Salvar História do Instagram

No one needs another MONO, except Halvar …

… We’re in the final stages of Halvar Mono, whether you like it or not. The corrections for Cyrillic and Greek are done; now it’s just a matter of kerning ;)

#typemates #typestudio #typedesigner #typefoundry #variablefont

No one needs another MONO, except Halvar …

… We’re in the final stages of Halvar Mono, whether you like it or not. The corrections for Cyrillic and Greek are done; now it’s just a matter of kerning ;)

#typemates #typestudio #typedesigner #typefoundry #variablefont

No one needs another MONO, except Halvar …

… We’re in the final stages of Halvar Mono, whether you like it or not. The corrections for Cyrillic and Greek are done; now it’s just a matter of kerning ;)

#typemates #typestudio #typedesigner #typefoundry #variablefont

No one needs another MONO, except Halvar …

… We’re in the final stages of Halvar Mono, whether you like it or not. The corrections for Cyrillic and Greek are done; now it’s just a matter of kerning ;)

#typemates #typestudio #typedesigner #typefoundry #variablefont

No one needs another MONO, except Halvar …

… We’re in the final stages of Halvar Mono, whether you like it or not. The corrections for Cyrillic and Greek are done; now it’s just a matter of kerning ;)

#typemates #typestudio #typedesigner #typefoundry #variablefont

No one needs another MONO, except Halvar …

… We’re in the final stages of Halvar Mono, whether you like it or not. The corrections for Cyrillic and Greek are done; now it’s just a matter of kerning ;)

#typemates #typestudio #typedesigner #typefoundry #variablefont

📊 Conto is a minimalist and clear typeface in multiple weights and widths for smooth corporate typography.

The Conto superfamily is a powerful tool for complex typography: from essential text to captions, tables and advertising. The wide range of expression in its 64 styles fulfil the demands of modern publishing. Additional flexibility can be unlocked through its Variable Font version. The superfamily features four widths and subfamilies: regular Conto, the economic Conto Narrow, the even more efficient Conto Condensed and super narrow Conto Compressed.

Designer: Nils Thomsen
🔗 typemates.com/fonts/conto

#typemates #typestudio #typedesigner #typefoundry #variablefont

📊 Conto is a minimalist and clear typeface in multiple weights and widths for smooth corporate typography.

The Conto superfamily is a powerful tool for complex typography: from essential text to captions, tables and advertising. The wide range of expression in its 64 styles fulfil the demands of modern publishing. Additional flexibility can be unlocked through its Variable Font version. The superfamily features four widths and subfamilies: regular Conto, the economic Conto Narrow, the even more efficient Conto Condensed and super narrow Conto Compressed.

Designer: Nils Thomsen
🔗 typemates.com/fonts/conto

#typemates #typestudio #typedesigner #typefoundry #variablefont

📊 Conto is a minimalist and clear typeface in multiple weights and widths for smooth corporate typography.

The Conto superfamily is a powerful tool for complex typography: from essential text to captions, tables and advertising. The wide range of expression in its 64 styles fulfil the demands of modern publishing. Additional flexibility can be unlocked through its Variable Font version. The superfamily features four widths and subfamilies: regular Conto, the economic Conto Narrow, the even more efficient Conto Condensed and super narrow Conto Compressed.

Designer: Nils Thomsen
🔗 typemates.com/fonts/conto

#typemates #typestudio #typedesigner #typefoundry #variablefont

📊 Conto is a minimalist and clear typeface in multiple weights and widths for smooth corporate typography.

The Conto superfamily is a powerful tool for complex typography: from essential text to captions, tables and advertising. The wide range of expression in its 64 styles fulfil the demands of modern publishing. Additional flexibility can be unlocked through its Variable Font version. The superfamily features four widths and subfamilies: regular Conto, the economic Conto Narrow, the even more efficient Conto Condensed and super narrow Conto Compressed.

Designer: Nils Thomsen
🔗 typemates.com/fonts/conto

#typemates #typestudio #typedesigner #typefoundry #variablefont

📊 Conto is a minimalist and clear typeface in multiple weights and widths for smooth corporate typography.

The Conto superfamily is a powerful tool for complex typography: from essential text to captions, tables and advertising. The wide range of expression in its 64 styles fulfil the demands of modern publishing. Additional flexibility can be unlocked through its Variable Font version. The superfamily features four widths and subfamilies: regular Conto, the economic Conto Narrow, the even more efficient Conto Condensed and super narrow Conto Compressed.

Designer: Nils Thomsen
🔗 typemates.com/fonts/conto

#typemates #typestudio #typedesigner #typefoundry #variablefont

📊 Conto is a minimalist and clear typeface in multiple weights and widths for smooth corporate typography.

The Conto superfamily is a powerful tool for complex typography: from essential text to captions, tables and advertising. The wide range of expression in its 64 styles fulfil the demands of modern publishing. Additional flexibility can be unlocked through its Variable Font version. The superfamily features four widths and subfamilies: regular Conto, the economic Conto Narrow, the even more efficient Conto Condensed and super narrow Conto Compressed.

Designer: Nils Thomsen
🔗 typemates.com/fonts/conto

#typemates #typestudio #typedesigner #typefoundry #variablefont

📊 Conto is a minimalist and clear typeface in multiple weights and widths for smooth corporate typography.

The Conto superfamily is a powerful tool for complex typography: from essential text to captions, tables and advertising. The wide range of expression in its 64 styles fulfil the demands of modern publishing. Additional flexibility can be unlocked through its Variable Font version. The superfamily features four widths and subfamilies: regular Conto, the economic Conto Narrow, the even more efficient Conto Condensed and super narrow Conto Compressed.

Designer: Nils Thomsen
🔗 typemates.com/fonts/conto

#typemates #typestudio #typedesigner #typefoundry #variablefont

📊 Conto is a minimalist and clear typeface in multiple weights and widths for smooth corporate typography.

The Conto superfamily is a powerful tool for complex typography: from essential text to captions, tables and advertising. The wide range of expression in its 64 styles fulfil the demands of modern publishing. Additional flexibility can be unlocked through its Variable Font version. The superfamily features four widths and subfamilies: regular Conto, the economic Conto Narrow, the even more efficient Conto Condensed and super narrow Conto Compressed.

Designer: Nils Thomsen
🔗 typemates.com/fonts/conto

#typemates #typestudio #typedesigner #typefoundry #variablefont

📊 Conto is a minimalist and clear typeface in multiple weights and widths for smooth corporate typography.

The Conto superfamily is a powerful tool for complex typography: from essential text to captions, tables and advertising. The wide range of expression in its 64 styles fulfil the demands of modern publishing. Additional flexibility can be unlocked through its Variable Font version. The superfamily features four widths and subfamilies: regular Conto, the economic Conto Narrow, the even more efficient Conto Condensed and super narrow Conto Compressed.

