!! Happy New Year to all you legends!

2025 - FANTASTIC ✅️

ROUND-UP -

* I've been lucky enough to shoot with such lovely people and every moment has been an absolute treat!

* Adolescence was released and has just completely changed my career. A massive thank you to a crew with unlimited skill!

* I had the pleasure of shooting abroad on multiple shoots and really understood why steadicam/TRINITY in 40°C requires many wardrobe changes a day.

* Podcasts and giving talks on stage to budding filmmakers and experienced operators about my work/style as a camera operator was not on my bingo card for 2025, but it has been so much fun!

* Helping out with the BSC at a DP and operators course was very rewarding being able to give back to the film community.

* I got my first Producer credit for One shot with Ed Sheeran: A music experience. A different sort of challenge, but unreal.

* France, Malta, India, USA - All because of the amazing people who have helped me get to where I am. THANK YOU!

2026 is looking to be a cracker as we begin prep for the next bigun!! Happy New Year to all you legends!

2025 - FANTASTIC ✅️

ROUND-UP -

* I've been lucky enough to shoot with such lovely people and every moment has been an absolute treat!

* Adolescence was released and has just completely changed my career. A massive thank you to a crew with unlimited skill!

* I had the pleasure of shooting abroad on multiple shoots and really understood why steadicam/TRINITY in 40°C requires many wardrobe changes a day.

* Podcasts and giving talks on stage to budding filmmakers and experienced operators about my work/style as a camera operator was not on my bingo card for 2025, but it has been so much fun!

* Helping out with the BSC at a DP and operators course was very rewarding being able to give back to the film community.

* I got my first Producer credit for One shot with Ed Sheeran: A music experience. A different sort of challenge, but unreal.

* France, Malta, India, USA - All because of the amazing people who have helped me get to where I am. THANK YOU!

2026 is looking to be a cracker as we begin prep for the next bigun!! Happy New Year to all you legends!

2025 - FANTASTIC ✅️

ROUND-UP -

* I've been lucky enough to shoot with such lovely people and every moment has been an absolute treat!

* Adolescence was released and has just completely changed my career. A massive thank you to a crew with unlimited skill!

* I had the pleasure of shooting abroad on multiple shoots and really understood why steadicam/TRINITY in 40°C requires many wardrobe changes a day.

* Podcasts and giving talks on stage to budding filmmakers and experienced operators about my work/style as a camera operator was not on my bingo card for 2025, but it has been so much fun!

* Helping out with the BSC at a DP and operators course was very rewarding being able to give back to the film community.

* I got my first Producer credit for One shot with Ed Sheeran: A music experience. A different sort of challenge, but unreal.

* France, Malta, India, USA - All because of the amazing people who have helped me get to where I am. THANK YOU!

2026 is looking to be a cracker as we begin prep for the next bigun!! Happy New Year to all you legends!

2025 - FANTASTIC ✅️

ROUND-UP -

* I've been lucky enough to shoot with such lovely people and every moment has been an absolute treat!

* Adolescence was released and has just completely changed my career. A massive thank you to a crew with unlimited skill!

* I had the pleasure of shooting abroad on multiple shoots and really understood why steadicam/TRINITY in 40°C requires many wardrobe changes a day.

* Podcasts and giving talks on stage to budding filmmakers and experienced operators about my work/style as a camera operator was not on my bingo card for 2025, but it has been so much fun!

* Helping out with the BSC at a DP and operators course was very rewarding being able to give back to the film community.

* I got my first Producer credit for One shot with Ed Sheeran: A music experience. A different sort of challenge, but unreal.

* France, Malta, India, USA - All because of the amazing people who have helped me get to where I am. THANK YOU!

2026 is looking to be a cracker as we begin prep for the next bigun!! Happy New Year to all you legends!

Congratulations to the team of "One shot with Ed Sheeran"! I've only just been able to watch it since coming back from India. Being credited as a producer is an absolute honour and collaborating with creatives from the US to make this piece was so much fun. (Even if I wish I was an operator on it too 😉)

Everyone really worked hard to make this a success in such a short space of time.

@barantini
@mrbenwinston
@murrayjame5
@sajjiboy
Lou Fox
@savannahknowless
@sienacastillo
@carlyrobyn
Garrett English
@nykallen
@jodiealexandrataylor
@loc8_n8
@fulwell

Just to name a few people who I had the pleasure of working closely with.

Last but not least, @teddysphotos Very few artists could have delivered such an impressive performance! He really made this piece what it is and brought the idea to life. 👏🏽

And just like that, it's a wrap on "It Gets Worse" with A24 and Channel 4!! Thank you to such a lovely team all round (and the gorgeous B cam gang in these photos), as well as @mattlewisfilm
for creating such a lovely camera team.

I've never had to hold in a laugh so often while operating!! (blame @leo_reich @mounia.akl and the amazing cast)

Can't wait to see their lovely faces on another project 😊

And just like that, it's a wrap on "It Gets Worse" with A24 and Channel 4!! Thank you to such a lovely team all round (and the gorgeous B cam gang in these photos), as well as @mattlewisfilm
for creating such a lovely camera team.

I've never had to hold in a laugh so often while operating!! (blame @leo_reich @mounia.akl and the amazing cast)

Can't wait to see their lovely faces on another project 😊

And just like that, it's a wrap on "It Gets Worse" with A24 and Channel 4!! Thank you to such a lovely team all round (and the gorgeous B cam gang in these photos), as well as @mattlewisfilm
for creating such a lovely camera team.

I've never had to hold in a laugh so often while operating!! (blame @leo_reich @mounia.akl and the amazing cast)

Can't wait to see their lovely faces on another project 😊

And just like that, it's a wrap on "It Gets Worse" with A24 and Channel 4!! Thank you to such a lovely team all round (and the gorgeous B cam gang in these photos), as well as @mattlewisfilm
for creating such a lovely camera team.

I've never had to hold in a laugh so often while operating!! (blame @leo_reich @mounia.akl and the amazing cast)

Can't wait to see their lovely faces on another project 😊

And just like that, it's a wrap on "It Gets Worse" with A24 and Channel 4!! Thank you to such a lovely team all round (and the gorgeous B cam gang in these photos), as well as @mattlewisfilm
for creating such a lovely camera team.

I've never had to hold in a laugh so often while operating!! (blame @leo_reich @mounia.akl and the amazing cast)

Can't wait to see their lovely faces on another project 😊

And just like that, it's a wrap on "It Gets Worse" with A24 and Channel 4!! Thank you to such a lovely team all round (and the gorgeous B cam gang in these photos), as well as @mattlewisfilm
for creating such a lovely camera team.

I've never had to hold in a laugh so often while operating!! (blame @leo_reich @mounia.akl and the amazing cast)

Can't wait to see their lovely faces on another project 😊

And just like that, it's a wrap on "It Gets Worse" with A24 and Channel 4!! Thank you to such a lovely team all round (and the gorgeous B cam gang in these photos), as well as @mattlewisfilm
for creating such a lovely camera team.

I've never had to hold in a laugh so often while operating!! (blame @leo_reich @mounia.akl and the amazing cast)

Can't wait to see their lovely faces on another project 😊

Get an inside look at Adolescence episode 4!

The crew's hard work pays off in this seamless transition from indoors to outdoors.

While the scene continues indoors the rest of the crew is getting the gear of the van an prepping the scene out doors.

Amazing job by everyone involved!

Notably, the switch from the store's gimbal mode on the Ronin 4D to Sport/Handheld mode when Stephan unleashes the paint on the van creates a unique tension

Dir: @barantini
Dip: @mattlewisfilm
Cam OP: @_steadilee_
Grip: @patthegrip
Focus puller: @all_terrain_sean
ND Puller: @afarq87
Boom operator: @terrylazereyes

@netflix

The behind the scenes footage you see are from the rehearsal and not from the final one take episode.

🎬 This bts shows 2 parts of the one take episode.

#Adolescence #Netflix #behindthescenes #filmmaking

Behind the scenes of episode 4 of Adolescence: an emotional moment where the family heads to the store to pick up supplies to clean the graffiti off the van.

Dir: @barantini
Dip: @mattlewisfilm
Cam OP: @_steadilee_
Grip: @patthegrip
Focus puller: @all_terrain_sean
ND Puller: @afarq87

@netflix
Huge congrats to the entire cast and crew!

