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Highlighting the incredible work from our Display Type class, Fall 2025!

🔥🔥🔥

Suyeko by Sarah Auches @type.btch

Suyeko is a sans serif, italic typeface that takes cues from handwriting. It aims to make text feel warm, soft, and digestible for readers. The project began with a collection of the designer’s grandmother’s handwritten post-its and recipe notes, whose casual forms retain traces of the cursive style she grew up writing. Through experimentation and refinement, Suyeko explores how memory, preservation, and semi-cursive gestures can inform contemporary type design without directly mimicking handwriting.

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Sarah Auches (they/them) is a graphic and typeface designer supporting work that builds accessible resources in collaboration with advocates, organizers, and local communities across New York City; Lenapehoking, the unceded homeland of the Lenape people. They are developing a practice as a type designer and hope to expand their skills and knowledge with a focus on supporting Indigenous languages and writing systems of North America.

💙 Each Friday we’ll be highlight two projects from our class and you can check out the whole showcase on our website and instagram @displaytypedesign (Link in bio)

Huge thanks to our students for their dedication and creativity!

Special thanks to our Fall 2025 instructors Juan Villanueva @juan_kafka and Corinne Ang @corinne_ang_

We’re grateful to our office-hour guests Noah Lee @sokehstudio and Mariana Navarro @mariananavarro.lettering, and our guest critics Betsy Schuster @queertype.co and Bea Korsch

And thank you to everyone supporting our scholarship program! Your generosity helps open doors for more emerging type designers.

Highlighting the incredible work from our Display Type class, Fall 2025!

🔥🔥🔥

Suyeko by Sarah Auches @type.btch

Suyeko is a sans serif, italic typeface that takes cues from handwriting. It aims to make text feel warm, soft, and digestible for readers. The project began with a collection of the designer’s grandmother’s handwritten post-its and recipe notes, whose casual forms retain traces of the cursive style she grew up writing. Through experimentation and refinement, Suyeko explores how memory, preservation, and semi-cursive gestures can inform contemporary type design without directly mimicking handwriting.

✨✨✨

Sarah Auches (they/them) is a graphic and typeface designer supporting work that builds accessible resources in collaboration with advocates, organizers, and local communities across New York City; Lenapehoking, the unceded homeland of the Lenape people. They are developing a practice as a type designer and hope to expand their skills and knowledge with a focus on supporting Indigenous languages and writing systems of North America.

💙 Each Friday we’ll be highlight two projects from our class and you can check out the whole showcase on our website and instagram @displaytypedesign (Link in bio)

Huge thanks to our students for their dedication and creativity!

Special thanks to our Fall 2025 instructors Juan Villanueva @juan_kafka and Corinne Ang @corinne_ang_

We’re grateful to our office-hour guests Noah Lee @sokehstudio and Mariana Navarro @mariananavarro.lettering, and our guest critics Betsy Schuster @queertype.co and Bea Korsch

And thank you to everyone supporting our scholarship program! Your generosity helps open doors for more emerging type designers.

Highlighting the incredible work from our Display Type class, Fall 2025!

🔥🔥🔥

Suyeko by Sarah Auches @type.btch

Suyeko is a sans serif, italic typeface that takes cues from handwriting. It aims to make text feel warm, soft, and digestible for readers. The project began with a collection of the designer’s grandmother’s handwritten post-its and recipe notes, whose casual forms retain traces of the cursive style she grew up writing. Through experimentation and refinement, Suyeko explores how memory, preservation, and semi-cursive gestures can inform contemporary type design without directly mimicking handwriting.

✨✨✨

Sarah Auches (they/them) is a graphic and typeface designer supporting work that builds accessible resources in collaboration with advocates, organizers, and local communities across New York City; Lenapehoking, the unceded homeland of the Lenape people. They are developing a practice as a type designer and hope to expand their skills and knowledge with a focus on supporting Indigenous languages and writing systems of North America.

