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SUPERMODEL’S SECOND COMING
An interview with Emile Rafael and Joe Connor aka Supermodel

“Seventeen Days”
dir. Emile Rafael @helloemile & Joe Connor @joevconnor aka Supermodel @supermodel.studio
prod. Closer @closer.video, FutureFrank @futurefrank.xyz, Rogue @roguefilms & La Pac @la_pac

As Supermodel, directing duo Emile Rafael and Joe Connor have carved out a space somewhere between music, film and psychic weather report. Two years after their first release, they return with 17 Days, a song and film charged by sword fights, fear, endless rain, technology, and whatever else is currently pressing on our nervous systems.

Read the full interview on 1.4 via the link in our bio.

SUPERMODEL’S SECOND COMING
An interview with Emile Rafael and Joe Connor aka Supermodel

“Seventeen Days”
dir. Emile Rafael @helloemile & Joe Connor @joevconnor aka Supermodel @supermodel.studio
prod. Closer @closer.video, FutureFrank @futurefrank.xyz, Rogue @roguefilms & La Pac @la_pac

As Supermodel, directing duo Emile Rafael and Joe Connor have carved out a space somewhere between music, film and psychic weather report. Two years after their first release, they return with 17 Days, a song and film charged by sword fights, fear, endless rain, technology, and whatever else is currently pressing on our nervous systems.

Read the full interview on 1.4 via the link in our bio.

SUPERMODEL’S SECOND COMING
An interview with Emile Rafael and Joe Connor aka Supermodel

“Seventeen Days”
dir. Emile Rafael @helloemile & Joe Connor @joevconnor aka Supermodel @supermodel.studio
prod. Closer @closer.video, FutureFrank @futurefrank.xyz, Rogue @roguefilms & La Pac @la_pac

As Supermodel, directing duo Emile Rafael and Joe Connor have carved out a space somewhere between music, film and psychic weather report. Two years after their first release, they return with 17 Days, a song and film charged by sword fights, fear, endless rain, technology, and whatever else is currently pressing on our nervous systems.

Read the full interview on 1.4 via the link in our bio.

SUPERMODEL’S SECOND COMING
An interview with Emile Rafael and Joe Connor aka Supermodel

“Seventeen Days”
dir. Emile Rafael @helloemile & Joe Connor @joevconnor aka Supermodel @supermodel.studio
prod. Closer @closer.video, FutureFrank @futurefrank.xyz, Rogue @roguefilms & La Pac @la_pac

As Supermodel, directing duo Emile Rafael and Joe Connor have carved out a space somewhere between music, film and psychic weather report. Two years after their first release, they return with 17 Days, a song and film charged by sword fights, fear, endless rain, technology, and whatever else is currently pressing on our nervous systems.

Read the full interview on 1.4 via the link in our bio.

SUPERMODEL’S SECOND COMING
An interview with Emile Rafael and Joe Connor aka Supermodel

“Seventeen Days”
dir. Emile Rafael @helloemile & Joe Connor @joevconnor aka Supermodel @supermodel.studio
prod. Closer @closer.video, FutureFrank @futurefrank.xyz, Rogue @roguefilms & La Pac @la_pac

As Supermodel, directing duo Emile Rafael and Joe Connor have carved out a space somewhere between music, film and psychic weather report. Two years after their first release, they return with 17 Days, a song and film charged by sword fights, fear, endless rain, technology, and whatever else is currently pressing on our nervous systems.

Read the full interview on 1.4 via the link in our bio.

SUPERMODEL’S SECOND COMING
An interview with Emile Rafael and Joe Connor aka Supermodel

“Seventeen Days”
dir. Emile Rafael @helloemile & Joe Connor @joevconnor aka Supermodel @supermodel.studio
prod. Closer @closer.video, FutureFrank @futurefrank.xyz, Rogue @roguefilms & La Pac @la_pac

As Supermodel, directing duo Emile Rafael and Joe Connor have carved out a space somewhere between music, film and psychic weather report. Two years after their first release, they return with 17 Days, a song and film charged by sword fights, fear, endless rain, technology, and whatever else is currently pressing on our nervous systems.

Read the full interview on 1.4 via the link in our bio.

SUPERMODEL’S SECOND COMING
An interview with Emile Rafael and Joe Connor aka Supermodel

“Seventeen Days”
dir. Emile Rafael @helloemile & Joe Connor @joevconnor aka Supermodel @supermodel.studio
prod. Closer @closer.video, FutureFrank @futurefrank.xyz, Rogue @roguefilms & La Pac @la_pac

As Supermodel, directing duo Emile Rafael and Joe Connor have carved out a space somewhere between music, film and psychic weather report. Two years after their first release, they return with 17 Days, a song and film charged by sword fights, fear, endless rain, technology, and whatever else is currently pressing on our nervous systems.

Read the full interview on 1.4 via the link in our bio.

SUPERMODEL’S SECOND COMING
An interview with Emile Rafael and Joe Connor aka Supermodel

“Seventeen Days”
dir. Emile Rafael @helloemile & Joe Connor @joevconnor aka Supermodel @supermodel.studio
prod. Closer @closer.video, FutureFrank @futurefrank.xyz, Rogue @roguefilms & La Pac @la_pac

As Supermodel, directing duo Emile Rafael and Joe Connor have carved out a space somewhere between music, film and psychic weather report. Two years after their first release, they return with 17 Days, a song and film charged by sword fights, fear, endless rain, technology, and whatever else is currently pressing on our nervous systems.

Read the full interview on 1.4 via the link in our bio.

SUPERMODEL’S SECOND COMING
An interview with Emile Rafael and Joe Connor aka Supermodel

“Seventeen Days”
dir. Emile Rafael @helloemile & Joe Connor @joevconnor aka Supermodel @supermodel.studio
prod. Closer @closer.video, FutureFrank @futurefrank.xyz, Rogue @roguefilms & La Pac @la_pac

As Supermodel, directing duo Emile Rafael and Joe Connor have carved out a space somewhere between music, film and psychic weather report. Two years after their first release, they return with 17 Days, a song and film charged by sword fights, fear, endless rain, technology, and whatever else is currently pressing on our nervous systems.

Read the full interview on 1.4 via the link in our bio.

SUPERMODEL’S SECOND COMING
An interview with Emile Rafael and Joe Connor aka Supermodel

“Seventeen Days”
dir. Emile Rafael @helloemile & Joe Connor @joevconnor aka Supermodel @supermodel.studio
prod. Closer @closer.video, FutureFrank @futurefrank.xyz, Rogue @roguefilms & La Pac @la_pac

As Supermodel, directing duo Emile Rafael and Joe Connor have carved out a space somewhere between music, film and psychic weather report. Two years after their first release, they return with 17 Days, a song and film charged by sword fights, fear, endless rain, technology, and whatever else is currently pressing on our nervous systems.

Read the full interview on 1.4 via the link in our bio.

SUPERMODEL’S SECOND COMING
An interview with Emile Rafael and Joe Connor aka Supermodel

“Seventeen Days”
dir. Emile Rafael @helloemile & Joe Connor @joevconnor aka Supermodel @supermodel.studio
prod. Closer @closer.video, FutureFrank @futurefrank.xyz, Rogue @roguefilms & La Pac @la_pac

As Supermodel, directing duo Emile Rafael and Joe Connor have carved out a space somewhere between music, film and psychic weather report. Two years after their first release, they return with 17 Days, a song and film charged by sword fights, fear, endless rain, technology, and whatever else is currently pressing on our nervous systems.

Read the full interview on 1.4 via the link in our bio.

SUPERMODEL’S SECOND COMING
An interview with Emile Rafael and Joe Connor aka Supermodel

“Seventeen Days”
dir. Emile Rafael @helloemile & Joe Connor @joevconnor aka Supermodel @supermodel.studio
prod. Closer @closer.video, FutureFrank @futurefrank.xyz, Rogue @roguefilms & La Pac @la_pac

As Supermodel, directing duo Emile Rafael and Joe Connor have carved out a space somewhere between music, film and psychic weather report. Two years after their first release, they return with 17 Days, a song and film charged by sword fights, fear, endless rain, technology, and whatever else is currently pressing on our nervous systems.

Read the full interview on 1.4 via the link in our bio.

The directors Joe Connor and Emile Rafael have a brilliant side hustle: SUPERMODEL. It’s a music project where Rafael’s beats combine with Connor’s spoken-word vocals to create an intense brand of alt-dance music. And that also provides a jumping off point for the pair to also create a visual language around the music.

Their new release SEVENTEEN DAYS comes after the UKMVA-nominated PUSH in 2024. The new video develops the fever-dream atmosphere in the first one, turning a symbolic struggle against unknown forces into brilliantly choreographed and executed swordfight sequence.

Starring  @georgiaamoducurtis and  @actiondanstyles - also the stunt and fight choreographer - the relentless battle that extends through the film is a visceral representation of the battle against addiction. Intercut between the action sequences is a floating black orb that embodies the magnetic pull of addictive forces.

Co-produced by Rogue, Closer, FutureFrank and La Pac, the directors have created a world that suggests cold technology mixed with medieval brutality, with cinematography by Martijn Melis, VFX by David Horsburgh, colour by Thomas Mangham at Black Kite Studios, and a brilliantly explosive edit by Hannah Yerbury at Marshall Street Editors.

“We’re grappling with more complex ideas now: technology, addiction, dependency,” says Joe Connor.

Meanwhile Emile Rafael says the considerable effort required to make the video has been the means to an end.

“Emotion comes first,” he says. “If it doesn’t leave you with something, the rest doesn’t matter.”

Directors: @joevconnor, @helloemile
Producer: Matous Marcinko
Prod companies: @la_pac, @roguefilms, @closer.video, @futurefrank.xyz
DoP: @martijnmelis
Costume designer: @petraptackova
Editor: @hannahyerbury, @mse.tv
Colourist: @thomasmangham @blackkitestudios
VFX: @davidtheanimator
Leads:  @georgiaamoducurtis,  @actiondanstyles

#musicvideos #musicvideodirector #BTS #newmusicvideos

The directors Joe Connor and Emile Rafael have a brilliant side hustle: SUPERMODEL. It’s a music project where Rafael’s beats combine with Connor’s spoken-word vocals to create an intense brand of alt-dance music. And that also provides a jumping off point for the pair to also create a visual language around the music.

Their new release SEVENTEEN DAYS comes after the UKMVA-nominated PUSH in 2024. The new video develops the fever-dream atmosphere in the first one, turning a symbolic struggle against unknown forces into brilliantly choreographed and executed swordfight sequence.

Starring  @georgiaamoducurtis and  @actiondanstyles - also the stunt and fight choreographer - the relentless battle that extends through the film is a visceral representation of the battle against addiction. Intercut between the action sequences is a floating black orb that embodies the magnetic pull of addictive forces.

Co-produced by Rogue, Closer, FutureFrank and La Pac, the directors have created a world that suggests cold technology mixed with medieval brutality, with cinematography by Martijn Melis, VFX by David Horsburgh, colour by Thomas Mangham at Black Kite Studios, and a brilliantly explosive edit by Hannah Yerbury at Marshall Street Editors.

“We’re grappling with more complex ideas now: technology, addiction, dependency,” says Joe Connor.

Meanwhile Emile Rafael says the considerable effort required to make the video has been the means to an end.

“Emotion comes first,” he says. “If it doesn’t leave you with something, the rest doesn’t matter.”

Directors: @joevconnor, @helloemile
Producer: Matous Marcinko
Prod companies: @la_pac, @roguefilms, @closer.video, @futurefrank.xyz
DoP: @martijnmelis
Costume designer: @petraptackova
Editor: @hannahyerbury, @mse.tv
Colourist: @thomasmangham @blackkitestudios
VFX: @davidtheanimator
Leads:  @georgiaamoducurtis,  @actiondanstyles

#musicvideos #musicvideodirector #BTS #newmusicvideos

The directors Joe Connor and Emile Rafael have a brilliant side hustle: SUPERMODEL. It’s a music project where Rafael’s beats combine with Connor’s spoken-word vocals to create an intense brand of alt-dance music. And that also provides a jumping off point for the pair to also create a visual language around the music.

Their new release SEVENTEEN DAYS comes after the UKMVA-nominated PUSH in 2024. The new video develops the fever-dream atmosphere in the first one, turning a symbolic struggle against unknown forces into brilliantly choreographed and executed swordfight sequence.

Starring  @georgiaamoducurtis and  @actiondanstyles - also the stunt and fight choreographer - the relentless battle that extends through the film is a visceral representation of the battle against addiction. Intercut between the action sequences is a floating black orb that embodies the magnetic pull of addictive forces.

Co-produced by Rogue, Closer, FutureFrank and La Pac, the directors have created a world that suggests cold technology mixed with medieval brutality, with cinematography by Martijn Melis, VFX by David Horsburgh, colour by Thomas Mangham at Black Kite Studios, and a brilliantly explosive edit by Hannah Yerbury at Marshall Street Editors.

“We’re grappling with more complex ideas now: technology, addiction, dependency,” says Joe Connor.

Meanwhile Emile Rafael says the considerable effort required to make the video has been the means to an end.

“Emotion comes first,” he says. “If it doesn’t leave you with something, the rest doesn’t matter.”

Directors: @joevconnor, @helloemile
Producer: Matous Marcinko
Prod companies: @la_pac, @roguefilms, @closer.video, @futurefrank.xyz
DoP: @martijnmelis
Costume designer: @petraptackova
Editor: @hannahyerbury, @mse.tv
Colourist: @thomasmangham @blackkitestudios
VFX: @davidtheanimator
Leads:  @georgiaamoducurtis,  @actiondanstyles

#musicvideos #musicvideodirector #BTS #newmusicvideos

The directors Joe Connor and Emile Rafael have a brilliant side hustle: SUPERMODEL. It’s a music project where Rafael’s beats combine with Connor’s spoken-word vocals to create an intense brand of alt-dance music. And that also provides a jumping off point for the pair to also create a visual language around the music.

Their new release SEVENTEEN DAYS comes after the UKMVA-nominated PUSH in 2024. The new video develops the fever-dream atmosphere in the first one, turning a symbolic struggle against unknown forces into brilliantly choreographed and executed swordfight sequence.

