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PMS4ALL POP-UP SHOP on Friday 22 May at the project space celador - Avenue Jef Lambeaux 23 in Saint-Gilles from 18:00-21:00 🩷❤️
Come find: PMS glitter shirts in various colours and designs! Bouquets, logo circles, oversized fits, regular fits, long sleeve, boxy fits
On Friday 22 May, come celebrate with us the Brussels launch of Marlie Mul’s new publication! The artist’s first comprehensive monograph is published by DISTANZ Verlag, edited by Melanie Ohnemus and designed by Sabo Day.
You’re welcome to join from 18:00. There will be drinks, snacks, and garments by PMS4ALL. A conversation and reading with Marlie Mul, Melanie Ohnemus, and Lili Reynaud Dewar will begin at 19:00.
This book is published on the occasion of Marlie Mul’s solo exhibition Das Budget (2025) at Kunsthaus Glarus. It brings together an extensive chronological overview of key bodies of work from the early 2000s to the present and reveals an evolving structure of contexts, collaborations, and modes of production. The publication features new texts by Annie Goodner, Lili Reynaud Dewar, and Frank Wasser, a conversation between the artist and the editor, and reprints of texts that have accompanied Marlie’s work over the years, including writings by the artist herself.
In the words of the editor, the monograph takes on a dynamic form: “a book in which works, contexts, and voices remain in motion, and in which an artistic practise emerges – shaped by a keen sensitivity to material, spatial thinking, and an ongoing engagement in working conditions, value systems, and forms of collectivity.”
On Friday 22 May, come celebrate with us the Brussels launch of Marlie Mul’s new publication! The artist’s first comprehensive monograph is published by DISTANZ Verlag, edited by Melanie Ohnemus and designed by Sabo Day.
You’re welcome to join from 18:00. There will be drinks, snacks, and garments by PMS4ALL. A conversation and reading with Marlie Mul, Melanie Ohnemus, and Lili Reynaud Dewar will begin at 19:00.
This book is published on the occasion of Marlie Mul’s solo exhibition Das Budget (2025) at Kunsthaus Glarus. It brings together an extensive chronological overview of key bodies of work from the early 2000s to the present and reveals an evolving structure of contexts, collaborations, and modes of production. The publication features new texts by Annie Goodner, Lili Reynaud Dewar, and Frank Wasser, a conversation between the artist and the editor, and reprints of texts that have accompanied Marlie’s work over the years, including writings by the artist herself.
In the words of the editor, the monograph takes on a dynamic form: “a book in which works, contexts, and voices remain in motion, and in which an artistic practise emerges – shaped by a keen sensitivity to material, spatial thinking, and an ongoing engagement in working conditions, value systems, and forms of collectivity.”
On Friday 22 May, come celebrate with us the Brussels launch of Marlie Mul’s new publication! The artist’s first comprehensive monograph is published by DISTANZ Verlag, edited by Melanie Ohnemus and designed by Sabo Day.
You’re welcome to join from 18:00. There will be drinks, snacks, and garments by PMS4ALL. A conversation and reading with Marlie Mul, Melanie Ohnemus, and Lili Reynaud Dewar will begin at 19:00.
This book is published on the occasion of Marlie Mul’s solo exhibition Das Budget (2025) at Kunsthaus Glarus. It brings together an extensive chronological overview of key bodies of work from the early 2000s to the present and reveals an evolving structure of contexts, collaborations, and modes of production. The publication features new texts by Annie Goodner, Lili Reynaud Dewar, and Frank Wasser, a conversation between the artist and the editor, and reprints of texts that have accompanied Marlie’s work over the years, including writings by the artist herself.
In the words of the editor, the monograph takes on a dynamic form: “a book in which works, contexts, and voices remain in motion, and in which an artistic practise emerges – shaped by a keen sensitivity to material, spatial thinking, and an ongoing engagement in working conditions, value systems, and forms of collectivity.”
