Active 2025
Specializing in the curation of curiosities 🎨
As snow falls
The Trekvliet Shipping Canal near Rijswijk, known as the ‘View near the Geest Bridge’, by Johan Hendrik Weissenbruch
"One of the most crazy things that some of us, who live in the Pacific Northwest get to see every year - Migratory Snow geese that arrive by the thousands and stay in the Skagit Valley all winter. I think this time, I managed to capture a video that somewhat does a decent job of conveying the feeling one gets when they fly over you!"
By @mukul.soman
The perfect pose 😂 - favorite 1,2,3,4,5,6?
Föllow us @welcome for more!
Art by: 1 @yandelly.g 2,3,4,5,6 2132235387 (Döuyin)
The perfect pose 😂 - favorite 1,2,3,4,5,6?
Föllow us @welcome for more!
Art by: 1 @yandelly.g 2,3,4,5,6 2132235387 (Döuyin)
The perfect pose 😂 - favorite 1,2,3,4,5,6?
Föllow us @welcome for more!
Art by: 1 @yandelly.g 2,3,4,5,6 2132235387 (Döuyin)
The perfect pose 😂 - favorite 1,2,3,4,5,6?
Föllow us @welcome for more!
Art by: 1 @yandelly.g 2,3,4,5,6 2132235387 (Döuyin)
The perfect pose 😂 - favorite 1,2,3,4,5,6?
Föllow us @welcome for more!
Art by: 1 @yandelly.g 2,3,4,5,6 2132235387 (Döuyin)
The perfect pose 😂 - favorite 1,2,3,4,5,6?
Föllow us @welcome for more!
Art by: 1 @yandelly.g 2,3,4,5,6 2132235387 (Döuyin)
Understanding the Competitive Nature Behind
'High-Risk' Graffiti
“Graffiti is a highly unique art form, in that its mere practice lies outside of the law. At every corner, billboard or blank wall, rebellious creatives accept and embrace the potential for imprisonment, voluntarily throwing themselves into risky situations without any expectation of monetary compensation.
Pursued strictly for one's enjoyment, or the accolades shared among peers, the desire to be infamous is simply too alluring for many to resist, so much so that one is willing to put it all on the line.
As perhaps one of the cheapest sub-genres to participate in, seeing as canvases' are both free and infinite, a basic marker or bottle of spray paint allows any average Joe to take an interest in the criminal act. In opposition to comparable mediums, graffiti's admission charge lies in the hands of the artist, hailed for the lengths, heights and danger they're willing to endure to define themselves and amass a cultural legacy.
This unspoken competition has led man street artists like CHAKA to tag NYPD cars in broad daylight, or groups like 1UP to graffiti-bomb subway stations with massive pressurized canisters. Much like Kidult's work, who notoriously defaced Supreme's flagship New York location back in 2011, before hitting, Balenciaga, Louis Vuitton and Philp Plein, these creatives are taking graffiti art to the next level as they repetitiously one-up (pun intended) each other.
From the viral images of untethered artists tagging Mexico's 430ft 'Metlac Bride' in the 90s and early 00s to recent acts of standstill line 'art' recorded anonymously on an iPhone, it's clear that with illegal activities come extremists and adrenaline junkies.
Staking youthful futures for next to nothing, a mix of danger, passion and pressure makes for some of the world's most impactful and exigent art.” -

Understanding the Competitive Nature Behind
'High-Risk' Graffiti
“Graffiti is a highly unique art form, in that its mere practice lies outside of the law. At every corner, billboard or blank wall, rebellious creatives accept and embrace the potential for imprisonment, voluntarily throwing themselves into risky situations without any expectation of monetary compensation.
Pursued strictly for one's enjoyment, or the accolades shared among peers, the desire to be infamous is simply too alluring for many to resist, so much so that one is willing to put it all on the line.
As perhaps one of the cheapest sub-genres to participate in, seeing as canvases' are both free and infinite, a basic marker or bottle of spray paint allows any average Joe to take an interest in the criminal act. In opposition to comparable mediums, graffiti's admission charge lies in the hands of the artist, hailed for the lengths, heights and danger they're willing to endure to define themselves and amass a cultural legacy.
This unspoken competition has led man street artists like CHAKA to tag NYPD cars in broad daylight, or groups like 1UP to graffiti-bomb subway stations with massive pressurized canisters. Much like Kidult's work, who notoriously defaced Supreme's flagship New York location back in 2011, before hitting, Balenciaga, Louis Vuitton and Philp Plein, these creatives are taking graffiti art to the next level as they repetitiously one-up (pun intended) each other.