Designer: Nils Thomsen
🔗 typemates.com/fonts/conto

#typemates #typestudio #typedesigner #typefoundry #variablefont

📊 Conto is a minimalist and clear typeface in multiple weights and widths for smooth corporate typography.

The Conto superfamily is a powerful tool for complex typography: from essential text to captions, tables and advertising. The wide range of expression in its 64 styles fulfil the demands of modern publishing. Additional flexibility can be unlocked through its Variable Font version. The superfamily features four widths and subfamilies: regular Conto, the economic Conto Narrow, the even more efficient Conto Condensed and super narrow Conto Compressed.

Designer: Nils Thomsen
🔗 typemates.com/fonts/conto

#typemates #typestudio #typedesigner #typefoundry #variablefont

📊 Conto is a minimalist and clear typeface in multiple weights and widths for smooth corporate typography.

The Conto superfamily is a powerful tool for complex typography: from essential text to captions, tables and advertising. The wide range of expression in its 64 styles fulfil the demands of modern publishing. Additional flexibility can be unlocked through its Variable Font version. The superfamily features four widths and subfamilies: regular Conto, the economic Conto Narrow, the even more efficient Conto Condensed and super narrow Conto Compressed.

Designer: Nils Thomsen
🔗 typemates.com/fonts/conto

#typemates #typestudio #typedesigner #typefoundry #variablefont

📊 Conto is a minimalist and clear typeface in multiple weights and widths for smooth corporate typography.

The Conto superfamily is a powerful tool for complex typography: from essential text to captions, tables and advertising. The wide range of expression in its 64 styles fulfil the demands of modern publishing. Additional flexibility can be unlocked through its Variable Font version. The superfamily features four widths and subfamilies: regular Conto, the economic Conto Narrow, the even more efficient Conto Condensed and super narrow Conto Compressed.

Designer: Nils Thomsen
🔗 typemates.com/fonts/conto

#typemates #typestudio #typedesigner #typefoundry #variablefont

ABCDEFG … Sometimes life can be simple and beautiful!

Cera Brush is a hand-crafted, brush-made geometric font with high-res details. Its advanced OpenType code empowers an authentic handmade look.

Designer: Max Kostopoulos, Jakob Runge
🔗 typemates.com/fonts/cera-brush

#typemates #typestudio #typedesigner #typefoundry #handmadefont

📐 Numbers that always line up. Tabular figures are one of those unassuming features that make a big difference once you know they exist. All TypeMates fonts come with them built in as standard.

Want to activate OpenType features in your design tool?
🔗 typemates.com/news/installation-opentype

#typemates #typestudio #typefoundry #typography #typographytips

📐 Numbers that always line up. Tabular figures are one of those unassuming features that make a big difference once you know they exist. All TypeMates fonts come with them built in as standard.

Want to activate OpenType features in your design tool?
🔗 typemates.com/news/installation-opentype

#typemates #typestudio #typefoundry #typography #typographytips

📐 Numbers that always line up. Tabular figures are one of those unassuming features that make a big difference once you know they exist. All TypeMates fonts come with them built in as standard.

Want to activate OpenType features in your design tool?
🔗 typemates.com/news/installation-opentype

#typemates #typestudio #typefoundry #typography #typographytips

📐 Numbers that always line up. Tabular figures are one of those unassuming features that make a big difference once you know they exist. All TypeMates fonts come with them built in as standard.

Want to activate OpenType features in your design tool?
🔗 typemates.com/news/installation-opentype

#typemates #typestudio #typefoundry #typography #typographytips

📐 Numbers that always line up. Tabular figures are one of those unassuming features that make a big difference once you know they exist. All TypeMates fonts come with them built in as standard.

Want to activate OpenType features in your design tool?
🔗 typemates.com/news/installation-opentype

#typemates #typestudio #typefoundry #typography #typographytips

„I decided to include diversity and gender symbols in Alison, because I wanted to make my own statements with the tools I have. I think type design can be political in a great way, it can show position.“

1 : Julia Uplegger is a communication designer with a passion for typography, book and typeface design.
2 : Quote from our conversation with TypeMates’ female type designers
3 : Julia climbing
4 : Gender & diversity symbols in Alison
5 : Making of Alison and Altona with Albert-Jan Pool and Antonia Cornelius
6 : Typodarium
7 : About Julia
8 : Alison Head
9 : Fonts at TypeMates

Want to read more about Julia?
typemates.com/news/female-type-designers-conversation-2
typemates.com/about/julia-uplegger

Portrait photo © d.nietze-fotografie / @d.nietze_fotografie

#meetourmates #Typemates #womenintype #womenindesign #typefaces

„I decided to include diversity and gender symbols in Alison, because I wanted to make my own statements with the tools I have. I think type design can be political in a great way, it can show position.“

1 : Julia Uplegger is a communication designer with a passion for typography, book and typeface design.
2 : Quote from our conversation with TypeMates’ female type designers
3 : Julia climbing
4 : Gender & diversity symbols in Alison
5 : Making of Alison and Altona with Albert-Jan Pool and Antonia Cornelius
6 : Typodarium
7 : About Julia
8 : Alison Head
9 : Fonts at TypeMates

Want to read more about Julia?
typemates.com/news/female-type-designers-conversation-2
typemates.com/about/julia-uplegger

Portrait photo © d.nietze-fotografie / @d.nietze_fotografie

#meetourmates #Typemates #womenintype #womenindesign #typefaces

„I decided to include diversity and gender symbols in Alison, because I wanted to make my own statements with the tools I have. I think type design can be political in a great way, it can show position.“

1 : Julia Uplegger is a communication designer with a passion for typography, book and typeface design.
2 : Quote from our conversation with TypeMates’ female type designers
3 : Julia climbing
4 : Gender & diversity symbols in Alison
5 : Making of Alison and Altona with Albert-Jan Pool and Antonia Cornelius
6 : Typodarium
7 : About Julia
8 : Alison Head
9 : Fonts at TypeMates

Want to read more about Julia?
typemates.com/news/female-type-designers-conversation-2
typemates.com/about/julia-uplegger

Portrait photo © d.nietze-fotografie / @d.nietze_fotografie

#meetourmates #Typemates #womenintype #womenindesign #typefaces

„I decided to include diversity and gender symbols in Alison, because I wanted to make my own statements with the tools I have. I think type design can be political in a great way, it can show position.“

1 : Julia Uplegger is a communication designer with a passion for typography, book and typeface design.
2 : Quote from our conversation with TypeMates’ female type designers
3 : Julia climbing
4 : Gender & diversity symbols in Alison
5 : Making of Alison and Altona with Albert-Jan Pool and Antonia Cornelius
6 : Typodarium
7 : About Julia
8 : Alison Head
9 : Fonts at TypeMates