On Friday 22 May, come celebrate with us the Brussels launch of Marlie Mul’s new publication! The artist’s first comprehensive monograph is published by DISTANZ Verlag, edited by Melanie Ohnemus and designed by Sabo Day.
You’re welcome to join from 18:00. There will be drinks, snacks, and garments by PMS4ALL. A conversation and reading with Marlie Mul, Melanie Ohnemus, and Lili Reynaud Dewar will begin at 19:00.
This book is published on the occasion of Marlie Mul’s solo exhibition Das Budget (2025) at Kunsthaus Glarus. It brings together an extensive chronological overview of key bodies of work from the early 2000s to the present and reveals an evolving structure of contexts, collaborations, and modes of production. The publication features new texts by Annie Goodner, Lili Reynaud Dewar, and Frank Wasser, a conversation between the artist and the editor, and reprints of texts that have accompanied Marlie’s work over the years, including writings by the artist herself.
In the words of the editor, the monograph takes on a dynamic form: “a book in which works, contexts, and voices remain in motion, and in which an artistic practise emerges – shaped by a keen sensitivity to material, spatial thinking, and an ongoing engagement in working conditions, value systems, and forms of collectivity.”
On Friday 22 May, come celebrate with us the Brussels launch of Marlie Mul’s new publication! The artist’s first comprehensive monograph is published by DISTANZ Verlag, edited by Melanie Ohnemus and designed by Sabo Day.
You’re welcome to join from 18:00. There will be drinks, snacks, and garments by PMS4ALL. A conversation and reading with Marlie Mul, Melanie Ohnemus, and Lili Reynaud Dewar will begin at 19:00.
This book is published on the occasion of Marlie Mul’s solo exhibition Das Budget (2025) at Kunsthaus Glarus. It brings together an extensive chronological overview of key bodies of work from the early 2000s to the present and reveals an evolving structure of contexts, collaborations, and modes of production. The publication features new texts by Annie Goodner, Lili Reynaud Dewar, and Frank Wasser, a conversation between the artist and the editor, and reprints of texts that have accompanied Marlie’s work over the years, including writings by the artist herself.
In the words of the editor, the monograph takes on a dynamic form: “a book in which works, contexts, and voices remain in motion, and in which an artistic practise emerges – shaped by a keen sensitivity to material, spatial thinking, and an ongoing engagement in working conditions, value systems, and forms of collectivity.”
On Friday 22 May, come celebrate with us the Brussels launch of Marlie Mul’s new publication! The artist’s first comprehensive monograph is published by DISTANZ Verlag, edited by Melanie Ohnemus and designed by Sabo Day.
You’re welcome to join from 18:00. There will be drinks, snacks, and garments by PMS4ALL. A conversation and reading with Marlie Mul, Melanie Ohnemus, and Lili Reynaud Dewar will begin at 19:00.
This book is published on the occasion of Marlie Mul’s solo exhibition Das Budget (2025) at Kunsthaus Glarus. It brings together an extensive chronological overview of key bodies of work from the early 2000s to the present and reveals an evolving structure of contexts, collaborations, and modes of production. The publication features new texts by Annie Goodner, Lili Reynaud Dewar, and Frank Wasser, a conversation between the artist and the editor, and reprints of texts that have accompanied Marlie’s work over the years, including writings by the artist herself.
In the words of the editor, the monograph takes on a dynamic form: “a book in which works, contexts, and voices remain in motion, and in which an artistic practise emerges – shaped by a keen sensitivity to material, spatial thinking, and an ongoing engagement in working conditions, value systems, and forms of collectivity.”
Large Charm (Solid - Block)
90 x 60 x 9 cm
In the exhibition “Das Budget” at Croy Nielsen in Vienna
Photo by Kunstdokumentation
“3D” is still open until 16 May in Montpellier 💌
Thank you to Benoît Lamy de La Chapelle and the team at Mécènes du Sud.