From the viral images of untethered artists tagging Mexico's 430ft 'Metlac Bride' in the 90s and early 00s to recent acts of standstill line 'art' recorded anonymously on an iPhone, it's clear that with illegal activities come extremists and adrenaline junkies.
Staking youthful futures for next to nothing, a mix of danger, passion and pressure makes for some of the world's most impactful and exigent art.” -
Understanding the Competitive Nature Behind
'High-Risk' Graffiti
“Graffiti is a highly unique art form, in that its mere practice lies outside of the law. At every corner, billboard or blank wall, rebellious creatives accept and embrace the potential for imprisonment, voluntarily throwing themselves into risky situations without any expectation of monetary compensation.
Pursued strictly for one's enjoyment, or the accolades shared among peers, the desire to be infamous is simply too alluring for many to resist, so much so that one is willing to put it all on the line.
As perhaps one of the cheapest sub-genres to participate in, seeing as canvases' are both free and infinite, a basic marker or bottle of spray paint allows any average Joe to take an interest in the criminal act. In opposition to comparable mediums, graffiti's admission charge lies in the hands of the artist, hailed for the lengths, heights and danger they're willing to endure to define themselves and amass a cultural legacy.
This unspoken competition has led man street artists like CHAKA to tag NYPD cars in broad daylight, or groups like 1UP to graffiti-bomb subway stations with massive pressurized canisters. Much like Kidult's work, who notoriously defaced Supreme's flagship New York location back in 2011, before hitting, Balenciaga, Louis Vuitton and Philp Plein, these creatives are taking graffiti art to the next level as they repetitiously one-up (pun intended) each other.
From the viral images of untethered artists tagging Mexico's 430ft 'Metlac Bride' in the 90s and early 00s to recent acts of standstill line 'art' recorded anonymously on an iPhone, it's clear that with illegal activities come extremists and adrenaline junkies.
Staking youthful futures for next to nothing, a mix of danger, passion and pressure makes for some of the world's most impactful and exigent art.” -
Understanding the Competitive Nature Behind
'High-Risk' Graffiti
“Graffiti is a highly unique art form, in that its mere practice lies outside of the law. At every corner, billboard or blank wall, rebellious creatives accept and embrace the potential for imprisonment, voluntarily throwing themselves into risky situations without any expectation of monetary compensation.
Pursued strictly for one's enjoyment, or the accolades shared among peers, the desire to be infamous is simply too alluring for many to resist, so much so that one is willing to put it all on the line.
As perhaps one of the cheapest sub-genres to participate in, seeing as canvases' are both free and infinite, a basic marker or bottle of spray paint allows any average Joe to take an interest in the criminal act. In opposition to comparable mediums, graffiti's admission charge lies in the hands of the artist, hailed for the lengths, heights and danger they're willing to endure to define themselves and amass a cultural legacy.
This unspoken competition has led man street artists like CHAKA to tag NYPD cars in broad daylight, or groups like 1UP to graffiti-bomb subway stations with massive pressurized canisters. Much like Kidult's work, who notoriously defaced Supreme's flagship New York location back in 2011, before hitting, Balenciaga, Louis Vuitton and Philp Plein, these creatives are taking graffiti art to the next level as they repetitiously one-up (pun intended) each other.
From the viral images of untethered artists tagging Mexico's 430ft 'Metlac Bride' in the 90s and early 00s to recent acts of standstill line 'art' recorded anonymously on an iPhone, it's clear that with illegal activities come extremists and adrenaline junkies.
Staking youthful futures for next to nothing, a mix of danger, passion and pressure makes for some of the world's most impactful and exigent art.” -

Understanding the Competitive Nature Behind
'High-Risk' Graffiti
“Graffiti is a highly unique art form, in that its mere practice lies outside of the law. At every corner, billboard or blank wall, rebellious creatives accept and embrace the potential for imprisonment, voluntarily throwing themselves into risky situations without any expectation of monetary compensation.
Pursued strictly for one's enjoyment, or the accolades shared among peers, the desire to be infamous is simply too alluring for many to resist, so much so that one is willing to put it all on the line.
As perhaps one of the cheapest sub-genres to participate in, seeing as canvases' are both free and infinite, a basic marker or bottle of spray paint allows any average Joe to take an interest in the criminal act. In opposition to comparable mediums, graffiti's admission charge lies in the hands of the artist, hailed for the lengths, heights and danger they're willing to endure to define themselves and amass a cultural legacy.