Want to read more about Julia?
typemates.com/news/female-type-designers-conversation-2
typemates.com/about/julia-uplegger

Portrait photo © d.nietze-fotografie / @d.nietze_fotografie

#meetourmates #Typemates #womenintype #womenindesign #typefaces

„I decided to include diversity and gender symbols in Alison, because I wanted to make my own statements with the tools I have. I think type design can be political in a great way, it can show position.“

1 : Julia Uplegger is a communication designer with a passion for typography, book and typeface design.
2 : Quote from our conversation with TypeMates’ female type designers
3 : Julia climbing
4 : Gender & diversity symbols in Alison
5 : Making of Alison and Altona with Albert-Jan Pool and Antonia Cornelius
6 : Typodarium
7 : About Julia
8 : Alison Head
9 : Fonts at TypeMates

Want to read more about Julia?
typemates.com/news/female-type-designers-conversation-2
typemates.com/about/julia-uplegger

Portrait photo © d.nietze-fotografie / @d.nietze_fotografie

#meetourmates #Typemates #womenintype #womenindesign #typefaces

„I decided to include diversity and gender symbols in Alison, because I wanted to make my own statements with the tools I have. I think type design can be political in a great way, it can show position.“

1 : Julia Uplegger is a communication designer with a passion for typography, book and typeface design.
2 : Quote from our conversation with TypeMates’ female type designers
3 : Julia climbing
4 : Gender & diversity symbols in Alison
5 : Making of Alison and Altona with Albert-Jan Pool and Antonia Cornelius
6 : Typodarium
7 : About Julia
8 : Alison Head
9 : Fonts at TypeMates

Want to read more about Julia?
typemates.com/news/female-type-designers-conversation-2
typemates.com/about/julia-uplegger

Portrait photo © d.nietze-fotografie / @d.nietze_fotografie

#meetourmates #Typemates #womenintype #womenindesign #typefaces

„I decided to include diversity and gender symbols in Alison, because I wanted to make my own statements with the tools I have. I think type design can be political in a great way, it can show position.“

1 : Julia Uplegger is a communication designer with a passion for typography, book and typeface design.
2 : Quote from our conversation with TypeMates’ female type designers
3 : Julia climbing
4 : Gender & diversity symbols in Alison
5 : Making of Alison and Altona with Albert-Jan Pool and Antonia Cornelius
6 : Typodarium
7 : About Julia
8 : Alison Head
9 : Fonts at TypeMates

Want to read more about Julia?
typemates.com/news/female-type-designers-conversation-2
typemates.com/about/julia-uplegger

Portrait photo © d.nietze-fotografie / @d.nietze_fotografie

#meetourmates #Typemates #womenintype #womenindesign #typefaces

„I decided to include diversity and gender symbols in Alison, because I wanted to make my own statements with the tools I have. I think type design can be political in a great way, it can show position.“

1 : Julia Uplegger is a communication designer with a passion for typography, book and typeface design.
2 : Quote from our conversation with TypeMates’ female type designers
3 : Julia climbing
4 : Gender & diversity symbols in Alison
5 : Making of Alison and Altona with Albert-Jan Pool and Antonia Cornelius
6 : Typodarium
7 : About Julia
8 : Alison Head
9 : Fonts at TypeMates

Want to read more about Julia?
typemates.com/news/female-type-designers-conversation-2
typemates.com/about/julia-uplegger

Portrait photo © d.nietze-fotografie / @d.nietze_fotografie

#meetourmates #Typemates #womenintype #womenindesign #typefaces

„I decided to include diversity and gender symbols in Alison, because I wanted to make my own statements with the tools I have. I think type design can be political in a great way, it can show position.“

1 : Julia Uplegger is a communication designer with a passion for typography, book and typeface design.
2 : Quote from our conversation with TypeMates’ female type designers
3 : Julia climbing
4 : Gender & diversity symbols in Alison
5 : Making of Alison and Altona with Albert-Jan Pool and Antonia Cornelius
6 : Typodarium
7 : About Julia
8 : Alison Head
9 : Fonts at TypeMates

Want to read more about Julia?
typemates.com/news/female-type-designers-conversation-2
typemates.com/about/julia-uplegger

Portrait photo © d.nietze-fotografie / @d.nietze_fotografie

#meetourmates #Typemates #womenintype #womenindesign #typefaces

Trust the process! Gustine evolved through many character shapes during the development of the family: some made it in, others didn’t. Quite some ideas had to be refined, tested and channeled. And why all that? Those wilder explorations within the process created clarity and ultimately helped shape Gustine into a cohesive system.

Designer: @natalierauch
🔗 typemates.com/fonts/gustine-vaganza

#typemates #typestudio #typedesigner #typefoundry #variablefont

Trust the process! Gustine evolved through many character shapes during the development of the family: some made it in, others didn’t. Quite some ideas had to be refined, tested and channeled. And why all that? Those wilder explorations within the process created clarity and ultimately helped shape Gustine into a cohesive system.

Designer: @natalierauch
🔗 typemates.com/fonts/gustine-vaganza

#typemates #typestudio #typedesigner #typefoundry #variablefont

Trust the process! Gustine evolved through many character shapes during the development of the family: some made it in, others didn’t. Quite some ideas had to be refined, tested and channeled. And why all that? Those wilder explorations within the process created clarity and ultimately helped shape Gustine into a cohesive system.

Designer: @natalierauch
🔗 typemates.com/fonts/gustine-vaganza

#typemates #typestudio #typedesigner #typefoundry #variablefont

Trust the process! Gustine evolved through many character shapes during the development of the family: some made it in, others didn’t. Quite some ideas had to be refined, tested and channeled. And why all that? Those wilder explorations within the process created clarity and ultimately helped shape Gustine into a cohesive system.

Designer: @natalierauch
🔗 typemates.com/fonts/gustine-vaganza

#typemates #typestudio #typedesigner #typefoundry #variablefont

Trust the process! Gustine evolved through many character shapes during the development of the family: some made it in, others didn’t. Quite some ideas had to be refined, tested and channeled. And why all that? Those wilder explorations within the process created clarity and ultimately helped shape Gustine into a cohesive system.

Designer: @natalierauch
🔗 typemates.com/fonts/gustine-vaganza

#typemates #typestudio #typedesigner #typefoundry #variablefont

Trust the process! Gustine evolved through many character shapes during the development of the family: some made it in, others didn’t. Quite some ideas had to be refined, tested and channeled. And why all that? Those wilder explorations within the process created clarity and ultimately helped shape Gustine into a cohesive system.

Designer: @natalierauch
🔗 typemates.com/fonts/gustine-vaganza

#typemates #typestudio #typedesigner #typefoundry #variablefont

Trust the process! Gustine evolved through many character shapes during the development of the family: some made it in, others didn’t. Quite some ideas had to be refined, tested and channeled. And why all that? Those wilder explorations within the process created clarity and ultimately helped shape Gustine into a cohesive system.