💙 Each Friday we’ll be highlight two projects from our class and you can check out the whole showcase on our website and instagram @displaytypedesign (Link in bio)

Huge thanks to our students for their dedication and creativity!

Special thanks to our Fall 2025 instructors Juan Villanueva @juan_kafka and Corinne Ang @corinne_ang_

We’re grateful to our office-hour guests Noah Lee @sokehstudio and Mariana Navarro @mariananavarro.lettering, and our guest critics Betsy Schuster @queertype.co and Bea Korsch

And thank you to everyone supporting our scholarship program! Your generosity helps open doors for more emerging type designers.

Highlighting the incredible work from our Display Type class, Fall 2025!

🔥🔥🔥

Suyeko by Sarah Auches @type.btch

Suyeko is a sans serif, italic typeface that takes cues from handwriting. It aims to make text feel warm, soft, and digestible for readers. The project began with a collection of the designer’s grandmother’s handwritten post-its and recipe notes, whose casual forms retain traces of the cursive style she grew up writing. Through experimentation and refinement, Suyeko explores how memory, preservation, and semi-cursive gestures can inform contemporary type design without directly mimicking handwriting.

✨✨✨

Sarah Auches (they/them) is a graphic and typeface designer supporting work that builds accessible resources in collaboration with advocates, organizers, and local communities across New York City; Lenapehoking, the unceded homeland of the Lenape people. They are developing a practice as a type designer and hope to expand their skills and knowledge with a focus on supporting Indigenous languages and writing systems of North America.

💙 Each Friday we’ll be highlight two projects from our class and you can check out the whole showcase on our website and instagram @displaytypedesign (Link in bio)

Huge thanks to our students for their dedication and creativity!

Special thanks to our Fall 2025 instructors Juan Villanueva @juan_kafka and Corinne Ang @corinne_ang_

We’re grateful to our office-hour guests Noah Lee @sokehstudio and Mariana Navarro @mariananavarro.lettering, and our guest critics Betsy Schuster @queertype.co and Bea Korsch

And thank you to everyone supporting our scholarship program! Your generosity helps open doors for more emerging type designers.

Highlighting the incredible work from our Display Type class, Fall 2025!

🔥🔥🔥

Suyeko by Sarah Auches @type.btch

Suyeko is a sans serif, italic typeface that takes cues from handwriting. It aims to make text feel warm, soft, and digestible for readers. The project began with a collection of the designer’s grandmother’s handwritten post-its and recipe notes, whose casual forms retain traces of the cursive style she grew up writing. Through experimentation and refinement, Suyeko explores how memory, preservation, and semi-cursive gestures can inform contemporary type design without directly mimicking handwriting.

✨✨✨

Sarah Auches (they/them) is a graphic and typeface designer supporting work that builds accessible resources in collaboration with advocates, organizers, and local communities across New York City; Lenapehoking, the unceded homeland of the Lenape people. They are developing a practice as a type designer and hope to expand their skills and knowledge with a focus on supporting Indigenous languages and writing systems of North America.

💙 Each Friday we’ll be highlight two projects from our class and you can check out the whole showcase on our website and instagram @displaytypedesign (Link in bio)

Huge thanks to our students for their dedication and creativity!

Special thanks to our Fall 2025 instructors Juan Villanueva @juan_kafka and Corinne Ang @corinne_ang_

We’re grateful to our office-hour guests Noah Lee @sokehstudio and Mariana Navarro @mariananavarro.lettering, and our guest critics Betsy Schuster @queertype.co and Bea Korsch

And thank you to everyone supporting our scholarship program! Your generosity helps open doors for more emerging type designers.

Highlighting the incredible work from our Display Type class, Fall 2025!

🔥🔥🔥

Suyeko by Sarah Auches @type.btch

Suyeko is a sans serif, italic typeface that takes cues from handwriting. It aims to make text feel warm, soft, and digestible for readers. The project began with a collection of the designer’s grandmother’s handwritten post-its and recipe notes, whose casual forms retain traces of the cursive style she grew up writing. Through experimentation and refinement, Suyeko explores how memory, preservation, and semi-cursive gestures can inform contemporary type design without directly mimicking handwriting.

