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cppcisneros
Colección Cisneros (CPPC)
ART and IDEAS from LATIN AMERICA // ARTE e IDEAS de AMÉRICA LATINA
“Penetrable” (1990), de #JesúsRafaelSoto, está en préstamo a largo plazo en la Hispanic Society Museum & Library (@hispanic_society) en Nueva York hasta la primavera de 2026. La escultura interactiva está instalada en la Terraza Superior del museo, ubicada en Upper Manhattan, en el lado oeste de Broadway entre las calles 155 y 156.
Los espacios al aire libre de @hispanic_society están abiertos todos los días de 10:00 a.m. a 5:00 p.m.
Imagen: #JesusRafaelSoto (1923–2005), Penetrable, 1990. Acero, aluminio y mangueras de plástico, 508 x 508 x 508 cm. Colección Patricia Phelps de Cisneros. Instalación en la Hispanic Society Museum & Library, Nueva York, 2023. Foto por Guillaume Ziccarelli, encargado por Perrotin. #JesusSoto #JesúsSoto
#hispanicsocietymuseumandlibrary #ColeccionCisneros
We are pleased to announce the launch of @themuseumofmodernart’s Cisneros Research Guide, a bilingual research tool that offers public access to a selection of over 200 digital assets from the Colección Patricia Phelps de Cisneros (CPPC) Archives. Developed in collaboration with the CPPC and MoMA’s Archives, Library, and Research Collections, this new resource ensures the long-term accessibility of key materials related to Latin American art and culture.
The Cisneros Research Guide presents materials from the our website, alongside information about Patricia Phelps de Cisneros’ donations of art to MoMA’s collection and the ongoing research and programming of the Cisneros Institute, a research center of Latin American Art within the Museum. The Cisneros Research Guide will continue to incorporate new material from the CPPC, including future scholarship, publications, and digital assets in both English and Spanish.
Explore the Cisneros Research Guide by following the link in our bio. #ColeccionCisneros
Este 4 de junio, la edición en español de la publicación, “Momentum: Arte y ecología en la América Latina contemporánea”, será presentada en la Ciudad de México en un programa organizado por la Sala de Arte Público Siqueiros (@saladeartepublicosiqueiros, Ciudad de México), en colaboración con el Instituto Cisneros de The Museum of Modern Art (@themuseumofmodernart, Nueva York).
La presentación contará con la participación de Helena Chávez Mac Gregor (@helenachavezmacgregor), seguida de una conversación con Rosi Huaroco (@rosi_huaroco), Marcela Armas (@marcelarmas) y Miguel A. López (@miguelopez1), quienes reflexionarán sobre algunas de las preguntas y temas que atraviesan la publicación.
Editado por Inés Katzenstein (@ines.katzenstein), María del Carmen Carrión (@mdccarriong) y Madeline Murphy Turner (@madmurphturner), el libro reúne ensayos, investigaciones y proyectos artísticos que consideran América Latina como un espacio desde el cual repensar la crisis ecológica contemporánea.
Más información a través de la @saladeartepublicosiqueiros.
Imagen: Portada de “Momentum: Arte y ecología en la América Latina contemporánea”. Publicado por Caja Negra Editores (@cajanegraeditora), 2026.
Join MoMA’s Cisneros Institute on May 27 from 5:00 to 7:00 PM EDT for “Politics of Light,” this year’s edition of the annual online seminar series “Study of the Gift,” presented by The Museum of Modern Art (@themuseumofmodernart, New York).
As part of MoMA’s ongoing research into its Latin American art holdings, this session will examine works by Alfredo Jaar (@alfredojaar), Rosângela Rennó (@turistatranscendental), and Amalia Pica (@amaliapica).
Moderated by Elena Shtromberg, the program brings together scholars Ana Maria Maia (@anamariamaia ), Eugenio Viola (@eugenioviola_official), and Erich Kessel Jr (@erchkssl) to examine how these artists use light to challenge perception and address questions of power, democracy, and representation.
