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My new music video for @juliacumming's 'My Life' single has been out for a week. Thanks so much for all your very kind comments. It was a really fun one to put together. Please enjoy the FULL video here!

It's mostly just one single shot (take 14, since you asked) and I couldn't even begin to make a video like this without an AMAZING crew who all worked their socks off. Full credits in previous posts and eternal thanks to them all.

And do check out the single and pre-save the upcoming debut album on @partisanrecords in the bio link. You'll love it x

As a huge fan of the legendary @scottlava's #TheGreatShowdowns it brings me endless of joy to have another of my films immortalised by him.

He just posted his @runningmanmovie illustration showing Ben Richards and Elton Parrakis vs The Goons (along with McCone and Frank). I adore this one along with the previous seven, and am a proud owner of the prints too.

It's not a huge exaggeration to say that I’ll try to keep making movies just so I can get more of Scott's fabulous art.

#ILikeMyBaconExtraCrispy

As a huge fan of the legendary @scottlava's #TheGreatShowdowns it brings me endless of joy to have another of my films immortalised by him.

He just posted his @runningmanmovie illustration showing Ben Richards and Elton Parrakis vs The Goons (along with McCone and Frank). I adore this one along with the previous seven, and am a proud owner of the prints too.

It's not a huge exaggeration to say that I’ll try to keep making movies just so I can get more of Scott's fabulous art.

#ILikeMyBaconExtraCrispy

As a huge fan of the legendary @scottlava's #TheGreatShowdowns it brings me endless of joy to have another of my films immortalised by him.

He just posted his @runningmanmovie illustration showing Ben Richards and Elton Parrakis vs The Goons (along with McCone and Frank). I adore this one along with the previous seven, and am a proud owner of the prints too.

It's not a huge exaggeration to say that I’ll try to keep making movies just so I can get more of Scott's fabulous art.

#ILikeMyBaconExtraCrispy

As a huge fan of the legendary @scottlava's #TheGreatShowdowns it brings me endless of joy to have another of my films immortalised by him.

He just posted his @runningmanmovie illustration showing Ben Richards and Elton Parrakis vs The Goons (along with McCone and Frank). I adore this one along with the previous seven, and am a proud owner of the prints too.

It's not a huge exaggeration to say that I’ll try to keep making movies just so I can get more of Scott's fabulous art.

#ILikeMyBaconExtraCrispy

As a huge fan of the legendary @scottlava's #TheGreatShowdowns it brings me endless of joy to have another of my films immortalised by him.

He just posted his @runningmanmovie illustration showing Ben Richards and Elton Parrakis vs The Goons (along with McCone and Frank). I adore this one along with the previous seven, and am a proud owner of the prints too.

It's not a huge exaggeration to say that I’ll try to keep making movies just so I can get more of Scott's fabulous art.

#ILikeMyBaconExtraCrispy

As a huge fan of the legendary @scottlava's #TheGreatShowdowns it brings me endless of joy to have another of my films immortalised by him.

He just posted his @runningmanmovie illustration showing Ben Richards and Elton Parrakis vs The Goons (along with McCone and Frank). I adore this one along with the previous seven, and am a proud owner of the prints too.

It's not a huge exaggeration to say that I’ll try to keep making movies just so I can get more of Scott's fabulous art.

#ILikeMyBaconExtraCrispy

As a huge fan of the legendary @scottlava's #TheGreatShowdowns it brings me endless of joy to have another of my films immortalised by him.

He just posted his @runningmanmovie illustration showing Ben Richards and Elton Parrakis vs The Goons (along with McCone and Frank). I adore this one along with the previous seven, and am a proud owner of the prints too.

It's not a huge exaggeration to say that I’ll try to keep making movies just so I can get more of Scott's fabulous art.

#ILikeMyBaconExtraCrispy

Hey there. It's been such a pleasure doing screenings of the @runningmanmovie in Los Angeles, Glasgow and London. I wish I could do more as the audiences have been amazing. Hope those of you have already managed to hunt down a copy of the on 4K UHD, Blu-Ray or the rather snazzy steel-book are enjoying it.

And if not, here's where you can catch all the action and the extras of The #RunningManMovie on Digital and Disc now.

US: The commentary and the full 2.5 hours of bonus content are available on the 4K disc and when you buy on Digital (Apple and Fandango At Home). The 4K/Blu-ray combo pack comes with a digital code with access to all bonus features on Apple or Fandango at Home.

UK: The full bonus content is available on the 4K disc and when you buy on Digital (via Apple). The Blu-ray includes the commentary and one hour of selected extras.*

(*NB - If you are in the UK and bought the Blu-ray expecting the full extras, you can request a 4K disc at no charge, or if you don’t have a 4K player, you can request a digital code. Please email enquiries@elevationsales.co.uk and they will take care of you.)