This unspoken competition has led man street artists like CHAKA to tag NYPD cars in broad daylight, or groups like 1UP to graffiti-bomb subway stations with massive pressurized canisters. Much like Kidult's work, who notoriously defaced Supreme's flagship New York location back in 2011, before hitting, Balenciaga, Louis Vuitton and Philp Plein, these creatives are taking graffiti art to the next level as they repetitiously one-up (pun intended) each other.
From the viral images of untethered artists tagging Mexico's 430ft 'Metlac Bride' in the 90s and early 00s to recent acts of standstill line 'art' recorded anonymously on an iPhone, it's clear that with illegal activities come extremists and adrenaline junkies.
Staking youthful futures for next to nothing, a mix of danger, passion and pressure makes for some of the world's most impactful and exigent art.” -

Understanding the Competitive Nature Behind
'High-Risk' Graffiti
“Graffiti is a highly unique art form, in that its mere practice lies outside of the law. At every corner, billboard or blank wall, rebellious creatives accept and embrace the potential for imprisonment, voluntarily throwing themselves into risky situations without any expectation of monetary compensation.
Pursued strictly for one's enjoyment, or the accolades shared among peers, the desire to be infamous is simply too alluring for many to resist, so much so that one is willing to put it all on the line.
As perhaps one of the cheapest sub-genres to participate in, seeing as canvases' are both free and infinite, a basic marker or bottle of spray paint allows any average Joe to take an interest in the criminal act. In opposition to comparable mediums, graffiti's admission charge lies in the hands of the artist, hailed for the lengths, heights and danger they're willing to endure to define themselves and amass a cultural legacy.
This unspoken competition has led man street artists like CHAKA to tag NYPD cars in broad daylight, or groups like 1UP to graffiti-bomb subway stations with massive pressurized canisters. Much like Kidult's work, who notoriously defaced Supreme's flagship New York location back in 2011, before hitting, Balenciaga, Louis Vuitton and Philp Plein, these creatives are taking graffiti art to the next level as they repetitiously one-up (pun intended) each other.
From the viral images of untethered artists tagging Mexico's 430ft 'Metlac Bride' in the 90s and early 00s to recent acts of standstill line 'art' recorded anonymously on an iPhone, it's clear that with illegal activities come extremists and adrenaline junkies.
Staking youthful futures for next to nothing, a mix of danger, passion and pressure makes for some of the world's most impactful and exigent art.” -
Understanding the Competitive Nature Behind
'High-Risk' Graffiti
“Graffiti is a highly unique art form, in that its mere practice lies outside of the law. At every corner, billboard or blank wall, rebellious creatives accept and embrace the potential for imprisonment, voluntarily throwing themselves into risky situations without any expectation of monetary compensation.
Pursued strictly for one's enjoyment, or the accolades shared among peers, the desire to be infamous is simply too alluring for many to resist, so much so that one is willing to put it all on the line.
As perhaps one of the cheapest sub-genres to participate in, seeing as canvases' are both free and infinite, a basic marker or bottle of spray paint allows any average Joe to take an interest in the criminal act. In opposition to comparable mediums, graffiti's admission charge lies in the hands of the artist, hailed for the lengths, heights and danger they're willing to endure to define themselves and amass a cultural legacy.
This unspoken competition has led man street artists like CHAKA to tag NYPD cars in broad daylight, or groups like 1UP to graffiti-bomb subway stations with massive pressurized canisters. Much like Kidult's work, who notoriously defaced Supreme's flagship New York location back in 2011, before hitting, Balenciaga, Louis Vuitton and Philp Plein, these creatives are taking graffiti art to the next level as they repetitiously one-up (pun intended) each other.
From the viral images of untethered artists tagging Mexico's 430ft 'Metlac Bride' in the 90s and early 00s to recent acts of standstill line 'art' recorded anonymously on an iPhone, it's clear that with illegal activities come extremists and adrenaline junkies.
Staking youthful futures for next to nothing, a mix of danger, passion and pressure makes for some of the world's most impactful and exigent art.” -
Understanding the Competitive Nature Behind
'High-Risk' Graffiti
“Graffiti is a highly unique art form, in that its mere practice lies outside of the law. At every corner, billboard or blank wall, rebellious creatives accept and embrace the potential for imprisonment, voluntarily throwing themselves into risky situations without any expectation of monetary compensation.
