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We are thrilled to announce the return of Autograph; and it's FREE for individuals! Try it out and let us know what you think. We look forward to continuously evolving and growing to best serve our community.
Get it now, for free and learn more at the link in @MaxonRedGiant bio

💖 "I truly love that man."
🐦 Seth shares how Hashi gave him splatting birds to review for a #VFX shot in #TheSketchMovie and...it's sure something.
Full talk in the @MaxonRedGIant bio (and in the comments)

Using Red Giant’s Magic Bullet Looks to make my 3D renders more cinematic. #3danimation #vfx #visualeffects #bladerunner #cinema4d #redgiant #magicbulletlooks #trapcode #spinner #vfxbreakdown

Maxon User Meetup in Tokyo - hosted by Flashback Japan - Learn, Connect, and Create!

⚡ Get practical tips, workflows, & production case studies from creators using Cinema 4D, Red Giant, ZBrush, and Autograph.

🎨 Level up your color grading skills with Maximus Raharjo.

🤝 Network with fellow artists & motion designers.

Whether you’re a seasoned user or just curious, we welcome you to join us.

Details & signup in @maxonredgiant bio

🔥 91 megapixels. 9 LED surfaces. Zero room for error.

When the BRIT Awards asked @northhouse__ to reinvent their visuals for a new city, they didn’t just swap a few backdrops - they built an immersive, multi-surface experience that blurred the lines between stage and screen.

Their arsenal? #RedGiant #Cinema4D #AfterEffects, a custom Python pipeline, and enough render farm muscle to keep a VFX supervisor awake at night.

The result? Broadcast records smashed, 400% social growth, and one heck of a tribute to Ozzy Osbourne.

👀 Get the full breakdown right in our bio

🔥 91 megapixels. 9 LED surfaces. Zero room for error.

When the BRIT Awards asked @northhouse__ to reinvent their visuals for a new city, they didn’t just swap a few backdrops - they built an immersive, multi-surface experience that blurred the lines between stage and screen.

Their arsenal? #RedGiant #Cinema4D #AfterEffects, a custom Python pipeline, and enough render farm muscle to keep a VFX supervisor awake at night.

The result? Broadcast records smashed, 400% social growth, and one heck of a tribute to Ozzy Osbourne.

👀 Get the full breakdown right in our bio

🔥 91 megapixels. 9 LED surfaces. Zero room for error.

When the BRIT Awards asked @northhouse__ to reinvent their visuals for a new city, they didn’t just swap a few backdrops - they built an immersive, multi-surface experience that blurred the lines between stage and screen.

Their arsenal? #RedGiant #Cinema4D #AfterEffects, a custom Python pipeline, and enough render farm muscle to keep a VFX supervisor awake at night.

The result? Broadcast records smashed, 400% social growth, and one heck of a tribute to Ozzy Osbourne.

👀 Get the full breakdown right in our bio

🔥 91 megapixels. 9 LED surfaces. Zero room for error.

When the BRIT Awards asked @northhouse__ to reinvent their visuals for a new city, they didn’t just swap a few backdrops - they built an immersive, multi-surface experience that blurred the lines between stage and screen.

Their arsenal? #RedGiant #Cinema4D #AfterEffects, a custom Python pipeline, and enough render farm muscle to keep a VFX supervisor awake at night.

The result? Broadcast records smashed, 400% social growth, and one heck of a tribute to Ozzy Osbourne.

👀 Get the full breakdown right in our bio

🔥 91 megapixels. 9 LED surfaces. Zero room for error.

When the BRIT Awards asked @northhouse__ to reinvent their visuals for a new city, they didn’t just swap a few backdrops - they built an immersive, multi-surface experience that blurred the lines between stage and screen.

Their arsenal? #RedGiant #Cinema4D #AfterEffects, a custom Python pipeline, and enough render farm muscle to keep a VFX supervisor awake at night.

The result? Broadcast records smashed, 400% social growth, and one heck of a tribute to Ozzy Osbourne.

👀 Get the full breakdown right in our bio

🔥 91 megapixels. 9 LED surfaces. Zero room for error.

When the BRIT Awards asked @northhouse__ to reinvent their visuals for a new city, they didn’t just swap a few backdrops - they built an immersive, multi-surface experience that blurred the lines between stage and screen.

Their arsenal? #RedGiant #Cinema4D #AfterEffects, a custom Python pipeline, and enough render farm muscle to keep a VFX supervisor awake at night.

The result? Broadcast records smashed, 400% social growth, and one heck of a tribute to Ozzy Osbourne.

👀 Get the full breakdown right in our bio

How do you design a 91‑megapixel stage ecosystem for the UK’s biggest music show?

NorthHouse takes us inside the 2026 BRIT Awards. From kinetic towers to lenticular glass and a full multi‑tool pipeline.

👉 Full story: https://maxonvfx.com/4wWea95

Amazing artists across the world use our tools every day to produce stunning visuals. Here is just a small collection of some of the creative work you do.

(See it in full resolution in our bio)

From powerful yet easy color grading and film emulation to professional visual effects to industry-standard motion graphics tools, we build things for VFX artists, editors, motion designers, colorists, and editors to elevate your work and get it done faster.

📞💾 The 1980s called - they want you to rewatch this series! (link in our bio)

Our Retrowave Graphics with Maxon One livestream explores synthwave cityscapes, neon lights, chrome effects, and more.

🎯 Episode 3 is the one to watch! Inside #AfterEffects, we use Red Giant tools to transform your assets into perfectly imperfect 8-bit or VHS footage plus revealing the aesthetic secrets behind convincing vintage footage.

Catch the full series (and episode 3 especially) in our bio

📞💾 The 1980s called - they want you to rewatch this series! (link in our bio)

Our Retrowave Graphics with Maxon One livestream explores synthwave cityscapes, neon lights, chrome effects, and more.

🎯 Episode 3 is the one to watch! Inside #AfterEffects, we use Red Giant tools to transform your assets into perfectly imperfect 8-bit or VHS footage plus revealing the aesthetic secrets behind convincing vintage footage.

Catch the full series (and episode 3 especially) in our bio

📞💾 The 1980s called - they want you to rewatch this series! (link in our bio)

Our Retrowave Graphics with Maxon One livestream explores synthwave cityscapes, neon lights, chrome effects, and more.

🎯 Episode 3 is the one to watch! Inside #AfterEffects, we use Red Giant tools to transform your assets into perfectly imperfect 8-bit or VHS footage plus revealing the aesthetic secrets behind convincing vintage footage.

Catch the full series (and episode 3 especially) in our bio

#TipTuesday | Easily and automatically have your text in Autograph center itself to your composition vertically and horizontally, no matter how many lines of text you have. In this quick tutorial, Michael shows you how.

👉 Swipe for more
Multiple workspaces, visibility separate from opacity, and a ton of other new (and handy) ways to work! Learn all about it in the tutorials linked in our bio

👉 Swipe for more
Multiple workspaces, visibility separate from opacity, and a ton of other new (and handy) ways to work! Learn all about it in the tutorials linked in our bio

👉 Swipe for more
Multiple workspaces, visibility separate from opacity, and a ton of other new (and handy) ways to work! Learn all about it in the tutorials linked in our bio

🔈🔉🔊 Sound on! Some fun vibes to start the weekend - made with Mir, Optical Glow, Universe Halftone Dither, Colorista, and Sound Keys.

Autograph has a powerful cloning system inside it!
Catch Chad's tutorial on how it works (along with all of his other, very useful, Getting Started with Autograph tutorials) in our bio.