Starring  @georgiaamoducurtis and  @actiondanstyles - also the stunt and fight choreographer - the relentless battle that extends through the film is a visceral representation of the battle against addiction. Intercut between the action sequences is a floating black orb that embodies the magnetic pull of addictive forces.

Co-produced by Rogue, Closer, FutureFrank and La Pac, the directors have created a world that suggests cold technology mixed with medieval brutality, with cinematography by Martijn Melis, VFX by David Horsburgh, colour by Thomas Mangham at Black Kite Studios, and a brilliantly explosive edit by Hannah Yerbury at Marshall Street Editors.

“We’re grappling with more complex ideas now: technology, addiction, dependency,” says Joe Connor.

Meanwhile Emile Rafael says the considerable effort required to make the video has been the means to an end.

“Emotion comes first,” he says. “If it doesn’t leave you with something, the rest doesn’t matter.”

Directors: @joevconnor, @helloemile
Producer: Matous Marcinko
Prod companies: @la_pac, @roguefilms, @closer.video, @futurefrank.xyz
DoP: @martijnmelis
Costume designer: @petraptackova
Editor: @hannahyerbury, @mse.tv
Colourist: @thomasmangham @blackkitestudios
VFX: @davidtheanimator
Leads:  @georgiaamoducurtis,  @actiondanstyles

#musicvideos #musicvideodirector #BTS #newmusicvideos

The directors Joe Connor and Emile Rafael have a brilliant side hustle: SUPERMODEL. It’s a music project where Rafael’s beats combine with Connor’s spoken-word vocals to create an intense brand of alt-dance music. And that also provides a jumping off point for the pair to also create a visual language around the music.

Their new release SEVENTEEN DAYS comes after the UKMVA-nominated PUSH in 2024. The new video develops the fever-dream atmosphere in the first one, turning a symbolic struggle against unknown forces into brilliantly choreographed and executed swordfight sequence.

Starring  @georgiaamoducurtis and  @actiondanstyles - also the stunt and fight choreographer - the relentless battle that extends through the film is a visceral representation of the battle against addiction. Intercut between the action sequences is a floating black orb that embodies the magnetic pull of addictive forces.

Co-produced by Rogue, Closer, FutureFrank and La Pac, the directors have created a world that suggests cold technology mixed with medieval brutality, with cinematography by Martijn Melis, VFX by David Horsburgh, colour by Thomas Mangham at Black Kite Studios, and a brilliantly explosive edit by Hannah Yerbury at Marshall Street Editors.

“We’re grappling with more complex ideas now: technology, addiction, dependency,” says Joe Connor.

Meanwhile Emile Rafael says the considerable effort required to make the video has been the means to an end.

“Emotion comes first,” he says. “If it doesn’t leave you with something, the rest doesn’t matter.”

Directors: @joevconnor, @helloemile
Producer: Matous Marcinko
Prod companies: @la_pac, @roguefilms, @closer.video, @futurefrank.xyz
DoP: @martijnmelis
Costume designer: @petraptackova
Editor: @hannahyerbury, @mse.tv
Colourist: @thomasmangham @blackkitestudios
VFX: @davidtheanimator
Leads:  @georgiaamoducurtis,  @actiondanstyles

#musicvideos #musicvideodirector #BTS #newmusicvideos

The directors Joe Connor and Emile Rafael have a brilliant side hustle: SUPERMODEL. It’s a music project where Rafael’s beats combine with Connor’s spoken-word vocals to create an intense brand of alt-dance music. And that also provides a jumping off point for the pair to also create a visual language around the music.

Their new release SEVENTEEN DAYS comes after the UKMVA-nominated PUSH in 2024. The new video develops the fever-dream atmosphere in the first one, turning a symbolic struggle against unknown forces into brilliantly choreographed and executed swordfight sequence.

Starring  @georgiaamoducurtis and  @actiondanstyles - also the stunt and fight choreographer - the relentless battle that extends through the film is a visceral representation of the battle against addiction. Intercut between the action sequences is a floating black orb that embodies the magnetic pull of addictive forces.

Co-produced by Rogue, Closer, FutureFrank and La Pac, the directors have created a world that suggests cold technology mixed with medieval brutality, with cinematography by Martijn Melis, VFX by David Horsburgh, colour by Thomas Mangham at Black Kite Studios, and a brilliantly explosive edit by Hannah Yerbury at Marshall Street Editors.

“We’re grappling with more complex ideas now: technology, addiction, dependency,” says Joe Connor.

Meanwhile Emile Rafael says the considerable effort required to make the video has been the means to an end.

“Emotion comes first,” he says. “If it doesn’t leave you with something, the rest doesn’t matter.”

Directors: @joevconnor, @helloemile
Producer: Matous Marcinko
Prod companies: @la_pac, @roguefilms, @closer.video, @futurefrank.xyz
DoP: @martijnmelis
Costume designer: @petraptackova
Editor: @hannahyerbury, @mse.tv
Colourist: @thomasmangham @blackkitestudios
VFX: @davidtheanimator
Leads:  @georgiaamoducurtis,  @actiondanstyles

#musicvideos #musicvideodirector #BTS #newmusicvideos

The directors Joe Connor and Emile Rafael have a brilliant side hustle: SUPERMODEL. It’s a music project where Rafael’s beats combine with Connor’s spoken-word vocals to create an intense brand of alt-dance music. And that also provides a jumping off point for the pair to also create a visual language around the music.

Their new release SEVENTEEN DAYS comes after the UKMVA-nominated PUSH in 2024. The new video develops the fever-dream atmosphere in the first one, turning a symbolic struggle against unknown forces into brilliantly choreographed and executed swordfight sequence.

Starring  @georgiaamoducurtis and  @actiondanstyles - also the stunt and fight choreographer - the relentless battle that extends through the film is a visceral representation of the battle against addiction. Intercut between the action sequences is a floating black orb that embodies the magnetic pull of addictive forces.

Co-produced by Rogue, Closer, FutureFrank and La Pac, the directors have created a world that suggests cold technology mixed with medieval brutality, with cinematography by Martijn Melis, VFX by David Horsburgh, colour by Thomas Mangham at Black Kite Studios, and a brilliantly explosive edit by Hannah Yerbury at Marshall Street Editors.

“We’re grappling with more complex ideas now: technology, addiction, dependency,” says Joe Connor.

Meanwhile Emile Rafael says the considerable effort required to make the video has been the means to an end.

“Emotion comes first,” he says. “If it doesn’t leave you with something, the rest doesn’t matter.”

Directors: @joevconnor, @helloemile
Producer: Matous Marcinko
Prod companies: @la_pac, @roguefilms, @closer.video, @futurefrank.xyz
DoP: @martijnmelis
Costume designer: @petraptackova
Editor: @hannahyerbury, @mse.tv
Colourist: @thomasmangham @blackkitestudios
VFX: @davidtheanimator
Leads:  @georgiaamoducurtis,  @actiondanstyles

#musicvideos #musicvideodirector #BTS #newmusicvideos

The directors Joe Connor and Emile Rafael have a brilliant side hustle: SUPERMODEL. It’s a music project where Rafael’s beats combine with Connor’s spoken-word vocals to create an intense brand of alt-dance music. And that also provides a jumping off point for the pair to also create a visual language around the music.

Their new release SEVENTEEN DAYS comes after the UKMVA-nominated PUSH in 2024. The new video develops the fever-dream atmosphere in the first one, turning a symbolic struggle against unknown forces into brilliantly choreographed and executed swordfight sequence.

Starring  @georgiaamoducurtis and  @actiondanstyles - also the stunt and fight choreographer - the relentless battle that extends through the film is a visceral representation of the battle against addiction. Intercut between the action sequences is a floating black orb that embodies the magnetic pull of addictive forces.

Co-produced by Rogue, Closer, FutureFrank and La Pac, the directors have created a world that suggests cold technology mixed with medieval brutality, with cinematography by Martijn Melis, VFX by David Horsburgh, colour by Thomas Mangham at Black Kite Studios, and a brilliantly explosive edit by Hannah Yerbury at Marshall Street Editors.

“We’re grappling with more complex ideas now: technology, addiction, dependency,” says Joe Connor.

Meanwhile Emile Rafael says the considerable effort required to make the video has been the means to an end.

“Emotion comes first,” he says. “If it doesn’t leave you with something, the rest doesn’t matter.”

Directors: @joevconnor, @helloemile
Producer: Matous Marcinko
Prod companies: @la_pac, @roguefilms, @closer.video, @futurefrank.xyz
DoP: @martijnmelis
Costume designer: @petraptackova
Editor: @hannahyerbury, @mse.tv
Colourist: @thomasmangham @blackkitestudios
VFX: @davidtheanimator
Leads:  @georgiaamoducurtis,  @actiondanstyles

#musicvideos #musicvideodirector #BTS #newmusicvideos

BTS — 17 Days

Putting together this mad video, including this sword fight sequence, was a very exciting experience. Thank you @helloemile and @joevconnor for the invitation to the madhouse, and thank you to the crew for pulling it off once again.

Shoutout to @georgiaamoducurtis and @danstyles for their expertise and professionalism, and to @petraptackova for shaping this world through the aesthetic of her designs. Kudos to @martijnmelis for literally splitting himself in two for the cause, and to @matejkos for mastering the black liquid department.

Of course, massive thanks to our co-producers @roguefilms, @lapac, @futurefrank, and @agilefilms for putting their trust in the project.

@supermodel.studio ARE - @joevconnor and @helloemille

Directed by - @supermodel.studio

Co-production by - @closer.video, @futurefrank.xyz, @la_pac and @roguefilms

Executive Producers - @flyingjed, @curlykatetaylor, @howland.james, @palmeerek, @_ohmiguel_

Production Company - @closer.video

Producer - @palmeerek

DOP - @martijnmelis

Art Director - @matej_kos

Starring - @georgiaamoducurtis, @actiondanstyles

Stunt and Fight Choreography - @actiondanstyles

Wardrobe Design - @petraptackova

BTS — 17 Days

Putting together this mad video, including this sword fight sequence, was a very exciting experience. Thank you @helloemile and @joevconnor for the invitation to the madhouse, and thank you to the crew for pulling it off once again.

Shoutout to @georgiaamoducurtis and @danstyles for their expertise and professionalism, and to @petraptackova for shaping this world through the aesthetic of her designs. Kudos to @martijnmelis for literally splitting himself in two for the cause, and to @matejkos for mastering the black liquid department.

Of course, massive thanks to our co-producers @roguefilms, @lapac, @futurefrank, and @agilefilms for putting their trust in the project.

@supermodel.studio ARE - @joevconnor and @helloemille

Directed by - @supermodel.studio

Co-production by - @closer.video, @futurefrank.xyz, @la_pac and @roguefilms

Executive Producers - @flyingjed, @curlykatetaylor, @howland.james, @palmeerek, @_ohmiguel_

Production Company - @closer.video

Producer - @palmeerek

DOP - @martijnmelis

Art Director - @matej_kos

Starring - @georgiaamoducurtis, @actiondanstyles

Stunt and Fight Choreography - @actiondanstyles

Wardrobe Design - @petraptackova

BTS — 17 Days

Putting together this mad video, including this sword fight sequence, was a very exciting experience. Thank you @helloemile and @joevconnor for the invitation to the madhouse, and thank you to the crew for pulling it off once again.

Shoutout to @georgiaamoducurtis and @danstyles for their expertise and professionalism, and to @petraptackova for shaping this world through the aesthetic of her designs. Kudos to @martijnmelis for literally splitting himself in two for the cause, and to @matejkos for mastering the black liquid department.

Of course, massive thanks to our co-producers @roguefilms, @lapac, @futurefrank, and @agilefilms for putting their trust in the project.

@supermodel.studio ARE - @joevconnor and @helloemille

Directed by - @supermodel.studio

Co-production by - @closer.video, @futurefrank.xyz, @la_pac and @roguefilms

Executive Producers - @flyingjed, @curlykatetaylor, @howland.james, @palmeerek, @_ohmiguel_

Production Company - @closer.video

Producer - @palmeerek

DOP - @martijnmelis

Art Director - @matej_kos

Starring - @georgiaamoducurtis, @actiondanstyles

Stunt and Fight Choreography - @actiondanstyles

Wardrobe Design - @petraptackova

BTS — 17 Days

Putting together this mad video, including this sword fight sequence, was a very exciting experience. Thank you @helloemile and @joevconnor for the invitation to the madhouse, and thank you to the crew for pulling it off once again.

Shoutout to @georgiaamoducurtis and @danstyles for their expertise and professionalism, and to @petraptackova for shaping this world through the aesthetic of her designs. Kudos to @martijnmelis for literally splitting himself in two for the cause, and to @matejkos for mastering the black liquid department.

Of course, massive thanks to our co-producers @roguefilms, @lapac, @futurefrank, and @agilefilms for putting their trust in the project.

@supermodel.studio ARE - @joevconnor and @helloemille

Directed by - @supermodel.studio

Co-production by - @closer.video, @futurefrank.xyz, @la_pac and @roguefilms

Executive Producers - @flyingjed, @curlykatetaylor, @howland.james, @palmeerek, @_ohmiguel_

Production Company - @closer.video

Producer - @palmeerek

DOP - @martijnmelis

Art Director - @matej_kos

Starring - @georgiaamoducurtis, @actiondanstyles

Stunt and Fight Choreography - @actiondanstyles

Wardrobe Design - @petraptackova

BTS — 17 Days

Putting together this mad video, including this sword fight sequence, was a very exciting experience. Thank you @helloemile and @joevconnor for the invitation to the madhouse, and thank you to the crew for pulling it off once again.

Shoutout to @georgiaamoducurtis and @danstyles for their expertise and professionalism, and to @petraptackova for shaping this world through the aesthetic of her designs. Kudos to @martijnmelis for literally splitting himself in two for the cause, and to @matejkos for mastering the black liquid department.

Of course, massive thanks to our co-producers @roguefilms, @lapac, @futurefrank, and @agilefilms for putting their trust in the project.