Hey there. It's been such a pleasure doing screenings of the @runningmanmovie in Los Angeles, Glasgow and London. I wish I could do more as the audiences have been amazing. Hope those of you have already managed to hunt down a copy of the on 4K UHD, Blu-Ray or the rather snazzy steel-book are enjoying it.

And if not, here's where you can catch all the action and the extras of The #RunningManMovie on Digital and Disc now.

US: The commentary and the full 2.5 hours of bonus content are available on the 4K disc and when you buy on Digital (Apple and Fandango At Home). The 4K/Blu-ray combo pack comes with a digital code with access to all bonus features on Apple or Fandango at Home.

UK: The full bonus content is available on the 4K disc and when you buy on Digital (via Apple). The Blu-ray includes the commentary and one hour of selected extras.*

(*NB - If you are in the UK and bought the Blu-ray expecting the full extras, you can request a 4K disc at no charge, or if you don’t have a 4K player, you can request a digital code. Please email enquiries@elevationsales.co.uk and they will take care of you.)

Hey there. It's been such a pleasure doing screenings of the @runningmanmovie in Los Angeles, Glasgow and London. I wish I could do more as the audiences have been amazing. Hope those of you have already managed to hunt down a copy of the on 4K UHD, Blu-Ray or the rather snazzy steel-book are enjoying it.

And if not, here's where you can catch all the action and the extras of The #RunningManMovie on Digital and Disc now.

US: The commentary and the full 2.5 hours of bonus content are available on the 4K disc and when you buy on Digital (Apple and Fandango At Home). The 4K/Blu-ray combo pack comes with a digital code with access to all bonus features on Apple or Fandango at Home.

UK: The full bonus content is available on the 4K disc and when you buy on Digital (via Apple). The Blu-ray includes the commentary and one hour of selected extras.*

(*NB - If you are in the UK and bought the Blu-ray expecting the full extras, you can request a 4K disc at no charge, or if you don’t have a 4K player, you can request a digital code. Please email enquiries@elevationsales.co.uk and they will take care of you.)

Hey there. It's been such a pleasure doing screenings of the @runningmanmovie in Los Angeles, Glasgow and London. I wish I could do more as the audiences have been amazing. Hope those of you have already managed to hunt down a copy of the on 4K UHD, Blu-Ray or the rather snazzy steel-book are enjoying it.

And if not, here's where you can catch all the action and the extras of The #RunningManMovie on Digital and Disc now.

US: The commentary and the full 2.5 hours of bonus content are available on the 4K disc and when you buy on Digital (Apple and Fandango At Home). The 4K/Blu-ray combo pack comes with a digital code with access to all bonus features on Apple or Fandango at Home.

UK: The full bonus content is available on the 4K disc and when you buy on Digital (via Apple). The Blu-ray includes the commentary and one hour of selected extras.*

(*NB - If you are in the UK and bought the Blu-ray expecting the full extras, you can request a 4K disc at no charge, or if you don’t have a 4K player, you can request a digital code. Please email enquiries@elevationsales.co.uk and they will take care of you.)

Here's another music video of mine and an earlier all-in-one take effort, 2002's 'After Hours' by The Bluetones, remastered by my director of photography, the great @jakepolonsky.

When I heard this track, it reminded me of the songwriting of the much adored genius @paulielama2, and I decided we should do the video as a full-on salute to 1976's kids' classic Bugsy Malone. This was all shot in one take at the famous Rivoli Ballroom in South London and choreographed by the amazing @litzabixler. I remember that we only had the kids (all from Sylvia Young) until 6 p.m. sharp, so I think we did eight takes in total, and this is one of the final ones—perhaps the last.

All the kids were aces (if you were in it, please chime). I especially love the badass slide into frame at the 2:17 mark that our faux Bugsy pulls off.

Making this video the year before shooting 'Shaun of the Dead' allowed me more confidence in the ambitious steadicam take in that film where Simon Pegg walks to the corner shop and back.

Thanks to @thebluetonesofficialuk for the tune and the opportunity to do this. Enjoy!

Had such a fun time seeing last night's recording of @snluk at what I will always call BBC TV Centre (now Studioworks).

The episode hosted by @hannah_waddingham last night was such a blast to see come together and with a perfect amount of live television anarchy and mischief last night. Lovely to see so many people I've been fans of working on the show, not least @abcelya (who hooked us up with tickets), but also @humphreyker, @thisisjonno, @longers1, @maxandivan and more.