The seminar will take place online in English with simultaneous Spanish translation. Find more information about this event and register, through MoMA’s website (link in bio).
Image: Alfredo Jaar, “Lament of the Images,” 2002. Plexiglass text panels (texts by David Levi Strauss), light wall, and mixed media. Each text panel 23 x 20” (58.4 x 50.8 cm), light wall 6 x 12’ (182.9 x 365.8 cm). Overall dimensions variable. The Museum of Modern Art, New York. Latin American and Caribbean Fund. 390.2010. Photograph by John Rohrer.
“Baranda de Alcamé” (1984) de Juan Muñoz, donada al Museo Nacional Centro de Arte Reina Sofía (@museoreinasofia, Madrid) por la Colección Patricia Phelps de Cisneros, se presenta actualmente en la Sala 12, “Las auras frías”.
Esta sección retoma la reflexión de José Luis Brea, crítico y teórico español, sobre un cambio en el arte hacia formas más contenidas, centradas en experiencias colectivas y marcadas por la pérdida, en el contexto de la crisis del sida.
Para más información, visita la página de @museoreinasofia.
Imágenes: Juan Muñoz, “Baranda de Alcamé”, 1984. Madera de palmera, acero, papel maché y pintura, 170,7 × 65 × 41,5 cm. Depósito indefinido de la Fundación Museo Reina Sofía, 2014. Donación de Patricia Phelps de Cisneros.
Vista de la Sala 12 «Las auras frías». En primer plano: Juan Luis Moraza, “Éxtasis, estatus, estatua”, 1994. Museo Nacional Centro de Arte Reina Sofía. Fotografía: Roberto Ruiz. © Juan Luis Moraza, VEGAP, Madrid, 2026.
“Baranda de Alcamé” (1984) de Juan Muñoz, donada al Museo Nacional Centro de Arte Reina Sofía (@museoreinasofia, Madrid) por la Colección Patricia Phelps de Cisneros, se presenta actualmente en la Sala 12, “Las auras frías”.
Esta sección retoma la reflexión de José Luis Brea, crítico y teórico español, sobre un cambio en el arte hacia formas más contenidas, centradas en experiencias colectivas y marcadas por la pérdida, en el contexto de la crisis del sida.
Para más información, visita la página de @museoreinasofia.
Imágenes: Juan Muñoz, “Baranda de Alcamé”, 1984. Madera de palmera, acero, papel maché y pintura, 170,7 × 65 × 41,5 cm. Depósito indefinido de la Fundación Museo Reina Sofía, 2014. Donación de Patricia Phelps de Cisneros.
Vista de la Sala 12 «Las auras frías». En primer plano: Juan Luis Moraza, “Éxtasis, estatus, estatua”, 1994. Museo Nacional Centro de Arte Reina Sofía. Fotografía: Roberto Ruiz. © Juan Luis Moraza, VEGAP, Madrid, 2026.
On May 27 from 5:00–7:00 p.m. ET, The Museum of Modern Art (@themuseumofmodernart, New York) will present “Politics of Light,” this year’s edition of the Cisneros Institute’s annual online seminar series “Study of the Gift.”
As part of MoMA’s ongoing research into its Latin American art holdings, this session will examine works by Rosângela Rennó (@turistatranscendental), Amalia Pica (@amaliapica), and Alfredo Jaar (@alfredojaar).
Moderated by Elena Shtromberg, the program brings together scholars Ana Maria Maia (@anamariamaia), Eugenio Viola (@eugenioviola_official), and Erich Kessel Jr (@erchkssl) to examine how these artists use light to challenge perception and address questions of power, democracy, and representation.
The seminar will take place online in English with simultaneous Spanish translation. Find more information about this event and register, through MoMA’s website (link in bio).