@supermodel.studio ARE - @joevconnor and @helloemille

Directed by - @supermodel.studio

Co-production by - @closer.video, @futurefrank.xyz, @la_pac and @roguefilms

Executive Producers - @flyingjed, @curlykatetaylor, @howland.james, @palmeerek, @_ohmiguel_

Production Company - @closer.video

Producer - @palmeerek

DOP - @martijnmelis

Art Director - @matej_kos

Starring - @georgiaamoducurtis, @actiondanstyles

Stunt and Fight Choreography - @actiondanstyles

Wardrobe Design - @petraptackova

BTS — 17 Days

Putting together this mad video, including this sword fight sequence, was a very exciting experience. Thank you @helloemile and @joevconnor for the invitation to the madhouse, and thank you to the crew for pulling it off once again.

Shoutout to @georgiaamoducurtis and @danstyles for their expertise and professionalism, and to @petraptackova for shaping this world through the aesthetic of her designs. Kudos to @martijnmelis for literally splitting himself in two for the cause, and to @matejkos for mastering the black liquid department.

Of course, massive thanks to our co-producers @roguefilms, @lapac, @futurefrank, and @agilefilms for putting their trust in the project.

@supermodel.studio ARE - @joevconnor and @helloemille

Directed by - @supermodel.studio

Co-production by - @closer.video, @futurefrank.xyz, @la_pac and @roguefilms

Executive Producers - @flyingjed, @curlykatetaylor, @howland.james, @palmeerek, @_ohmiguel_

Production Company - @closer.video

Producer - @palmeerek

DOP - @martijnmelis

Art Director - @matej_kos

Starring - @georgiaamoducurtis, @actiondanstyles

Stunt and Fight Choreography - @actiondanstyles

Wardrobe Design - @petraptackova

BTS — 17 Days

Putting together this mad video, including this sword fight sequence, was a very exciting experience. Thank you @helloemile and @joevconnor for the invitation to the madhouse, and thank you to the crew for pulling it off once again.

Shoutout to @georgiaamoducurtis and @danstyles for their expertise and professionalism, and to @petraptackova for shaping this world through the aesthetic of her designs. Kudos to @martijnmelis for literally splitting himself in two for the cause, and to @matejkos for mastering the black liquid department.

Of course, massive thanks to our co-producers @roguefilms, @lapac, @futurefrank, and @agilefilms for putting their trust in the project.

@supermodel.studio ARE - @joevconnor and @helloemille

Directed by - @supermodel.studio

Co-production by - @closer.video, @futurefrank.xyz, @la_pac and @roguefilms

Executive Producers - @flyingjed, @curlykatetaylor, @howland.james, @palmeerek, @_ohmiguel_

Production Company - @closer.video

Producer - @palmeerek

DOP - @martijnmelis

Art Director - @matej_kos

Starring - @georgiaamoducurtis, @actiondanstyles

Stunt and Fight Choreography - @actiondanstyles

Wardrobe Design - @petraptackova

BTS — 17 Days

Putting together this mad video, including this sword fight sequence, was a very exciting experience. Thank you @helloemile and @joevconnor for the invitation to the madhouse, and thank you to the crew for pulling it off once again.

Shoutout to @georgiaamoducurtis and @danstyles for their expertise and professionalism, and to @petraptackova for shaping this world through the aesthetic of her designs. Kudos to @martijnmelis for literally splitting himself in two for the cause, and to @matejkos for mastering the black liquid department.

Of course, massive thanks to our co-producers @roguefilms, @lapac, @futurefrank, and @agilefilms for putting their trust in the project.

@supermodel.studio ARE - @joevconnor and @helloemille

Directed by - @supermodel.studio

Co-production by - @closer.video, @futurefrank.xyz, @la_pac and @roguefilms

Executive Producers - @flyingjed, @curlykatetaylor, @howland.james, @palmeerek, @_ohmiguel_

Production Company - @closer.video

Producer - @palmeerek

DOP - @martijnmelis

Art Director - @matej_kos

Starring - @georgiaamoducurtis, @actiondanstyles

Stunt and Fight Choreography - @actiondanstyles

Wardrobe Design - @petraptackova

BTS — 17 Days

Putting together this mad video, including this sword fight sequence, was a very exciting experience. Thank you @helloemile and @joevconnor for the invitation to the madhouse, and thank you to the crew for pulling it off once again.

Shoutout to @georgiaamoducurtis and @danstyles for their expertise and professionalism, and to @petraptackova for shaping this world through the aesthetic of her designs. Kudos to @martijnmelis for literally splitting himself in two for the cause, and to @matejkos for mastering the black liquid department.

Of course, massive thanks to our co-producers @roguefilms, @lapac, @futurefrank, and @agilefilms for putting their trust in the project.

@supermodel.studio ARE - @joevconnor and @helloemille

Directed by - @supermodel.studio

Co-production by - @closer.video, @futurefrank.xyz, @la_pac and @roguefilms

Executive Producers - @flyingjed, @curlykatetaylor, @howland.james, @palmeerek, @_ohmiguel_

Production Company - @closer.video

Producer - @palmeerek

DOP - @martijnmelis

Art Director - @matej_kos

Starring - @georgiaamoducurtis, @actiondanstyles

Stunt and Fight Choreography - @actiondanstyles

Wardrobe Design - @petraptackova

Big shoutout to @martijnmelis who got on a plane to Prague to lens the video for us so beautifully, and became a real guiding light in making this idea what it has become on screen.

We also absolutely need to thank @matej_kos and his team for leading the production design and joining us on the second adventure, having worked with us on Push. He and @michal0jaluvka spent countless hours researching how to make the black liquid safe, how to make it look great, how to make it actually wash off, and finding brilliant solutions to all the other mad ideas we threw at them. Absolute legends.

Then there is @petraptackova, who was actually the inspiration behind the sword fight and gave us her incredible fashion designs, of which we are both huge fans, to style both actors, then watched us destroy her one sample in a fight. Along with @kuku.laboratory, who lent us her beautiful, fluid form jewellery.

And a big final thank you to our partner in crime and brother @palmeerek of @closer.video films, who was brave enough to take on this enormous challenge with us, single handedly producing and holding everything together with his calm energy, all while welcoming his firstborn daughter into the world. The man is unstoppable.

And to the production companies that believed in us enough to make it possible: @futurefrank.xyz, @la_pac and @roguefilms, headed by @flyingjed, @curlykatetaylor, @howland.james and @_miguel_.

And a special mention to two of our biggest fans who showed up on set in the last pic.

Big shoutout to @martijnmelis who got on a plane to Prague to lens the video for us so beautifully, and became a real guiding light in making this idea what it has become on screen.

We also absolutely need to thank @matej_kos and his team for leading the production design and joining us on the second adventure, having worked with us on Push. He and @michal0jaluvka spent countless hours researching how to make the black liquid safe, how to make it look great, how to make it actually wash off, and finding brilliant solutions to all the other mad ideas we threw at them. Absolute legends.

Then there is @petraptackova, who was actually the inspiration behind the sword fight and gave us her incredible fashion designs, of which we are both huge fans, to style both actors, then watched us destroy her one sample in a fight. Along with @kuku.laboratory, who lent us her beautiful, fluid form jewellery.

And a big final thank you to our partner in crime and brother @palmeerek of @closer.video films, who was brave enough to take on this enormous challenge with us, single handedly producing and holding everything together with his calm energy, all while welcoming his firstborn daughter into the world. The man is unstoppable.

And to the production companies that believed in us enough to make it possible: @futurefrank.xyz, @la_pac and @roguefilms, headed by @flyingjed, @curlykatetaylor, @howland.james and @_miguel_.

And a special mention to two of our biggest fans who showed up on set in the last pic.

Big shoutout to @martijnmelis who got on a plane to Prague to lens the video for us so beautifully, and became a real guiding light in making this idea what it has become on screen.

We also absolutely need to thank @matej_kos and his team for leading the production design and joining us on the second adventure, having worked with us on Push. He and @michal0jaluvka spent countless hours researching how to make the black liquid safe, how to make it look great, how to make it actually wash off, and finding brilliant solutions to all the other mad ideas we threw at them. Absolute legends.

Then there is @petraptackova, who was actually the inspiration behind the sword fight and gave us her incredible fashion designs, of which we are both huge fans, to style both actors, then watched us destroy her one sample in a fight. Along with @kuku.laboratory, who lent us her beautiful, fluid form jewellery.

And a big final thank you to our partner in crime and brother @palmeerek of @closer.video films, who was brave enough to take on this enormous challenge with us, single handedly producing and holding everything together with his calm energy, all while welcoming his firstborn daughter into the world. The man is unstoppable.

And to the production companies that believed in us enough to make it possible: @futurefrank.xyz, @la_pac and @roguefilms, headed by @flyingjed, @curlykatetaylor, @howland.james and @_miguel_.

And a special mention to two of our biggest fans who showed up on set in the last pic.

Big shoutout to @martijnmelis who got on a plane to Prague to lens the video for us so beautifully, and became a real guiding light in making this idea what it has become on screen.

We also absolutely need to thank @matej_kos and his team for leading the production design and joining us on the second adventure, having worked with us on Push. He and @michal0jaluvka spent countless hours researching how to make the black liquid safe, how to make it look great, how to make it actually wash off, and finding brilliant solutions to all the other mad ideas we threw at them. Absolute legends.

Then there is @petraptackova, who was actually the inspiration behind the sword fight and gave us her incredible fashion designs, of which we are both huge fans, to style both actors, then watched us destroy her one sample in a fight. Along with @kuku.laboratory, who lent us her beautiful, fluid form jewellery.

And a big final thank you to our partner in crime and brother @palmeerek of @closer.video films, who was brave enough to take on this enormous challenge with us, single handedly producing and holding everything together with his calm energy, all while welcoming his firstborn daughter into the world. The man is unstoppable.

And to the production companies that believed in us enough to make it possible: @futurefrank.xyz, @la_pac and @roguefilms, headed by @flyingjed, @curlykatetaylor, @howland.james and @_miguel_.

And a special mention to two of our biggest fans who showed up on set in the last pic.

Big shoutout to @martijnmelis who got on a plane to Prague to lens the video for us so beautifully, and became a real guiding light in making this idea what it has become on screen.

We also absolutely need to thank @matej_kos and his team for leading the production design and joining us on the second adventure, having worked with us on Push. He and @michal0jaluvka spent countless hours researching how to make the black liquid safe, how to make it look great, how to make it actually wash off, and finding brilliant solutions to all the other mad ideas we threw at them. Absolute legends.

Then there is @petraptackova, who was actually the inspiration behind the sword fight and gave us her incredible fashion designs, of which we are both huge fans, to style both actors, then watched us destroy her one sample in a fight. Along with @kuku.laboratory, who lent us her beautiful, fluid form jewellery.

And a big final thank you to our partner in crime and brother @palmeerek of @closer.video films, who was brave enough to take on this enormous challenge with us, single handedly producing and holding everything together with his calm energy, all while welcoming his firstborn daughter into the world. The man is unstoppable.

And to the production companies that believed in us enough to make it possible: @futurefrank.xyz, @la_pac and @roguefilms, headed by @flyingjed, @curlykatetaylor, @howland.james and @_miguel_.

And a special mention to two of our biggest fans who showed up on set in the last pic.

Big shoutout to @martijnmelis who got on a plane to Prague to lens the video for us so beautifully, and became a real guiding light in making this idea what it has become on screen.

We also absolutely need to thank @matej_kos and his team for leading the production design and joining us on the second adventure, having worked with us on Push. He and @michal0jaluvka spent countless hours researching how to make the black liquid safe, how to make it look great, how to make it actually wash off, and finding brilliant solutions to all the other mad ideas we threw at them. Absolute legends.

Then there is @petraptackova, who was actually the inspiration behind the sword fight and gave us her incredible fashion designs, of which we are both huge fans, to style both actors, then watched us destroy her one sample in a fight. Along with @kuku.laboratory, who lent us her beautiful, fluid form jewellery.

And a big final thank you to our partner in crime and brother @palmeerek of @closer.video films, who was brave enough to take on this enormous challenge with us, single handedly producing and holding everything together with his calm energy, all while welcoming his firstborn daughter into the world. The man is unstoppable.

And to the production companies that believed in us enough to make it possible: @futurefrank.xyz, @la_pac and @roguefilms, headed by @flyingjed, @curlykatetaylor, @howland.james and @_miguel_.

And a special mention to two of our biggest fans who showed up on set in the last pic.

Big shoutout to @martijnmelis who got on a plane to Prague to lens the video for us so beautifully, and became a real guiding light in making this idea what it has become on screen.

We also absolutely need to thank @matej_kos and his team for leading the production design and joining us on the second adventure, having worked with us on Push. He and @michal0jaluvka spent countless hours researching how to make the black liquid safe, how to make it look great, how to make it actually wash off, and finding brilliant solutions to all the other mad ideas we threw at them. Absolute legends.

Then there is @petraptackova, who was actually the inspiration behind the sword fight and gave us her incredible fashion designs, of which we are both huge fans, to style both actors, then watched us destroy her one sample in a fight. Along with @kuku.laboratory, who lent us her beautiful, fluid form jewellery.

And a big final thank you to our partner in crime and brother @palmeerek of @closer.video films, who was brave enough to take on this enormous challenge with us, single handedly producing and holding everything together with his calm energy, all while welcoming his firstborn daughter into the world. The man is unstoppable.

And to the production companies that believed in us enough to make it possible: @futurefrank.xyz, @la_pac and @roguefilms, headed by @flyingjed, @curlykatetaylor, @howland.james and @_miguel_.

And a special mention to two of our biggest fans who showed up on set in the last pic.

Big shoutout to @martijnmelis who got on a plane to Prague to lens the video for us so beautifully, and became a real guiding light in making this idea what it has become on screen.

We also absolutely need to thank @matej_kos and his team for leading the production design and joining us on the second adventure, having worked with us on Push. He and @michal0jaluvka spent countless hours researching how to make the black liquid safe, how to make it look great, how to make it actually wash off, and finding brilliant solutions to all the other mad ideas we threw at them. Absolute legends.

Then there is @petraptackova, who was actually the inspiration behind the sword fight and gave us her incredible fashion designs, of which we are both huge fans, to style both actors, then watched us destroy her one sample in a fight. Along with @kuku.laboratory, who lent us her beautiful, fluid form jewellery.

