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timives
Tim Ives, ASC
Cinematographer
@remindersofhimmovie @strangerthingstv @loveanddeathhbo @margaretmovie @fosseverdonfx @halstonnetflix @weweretheluckyoneshulu
Reminders of Him premieres March 13. It’s a beautiful story directed by @vanessacaswill from a book by @colleenhoover . Filmed in Alberta Canada spring.summer 2025.
Shotdeck x ASC Lookback: Tim Ives, ASC @timives
A New York native, Ives began shooting at age seven with a Kodak X-15 and built his career through music videos, commercials and independent features before transitioning into long-form storytelling with Dinner Rush. He went on to lens pilots including Kingpin, Blue Bloods and Mr. Robot, and has shot series such as How to Make It in America, Girls and Power, and David Byrne’s American Utopia.
Ives served as director of photography on the first three seasons of Stranger Things, earning Emmy nominations in 2017 and 2018 for Outstanding Cinematography for a Single-Camera Series (One Hour).
See more of his shots on ShotDeck and read more at TheASC.com.
#ASC #AmericanCinematographer #ShotDeck #TimIves #StrangerThings #Cinematography
Shotdeck x ASC Lookback: Tim Ives, ASC @timives
A New York native, Ives began shooting at age seven with a Kodak X-15 and built his career through music videos, commercials and independent features before transitioning into long-form storytelling with Dinner Rush. He went on to lens pilots including Kingpin, Blue Bloods and Mr. Robot, and has shot series such as How to Make It in America, Girls and Power, and David Byrne’s American Utopia.
Ives served as director of photography on the first three seasons of Stranger Things, earning Emmy nominations in 2017 and 2018 for Outstanding Cinematography for a Single-Camera Series (One Hour).
See more of his shots on ShotDeck and read more at TheASC.com.
#ASC #AmericanCinematographer #ShotDeck #TimIves #StrangerThings #Cinematography
Shotdeck x ASC Lookback: Tim Ives, ASC @timives
A New York native, Ives began shooting at age seven with a Kodak X-15 and built his career through music videos, commercials and independent features before transitioning into long-form storytelling with Dinner Rush. He went on to lens pilots including Kingpin, Blue Bloods and Mr. Robot, and has shot series such as How to Make It in America, Girls and Power, and David Byrne’s American Utopia.
Ives served as director of photography on the first three seasons of Stranger Things, earning Emmy nominations in 2017 and 2018 for Outstanding Cinematography for a Single-Camera Series (One Hour).
See more of his shots on ShotDeck and read more at TheASC.com.
#ASC #AmericanCinematographer #ShotDeck #TimIves #StrangerThings #Cinematography
Shotdeck x ASC Lookback: Tim Ives, ASC @timives
A New York native, Ives began shooting at age seven with a Kodak X-15 and built his career through music videos, commercials and independent features before transitioning into long-form storytelling with Dinner Rush. He went on to lens pilots including Kingpin, Blue Bloods and Mr. Robot, and has shot series such as How to Make It in America, Girls and Power, and David Byrne’s American Utopia.
Ives served as director of photography on the first three seasons of Stranger Things, earning Emmy nominations in 2017 and 2018 for Outstanding Cinematography for a Single-Camera Series (One Hour).
See more of his shots on ShotDeck and read more at TheASC.com.
#ASC #AmericanCinematographer #ShotDeck #TimIves #StrangerThings #Cinematography
Shotdeck x ASC Lookback: Tim Ives, ASC @timives
A New York native, Ives began shooting at age seven with a Kodak X-15 and built his career through music videos, commercials and independent features before transitioning into long-form storytelling with Dinner Rush. He went on to lens pilots including Kingpin, Blue Bloods and Mr. Robot, and has shot series such as How to Make It in America, Girls and Power, and David Byrne’s American Utopia.
Ives served as director of photography on the first three seasons of Stranger Things, earning Emmy nominations in 2017 and 2018 for Outstanding Cinematography for a Single-Camera Series (One Hour).
See more of his shots on ShotDeck and read more at TheASC.com.
#ASC #AmericanCinematographer #ShotDeck #TimIves #StrangerThings #Cinematography
Shotdeck x ASC Lookback: Tim Ives, ASC @timives
A New York native, Ives began shooting at age seven with a Kodak X-15 and built his career through music videos, commercials and independent features before transitioning into long-form storytelling with Dinner Rush. He went on to lens pilots including Kingpin, Blue Bloods and Mr. Robot, and has shot series such as How to Make It in America, Girls and Power, and David Byrne’s American Utopia.
Ives served as director of photography on the first three seasons of Stranger Things, earning Emmy nominations in 2017 and 2018 for Outstanding Cinematography for a Single-Camera Series (One Hour).