The cast are all aces, and am proud to have worked with two of them in my films, @emmafrancescasidi in 'The Running Man' and @celestedring in 'Last Night In Soho'. Huge props also to @fowerairkers, @jack_shep, @annabel_marlow_, @paddyisyoung, @aniamagliano, @hammedhamz, @alnashcomedy @ayoadezahrah and @larrydeancomedy.

Plus one @peterserafinowicz was a special guest last night too. Great to see him kill in the cold open.

If I had any quibble, please @skytv put the sketches on YouTube the next day so the best bits can go viral.That said, congrats to the team making this show it's own thing and here's to an even better second season.

Had such a fun time seeing last night's recording of @snluk at what I will always call BBC TV Centre (now Studioworks).

The episode hosted by @hannah_waddingham last night was such a blast to see come together and with a perfect amount of live television anarchy and mischief last night. Lovely to see so many people I've been fans of working on the show, not least @abcelya (who hooked us up with tickets), but also @humphreyker, @thisisjonno, @longers1, @maxandivan and more.

The cast are all aces, and am proud to have worked with two of them in my films, @emmafrancescasidi in 'The Running Man' and @celestedring in 'Last Night In Soho'. Huge props also to @fowerairkers, @jack_shep, @annabel_marlow_, @paddyisyoung, @aniamagliano, @hammedhamz, @alnashcomedy @ayoadezahrah and @larrydeancomedy.

Plus one @peterserafinowicz was a special guest last night too. Great to see him kill in the cold open.

If I had any quibble, please @skytv put the sketches on YouTube the next day so the best bits can go viral.That said, congrats to the team making this show it's own thing and here's to an even better second season.

Had such a fun time seeing last night's recording of @snluk at what I will always call BBC TV Centre (now Studioworks).

The episode hosted by @hannah_waddingham last night was such a blast to see come together and with a perfect amount of live television anarchy and mischief last night. Lovely to see so many people I've been fans of working on the show, not least @abcelya (who hooked us up with tickets), but also @humphreyker, @thisisjonno, @longers1, @maxandivan and more.

The cast are all aces, and am proud to have worked with two of them in my films, @emmafrancescasidi in 'The Running Man' and @celestedring in 'Last Night In Soho'. Huge props also to @fowerairkers, @jack_shep, @annabel_marlow_, @paddyisyoung, @aniamagliano, @hammedhamz, @alnashcomedy @ayoadezahrah and @larrydeancomedy.

Plus one @peterserafinowicz was a special guest last night too. Great to see him kill in the cold open.

If I had any quibble, please @skytv put the sketches on YouTube the next day so the best bits can go viral.That said, congrats to the team making this show it's own thing and here's to an even better second season.

Would you like to see a remastered version of my 2002 video for "Psychosis Safari" by The Eighties Matchbox B-Line Disaster? Of course you would!

I have fond memories of this shoot (released a good 6 months before QOTSA's 'Go With The Flow btw!) and this remaster comes courtesy of my amazing DOP on it @jakepolonsky. Loved making this and the album it's from - 'Horse Of The Dog' - still fucking RIPS!

Flick book animation by my brother Oscar! All animation and VFX also by him, John Yeo and Matt Piper.

PUT ON YOUR 3D GLASSES NOW.

It was an extraordinary night at the Rosewood Hotel in London for the @britishfilminstitute as we honored the great @gdtreal with a Fellowship award for his contribution to cinema.

It's a particularly a great award for Guillermo as he truly understands and supports the urgent and ongoing needs of film archivism and film restoration. Could not have a better champion for this cause.

The huge turnout of friends and colleagues in the film industry to see Guillermo get this award speaks to how beloved he is. I have been lucky enough to call him a friend since we met in the basement of the now-defunct Cinema Store on Upper St Martin's Lane many moons ago. I've seen him have ups and downs, and also go from strength to strength, inspiring all around him; not least having a front row seat when I was on the jury for the Venice Film Festival when he won the Golden Lion for 'The Shape Of Water'.

He makes fans of us of all and his love for the movies is reflected back through his work one hundred fold. Here's to you Guillermo! @gdtreal @britishfilminstitute

Photos by @timwhitbyphoto and @davebenett.

It was an extraordinary night at the Rosewood Hotel in London for the @britishfilminstitute as we honored the great @gdtreal with a Fellowship award for his contribution to cinema.

It's a particularly a great award for Guillermo as he truly understands and supports the urgent and ongoing needs of film archivism and film restoration. Could not have a better champion for this cause.