And a big final thank you to our partner in crime and brother @palmeerek of @closer.video films, who was brave enough to take on this enormous challenge with us, single handedly producing and holding everything together with his calm energy, all while welcoming his firstborn daughter into the world. The man is unstoppable.

And to the production companies that believed in us enough to make it possible: @futurefrank.xyz, @la_pac and @roguefilms, headed by @flyingjed, @curlykatetaylor, @howland.james and @_miguel_.

And a special mention to two of our biggest fans who showed up on set in the last pic.

Big shoutout to @martijnmelis who got on a plane to Prague to lens the video for us so beautifully, and became a real guiding light in making this idea what it has become on screen.

We also absolutely need to thank @matej_kos and his team for leading the production design and joining us on the second adventure, having worked with us on Push. He and @michal0jaluvka spent countless hours researching how to make the black liquid safe, how to make it look great, how to make it actually wash off, and finding brilliant solutions to all the other mad ideas we threw at them. Absolute legends.

Then there is @petraptackova, who was actually the inspiration behind the sword fight and gave us her incredible fashion designs, of which we are both huge fans, to style both actors, then watched us destroy her one sample in a fight. Along with @kuku.laboratory, who lent us her beautiful, fluid form jewellery.

And a big final thank you to our partner in crime and brother @palmeerek of @closer.video films, who was brave enough to take on this enormous challenge with us, single handedly producing and holding everything together with his calm energy, all while welcoming his firstborn daughter into the world. The man is unstoppable.

And to the production companies that believed in us enough to make it possible: @futurefrank.xyz, @la_pac and @roguefilms, headed by @flyingjed, @curlykatetaylor, @howland.james and @_miguel_.

And a special mention to two of our biggest fans who showed up on set in the last pic.

Big shoutout to @martijnmelis who got on a plane to Prague to lens the video for us so beautifully, and became a real guiding light in making this idea what it has become on screen.

We also absolutely need to thank @matej_kos and his team for leading the production design and joining us on the second adventure, having worked with us on Push. He and @michal0jaluvka spent countless hours researching how to make the black liquid safe, how to make it look great, how to make it actually wash off, and finding brilliant solutions to all the other mad ideas we threw at them. Absolute legends.

Then there is @petraptackova, who was actually the inspiration behind the sword fight and gave us her incredible fashion designs, of which we are both huge fans, to style both actors, then watched us destroy her one sample in a fight. Along with @kuku.laboratory, who lent us her beautiful, fluid form jewellery.

And a big final thank you to our partner in crime and brother @palmeerek of @closer.video films, who was brave enough to take on this enormous challenge with us, single handedly producing and holding everything together with his calm energy, all while welcoming his firstborn daughter into the world. The man is unstoppable.

And to the production companies that believed in us enough to make it possible: @futurefrank.xyz, @la_pac and @roguefilms, headed by @flyingjed, @curlykatetaylor, @howland.james and @_miguel_.

And a special mention to two of our biggest fans who showed up on set in the last pic.

Big shoutout to @martijnmelis who got on a plane to Prague to lens the video for us so beautifully, and became a real guiding light in making this idea what it has become on screen.

We also absolutely need to thank @matej_kos and his team for leading the production design and joining us on the second adventure, having worked with us on Push. He and @michal0jaluvka spent countless hours researching how to make the black liquid safe, how to make it look great, how to make it actually wash off, and finding brilliant solutions to all the other mad ideas we threw at them. Absolute legends.

Then there is @petraptackova, who was actually the inspiration behind the sword fight and gave us her incredible fashion designs, of which we are both huge fans, to style both actors, then watched us destroy her one sample in a fight. Along with @kuku.laboratory, who lent us her beautiful, fluid form jewellery.

And a big final thank you to our partner in crime and brother @palmeerek of @closer.video films, who was brave enough to take on this enormous challenge with us, single handedly producing and holding everything together with his calm energy, all while welcoming his firstborn daughter into the world. The man is unstoppable.

And to the production companies that believed in us enough to make it possible: @futurefrank.xyz, @la_pac and @roguefilms, headed by @flyingjed, @curlykatetaylor, @howland.james and @_miguel_.

And a special mention to two of our biggest fans who showed up on set in the last pic.

Big shoutout to @martijnmelis who got on a plane to Prague to lens the video for us so beautifully, and became a real guiding light in making this idea what it has become on screen.

We also absolutely need to thank @matej_kos and his team for leading the production design and joining us on the second adventure, having worked with us on Push. He and @michal0jaluvka spent countless hours researching how to make the black liquid safe, how to make it look great, how to make it actually wash off, and finding brilliant solutions to all the other mad ideas we threw at them. Absolute legends.

Then there is @petraptackova, who was actually the inspiration behind the sword fight and gave us her incredible fashion designs, of which we are both huge fans, to style both actors, then watched us destroy her one sample in a fight. Along with @kuku.laboratory, who lent us her beautiful, fluid form jewellery.

And a big final thank you to our partner in crime and brother @palmeerek of @closer.video films, who was brave enough to take on this enormous challenge with us, single handedly producing and holding everything together with his calm energy, all while welcoming his firstborn daughter into the world. The man is unstoppable.

And to the production companies that believed in us enough to make it possible: @futurefrank.xyz, @la_pac and @roguefilms, headed by @flyingjed, @curlykatetaylor, @howland.james and @_miguel_.

And a special mention to two of our biggest fans who showed up on set in the last pic.

Big shoutout to @martijnmelis who got on a plane to Prague to lens the video for us so beautifully, and became a real guiding light in making this idea what it has become on screen.

We also absolutely need to thank @matej_kos and his team for leading the production design and joining us on the second adventure, having worked with us on Push. He and @michal0jaluvka spent countless hours researching how to make the black liquid safe, how to make it look great, how to make it actually wash off, and finding brilliant solutions to all the other mad ideas we threw at them. Absolute legends.

Then there is @petraptackova, who was actually the inspiration behind the sword fight and gave us her incredible fashion designs, of which we are both huge fans, to style both actors, then watched us destroy her one sample in a fight. Along with @kuku.laboratory, who lent us her beautiful, fluid form jewellery.

And a big final thank you to our partner in crime and brother @palmeerek of @closer.video films, who was brave enough to take on this enormous challenge with us, single handedly producing and holding everything together with his calm energy, all while welcoming his firstborn daughter into the world. The man is unstoppable.

And to the production companies that believed in us enough to make it possible: @futurefrank.xyz, @la_pac and @roguefilms, headed by @flyingjed, @curlykatetaylor, @howland.james and @_miguel_.

And a special mention to two of our biggest fans who showed up on set in the last pic.

Big shoutout to @martijnmelis who got on a plane to Prague to lens the video for us so beautifully, and became a real guiding light in making this idea what it has become on screen.

We also absolutely need to thank @matej_kos and his team for leading the production design and joining us on the second adventure, having worked with us on Push. He and @michal0jaluvka spent countless hours researching how to make the black liquid safe, how to make it look great, how to make it actually wash off, and finding brilliant solutions to all the other mad ideas we threw at them. Absolute legends.

Then there is @petraptackova, who was actually the inspiration behind the sword fight and gave us her incredible fashion designs, of which we are both huge fans, to style both actors, then watched us destroy her one sample in a fight. Along with @kuku.laboratory, who lent us her beautiful, fluid form jewellery.

And a big final thank you to our partner in crime and brother @palmeerek of @closer.video films, who was brave enough to take on this enormous challenge with us, single handedly producing and holding everything together with his calm energy, all while welcoming his firstborn daughter into the world. The man is unstoppable.

And to the production companies that believed in us enough to make it possible: @futurefrank.xyz, @la_pac and @roguefilms, headed by @flyingjed, @curlykatetaylor, @howland.james and @_miguel_.

And a special mention to two of our biggest fans who showed up on set in the last pic.

Big shoutout to @martijnmelis who got on a plane to Prague to lens the video for us so beautifully, and became a real guiding light in making this idea what it has become on screen.

We also absolutely need to thank @matej_kos and his team for leading the production design and joining us on the second adventure, having worked with us on Push. He and @michal0jaluvka spent countless hours researching how to make the black liquid safe, how to make it look great, how to make it actually wash off, and finding brilliant solutions to all the other mad ideas we threw at them. Absolute legends.

Then there is @petraptackova, who was actually the inspiration behind the sword fight and gave us her incredible fashion designs, of which we are both huge fans, to style both actors, then watched us destroy her one sample in a fight. Along with @kuku.laboratory, who lent us her beautiful, fluid form jewellery.

And a big final thank you to our partner in crime and brother @palmeerek of @closer.video films, who was brave enough to take on this enormous challenge with us, single handedly producing and holding everything together with his calm energy, all while welcoming his firstborn daughter into the world. The man is unstoppable.

And to the production companies that believed in us enough to make it possible: @futurefrank.xyz, @la_pac and @roguefilms, headed by @flyingjed, @curlykatetaylor, @howland.james and @_miguel_.

And a special mention to two of our biggest fans who showed up on set in the last pic.

Big shoutout to @martijnmelis who got on a plane to Prague to lens the video for us so beautifully, and became a real guiding light in making this idea what it has become on screen.

We also absolutely need to thank @matej_kos and his team for leading the production design and joining us on the second adventure, having worked with us on Push. He and @michal0jaluvka spent countless hours researching how to make the black liquid safe, how to make it look great, how to make it actually wash off, and finding brilliant solutions to all the other mad ideas we threw at them. Absolute legends.

Then there is @petraptackova, who was actually the inspiration behind the sword fight and gave us her incredible fashion designs, of which we are both huge fans, to style both actors, then watched us destroy her one sample in a fight. Along with @kuku.laboratory, who lent us her beautiful, fluid form jewellery.

And a big final thank you to our partner in crime and brother @palmeerek of @closer.video films, who was brave enough to take on this enormous challenge with us, single handedly producing and holding everything together with his calm energy, all while welcoming his firstborn daughter into the world. The man is unstoppable.

And to the production companies that believed in us enough to make it possible: @futurefrank.xyz, @la_pac and @roguefilms, headed by @flyingjed, @curlykatetaylor, @howland.james and @_miguel_.

And a special mention to two of our biggest fans who showed up on set in the last pic.

A special mention to all the incredible post crew on this film, the people who managed to pick up the rushes and shape this with us into what it became.

Firstly, to @hannahyerbury, who gave so much of her time and amazing talent, slowly chiseling this into what it has become and centering it all. An incredible talent and editor. Produced by @lola_life. With creative support by @pattopotatoes.

Then there is the whole team at Agile Films post @agilefilms, who have given an enormous amount of time and resources. Led by @davidtheanimator, with Kevin Marien’s artistry, produced by @em_bewls, with online by @natalyaholley. We really couldn’t have finished this without them.

A wonderful grade at @blackkitestudios with @thomasmangham, colour produced by @jami.emccubbin and assisted by @simone.chiavini.colour, @james_pitsielis, and @billysonofdaw.

And sound by my OG @neilkjohnson, adding that third dimension we needed and giving the fight the power it needed.

This is what makes a project like this worth it, working with people we call friends and creative collaborators. Stretching very limited resources also means a lot of energy is expelled in the process, but every one of these people picked us up when we needed it and gave us that final energy and push to make this a bigger and better video than we had the resources for. We are eternally grateful to each one of our dear creative and talented friends.

A special mention to all the incredible post crew on this film, the people who managed to pick up the rushes and shape this with us into what it became.

Firstly, to @hannahyerbury, who gave so much of her time and amazing talent, slowly chiseling this into what it has become and centering it all. An incredible talent and editor. Produced by @lola_life. With creative support by @pattopotatoes.

Then there is the whole team at Agile Films post @agilefilms, who have given an enormous amount of time and resources. Led by @davidtheanimator, with Kevin Marien’s artistry, produced by @em_bewls, with online by @natalyaholley. We really couldn’t have finished this without them.

A wonderful grade at @blackkitestudios with @thomasmangham, colour produced by @jami.emccubbin and assisted by @simone.chiavini.colour, @james_pitsielis, and @billysonofdaw.

And sound by my OG @neilkjohnson, adding that third dimension we needed and giving the fight the power it needed.

This is what makes a project like this worth it, working with people we call friends and creative collaborators. Stretching very limited resources also means a lot of energy is expelled in the process, but every one of these people picked us up when we needed it and gave us that final energy and push to make this a bigger and better video than we had the resources for. We are eternally grateful to each one of our dear creative and talented friends.

A special mention to all the incredible post crew on this film, the people who managed to pick up the rushes and shape this with us into what it became.

Firstly, to @hannahyerbury, who gave so much of her time and amazing talent, slowly chiseling this into what it has become and centering it all. An incredible talent and editor. Produced by @lola_life. With creative support by @pattopotatoes.

Then there is the whole team at Agile Films post @agilefilms, who have given an enormous amount of time and resources. Led by @davidtheanimator, with Kevin Marien’s artistry, produced by @em_bewls, with online by @natalyaholley. We really couldn’t have finished this without them.

A wonderful grade at @blackkitestudios with @thomasmangham, colour produced by @jami.emccubbin and assisted by @simone.chiavini.colour, @james_pitsielis, and @billysonofdaw.

And sound by my OG @neilkjohnson, adding that third dimension we needed and giving the fight the power it needed.

This is what makes a project like this worth it, working with people we call friends and creative collaborators. Stretching very limited resources also means a lot of energy is expelled in the process, but every one of these people picked us up when we needed it and gave us that final energy and push to make this a bigger and better video than we had the resources for. We are eternally grateful to each one of our dear creative and talented friends.

A special mention to all the incredible post crew on this film, the people who managed to pick up the rushes and shape this with us into what it became.

Firstly, to @hannahyerbury, who gave so much of her time and amazing talent, slowly chiseling this into what it has become and centering it all. An incredible talent and editor. Produced by @lola_life. With creative support by @pattopotatoes.

Then there is the whole team at Agile Films post @agilefilms, who have given an enormous amount of time and resources. Led by @davidtheanimator, with Kevin Marien’s artistry, produced by @em_bewls, with online by @natalyaholley. We really couldn’t have finished this without them.

A wonderful grade at @blackkitestudios with @thomasmangham, colour produced by @jami.emccubbin and assisted by @simone.chiavini.colour, @james_pitsielis, and @billysonofdaw.

And sound by my OG @neilkjohnson, adding that third dimension we needed and giving the fight the power it needed.

