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Jeanne Liotta
“Fossilgram 1: PreHistory,” 2026
UV print on raw carbon steel
14 x 19 inches
35.6 x 48.3 cm

By engaging with lumen prints, an early photographic process using the available light of the Sun’s UV rays, I have married a highly fugitive process with a deeply durable plant, printed and exhibited onto carbon steel plates. — Jeanne Liotta

This new work by Liotta is included in our current group exchpibition “(No) Recess,” on view through June 20th.

#jeanneliotta #fossilgram #lumenprint #norecess #microscopegallery

Narcisa Hirsch
“Aleph,” 2005
Single-channel video, color, sound
1 minute 3 seconds

The Aleph is the point where diachronic and synchronic time converge, and our life can be experienced as “a whole lifetime or a single minute.” Moments succeed one another, yet simultaneously—and at one and the same time—each moment possesses the depth of the infinite and the eternal. Each second represents an instance of life, from birth to death. The Aleph is the point that concentrates these instances. — NH

This video work by Narcisa Hirsch is included in our current group exhibition “(No) Recess” on view through June 20th.

#narcisahirsch #aleph #film #norecess #microscopegallery

Lili Chin
“Piscis ferox,” 2026
Soda fired and regular ceramics, red, black copper oxide, mason stain, epoxy
25 x 18 x 2 inches
63.5 x 45.7 x 5.1 cm

This new work by Chin, inspired by the sea and in which “nomadic shapes come together spontaneously, capturing and freezing a landed movement,” is included in our current group exhibition “(No) Recess” on view through June 20th.

#lilichin #ceramics #tiles #norecess #microscopegallery

Lili Chin
“Piscis ferox,” 2026
Soda fired and regular ceramics, red, black copper oxide, mason stain, epoxy
25 x 18 x 2 inches
63.5 x 45.7 x 5.1 cm

This new work by Chin, inspired by the sea and in which “nomadic shapes come together spontaneously, capturing and freezing a landed movement,” is included in our current group exhibition “(No) Recess” on view through June 20th.

#lilichin #ceramics #tiles #norecess #microscopegallery

Lili Chin
“Piscis ferox,” 2026
Soda fired and regular ceramics, red, black copper oxide, mason stain, epoxy
25 x 18 x 2 inches
63.5 x 45.7 x 5.1 cm

This new work by Chin, inspired by the sea and in which “nomadic shapes come together spontaneously, capturing and freezing a landed movement,” is included in our current group exhibition “(No) Recess” on view through June 20th.

#lilichin #ceramics #tiles #norecess #microscopegallery

Lili Chin
“Piscis ferox,” 2026
Soda fired and regular ceramics, red, black copper oxide, mason stain, epoxy
25 x 18 x 2 inches
63.5 x 45.7 x 5.1 cm

This new work by Chin, inspired by the sea and in which “nomadic shapes come together spontaneously, capturing and freezing a landed movement,” is included in our current group exhibition “(No) Recess” on view through June 20th.

#lilichin #ceramics #tiles #norecess #microscopegallery

Lili Chin
“Piscis ferox,” 2026
Soda fired and regular ceramics, red, black copper oxide, mason stain, epoxy
25 x 18 x 2 inches
63.5 x 45.7 x 5.1 cm

This new work by Chin, inspired by the sea and in which “nomadic shapes come together spontaneously, capturing and freezing a landed movement,” is included in our current group exhibition “(No) Recess” on view through June 20th.

#lilichin #ceramics #tiles #norecess #microscopegallery

Chihiro Ito
“Archived Arts 04 - Record of extraordinari intimacy with object,” 2025
Acrylic paint on canvas
48 x 36 inches
121.9 x 91.4 cm

Ito’s work is included in our current group exhibition “(No) Recess” that just opened and runs through June 20th.

#chihiroito #archivedart #painting #norecess #microscopegallery

Chihiro Ito
“Archived Arts 04 - Record of extraordinari intimacy with object,” 2025
Acrylic paint on canvas
48 x 36 inches
121.9 x 91.4 cm

Ito’s work is included in our current group exhibition “(No) Recess” that just opened and runs through June 20th.

#chihiroito #archivedart #painting #norecess #microscopegallery

Chihiro Ito
“Archived Arts 04 - Record of extraordinari intimacy with object,” 2025
Acrylic paint on canvas
48 x 36 inches
121.9 x 91.4 cm

Ito’s work is included in our current group exhibition “(No) Recess” that just opened and runs through June 20th.

#chihiroito #archivedart #painting #norecess #microscopegallery

Opening Thursday May 14, 6-8pm!