“3D” is still open until 16 May in Montpellier 💌
Thank you to Benoît Lamy de La Chapelle and the team at Mécènes du Sud.
“3D” is still open until 16 May in Montpellier 💌
Thank you to Benoît Lamy de La Chapelle and the team at Mécènes du Sud.
Min with a work in my exhibition “Das Budget” that is currently on view at Croy Nielsen in Vienna.
Thank you for everyone that made this exhibition possible and Max Henry @maxhenry_poetpainter for the beautiful press text! 🩶🩶 @croynielsen
✨Documentation is online✨
Marlie Mul
DAS BUDGET
until May 16th
For the exhibition DAS BUDGET, Marlie Mul has produced wall-mounted relief sculptures made using silicone sheets that are cut, folded, and rolled into forms. The wriggly, exoskeletal material is held in place by customized metal rods, and the monochromatic colors are the result of pigments mixed into the liquid polymers.
Mul’s interlocking pieces look relatively familiar, like alienated fingers or clay roof tiles, and the translucent colors in the patterns suggest fleshy skin tones. Constructed in varying scales, their soft edged repetition and optical patterns offer minimalist precision, and all of the tenets of geometric abstraction are there.
(….)
Mul’s sculptural nomenclature has an economy of style that emits a latent wit in intelligently dumbed-down, aberrant forms. Her sculptural lingua franca always seems to circle back to the human, or human-like bodies, with all their attendant physiology, weight, and measure. Silicone, that most efficient utilitarian material, has sent rockets to space and back, sealed the windows of homes everywhere, and, is the go-to material of choice for a space-age 2.0 future that encompasses all things AI and the multi-colored ping of digital media.
(….)
Text by Max Henry
Photos by @kunstdokumentationcom
#marliemul @_yappy @maxhenry_poetpainter #croynielsen
✨Documentation is online✨
Marlie Mul
DAS BUDGET
until May 16th
For the exhibition DAS BUDGET, Marlie Mul has produced wall-mounted relief sculptures made using silicone sheets that are cut, folded, and rolled into forms. The wriggly, exoskeletal material is held in place by customized metal rods, and the monochromatic colors are the result of pigments mixed into the liquid polymers.
Mul’s interlocking pieces look relatively familiar, like alienated fingers or clay roof tiles, and the translucent colors in the patterns suggest fleshy skin tones. Constructed in varying scales, their soft edged repetition and optical patterns offer minimalist precision, and all of the tenets of geometric abstraction are there.
(….)
Mul’s sculptural nomenclature has an economy of style that emits a latent wit in intelligently dumbed-down, aberrant forms. Her sculptural lingua franca always seems to circle back to the human, or human-like bodies, with all their attendant physiology, weight, and measure. Silicone, that most efficient utilitarian material, has sent rockets to space and back, sealed the windows of homes everywhere, and, is the go-to material of choice for a space-age 2.0 future that encompasses all things AI and the multi-colored ping of digital media.
(….)
Text by Max Henry
Photos by @kunstdokumentationcom
#marliemul @_yappy @maxhenry_poetpainter #croynielsen
✨Documentation is online✨
Marlie Mul
DAS BUDGET
until May 16th
For the exhibition DAS BUDGET, Marlie Mul has produced wall-mounted relief sculptures made using silicone sheets that are cut, folded, and rolled into forms. The wriggly, exoskeletal material is held in place by customized metal rods, and the monochromatic colors are the result of pigments mixed into the liquid polymers.
Mul’s interlocking pieces look relatively familiar, like alienated fingers or clay roof tiles, and the translucent colors in the patterns suggest fleshy skin tones. Constructed in varying scales, their soft edged repetition and optical patterns offer minimalist precision, and all of the tenets of geometric abstraction are there.
(….)