Adolescence just made Emmy history 8 wins at the 2025 Primetime Emmys, including:

Outstanding Limited Series; Lead Actor (Stephen Graham); Supporting Actor (Owen Cooper); Supporting Actress (Erin Doherty); Writing (Jack Thorne & Stephen Graham); Directing (Philip Barantini); plus wins in Cinematography (Matthew Lewis) & Casting (Shaheen Baig). 🎬🏆

Owen Cooper also became the youngest male actor ever to win an acting Emmy. 

Adolescence - winner of Outstanding Cinematography for a Limited or Anthology Series or Movie at the 2025 Creative Arts Emmy Awards.

Congratulations to
Matthew Lewis @mattlewisfilm
Lee Brown @_steadilee_
Pat Gillespie @patthegrip
Max Hodgkinson @max_onthedimmer
Sean Beasley @all_terrain_sean
Adam Farquharson @afarq87
Natasha Booluck @natasha_booluck
Divine Zaki @divine.z_k
Dan Wilkinson-Cain @dan_w_cain_dit

Well done gang, we did it!

@adolescence.netflix #netflix
#filmmaking #adolescence #emmy

Adolescence - winner of Outstanding Cinematography for a Limited or Anthology Series or Movie at the 2025 Creative Arts Emmy Awards.

Congratulations to
Matthew Lewis @mattlewisfilm
Lee Brown @_steadilee_
Pat Gillespie @patthegrip
Max Hodgkinson @max_onthedimmer
Sean Beasley @all_terrain_sean
Adam Farquharson @afarq87
Natasha Booluck @natasha_booluck
Divine Zaki @divine.z_k
Dan Wilkinson-Cain @dan_w_cain_dit

Well done gang, we did it!

@adolescence.netflix #netflix
#filmmaking #adolescence #emmy

Enola Holmes 3 - Main unit B Camera complete!!

A brilliant job in the studio and on location! This team worked so hard to make sure the cameras were ready for whatever the shoot needed and they did it efficiently. Even when temperatures were dancing around the 40°C mark.

I felt so well looked after! I couldn't have asked for a more supportive and kind bunch of people. There are so many cool photos I can't wait to show you, but for now, that's a picture wrap for EH3 and a wrap on my first MMP.

Xx

Enola Holmes 3 - Main unit B Camera complete!!

A brilliant job in the studio and on location! This team worked so hard to make sure the cameras were ready for whatever the shoot needed and they did it efficiently. Even when temperatures were dancing around the 40°C mark.

I felt so well looked after! I couldn't have asked for a more supportive and kind bunch of people. There are so many cool photos I can't wait to show you, but for now, that's a picture wrap for EH3 and a wrap on my first MMP.

Xx

Enola Holmes 3 - Main unit B Camera complete!!

A brilliant job in the studio and on location! This team worked so hard to make sure the cameras were ready for whatever the shoot needed and they did it efficiently. Even when temperatures were dancing around the 40°C mark.

I felt so well looked after! I couldn't have asked for a more supportive and kind bunch of people. There are so many cool photos I can't wait to show you, but for now, that's a picture wrap for EH3 and a wrap on my first MMP.

Xx

Enola Holmes 3 - Main unit B Camera complete!!

A brilliant job in the studio and on location! This team worked so hard to make sure the cameras were ready for whatever the shoot needed and they did it efficiently. Even when temperatures were dancing around the 40°C mark.

I felt so well looked after! I couldn't have asked for a more supportive and kind bunch of people. There are so many cool photos I can't wait to show you, but for now, that's a picture wrap for EH3 and a wrap on my first MMP.

Xx

Enola Holmes 3 - Main unit B Camera complete!!

A brilliant job in the studio and on location! This team worked so hard to make sure the cameras were ready for whatever the shoot needed and they did it efficiently. Even when temperatures were dancing around the 40°C mark.

I felt so well looked after! I couldn't have asked for a more supportive and kind bunch of people. There are so many cool photos I can't wait to show you, but for now, that's a picture wrap for EH3 and a wrap on my first MMP.

Xx

📸 @chrishudsn

The British Society of Cinematographers held a masterclass just over a week ago and we wanted to share photos from each session and thank all those that made it possible.

The first session we want to highlight is one designed by Catherine Goldschmidt ASC BSC (@cgdop). Catherine designed a workshop around movement and camerawork, creating three different shooting environments for the participants to work in. Joining her on the tutor side were Ashlea Downes Assoc ACO (@ashlea_downes) and Lee David Brown (@_steadilee_) – both incredible operators.

The set used was constructed by the hugely talented 1st Year Production Design students at the National Film and Television School (@nftsfilmtv). To make this workshop possible Arri Rental (@arri_rental)lent us an Alexa 65, Alexa 35 and Venice Mark 2 as well as a selection of incredible lenses. Joining us as DIT was Christopher Blythe (@christopher_blythe) who together with the support of Mission Digital (@missiondigital) were able to show the participants their footage and in ways they’d not previously thought of.

Joining the crew for this one was Ash Leontyne (Focus Puller), Oscar Rutishauser-Mills (Focus Puller), Josh Wooster (Focus Puller), Elliot Sebesteyen-Regan (Key Grip), Ralph Simmons (Trainee Grip), Larry Prinz (Gaffer), Brenden Freedman (Spark), Finley Norris (Spark) and Steven Boneham (Deputy Event Manager)

In addition to this we want to thank our actors Rachel Redford (@rachlredford), Eric Kole (@eric_kole), Lisa Diveney and Ragevan Vasan (@ragevan_vasan).

Our BSC Crew for this weekend were Beatrice da Gama, Sean Mackey, Ndrika Anyika, Essi Hyrkki, Jono Le Grice and Christopher Hudson.

Once again huge thanks to the National Film and Television School for playing host, Arri Rental and Mission Digital for not only their equipment but knowledge and to Katie, Ashlea, Elliot and Lee for donating their time.

@ashleontyne @oscarmills.ac @joshw.mov @elliotsebreg @ralphsimmonscam @brendenfreedman @sean.dop @ndrikaanyika @cine.bea @issessi @jonathon.legrice @chrishudsn @steveboneham

📸 @chrishudsn

The British Society of Cinematographers held a masterclass just over a week ago and we wanted to share photos from each session and thank all those that made it possible.

The first session we want to highlight is one designed by Catherine Goldschmidt ASC BSC (@cgdop). Catherine designed a workshop around movement and camerawork, creating three different shooting environments for the participants to work in. Joining her on the tutor side were Ashlea Downes Assoc ACO (@ashlea_downes) and Lee David Brown (@_steadilee_) – both incredible operators.

The set used was constructed by the hugely talented 1st Year Production Design students at the National Film and Television School (@nftsfilmtv). To make this workshop possible Arri Rental (@arri_rental)lent us an Alexa 65, Alexa 35 and Venice Mark 2 as well as a selection of incredible lenses. Joining us as DIT was Christopher Blythe (@christopher_blythe) who together with the support of Mission Digital (@missiondigital) were able to show the participants their footage and in ways they’d not previously thought of.

Joining the crew for this one was Ash Leontyne (Focus Puller), Oscar Rutishauser-Mills (Focus Puller), Josh Wooster (Focus Puller), Elliot Sebesteyen-Regan (Key Grip), Ralph Simmons (Trainee Grip), Larry Prinz (Gaffer), Brenden Freedman (Spark), Finley Norris (Spark) and Steven Boneham (Deputy Event Manager)

In addition to this we want to thank our actors Rachel Redford (@rachlredford), Eric Kole (@eric_kole), Lisa Diveney and Ragevan Vasan (@ragevan_vasan).

Our BSC Crew for this weekend were Beatrice da Gama, Sean Mackey, Ndrika Anyika, Essi Hyrkki, Jono Le Grice and Christopher Hudson.

Once again huge thanks to the National Film and Television School for playing host, Arri Rental and Mission Digital for not only their equipment but knowledge and to Katie, Ashlea, Elliot and Lee for donating their time.

@ashleontyne @oscarmills.ac @joshw.mov @elliotsebreg @ralphsimmonscam @brendenfreedman @sean.dop @ndrikaanyika @cine.bea @issessi @jonathon.legrice @chrishudsn @steveboneham

📸 @chrishudsn

The British Society of Cinematographers held a masterclass just over a week ago and we wanted to share photos from each session and thank all those that made it possible.

