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Opening reception - Saturday, May 23 6-8.
There will be cake!

Opening reception - Saturday, May 23 6-8.
There will be cake!

Susan Carr, Little Happiness

Totem, oil on wood, 23 x 7 x 5 inches

Chiron, oil on wood 6.5 x 7 x 6 inches

Venus Trines Neptune, oil on wood, 20.5 x 8 x 3 inches

The Singer, oil on wood, 14.5 x7 x 3.5 inches

Susan Carr, Little Happiness

Totem, oil on wood, 23 x 7 x 5 inches

Chiron, oil on wood 6.5 x 7 x 6 inches

Venus Trines Neptune, oil on wood, 20.5 x 8 x 3 inches

The Singer, oil on wood, 14.5 x7 x 3.5 inches

Susan Carr, Little Happiness

Totem, oil on wood, 23 x 7 x 5 inches

Chiron, oil on wood 6.5 x 7 x 6 inches

Venus Trines Neptune, oil on wood, 20.5 x 8 x 3 inches

The Singer, oil on wood, 14.5 x7 x 3.5 inches

Susan Carr, Little Happiness

Totem, oil on wood, 23 x 7 x 5 inches

Chiron, oil on wood 6.5 x 7 x 6 inches

Venus Trines Neptune, oil on wood, 20.5 x 8 x 3 inches

The Singer, oil on wood, 14.5 x7 x 3.5 inches

Some fun process shots of my latest monoprint experiments meet laser cut automatic drawings from my sketchbooks...come see them in person this Saturday May 23 from 6-8 pm at the opening of MOTHER CAKE my solo show @farmprojects warning: cake made by 6 year olds will be served! #farmprojects #mayaerdelyi #experimentalmonoprint #contemporarycollage

Some fun process shots of my latest monoprint experiments meet laser cut automatic drawings from my sketchbooks...come see them in person this Saturday May 23 from 6-8 pm at the opening of MOTHER CAKE my solo show @farmprojects warning: cake made by 6 year olds will be served! #farmprojects #mayaerdelyi #experimentalmonoprint #contemporarycollage

Some fun process shots of my latest monoprint experiments meet laser cut automatic drawings from my sketchbooks...come see them in person this Saturday May 23 from 6-8 pm at the opening of MOTHER CAKE my solo show @farmprojects warning: cake made by 6 year olds will be served! #farmprojects #mayaerdelyi #experimentalmonoprint #contemporarycollage

Some fun process shots of my latest monoprint experiments meet laser cut automatic drawings from my sketchbooks...come see them in person this Saturday May 23 from 6-8 pm at the opening of MOTHER CAKE my solo show @farmprojects warning: cake made by 6 year olds will be served! #farmprojects #mayaerdelyi #experimentalmonoprint #contemporarycollage

Some fun process shots of my latest monoprint experiments meet laser cut automatic drawings from my sketchbooks...come see them in person this Saturday May 23 from 6-8 pm at the opening of MOTHER CAKE my solo show @farmprojects warning: cake made by 6 year olds will be served! #farmprojects #mayaerdelyi #experimentalmonoprint #contemporarycollage

Some fun process shots of my latest monoprint experiments meet laser cut automatic drawings from my sketchbooks...come see them in person this Saturday May 23 from 6-8 pm at the opening of MOTHER CAKE my solo show @farmprojects warning: cake made by 6 year olds will be served! #farmprojects #mayaerdelyi #experimentalmonoprint #contemporarycollage

Some fun process shots of my latest monoprint experiments meet laser cut automatic drawings from my sketchbooks...come see them in person this Saturday May 23 from 6-8 pm at the opening of MOTHER CAKE my solo show @farmprojects warning: cake made by 6 year olds will be served! #farmprojects #mayaerdelyi #experimentalmonoprint #contemporarycollage

Some fun process shots of my latest monoprint experiments meet laser cut automatic drawings from my sketchbooks...come see them in person this Saturday May 23 from 6-8 pm at the opening of MOTHER CAKE my solo show @farmprojects warning: cake made by 6 year olds will be served! #farmprojects #mayaerdelyi #experimentalmonoprint #contemporarycollage

Some fun process shots of my latest monoprint experiments meet laser cut automatic drawings from my sketchbooks...come see them in person this Saturday May 23 from 6-8 pm at the opening of MOTHER CAKE my solo show @farmprojects warning: cake made by 6 year olds will be served! #farmprojects #mayaerdelyi #experimentalmonoprint #contemporarycollage

Some fun process shots of my latest monoprint experiments meet laser cut automatic drawings from my sketchbooks...come see them in person this Saturday May 23 from 6-8 pm at the opening of MOTHER CAKE my solo show @farmprojects warning: cake made by 6 year olds will be served! #farmprojects #mayaerdelyi #experimentalmonoprint #contemporarycollage

Some fun process shots of my latest monoprint experiments meet laser cut automatic drawings from my sketchbooks...come see them in person this Saturday May 23 from 6-8 pm at the opening of MOTHER CAKE my solo show @farmprojects warning: cake made by 6 year olds will be served! #farmprojects #mayaerdelyi #experimentalmonoprint #contemporarycollage

Nancy Berlin, Considering Change

Berlin works atop found materials — old atlas pages, outdated encyclopedias, vintage travel books — layering marks derived from proofreaders' symbols and manuscript editing to create a visual chronicle of how knowledge, interpretation, and so-called fact are perpetually subject to revision.