✨✨✨

Sarah Auches (they/them) is a graphic and typeface designer supporting work that builds accessible resources in collaboration with advocates, organizers, and local communities across New York City; Lenapehoking, the unceded homeland of the Lenape people. They are developing a practice as a type designer and hope to expand their skills and knowledge with a focus on supporting Indigenous languages and writing systems of North America.

💙 Each Friday we’ll be highlight two projects from our class and you can check out the whole showcase on our website and instagram @displaytypedesign (Link in bio)

Huge thanks to our students for their dedication and creativity!

Special thanks to our Fall 2025 instructors Juan Villanueva @juan_kafka and Corinne Ang @corinne_ang_

We’re grateful to our office-hour guests Noah Lee @sokehstudio and Mariana Navarro @mariananavarro.lettering, and our guest critics Betsy Schuster @queertype.co and Bea Korsch

And thank you to everyone supporting our scholarship program! Your generosity helps open doors for more emerging type designers.

Highlighting the incredible work from our Display Type class, Fall 2025!

🔥🔥🔥

Suyeko by Sarah Auches @type.btch

Suyeko is a sans serif, italic typeface that takes cues from handwriting. It aims to make text feel warm, soft, and digestible for readers. The project began with a collection of the designer’s grandmother’s handwritten post-its and recipe notes, whose casual forms retain traces of the cursive style she grew up writing. Through experimentation and refinement, Suyeko explores how memory, preservation, and semi-cursive gestures can inform contemporary type design without directly mimicking handwriting.

✨✨✨

Sarah Auches (they/them) is a graphic and typeface designer supporting work that builds accessible resources in collaboration with advocates, organizers, and local communities across New York City; Lenapehoking, the unceded homeland of the Lenape people. They are developing a practice as a type designer and hope to expand their skills and knowledge with a focus on supporting Indigenous languages and writing systems of North America.

💙 Each Friday we’ll be highlight two projects from our class and you can check out the whole showcase on our website and instagram @displaytypedesign (Link in bio)

Huge thanks to our students for their dedication and creativity!

Special thanks to our Fall 2025 instructors Juan Villanueva @juan_kafka and Corinne Ang @corinne_ang_

We’re grateful to our office-hour guests Noah Lee @sokehstudio and Mariana Navarro @mariananavarro.lettering, and our guest critics Betsy Schuster @queertype.co and Bea Korsch

And thank you to everyone supporting our scholarship program! Your generosity helps open doors for more emerging type designers.

Highlighting the incredible work from our Display Type class, Fall 2025!

🔥🔥🔥

Suyeko by Sarah Auches @type.btch

Suyeko is a sans serif, italic typeface that takes cues from handwriting. It aims to make text feel warm, soft, and digestible for readers. The project began with a collection of the designer’s grandmother’s handwritten post-its and recipe notes, whose casual forms retain traces of the cursive style she grew up writing. Through experimentation and refinement, Suyeko explores how memory, preservation, and semi-cursive gestures can inform contemporary type design without directly mimicking handwriting.

✨✨✨

Sarah Auches (they/them) is a graphic and typeface designer supporting work that builds accessible resources in collaboration with advocates, organizers, and local communities across New York City; Lenapehoking, the unceded homeland of the Lenape people. They are developing a practice as a type designer and hope to expand their skills and knowledge with a focus on supporting Indigenous languages and writing systems of North America.

💙 Each Friday we’ll be highlight two projects from our class and you can check out the whole showcase on our website and instagram @displaytypedesign (Link in bio)

Huge thanks to our students for their dedication and creativity!