The first session we want to highlight is one designed by Catherine Goldschmidt ASC BSC (@cgdop). Catherine designed a workshop around movement and camerawork, creating three different shooting environments for the participants to work in. Joining her on the tutor side were Ashlea Downes Assoc ACO (@ashlea_downes) and Lee David Brown (@_steadilee_) – both incredible operators.

The set used was constructed by the hugely talented 1st Year Production Design students at the National Film and Television School (@nftsfilmtv). To make this workshop possible Arri Rental (@arri_rental)lent us an Alexa 65, Alexa 35 and Venice Mark 2 as well as a selection of incredible lenses. Joining us as DIT was Christopher Blythe (@christopher_blythe) who together with the support of Mission Digital (@missiondigital) were able to show the participants their footage and in ways they’d not previously thought of.

Joining the crew for this one was Ash Leontyne (Focus Puller), Oscar Rutishauser-Mills (Focus Puller), Josh Wooster (Focus Puller), Elliot Sebesteyen-Regan (Key Grip), Ralph Simmons (Trainee Grip), Larry Prinz (Gaffer), Brenden Freedman (Spark), Finley Norris (Spark) and Steven Boneham (Deputy Event Manager)

In addition to this we want to thank our actors Rachel Redford (@rachlredford), Eric Kole (@eric_kole), Lisa Diveney and Ragevan Vasan (@ragevan_vasan).

Our BSC Crew for this weekend were Beatrice da Gama, Sean Mackey, Ndrika Anyika, Essi Hyrkki, Jono Le Grice and Christopher Hudson.

Once again huge thanks to the National Film and Television School for playing host, Arri Rental and Mission Digital for not only their equipment but knowledge and to Katie, Ashlea, Elliot and Lee for donating their time.

@ashleontyne @oscarmills.ac @joshw.mov @elliotsebreg @ralphsimmonscam @brendenfreedman @sean.dop @ndrikaanyika @cine.bea @issessi @jonathon.legrice @chrishudsn @steveboneham

📸 @chrishudsn

The British Society of Cinematographers held a masterclass just over a week ago and we wanted to share photos from each session and thank all those that made it possible.

The first session we want to highlight is one designed by Catherine Goldschmidt ASC BSC (@cgdop). Catherine designed a workshop around movement and camerawork, creating three different shooting environments for the participants to work in. Joining her on the tutor side were Ashlea Downes Assoc ACO (@ashlea_downes) and Lee David Brown (@_steadilee_) – both incredible operators.

The set used was constructed by the hugely talented 1st Year Production Design students at the National Film and Television School (@nftsfilmtv). To make this workshop possible Arri Rental (@arri_rental)lent us an Alexa 65, Alexa 35 and Venice Mark 2 as well as a selection of incredible lenses. Joining us as DIT was Christopher Blythe (@christopher_blythe) who together with the support of Mission Digital (@missiondigital) were able to show the participants their footage and in ways they’d not previously thought of.

Joining the crew for this one was Ash Leontyne (Focus Puller), Oscar Rutishauser-Mills (Focus Puller), Josh Wooster (Focus Puller), Elliot Sebesteyen-Regan (Key Grip), Ralph Simmons (Trainee Grip), Larry Prinz (Gaffer), Brenden Freedman (Spark), Finley Norris (Spark) and Steven Boneham (Deputy Event Manager)

In addition to this we want to thank our actors Rachel Redford (@rachlredford), Eric Kole (@eric_kole), Lisa Diveney and Ragevan Vasan (@ragevan_vasan).

Our BSC Crew for this weekend were Beatrice da Gama, Sean Mackey, Ndrika Anyika, Essi Hyrkki, Jono Le Grice and Christopher Hudson.

Once again huge thanks to the National Film and Television School for playing host, Arri Rental and Mission Digital for not only their equipment but knowledge and to Katie, Ashlea, Elliot and Lee for donating their time.

@ashleontyne @oscarmills.ac @joshw.mov @elliotsebreg @ralphsimmonscam @brendenfreedman @sean.dop @ndrikaanyika @cine.bea @issessi @jonathon.legrice @chrishudsn @steveboneham

📸 @chrishudsn

The British Society of Cinematographers held a masterclass just over a week ago and we wanted to share photos from each session and thank all those that made it possible.

The first session we want to highlight is one designed by Catherine Goldschmidt ASC BSC (@cgdop). Catherine designed a workshop around movement and camerawork, creating three different shooting environments for the participants to work in. Joining her on the tutor side were Ashlea Downes Assoc ACO (@ashlea_downes) and Lee David Brown (@_steadilee_) – both incredible operators.

The set used was constructed by the hugely talented 1st Year Production Design students at the National Film and Television School (@nftsfilmtv). To make this workshop possible Arri Rental (@arri_rental)lent us an Alexa 65, Alexa 35 and Venice Mark 2 as well as a selection of incredible lenses. Joining us as DIT was Christopher Blythe (@christopher_blythe) who together with the support of Mission Digital (@missiondigital) were able to show the participants their footage and in ways they’d not previously thought of.

Joining the crew for this one was Ash Leontyne (Focus Puller), Oscar Rutishauser-Mills (Focus Puller), Josh Wooster (Focus Puller), Elliot Sebesteyen-Regan (Key Grip), Ralph Simmons (Trainee Grip), Larry Prinz (Gaffer), Brenden Freedman (Spark), Finley Norris (Spark) and Steven Boneham (Deputy Event Manager)

In addition to this we want to thank our actors Rachel Redford (@rachlredford), Eric Kole (@eric_kole), Lisa Diveney and Ragevan Vasan (@ragevan_vasan).

Our BSC Crew for this weekend were Beatrice da Gama, Sean Mackey, Ndrika Anyika, Essi Hyrkki, Jono Le Grice and Christopher Hudson.

Once again huge thanks to the National Film and Television School for playing host, Arri Rental and Mission Digital for not only their equipment but knowledge and to Katie, Ashlea, Elliot and Lee for donating their time.

@ashleontyne @oscarmills.ac @joshw.mov @elliotsebreg @ralphsimmonscam @brendenfreedman @sean.dop @ndrikaanyika @cine.bea @issessi @jonathon.legrice @chrishudsn @steveboneham

📸 @chrishudsn

The British Society of Cinematographers held a masterclass just over a week ago and we wanted to share photos from each session and thank all those that made it possible.

The first session we want to highlight is one designed by Catherine Goldschmidt ASC BSC (@cgdop). Catherine designed a workshop around movement and camerawork, creating three different shooting environments for the participants to work in. Joining her on the tutor side were Ashlea Downes Assoc ACO (@ashlea_downes) and Lee David Brown (@_steadilee_) – both incredible operators.

The set used was constructed by the hugely talented 1st Year Production Design students at the National Film and Television School (@nftsfilmtv). To make this workshop possible Arri Rental (@arri_rental)lent us an Alexa 65, Alexa 35 and Venice Mark 2 as well as a selection of incredible lenses. Joining us as DIT was Christopher Blythe (@christopher_blythe) who together with the support of Mission Digital (@missiondigital) were able to show the participants their footage and in ways they’d not previously thought of.

Joining the crew for this one was Ash Leontyne (Focus Puller), Oscar Rutishauser-Mills (Focus Puller), Josh Wooster (Focus Puller), Elliot Sebesteyen-Regan (Key Grip), Ralph Simmons (Trainee Grip), Larry Prinz (Gaffer), Brenden Freedman (Spark), Finley Norris (Spark) and Steven Boneham (Deputy Event Manager)

In addition to this we want to thank our actors Rachel Redford (@rachlredford), Eric Kole (@eric_kole), Lisa Diveney and Ragevan Vasan (@ragevan_vasan).

Our BSC Crew for this weekend were Beatrice da Gama, Sean Mackey, Ndrika Anyika, Essi Hyrkki, Jono Le Grice and Christopher Hudson.

Once again huge thanks to the National Film and Television School for playing host, Arri Rental and Mission Digital for not only their equipment but knowledge and to Katie, Ashlea, Elliot and Lee for donating their time.

@ashleontyne @oscarmills.ac @joshw.mov @elliotsebreg @ralphsimmonscam @brendenfreedman @sean.dop @ndrikaanyika @cine.bea @issessi @jonathon.legrice @chrishudsn @steveboneham

📸 @chrishudsn

The British Society of Cinematographers held a masterclass just over a week ago and we wanted to share photos from each session and thank all those that made it possible.