This is what makes a project like this worth it, working with people we call friends and creative collaborators. Stretching very limited resources also means a lot of energy is expelled in the process, but every one of these people picked us up when we needed it and gave us that final energy and push to make this a bigger and better video than we had the resources for. We are eternally grateful to each one of our dear creative and talented friends.

A special mention to all the incredible post crew on this film, the people who managed to pick up the rushes and shape this with us into what it became.

Firstly, to @hannahyerbury, who gave so much of her time and amazing talent, slowly chiseling this into what it has become and centering it all. An incredible talent and editor. Produced by @lola_life. With creative support by @pattopotatoes.

Then there is the whole team at Agile Films post @agilefilms, who have given an enormous amount of time and resources. Led by @davidtheanimator, with Kevin Marien’s artistry, produced by @em_bewls, with online by @natalyaholley. We really couldn’t have finished this without them.

A wonderful grade at @blackkitestudios with @thomasmangham, colour produced by @jami.emccubbin and assisted by @simone.chiavini.colour, @james_pitsielis, and @billysonofdaw.

And sound by my OG @neilkjohnson, adding that third dimension we needed and giving the fight the power it needed.

This is what makes a project like this worth it, working with people we call friends and creative collaborators. Stretching very limited resources also means a lot of energy is expelled in the process, but every one of these people picked us up when we needed it and gave us that final energy and push to make this a bigger and better video than we had the resources for. We are eternally grateful to each one of our dear creative and talented friends.

A special mention to all the incredible post crew on this film, the people who managed to pick up the rushes and shape this with us into what it became.

Firstly, to @hannahyerbury, who gave so much of her time and amazing talent, slowly chiseling this into what it has become and centering it all. An incredible talent and editor. Produced by @lola_life. With creative support by @pattopotatoes.

Then there is the whole team at Agile Films post @agilefilms, who have given an enormous amount of time and resources. Led by @davidtheanimator, with Kevin Marien’s artistry, produced by @em_bewls, with online by @natalyaholley. We really couldn’t have finished this without them.

A wonderful grade at @blackkitestudios with @thomasmangham, colour produced by @jami.emccubbin and assisted by @simone.chiavini.colour, @james_pitsielis, and @billysonofdaw.

And sound by my OG @neilkjohnson, adding that third dimension we needed and giving the fight the power it needed.

This is what makes a project like this worth it, working with people we call friends and creative collaborators. Stretching very limited resources also means a lot of energy is expelled in the process, but every one of these people picked us up when we needed it and gave us that final energy and push to make this a bigger and better video than we had the resources for. We are eternally grateful to each one of our dear creative and talented friends.

A special mention to all the incredible post crew on this film, the people who managed to pick up the rushes and shape this with us into what it became.

Firstly, to @hannahyerbury, who gave so much of her time and amazing talent, slowly chiseling this into what it has become and centering it all. An incredible talent and editor. Produced by @lola_life. With creative support by @pattopotatoes.

Then there is the whole team at Agile Films post @agilefilms, who have given an enormous amount of time and resources. Led by @davidtheanimator, with Kevin Marien’s artistry, produced by @em_bewls, with online by @natalyaholley. We really couldn’t have finished this without them.

A wonderful grade at @blackkitestudios with @thomasmangham, colour produced by @jami.emccubbin and assisted by @simone.chiavini.colour, @james_pitsielis, and @billysonofdaw.

And sound by my OG @neilkjohnson, adding that third dimension we needed and giving the fight the power it needed.

This is what makes a project like this worth it, working with people we call friends and creative collaborators. Stretching very limited resources also means a lot of energy is expelled in the process, but every one of these people picked us up when we needed it and gave us that final energy and push to make this a bigger and better video than we had the resources for. We are eternally grateful to each one of our dear creative and talented friends.

A special mention to all the incredible post crew on this film, the people who managed to pick up the rushes and shape this with us into what it became.

Firstly, to @hannahyerbury, who gave so much of her time and amazing talent, slowly chiseling this into what it has become and centering it all. An incredible talent and editor. Produced by @lola_life. With creative support by @pattopotatoes.

Then there is the whole team at Agile Films post @agilefilms, who have given an enormous amount of time and resources. Led by @davidtheanimator, with Kevin Marien’s artistry, produced by @em_bewls, with online by @natalyaholley. We really couldn’t have finished this without them.

A wonderful grade at @blackkitestudios with @thomasmangham, colour produced by @jami.emccubbin and assisted by @simone.chiavini.colour, @james_pitsielis, and @billysonofdaw.

And sound by my OG @neilkjohnson, adding that third dimension we needed and giving the fight the power it needed.

This is what makes a project like this worth it, working with people we call friends and creative collaborators. Stretching very limited resources also means a lot of energy is expelled in the process, but every one of these people picked us up when we needed it and gave us that final energy and push to make this a bigger and better video than we had the resources for. We are eternally grateful to each one of our dear creative and talented friends.

Special post for the stars of the video, Georgia Curtis @georgiaamoducurtis and Dan Styles @actiondanstyles.

Once we had the concept, it was quite challenging to find someone with that level of acting and sword skill at the same time to tell this narrative. We must have gone through over 100 people, and none of them quite hit what we were after, to the point that we weren’t sure we could actually make the video. Until we had a chat with Georgia, and suddenly it all clicked. The amount of work and bravery she gave us to make sure we got the video we were after is enormous. We’re truly grateful to have found such a collaborator in her.

The same goes for our other star, Dan, who had to deal with two people who hadn’t choreographed a fight before, on an incredibly ambitious four and a half minute song where the fight had to tell a story. No budget and no time before we convinced him to get on a plane to Prague with Georgia and somehow put it all together with two days of rehearsal time.

And yet somehow we did it, with them giving us their trust and energy, that we would make them look good on screen through our sheer will and blind belief. That kind of trust is rare, and it’s what Joe and I keep coming back to when we think about this one.

Thank you. 🖤⚫️

Special post for the stars of the video, Georgia Curtis @georgiaamoducurtis and Dan Styles @actiondanstyles.

Once we had the concept, it was quite challenging to find someone with that level of acting and sword skill at the same time to tell this narrative. We must have gone through over 100 people, and none of them quite hit what we were after, to the point that we weren’t sure we could actually make the video. Until we had a chat with Georgia, and suddenly it all clicked. The amount of work and bravery she gave us to make sure we got the video we were after is enormous. We’re truly grateful to have found such a collaborator in her.

The same goes for our other star, Dan, who had to deal with two people who hadn’t choreographed a fight before, on an incredibly ambitious four and a half minute song where the fight had to tell a story. No budget and no time before we convinced him to get on a plane to Prague with Georgia and somehow put it all together with two days of rehearsal time.

And yet somehow we did it, with them giving us their trust and energy, that we would make them look good on screen through our sheer will and blind belief. That kind of trust is rare, and it’s what Joe and I keep coming back to when we think about this one.

Thank you. 🖤⚫️

Special post for the stars of the video, Georgia Curtis @georgiaamoducurtis and Dan Styles @actiondanstyles.

Once we had the concept, it was quite challenging to find someone with that level of acting and sword skill at the same time to tell this narrative. We must have gone through over 100 people, and none of them quite hit what we were after, to the point that we weren’t sure we could actually make the video. Until we had a chat with Georgia, and suddenly it all clicked. The amount of work and bravery she gave us to make sure we got the video we were after is enormous. We’re truly grateful to have found such a collaborator in her.

The same goes for our other star, Dan, who had to deal with two people who hadn’t choreographed a fight before, on an incredibly ambitious four and a half minute song where the fight had to tell a story. No budget and no time before we convinced him to get on a plane to Prague with Georgia and somehow put it all together with two days of rehearsal time.

And yet somehow we did it, with them giving us their trust and energy, that we would make them look good on screen through our sheer will and blind belief. That kind of trust is rare, and it’s what Joe and I keep coming back to when we think about this one.

Thank you. 🖤⚫️

Special post for the stars of the video, Georgia Curtis @georgiaamoducurtis and Dan Styles @actiondanstyles.

Once we had the concept, it was quite challenging to find someone with that level of acting and sword skill at the same time to tell this narrative. We must have gone through over 100 people, and none of them quite hit what we were after, to the point that we weren’t sure we could actually make the video. Until we had a chat with Georgia, and suddenly it all clicked. The amount of work and bravery she gave us to make sure we got the video we were after is enormous. We’re truly grateful to have found such a collaborator in her.

The same goes for our other star, Dan, who had to deal with two people who hadn’t choreographed a fight before, on an incredibly ambitious four and a half minute song where the fight had to tell a story. No budget and no time before we convinced him to get on a plane to Prague with Georgia and somehow put it all together with two days of rehearsal time.

And yet somehow we did it, with them giving us their trust and energy, that we would make them look good on screen through our sheer will and blind belief. That kind of trust is rare, and it’s what Joe and I keep coming back to when we think about this one.

Thank you. 🖤⚫️

Special post for the stars of the video, Georgia Curtis @georgiaamoducurtis and Dan Styles @actiondanstyles.

Once we had the concept, it was quite challenging to find someone with that level of acting and sword skill at the same time to tell this narrative. We must have gone through over 100 people, and none of them quite hit what we were after, to the point that we weren’t sure we could actually make the video. Until we had a chat with Georgia, and suddenly it all clicked. The amount of work and bravery she gave us to make sure we got the video we were after is enormous. We’re truly grateful to have found such a collaborator in her.

The same goes for our other star, Dan, who had to deal with two people who hadn’t choreographed a fight before, on an incredibly ambitious four and a half minute song where the fight had to tell a story. No budget and no time before we convinced him to get on a plane to Prague with Georgia and somehow put it all together with two days of rehearsal time.

And yet somehow we did it, with them giving us their trust and energy, that we would make them look good on screen through our sheer will and blind belief. That kind of trust is rare, and it’s what Joe and I keep coming back to when we think about this one.

Thank you. 🖤⚫️

Special post for the stars of the video, Georgia Curtis @georgiaamoducurtis and Dan Styles @actiondanstyles.

Once we had the concept, it was quite challenging to find someone with that level of acting and sword skill at the same time to tell this narrative. We must have gone through over 100 people, and none of them quite hit what we were after, to the point that we weren’t sure we could actually make the video. Until we had a chat with Georgia, and suddenly it all clicked. The amount of work and bravery she gave us to make sure we got the video we were after is enormous. We’re truly grateful to have found such a collaborator in her.

The same goes for our other star, Dan, who had to deal with two people who hadn’t choreographed a fight before, on an incredibly ambitious four and a half minute song where the fight had to tell a story. No budget and no time before we convinced him to get on a plane to Prague with Georgia and somehow put it all together with two days of rehearsal time.

And yet somehow we did it, with them giving us their trust and energy, that we would make them look good on screen through our sheer will and blind belief. That kind of trust is rare, and it’s what Joe and I keep coming back to when we think about this one.

Thank you. 🖤⚫️

Special post for the stars of the video, Georgia Curtis @georgiaamoducurtis and Dan Styles @actiondanstyles.

Once we had the concept, it was quite challenging to find someone with that level of acting and sword skill at the same time to tell this narrative. We must have gone through over 100 people, and none of them quite hit what we were after, to the point that we weren’t sure we could actually make the video. Until we had a chat with Georgia, and suddenly it all clicked. The amount of work and bravery she gave us to make sure we got the video we were after is enormous. We’re truly grateful to have found such a collaborator in her.

The same goes for our other star, Dan, who had to deal with two people who hadn’t choreographed a fight before, on an incredibly ambitious four and a half minute song where the fight had to tell a story. No budget and no time before we convinced him to get on a plane to Prague with Georgia and somehow put it all together with two days of rehearsal time.

And yet somehow we did it, with them giving us their trust and energy, that we would make them look good on screen through our sheer will and blind belief. That kind of trust is rare, and it’s what Joe and I keep coming back to when we think about this one.

Thank you. 🖤⚫️

Special post for the stars of the video, Georgia Curtis @georgiaamoducurtis and Dan Styles @actiondanstyles.

Once we had the concept, it was quite challenging to find someone with that level of acting and sword skill at the same time to tell this narrative. We must have gone through over 100 people, and none of them quite hit what we were after, to the point that we weren’t sure we could actually make the video. Until we had a chat with Georgia, and suddenly it all clicked. The amount of work and bravery she gave us to make sure we got the video we were after is enormous. We’re truly grateful to have found such a collaborator in her.

The same goes for our other star, Dan, who had to deal with two people who hadn’t choreographed a fight before, on an incredibly ambitious four and a half minute song where the fight had to tell a story. No budget and no time before we convinced him to get on a plane to Prague with Georgia and somehow put it all together with two days of rehearsal time.

And yet somehow we did it, with them giving us their trust and energy, that we would make them look good on screen through our sheer will and blind belief. That kind of trust is rare, and it’s what Joe and I keep coming back to when we think about this one.

Thank you. 🖤⚫️

Special post for the stars of the video, Georgia Curtis @georgiaamoducurtis and Dan Styles @actiondanstyles.

Once we had the concept, it was quite challenging to find someone with that level of acting and sword skill at the same time to tell this narrative. We must have gone through over 100 people, and none of them quite hit what we were after, to the point that we weren’t sure we could actually make the video. Until we had a chat with Georgia, and suddenly it all clicked. The amount of work and bravery she gave us to make sure we got the video we were after is enormous. We’re truly grateful to have found such a collaborator in her.

The same goes for our other star, Dan, who had to deal with two people who hadn’t choreographed a fight before, on an incredibly ambitious four and a half minute song where the fight had to tell a story. No budget and no time before we convinced him to get on a plane to Prague with Georgia and somehow put it all together with two days of rehearsal time.

And yet somehow we did it, with them giving us their trust and energy, that we would make them look good on screen through our sheer will and blind belief. That kind of trust is rare, and it’s what Joe and I keep coming back to when we think about this one.

Thank you. 🖤⚫️

Somewhere in the middle of all that noise of seduction, destruction and suffocation, someone decides to fight back.

Seventeen Days is the second release from Supermodel -the creative project of @helloemile and @joevconnor. Bigger, sharper, and harder to shake than anything they’ve made before.