Special thanks to our Fall 2025 instructors Juan Villanueva @juan_kafka and Corinne Ang @corinne_ang_

We’re grateful to our office-hour guests Noah Lee @sokehstudio and Mariana Navarro @mariananavarro.lettering, and our guest critics Betsy Schuster @queertype.co and Bea Korsch

And thank you to everyone supporting our scholarship program! Your generosity helps open doors for more emerging type designers.

Highlighting the incredible work from our Display Type class, Fall 2025!

🔥🔥🔥

Suyeko by Sarah Auches @type.btch

Suyeko is a sans serif, italic typeface that takes cues from handwriting. It aims to make text feel warm, soft, and digestible for readers. The project began with a collection of the designer’s grandmother’s handwritten post-its and recipe notes, whose casual forms retain traces of the cursive style she grew up writing. Through experimentation and refinement, Suyeko explores how memory, preservation, and semi-cursive gestures can inform contemporary type design without directly mimicking handwriting.

✨✨✨

Sarah Auches (they/them) is a graphic and typeface designer supporting work that builds accessible resources in collaboration with advocates, organizers, and local communities across New York City; Lenapehoking, the unceded homeland of the Lenape people. They are developing a practice as a type designer and hope to expand their skills and knowledge with a focus on supporting Indigenous languages and writing systems of North America.

💙 Each Friday we’ll be highlight two projects from our class and you can check out the whole showcase on our website and instagram @displaytypedesign (Link in bio)

Huge thanks to our students for their dedication and creativity!

Special thanks to our Fall 2025 instructors Juan Villanueva @juan_kafka and Corinne Ang @corinne_ang_

We’re grateful to our office-hour guests Noah Lee @sokehstudio and Mariana Navarro @mariananavarro.lettering, and our guest critics Betsy Schuster @queertype.co and Bea Korsch

And thank you to everyone supporting our scholarship program! Your generosity helps open doors for more emerging type designers.

Highlighting the incredible work from our Display Type class, Fall 2025!

🔥🔥🔥

Suyeko by Sarah Auches @type.btch

Suyeko is a sans serif, italic typeface that takes cues from handwriting. It aims to make text feel warm, soft, and digestible for readers. The project began with a collection of the designer’s grandmother’s handwritten post-its and recipe notes, whose casual forms retain traces of the cursive style she grew up writing. Through experimentation and refinement, Suyeko explores how memory, preservation, and semi-cursive gestures can inform contemporary type design without directly mimicking handwriting.

✨✨✨

Sarah Auches (they/them) is a graphic and typeface designer supporting work that builds accessible resources in collaboration with advocates, organizers, and local communities across New York City; Lenapehoking, the unceded homeland of the Lenape people. They are developing a practice as a type designer and hope to expand their skills and knowledge with a focus on supporting Indigenous languages and writing systems of North America.

💙 Each Friday we’ll be highlight two projects from our class and you can check out the whole showcase on our website and instagram @displaytypedesign (Link in bio)

Huge thanks to our students for their dedication and creativity!

Special thanks to our Fall 2025 instructors Juan Villanueva @juan_kafka and Corinne Ang @corinne_ang_

We’re grateful to our office-hour guests Noah Lee @sokehstudio and Mariana Navarro @mariananavarro.lettering, and our guest critics Betsy Schuster @queertype.co and Bea Korsch

And thank you to everyone supporting our scholarship program! Your generosity helps open doors for more emerging type designers.

First look at a little (6”x9”) book project for the lovely people of the Neighborhood Advocacy program of Legal Services of Eastern Missouri documenting 5 years of dedicated labor and love.

Put Pastiche Grotesque by @btuttle and Actual by @fffffabifabiola to good use for this one ✨

Endless thanks to @leffell.koren and @audhubs for saving my buttt with rapid fire printing questions and moral support❣️And thanks to @noahjodice for connecting me with @ahhhna and the rest of the team 💜

First look at a little (6”x9”) book project for the lovely people of the Neighborhood Advocacy program of Legal Services of Eastern Missouri documenting 5 years of dedicated labor and love.