The first session we want to highlight is one designed by Catherine Goldschmidt ASC BSC (@cgdop). Catherine designed a workshop around movement and camerawork, creating three different shooting environments for the participants to work in. Joining her on the tutor side were Ashlea Downes Assoc ACO (@ashlea_downes) and Lee David Brown (@_steadilee_) – both incredible operators.

The set used was constructed by the hugely talented 1st Year Production Design students at the National Film and Television School (@nftsfilmtv). To make this workshop possible Arri Rental (@arri_rental)lent us an Alexa 65, Alexa 35 and Venice Mark 2 as well as a selection of incredible lenses. Joining us as DIT was Christopher Blythe (@christopher_blythe) who together with the support of Mission Digital (@missiondigital) were able to show the participants their footage and in ways they’d not previously thought of.

Joining the crew for this one was Ash Leontyne (Focus Puller), Oscar Rutishauser-Mills (Focus Puller), Josh Wooster (Focus Puller), Elliot Sebesteyen-Regan (Key Grip), Ralph Simmons (Trainee Grip), Larry Prinz (Gaffer), Brenden Freedman (Spark), Finley Norris (Spark) and Steven Boneham (Deputy Event Manager)

In addition to this we want to thank our actors Rachel Redford (@rachlredford), Eric Kole (@eric_kole), Lisa Diveney and Ragevan Vasan (@ragevan_vasan).

Our BSC Crew for this weekend were Beatrice da Gama, Sean Mackey, Ndrika Anyika, Essi Hyrkki, Jono Le Grice and Christopher Hudson.

Once again huge thanks to the National Film and Television School for playing host, Arri Rental and Mission Digital for not only their equipment but knowledge and to Katie, Ashlea, Elliot and Lee for donating their time.

@ashleontyne @oscarmills.ac @joshw.mov @elliotsebreg @ralphsimmonscam @brendenfreedman @sean.dop @ndrikaanyika @cine.bea @issessi @jonathon.legrice @chrishudsn @steveboneham

📸 @chrishudsn

The British Society of Cinematographers held a masterclass just over a week ago and we wanted to share photos from each session and thank all those that made it possible.

The first session we want to highlight is one designed by Catherine Goldschmidt ASC BSC (@cgdop). Catherine designed a workshop around movement and camerawork, creating three different shooting environments for the participants to work in. Joining her on the tutor side were Ashlea Downes Assoc ACO (@ashlea_downes) and Lee David Brown (@_steadilee_) – both incredible operators.

The set used was constructed by the hugely talented 1st Year Production Design students at the National Film and Television School (@nftsfilmtv). To make this workshop possible Arri Rental (@arri_rental)lent us an Alexa 65, Alexa 35 and Venice Mark 2 as well as a selection of incredible lenses. Joining us as DIT was Christopher Blythe (@christopher_blythe) who together with the support of Mission Digital (@missiondigital) were able to show the participants their footage and in ways they’d not previously thought of.

Joining the crew for this one was Ash Leontyne (Focus Puller), Oscar Rutishauser-Mills (Focus Puller), Josh Wooster (Focus Puller), Elliot Sebesteyen-Regan (Key Grip), Ralph Simmons (Trainee Grip), Larry Prinz (Gaffer), Brenden Freedman (Spark), Finley Norris (Spark) and Steven Boneham (Deputy Event Manager)

In addition to this we want to thank our actors Rachel Redford (@rachlredford), Eric Kole (@eric_kole), Lisa Diveney and Ragevan Vasan (@ragevan_vasan).

Our BSC Crew for this weekend were Beatrice da Gama, Sean Mackey, Ndrika Anyika, Essi Hyrkki, Jono Le Grice and Christopher Hudson.

Once again huge thanks to the National Film and Television School for playing host, Arri Rental and Mission Digital for not only their equipment but knowledge and to Katie, Ashlea, Elliot and Lee for donating their time.

@ashleontyne @oscarmills.ac @joshw.mov @elliotsebreg @ralphsimmonscam @brendenfreedman @sean.dop @ndrikaanyika @cine.bea @issessi @jonathon.legrice @chrishudsn @steveboneham

📸 @chrishudsn

The British Society of Cinematographers held a masterclass just over a week ago and we wanted to share photos from each session and thank all those that made it possible.

The first session we want to highlight is one designed by Catherine Goldschmidt ASC BSC (@cgdop). Catherine designed a workshop around movement and camerawork, creating three different shooting environments for the participants to work in. Joining her on the tutor side were Ashlea Downes Assoc ACO (@ashlea_downes) and Lee David Brown (@_steadilee_) – both incredible operators.

The set used was constructed by the hugely talented 1st Year Production Design students at the National Film and Television School (@nftsfilmtv). To make this workshop possible Arri Rental (@arri_rental)lent us an Alexa 65, Alexa 35 and Venice Mark 2 as well as a selection of incredible lenses. Joining us as DIT was Christopher Blythe (@christopher_blythe) who together with the support of Mission Digital (@missiondigital) were able to show the participants their footage and in ways they’d not previously thought of.

Joining the crew for this one was Ash Leontyne (Focus Puller), Oscar Rutishauser-Mills (Focus Puller), Josh Wooster (Focus Puller), Elliot Sebesteyen-Regan (Key Grip), Ralph Simmons (Trainee Grip), Larry Prinz (Gaffer), Brenden Freedman (Spark), Finley Norris (Spark) and Steven Boneham (Deputy Event Manager)

In addition to this we want to thank our actors Rachel Redford (@rachlredford), Eric Kole (@eric_kole), Lisa Diveney and Ragevan Vasan (@ragevan_vasan).

Our BSC Crew for this weekend were Beatrice da Gama, Sean Mackey, Ndrika Anyika, Essi Hyrkki, Jono Le Grice and Christopher Hudson.

Once again huge thanks to the National Film and Television School for playing host, Arri Rental and Mission Digital for not only their equipment but knowledge and to Katie, Ashlea, Elliot and Lee for donating their time.

@ashleontyne @oscarmills.ac @joshw.mov @elliotsebreg @ralphsimmonscam @brendenfreedman @sean.dop @ndrikaanyika @cine.bea @issessi @jonathon.legrice @chrishudsn @steveboneham

📸 @chrishudsn

The British Society of Cinematographers held a masterclass just over a week ago and we wanted to share photos from each session and thank all those that made it possible.

The first session we want to highlight is one designed by Catherine Goldschmidt ASC BSC (@cgdop). Catherine designed a workshop around movement and camerawork, creating three different shooting environments for the participants to work in. Joining her on the tutor side were Ashlea Downes Assoc ACO (@ashlea_downes) and Lee David Brown (@_steadilee_) – both incredible operators.

The set used was constructed by the hugely talented 1st Year Production Design students at the National Film and Television School (@nftsfilmtv). To make this workshop possible Arri Rental (@arri_rental)lent us an Alexa 65, Alexa 35 and Venice Mark 2 as well as a selection of incredible lenses. Joining us as DIT was Christopher Blythe (@christopher_blythe) who together with the support of Mission Digital (@missiondigital) were able to show the participants their footage and in ways they’d not previously thought of.

Joining the crew for this one was Ash Leontyne (Focus Puller), Oscar Rutishauser-Mills (Focus Puller), Josh Wooster (Focus Puller), Elliot Sebesteyen-Regan (Key Grip), Ralph Simmons (Trainee Grip), Larry Prinz (Gaffer), Brenden Freedman (Spark), Finley Norris (Spark) and Steven Boneham (Deputy Event Manager)

In addition to this we want to thank our actors Rachel Redford (@rachlredford), Eric Kole (@eric_kole), Lisa Diveney and Ragevan Vasan (@ragevan_vasan).

Our BSC Crew for this weekend were Beatrice da Gama, Sean Mackey, Ndrika Anyika, Essi Hyrkki, Jono Le Grice and Christopher Hudson.

Once again huge thanks to the National Film and Television School for playing host, Arri Rental and Mission Digital for not only their equipment but knowledge and to Katie, Ashlea, Elliot and Lee for donating their time.

@ashleontyne @oscarmills.ac @joshw.mov @elliotsebreg @ralphsimmonscam @brendenfreedman @sean.dop @ndrikaanyika @cine.bea @issessi @jonathon.legrice @chrishudsn @steveboneham

📸 @chrishudsn

The British Society of Cinematographers held a masterclass just over a week ago and we wanted to share photos from each session and thank all those that made it possible.