Video: Installation views, “Limits of Control,” The Museum of Modern Art, New York, March 3, 2023-July 28, 2024. Shown: Amalia Pica. “Venn Diagrams (Under the Spotlight).” 2011. Spotlights and motion sensor, dimensions variable. The Museum of Modern Art, New York. Gift of Patricia Phelps de Cisneros through the Latin American and Caribbean Fund in honor of Stuart Comer (@stuartcomer). Narrated by Lina Méndez (@linamendez19)
Anexo Casa de Todos (@casadetodos_ccs) is one of the spacesIleana Ramírez, a 2025 CIMAM Travel Grantee supported by the Colección Patricia Phelps de Cisneros, reflects on in her recent essay “Where Does Listening Happen?”, published by CIMAM (@cimam_museums).
The Colección Patricia Phelps de Cisneros is sponsoring two CIMAM Travel Grants for the 2026 conference. Applications are open through May 4.
Drawing from her work with Tráfico Visual (@traficovisual), Ramírez reflects on how curatorial practice in Venezuela has shifted toward independent, flexible frameworks. Spaces like Anexo Casa de Todos sustain artistic dialogue through workshops, and shared research with their local community.
Read the essay and find more information about the grants through CIMAM’s website, link in bio.
Image: View of the Anexo Casa de Todos library, Caracas, 2025. Photo: Carlos Ancheta. Courtesy of Anexo Casa de Todos / Enlace Arquitectura.
Anexo Casa de Todos (@casadetodos_ccs) is one of the spacesIleana Ramírez, a 2025 CIMAM Travel Grantee supported by the Colección Patricia Phelps de Cisneros, reflects on in her recent essay “Where Does Listening Happen?”, published by CIMAM (@cimam_museums).
The Colección Patricia Phelps de Cisneros is sponsoring two CIMAM Travel Grants for the 2026 conference. Applications are open through May 4.
Drawing from her work with Tráfico Visual (@traficovisual), Ramírez reflects on how curatorial practice in Venezuela has shifted toward independent, flexible frameworks. Spaces like Anexo Casa de Todos sustain artistic dialogue through workshops, and shared research with their local community.
Read the essay and find more information about the grants through CIMAM’s website, link in bio.
Image: View of the Anexo Casa de Todos library, Caracas, 2025. Photo: Carlos Ancheta. Courtesy of Anexo Casa de Todos / Enlace Arquitectura.
En este video recorremos una selección de obras donadas por la Colección Patricia Phelps de Cisneros que actualmente se encuentran en las salas de The Museum of Modern Art (@themuseumofmodernart, New York).
Integradas en distintos recorridos del museo, estas obras participan en lecturas abiertas de la colección, generando relaciones y contextos que amplían las formas en que se construyen y se comparten las historias del arte.
Para quienes visiten el museo en estas semanas, es una oportunidad para encontrarlas en diálogo con otras piezas y dentro de distintos marcos curatoriales. Más información en el sitio web de @themuseumofmodernart.
Video: Vistas de instalación de salas de The Museum of Modern Art, Nueva York, 2018–2026, incluyendo obras donadas por la Colección Patricia Phelps de Cisneros. Narrado por Lina Méndez (@linamendez19)
📢 International Open Call | CIMAM 2026 Travel Grants
The CIMAM 2026 Travel Grants will support the participation of museum professionals in the CIMAM Annual Conference, taking place in Harare, Zimbabwe (20–22 November 2026).
Within this program, the grants supported by Colección Patricia Phelps de Cisneros (CPPC) are specifically dedicated to curators, directors, and museum professionals working in modern and contemporary art who are based in the Dominican Republic, Venezuela, or members of their diasporas (residing in countries with emerging and developing economies - Groups C, D, E). @cppcisneros
🗓 Apply by 4 May 2026, 08:00 am (CEST)
Who can apply? 😀
• Museum professionals working in modern and contemporary art
• At all career stages (priority to those with under 10 years’ experience)
• No involvement in commercial or for-profit art activities
• Residing in the Dominican Republic, Venezuela, or members of their diasporas (residing in countries with emerging and developing economies - Groups C, D, E).