(No) Recess
May 14 — June 20, 2026
Peggy Ahwesh, Ina Archer, Lili Chin, S Emsaki, Copper Frances Giloth, Narcisa Hirsch, Chihiro Ito, Hey-Yeun Jang, Marni Kotak, Jahi Kijo Lendor, Jeanne Liotta, Rachel Phillips, Yao Qingmei, Kevin Reuning, Lamar Robillard, Joel Schlemowitz, Matt Town

[Image: S Emsaki, "The Unlocatable," 2026, pigment inkjet prints on assorted papers with mylar, 80 x 111 inches (detail)]

At our new temporary address:
527 West 29th Street, 3rd Floor
New York

#norecess #groupexhibition #friezeweek #microscopegallery

Tonight Wednesday April 15th at 7pm @artiststelevisionaccess in San Francisco presents “An Evening with Copper Giloth” a screening and artist talk in connection with Giloth’s current solo exhibition.

#copperfrancesgiloth #artisttelevisionaccess #computerart #videoart #screening

Congratulations to Tenzin Phuntsog on his 2026 Guggenheim Fellowship! 🎊👏

#tenzinphuntsog #guggenheimfellowship

Congratulations to Tenzin Phuntsog on his 2026 Guggenheim Fellowship! 🎊👏

#tenzinphuntsog #guggenheimfellowship

Kamari Carter performs today @white_columns for the launch of @precogmag Volume 9!

#kamaricarter #precogmagazine #livesound #whitecolumns

Tenzin Phuntsog’s new feature film “Next Life” reviewed in @newyorkermag by Richard Brody. It will be screened as part of New Directors/New Films at MoMA and Lincoln Center on April 13th and 14th.

#tenzinphuntsog #nextlife #newdirectorsnewfilms #newyorker

Tenzin Phuntsog’s new feature film “Next Life” reviewed in @newyorkermag by Richard Brody. It will be screened as part of New Directors/New Films at MoMA and Lincoln Center on April 13th and 14th.

#tenzinphuntsog #nextlife #newdirectorsnewfilms #newyorker

Tenzin Phuntsog’s new feature film “Next Life” reviewed in @newyorkermag by Richard Brody. It will be screened as part of New Directors/New Films at MoMA and Lincoln Center on April 13th and 14th.

#tenzinphuntsog #nextlife #newdirectorsnewfilms #newyorker

Katherine Liberovskaya & Phill Niblock

Thank you for this minimalist gift.

#experimentalintermedia #screencompositions #katherineliberovskaya #phillniblock #microscopegallery

Wednesday March 25, 7pm
EXPERIMENTAL INTERMEDIA
SCREEN COMPOSITIONS 22
Curated by Katherine Liberovskaya
With suggestions from Raffaella Morra and Lawinia Rate

Microscope is excited to host Experimental Intermedia and its Screen Compositions 22 this Wednesday March 25, at 7pm. The event features collaborative visual/sound pairings by: Guido Devadder / Kaitlin McSweeney; Katherine Liberovskaya / Phill Niblock; Carey Lin / Gabriel Gilder; Robert Mizaki / Ka Baird; Olivier Perriquet / Eric Maestri; Camille Pueyo / Bretch; billy roisz / MoE; Thomas Steiner / Gerald Resch; Beth Warshafsky / Cássia Carrascoza Bomfim+Viv Corringham+Jane Wang.

From the curator:

Edition 22! 22nd year! Invariably bringing you a new collection of always riveting and ever absorbing intersections of moving image with sonic art; a program of screen works representing dynamic two-way collaborations between video/film artists and sound/music artists specifically intended for single-channel projection with no live or performance component; featuring collaborations.

Raffaella Morra: director/curator of Independent Film Show, Naples, Italy; Lawinia Rate: director/curator of attaque[e]r le visible, Berlin, Germany.

The Fifty-Third Anniversary of EI performances, the Fifty-Eighth Anniversary of the Founding of Experimental Intermedia, the Fifty-Eighth Anniversary of the 224 Centre Street loft, and, not least, The Thirty-Sixth Annual Festival with no fancy name, Part One (or A).

(Image: Still from: “Shaman’s Antenna” (2026) by Robert Mizaki. Sound by Ka Baird. Image courtesy of the artists.)

Peggy Ahwesh’s work is included in “Overexposed: Art, Technology, and the Body” at @movingimagenyc a great exhibition exploring “how cinema and medical imaging technology radically transformed how we see and understand the human form.” Curated by @sonia_s_e 🌟

[Image: Peggy Ahwesh, “The Third Body,” 2007, single-channel video, still]

#peggyahwesh #thethirdbody #overexposed #soniashechetepstein #momi