Mul’s sculptural nomenclature has an economy of style that emits a latent wit in intelligently dumbed-down, aberrant forms. Her sculptural lingua franca always seems to circle back to the human, or human-like bodies, with all their attendant physiology, weight, and measure. Silicone, that most efficient utilitarian material, has sent rockets to space and back, sealed the windows of homes everywhere, and, is the go-to material of choice for a space-age 2.0 future that encompasses all things AI and the multi-colored ping of digital media.
(….)
Text by Max Henry
Photos by @kunstdokumentationcom
#marliemul @_yappy @maxhenry_poetpainter #croynielsen
✨Documentation is online✨
Marlie Mul
DAS BUDGET
until May 16th
For the exhibition DAS BUDGET, Marlie Mul has produced wall-mounted relief sculptures made using silicone sheets that are cut, folded, and rolled into forms. The wriggly, exoskeletal material is held in place by customized metal rods, and the monochromatic colors are the result of pigments mixed into the liquid polymers.
Mul’s interlocking pieces look relatively familiar, like alienated fingers or clay roof tiles, and the translucent colors in the patterns suggest fleshy skin tones. Constructed in varying scales, their soft edged repetition and optical patterns offer minimalist precision, and all of the tenets of geometric abstraction are there.
(….)
Mul’s sculptural nomenclature has an economy of style that emits a latent wit in intelligently dumbed-down, aberrant forms. Her sculptural lingua franca always seems to circle back to the human, or human-like bodies, with all their attendant physiology, weight, and measure. Silicone, that most efficient utilitarian material, has sent rockets to space and back, sealed the windows of homes everywhere, and, is the go-to material of choice for a space-age 2.0 future that encompasses all things AI and the multi-colored ping of digital media.
(….)
Text by Max Henry
Photos by @kunstdokumentationcom
#marliemul @_yappy @maxhenry_poetpainter #croynielsen
✨Documentation is online✨
Marlie Mul
DAS BUDGET
until May 16th
For the exhibition DAS BUDGET, Marlie Mul has produced wall-mounted relief sculptures made using silicone sheets that are cut, folded, and rolled into forms. The wriggly, exoskeletal material is held in place by customized metal rods, and the monochromatic colors are the result of pigments mixed into the liquid polymers.
Mul’s interlocking pieces look relatively familiar, like alienated fingers or clay roof tiles, and the translucent colors in the patterns suggest fleshy skin tones. Constructed in varying scales, their soft edged repetition and optical patterns offer minimalist precision, and all of the tenets of geometric abstraction are there.
(….)
Mul’s sculptural nomenclature has an economy of style that emits a latent wit in intelligently dumbed-down, aberrant forms. Her sculptural lingua franca always seems to circle back to the human, or human-like bodies, with all their attendant physiology, weight, and measure. Silicone, that most efficient utilitarian material, has sent rockets to space and back, sealed the windows of homes everywhere, and, is the go-to material of choice for a space-age 2.0 future that encompasses all things AI and the multi-colored ping of digital media.
(….)
Text by Max Henry
Photos by @kunstdokumentationcom
#marliemul @_yappy @maxhenry_poetpainter #croynielsen
✨Documentation is online✨
Marlie Mul
DAS BUDGET
until May 16th
For the exhibition DAS BUDGET, Marlie Mul has produced wall-mounted relief sculptures made using silicone sheets that are cut, folded, and rolled into forms. The wriggly, exoskeletal material is held in place by customized metal rods, and the monochromatic colors are the result of pigments mixed into the liquid polymers.
Mul’s interlocking pieces look relatively familiar, like alienated fingers or clay roof tiles, and the translucent colors in the patterns suggest fleshy skin tones. Constructed in varying scales, their soft edged repetition and optical patterns offer minimalist precision, and all of the tenets of geometric abstraction are there.
(….)