What does the grant include? 👉
• Conference registration (3 days)
• Round-trip travel
• 4 nights’ accommodation
• CIMAM Membership (2026–2028)
• Access to an international network of museum professionals
Why apply? 💓
The CIMAM Annual Conference offers a unique space for critical exchange, peer learning, and international dialogue, bringing together museum directors, curators, and thinkers from across the global field of contemporary art.
📩 Submit your application: https://cimam.org/travel-grant-program/cimam-travel-grant-program2026-harare/apply-travel-grant-international-open-call/
We encourage institutions and colleagues to share this opportunity widely within their networks. 🙏
📢 International Open Call | CIMAM 2026 Travel Grants
The CIMAM 2026 Travel Grants will support the participation of museum professionals in the CIMAM Annual Conference, taking place in Harare, Zimbabwe (20–22 November 2026).
Within this program, the grants supported by Colección Patricia Phelps de Cisneros (CPPC) are specifically dedicated to curators, directors, and museum professionals working in modern and contemporary art who are based in the Dominican Republic, Venezuela, or members of their diasporas (residing in countries with emerging and developing economies - Groups C, D, E). @cppcisneros
🗓 Apply by 4 May 2026, 08:00 am (CEST)
Who can apply? 😀
• Museum professionals working in modern and contemporary art
• At all career stages (priority to those with under 10 years’ experience)
• No involvement in commercial or for-profit art activities
• Residing in the Dominican Republic, Venezuela, or members of their diasporas (residing in countries with emerging and developing economies - Groups C, D, E).
What does the grant include? 👉
• Conference registration (3 days)
• Round-trip travel
• 4 nights’ accommodation
• CIMAM Membership (2026–2028)
• Access to an international network of museum professionals
Why apply? 💓
The CIMAM Annual Conference offers a unique space for critical exchange, peer learning, and international dialogue, bringing together museum directors, curators, and thinkers from across the global field of contemporary art.
📩 Submit your application: https://cimam.org/travel-grant-program/cimam-travel-grant-program2026-harare/apply-travel-grant-international-open-call/
We encourage institutions and colleagues to share this opportunity widely within their networks. 🙏
📢 International Open Call | CIMAM 2026 Travel Grants
The CIMAM 2026 Travel Grants will support the participation of museum professionals in the CIMAM Annual Conference, taking place in Harare, Zimbabwe (20–22 November 2026).
Within this program, the grants supported by Colección Patricia Phelps de Cisneros (CPPC) are specifically dedicated to curators, directors, and museum professionals working in modern and contemporary art who are based in the Dominican Republic, Venezuela, or members of their diasporas (residing in countries with emerging and developing economies - Groups C, D, E). @cppcisneros
🗓 Apply by 4 May 2026, 08:00 am (CEST)
Who can apply? 😀
• Museum professionals working in modern and contemporary art
• At all career stages (priority to those with under 10 years’ experience)
• No involvement in commercial or for-profit art activities
• Residing in the Dominican Republic, Venezuela, or members of their diasporas (residing in countries with emerging and developing economies - Groups C, D, E).
What does the grant include? 👉
• Conference registration (3 days)
• Round-trip travel
• 4 nights’ accommodation
• CIMAM Membership (2026–2028)
• Access to an international network of museum professionals
Why apply? 💓
The CIMAM Annual Conference offers a unique space for critical exchange, peer learning, and international dialogue, bringing together museum directors, curators, and thinkers from across the global field of contemporary art.