The first session we want to highlight is one designed by Catherine Goldschmidt ASC BSC (@cgdop). Catherine designed a workshop around movement and camerawork, creating three different shooting environments for the participants to work in. Joining her on the tutor side were Ashlea Downes Assoc ACO (@ashlea_downes) and Lee David Brown (@_steadilee_) – both incredible operators.

The set used was constructed by the hugely talented 1st Year Production Design students at the National Film and Television School (@nftsfilmtv). To make this workshop possible Arri Rental (@arri_rental)lent us an Alexa 65, Alexa 35 and Venice Mark 2 as well as a selection of incredible lenses. Joining us as DIT was Christopher Blythe (@christopher_blythe) who together with the support of Mission Digital (@missiondigital) were able to show the participants their footage and in ways they’d not previously thought of.

Joining the crew for this one was Ash Leontyne (Focus Puller), Oscar Rutishauser-Mills (Focus Puller), Josh Wooster (Focus Puller), Elliot Sebesteyen-Regan (Key Grip), Ralph Simmons (Trainee Grip), Larry Prinz (Gaffer), Brenden Freedman (Spark), Finley Norris (Spark) and Steven Boneham (Deputy Event Manager)

In addition to this we want to thank our actors Rachel Redford (@rachlredford), Eric Kole (@eric_kole), Lisa Diveney and Ragevan Vasan (@ragevan_vasan).

Our BSC Crew for this weekend were Beatrice da Gama, Sean Mackey, Ndrika Anyika, Essi Hyrkki, Jono Le Grice and Christopher Hudson.

Once again huge thanks to the National Film and Television School for playing host, Arri Rental and Mission Digital for not only their equipment but knowledge and to Katie, Ashlea, Elliot and Lee for donating their time.

@ashleontyne @oscarmills.ac @joshw.mov @elliotsebreg @ralphsimmonscam @brendenfreedman @sean.dop @ndrikaanyika @cine.bea @issessi @jonathon.legrice @chrishudsn @steveboneham

📸 @chrishudsn

The British Society of Cinematographers held a masterclass just over a week ago and we wanted to share photos from each session and thank all those that made it possible.

The first session we want to highlight is one designed by Catherine Goldschmidt ASC BSC (@cgdop). Catherine designed a workshop around movement and camerawork, creating three different shooting environments for the participants to work in. Joining her on the tutor side were Ashlea Downes Assoc ACO (@ashlea_downes) and Lee David Brown (@_steadilee_) – both incredible operators.

The set used was constructed by the hugely talented 1st Year Production Design students at the National Film and Television School (@nftsfilmtv). To make this workshop possible Arri Rental (@arri_rental)lent us an Alexa 65, Alexa 35 and Venice Mark 2 as well as a selection of incredible lenses. Joining us as DIT was Christopher Blythe (@christopher_blythe) who together with the support of Mission Digital (@missiondigital) were able to show the participants their footage and in ways they’d not previously thought of.

Joining the crew for this one was Ash Leontyne (Focus Puller), Oscar Rutishauser-Mills (Focus Puller), Josh Wooster (Focus Puller), Elliot Sebesteyen-Regan (Key Grip), Ralph Simmons (Trainee Grip), Larry Prinz (Gaffer), Brenden Freedman (Spark), Finley Norris (Spark) and Steven Boneham (Deputy Event Manager)

In addition to this we want to thank our actors Rachel Redford (@rachlredford), Eric Kole (@eric_kole), Lisa Diveney and Ragevan Vasan (@ragevan_vasan).

Our BSC Crew for this weekend were Beatrice da Gama, Sean Mackey, Ndrika Anyika, Essi Hyrkki, Jono Le Grice and Christopher Hudson.

Once again huge thanks to the National Film and Television School for playing host, Arri Rental and Mission Digital for not only their equipment but knowledge and to Katie, Ashlea, Elliot and Lee for donating their time.

@ashleontyne @oscarmills.ac @joshw.mov @elliotsebreg @ralphsimmonscam @brendenfreedman @sean.dop @ndrikaanyika @cine.bea @issessi @jonathon.legrice @chrishudsn @steveboneham

📸 @chrishudsn

The British Society of Cinematographers held a masterclass just over a week ago and we wanted to share photos from each session and thank all those that made it possible.

The first session we want to highlight is one designed by Catherine Goldschmidt ASC BSC (@cgdop). Catherine designed a workshop around movement and camerawork, creating three different shooting environments for the participants to work in. Joining her on the tutor side were Ashlea Downes Assoc ACO (@ashlea_downes) and Lee David Brown (@_steadilee_) – both incredible operators.

The set used was constructed by the hugely talented 1st Year Production Design students at the National Film and Television School (@nftsfilmtv). To make this workshop possible Arri Rental (@arri_rental)lent us an Alexa 65, Alexa 35 and Venice Mark 2 as well as a selection of incredible lenses. Joining us as DIT was Christopher Blythe (@christopher_blythe) who together with the support of Mission Digital (@missiondigital) were able to show the participants their footage and in ways they’d not previously thought of.

Joining the crew for this one was Ash Leontyne (Focus Puller), Oscar Rutishauser-Mills (Focus Puller), Josh Wooster (Focus Puller), Elliot Sebesteyen-Regan (Key Grip), Ralph Simmons (Trainee Grip), Larry Prinz (Gaffer), Brenden Freedman (Spark), Finley Norris (Spark) and Steven Boneham (Deputy Event Manager)

In addition to this we want to thank our actors Rachel Redford (@rachlredford), Eric Kole (@eric_kole), Lisa Diveney and Ragevan Vasan (@ragevan_vasan).

Our BSC Crew for this weekend were Beatrice da Gama, Sean Mackey, Ndrika Anyika, Essi Hyrkki, Jono Le Grice and Christopher Hudson.

Once again huge thanks to the National Film and Television School for playing host, Arri Rental and Mission Digital for not only their equipment but knowledge and to Katie, Ashlea, Elliot and Lee for donating their time.

@ashleontyne @oscarmills.ac @joshw.mov @elliotsebreg @ralphsimmonscam @brendenfreedman @sean.dop @ndrikaanyika @cine.bea @issessi @jonathon.legrice @chrishudsn @steveboneham

📸 @chrishudsn

The British Society of Cinematographers held a masterclass just over a week ago and we wanted to share photos from each session and thank all those that made it possible.

The first session we want to highlight is one designed by Catherine Goldschmidt ASC BSC (@cgdop). Catherine designed a workshop around movement and camerawork, creating three different shooting environments for the participants to work in. Joining her on the tutor side were Ashlea Downes Assoc ACO (@ashlea_downes) and Lee David Brown (@_steadilee_) – both incredible operators.

The set used was constructed by the hugely talented 1st Year Production Design students at the National Film and Television School (@nftsfilmtv). To make this workshop possible Arri Rental (@arri_rental)lent us an Alexa 65, Alexa 35 and Venice Mark 2 as well as a selection of incredible lenses. Joining us as DIT was Christopher Blythe (@christopher_blythe) who together with the support of Mission Digital (@missiondigital) were able to show the participants their footage and in ways they’d not previously thought of.

Joining the crew for this one was Ash Leontyne (Focus Puller), Oscar Rutishauser-Mills (Focus Puller), Josh Wooster (Focus Puller), Elliot Sebesteyen-Regan (Key Grip), Ralph Simmons (Trainee Grip), Larry Prinz (Gaffer), Brenden Freedman (Spark), Finley Norris (Spark) and Steven Boneham (Deputy Event Manager)

In addition to this we want to thank our actors Rachel Redford (@rachlredford), Eric Kole (@eric_kole), Lisa Diveney and Ragevan Vasan (@ragevan_vasan).

Our BSC Crew for this weekend were Beatrice da Gama, Sean Mackey, Ndrika Anyika, Essi Hyrkki, Jono Le Grice and Christopher Hudson.

Once again huge thanks to the National Film and Television School for playing host, Arri Rental and Mission Digital for not only their equipment but knowledge and to Katie, Ashlea, Elliot and Lee for donating their time.