Part of this exhibition includes unframed works on paper in our print room

Looking Down, mixed media of found paper, 11 x 17 inches
Different directions, mixed media of found paper, 11 x 17 inches
When were we there, 2025,mixed media on found paper, 8x 15.5 inches

Nancy Berlin, Considering Change

Berlin works atop found materials — old atlas pages, outdated encyclopedias, vintage travel books — layering marks derived from proofreaders' symbols and manuscript editing to create a visual chronicle of how knowledge, interpretation, and so-called fact are perpetually subject to revision.

Part of this exhibition includes unframed works on paper in our print room

Looking Down, mixed media of found paper, 11 x 17 inches
Different directions, mixed media of found paper, 11 x 17 inches
When were we there, 2025,mixed media on found paper, 8x 15.5 inches

Nancy Berlin, Considering Change

Berlin works atop found materials — old atlas pages, outdated encyclopedias, vintage travel books — layering marks derived from proofreaders' symbols and manuscript editing to create a visual chronicle of how knowledge, interpretation, and so-called fact are perpetually subject to revision.

Part of this exhibition includes unframed works on paper in our print room

Looking Down, mixed media of found paper, 11 x 17 inches
Different directions, mixed media of found paper, 11 x 17 inches
When were we there, 2025,mixed media on found paper, 8x 15.5 inches

Come see some early animation works of mine screening at the Breuer House in Wellfleet at the famed Hungarian architect's cape cod home where his ashes are buried! Holy ground for some deep works exploring consciousness, family history and the Hungarian Jewish diaspora in the spatial splendor of a Bauhaus visionary and master. This is a clip from one of my earliest animations "Plume" made at Harvard University when I was a grad student and took an intro animation class with another legend #ruthlingford All black paper on a light box using a "lunchbox"! I remember having so much fun in that class. It set me on a life trajectory! And so many adventures...
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I understand the screening has a waitlist but please reach out to Susie@farmprojectspace.org if you're interested. You never know! And maybe we will do an encore screening at some point.
#mayaerdelyi #farmprojects #breuerhouse #capecodmodernhousetrust

Please join us tomorrow when Artists; Susan Carr and Abraham Storer have a conversation about her current work at the farm projects.The talk is at 5 PM and open to the public.This exhibition is presented concurrently with Nancy Berlin: considering change.

We hope to see you!

Come meet these clay slices in person @farmprojects at my show "mother cake" opening May 23 and up till June 8!
This is an animation process called stratacut in which you create a non-drying clay loaf (the grandfather of stratacut David Daniels calls this a "time loaf") and stop-motion it as you slice it (take a photo for each slice and then compile--I used plastalina). This is the letter N for a very special other project I have been brooding on for quite some time involving some very magical people. More on that reveal later this summer! Also huge shout out to my intern Asani who helped me craft these loaves and also was witness to me cutting my fingers many times!! This is dangerous kids! Realized that a kitchen knife was best. Also big ups to @taymations who has incredible tutorials online. Check him out.
Enjoy. I'm most excited about the abstracted imagery in the beginning. This is a super fun process and I love the unexpected results.
Experimental animator at heart I guess...
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#experimentalanimation #mayaerdelyi #stratacutanimation #clayanimation #farmprojects

Nancy Berlin, Considering Change here through May 18.

This exhibition brings together works from two of Berlin's ongoing series: Flight Patterns and Constant Revisions. In Flight Patterns, Berlin begins with pages from vintage bird guides adhered to panel or paper, then builds upon them with taped lines, acrylic paint, and ink to trace the shifting migration paths of bird species in the face of climate change.

Berlin's process is inseparable from her subject. She builds up surfaces through accumulated layers of painted prints, drawings, and digital photographs, then tears, rips, tapes, and strips them back. Paint and ink are applied and rubbed away; sections are preserved and others are surrendered. The result is work that embodies, rather than merely depicts, the indiscriminate and relentless nature of change, environmental, political, and personal.

Many directions, 2026, mixed media on wood panel, 24 x 12 inches

Sudden change, 2025, mixed media on wood panel, 24 inches x 12 inches

Flight patterns, 2025, mixed media on wood panel, 12 x 6 inches

Nancy Berlin, Considering Change here through May 18.