Designer: @natalierauch
🔗 typemates.com/fonts/gustine-vaganza

#typemates #typestudio #typedesigner #typefoundry #variablefont

Trust the process! Gustine evolved through many character shapes during the development of the family: some made it in, others didn’t. Quite some ideas had to be refined, tested and channeled. And why all that? Those wilder explorations within the process created clarity and ultimately helped shape Gustine into a cohesive system.

Designer: @natalierauch
🔗 typemates.com/fonts/gustine-vaganza

#typemates #typestudio #typedesigner #typefoundry #variablefont

Trust the process! Gustine evolved through many character shapes during the development of the family: some made it in, others didn’t. Quite some ideas had to be refined, tested and channeled. And why all that? Those wilder explorations within the process created clarity and ultimately helped shape Gustine into a cohesive system.

Designer: @natalierauch
🔗 typemates.com/fonts/gustine-vaganza

#typemates #typestudio #typedesigner #typefoundry #variablefont

Trust the process! Gustine evolved through many character shapes during the development of the family: some made it in, others didn’t. Quite some ideas had to be refined, tested and channeled. And why all that? Those wilder explorations within the process created clarity and ultimately helped shape Gustine into a cohesive system.

Designer: @natalierauch
🔗 typemates.com/fonts/gustine-vaganza

#typemates #typestudio #typedesigner #typefoundry #variablefont

A collaboration across cultures. Here’re the Cyrillic duo behind Gregory Text:

🖤 Shoutout to Ukrainian designer Seryozha @typetention for redrawing and shaping the Cyrillic letters and italics of Gregory Text.

🖤Heads up to Sofia-based @kristaradoeva for reviving Cyrillic Bulgarian localisation and having a second eye on Seryozha’s work.

#typemates #кириллица #cyrillic #MeetOurMates

A collaboration across cultures. Here’re the Cyrillic duo behind Gregory Text:

🖤 Shoutout to Ukrainian designer Seryozha @typetention for redrawing and shaping the Cyrillic letters and italics of Gregory Text.

🖤Heads up to Sofia-based @kristaradoeva for reviving Cyrillic Bulgarian localisation and having a second eye on Seryozha’s work.

#typemates #кириллица #cyrillic #MeetOurMates

A collaboration across cultures. Here’re the Cyrillic duo behind Gregory Text:

🖤 Shoutout to Ukrainian designer Seryozha @typetention for redrawing and shaping the Cyrillic letters and italics of Gregory Text.

🖤Heads up to Sofia-based @kristaradoeva for reviving Cyrillic Bulgarian localisation and having a second eye on Seryozha’s work.

#typemates #кириллица #cyrillic #MeetOurMates

A collaboration across cultures. Here’re the Cyrillic duo behind Gregory Text:

🖤 Shoutout to Ukrainian designer Seryozha @typetention for redrawing and shaping the Cyrillic letters and italics of Gregory Text.

🖤Heads up to Sofia-based @kristaradoeva for reviving Cyrillic Bulgarian localisation and having a second eye on Seryozha’s work.

#typemates #кириллица #cyrillic #MeetOurMates

A collaboration across cultures. Here’re the Cyrillic duo behind Gregory Text:

🖤 Shoutout to Ukrainian designer Seryozha @typetention for redrawing and shaping the Cyrillic letters and italics of Gregory Text.

🖤Heads up to Sofia-based @kristaradoeva for reviving Cyrillic Bulgarian localisation and having a second eye on Seryozha’s work.

#typemates #кириллица #cyrillic #MeetOurMates

A collaboration across cultures. Here’re the Cyrillic duo behind Gregory Text:

🖤 Shoutout to Ukrainian designer Seryozha @typetention for redrawing and shaping the Cyrillic letters and italics of Gregory Text.

🖤Heads up to Sofia-based @kristaradoeva for reviving Cyrillic Bulgarian localisation and having a second eye on Seryozha’s work.

#typemates #кириллица #cyrillic #MeetOurMates

Pensum is a typeface for text, text and nothing but text. A pure monster, straight and plain, it will reliably set word after word, line after line and paragraph after paragraph.

Sometimes a spark of the sexy, curvy and sharply ink-trapped Italic will sneak into proceedings but the plain workhorse will keep on setting text. Deep inside, some sharp details are hidden and some brushy and smooth shapes lurk, waiting to reveal themselves in large sizes.

Designer: @nilsthomsen
🔗 typemates.com/de/fonts/pensum-pro

#typemates #typestudio #typedesigner #typefoundry #variablefont

Pensum is a typeface for text, text and nothing but text. A pure monster, straight and plain, it will reliably set word after word, line after line and paragraph after paragraph.

Sometimes a spark of the sexy, curvy and sharply ink-trapped Italic will sneak into proceedings but the plain workhorse will keep on setting text. Deep inside, some sharp details are hidden and some brushy and smooth shapes lurk, waiting to reveal themselves in large sizes.

Designer: @nilsthomsen
🔗 typemates.com/de/fonts/pensum-pro

#typemates #typestudio #typedesigner #typefoundry #variablefont

Pensum is a typeface for text, text and nothing but text. A pure monster, straight and plain, it will reliably set word after word, line after line and paragraph after paragraph.

Sometimes a spark of the sexy, curvy and sharply ink-trapped Italic will sneak into proceedings but the plain workhorse will keep on setting text. Deep inside, some sharp details are hidden and some brushy and smooth shapes lurk, waiting to reveal themselves in large sizes.

Designer: @nilsthomsen
🔗 typemates.com/de/fonts/pensum-pro

#typemates #typestudio #typedesigner #typefoundry #variablefont

Pensum is a typeface for text, text and nothing but text. A pure monster, straight and plain, it will reliably set word after word, line after line and paragraph after paragraph.

Sometimes a spark of the sexy, curvy and sharply ink-trapped Italic will sneak into proceedings but the plain workhorse will keep on setting text. Deep inside, some sharp details are hidden and some brushy and smooth shapes lurk, waiting to reveal themselves in large sizes.

Designer: @nilsthomsen
🔗 typemates.com/de/fonts/pensum-pro

#typemates #typestudio #typedesigner #typefoundry #variablefont

Pensum is a typeface for text, text and nothing but text. A pure monster, straight and plain, it will reliably set word after word, line after line and paragraph after paragraph.

Sometimes a spark of the sexy, curvy and sharply ink-trapped Italic will sneak into proceedings but the plain workhorse will keep on setting text. Deep inside, some sharp details are hidden and some brushy and smooth shapes lurk, waiting to reveal themselves in large sizes.

