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First use of our custom font Louisiana Mono Line. Cover design by @a2swhk @louisianamuseum @jeannouveldesign

BIG HAPPY BIRTHDAY TO THE ONE AND ONLY #MARGARETCALVERT 👏🏻🥳
Cake by @mariondeuchars
Cake number set in New Transport Bold
Drawing 1 (90) by yours truly
Drawing 2 (it’s a party!) by Mr. V

BIG HAPPY BIRTHDAY TO THE ONE AND ONLY #MARGARETCALVERT 👏🏻🥳
Cake by @mariondeuchars
Cake number set in New Transport Bold
Drawing 1 (90) by yours truly
Drawing 2 (it’s a party!) by Mr. V

BIG HAPPY BIRTHDAY TO THE ONE AND ONLY #MARGARETCALVERT 👏🏻🥳
Cake by @mariondeuchars
Cake number set in New Transport Bold
Drawing 1 (90) by yours truly
Drawing 2 (it’s a party!) by Mr. V

Trial fonts available… (full library!)
😎✊🏻💥

NYTMag Cheltenham X Condensed in good use (detail) @nytmag 🇺🇸😀✊🏻

@nytmag @nytmag #The 30 Greatest Living American Songwriters. May 3, 2026. Detail featuring our custom Franklin Gothic typeface ❤️💥😊🇺🇸@mariahcarey @jayz

NYTMag Cheltenham in good use (detail) @nytmag 🇺🇸😀✊🏻

BEAUTIFUL HARD HITTING WORK BY @nytmag team 🇺🇸👏🏻😎❤️💥 Featuring our custom Franklin Gothic font to the max!!! (Check also the new bodycopy fonts, if you have the magazine in hand).

BEAUTIFUL HARD HITTING WORK BY @nytmag team 🇺🇸👏🏻😎❤️💥 Featuring our custom Franklin Gothic font to the max!!! (Check also the new bodycopy fonts, if you have the magazine in hand).

BEAUTIFUL HARD HITTING WORK BY @nytmag team 🇺🇸👏🏻😎❤️💥 Featuring our custom Franklin Gothic font to the max!!! (Check also the new bodycopy fonts, if you have the magazine in hand).

BEAUTIFUL HARD HITTING WORK BY @nytmag team 🇺🇸👏🏻😎❤️💥 Featuring our custom Franklin Gothic font to the max!!! (Check also the new bodycopy fonts, if you have the magazine in hand).

RGB FACT SHEET
• It is a variable font.
• It has 10 predefined weight instances.
(100—1000)
• It has true italics.
• It is built for screen and for small sizes.
• It supports over 100 languages.
• It was built for a purpose.
• It’s not nostalgic.
• It’s not expressive.
• It has a duplexed option
(300—700)
• Free trial fonts
❤️💚💙
✊🏻

RGB is both a name and a principle.
It is derived from Reliable, Global, Built – defining a system that is consistent,
scalable and made for real digital use. Not descriptors, but embedded in how it works. At the same time, RGB nods to the screen itself: Red, Green,Blue – the model of light shaping everything we see. Technical and conceptual. Clear, reliable, purposeful. RGB is not expressive. It doesn’t compete for attention.

RGB is not expressive. It doesn’t compete for attention.

We built RGB for a purpose. For clarity.
For consistency. For scale.
❤️💚💙
✊🏻

As with many of our fonts, details are paramount. This is where we spent our time. Our typefaces are recognised by how they look – a certain design DNA built into our library through craft and experience. Sometimes a single letter defines a font. We asked ourselves, is anything missing?

The answer was ‘a utilitarian sans’ built for screens and everyday use – from micro-typography on medical packaging to digital products shaping daily life. Through research, we wrote a brief for every glyph. Then we built it. It took time because we wanted to create something distinctly different from what we had done before.

RGB
A new font system for screens.
Content first.
Typeface second.
❤️💚💙
✊🏻

Great British Railways. Custom fonts with Margaret Calvert, slowly being implemented across a vast network of train stations and livery. ✊🏻💙❤️@networkrail @jockkinneir_library

Proud to have contributed to this wonderful and challenging custom type project! NYTMCheltenham, NYTM Franklin and a lot more… 100 fonts in total. New body copy fonts too! Oh yeah!!! 😊❤️ @gailbichler @bengrandgenett @nytmag
Photo: Thanks @mrwilley