SUPERMODEL | @supermodel.studio
Emile Rafael | @helloemille & Joe Connor | @joevconnor

Directed by:
Supermodel | @supermodel.studio

Co-Production by:
Closer | @closer.video
FutureFrank | @futurefrank.xyz
La Pac | @la_pac
Rogue Films | @roguefilms

Executive Producers —
Jérôme Denis | @flyingjed
Kate Taylor | @curlykatetaylor
James Howland | @howland.james
Matouš Marcinko | @palmeerek
Miguel Teixeira | @_ohmiguel_ miguel
Head of Production – Gussie Peile | @_gp_production
Production Company – Closer | @closer.video
Producer – Matouš Marcinko | @palmeerek
Production Manager – Daniela Pechmanová | @danielapechmanova
1st Assistant Director – Petr Kadeřábek | @petrk2
Production Assistant – Valerie Kulas | @valeriakulas

Director of Photography – Martijn Melis | @martijnmelis
1st Assistant Camera – Petr Soukup | @pitrsonskp
2nd Assistant Camera – Tomáš Cicu | @tomas_cicu
VTR & DIT – Michal Machulda
Gaffer – Václav Taichmann | @vaclav_labsix
Electrician – Václav Sus
Electrician – Michal Šeděnka
Electrician – Jaroslav Sládek
Key Grip – Ludvík Hradílek | @abuludvik
Steadicam – Daniel Vagenknecht | @danielvagenknecht
BTS Photography – Rita Watson | @rita____baby
Camera Rental – Vantage | @vantagefilmpraha
Light Rental – TK Light
Grip Rental – Just Grips | @justgrips

Art Director – Matěj Kos | @matej_kos
Make-up Artist – Helena Nikl Vašíkova
Wardrobe Design – Petra Ptáčková | @petraptackova
Wardrobe Assistant – Hana Kabešová
Jewellery – Barbora Kukula, Kuku Lab | @kuku.laboratory
Propmaster – Michal Jalůvka | @michal0jaluvka
Prop Assistant – Filip Kopecký | @filipkopeckyyy
Prop Assistant – Jiří Procházka

Location Manager – Lukáš Bucman
Walkies & Wifi – @walkies_prague
Basecamp – Jakub Koula | @jakubkoula | @klucibase
Medic – Jakub Slabý

SUPERMODEL - SEVENTEEN DAYS

“No tree can grow to heaven unless its roots reach down to hell.” — Carl Jung

Filmmaking is the pursuit of like-minded nut jobs descending into madness at the same time.

Made with my partner in all things Supermodel @helloemile

We couldn’t have done this one without our producer, Matouš Marcinko @closer.videoour incredible cinematographer @martijnmelis and the brilliant @petraptackova who designed the beautiful costumes. At the centre of the film, @georgiaamoducurtis delivered a committed, focused performance. Her skill is second to none. @actiondanstylesour fight choreographer, brought this idea to life one hacking katana at a time.

Lastly, I want to say a special word about @hannahyerbury We gave these rushes to a young, exciting editor who grabbed this project by the scruff of the neck and pushed this edit as far as she could. She’s a champion, and I suggest you all work with her. 

Huge love to our respective partners and teams at Rogue, la Pac, Future Frank, black kite, MSE and Agile for going on this journey with us, supporting this film, and bringing it to life.

SUPERMODEL - 17 DAYS
Music by Supermodel, track available everywhere, you know where.

@supermodel.studio ARE - @joevconnor and @helloemille
Directed by - @supermodel.studio

A list of absolute legends :

Co-production by - @closer.video, @futurefrank.xyz, @la_pac and @roguefilms
Executive Producers - @flyingjed, @curlykatetaylor, @howland.james, @palmeerek, @_miguel_ 

Production Company - @closer.video
Producer - @palmeerek
DOP - @martijnmelis
Art Director - @matej_kos
Starring - @georgiaamoducurtis, @actiondanstyles
Stunt and Fight Choreography - @actiondanstyles

Wardrobe Design - @petraptackova
Editor - @hannahyerbury @mse.tv

Sound Design - @neilkjohnson
VFX - @agile_studio @davidtheanimator @natalyaholley

Colour - @blackkitestudios
Colourist - @thomasmangham
Colour Producer - @jami.emccubbin.

@freeagentuk @_charlie_rr

SUPERMODEL - SEVENTEEN DAYS

“No tree can grow to heaven unless its roots reach down to hell.” — Carl Jung

Filmmaking is the pursuit of like-minded nut jobs descending into madness at the same time.

Made with my partner in all things Supermodel @helloemile

We couldn’t have done this one without our producer, Matouš Marcinko @closer.videoour incredible cinematographer @martijnmelis and the brilliant @petraptackova who designed the beautiful costumes. At the centre of the film, @georgiaamoducurtis delivered a committed, focused performance. Her skill is second to none. @actiondanstylesour fight choreographer, brought this idea to life one hacking katana at a time.

Lastly, I want to say a special word about @hannahyerbury We gave these rushes to a young, exciting editor who grabbed this project by the scruff of the neck and pushed this edit as far as she could. She’s a champion, and I suggest you all work with her. 

Huge love to our respective partners and teams at Rogue, la Pac, Future Frank, black kite, MSE and Agile for going on this journey with us, supporting this film, and bringing it to life.

SUPERMODEL - 17 DAYS
Music by Supermodel, track available everywhere, you know where.

@supermodel.studio ARE - @joevconnor and @helloemille
Directed by - @supermodel.studio

A list of absolute legends :

Co-production by - @closer.video, @futurefrank.xyz, @la_pac and @roguefilms
Executive Producers - @flyingjed, @curlykatetaylor, @howland.james, @palmeerek, @_miguel_ 

Production Company - @closer.video
Producer - @palmeerek
DOP - @martijnmelis
Art Director - @matej_kos
Starring - @georgiaamoducurtis, @actiondanstyles
Stunt and Fight Choreography - @actiondanstyles

Wardrobe Design - @petraptackova
Editor - @hannahyerbury @mse.tv

Sound Design - @neilkjohnson
VFX - @agile_studio @davidtheanimator @natalyaholley

Colour - @blackkitestudios
Colourist - @thomasmangham
Colour Producer - @jami.emccubbin.

@freeagentuk @_charlie_rr

SUPERMODEL - SEVENTEEN DAYS

“No tree can grow to heaven unless its roots reach down to hell.” — Carl Jung

Filmmaking is the pursuit of like-minded nut jobs descending into madness at the same time.

Made with my partner in all things Supermodel @helloemile

We couldn’t have done this one without our producer, Matouš Marcinko @closer.videoour incredible cinematographer @martijnmelis and the brilliant @petraptackova who designed the beautiful costumes. At the centre of the film, @georgiaamoducurtis delivered a committed, focused performance. Her skill is second to none. @actiondanstylesour fight choreographer, brought this idea to life one hacking katana at a time.

Lastly, I want to say a special word about @hannahyerbury We gave these rushes to a young, exciting editor who grabbed this project by the scruff of the neck and pushed this edit as far as she could. She’s a champion, and I suggest you all work with her. 

Huge love to our respective partners and teams at Rogue, la Pac, Future Frank, black kite, MSE and Agile for going on this journey with us, supporting this film, and bringing it to life.

SUPERMODEL - 17 DAYS
Music by Supermodel, track available everywhere, you know where.

@supermodel.studio ARE - @joevconnor and @helloemille
Directed by - @supermodel.studio

A list of absolute legends :

Co-production by - @closer.video, @futurefrank.xyz, @la_pac and @roguefilms
Executive Producers - @flyingjed, @curlykatetaylor, @howland.james, @palmeerek, @_miguel_ 

Production Company - @closer.video
Producer - @palmeerek
DOP - @martijnmelis
Art Director - @matej_kos
Starring - @georgiaamoducurtis, @actiondanstyles
Stunt and Fight Choreography - @actiondanstyles

Wardrobe Design - @petraptackova
Editor - @hannahyerbury @mse.tv

Sound Design - @neilkjohnson
VFX - @agile_studio @davidtheanimator @natalyaholley

Colour - @blackkitestudios
Colourist - @thomasmangham
Colour Producer - @jami.emccubbin.

@freeagentuk @_charlie_rr

SUPERMODEL - SEVENTEEN DAYS

“No tree can grow to heaven unless its roots reach down to hell.” — Carl Jung

Filmmaking is the pursuit of like-minded nut jobs descending into madness at the same time.

Made with my partner in all things Supermodel @helloemile

We couldn’t have done this one without our producer, Matouš Marcinko @closer.videoour incredible cinematographer @martijnmelis and the brilliant @petraptackova who designed the beautiful costumes. At the centre of the film, @georgiaamoducurtis delivered a committed, focused performance. Her skill is second to none. @actiondanstylesour fight choreographer, brought this idea to life one hacking katana at a time.

Lastly, I want to say a special word about @hannahyerbury We gave these rushes to a young, exciting editor who grabbed this project by the scruff of the neck and pushed this edit as far as she could. She’s a champion, and I suggest you all work with her. 

Huge love to our respective partners and teams at Rogue, la Pac, Future Frank, black kite, MSE and Agile for going on this journey with us, supporting this film, and bringing it to life.

SUPERMODEL - 17 DAYS
Music by Supermodel, track available everywhere, you know where.

@supermodel.studio ARE - @joevconnor and @helloemille
Directed by - @supermodel.studio

A list of absolute legends :

Co-production by - @closer.video, @futurefrank.xyz, @la_pac and @roguefilms
Executive Producers - @flyingjed, @curlykatetaylor, @howland.james, @palmeerek, @_miguel_ 

Production Company - @closer.video
Producer - @palmeerek
DOP - @martijnmelis
Art Director - @matej_kos
Starring - @georgiaamoducurtis, @actiondanstyles
Stunt and Fight Choreography - @actiondanstyles

Wardrobe Design - @petraptackova
Editor - @hannahyerbury @mse.tv

Sound Design - @neilkjohnson
VFX - @agile_studio @davidtheanimator @natalyaholley

Colour - @blackkitestudios
Colourist - @thomasmangham
Colour Producer - @jami.emccubbin.

@freeagentuk @_charlie_rr

SUPERMODEL - SEVENTEEN DAYS

“No tree can grow to heaven unless its roots reach down to hell.” — Carl Jung

Filmmaking is the pursuit of like-minded nut jobs descending into madness at the same time.

Made with my partner in all things Supermodel @helloemile

We couldn’t have done this one without our producer, Matouš Marcinko @closer.videoour incredible cinematographer @martijnmelis and the brilliant @petraptackova who designed the beautiful costumes. At the centre of the film, @georgiaamoducurtis delivered a committed, focused performance. Her skill is second to none. @actiondanstylesour fight choreographer, brought this idea to life one hacking katana at a time.

Lastly, I want to say a special word about @hannahyerbury We gave these rushes to a young, exciting editor who grabbed this project by the scruff of the neck and pushed this edit as far as she could. She’s a champion, and I suggest you all work with her. 

Huge love to our respective partners and teams at Rogue, la Pac, Future Frank, black kite, MSE and Agile for going on this journey with us, supporting this film, and bringing it to life.

SUPERMODEL - 17 DAYS
Music by Supermodel, track available everywhere, you know where.

@supermodel.studio ARE - @joevconnor and @helloemille
Directed by - @supermodel.studio

A list of absolute legends :

Co-production by - @closer.video, @futurefrank.xyz, @la_pac and @roguefilms
Executive Producers - @flyingjed, @curlykatetaylor, @howland.james, @palmeerek, @_miguel_ 

Production Company - @closer.video
Producer - @palmeerek
DOP - @martijnmelis
Art Director - @matej_kos
Starring - @georgiaamoducurtis, @actiondanstyles
Stunt and Fight Choreography - @actiondanstyles

Wardrobe Design - @petraptackova
Editor - @hannahyerbury @mse.tv

Sound Design - @neilkjohnson
VFX - @agile_studio @davidtheanimator @natalyaholley

Colour - @blackkitestudios
Colourist - @thomasmangham
Colour Producer - @jami.emccubbin.

@freeagentuk @_charlie_rr

SUPERMODEL - SEVENTEEN DAYS

“No tree can grow to heaven unless its roots reach down to hell.” — Carl Jung

Filmmaking is the pursuit of like-minded nut jobs descending into madness at the same time.

Made with my partner in all things Supermodel @helloemile

We couldn’t have done this one without our producer, Matouš Marcinko @closer.videoour incredible cinematographer @martijnmelis and the brilliant @petraptackova who designed the beautiful costumes. At the centre of the film, @georgiaamoducurtis delivered a committed, focused performance. Her skill is second to none. @actiondanstylesour fight choreographer, brought this idea to life one hacking katana at a time.

Lastly, I want to say a special word about @hannahyerbury We gave these rushes to a young, exciting editor who grabbed this project by the scruff of the neck and pushed this edit as far as she could. She’s a champion, and I suggest you all work with her. 

Huge love to our respective partners and teams at Rogue, la Pac, Future Frank, black kite, MSE and Agile for going on this journey with us, supporting this film, and bringing it to life.

SUPERMODEL - 17 DAYS
Music by Supermodel, track available everywhere, you know where.

@supermodel.studio ARE - @joevconnor and @helloemille
Directed by - @supermodel.studio

A list of absolute legends :

Co-production by - @closer.video, @futurefrank.xyz, @la_pac and @roguefilms
Executive Producers - @flyingjed, @curlykatetaylor, @howland.james, @palmeerek, @_miguel_ 

Production Company - @closer.video
Producer - @palmeerek
DOP - @martijnmelis
Art Director - @matej_kos
Starring - @georgiaamoducurtis, @actiondanstyles
Stunt and Fight Choreography - @actiondanstyles

Wardrobe Design - @petraptackova
Editor - @hannahyerbury @mse.tv

Sound Design - @neilkjohnson
VFX - @agile_studio @davidtheanimator @natalyaholley

Colour - @blackkitestudios
Colourist - @thomasmangham
Colour Producer - @jami.emccubbin.

@freeagentuk @_charlie_rr

SUPERMODEL - SEVENTEEN DAYS

“No tree can grow to heaven unless its roots reach down to hell.” — Carl Jung

Filmmaking is the pursuit of like-minded nut jobs descending into madness at the same time.