The huge turnout of friends and colleagues in the film industry to see Guillermo get this award speaks to how beloved he is. I have been lucky enough to call him a friend since we met in the basement of the now-defunct Cinema Store on Upper St Martin's Lane many moons ago. I've seen him have ups and downs, and also go from strength to strength, inspiring all around him; not least having a front row seat when I was on the jury for the Venice Film Festival when he won the Golden Lion for 'The Shape Of Water'.

He makes fans of us of all and his love for the movies is reflected back through his work one hundred fold. Here's to you Guillermo! @gdtreal @britishfilminstitute

Photos by @timwhitbyphoto and @davebenett.

It was an extraordinary night at the Rosewood Hotel in London for the @britishfilminstitute as we honored the great @gdtreal with a Fellowship award for his contribution to cinema.

It's a particularly a great award for Guillermo as he truly understands and supports the urgent and ongoing needs of film archivism and film restoration. Could not have a better champion for this cause.

The huge turnout of friends and colleagues in the film industry to see Guillermo get this award speaks to how beloved he is. I have been lucky enough to call him a friend since we met in the basement of the now-defunct Cinema Store on Upper St Martin's Lane many moons ago. I've seen him have ups and downs, and also go from strength to strength, inspiring all around him; not least having a front row seat when I was on the jury for the Venice Film Festival when he won the Golden Lion for 'The Shape Of Water'.

He makes fans of us of all and his love for the movies is reflected back through his work one hundred fold. Here's to you Guillermo! @gdtreal @britishfilminstitute

Photos by @timwhitbyphoto and @davebenett.

It was an extraordinary night at the Rosewood Hotel in London for the @britishfilminstitute as we honored the great @gdtreal with a Fellowship award for his contribution to cinema.

It's a particularly a great award for Guillermo as he truly understands and supports the urgent and ongoing needs of film archivism and film restoration. Could not have a better champion for this cause.

The huge turnout of friends and colleagues in the film industry to see Guillermo get this award speaks to how beloved he is. I have been lucky enough to call him a friend since we met in the basement of the now-defunct Cinema Store on Upper St Martin's Lane many moons ago. I've seen him have ups and downs, and also go from strength to strength, inspiring all around him; not least having a front row seat when I was on the jury for the Venice Film Festival when he won the Golden Lion for 'The Shape Of Water'.

He makes fans of us of all and his love for the movies is reflected back through his work one hundred fold. Here's to you Guillermo! @gdtreal @britishfilminstitute

Photos by @timwhitbyphoto and @davebenett.

It was an extraordinary night at the Rosewood Hotel in London for the @britishfilminstitute as we honored the great @gdtreal with a Fellowship award for his contribution to cinema.

It's a particularly a great award for Guillermo as he truly understands and supports the urgent and ongoing needs of film archivism and film restoration. Could not have a better champion for this cause.

The huge turnout of friends and colleagues in the film industry to see Guillermo get this award speaks to how beloved he is. I have been lucky enough to call him a friend since we met in the basement of the now-defunct Cinema Store on Upper St Martin's Lane many moons ago. I've seen him have ups and downs, and also go from strength to strength, inspiring all around him; not least having a front row seat when I was on the jury for the Venice Film Festival when he won the Golden Lion for 'The Shape Of Water'.

He makes fans of us of all and his love for the movies is reflected back through his work one hundred fold. Here's to you Guillermo! @gdtreal @britishfilminstitute

Photos by @timwhitbyphoto and @davebenett.

It was an extraordinary night at the Rosewood Hotel in London for the @britishfilminstitute as we honored the great @gdtreal with a Fellowship award for his contribution to cinema.

It's a particularly a great award for Guillermo as he truly understands and supports the urgent and ongoing needs of film archivism and film restoration. Could not have a better champion for this cause.

The huge turnout of friends and colleagues in the film industry to see Guillermo get this award speaks to how beloved he is. I have been lucky enough to call him a friend since we met in the basement of the now-defunct Cinema Store on Upper St Martin's Lane many moons ago. I've seen him have ups and downs, and also go from strength to strength, inspiring all around him; not least having a front row seat when I was on the jury for the Venice Film Festival when he won the Golden Lion for 'The Shape Of Water'.

He makes fans of us of all and his love for the movies is reflected back through his work one hundred fold. Here's to you Guillermo! @gdtreal @britishfilminstitute

Photos by @timwhitbyphoto and @davebenett.

It was an extraordinary night at the Rosewood Hotel in London for the @britishfilminstitute as we honored the great @gdtreal with a Fellowship award for his contribution to cinema.

It's a particularly a great award for Guillermo as he truly understands and supports the urgent and ongoing needs of film archivism and film restoration. Could not have a better champion for this cause.