@ashleontyne @oscarmills.ac @joshw.mov @elliotsebreg @ralphsimmonscam @brendenfreedman @sean.dop @ndrikaanyika @cine.bea @issessi @jonathon.legrice @chrishudsn @steveboneham

📸 @chrishudsn

The British Society of Cinematographers held a masterclass just over a week ago and we wanted to share photos from each session and thank all those that made it possible.

The first session we want to highlight is one designed by Catherine Goldschmidt ASC BSC (@cgdop). Catherine designed a workshop around movement and camerawork, creating three different shooting environments for the participants to work in. Joining her on the tutor side were Ashlea Downes Assoc ACO (@ashlea_downes) and Lee David Brown (@_steadilee_) – both incredible operators.

The set used was constructed by the hugely talented 1st Year Production Design students at the National Film and Television School (@nftsfilmtv). To make this workshop possible Arri Rental (@arri_rental)lent us an Alexa 65, Alexa 35 and Venice Mark 2 as well as a selection of incredible lenses. Joining us as DIT was Christopher Blythe (@christopher_blythe) who together with the support of Mission Digital (@missiondigital) were able to show the participants their footage and in ways they’d not previously thought of.

Joining the crew for this one was Ash Leontyne (Focus Puller), Oscar Rutishauser-Mills (Focus Puller), Josh Wooster (Focus Puller), Elliot Sebesteyen-Regan (Key Grip), Ralph Simmons (Trainee Grip), Larry Prinz (Gaffer), Brenden Freedman (Spark), Finley Norris (Spark) and Steven Boneham (Deputy Event Manager)

In addition to this we want to thank our actors Rachel Redford (@rachlredford), Eric Kole (@eric_kole), Lisa Diveney and Ragevan Vasan (@ragevan_vasan).

Our BSC Crew for this weekend were Beatrice da Gama, Sean Mackey, Ndrika Anyika, Essi Hyrkki, Jono Le Grice and Christopher Hudson.

Once again huge thanks to the National Film and Television School for playing host, Arri Rental and Mission Digital for not only their equipment but knowledge and to Katie, Ashlea, Elliot and Lee for donating their time.

@ashleontyne @oscarmills.ac @joshw.mov @elliotsebreg @ralphsimmonscam @brendenfreedman @sean.dop @ndrikaanyika @cine.bea @issessi @jonathon.legrice @chrishudsn @steveboneham

📸 @chrishudsn

The British Society of Cinematographers held a masterclass just over a week ago and we wanted to share photos from each session and thank all those that made it possible.

The first session we want to highlight is one designed by Catherine Goldschmidt ASC BSC (@cgdop). Catherine designed a workshop around movement and camerawork, creating three different shooting environments for the participants to work in. Joining her on the tutor side were Ashlea Downes Assoc ACO (@ashlea_downes) and Lee David Brown (@_steadilee_) – both incredible operators.

The set used was constructed by the hugely talented 1st Year Production Design students at the National Film and Television School (@nftsfilmtv). To make this workshop possible Arri Rental (@arri_rental)lent us an Alexa 65, Alexa 35 and Venice Mark 2 as well as a selection of incredible lenses. Joining us as DIT was Christopher Blythe (@christopher_blythe) who together with the support of Mission Digital (@missiondigital) were able to show the participants their footage and in ways they’d not previously thought of.

Joining the crew for this one was Ash Leontyne (Focus Puller), Oscar Rutishauser-Mills (Focus Puller), Josh Wooster (Focus Puller), Elliot Sebesteyen-Regan (Key Grip), Ralph Simmons (Trainee Grip), Larry Prinz (Gaffer), Brenden Freedman (Spark), Finley Norris (Spark) and Steven Boneham (Deputy Event Manager)

In addition to this we want to thank our actors Rachel Redford (@rachlredford), Eric Kole (@eric_kole), Lisa Diveney and Ragevan Vasan (@ragevan_vasan).

Our BSC Crew for this weekend were Beatrice da Gama, Sean Mackey, Ndrika Anyika, Essi Hyrkki, Jono Le Grice and Christopher Hudson.

Once again huge thanks to the National Film and Television School for playing host, Arri Rental and Mission Digital for not only their equipment but knowledge and to Katie, Ashlea, Elliot and Lee for donating their time.

@ashleontyne @oscarmills.ac @joshw.mov @elliotsebreg @ralphsimmonscam @brendenfreedman @sean.dop @ndrikaanyika @cine.bea @issessi @jonathon.legrice @chrishudsn @steveboneham

📸 @chrishudsn

The British Society of Cinematographers held a masterclass just over a week ago and we wanted to share photos from each session and thank all those that made it possible.

The first session we want to highlight is one designed by Catherine Goldschmidt ASC BSC (@cgdop). Catherine designed a workshop around movement and camerawork, creating three different shooting environments for the participants to work in. Joining her on the tutor side were Ashlea Downes Assoc ACO (@ashlea_downes) and Lee David Brown (@_steadilee_) – both incredible operators.

The set used was constructed by the hugely talented 1st Year Production Design students at the National Film and Television School (@nftsfilmtv). To make this workshop possible Arri Rental (@arri_rental)lent us an Alexa 65, Alexa 35 and Venice Mark 2 as well as a selection of incredible lenses. Joining us as DIT was Christopher Blythe (@christopher_blythe) who together with the support of Mission Digital (@missiondigital) were able to show the participants their footage and in ways they’d not previously thought of.

Joining the crew for this one was Ash Leontyne (Focus Puller), Oscar Rutishauser-Mills (Focus Puller), Josh Wooster (Focus Puller), Elliot Sebesteyen-Regan (Key Grip), Ralph Simmons (Trainee Grip), Larry Prinz (Gaffer), Brenden Freedman (Spark), Finley Norris (Spark) and Steven Boneham (Deputy Event Manager)

In addition to this we want to thank our actors Rachel Redford (@rachlredford), Eric Kole (@eric_kole), Lisa Diveney and Ragevan Vasan (@ragevan_vasan).

Our BSC Crew for this weekend were Beatrice da Gama, Sean Mackey, Ndrika Anyika, Essi Hyrkki, Jono Le Grice and Christopher Hudson.

Once again huge thanks to the National Film and Television School for playing host, Arri Rental and Mission Digital for not only their equipment but knowledge and to Katie, Ashlea, Elliot and Lee for donating their time.

@ashleontyne @oscarmills.ac @joshw.mov @elliotsebreg @ralphsimmonscam @brendenfreedman @sean.dop @ndrikaanyika @cine.bea @issessi @jonathon.legrice @chrishudsn @steveboneham

📸 @chrishudsn

The British Society of Cinematographers held a masterclass just over a week ago and we wanted to share photos from each session and thank all those that made it possible.

The first session we want to highlight is one designed by Catherine Goldschmidt ASC BSC (@cgdop). Catherine designed a workshop around movement and camerawork, creating three different shooting environments for the participants to work in. Joining her on the tutor side were Ashlea Downes Assoc ACO (@ashlea_downes) and Lee David Brown (@_steadilee_) – both incredible operators.

The set used was constructed by the hugely talented 1st Year Production Design students at the National Film and Television School (@nftsfilmtv). To make this workshop possible Arri Rental (@arri_rental)lent us an Alexa 65, Alexa 35 and Venice Mark 2 as well as a selection of incredible lenses. Joining us as DIT was Christopher Blythe (@christopher_blythe) who together with the support of Mission Digital (@missiondigital) were able to show the participants their footage and in ways they’d not previously thought of.

Joining the crew for this one was Ash Leontyne (Focus Puller), Oscar Rutishauser-Mills (Focus Puller), Josh Wooster (Focus Puller), Elliot Sebesteyen-Regan (Key Grip), Ralph Simmons (Trainee Grip), Larry Prinz (Gaffer), Brenden Freedman (Spark), Finley Norris (Spark) and Steven Boneham (Deputy Event Manager)

In addition to this we want to thank our actors Rachel Redford (@rachlredford), Eric Kole (@eric_kole), Lisa Diveney and Ragevan Vasan (@ragevan_vasan).

Our BSC Crew for this weekend were Beatrice da Gama, Sean Mackey, Ndrika Anyika, Essi Hyrkki, Jono Le Grice and Christopher Hudson.

Once again huge thanks to the National Film and Television School for playing host, Arri Rental and Mission Digital for not only their equipment but knowledge and to Katie, Ashlea, Elliot and Lee for donating their time.