Put Pastiche Grotesque by @btuttle and Actual by @fffffabifabiola to good use for this one ✨

Endless thanks to @leffell.koren and @audhubs for saving my buttt with rapid fire printing questions and moral support❣️And thanks to @noahjodice for connecting me with @ahhhna and the rest of the team 💜

First look at a little (6”x9”) book project for the lovely people of the Neighborhood Advocacy program of Legal Services of Eastern Missouri documenting 5 years of dedicated labor and love.

Put Pastiche Grotesque by @btuttle and Actual by @fffffabifabiola to good use for this one ✨

Endless thanks to @leffell.koren and @audhubs for saving my buttt with rapid fire printing questions and moral support❣️And thanks to @noahjodice for connecting me with @ahhhna and the rest of the team 💜

Last one for now 💫❣️

Our plans for Alizeh are still developing, but keep a lookout for a new black weight coming soon. For more info on Alizeh’s future release and trial options, contact me at sarahauches@gmail.com

Thanks for being here!

Last one for now 💫❣️

Our plans for Alizeh are still developing, but keep a lookout for a new black weight coming soon. For more info on Alizeh’s future release and trial options, contact me at sarahauches@gmail.com

Thanks for being here!

Last one for now 💫❣️

Our plans for Alizeh are still developing, but keep a lookout for a new black weight coming soon. For more info on Alizeh’s future release and trial options, contact me at sarahauches@gmail.com

Thanks for being here!

Work in-progress: Alizeh 🌱

Alizeh’s distinctly condensed forms includes playful ball terminals and delicate curves, giving the typeface a distinct combination of elegance and command for display applications. Its notched-ink traps breathe a contemporary feel into the original source.

Expanded character set and language support in the works!

Work in-progress: Alizeh 🌱

Alizeh’s distinctly condensed forms includes playful ball terminals and delicate curves, giving the typeface a distinct combination of elegance and command for display applications. Its notched-ink traps breathe a contemporary feel into the original source.

Expanded character set and language support in the works!

Work in-progress: Alizeh 🌱

Alizeh’s distinctly condensed forms includes playful ball terminals and delicate curves, giving the typeface a distinct combination of elegance and command for display applications. Its notched-ink traps breathe a contemporary feel into the original source.

Expanded character set and language support in the works!

Work in-progress: Alizeh 🌱

Alizeh’s distinctly condensed forms includes playful ball terminals and delicate curves, giving the typeface a distinct combination of elegance and command for display applications. Its notched-ink traps breathe a contemporary feel into the original source.

Expanded character set and language support in the works!

So excited to introduce Alizeh, one of our works in-progress in its latest form.

Alizeh is a revival and ode to its original source of Leipzig-based foundry Schelter & Giesecke’s 1819 specimen catalogue. One of the earliest published “egyptiennes” of a German-speaking foundry, this source served as the first reference for Alizeh’s condensed profile. 

In tribute to Schelter & Giesecke’s history as part of the GDR’s only nationalized state-owned foundry, Alizeh’s specimen materials include artifacts from the years prior to the fall of the Berlin Wall.

So excited to introduce Alizeh, one of our works in-progress in its latest form.

Alizeh is a revival and ode to its original source of Leipzig-based foundry Schelter & Giesecke’s 1819 specimen catalogue. One of the earliest published “egyptiennes” of a German-speaking foundry, this source served as the first reference for Alizeh’s condensed profile. 

In tribute to Schelter & Giesecke’s history as part of the GDR’s only nationalized state-owned foundry, Alizeh’s specimen materials include artifacts from the years prior to the fall of the Berlin Wall.

So excited to introduce Alizeh, one of our works in-progress in its latest form.

Alizeh is a revival and ode to its original source of Leipzig-based foundry Schelter & Giesecke’s 1819 specimen catalogue. One of the earliest published “egyptiennes” of a German-speaking foundry, this source served as the first reference for Alizeh’s condensed profile. 