The huge turnout of friends and colleagues in the film industry to see Guillermo get this award speaks to how beloved he is. I have been lucky enough to call him a friend since we met in the basement of the now-defunct Cinema Store on Upper St Martin's Lane many moons ago. I've seen him have ups and downs, and also go from strength to strength, inspiring all around him; not least having a front row seat when I was on the jury for the Venice Film Festival when he won the Golden Lion for 'The Shape Of Water'.

He makes fans of us of all and his love for the movies is reflected back through his work one hundred fold. Here's to you Guillermo! @gdtreal @britishfilminstitute

Photos by @timwhitbyphoto and @davebenett.

It was an extraordinary night at the Rosewood Hotel in London for the @britishfilminstitute as we honored the great @gdtreal with a Fellowship award for his contribution to cinema.

It's a particularly a great award for Guillermo as he truly understands and supports the urgent and ongoing needs of film archivism and film restoration. Could not have a better champion for this cause.

The huge turnout of friends and colleagues in the film industry to see Guillermo get this award speaks to how beloved he is. I have been lucky enough to call him a friend since we met in the basement of the now-defunct Cinema Store on Upper St Martin's Lane many moons ago. I've seen him have ups and downs, and also go from strength to strength, inspiring all around him; not least having a front row seat when I was on the jury for the Venice Film Festival when he won the Golden Lion for 'The Shape Of Water'.

He makes fans of us of all and his love for the movies is reflected back through his work one hundred fold. Here's to you Guillermo! @gdtreal @britishfilminstitute

Photos by @timwhitbyphoto and @davebenett.

It was an extraordinary night at the Rosewood Hotel in London for the @britishfilminstitute as we honored the great @gdtreal with a Fellowship award for his contribution to cinema.

It's a particularly a great award for Guillermo as he truly understands and supports the urgent and ongoing needs of film archivism and film restoration. Could not have a better champion for this cause.

The huge turnout of friends and colleagues in the film industry to see Guillermo get this award speaks to how beloved he is. I have been lucky enough to call him a friend since we met in the basement of the now-defunct Cinema Store on Upper St Martin's Lane many moons ago. I've seen him have ups and downs, and also go from strength to strength, inspiring all around him; not least having a front row seat when I was on the jury for the Venice Film Festival when he won the Golden Lion for 'The Shape Of Water'.

He makes fans of us of all and his love for the movies is reflected back through his work one hundred fold. Here's to you Guillermo! @gdtreal @britishfilminstitute

Photos by @timwhitbyphoto and @davebenett.

It was an extraordinary night at the Rosewood Hotel in London for the @britishfilminstitute as we honored the great @gdtreal with a Fellowship award for his contribution to cinema.

It's a particularly a great award for Guillermo as he truly understands and supports the urgent and ongoing needs of film archivism and film restoration. Could not have a better champion for this cause.

The huge turnout of friends and colleagues in the film industry to see Guillermo get this award speaks to how beloved he is. I have been lucky enough to call him a friend since we met in the basement of the now-defunct Cinema Store on Upper St Martin's Lane many moons ago. I've seen him have ups and downs, and also go from strength to strength, inspiring all around him; not least having a front row seat when I was on the jury for the Venice Film Festival when he won the Golden Lion for 'The Shape Of Water'.

He makes fans of us of all and his love for the movies is reflected back through his work one hundred fold. Here's to you Guillermo! @gdtreal @britishfilminstitute

Photos by @timwhitbyphoto and @davebenett.

Go behind-the-scenes for a conversation with director Edgar Wright and ILM.com’s Clayton Sandell, then tap the link in our bio to discover how ILM helped bring The Running Man to life!

TCM Festival post 2! Had so much fun reuniting with my hero (and Baby Driver star) @paulielama2 at his TCM career talk and introduction to the much underrated 'Ishtar'. Paul's intro was fantastic and afterwards in the bathroom I heard an audience member whistling 'Dangerous Business' while washing their hands. So you can't say the songs aren't ear-worms!

Also loved introducing Richard C Sarafian's 'Vanishing Point' at midnight with @bbunny1940.

@tcmfilmfest such a great weekend in Hollywood for movie fans. If you've never been, I highly recommend.

Love to Paul, Scott, the whole TCM crew and everyone who came out !

TCM Festival post 2! Had so much fun reuniting with my hero (and Baby Driver star) @paulielama2 at his TCM career talk and introduction to the much underrated 'Ishtar'. Paul's intro was fantastic and afterwards in the bathroom I heard an audience member whistling 'Dangerous Business' while washing their hands. So you can't say the songs aren't ear-worms!

Also loved introducing Richard C Sarafian's 'Vanishing Point' at midnight with @bbunny1940.