@ashleontyne @oscarmills.ac @joshw.mov @elliotsebreg @ralphsimmonscam @brendenfreedman @sean.dop @ndrikaanyika @cine.bea @issessi @jonathon.legrice @chrishudsn @steveboneham

📸 @chrishudsn

The British Society of Cinematographers held a masterclass just over a week ago and we wanted to share photos from each session and thank all those that made it possible.

The first session we want to highlight is one designed by Catherine Goldschmidt ASC BSC (@cgdop). Catherine designed a workshop around movement and camerawork, creating three different shooting environments for the participants to work in. Joining her on the tutor side were Ashlea Downes Assoc ACO (@ashlea_downes) and Lee David Brown (@_steadilee_) – both incredible operators.

The set used was constructed by the hugely talented 1st Year Production Design students at the National Film and Television School (@nftsfilmtv). To make this workshop possible Arri Rental (@arri_rental)lent us an Alexa 65, Alexa 35 and Venice Mark 2 as well as a selection of incredible lenses. Joining us as DIT was Christopher Blythe (@christopher_blythe) who together with the support of Mission Digital (@missiondigital) were able to show the participants their footage and in ways they’d not previously thought of.

Joining the crew for this one was Ash Leontyne (Focus Puller), Oscar Rutishauser-Mills (Focus Puller), Josh Wooster (Focus Puller), Elliot Sebesteyen-Regan (Key Grip), Ralph Simmons (Trainee Grip), Larry Prinz (Gaffer), Brenden Freedman (Spark), Finley Norris (Spark) and Steven Boneham (Deputy Event Manager)

In addition to this we want to thank our actors Rachel Redford (@rachlredford), Eric Kole (@eric_kole), Lisa Diveney and Ragevan Vasan (@ragevan_vasan).

Our BSC Crew for this weekend were Beatrice da Gama, Sean Mackey, Ndrika Anyika, Essi Hyrkki, Jono Le Grice and Christopher Hudson.

Once again huge thanks to the National Film and Television School for playing host, Arri Rental and Mission Digital for not only their equipment but knowledge and to Katie, Ashlea, Elliot and Lee for donating their time.

@ashleontyne @oscarmills.ac @joshw.mov @elliotsebreg @ralphsimmonscam @brendenfreedman @sean.dop @ndrikaanyika @cine.bea @issessi @jonathon.legrice @chrishudsn @steveboneham

📸 @chrishudsn

The British Society of Cinematographers held a masterclass just over a week ago and we wanted to share photos from each session and thank all those that made it possible.

The first session we want to highlight is one designed by Catherine Goldschmidt ASC BSC (@cgdop). Catherine designed a workshop around movement and camerawork, creating three different shooting environments for the participants to work in. Joining her on the tutor side were Ashlea Downes Assoc ACO (@ashlea_downes) and Lee David Brown (@_steadilee_) – both incredible operators.

The set used was constructed by the hugely talented 1st Year Production Design students at the National Film and Television School (@nftsfilmtv). To make this workshop possible Arri Rental (@arri_rental)lent us an Alexa 65, Alexa 35 and Venice Mark 2 as well as a selection of incredible lenses. Joining us as DIT was Christopher Blythe (@christopher_blythe) who together with the support of Mission Digital (@missiondigital) were able to show the participants their footage and in ways they’d not previously thought of.

Joining the crew for this one was Ash Leontyne (Focus Puller), Oscar Rutishauser-Mills (Focus Puller), Josh Wooster (Focus Puller), Elliot Sebesteyen-Regan (Key Grip), Ralph Simmons (Trainee Grip), Larry Prinz (Gaffer), Brenden Freedman (Spark), Finley Norris (Spark) and Steven Boneham (Deputy Event Manager)

In addition to this we want to thank our actors Rachel Redford (@rachlredford), Eric Kole (@eric_kole), Lisa Diveney and Ragevan Vasan (@ragevan_vasan).

Our BSC Crew for this weekend were Beatrice da Gama, Sean Mackey, Ndrika Anyika, Essi Hyrkki, Jono Le Grice and Christopher Hudson.

Once again huge thanks to the National Film and Television School for playing host, Arri Rental and Mission Digital for not only their equipment but knowledge and to Katie, Ashlea, Elliot and Lee for donating their time.

@ashleontyne @oscarmills.ac @joshw.mov @elliotsebreg @ralphsimmonscam @brendenfreedman @sean.dop @ndrikaanyika @cine.bea @issessi @jonathon.legrice @chrishudsn @steveboneham

NOTE - 1 ticket left! (details below)

We are delighted to announce the final roster for next weekends BSC Masterclass:

As previously announced we are delighted to be joined by Catherine Goldschmidt ASC BSC (@cgdop), Ben Fordesman BSC (@fordesman), Suzie Lavelle BSC ISC (@suziecine), Bradford Young ASC and Jakob Ihre FSF.

We can also announce that Christopher Ross BSC (@edjibevel), Stephan Pehrsson BSC (@stephan.pehrsson), Newton Thomas Sigel ASC, Ashlea Downes Assoc ACO (@ashlea_downes) and Lee David Brown (@_steadilee_) will be joining us!

The event is held at the National Film and Television School in Beaconsfield, using the school's state-of-the-art facilities.

If you would like a ticket to the event running 3-5th May you can purchase by emailing duncan@bscine.com. Please be aware there is only 1 ticket left and tickets are limited to 22 to ensure teaching is 1-1. Tickets are £1500 for the three-day event and includes Food and Drink as well as a drinks reception.

#Cinematography#Cinematographer #Cinema #DOP #Avengers #Shogun #Adolenscene

NOTE - 1 ticket left! (details below)

We are delighted to announce the final roster for next weekends BSC Masterclass:

As previously announced we are delighted to be joined by Catherine Goldschmidt ASC BSC (@cgdop), Ben Fordesman BSC (@fordesman), Suzie Lavelle BSC ISC (@suziecine), Bradford Young ASC and Jakob Ihre FSF.

We can also announce that Christopher Ross BSC (@edjibevel), Stephan Pehrsson BSC (@stephan.pehrsson), Newton Thomas Sigel ASC, Ashlea Downes Assoc ACO (@ashlea_downes) and Lee David Brown (@_steadilee_) will be joining us!

The event is held at the National Film and Television School in Beaconsfield, using the school's state-of-the-art facilities.

If you would like a ticket to the event running 3-5th May you can purchase by emailing duncan@bscine.com. Please be aware there is only 1 ticket left and tickets are limited to 22 to ensure teaching is 1-1. Tickets are £1500 for the three-day event and includes Food and Drink as well as a drinks reception.

#Cinematography#Cinematographer #Cinema #DOP #Avengers #Shogun #Adolenscene

NOTE - 1 ticket left! (details below)

We are delighted to announce the final roster for next weekends BSC Masterclass:

As previously announced we are delighted to be joined by Catherine Goldschmidt ASC BSC (@cgdop), Ben Fordesman BSC (@fordesman), Suzie Lavelle BSC ISC (@suziecine), Bradford Young ASC and Jakob Ihre FSF.

We can also announce that Christopher Ross BSC (@edjibevel), Stephan Pehrsson BSC (@stephan.pehrsson), Newton Thomas Sigel ASC, Ashlea Downes Assoc ACO (@ashlea_downes) and Lee David Brown (@_steadilee_) will be joining us!

The event is held at the National Film and Television School in Beaconsfield, using the school's state-of-the-art facilities.

If you would like a ticket to the event running 3-5th May you can purchase by emailing duncan@bscine.com. Please be aware there is only 1 ticket left and tickets are limited to 22 to ensure teaching is 1-1. Tickets are £1500 for the three-day event and includes Food and Drink as well as a drinks reception.

#Cinematography#Cinematographer #Cinema #DOP #Avengers #Shogun #Adolenscene

NOTE - 1 ticket left! (details below)

We are delighted to announce the final roster for next weekends BSC Masterclass:

As previously announced we are delighted to be joined by Catherine Goldschmidt ASC BSC (@cgdop), Ben Fordesman BSC (@fordesman), Suzie Lavelle BSC ISC (@suziecine), Bradford Young ASC and Jakob Ihre FSF.

We can also announce that Christopher Ross BSC (@edjibevel), Stephan Pehrsson BSC (@stephan.pehrsson), Newton Thomas Sigel ASC, Ashlea Downes Assoc ACO (@ashlea_downes) and Lee David Brown (@_steadilee_) will be joining us!