Designer: @nilsthomsen
🔗 typemates.com/de/fonts/pensum-pro

#typemates #typestudio #typedesigner #typefoundry #variablefont

Pensum is a typeface for text, text and nothing but text. A pure monster, straight and plain, it will reliably set word after word, line after line and paragraph after paragraph.

Sometimes a spark of the sexy, curvy and sharply ink-trapped Italic will sneak into proceedings but the plain workhorse will keep on setting text. Deep inside, some sharp details are hidden and some brushy and smooth shapes lurk, waiting to reveal themselves in large sizes.

Designer: @nilsthomsen
🔗 typemates.com/de/fonts/pensum-pro

#typemates #typestudio #typedesigner #typefoundry #variablefont

Pensum is a typeface for text, text and nothing but text. A pure monster, straight and plain, it will reliably set word after word, line after line and paragraph after paragraph.

Sometimes a spark of the sexy, curvy and sharply ink-trapped Italic will sneak into proceedings but the plain workhorse will keep on setting text. Deep inside, some sharp details are hidden and some brushy and smooth shapes lurk, waiting to reveal themselves in large sizes.

Designer: @nilsthomsen
🔗 typemates.com/de/fonts/pensum-pro

#typemates #typestudio #typedesigner #typefoundry #variablefont

Pensum is a typeface for text, text and nothing but text. A pure monster, straight and plain, it will reliably set word after word, line after line and paragraph after paragraph.

Sometimes a spark of the sexy, curvy and sharply ink-trapped Italic will sneak into proceedings but the plain workhorse will keep on setting text. Deep inside, some sharp details are hidden and some brushy and smooth shapes lurk, waiting to reveal themselves in large sizes.

Designer: @nilsthomsen
🔗 typemates.com/de/fonts/pensum-pro

#typemates #typestudio #typedesigner #typefoundry #variablefont

Pensum is a typeface for text, text and nothing but text. A pure monster, straight and plain, it will reliably set word after word, line after line and paragraph after paragraph.

Sometimes a spark of the sexy, curvy and sharply ink-trapped Italic will sneak into proceedings but the plain workhorse will keep on setting text. Deep inside, some sharp details are hidden and some brushy and smooth shapes lurk, waiting to reveal themselves in large sizes.

Designer: @nilsthomsen
🔗 typemates.com/de/fonts/pensum-pro

#typemates #typestudio #typedesigner #typefoundry #variablefont

Pensum is a typeface for text, text and nothing but text. A pure monster, straight and plain, it will reliably set word after word, line after line and paragraph after paragraph.

Sometimes a spark of the sexy, curvy and sharply ink-trapped Italic will sneak into proceedings but the plain workhorse will keep on setting text. Deep inside, some sharp details are hidden and some brushy and smooth shapes lurk, waiting to reveal themselves in large sizes.

Designer: @nilsthomsen
🔗 typemates.com/de/fonts/pensum-pro

#typemates #typestudio #typedesigner #typefoundry #variablefont

Pensum is a typeface for text, text and nothing but text. A pure monster, straight and plain, it will reliably set word after word, line after line and paragraph after paragraph.

Sometimes a spark of the sexy, curvy and sharply ink-trapped Italic will sneak into proceedings but the plain workhorse will keep on setting text. Deep inside, some sharp details are hidden and some brushy and smooth shapes lurk, waiting to reveal themselves in large sizes.

Designer: @nilsthomsen
🔗 typemates.com/de/fonts/pensum-pro

#typemates #typestudio #typedesigner #typefoundry #variablefont

Pensum is a typeface for text, text and nothing but text. A pure monster, straight and plain, it will reliably set word after word, line after line and paragraph after paragraph.

Sometimes a spark of the sexy, curvy and sharply ink-trapped Italic will sneak into proceedings but the plain workhorse will keep on setting text. Deep inside, some sharp details are hidden and some brushy and smooth shapes lurk, waiting to reveal themselves in large sizes.

Designer: @nilsthomsen
🔗 typemates.com/de/fonts/pensum-pro

#typemates #typestudio #typedesigner #typefoundry #variablefont

Pensum is a typeface for text, text and nothing but text. A pure monster, straight and plain, it will reliably set word after word, line after line and paragraph after paragraph.

Sometimes a spark of the sexy, curvy and sharply ink-trapped Italic will sneak into proceedings but the plain workhorse will keep on setting text. Deep inside, some sharp details are hidden and some brushy and smooth shapes lurk, waiting to reveal themselves in large sizes.

Designer: @nilsthomsen
🔗 typemates.com/de/fonts/pensum-pro

#typemates #typestudio #typedesigner #typefoundry #variablefont

Pensum is a typeface for text, text and nothing but text. A pure monster, straight and plain, it will reliably set word after word, line after line and paragraph after paragraph.

Sometimes a spark of the sexy, curvy and sharply ink-trapped Italic will sneak into proceedings but the plain workhorse will keep on setting text. Deep inside, some sharp details are hidden and some brushy and smooth shapes lurk, waiting to reveal themselves in large sizes.

Designer: @nilsthomsen
🔗 typemates.com/de/fonts/pensum-pro

#typemates #typestudio #typedesigner #typefoundry #variablefont

Pensum is a typeface for text, text and nothing but text. A pure monster, straight and plain, it will reliably set word after word, line after line and paragraph after paragraph.

Sometimes a spark of the sexy, curvy and sharply ink-trapped Italic will sneak into proceedings but the plain workhorse will keep on setting text. Deep inside, some sharp details are hidden and some brushy and smooth shapes lurk, waiting to reveal themselves in large sizes.

Designer: @nilsthomsen
🔗 typemates.com/de/fonts/pensum-pro

#typemates #typestudio #typedesigner #typefoundry #variablefont

Pensum is a typeface for text, text and nothing but text. A pure monster, straight and plain, it will reliably set word after word, line after line and paragraph after paragraph.

Sometimes a spark of the sexy, curvy and sharply ink-trapped Italic will sneak into proceedings but the plain workhorse will keep on setting text. Deep inside, some sharp details are hidden and some brushy and smooth shapes lurk, waiting to reveal themselves in large sizes.

Designer: @nilsthomsen
🔗 typemates.com/de/fonts/pensum-pro

#typemates #typestudio #typedesigner #typefoundry #variablefont

Get ready for nerdy details: a grid-lovers’ paradise, a no-frills typeface concept, and an in-depth look at icons. Daniel Utz’s Netto is a classic.

👉 Read the making-of:
typemates.com/news/netto-is-moving-forward

#typemates #typestudio #typedesigner #typefoundry #variablefont

Get ready for nerdy details: a grid-lovers’ paradise, a no-frills typeface concept, and an in-depth look at icons. Daniel Utz’s Netto is a classic.