@tcmfilmfest such a great weekend in Hollywood for movie fans. If you've never been, I highly recommend.

Love to Paul, Scott, the whole TCM crew and everyone who came out !

TCM Festival post 2! Had so much fun reuniting with my hero (and Baby Driver star) @paulielama2 at his TCM career talk and introduction to the much underrated 'Ishtar'. Paul's intro was fantastic and afterwards in the bathroom I heard an audience member whistling 'Dangerous Business' while washing their hands. So you can't say the songs aren't ear-worms!

Also loved introducing Richard C Sarafian's 'Vanishing Point' at midnight with @bbunny1940.

@tcmfilmfest such a great weekend in Hollywood for movie fans. If you've never been, I highly recommend.

Love to Paul, Scott, the whole TCM crew and everyone who came out !

TCM Festival post 2! Had so much fun reuniting with my hero (and Baby Driver star) @paulielama2 at his TCM career talk and introduction to the much underrated 'Ishtar'. Paul's intro was fantastic and afterwards in the bathroom I heard an audience member whistling 'Dangerous Business' while washing their hands. So you can't say the songs aren't ear-worms!

Also loved introducing Richard C Sarafian's 'Vanishing Point' at midnight with @bbunny1940.

@tcmfilmfest such a great weekend in Hollywood for movie fans. If you've never been, I highly recommend.

Love to Paul, Scott, the whole TCM crew and everyone who came out !

TCM Festival post 2! Had so much fun reuniting with my hero (and Baby Driver star) @paulielama2 at his TCM career talk and introduction to the much underrated 'Ishtar'. Paul's intro was fantastic and afterwards in the bathroom I heard an audience member whistling 'Dangerous Business' while washing their hands. So you can't say the songs aren't ear-worms!

Also loved introducing Richard C Sarafian's 'Vanishing Point' at midnight with @bbunny1940.

@tcmfilmfest such a great weekend in Hollywood for movie fans. If you've never been, I highly recommend.

Love to Paul, Scott, the whole TCM crew and everyone who came out !

TCM Festival post 2! Had so much fun reuniting with my hero (and Baby Driver star) @paulielama2 at his TCM career talk and introduction to the much underrated 'Ishtar'. Paul's intro was fantastic and afterwards in the bathroom I heard an audience member whistling 'Dangerous Business' while washing their hands. So you can't say the songs aren't ear-worms!

Also loved introducing Richard C Sarafian's 'Vanishing Point' at midnight with @bbunny1940.

@tcmfilmfest such a great weekend in Hollywood for movie fans. If you've never been, I highly recommend.

Love to Paul, Scott, the whole TCM crew and everyone who came out !

TCM Festival post 2! Had so much fun reuniting with my hero (and Baby Driver star) @paulielama2 at his TCM career talk and introduction to the much underrated 'Ishtar'. Paul's intro was fantastic and afterwards in the bathroom I heard an audience member whistling 'Dangerous Business' while washing their hands. So you can't say the songs aren't ear-worms!

Also loved introducing Richard C Sarafian's 'Vanishing Point' at midnight with @bbunny1940.

@tcmfilmfest such a great weekend in Hollywood for movie fans. If you've never been, I highly recommend.

Love to Paul, Scott, the whole TCM crew and everyone who came out !

Had such a fantastic time at the TCM Classic Film Festival in the heart of Hollywood. I’ve always been a huge fan of the festival, both as an audience member and an occasional presenter.

This year, I got to introduce a favorite vroom-fest of mine, Vanishing Point (1971), at midnight on Friday with the great @bbunny1940.

But also as a “punter,” I saw another seven movies on the big screen that were, by turns, entertaining, thrilling, heart-wrenching—and sometimes all of the above.

In the order I saw them:
Hannah and Her Sisters (1986)
Gaslight (1944)
Captain Blood (1935)
All the President’s Men (1976)
Nights of Cabiria (1957)
Ishtar (1987)
Network (1976)

Nearly all of these were films I’d never seen on the big screen before, and one, Captain Blood, was a first-time watch. What a belter it was.

One of the many delights of the weekend is seeing these films with a huge, receptive crowd, and sometimes with stars or artists from the movie. In particular, it was great to see my old friend, Swan himself, @paulielama2, at a TCM talk and introducing Ishtar. So much fun.

I was especially knocked out (again) by Nights of Cabiria, which has to have one of the greatest final shots of all time.

Every day was a treasure. I would have seen even more if I could have stayed awake. Love to everyone at @tcm—the staff and the amazing crowds who make this such a beautiful annual festival.