See more of his shots on ShotDeck and read more at TheASC.com.
#ASC #AmericanCinematographer #ShotDeck #TimIves #StrangerThings #Cinematography
Shotdeck x ASC Lookback: Tim Ives, ASC @timives
A New York native, Ives began shooting at age seven with a Kodak X-15 and built his career through music videos, commercials and independent features before transitioning into long-form storytelling with Dinner Rush. He went on to lens pilots including Kingpin, Blue Bloods and Mr. Robot, and has shot series such as How to Make It in America, Girls and Power, and David Byrne’s American Utopia.
Ives served as director of photography on the first three seasons of Stranger Things, earning Emmy nominations in 2017 and 2018 for Outstanding Cinematography for a Single-Camera Series (One Hour).
See more of his shots on ShotDeck and read more at TheASC.com.
#ASC #AmericanCinematographer #ShotDeck #TimIves #StrangerThings #Cinematography
Shotdeck x ASC Lookback: Tim Ives, ASC @timives
A New York native, Ives began shooting at age seven with a Kodak X-15 and built his career through music videos, commercials and independent features before transitioning into long-form storytelling with Dinner Rush. He went on to lens pilots including Kingpin, Blue Bloods and Mr. Robot, and has shot series such as How to Make It in America, Girls and Power, and David Byrne’s American Utopia.
Ives served as director of photography on the first three seasons of Stranger Things, earning Emmy nominations in 2017 and 2018 for Outstanding Cinematography for a Single-Camera Series (One Hour).
See more of his shots on ShotDeck and read more at TheASC.com.
#ASC #AmericanCinematographer #ShotDeck #TimIves #StrangerThings #Cinematography
Shotdeck x ASC Lookback: Tim Ives, ASC @timives
A New York native, Ives began shooting at age seven with a Kodak X-15 and built his career through music videos, commercials and independent features before transitioning into long-form storytelling with Dinner Rush. He went on to lens pilots including Kingpin, Blue Bloods and Mr. Robot, and has shot series such as How to Make It in America, Girls and Power, and David Byrne’s American Utopia.
Ives served as director of photography on the first three seasons of Stranger Things, earning Emmy nominations in 2017 and 2018 for Outstanding Cinematography for a Single-Camera Series (One Hour).
See more of his shots on ShotDeck and read more at TheASC.com.
#ASC #AmericanCinematographer #ShotDeck #TimIves #StrangerThings #Cinematography
Shotdeck x ASC Lookback: Tim Ives, ASC @timives
A New York native, Ives began shooting at age seven with a Kodak X-15 and built his career through music videos, commercials and independent features before transitioning into long-form storytelling with Dinner Rush. He went on to lens pilots including Kingpin, Blue Bloods and Mr. Robot, and has shot series such as How to Make It in America, Girls and Power, and David Byrne’s American Utopia.
Ives served as director of photography on the first three seasons of Stranger Things, earning Emmy nominations in 2017 and 2018 for Outstanding Cinematography for a Single-Camera Series (One Hour).
See more of his shots on ShotDeck and read more at TheASC.com.
#ASC #AmericanCinematographer #ShotDeck #TimIves #StrangerThings #Cinematography
Shotdeck x ASC Lookback: Tim Ives, ASC @timives
A New York native, Ives began shooting at age seven with a Kodak X-15 and built his career through music videos, commercials and independent features before transitioning into long-form storytelling with Dinner Rush. He went on to lens pilots including Kingpin, Blue Bloods and Mr. Robot, and has shot series such as How to Make It in America, Girls and Power, and David Byrne’s American Utopia.
Ives served as director of photography on the first three seasons of Stranger Things, earning Emmy nominations in 2017 and 2018 for Outstanding Cinematography for a Single-Camera Series (One Hour).
See more of his shots on ShotDeck and read more at TheASC.com.
#ASC #AmericanCinematographer #ShotDeck #TimIves #StrangerThings #Cinematography
Shotdeck x ASC Lookback: Tim Ives, ASC @timives
A New York native, Ives began shooting at age seven with a Kodak X-15 and built his career through music videos, commercials and independent features before transitioning into long-form storytelling with Dinner Rush. He went on to lens pilots including Kingpin, Blue Bloods and Mr. Robot, and has shot series such as How to Make It in America, Girls and Power, and David Byrne’s American Utopia.
Ives served as director of photography on the first three seasons of Stranger Things, earning Emmy nominations in 2017 and 2018 for Outstanding Cinematography for a Single-Camera Series (One Hour).
See more of his shots on ShotDeck and read more at TheASC.com.