👉 Read the making-of:
typemates.com/news/netto-is-moving-forward

#typemates #typestudio #typedesigner #typefoundry #variablefont

Get ready for nerdy details: a grid-lovers’ paradise, a no-frills typeface concept, and an in-depth look at icons. Daniel Utz’s Netto is a classic.

👉 Read the making-of:
typemates.com/news/netto-is-moving-forward

#typemates #typestudio #typedesigner #typefoundry #variablefont

Get ready for nerdy details: a grid-lovers’ paradise, a no-frills typeface concept, and an in-depth look at icons. Daniel Utz’s Netto is a classic.

👉 Read the making-of:
typemates.com/news/netto-is-moving-forward

#typemates #typestudio #typedesigner #typefoundry #variablefont

Get ready for nerdy details: a grid-lovers’ paradise, a no-frills typeface concept, and an in-depth look at icons. Daniel Utz’s Netto is a classic.

👉 Read the making-of:
typemates.com/news/netto-is-moving-forward

#typemates #typestudio #typedesigner #typefoundry #variablefont

Get ready for nerdy details: a grid-lovers’ paradise, a no-frills typeface concept, and an in-depth look at icons. Daniel Utz’s Netto is a classic.

👉 Read the making-of:
typemates.com/news/netto-is-moving-forward

#typemates #typestudio #typedesigner #typefoundry #variablefont

Get ready for nerdy details: a grid-lovers’ paradise, a no-frills typeface concept, and an in-depth look at icons. Daniel Utz’s Netto is a classic.

👉 Read the making-of:
typemates.com/news/netto-is-moving-forward

#typemates #typestudio #typedesigner #typefoundry #variablefont

Get ready for nerdy details: a grid-lovers’ paradise, a no-frills typeface concept, and an in-depth look at icons. Daniel Utz’s Netto is a classic.

👉 Read the making-of:
typemates.com/news/netto-is-moving-forward

#typemates #typestudio #typedesigner #typefoundry #variablefont

Get ready for nerdy details: a grid-lovers’ paradise, a no-frills typeface concept, and an in-depth look at icons. Daniel Utz’s Netto is a classic.

👉 Read the making-of:
typemates.com/news/netto-is-moving-forward

#typemates #typestudio #typedesigner #typefoundry #variablefont

Get ready for nerdy details: a grid-lovers’ paradise, a no-frills typeface concept, and an in-depth look at icons. Daniel Utz’s Netto is a classic.

👉 Read the making-of:
typemates.com/news/netto-is-moving-forward

#typemates #typestudio #typedesigner #typefoundry #variablefont

Get ready for nerdy details: a grid-lovers’ paradise, a no-frills typeface concept, and an in-depth look at icons. Daniel Utz’s Netto is a classic.

👉 Read the making-of:
typemates.com/news/netto-is-moving-forward

#typemates #typestudio #typedesigner #typefoundry #variablefont

Same in spirit, different in detail. The Gregory anthology brings together a series of distinct, but not disconnected typefaces. Sharing generous gestures and enthusiastic engagement:

☛ Gregory Text is made for body copy.
☛ Gregory Poster is created for headlines.
☛ Gregory Grotesk is built for any challenge.

It’s a match! 💑 Test the complete constellation of Gregory fonts together. Explore how they work in contrasting harmony. Use our free DEMO fonts.

#typemates #animatedtype #movingtype #kinetictype #kinetictypography

Same in spirit, different in detail. The Gregory anthology brings together a series of distinct, but not disconnected typefaces. Sharing generous gestures and enthusiastic engagement:

☛ Gregory Text is made for body copy.
☛ Gregory Poster is created for headlines.
☛ Gregory Grotesk is built for any challenge.

It’s a match! 💑 Test the complete constellation of Gregory fonts together. Explore how they work in contrasting harmony. Use our free DEMO fonts.

#typemates #animatedtype #movingtype #kinetictype #kinetictypography

Same in spirit, different in detail. The Gregory anthology brings together a series of distinct, but not disconnected typefaces. Sharing generous gestures and enthusiastic engagement:

☛ Gregory Text is made for body copy.
☛ Gregory Poster is created for headlines.
☛ Gregory Grotesk is built for any challenge.

It’s a match! 💑 Test the complete constellation of Gregory fonts together. Explore how they work in contrasting harmony. Use our free DEMO fonts.

#typemates #animatedtype #movingtype #kinetictype #kinetictypography

Same in spirit, different in detail. The Gregory anthology brings together a series of distinct, but not disconnected typefaces. Sharing generous gestures and enthusiastic engagement:

☛ Gregory Text is made for body copy.
☛ Gregory Poster is created for headlines.
☛ Gregory Grotesk is built for any challenge.

It’s a match! 💑 Test the complete constellation of Gregory fonts together. Explore how they work in contrasting harmony. Use our free DEMO fonts.

#typemates #animatedtype #movingtype #kinetictype #kinetictypography

Same in spirit, different in detail. The Gregory anthology brings together a series of distinct, but not disconnected typefaces. Sharing generous gestures and enthusiastic engagement:

☛ Gregory Text is made for body copy.
☛ Gregory Poster is created for headlines.
☛ Gregory Grotesk is built for any challenge.

It’s a match! 💑 Test the complete constellation of Gregory fonts together. Explore how they work in contrasting harmony. Use our free DEMO fonts.

#typemates #animatedtype #movingtype #kinetictype #kinetictypography

Same in spirit, different in detail. The Gregory anthology brings together a series of distinct, but not disconnected typefaces. Sharing generous gestures and enthusiastic engagement:

☛ Gregory Text is made for body copy.
☛ Gregory Poster is created for headlines.
☛ Gregory Grotesk is built for any challenge.

It’s a match! 💑 Test the complete constellation of Gregory fonts together. Explore how they work in contrasting harmony. Use our free DEMO fonts.

#typemates #animatedtype #movingtype #kinetictype #kinetictypography

Same in spirit, different in detail. The Gregory anthology brings together a series of distinct, but not disconnected typefaces. Sharing generous gestures and enthusiastic engagement:

☛ Gregory Text is made for body copy.
☛ Gregory Poster is created for headlines.
☛ Gregory Grotesk is built for any challenge.

It’s a match! 💑 Test the complete constellation of Gregory fonts together. Explore how they work in contrasting harmony. Use our free DEMO fonts.

#typemates #animatedtype #movingtype #kinetictype #kinetictypography

Welcome to the TypeMates team, Hans! 👋 He’s joining us as a trainee student to support the creation of fonts. He is studying Communication Design at HAW Hamburg and is passionate about grids, systems and the exciting tension between systematic construction and creative freedom.

👋 typemates.com/about/hans-zeitzschel

#MeetOurMates #typemates #typestudio #typedesigner #typefoundry

Welcome to the TypeMates team, Hans! 👋 He’s joining us as a trainee student to support the creation of fonts. He is studying Communication Design at HAW Hamburg and is passionate about grids, systems and the exciting tension between systematic construction and creative freedom.