This exhibition brings together works from two of Berlin's ongoing series: Flight Patterns and Constant Revisions. In Flight Patterns, Berlin begins with pages from vintage bird guides adhered to panel or paper, then builds upon them with taped lines, acrylic paint, and ink to trace the shifting migration paths of bird species in the face of climate change.

Berlin's process is inseparable from her subject. She builds up surfaces through accumulated layers of painted prints, drawings, and digital photographs, then tears, rips, tapes, and strips them back. Paint and ink are applied and rubbed away; sections are preserved and others are surrendered. The result is work that embodies, rather than merely depicts, the indiscriminate and relentless nature of change, environmental, political, and personal.

Many directions, 2026, mixed media on wood panel, 24 x 12 inches

Sudden change, 2025, mixed media on wood panel, 24 inches x 12 inches

Flight patterns, 2025, mixed media on wood panel, 12 x 6 inches

Nancy Berlin, Considering Change here through May 18.

This exhibition brings together works from two of Berlin's ongoing series: Flight Patterns and Constant Revisions. In Flight Patterns, Berlin begins with pages from vintage bird guides adhered to panel or paper, then builds upon them with taped lines, acrylic paint, and ink to trace the shifting migration paths of bird species in the face of climate change.

Berlin's process is inseparable from her subject. She builds up surfaces through accumulated layers of painted prints, drawings, and digital photographs, then tears, rips, tapes, and strips them back. Paint and ink are applied and rubbed away; sections are preserved and others are surrendered. The result is work that embodies, rather than merely depicts, the indiscriminate and relentless nature of change, environmental, political, and personal.

Many directions, 2026, mixed media on wood panel, 24 x 12 inches

Sudden change, 2025, mixed media on wood panel, 24 inches x 12 inches

Flight patterns, 2025, mixed media on wood panel, 12 x 6 inches

Susan Carr, Little Happiness
On view: May 02-18, 2026
Artist talk with Abraham Storer: Saturday, May 16, 5pm

Little Happiness brings together a body of sculptural work rooted in Carr's lifelong devotion to paint and color. Carr approaches sculpture with the eye and instincts of a painter, treating color not as surface decoration but as structure. Working from her studio on Cape Cod, Carr conceives of each sculpture as a component of a three-dimensional painting: individual pieces that function independently and together, inviting the viewer to move around them and experience color and form from every angle. The works are at once deeply personal and openly accessible, transforming private feeling into something immediate and shared.

Susan Carr, Little Happiness
On view: May 02-18, 2026
Artist talk with Abraham Storer: Saturday, May 16, 5pm

Little Happiness brings together a body of sculptural work rooted in Carr's lifelong devotion to paint and color. Carr approaches sculpture with the eye and instincts of a painter, treating color not as surface decoration but as structure. Working from her studio on Cape Cod, Carr conceives of each sculpture as a component of a three-dimensional painting: individual pieces that function independently and together, inviting the viewer to move around them and experience color and form from every angle. The works are at once deeply personal and openly accessible, transforming private feeling into something immediate and shared.

Susan Carr, Little Happiness
On view: May 02-18, 2026
Artist talk with Abraham Storer: Saturday, May 16, 5pm

Little Happiness brings together a body of sculptural work rooted in Carr's lifelong devotion to paint and color. Carr approaches sculpture with the eye and instincts of a painter, treating color not as surface decoration but as structure. Working from her studio on Cape Cod, Carr conceives of each sculpture as a component of a three-dimensional painting: individual pieces that function independently and together, inviting the viewer to move around them and experience color and form from every angle. The works are at once deeply personal and openly accessible, transforming private feeling into something immediate and shared.

Susan Carr, Little Happiness
On view: May 02-18, 2026
Artist talk with Abraham Storer: Saturday, May 16, 5pm

Little Happiness brings together a body of sculptural work rooted in Carr's lifelong devotion to paint and color. Carr approaches sculpture with the eye and instincts of a painter, treating color not as surface decoration but as structure. Working from her studio on Cape Cod, Carr conceives of each sculpture as a component of a three-dimensional painting: individual pieces that function independently and together, inviting the viewer to move around them and experience color and form from every angle. The works are at once deeply personal and openly accessible, transforming private feeling into something immediate and shared.

Nancy Berlin, Considering Change here through May 18.

Constant revisions 104, 2020, mixed media on found book pages, framed, 11 x 8 inches

Artis reception: Saturday 5-7 Nancy Berlinand Susan Carr, both having solo shows.

Artis reception: Saturday 5-7 Nancy Berlinand Susan Carr, both having solo shows.

Artis reception: Saturday 5-7 Nancy Berlinand Susan Carr, both having solo shows.

Artis reception: Saturday 5-7 Nancy Berlinand Susan Carr, both having solo shows.

Susan Carr- Little Happiness here though May 18.

opening reception Saturday, May 08, 5-7.

This show is presented concurrently with Nancy Berlin- Considering Change