📩 Submit your application: https://cimam.org/travel-grant-program/cimam-travel-grant-program2026-harare/apply-travel-grant-international-open-call/
We encourage institutions and colleagues to share this opportunity widely within their networks. 🙏
📢 International Open Call | CIMAM 2026 Travel Grants
The CIMAM 2026 Travel Grants will support the participation of museum professionals in the CIMAM Annual Conference, taking place in Harare, Zimbabwe (20–22 November 2026).
Within this program, the grants supported by Colección Patricia Phelps de Cisneros (CPPC) are specifically dedicated to curators, directors, and museum professionals working in modern and contemporary art who are based in the Dominican Republic, Venezuela, or members of their diasporas (residing in countries with emerging and developing economies - Groups C, D, E). @cppcisneros
🗓 Apply by 4 May 2026, 08:00 am (CEST)
Who can apply? 😀
• Museum professionals working in modern and contemporary art
• At all career stages (priority to those with under 10 years’ experience)
• No involvement in commercial or for-profit art activities
• Residing in the Dominican Republic, Venezuela, or members of their diasporas (residing in countries with emerging and developing economies - Groups C, D, E).
What does the grant include? 👉
• Conference registration (3 days)
• Round-trip travel
• 4 nights’ accommodation
• CIMAM Membership (2026–2028)
• Access to an international network of museum professionals
Why apply? 💓
The CIMAM Annual Conference offers a unique space for critical exchange, peer learning, and international dialogue, bringing together museum directors, curators, and thinkers from across the global field of contemporary art.
📩 Submit your application: https://cimam.org/travel-grant-program/cimam-travel-grant-program2026-harare/apply-travel-grant-international-open-call/
We encourage institutions and colleagues to share this opportunity widely within their networks. 🙏
📢 International Open Call | CIMAM 2026 Travel Grants
The CIMAM 2026 Travel Grants will support the participation of museum professionals in the CIMAM Annual Conference, taking place in Harare, Zimbabwe (20–22 November 2026).
Within this program, the grants supported by Colección Patricia Phelps de Cisneros (CPPC) are specifically dedicated to curators, directors, and museum professionals working in modern and contemporary art who are based in the Dominican Republic, Venezuela, or members of their diasporas (residing in countries with emerging and developing economies - Groups C, D, E). @cppcisneros
🗓 Apply by 4 May 2026, 08:00 am (CEST)
Who can apply? 😀
• Museum professionals working in modern and contemporary art
• At all career stages (priority to those with under 10 years’ experience)
• No involvement in commercial or for-profit art activities
• Residing in the Dominican Republic, Venezuela, or members of their diasporas (residing in countries with emerging and developing economies - Groups C, D, E).
What does the grant include? 👉
• Conference registration (3 days)
• Round-trip travel
• 4 nights’ accommodation
• CIMAM Membership (2026–2028)
• Access to an international network of museum professionals
Why apply? 💓
The CIMAM Annual Conference offers a unique space for critical exchange, peer learning, and international dialogue, bringing together museum directors, curators, and thinkers from across the global field of contemporary art.
📩 Submit your application: https://cimam.org/travel-grant-program/cimam-travel-grant-program2026-harare/apply-travel-grant-international-open-call/
We encourage institutions and colleagues to share this opportunity widely within their networks. 🙏
El lunes 20 de abril a las 19:30 h, la Sinfonietta de la Escuela Superior de Música Reina Sofía (@escuelareinasofia) se presentará en el Auditorio 400 del Museo Nacional Centro de Arte Reina Sofía (@museoreinasofia, Madrid), en un concierto coproducido por el Centro Nacional de Difusión Musical (@cndm_inaem), con la colaboración de la Colección Patricia Phelps de Cisneros.
Dirigido por Nacho de Paz (@_nachodepaz), el programa reúne obras de Clara Iannotta, Georg Friedrich Haas y György Ligeti, junto al estreno absoluto de “Si fuese un ángel” (2026), de la compositora Consuelo Díez (@consuelo.diezf).
Entrada libre hasta completar aforo. Recogida de entradas el mismo día en el acceso al auditorio.