👋 typemates.com/about/hans-zeitzschel

#MeetOurMates #typemates #typestudio #typedesigner #typefoundry

Welcome to the TypeMates team, Hans! 👋 He’s joining us as a trainee student to support the creation of fonts. He is studying Communication Design at HAW Hamburg and is passionate about grids, systems and the exciting tension between systematic construction and creative freedom.

👋 typemates.com/about/hans-zeitzschel

#MeetOurMates #typemates #typestudio #typedesigner #typefoundry

Welcome to the TypeMates team, Hans! 👋 He’s joining us as a trainee student to support the creation of fonts. He is studying Communication Design at HAW Hamburg and is passionate about grids, systems and the exciting tension between systematic construction and creative freedom.

👋 typemates.com/about/hans-zeitzschel

#MeetOurMates #typemates #typestudio #typedesigner #typefoundry

Welcome to the TypeMates team, Hans! 👋 He’s joining us as a trainee student to support the creation of fonts. He is studying Communication Design at HAW Hamburg and is passionate about grids, systems and the exciting tension between systematic construction and creative freedom.

👋 typemates.com/about/hans-zeitzschel

#MeetOurMates #typemates #typestudio #typedesigner #typefoundry

🔘 As powerful as any other member of the collection, Cera Round combines warmth with elegance and its support for Cyrillic and Greek makes it a reliable and engaging companion for international communication.

Drawing on a tradition of machine-milled lettering and combining it with the technical geometry of Cera, Cera Round features circular stroke endings and softly rounded corners to create cheerful feeling text. Amongst its smooth, yet precise letterforms, the circular o takes on a new, striking quality. While the regular has been carefully proofed for long editorial texts, Cera Round’s six weights, Thin to Black, plus six Italics, allow for a whole range of expression in display typography. Where the light weights have all the cleanliness and precision of technical drawings, its heavy weights are playful and soft: perfect for strong headlines and packaging projects.

Designer: Lisa Fischbach & Jakob Runge
🔗 typemates.com/fonts/cera-round

#typemates #typestudio #typedesigner #typefoundry #variablefont

🔘 As powerful as any other member of the collection, Cera Round combines warmth with elegance and its support for Cyrillic and Greek makes it a reliable and engaging companion for international communication.

Drawing on a tradition of machine-milled lettering and combining it with the technical geometry of Cera, Cera Round features circular stroke endings and softly rounded corners to create cheerful feeling text. Amongst its smooth, yet precise letterforms, the circular o takes on a new, striking quality. While the regular has been carefully proofed for long editorial texts, Cera Round’s six weights, Thin to Black, plus six Italics, allow for a whole range of expression in display typography. Where the light weights have all the cleanliness and precision of technical drawings, its heavy weights are playful and soft: perfect for strong headlines and packaging projects.

Designer: Lisa Fischbach & Jakob Runge
🔗 typemates.com/fonts/cera-round

#typemates #typestudio #typedesigner #typefoundry #variablefont

🔘 As powerful as any other member of the collection, Cera Round combines warmth with elegance and its support for Cyrillic and Greek makes it a reliable and engaging companion for international communication.

Drawing on a tradition of machine-milled lettering and combining it with the technical geometry of Cera, Cera Round features circular stroke endings and softly rounded corners to create cheerful feeling text. Amongst its smooth, yet precise letterforms, the circular o takes on a new, striking quality. While the regular has been carefully proofed for long editorial texts, Cera Round’s six weights, Thin to Black, plus six Italics, allow for a whole range of expression in display typography. Where the light weights have all the cleanliness and precision of technical drawings, its heavy weights are playful and soft: perfect for strong headlines and packaging projects.

Designer: Lisa Fischbach & Jakob Runge
🔗 typemates.com/fonts/cera-round

#typemates #typestudio #typedesigner #typefoundry #variablefont

🔘 As powerful as any other member of the collection, Cera Round combines warmth with elegance and its support for Cyrillic and Greek makes it a reliable and engaging companion for international communication.

Drawing on a tradition of machine-milled lettering and combining it with the technical geometry of Cera, Cera Round features circular stroke endings and softly rounded corners to create cheerful feeling text. Amongst its smooth, yet precise letterforms, the circular o takes on a new, striking quality. While the regular has been carefully proofed for long editorial texts, Cera Round’s six weights, Thin to Black, plus six Italics, allow for a whole range of expression in display typography. Where the light weights have all the cleanliness and precision of technical drawings, its heavy weights are playful and soft: perfect for strong headlines and packaging projects.

Designer: Lisa Fischbach & Jakob Runge
🔗 typemates.com/fonts/cera-round

#typemates #typestudio #typedesigner #typefoundry #variablefont

🔘 As powerful as any other member of the collection, Cera Round combines warmth with elegance and its support for Cyrillic and Greek makes it a reliable and engaging companion for international communication.

Drawing on a tradition of machine-milled lettering and combining it with the technical geometry of Cera, Cera Round features circular stroke endings and softly rounded corners to create cheerful feeling text. Amongst its smooth, yet precise letterforms, the circular o takes on a new, striking quality. While the regular has been carefully proofed for long editorial texts, Cera Round’s six weights, Thin to Black, plus six Italics, allow for a whole range of expression in display typography. Where the light weights have all the cleanliness and precision of technical drawings, its heavy weights are playful and soft: perfect for strong headlines and packaging projects.

Designer: Lisa Fischbach & Jakob Runge
🔗 typemates.com/fonts/cera-round

#typemates #typestudio #typedesigner #typefoundry #variablefont

🔘 As powerful as any other member of the collection, Cera Round combines warmth with elegance and its support for Cyrillic and Greek makes it a reliable and engaging companion for international communication.

Drawing on a tradition of machine-milled lettering and combining it with the technical geometry of Cera, Cera Round features circular stroke endings and softly rounded corners to create cheerful feeling text. Amongst its smooth, yet precise letterforms, the circular o takes on a new, striking quality. While the regular has been carefully proofed for long editorial texts, Cera Round’s six weights, Thin to Black, plus six Italics, allow for a whole range of expression in display typography. Where the light weights have all the cleanliness and precision of technical drawings, its heavy weights are playful and soft: perfect for strong headlines and packaging projects.

Designer: Lisa Fischbach & Jakob Runge
🔗 typemates.com/fonts/cera-round

#typemates #typestudio #typedesigner #typefoundry #variablefont

🔘 As powerful as any other member of the collection, Cera Round combines warmth with elegance and its support for Cyrillic and Greek makes it a reliable and engaging companion for international communication.