Had such a fantastic time at the TCM Classic Film Festival in the heart of Hollywood. I’ve always been a huge fan of the festival, both as an audience member and an occasional presenter.

This year, I got to introduce a favorite vroom-fest of mine, Vanishing Point (1971), at midnight on Friday with the great @bbunny1940.

But also as a “punter,” I saw another seven movies on the big screen that were, by turns, entertaining, thrilling, heart-wrenching—and sometimes all of the above.

In the order I saw them:
Hannah and Her Sisters (1986)
Gaslight (1944)
Captain Blood (1935)
All the President’s Men (1976)
Nights of Cabiria (1957)
Ishtar (1987)
Network (1976)

Nearly all of these were films I’d never seen on the big screen before, and one, Captain Blood, was a first-time watch. What a belter it was.

One of the many delights of the weekend is seeing these films with a huge, receptive crowd, and sometimes with stars or artists from the movie. In particular, it was great to see my old friend, Swan himself, @paulielama2, at a TCM talk and introducing Ishtar. So much fun.

I was especially knocked out (again) by Nights of Cabiria, which has to have one of the greatest final shots of all time.

Every day was a treasure. I would have seen even more if I could have stayed awake. Love to everyone at @tcm—the staff and the amazing crowds who make this such a beautiful annual festival.

Had such a fantastic time at the TCM Classic Film Festival in the heart of Hollywood. I’ve always been a huge fan of the festival, both as an audience member and an occasional presenter.

This year, I got to introduce a favorite vroom-fest of mine, Vanishing Point (1971), at midnight on Friday with the great @bbunny1940.

But also as a “punter,” I saw another seven movies on the big screen that were, by turns, entertaining, thrilling, heart-wrenching—and sometimes all of the above.

In the order I saw them:
Hannah and Her Sisters (1986)
Gaslight (1944)
Captain Blood (1935)
All the President’s Men (1976)
Nights of Cabiria (1957)
Ishtar (1987)
Network (1976)

Nearly all of these were films I’d never seen on the big screen before, and one, Captain Blood, was a first-time watch. What a belter it was.

One of the many delights of the weekend is seeing these films with a huge, receptive crowd, and sometimes with stars or artists from the movie. In particular, it was great to see my old friend, Swan himself, @paulielama2, at a TCM talk and introducing Ishtar. So much fun.

I was especially knocked out (again) by Nights of Cabiria, which has to have one of the greatest final shots of all time.

Every day was a treasure. I would have seen even more if I could have stayed awake. Love to everyone at @tcm—the staff and the amazing crowds who make this such a beautiful annual festival.

Had such a fantastic time at the TCM Classic Film Festival in the heart of Hollywood. I’ve always been a huge fan of the festival, both as an audience member and an occasional presenter.

This year, I got to introduce a favorite vroom-fest of mine, Vanishing Point (1971), at midnight on Friday with the great @bbunny1940.

But also as a “punter,” I saw another seven movies on the big screen that were, by turns, entertaining, thrilling, heart-wrenching—and sometimes all of the above.

In the order I saw them:
Hannah and Her Sisters (1986)
Gaslight (1944)
Captain Blood (1935)
All the President’s Men (1976)
Nights of Cabiria (1957)
Ishtar (1987)
Network (1976)

Nearly all of these were films I’d never seen on the big screen before, and one, Captain Blood, was a first-time watch. What a belter it was.

One of the many delights of the weekend is seeing these films with a huge, receptive crowd, and sometimes with stars or artists from the movie. In particular, it was great to see my old friend, Swan himself, @paulielama2, at a TCM talk and introducing Ishtar. So much fun.

I was especially knocked out (again) by Nights of Cabiria, which has to have one of the greatest final shots of all time.

Every day was a treasure. I would have seen even more if I could have stayed awake. Love to everyone at @tcm—the staff and the amazing crowds who make this such a beautiful annual festival.

Had such a fantastic time at the TCM Classic Film Festival in the heart of Hollywood. I’ve always been a huge fan of the festival, both as an audience member and an occasional presenter.

This year, I got to introduce a favorite vroom-fest of mine, Vanishing Point (1971), at midnight on Friday with the great @bbunny1940.

But also as a “punter,” I saw another seven movies on the big screen that were, by turns, entertaining, thrilling, heart-wrenching—and sometimes all of the above.

In the order I saw them:
Hannah and Her Sisters (1986)
Gaslight (1944)
Captain Blood (1935)
All the President’s Men (1976)
Nights of Cabiria (1957)
Ishtar (1987)
Network (1976)

Nearly all of these were films I’d never seen on the big screen before, and one, Captain Blood, was a first-time watch. What a belter it was.