Pursued strictly for one's enjoyment, or the accolades shared among peers, the desire to be infamous is simply too alluring for many to resist, so much so that one is willing to put it all on the line.
As perhaps one of the cheapest sub-genres to participate in, seeing as canvases' are both free and infinite, a basic marker or bottle of spray paint allows any average Joe to take an interest in the criminal act. In opposition to comparable mediums, graffiti's admission charge lies in the hands of the artist, hailed for the lengths, heights and danger they're willing to endure to define themselves and amass a cultural legacy.
This unspoken competition has led man street artists like CHAKA to tag NYPD cars in broad daylight, or groups like 1UP to graffiti-bomb subway stations with massive pressurized canisters. Much like Kidult's work, who notoriously defaced Supreme's flagship New York location back in 2011, before hitting, Balenciaga, Louis Vuitton and Philp Plein, these creatives are taking graffiti art to the next level as they repetitiously one-up (pun intended) each other.
From the viral images of untethered artists tagging Mexico's 430ft 'Metlac Bride' in the 90s and early 00s to recent acts of standstill line 'art' recorded anonymously on an iPhone, it's clear that with illegal activities come extremists and adrenaline junkies.
Staking youthful futures for next to nothing, a mix of danger, passion and pressure makes for some of the world's most impactful and exigent art.” -
Understanding the Competitive Nature Behind
'High-Risk' Graffiti
“Graffiti is a highly unique art form, in that its mere practice lies outside of the law. At every corner, billboard or blank wall, rebellious creatives accept and embrace the potential for imprisonment, voluntarily throwing themselves into risky situations without any expectation of monetary compensation.
Pursued strictly for one's enjoyment, or the accolades shared among peers, the desire to be infamous is simply too alluring for many to resist, so much so that one is willing to put it all on the line.
As perhaps one of the cheapest sub-genres to participate in, seeing as canvases' are both free and infinite, a basic marker or bottle of spray paint allows any average Joe to take an interest in the criminal act. In opposition to comparable mediums, graffiti's admission charge lies in the hands of the artist, hailed for the lengths, heights and danger they're willing to endure to define themselves and amass a cultural legacy.
This unspoken competition has led man street artists like CHAKA to tag NYPD cars in broad daylight, or groups like 1UP to graffiti-bomb subway stations with massive pressurized canisters. Much like Kidult's work, who notoriously defaced Supreme's flagship New York location back in 2011, before hitting, Balenciaga, Louis Vuitton and Philp Plein, these creatives are taking graffiti art to the next level as they repetitiously one-up (pun intended) each other.
From the viral images of untethered artists tagging Mexico's 430ft 'Metlac Bride' in the 90s and early 00s to recent acts of standstill line 'art' recorded anonymously on an iPhone, it's clear that with illegal activities come extremists and adrenaline junkies.
Staking youthful futures for next to nothing, a mix of danger, passion and pressure makes for some of the world's most impactful and exigent art.” -
Understanding the Competitive Nature Behind
'High-Risk' Graffiti
“Graffiti is a highly unique art form, in that its mere practice lies outside of the law. At every corner, billboard or blank wall, rebellious creatives accept and embrace the potential for imprisonment, voluntarily throwing themselves into risky situations without any expectation of monetary compensation.
Pursued strictly for one's enjoyment, or the accolades shared among peers, the desire to be infamous is simply too alluring for many to resist, so much so that one is willing to put it all on the line.
As perhaps one of the cheapest sub-genres to participate in, seeing as canvases' are both free and infinite, a basic marker or bottle of spray paint allows any average Joe to take an interest in the criminal act. In opposition to comparable mediums, graffiti's admission charge lies in the hands of the artist, hailed for the lengths, heights and danger they're willing to endure to define themselves and amass a cultural legacy.
This unspoken competition has led man street artists like CHAKA to tag NYPD cars in broad daylight, or groups like 1UP to graffiti-bomb subway stations with massive pressurized canisters. Much like Kidult's work, who notoriously defaced Supreme's flagship New York location back in 2011, before hitting, Balenciaga, Louis Vuitton and Philp Plein, these creatives are taking graffiti art to the next level as they repetitiously one-up (pun intended) each other.
From the viral images of untethered artists tagging Mexico's 430ft 'Metlac Bride' in the 90s and early 00s to recent acts of standstill line 'art' recorded anonymously on an iPhone, it's clear that with illegal activities come extremists and adrenaline junkies.
Staking youthful futures for next to nothing, a mix of danger, passion and pressure makes for some of the world's most impactful and exigent art.” -
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