Mul’s sculptural nomenclature has an economy of style that emits a latent wit in intelligently dumbed-down, aberrant forms. Her sculptural lingua franca always seems to circle back to the human, or human-like bodies, with all their attendant physiology, weight, and measure. Silicone, that most efficient utilitarian material, has sent rockets to space and back, sealed the windows of homes everywhere, and, is the go-to material of choice for a space-age 2.0 future that encompasses all things AI and the multi-colored ping of digital media.
(….)
Text by Max Henry
Photos by @kunstdokumentationcom
#marliemul @_yappy @maxhenry_poetpainter #croynielsen
Alex and my new book at the Amsterdam public library the other day! Feeling excited and grateful. Lots of works and texts, wow! Edited by Melanie Ohnemus, designed by Sabo Day, published by Distanz Verlag with Kunsthaus Glarus. Fab new texts by Annie Goodner, Frank Wasser and Lili Reynaud Dewar. Lots of beautiful press texts from previous exhibitions and other things. Thank you to everyone involved in making this possible xxx
Book launches coming up: 22 May at Celador in Brussels, 12 June at After8 in Paris, and then other locations tbc I will spam some more later when I know the dates
If you are in Vienna you can buy the book directly at Croy Nielsen. It’s also available online from Distanz Verlag in Berlin.
We are proud and happy to announce the release of the first comprehensive monograph on the work of Marlie Mul.
Come by for the book launch on April 15, 8 pm at Croy Nielsen, Vienna.
This publication is published on the occasion of Mul’s solo exhibition „Das Budget“ (2025) at Kunsthaus Glarus. It brings together an extensive chronological overview of key bodies of work from the early 2000s to the present and reveals a complex structure of contexts, collaborations, and modes of production.
It includes new contributions by Annie Goodner, Lili Reynaud-Dewar, and Frank Wasser, a conversation between the artist and the editor, as well as numerous reprints of texts that have accompanied Mul’s work over the years, including writings by the artist herself.
The monograph is conceived as a dynamic form: a book in which works, contexts, and voices remain in motion, and in which an artistic practice emerges—shaped by a keen sensitivity to materials, spatial thinking, and an ongoing engagement with working conditions, value systems, and forms of collectivity.
Marlie Mul
Edited by Melanie Ohnemus, with texts by Annie Goodner, Marlie Mul, Melanie Ohnemus, Lili Reynaud-Dewar, Frank Wasser,and reprints by Gareth Bell-Jones, Harry Burke, Marina Caron, Paul Clinton, Eilidh Duffy, Marlie Mul, Melanie Ohnemus, Kari Rittenbach, designed by Sabo Day, assisted by Carlo Canún, published by DISTANZ Verlag, Berlin, 2026.
24 × 30 cm, 216 pages, with numerous color images, softcover
40 EUR / CHF 37
The book was realized with the generous support of the Ernst und Olga Gubler-Hablützel Stiftung, Mondriaan Fonds, and Stichting Jaap Harten Fonds.
Book launches:
April 15, 2026, 8 pm, Croy Nielsen, Vienna
May 22, 2026, celador, Brussels
@_yappy, @sabo_day, @carlocanun, @melanieohnemus, @annieygoodner, @furieuxboy, @frankwasserartist, @gbelljones, @harryb_rke, @_m_caron_, @fpclinton, @proncess336, @krittenbach, @distanzverlag, @kunsthausglarus, @croynielsen, #ernstundolgagublerhablützelstiftung, #jaaphartenfonds, @mondriaanfonds , @pms4all
Next week in Vienna:
Marlie Mul
DAS BUDGET
Opening and Book Launch
Wednesday 15. 4. 2026, 7 – 9 pm
✨8 pm Conversation between Marlie Mul and Melanie Ohnemus✨
OC Bar will be open and hosted by @severinduenser
Joint opening with @emanuellayr
#marliemul @_yappy @melanieohnemus #melanieohnemus #croynielsen
teacher needs hug #friday
ps get your photos taken by Aurélie Bayad @untitlednoise
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