One of the many delights of the weekend is seeing these films with a huge, receptive crowd, and sometimes with stars or artists from the movie. In particular, it was great to see my old friend, Swan himself, @paulielama2, at a TCM talk and introducing Ishtar. So much fun.

I was especially knocked out (again) by Nights of Cabiria, which has to have one of the greatest final shots of all time.

Every day was a treasure. I would have seen even more if I could have stayed awake. Love to everyone at @tcm—the staff and the amazing crowds who make this such a beautiful annual festival.

Had such a fantastic time at the TCM Classic Film Festival in the heart of Hollywood. I’ve always been a huge fan of the festival, both as an audience member and an occasional presenter.

This year, I got to introduce a favorite vroom-fest of mine, Vanishing Point (1971), at midnight on Friday with the great @bbunny1940.

But also as a “punter,” I saw another seven movies on the big screen that were, by turns, entertaining, thrilling, heart-wrenching—and sometimes all of the above.

In the order I saw them:
Hannah and Her Sisters (1986)
Gaslight (1944)
Captain Blood (1935)
All the President’s Men (1976)
Nights of Cabiria (1957)
Ishtar (1987)
Network (1976)

Nearly all of these were films I’d never seen on the big screen before, and one, Captain Blood, was a first-time watch. What a belter it was.

One of the many delights of the weekend is seeing these films with a huge, receptive crowd, and sometimes with stars or artists from the movie. In particular, it was great to see my old friend, Swan himself, @paulielama2, at a TCM talk and introducing Ishtar. So much fun.

I was especially knocked out (again) by Nights of Cabiria, which has to have one of the greatest final shots of all time.

Every day was a treasure. I would have seen even more if I could have stayed awake. Love to everyone at @tcm—the staff and the amazing crowds who make this such a beautiful annual festival.

Had such a fantastic time at the TCM Classic Film Festival in the heart of Hollywood. I’ve always been a huge fan of the festival, both as an audience member and an occasional presenter.

This year, I got to introduce a favorite vroom-fest of mine, Vanishing Point (1971), at midnight on Friday with the great @bbunny1940.

But also as a “punter,” I saw another seven movies on the big screen that were, by turns, entertaining, thrilling, heart-wrenching—and sometimes all of the above.

In the order I saw them:
Hannah and Her Sisters (1986)
Gaslight (1944)
Captain Blood (1935)
All the President’s Men (1976)
Nights of Cabiria (1957)
Ishtar (1987)
Network (1976)

Nearly all of these were films I’d never seen on the big screen before, and one, Captain Blood, was a first-time watch. What a belter it was.

One of the many delights of the weekend is seeing these films with a huge, receptive crowd, and sometimes with stars or artists from the movie. In particular, it was great to see my old friend, Swan himself, @paulielama2, at a TCM talk and introducing Ishtar. So much fun.

I was especially knocked out (again) by Nights of Cabiria, which has to have one of the greatest final shots of all time.

Every day was a treasure. I would have seen even more if I could have stayed awake. Love to everyone at @tcm—the staff and the amazing crowds who make this such a beautiful annual festival.

Had such a fantastic time at the TCM Classic Film Festival in the heart of Hollywood. I’ve always been a huge fan of the festival, both as an audience member and an occasional presenter.

This year, I got to introduce a favorite vroom-fest of mine, Vanishing Point (1971), at midnight on Friday with the great @bbunny1940.

But also as a “punter,” I saw another seven movies on the big screen that were, by turns, entertaining, thrilling, heart-wrenching—and sometimes all of the above.

In the order I saw them:
Hannah and Her Sisters (1986)
Gaslight (1944)
Captain Blood (1935)
All the President’s Men (1976)
Nights of Cabiria (1957)
Ishtar (1987)
Network (1976)

Nearly all of these were films I’d never seen on the big screen before, and one, Captain Blood, was a first-time watch. What a belter it was.

One of the many delights of the weekend is seeing these films with a huge, receptive crowd, and sometimes with stars or artists from the movie. In particular, it was great to see my old friend, Swan himself, @paulielama2, at a TCM talk and introducing Ishtar. So much fun.

I was especially knocked out (again) by Nights of Cabiria, which has to have one of the greatest final shots of all time.

Every day was a treasure. I would have seen even more if I could have stayed awake. Love to everyone at @tcm—the staff and the amazing crowds who make this such a beautiful annual festival.

Amazing night at @hwdforever Masonic Lodge for @juliacumming first solo show in Los Angeles to promote her debut album. Were you there too?

Love this new poster art for #lastnightinsoho from @jximedesigns. Excellent stuff. Keep it coming!