The event is held at the National Film and Television School in Beaconsfield, using the school's state-of-the-art facilities.

If you would like a ticket to the event running 3-5th May you can purchase by emailing duncan@bscine.com. Please be aware there is only 1 ticket left and tickets are limited to 22 to ensure teaching is 1-1. Tickets are £1500 for the three-day event and includes Food and Drink as well as a drinks reception.

#Cinematography#Cinematographer #Cinema #DOP #Avengers #Shogun #Adolenscene

NOTE - 1 ticket left! (details below)

We are delighted to announce the final roster for next weekends BSC Masterclass:

As previously announced we are delighted to be joined by Catherine Goldschmidt ASC BSC (@cgdop), Ben Fordesman BSC (@fordesman), Suzie Lavelle BSC ISC (@suziecine), Bradford Young ASC and Jakob Ihre FSF.

We can also announce that Christopher Ross BSC (@edjibevel), Stephan Pehrsson BSC (@stephan.pehrsson), Newton Thomas Sigel ASC, Ashlea Downes Assoc ACO (@ashlea_downes) and Lee David Brown (@_steadilee_) will be joining us!

The event is held at the National Film and Television School in Beaconsfield, using the school's state-of-the-art facilities.

If you would like a ticket to the event running 3-5th May you can purchase by emailing duncan@bscine.com. Please be aware there is only 1 ticket left and tickets are limited to 22 to ensure teaching is 1-1. Tickets are £1500 for the three-day event and includes Food and Drink as well as a drinks reception.

#Cinematography#Cinematographer #Cinema #DOP #Avengers #Shogun #Adolenscene

NOTE - 1 ticket left! (details below)

We are delighted to announce the final roster for next weekends BSC Masterclass:

As previously announced we are delighted to be joined by Catherine Goldschmidt ASC BSC (@cgdop), Ben Fordesman BSC (@fordesman), Suzie Lavelle BSC ISC (@suziecine), Bradford Young ASC and Jakob Ihre FSF.

We can also announce that Christopher Ross BSC (@edjibevel), Stephan Pehrsson BSC (@stephan.pehrsson), Newton Thomas Sigel ASC, Ashlea Downes Assoc ACO (@ashlea_downes) and Lee David Brown (@_steadilee_) will be joining us!

The event is held at the National Film and Television School in Beaconsfield, using the school's state-of-the-art facilities.

If you would like a ticket to the event running 3-5th May you can purchase by emailing duncan@bscine.com. Please be aware there is only 1 ticket left and tickets are limited to 22 to ensure teaching is 1-1. Tickets are £1500 for the three-day event and includes Food and Drink as well as a drinks reception.

#Cinematography#Cinematographer #Cinema #DOP #Avengers #Shogun #Adolenscene

NOTE - 1 ticket left! (details below)

We are delighted to announce the final roster for next weekends BSC Masterclass:

As previously announced we are delighted to be joined by Catherine Goldschmidt ASC BSC (@cgdop), Ben Fordesman BSC (@fordesman), Suzie Lavelle BSC ISC (@suziecine), Bradford Young ASC and Jakob Ihre FSF.

We can also announce that Christopher Ross BSC (@edjibevel), Stephan Pehrsson BSC (@stephan.pehrsson), Newton Thomas Sigel ASC, Ashlea Downes Assoc ACO (@ashlea_downes) and Lee David Brown (@_steadilee_) will be joining us!

The event is held at the National Film and Television School in Beaconsfield, using the school's state-of-the-art facilities.

If you would like a ticket to the event running 3-5th May you can purchase by emailing duncan@bscine.com. Please be aware there is only 1 ticket left and tickets are limited to 22 to ensure teaching is 1-1. Tickets are £1500 for the three-day event and includes Food and Drink as well as a drinks reception.

#Cinematography#Cinematographer #Cinema #DOP #Avengers #Shogun #Adolenscene

NOTE - 1 ticket left! (details below)

We are delighted to announce the final roster for next weekends BSC Masterclass:

As previously announced we are delighted to be joined by Catherine Goldschmidt ASC BSC (@cgdop), Ben Fordesman BSC (@fordesman), Suzie Lavelle BSC ISC (@suziecine), Bradford Young ASC and Jakob Ihre FSF.

We can also announce that Christopher Ross BSC (@edjibevel), Stephan Pehrsson BSC (@stephan.pehrsson), Newton Thomas Sigel ASC, Ashlea Downes Assoc ACO (@ashlea_downes) and Lee David Brown (@_steadilee_) will be joining us!

The event is held at the National Film and Television School in Beaconsfield, using the school's state-of-the-art facilities.

If you would like a ticket to the event running 3-5th May you can purchase by emailing duncan@bscine.com. Please be aware there is only 1 ticket left and tickets are limited to 22 to ensure teaching is 1-1. Tickets are £1500 for the three-day event and includes Food and Drink as well as a drinks reception.

#Cinematography#Cinematographer #Cinema #DOP #Avengers #Shogun #Adolenscene

NOTE - 1 ticket left! (details below)

We are delighted to announce the final roster for next weekends BSC Masterclass:

As previously announced we are delighted to be joined by Catherine Goldschmidt ASC BSC (@cgdop), Ben Fordesman BSC (@fordesman), Suzie Lavelle BSC ISC (@suziecine), Bradford Young ASC and Jakob Ihre FSF.

We can also announce that Christopher Ross BSC (@edjibevel), Stephan Pehrsson BSC (@stephan.pehrsson), Newton Thomas Sigel ASC, Ashlea Downes Assoc ACO (@ashlea_downes) and Lee David Brown (@_steadilee_) will be joining us!

The event is held at the National Film and Television School in Beaconsfield, using the school's state-of-the-art facilities.

If you would like a ticket to the event running 3-5th May you can purchase by emailing duncan@bscine.com. Please be aware there is only 1 ticket left and tickets are limited to 22 to ensure teaching is 1-1. Tickets are £1500 for the three-day event and includes Food and Drink as well as a drinks reception.

#Cinematography#Cinematographer #Cinema #DOP #Avengers #Shogun #Adolenscene

NOTE - 1 ticket left! (details below)

We are delighted to announce the final roster for next weekends BSC Masterclass:

As previously announced we are delighted to be joined by Catherine Goldschmidt ASC BSC (@cgdop), Ben Fordesman BSC (@fordesman), Suzie Lavelle BSC ISC (@suziecine), Bradford Young ASC and Jakob Ihre FSF.

We can also announce that Christopher Ross BSC (@edjibevel), Stephan Pehrsson BSC (@stephan.pehrsson), Newton Thomas Sigel ASC, Ashlea Downes Assoc ACO (@ashlea_downes) and Lee David Brown (@_steadilee_) will be joining us!

The event is held at the National Film and Television School in Beaconsfield, using the school's state-of-the-art facilities.

If you would like a ticket to the event running 3-5th May you can purchase by emailing duncan@bscine.com. Please be aware there is only 1 ticket left and tickets are limited to 22 to ensure teaching is 1-1. Tickets are £1500 for the three-day event and includes Food and Drink as well as a drinks reception.

#Cinematography#Cinematographer #Cinema #DOP #Avengers #Shogun #Adolenscene

That Window shot….

Episode 2 Adolescence.

What an amazing time with an amazing bunch of people.

@mattlewisfilm
@_steadilee_
@all_terrain_sean
@afarq87
@natasha_booluck
@patthegrip
@benjakandhisgrippack
@asherblythen

And so many more

#adolescence #adolescencenetflix #gimbal #dji #ronin4d8k #cinematographer #cameraoperators #droneshot #drones #gimbaloperator #tv #tvdrama #netflix #grip #trackingvehicle #camera #behindthecamera #behindthescenes
#bts

A lot of people asking how the window shot in Adolescence was done, I’ve found some more BTS courtesy of @_steadilee_#adolescence #adolescencenetflix #netflix #filmmaking

It turns out, you guys are very much still interested 😅

So here we are battling the winds to rehearse getting the camera into the sky. I still can’t believe we put this at the end of a 45 minute oner and I am beyond grateful for the smart minds that all helped us get off the ground.

Here’s to this lot:
@patthegrip @asherblythen @benjakandhisgrippack@jdcameraop @baaz.cole @thehelicoptergirls @griphausltd @all_terrain_sean @afarq87 @_steadilee_ ❤️