Más información en los sitios de @escuelareinasofia y @cndm_inaem.
Imágenes: 1. La Sinfonietta de la Escuela Superior de Música Reina Sofía en el Auditorio 400 del Museo Nacional Centro de Arte Reina Sofía (Madrid), durante su concierto del 6 de mayo de 2024, dirigido por Zsolt Nagy. Foto por Rafa Martín/CNDM
2. Nacho de Paz, director. Foto por Markus Bruckner vía @cndm_inaem.
El lunes 20 de abril a las 19:30 h, la Sinfonietta de la Escuela Superior de Música Reina Sofía (@escuelareinasofia) se presentará en el Auditorio 400 del Museo Nacional Centro de Arte Reina Sofía (@museoreinasofia, Madrid), en un concierto coproducido por el Centro Nacional de Difusión Musical (@cndm_inaem), con la colaboración de la Colección Patricia Phelps de Cisneros.
Dirigido por Nacho de Paz (@_nachodepaz), el programa reúne obras de Clara Iannotta, Georg Friedrich Haas y György Ligeti, junto al estreno absoluto de “Si fuese un ángel” (2026), de la compositora Consuelo Díez (@consuelo.diezf).
Entrada libre hasta completar aforo. Recogida de entradas el mismo día en el acceso al auditorio.
Más información en los sitios de @escuelareinasofia y @cndm_inaem.
Imágenes: 1. La Sinfonietta de la Escuela Superior de Música Reina Sofía en el Auditorio 400 del Museo Nacional Centro de Arte Reina Sofía (Madrid), durante su concierto del 6 de mayo de 2024, dirigido por Zsolt Nagy. Foto por Rafa Martín/CNDM
2. Nacho de Paz, director. Foto por Markus Bruckner vía @cndm_inaem.
“Santos y profetas” (1995), de Laura Anderson Barbata, en préstamo de la Colección Patricia Phelps de Cisneros, forma parte de “Wayamou: Lenguas de lo común” en el Museo Tamayo Arte Contemporáneo (@eneltamayo, Ciudad de México), en vista hasta el 10 de mayo de 2026.
La exposición reúne obras de Laura Anderson Barbata (@mx_lab) y Sheroanawe Hakihiiwe (@sheroporipori), y se articula en torno al intercambio y el conocimiento compartido.
Para más información sobre la exposición, curada por Andrea Torreblanca (@andreatorreblanca_) y Abril Zales (@lacresta______), visite el sitio web del museo.
Imagen: Laura Anderson Barbata, “Santos y profetas”, de la serie “En el orden del caos”, 1995. Escalera, trípode, columnas, banco de madera, exvotos de madera y plumas, 250 × 400 × 400 cm. Museo de Arte de Lima. Promesa de donación de Patricia Phelps de Cisneros en honor a Zuleima Jiménez.
Fotografía por Nicholas Allen. Cortesía del Museo Tamayo.
Últimas semanas para visitar “Wifredo Lam: When I Don’t Sleep, I Dream” en The Museum of Modern Art (@themuseumofmodernart, Nueva York), en vista hasta el 11 de abril.
Esta es la primera retrospectiva dedicada al artista en Estados Unidos y reúne más de 130 obras realizadas entre las décadas de 1920 y 1970, siguiendo su trayectoria entre Cuba, España, Francia e Italia.
Organizada por Christophe Cherix y Beverly Adams, la exposición presenta pinturas, obras sobre papel, cerámicas, grabados y material de archivo, con préstamos de colecciones internacionales, incluida la Colección Patricia Phelps de Cisneros.
Más información y detalles de visita el sitio y perfil de @themuseumofmodernart.
Video: Vistas de instalación de “Wifredo Lam: When I Don’t Sleep, I Dream,” The Museum of Modern Art, Nueva York, 2025. @wifredolam
Narrado por Lina Méndez (@linamendez19)
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