Made with my partner in all things Supermodel @helloemile

We couldn’t have done this one without our producer, Matouš Marcinko @closer.videoour incredible cinematographer @martijnmelis and the brilliant @petraptackova who designed the beautiful costumes. At the centre of the film, @georgiaamoducurtis delivered a committed, focused performance. Her skill is second to none. @actiondanstylesour fight choreographer, brought this idea to life one hacking katana at a time.

Lastly, I want to say a special word about @hannahyerbury We gave these rushes to a young, exciting editor who grabbed this project by the scruff of the neck and pushed this edit as far as she could. She’s a champion, and I suggest you all work with her. 

Huge love to our respective partners and teams at Rogue, la Pac, Future Frank, black kite, MSE and Agile for going on this journey with us, supporting this film, and bringing it to life.

SUPERMODEL - 17 DAYS
Music by Supermodel, track available everywhere, you know where.

@supermodel.studio ARE - @joevconnor and @helloemille
Directed by - @supermodel.studio

A list of absolute legends :

Co-production by - @closer.video, @futurefrank.xyz, @la_pac and @roguefilms
Executive Producers - @flyingjed, @curlykatetaylor, @howland.james, @palmeerek, @_miguel_ 

Production Company - @closer.video
Producer - @palmeerek
DOP - @martijnmelis
Art Director - @matej_kos
Starring - @georgiaamoducurtis, @actiondanstyles
Stunt and Fight Choreography - @actiondanstyles

Wardrobe Design - @petraptackova
Editor - @hannahyerbury @mse.tv

Sound Design - @neilkjohnson
VFX - @agile_studio @davidtheanimator @natalyaholley

Colour - @blackkitestudios
Colourist - @thomasmangham
Colour Producer - @jami.emccubbin.

@freeagentuk @_charlie_rr

SUPERMODEL - SEVENTEEN DAYS

“No tree can grow to heaven unless its roots reach down to hell.” — Carl Jung

Filmmaking is the pursuit of like-minded nut jobs descending into madness at the same time.

Made with my partner in all things Supermodel @helloemile

We couldn’t have done this one without our producer, Matouš Marcinko @closer.videoour incredible cinematographer @martijnmelis and the brilliant @petraptackova who designed the beautiful costumes. At the centre of the film, @georgiaamoducurtis delivered a committed, focused performance. Her skill is second to none. @actiondanstylesour fight choreographer, brought this idea to life one hacking katana at a time.

Lastly, I want to say a special word about @hannahyerbury We gave these rushes to a young, exciting editor who grabbed this project by the scruff of the neck and pushed this edit as far as she could. She’s a champion, and I suggest you all work with her. 

Huge love to our respective partners and teams at Rogue, la Pac, Future Frank, black kite, MSE and Agile for going on this journey with us, supporting this film, and bringing it to life.

SUPERMODEL - 17 DAYS
Music by Supermodel, track available everywhere, you know where.

@supermodel.studio ARE - @joevconnor and @helloemille
Directed by - @supermodel.studio

A list of absolute legends :

Co-production by - @closer.video, @futurefrank.xyz, @la_pac and @roguefilms
Executive Producers - @flyingjed, @curlykatetaylor, @howland.james, @palmeerek, @_miguel_ 

Production Company - @closer.video
Producer - @palmeerek
DOP - @martijnmelis
Art Director - @matej_kos
Starring - @georgiaamoducurtis, @actiondanstyles
Stunt and Fight Choreography - @actiondanstyles

Wardrobe Design - @petraptackova
Editor - @hannahyerbury @mse.tv

Sound Design - @neilkjohnson
VFX - @agile_studio @davidtheanimator @natalyaholley

Colour - @blackkitestudios
Colourist - @thomasmangham
Colour Producer - @jami.emccubbin.

@freeagentuk @_charlie_rr

NEW WORK - Gregory Alan Isakov : Mistakes ...(The mayhem of these frames🤯)

I met Greg 12 years ago in a small pub in Brighton UK. I asked if I could film him playing his guitar in the bar...he said yes...we became mates and would catch up whenever he was in town. When he asked me if wanted to make something for his new record I instantly agreed before he could think twice.

I wanted to plunge the viewer into the icy waters and dangerous coastline of Donegal, Ireland — a wild and ancient place. The waves here tower beyond 50 feet, surfed by only the bravest inhabitants. I hung out with Clem McInerney, one of Ireland's best surf cinematographers, and we spent two beautiful, windswept days filming Ryan Watts as he threw himself into the tumultuous sea.

Director - This fool.
DOP - the incredible @clemmcinerney - look at those images.
Editor - the impeccable @jakattaque - look at that edit
Grade - Ya man @georgekcolourist - just look at that grade!
The trust - @s_r_levin thanks for making this work.
The song - @gregoryalanisakov - Thanks for being you mate.

@kodak @cinelabuk for the super 8 and @morganonthegram
For lending me his super 8 camera - @freeagentuk - & @roguefilms
For the insurance that I might have violated by doing dangerous things.

@trimediting @blackkitestudios @suitcasetownmusic

Created drenchedin seawater, wind, rain, ice, hail, currents at Mullaghmore Head, the uncontrollable Irish beast - one of the heaviest big waves on the planet.

NEW WORK - Gregory Alan Isakov : Mistakes ...(The mayhem of these frames🤯)

I met Greg 12 years ago in a small pub in Brighton UK. I asked if I could film him playing his guitar in the bar...he said yes...we became mates and would catch up whenever he was in town. When he asked me if wanted to make something for his new record I instantly agreed before he could think twice.

I wanted to plunge the viewer into the icy waters and dangerous coastline of Donegal, Ireland — a wild and ancient place. The waves here tower beyond 50 feet, surfed by only the bravest inhabitants. I hung out with Clem McInerney, one of Ireland's best surf cinematographers, and we spent two beautiful, windswept days filming Ryan Watts as he threw himself into the tumultuous sea.

Director - This fool.
DOP - the incredible @clemmcinerney - look at those images.
Editor - the impeccable @jakattaque - look at that edit
Grade - Ya man @georgekcolourist - just look at that grade!
The trust - @s_r_levin thanks for making this work.
The song - @gregoryalanisakov - Thanks for being you mate.

@kodak @cinelabuk for the super 8 and @morganonthegram
For lending me his super 8 camera - @freeagentuk - & @roguefilms
For the insurance that I might have violated by doing dangerous things.

@trimediting @blackkitestudios @suitcasetownmusic

Created drenchedin seawater, wind, rain, ice, hail, currents at Mullaghmore Head, the uncontrollable Irish beast - one of the heaviest big waves on the planet.

NEW WORK - Gregory Alan Isakov : Mistakes ...(The mayhem of these frames🤯)

I met Greg 12 years ago in a small pub in Brighton UK. I asked if I could film him playing his guitar in the bar...he said yes...we became mates and would catch up whenever he was in town. When he asked me if wanted to make something for his new record I instantly agreed before he could think twice.

I wanted to plunge the viewer into the icy waters and dangerous coastline of Donegal, Ireland — a wild and ancient place. The waves here tower beyond 50 feet, surfed by only the bravest inhabitants. I hung out with Clem McInerney, one of Ireland's best surf cinematographers, and we spent two beautiful, windswept days filming Ryan Watts as he threw himself into the tumultuous sea.

Director - This fool.
DOP - the incredible @clemmcinerney - look at those images.
Editor - the impeccable @jakattaque - look at that edit
Grade - Ya man @georgekcolourist - just look at that grade!
The trust - @s_r_levin thanks for making this work.
The song - @gregoryalanisakov - Thanks for being you mate.

@kodak @cinelabuk for the super 8 and @morganonthegram
For lending me his super 8 camera - @freeagentuk - & @roguefilms
For the insurance that I might have violated by doing dangerous things.

@trimediting @blackkitestudios @suitcasetownmusic

Created drenchedin seawater, wind, rain, ice, hail, currents at Mullaghmore Head, the uncontrollable Irish beast - one of the heaviest big waves on the planet.

NEW WORK - Gregory Alan Isakov : Mistakes ...(The mayhem of these frames🤯)

I met Greg 12 years ago in a small pub in Brighton UK. I asked if I could film him playing his guitar in the bar...he said yes...we became mates and would catch up whenever he was in town. When he asked me if wanted to make something for his new record I instantly agreed before he could think twice.

I wanted to plunge the viewer into the icy waters and dangerous coastline of Donegal, Ireland — a wild and ancient place. The waves here tower beyond 50 feet, surfed by only the bravest inhabitants. I hung out with Clem McInerney, one of Ireland's best surf cinematographers, and we spent two beautiful, windswept days filming Ryan Watts as he threw himself into the tumultuous sea.

Director - This fool.
DOP - the incredible @clemmcinerney - look at those images.
Editor - the impeccable @jakattaque - look at that edit
Grade - Ya man @georgekcolourist - just look at that grade!
The trust - @s_r_levin thanks for making this work.
The song - @gregoryalanisakov - Thanks for being you mate.

@kodak @cinelabuk for the super 8 and @morganonthegram
For lending me his super 8 camera - @freeagentuk - & @roguefilms
For the insurance that I might have violated by doing dangerous things.

@trimediting @blackkitestudios @suitcasetownmusic

Created drenchedin seawater, wind, rain, ice, hail, currents at Mullaghmore Head, the uncontrollable Irish beast - one of the heaviest big waves on the planet.

NEW WORK - Gregory Alan Isakov : Mistakes ...(The mayhem of these frames🤯)

I met Greg 12 years ago in a small pub in Brighton UK. I asked if I could film him playing his guitar in the bar...he said yes...we became mates and would catch up whenever he was in town. When he asked me if wanted to make something for his new record I instantly agreed before he could think twice.

I wanted to plunge the viewer into the icy waters and dangerous coastline of Donegal, Ireland — a wild and ancient place. The waves here tower beyond 50 feet, surfed by only the bravest inhabitants. I hung out with Clem McInerney, one of Ireland's best surf cinematographers, and we spent two beautiful, windswept days filming Ryan Watts as he threw himself into the tumultuous sea.

Director - This fool.
DOP - the incredible @clemmcinerney - look at those images.
Editor - the impeccable @jakattaque - look at that edit
Grade - Ya man @georgekcolourist - just look at that grade!
The trust - @s_r_levin thanks for making this work.
The song - @gregoryalanisakov - Thanks for being you mate.

@kodak @cinelabuk for the super 8 and @morganonthegram
For lending me his super 8 camera - @freeagentuk - & @roguefilms
For the insurance that I might have violated by doing dangerous things.

@trimediting @blackkitestudios @suitcasetownmusic

Created drenchedin seawater, wind, rain, ice, hail, currents at Mullaghmore Head, the uncontrollable Irish beast - one of the heaviest big waves on the planet.

NEW WORK - Gregory Alan Isakov : Mistakes ...(The mayhem of these frames🤯)

I met Greg 12 years ago in a small pub in Brighton UK. I asked if I could film him playing his guitar in the bar...he said yes...we became mates and would catch up whenever he was in town. When he asked me if wanted to make something for his new record I instantly agreed before he could think twice.

I wanted to plunge the viewer into the icy waters and dangerous coastline of Donegal, Ireland — a wild and ancient place. The waves here tower beyond 50 feet, surfed by only the bravest inhabitants. I hung out with Clem McInerney, one of Ireland's best surf cinematographers, and we spent two beautiful, windswept days filming Ryan Watts as he threw himself into the tumultuous sea.

Director - This fool.
DOP - the incredible @clemmcinerney - look at those images.
Editor - the impeccable @jakattaque - look at that edit
Grade - Ya man @georgekcolourist - just look at that grade!
The trust - @s_r_levin thanks for making this work.
The song - @gregoryalanisakov - Thanks for being you mate.

@kodak @cinelabuk for the super 8 and @morganonthegram
For lending me his super 8 camera - @freeagentuk - & @roguefilms
For the insurance that I might have violated by doing dangerous things.

@trimediting @blackkitestudios @suitcasetownmusic

Created drenchedin seawater, wind, rain, ice, hail, currents at Mullaghmore Head, the uncontrollable Irish beast - one of the heaviest big waves on the planet.

NEW WORK - Gregory Alan Isakov : Mistakes ...(The mayhem of these frames🤯)

I met Greg 12 years ago in a small pub in Brighton UK. I asked if I could film him playing his guitar in the bar...he said yes...we became mates and would catch up whenever he was in town. When he asked me if wanted to make something for his new record I instantly agreed before he could think twice.

I wanted to plunge the viewer into the icy waters and dangerous coastline of Donegal, Ireland — a wild and ancient place. The waves here tower beyond 50 feet, surfed by only the bravest inhabitants. I hung out with Clem McInerney, one of Ireland's best surf cinematographers, and we spent two beautiful, windswept days filming Ryan Watts as he threw himself into the tumultuous sea.

Director - This fool.
DOP - the incredible @clemmcinerney - look at those images.
Editor - the impeccable @jakattaque - look at that edit
Grade - Ya man @georgekcolourist - just look at that grade!
The trust - @s_r_levin thanks for making this work.
The song - @gregoryalanisakov - Thanks for being you mate.

@kodak @cinelabuk for the super 8 and @morganonthegram
For lending me his super 8 camera - @freeagentuk - & @roguefilms
For the insurance that I might have violated by doing dangerous things.

@trimediting @blackkitestudios @suitcasetownmusic

Created drenchedin seawater, wind, rain, ice, hail, currents at Mullaghmore Head, the uncontrollable Irish beast - one of the heaviest big waves on the planet.

NEW WORK - Gregory Alan Isakov : Mistakes ...(The mayhem of these frames🤯)

I met Greg 12 years ago in a small pub in Brighton UK. I asked if I could film him playing his guitar in the bar...he said yes...we became mates and would catch up whenever he was in town. When he asked me if wanted to make something for his new record I instantly agreed before he could think twice.

I wanted to plunge the viewer into the icy waters and dangerous coastline of Donegal, Ireland — a wild and ancient place. The waves here tower beyond 50 feet, surfed by only the bravest inhabitants. I hung out with Clem McInerney, one of Ireland's best surf cinematographers, and we spent two beautiful, windswept days filming Ryan Watts as he threw himself into the tumultuous sea.