#ASC #AmericanCinematographer #ShotDeck #TimIves #StrangerThings #Cinematography
Shotdeck x ASC Lookback: Tim Ives, ASC @timives
A New York native, Ives began shooting at age seven with a Kodak X-15 and built his career through music videos, commercials and independent features before transitioning into long-form storytelling with Dinner Rush. He went on to lens pilots including Kingpin, Blue Bloods and Mr. Robot, and has shot series such as How to Make It in America, Girls and Power, and David Byrne’s American Utopia.
Ives served as director of photography on the first three seasons of Stranger Things, earning Emmy nominations in 2017 and 2018 for Outstanding Cinematography for a Single-Camera Series (One Hour).
See more of his shots on ShotDeck and read more at TheASC.com.
#ASC #AmericanCinematographer #ShotDeck #TimIves #StrangerThings #Cinematography
Shotdeck x ASC Lookback: Tim Ives, ASC @timives
A New York native, Ives began shooting at age seven with a Kodak X-15 and built his career through music videos, commercials and independent features before transitioning into long-form storytelling with Dinner Rush. He went on to lens pilots including Kingpin, Blue Bloods and Mr. Robot, and has shot series such as How to Make It in America, Girls and Power, and David Byrne’s American Utopia.
Ives served as director of photography on the first three seasons of Stranger Things, earning Emmy nominations in 2017 and 2018 for Outstanding Cinematography for a Single-Camera Series (One Hour).
See more of his shots on ShotDeck and read more at TheASC.com.
#ASC #AmericanCinematographer #ShotDeck #TimIves #StrangerThings #Cinematography
Shotdeck x ASC Lookback: Tim Ives, ASC @timives
A New York native, Ives began shooting at age seven with a Kodak X-15 and built his career through music videos, commercials and independent features before transitioning into long-form storytelling with Dinner Rush. He went on to lens pilots including Kingpin, Blue Bloods and Mr. Robot, and has shot series such as How to Make It in America, Girls and Power, and David Byrne’s American Utopia.
Ives served as director of photography on the first three seasons of Stranger Things, earning Emmy nominations in 2017 and 2018 for Outstanding Cinematography for a Single-Camera Series (One Hour).
See more of his shots on ShotDeck and read more at TheASC.com.
#ASC #AmericanCinematographer #ShotDeck #TimIves #StrangerThings #Cinematography
Shotdeck x ASC Lookback: Tim Ives, ASC @timives
A New York native, Ives began shooting at age seven with a Kodak X-15 and built his career through music videos, commercials and independent features before transitioning into long-form storytelling with Dinner Rush. He went on to lens pilots including Kingpin, Blue Bloods and Mr. Robot, and has shot series such as How to Make It in America, Girls and Power, and David Byrne’s American Utopia.
Ives served as director of photography on the first three seasons of Stranger Things, earning Emmy nominations in 2017 and 2018 for Outstanding Cinematography for a Single-Camera Series (One Hour).
See more of his shots on ShotDeck and read more at TheASC.com.
#ASC #AmericanCinematographer #ShotDeck #TimIves #StrangerThings #Cinematography
Shotdeck x ASC Lookback: Tim Ives, ASC @timives
A New York native, Ives began shooting at age seven with a Kodak X-15 and built his career through music videos, commercials and independent features before transitioning into long-form storytelling with Dinner Rush. He went on to lens pilots including Kingpin, Blue Bloods and Mr. Robot, and has shot series such as How to Make It in America, Girls and Power, and David Byrne’s American Utopia.
Ives served as director of photography on the first three seasons of Stranger Things, earning Emmy nominations in 2017 and 2018 for Outstanding Cinematography for a Single-Camera Series (One Hour).
See more of his shots on ShotDeck and read more at TheASC.com.
#ASC #AmericanCinematographer #ShotDeck #TimIves #StrangerThings #Cinematography
Shotdeck x ASC Lookback: Tim Ives, ASC @timives
A New York native, Ives began shooting at age seven with a Kodak X-15 and built his career through music videos, commercials and independent features before transitioning into long-form storytelling with Dinner Rush. He went on to lens pilots including Kingpin, Blue Bloods and Mr. Robot, and has shot series such as How to Make It in America, Girls and Power, and David Byrne’s American Utopia.
Ives served as director of photography on the first three seasons of Stranger Things, earning Emmy nominations in 2017 and 2018 for Outstanding Cinematography for a Single-Camera Series (One Hour).
See more of his shots on ShotDeck and read more at TheASC.com.
#ASC #AmericanCinematographer #ShotDeck #TimIves #StrangerThings #Cinematography
Shotdeck x ASC Lookback: Tim Ives, ASC @timives
A New York native, Ives began shooting at age seven with a Kodak X-15 and built his career through music videos, commercials and independent features before transitioning into long-form storytelling with Dinner Rush. He went on to lens pilots including Kingpin, Blue Bloods and Mr. Robot, and has shot series such as How to Make It in America, Girls and Power, and David Byrne’s American Utopia.