In tribute to Schelter & Giesecke’s history as part of the GDR’s only nationalized state-owned foundry, Alizeh’s specimen materials include artifacts from the years prior to the fall of the Berlin Wall.

So excited to introduce Alizeh, one of our works in-progress in its latest form.

Alizeh is a revival and ode to its original source of Leipzig-based foundry Schelter & Giesecke’s 1819 specimen catalogue. One of the earliest published “egyptiennes” of a German-speaking foundry, this source served as the first reference for Alizeh’s condensed profile. 

In tribute to Schelter & Giesecke’s history as part of the GDR’s only nationalized state-owned foundry, Alizeh’s specimen materials include artifacts from the years prior to the fall of the Berlin Wall.

New .ufo in progress ✨😌

HTML/CSS/JS ➡️ Photoshop ➡️ Instagram 🔄

Some silly colorful outtakes from first month with @lokimon check them out 💚

Working on something new ✨ Inspired by the cover type of The Curious Lore of Precious Stones (1913) by George Frederick Kunz.

made some cute lil collateral in @leffell.koren’s branding studio for a hypothetical revival and lecture series held at the site of the Woolworth’s store in San Francisco opened from 1952-1997. The identity references the store’s layered histories and its lunch counter as a site of ongoing violence and contestation prior to and during the Civil Rights movement.

made some cute lil collateral in @leffell.koren’s branding studio for a hypothetical revival and lecture series held at the site of the Woolworth’s store in San Francisco opened from 1952-1997. The identity references the store’s layered histories and its lunch counter as a site of ongoing violence and contestation prior to and during the Civil Rights movement.

made some cute lil collateral in @leffell.koren’s branding studio for a hypothetical revival and lecture series held at the site of the Woolworth’s store in San Francisco opened from 1952-1997. The identity references the store’s layered histories and its lunch counter as a site of ongoing violence and contestation prior to and during the Civil Rights movement.

made some cute lil collateral in @leffell.koren’s branding studio for a hypothetical revival and lecture series held at the site of the Woolworth’s store in San Francisco opened from 1952-1997. The identity references the store’s layered histories and its lunch counter as a site of ongoing violence and contestation prior to and during the Civil Rights movement.

made some cute lil collateral in @leffell.koren’s branding studio for a hypothetical revival and lecture series held at the site of the Woolworth’s store in San Francisco opened from 1952-1997. The identity references the store’s layered histories and its lunch counter as a site of ongoing violence and contestation prior to and during the Civil Rights movement.

Drew some type from a stained glass window ✨

Drew some type from a stained glass window ✨

Drew some type from a stained glass window ✨

Drew some type from a stained glass window ✨

Was such a lovely time working on Alizeh, named for a best friend of a best friend, designed in @ben_kiel’s typeface design class. A revival of a metal typeface first published in 1819, Alizeh is made to sit best on flyer and small scale poster materials.

Was such a lovely time working on Alizeh, named for a best friend of a best friend, designed in @ben_kiel’s typeface design class. A revival of a metal typeface first published in 1819, Alizeh is made to sit best on flyer and small scale poster materials.

Was such a lovely time working on Alizeh, named for a best friend of a best friend, designed in @ben_kiel’s typeface design class. A revival of a metal typeface first published in 1819, Alizeh is made to sit best on flyer and small scale poster materials.

Was such a lovely time working on Alizeh, named for a best friend of a best friend, designed in @ben_kiel’s typeface design class. A revival of a metal typeface first published in 1819, Alizeh is made to sit best on flyer and small scale poster materials.

Was such a lovely time working on Alizeh, named for a best friend of a best friend, designed in @ben_kiel’s typeface design class. A revival of a metal typeface first published in 1819, Alizeh is made to sit best on flyer and small scale poster materials.

Was such a lovely time working on Alizeh, named for a best friend of a best friend, designed in @ben_kiel’s typeface design class. A revival of a metal typeface first published in 1819, Alizeh is made to sit best on flyer and small scale poster materials.