Director - This fool.
DOP - the incredible @clemmcinerney - look at those images.
Editor - the impeccable @jakattaque - look at that edit
Grade - Ya man @georgekcolourist - just look at that grade!
The trust - @s_r_levin thanks for making this work.
The song - @gregoryalanisakov - Thanks for being you mate.

@kodak @cinelabuk for the super 8 and @morganonthegram
For lending me his super 8 camera - @freeagentuk - & @roguefilms
For the insurance that I might have violated by doing dangerous things.

@trimediting @blackkitestudios @suitcasetownmusic

Created drenchedin seawater, wind, rain, ice, hail, currents at Mullaghmore Head, the uncontrollable Irish beast - one of the heaviest big waves on the planet.

NEW PIECE - Commissioned by @sadlers_wells with @efarnellwatson and @kieranlai.official

Huge list of people to shout out too - all gave their absolute all. Huge shout outs to @mikemcmillin_dp @jakattaque @fomo_rentals @georgekcolourist @taffwilliamson @kinglearlondon @magicpiepost @jcolgan_ @kayleigh_umf @p.durden_mdc - unreal work from these guys - I'm a blessed man.

Aṁṁonia explores hidden power dynamics within society 🔥

The film follows two cleaners who, through the possessions they find in a messy hotel suite, begin to imagine and embody the lives of the guests.

Choreographed and performed by Emma Farnell-Watson and Kieran Lai this film, directed by Joe Connor, is part of Digital Stage’s Classics ReFramed commissions and takes inspiration from the work of Pina Bausch.

🍿 Visit the Digital Stage section of our website to watch in full

Commissioned by Sadler's Wells Digital Stage & Studio
Director @joevconnor
Choreographers and dancers @efarnellwatson, @kieranlai.official
DOP @mikemcmillin_dp
Colour Grading @georgekcolourist
Composer @jcolgan_
Editor @jakattaque @p.durden_mdc
Stylist @taffwilliamson
With thanks to
@kinglearlondon
@fomo_rentals
@blackkitestudios
@trimediting
@magicpiepost
@archiemuller
@trimediting
@unimaticwatches
@wolfandbadger
@magicpiepost
@roguefilms
@kasitzjay

NEW PIECE - Commissioned by @sadlers_wells with @efarnellwatson and @kieranlai.official

Huge list of people to shout out too - all gave their absolute all. Huge shout outs to @mikemcmillin_dp @jakattaque @fomo_rentals @georgekcolourist @taffwilliamson @kinglearlondon @magicpiepost @jcolgan_ @kayleigh_umf @p.durden_mdc - unreal work from these guys - I'm a blessed man.

Aṁṁonia explores hidden power dynamics within society 🔥

The film follows two cleaners who, through the possessions they find in a messy hotel suite, begin to imagine and embody the lives of the guests.

Choreographed and performed by Emma Farnell-Watson and Kieran Lai this film, directed by Joe Connor, is part of Digital Stage’s Classics ReFramed commissions and takes inspiration from the work of Pina Bausch.

🍿 Visit the Digital Stage section of our website to watch in full

Commissioned by Sadler's Wells Digital Stage & Studio
Director @joevconnor
Choreographers and dancers @efarnellwatson, @kieranlai.official
DOP @mikemcmillin_dp
Colour Grading @georgekcolourist
Composer @jcolgan_
Editor @jakattaque @p.durden_mdc
Stylist @taffwilliamson
With thanks to
@kinglearlondon
@fomo_rentals
@blackkitestudios
@trimediting
@magicpiepost
@archiemuller
@trimediting
@unimaticwatches
@wolfandbadger
@magicpiepost
@roguefilms
@kasitzjay

NEW PIECE - Commissioned by @sadlers_wells with @efarnellwatson and @kieranlai.official

Huge list of people to shout out too - all gave their absolute all. Huge shout outs to @mikemcmillin_dp @jakattaque @fomo_rentals @georgekcolourist @taffwilliamson @kinglearlondon @magicpiepost @jcolgan_ @kayleigh_umf @p.durden_mdc - unreal work from these guys - I'm a blessed man.

Aṁṁonia explores hidden power dynamics within society 🔥

The film follows two cleaners who, through the possessions they find in a messy hotel suite, begin to imagine and embody the lives of the guests.

Choreographed and performed by Emma Farnell-Watson and Kieran Lai this film, directed by Joe Connor, is part of Digital Stage’s Classics ReFramed commissions and takes inspiration from the work of Pina Bausch.

🍿 Visit the Digital Stage section of our website to watch in full

Commissioned by Sadler's Wells Digital Stage & Studio
Director @joevconnor
Choreographers and dancers @efarnellwatson, @kieranlai.official
DOP @mikemcmillin_dp
Colour Grading @georgekcolourist
Composer @jcolgan_
Editor @jakattaque @p.durden_mdc
Stylist @taffwilliamson
With thanks to
@kinglearlondon
@fomo_rentals
@blackkitestudios
@trimediting
@magicpiepost
@archiemuller
@trimediting
@unimaticwatches
@wolfandbadger
@magicpiepost
@roguefilms
@kasitzjay

NEW PIECE - Commissioned by @sadlers_wells with @efarnellwatson and @kieranlai.official

Huge list of people to shout out too - all gave their absolute all. Huge shout outs to @mikemcmillin_dp @jakattaque @fomo_rentals @georgekcolourist @taffwilliamson @kinglearlondon @magicpiepost @jcolgan_ @kayleigh_umf @p.durden_mdc - unreal work from these guys - I'm a blessed man.

Aṁṁonia explores hidden power dynamics within society 🔥

The film follows two cleaners who, through the possessions they find in a messy hotel suite, begin to imagine and embody the lives of the guests.

Choreographed and performed by Emma Farnell-Watson and Kieran Lai this film, directed by Joe Connor, is part of Digital Stage’s Classics ReFramed commissions and takes inspiration from the work of Pina Bausch.

🍿 Visit the Digital Stage section of our website to watch in full

Commissioned by Sadler's Wells Digital Stage & Studio
Director @joevconnor
Choreographers and dancers @efarnellwatson, @kieranlai.official
DOP @mikemcmillin_dp
Colour Grading @georgekcolourist
Composer @jcolgan_
Editor @jakattaque @p.durden_mdc
Stylist @taffwilliamson
With thanks to
@kinglearlondon
@fomo_rentals
@blackkitestudios
@trimediting
@magicpiepost
@archiemuller
@trimediting
@unimaticwatches
@wolfandbadger
@magicpiepost
@roguefilms
@kasitzjay

NEW PIECE - Commissioned by @sadlers_wells with @efarnellwatson and @kieranlai.official

Huge list of people to shout out too - all gave their absolute all. Huge shout outs to @mikemcmillin_dp @jakattaque @fomo_rentals @georgekcolourist @taffwilliamson @kinglearlondon @magicpiepost @jcolgan_ @kayleigh_umf @p.durden_mdc - unreal work from these guys - I'm a blessed man.

Aṁṁonia explores hidden power dynamics within society 🔥

The film follows two cleaners who, through the possessions they find in a messy hotel suite, begin to imagine and embody the lives of the guests.

Choreographed and performed by Emma Farnell-Watson and Kieran Lai this film, directed by Joe Connor, is part of Digital Stage’s Classics ReFramed commissions and takes inspiration from the work of Pina Bausch.

🍿 Visit the Digital Stage section of our website to watch in full

Commissioned by Sadler's Wells Digital Stage & Studio
Director @joevconnor
Choreographers and dancers @efarnellwatson, @kieranlai.official
DOP @mikemcmillin_dp
Colour Grading @georgekcolourist
Composer @jcolgan_
Editor @jakattaque @p.durden_mdc
Stylist @taffwilliamson
With thanks to
@kinglearlondon
@fomo_rentals
@blackkitestudios
@trimediting
@magicpiepost
@archiemuller
@trimediting
@unimaticwatches
@wolfandbadger
@magicpiepost
@roguefilms
@kasitzjay

NEW PIECE - Commissioned by @sadlers_wells with @efarnellwatson and @kieranlai.official

Huge list of people to shout out too - all gave their absolute all. Huge shout outs to @mikemcmillin_dp @jakattaque @fomo_rentals @georgekcolourist @taffwilliamson @kinglearlondon @magicpiepost @jcolgan_ @kayleigh_umf @p.durden_mdc - unreal work from these guys - I'm a blessed man.

Aṁṁonia explores hidden power dynamics within society 🔥

The film follows two cleaners who, through the possessions they find in a messy hotel suite, begin to imagine and embody the lives of the guests.

Choreographed and performed by Emma Farnell-Watson and Kieran Lai this film, directed by Joe Connor, is part of Digital Stage’s Classics ReFramed commissions and takes inspiration from the work of Pina Bausch.

🍿 Visit the Digital Stage section of our website to watch in full

Commissioned by Sadler's Wells Digital Stage & Studio
Director @joevconnor
Choreographers and dancers @efarnellwatson, @kieranlai.official
DOP @mikemcmillin_dp
Colour Grading @georgekcolourist
Composer @jcolgan_
Editor @jakattaque @p.durden_mdc
Stylist @taffwilliamson
With thanks to
@kinglearlondon
@fomo_rentals
@blackkitestudios
@trimediting
@magicpiepost
@archiemuller
@trimediting
@unimaticwatches
@wolfandbadger
@magicpiepost
@roguefilms
@kasitzjay

NEW PIECE - Commissioned by @sadlers_wells with @efarnellwatson and @kieranlai.official

Huge list of people to shout out too - all gave their absolute all. Huge shout outs to @mikemcmillin_dp @jakattaque @fomo_rentals @georgekcolourist @taffwilliamson @kinglearlondon @magicpiepost @jcolgan_ @kayleigh_umf @p.durden_mdc - unreal work from these guys - I'm a blessed man.

Aṁṁonia explores hidden power dynamics within society 🔥

The film follows two cleaners who, through the possessions they find in a messy hotel suite, begin to imagine and embody the lives of the guests.

Choreographed and performed by Emma Farnell-Watson and Kieran Lai this film, directed by Joe Connor, is part of Digital Stage’s Classics ReFramed commissions and takes inspiration from the work of Pina Bausch.

🍿 Visit the Digital Stage section of our website to watch in full

Commissioned by Sadler's Wells Digital Stage & Studio
Director @joevconnor
Choreographers and dancers @efarnellwatson, @kieranlai.official
DOP @mikemcmillin_dp
Colour Grading @georgekcolourist
Composer @jcolgan_
Editor @jakattaque @p.durden_mdc
Stylist @taffwilliamson
With thanks to
@kinglearlondon
@fomo_rentals
@blackkitestudios
@trimediting
@magicpiepost
@archiemuller
@trimediting
@unimaticwatches
@wolfandbadger
@magicpiepost
@roguefilms
@kasitzjay

NEW PIECE - Commissioned by @sadlers_wells with @efarnellwatson and @kieranlai.official

Huge list of people to shout out too - all gave their absolute all. Huge shout outs to @mikemcmillin_dp @jakattaque @fomo_rentals @georgekcolourist @taffwilliamson @kinglearlondon @magicpiepost @jcolgan_ @kayleigh_umf @p.durden_mdc - unreal work from these guys - I'm a blessed man.

Aṁṁonia explores hidden power dynamics within society 🔥

The film follows two cleaners who, through the possessions they find in a messy hotel suite, begin to imagine and embody the lives of the guests.

Choreographed and performed by Emma Farnell-Watson and Kieran Lai this film, directed by Joe Connor, is part of Digital Stage’s Classics ReFramed commissions and takes inspiration from the work of Pina Bausch.

🍿 Visit the Digital Stage section of our website to watch in full

Commissioned by Sadler's Wells Digital Stage & Studio
Director @joevconnor
Choreographers and dancers @efarnellwatson, @kieranlai.official
DOP @mikemcmillin_dp
Colour Grading @georgekcolourist
Composer @jcolgan_
Editor @jakattaque @p.durden_mdc
Stylist @taffwilliamson
With thanks to
@kinglearlondon
@fomo_rentals
@blackkitestudios
@trimediting
@magicpiepost
@archiemuller
@trimediting
@unimaticwatches
@wolfandbadger
@magicpiepost
@roguefilms
@kasitzjay

NEW ONE

Extract from Brock Purdy for Ariat Boots
'The Climb' D.C

Watch on my site.

DP
Chuk Owens - @chuk.owens

Editor
Kyle Valenta @ cartel

Executive Producer
Ryan Hawkins @stadiumcreativegroup

Production Designer
Phoebe Darling - @darling__design

Producer
Bar Hariely - @h_rizza

Grade - @paul_yacono @millchannelcolour

NEW ONE

Extract from Brock Purdy for Ariat Boots
'The Climb' D.C

Watch on my site.

DP
Chuk Owens - @chuk.owens

Editor
Kyle Valenta @ cartel

Executive Producer
Ryan Hawkins @stadiumcreativegroup

Production Designer
Phoebe Darling - @darling__design

Producer
Bar Hariely - @h_rizza

Grade - @paul_yacono @millchannelcolour

NEW ONE

Extract from Brock Purdy for Ariat Boots
'The Climb' D.C

Watch on my site.

DP
Chuk Owens - @chuk.owens

Editor
Kyle Valenta @ cartel

Executive Producer
Ryan Hawkins @stadiumcreativegroup

Production Designer
Phoebe Darling - @darling__design

Producer
Bar Hariely - @h_rizza

Grade - @paul_yacono @millchannelcolour

NEW ONE

Extract from Brock Purdy for Ariat Boots
'The Climb' D.C

Watch on my site.

DP
Chuk Owens - @chuk.owens

Editor
Kyle Valenta @ cartel

Executive Producer
Ryan Hawkins @stadiumcreativegroup

Production Designer
Phoebe Darling - @darling__design

Producer
Bar Hariely - @h_rizza

Grade - @paul_yacono @millchannelcolour

Wrote a song, shot a video.

Nominated for Best Electronic Video @ukmva

Nominated for Best Music Video @shots_creative

Nominated for Best Track @berlinmusicvideoawards

@supermodel.studio : myself and @helloemile

Wrote a song, shot a video.

Nominated for Best Electronic Video @ukmva

Nominated for Best Music Video @shots_creative

Nominated for Best Track @berlinmusicvideoawards

@supermodel.studio : myself and @helloemile