Ives served as director of photography on the first three seasons of Stranger Things, earning Emmy nominations in 2017 and 2018 for Outstanding Cinematography for a Single-Camera Series (One Hour).
See more of his shots on ShotDeck and read more at TheASC.com.
#ASC #AmericanCinematographer #ShotDeck #TimIves #StrangerThings #Cinematography
Shotdeck x ASC Lookback: Tim Ives, ASC @timives
A New York native, Ives began shooting at age seven with a Kodak X-15 and built his career through music videos, commercials and independent features before transitioning into long-form storytelling with Dinner Rush. He went on to lens pilots including Kingpin, Blue Bloods and Mr. Robot, and has shot series such as How to Make It in America, Girls and Power, and David Byrne’s American Utopia.
Ives served as director of photography on the first three seasons of Stranger Things, earning Emmy nominations in 2017 and 2018 for Outstanding Cinematography for a Single-Camera Series (One Hour).
See more of his shots on ShotDeck and read more at TheASC.com.
#ASC #AmericanCinematographer #ShotDeck #TimIves #StrangerThings #Cinematography
As the Seahawks celebrate their Super Bowl victory, we’re shouting out former Seattle legend Marshawn Lynch, who brought Beast Mode to Eenie Meanie.
Director | @the_king_of_brockton
DP | @timives
Post Supervisor | Jennifer Lane
Color, VFX, & Sound by Harbor
Colorist | @romanhankewycz
VFX | Chris Mackenzie, Michelle Perkowski, @andrewbrueck
Photo by @zacpopik
Now that WWTLO’s has aired I can show some of my favorite stills taken with my M11 while filming this incredible true story @weweretheluckyoneshulu last year in Romania and Spain. @leica_camera
Now that WWTLO’s has aired I can show some of my favorite stills taken with my M11 while filming this incredible true story @weweretheluckyoneshulu last year in Romania and Spain. @leica_camera
Now that WWTLO’s has aired I can show some of my favorite stills taken with my M11 while filming this incredible true story @weweretheluckyoneshulu last year in Romania and Spain. @leica_camera
Now that WWTLO’s has aired I can show some of my favorite stills taken with my M11 while filming this incredible true story @weweretheluckyoneshulu last year in Romania and Spain. @leica_camera
Now that WWTLO’s has aired I can show some of my favorite stills taken with my M11 while filming this incredible true story @weweretheluckyoneshulu last year in Romania and Spain. @leica_camera
Now that WWTLO’s has aired I can show some of my favorite stills taken with my M11 while filming this incredible true story @weweretheluckyoneshulu last year in Romania and Spain. @leica_camera
Now that WWTLO’s has aired I can show some of my favorite stills taken with my M11 while filming this incredible true story @weweretheluckyoneshulu last year in Romania and Spain. @leica_camera
Now that WWTLO’s has aired I can show some of my favorite stills taken with my M11 while filming this incredible true story @weweretheluckyoneshulu last year in Romania and Spain. @leica_camera
Now that WWTLO’s has aired I can show some of my favorite stills taken with my M11 while filming this incredible true story @weweretheluckyoneshulu last year in Romania and Spain. @leica_camera
Now that WWTLO’s has aired I can show some of my favorite stills taken with my M11 while filming this incredible true story @weweretheluckyoneshulu last year in Romania and Spain. @leica_camera
Some of my favorite shots I made last year on myM11. 1,4 & 5 in Bucharest. 2,3,6 & 7 NYC.
Some of my favorite shots I made last year on myM11. 1,4 & 5 in Bucharest. 2,3,6 & 7 NYC.
Some of my favorite shots I made last year on myM11. 1,4 & 5 in Bucharest. 2,3,6 & 7 NYC.
Some of my favorite shots I made last year on myM11. 1,4 & 5 in Bucharest. 2,3,6 & 7 NYC.
Some of my favorite shots I made last year on myM11. 1,4 & 5 in Bucharest. 2,3,6 & 7 NYC.
Some of my favorite shots I made last year on myM11. 1,4 & 5 in Bucharest. 2,3,6 & 7 NYC.
Some of my favorite shots I made last year on myM11. 1,4 & 5 in Bucharest. 2,3,6 & 7 NYC.
These two are keepers leading up to Hurricane Lee passing by. Both taken at sunrise or just after. #leicaq2 #leicam11
These two are keepers leading up to Hurricane Lee passing by. Both taken at sunrise or just after. #leicaq2 #leicam11
El Torcal mountains near Malaga, Spain. Our excellent Spanish grip crew delivered superbly with the Scorpio 45 on mobile base on this difficult slope. #WeWeretheLuckyOnes #iphone14promax
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