Drawing on a tradition of machine-milled lettering and combining it with the technical geometry of Cera, Cera Round features circular stroke endings and softly rounded corners to create cheerful feeling text. Amongst its smooth, yet precise letterforms, the circular o takes on a new, striking quality. While the regular has been carefully proofed for long editorial texts, Cera Round’s six weights, Thin to Black, plus six Italics, allow for a whole range of expression in display typography. Where the light weights have all the cleanliness and precision of technical drawings, its heavy weights are playful and soft: perfect for strong headlines and packaging projects.

Designer: Lisa Fischbach & Jakob Runge
🔗 typemates.com/fonts/cera-round

#typemates #typestudio #typedesigner #typefoundry #variablefont

🔘 As powerful as any other member of the collection, Cera Round combines warmth with elegance and its support for Cyrillic and Greek makes it a reliable and engaging companion for international communication.

Drawing on a tradition of machine-milled lettering and combining it with the technical geometry of Cera, Cera Round features circular stroke endings and softly rounded corners to create cheerful feeling text. Amongst its smooth, yet precise letterforms, the circular o takes on a new, striking quality. While the regular has been carefully proofed for long editorial texts, Cera Round’s six weights, Thin to Black, plus six Italics, allow for a whole range of expression in display typography. Where the light weights have all the cleanliness and precision of technical drawings, its heavy weights are playful and soft: perfect for strong headlines and packaging projects.

Designer: Lisa Fischbach & Jakob Runge
🔗 typemates.com/fonts/cera-round

#typemates #typestudio #typedesigner #typefoundry #variablefont

🔘 As powerful as any other member of the collection, Cera Round combines warmth with elegance and its support for Cyrillic and Greek makes it a reliable and engaging companion for international communication.

Drawing on a tradition of machine-milled lettering and combining it with the technical geometry of Cera, Cera Round features circular stroke endings and softly rounded corners to create cheerful feeling text. Amongst its smooth, yet precise letterforms, the circular o takes on a new, striking quality. While the regular has been carefully proofed for long editorial texts, Cera Round’s six weights, Thin to Black, plus six Italics, allow for a whole range of expression in display typography. Where the light weights have all the cleanliness and precision of technical drawings, its heavy weights are playful and soft: perfect for strong headlines and packaging projects.

Designer: Lisa Fischbach & Jakob Runge
🔗 typemates.com/fonts/cera-round

#typemates #typestudio #typedesigner #typefoundry #variablefont

🔘 As powerful as any other member of the collection, Cera Round combines warmth with elegance and its support for Cyrillic and Greek makes it a reliable and engaging companion for international communication.

Drawing on a tradition of machine-milled lettering and combining it with the technical geometry of Cera, Cera Round features circular stroke endings and softly rounded corners to create cheerful feeling text. Amongst its smooth, yet precise letterforms, the circular o takes on a new, striking quality. While the regular has been carefully proofed for long editorial texts, Cera Round’s six weights, Thin to Black, plus six Italics, allow for a whole range of expression in display typography. Where the light weights have all the cleanliness and precision of technical drawings, its heavy weights are playful and soft: perfect for strong headlines and packaging projects.

Designer: Lisa Fischbach & Jakob Runge
🔗 typemates.com/fonts/cera-round

#typemates #typestudio #typedesigner #typefoundry #variablefont

🔘 As powerful as any other member of the collection, Cera Round combines warmth with elegance and its support for Cyrillic and Greek makes it a reliable and engaging companion for international communication.

Drawing on a tradition of machine-milled lettering and combining it with the technical geometry of Cera, Cera Round features circular stroke endings and softly rounded corners to create cheerful feeling text. Amongst its smooth, yet precise letterforms, the circular o takes on a new, striking quality. While the regular has been carefully proofed for long editorial texts, Cera Round’s six weights, Thin to Black, plus six Italics, allow for a whole range of expression in display typography. Where the light weights have all the cleanliness and precision of technical drawings, its heavy weights are playful and soft: perfect for strong headlines and packaging projects.

Designer: Lisa Fischbach & Jakob Runge
🔗 typemates.com/fonts/cera-round

#typemates #typestudio #typedesigner #typefoundry #variablefont

🔘 As powerful as any other member of the collection, Cera Round combines warmth with elegance and its support for Cyrillic and Greek makes it a reliable and engaging companion for international communication.

Drawing on a tradition of machine-milled lettering and combining it with the technical geometry of Cera, Cera Round features circular stroke endings and softly rounded corners to create cheerful feeling text. Amongst its smooth, yet precise letterforms, the circular o takes on a new, striking quality. While the regular has been carefully proofed for long editorial texts, Cera Round’s six weights, Thin to Black, plus six Italics, allow for a whole range of expression in display typography. Where the light weights have all the cleanliness and precision of technical drawings, its heavy weights are playful and soft: perfect for strong headlines and packaging projects.

Designer: Lisa Fischbach & Jakob Runge
🔗 typemates.com/fonts/cera-round

#typemates #typestudio #typedesigner #typefoundry #variablefont

🔘 As powerful as any other member of the collection, Cera Round combines warmth with elegance and its support for Cyrillic and Greek makes it a reliable and engaging companion for international communication.

Drawing on a tradition of machine-milled lettering and combining it with the technical geometry of Cera, Cera Round features circular stroke endings and softly rounded corners to create cheerful feeling text. Amongst its smooth, yet precise letterforms, the circular o takes on a new, striking quality. While the regular has been carefully proofed for long editorial texts, Cera Round’s six weights, Thin to Black, plus six Italics, allow for a whole range of expression in display typography. Where the light weights have all the cleanliness and precision of technical drawings, its heavy weights are playful and soft: perfect for strong headlines and packaging projects.

Designer: Lisa Fischbach & Jakob Runge
🔗 typemates.com/fonts/cera-round

#typemates #typestudio #typedesigner #typefoundry #variablefont

🔘 As powerful as any other member of the collection, Cera Round combines warmth with elegance and its support for Cyrillic and Greek makes it a reliable and engaging companion for international communication.

Drawing on a tradition of machine-milled lettering and combining it with the technical geometry of Cera, Cera Round features circular stroke endings and softly rounded corners to create cheerful feeling text. Amongst its smooth, yet precise letterforms, the circular o takes on a new, striking quality. While the regular has been carefully proofed for long editorial texts, Cera Round’s six weights, Thin to Black, plus six Italics, allow for a whole range of expression in display typography. Where the light weights have all the cleanliness and precision of technical drawings, its heavy weights are playful and soft: perfect for strong headlines and packaging projects.

Designer: Lisa Fischbach & Jakob Runge
🔗 typemates.com/fonts/cera-round

#typemates #typestudio #typedesigner #typefoundry #variablefont

🔘 As powerful as any other member of the collection, Cera Round combines warmth with elegance and its support for Cyrillic and Greek makes it a reliable and engaging companion for international communication.

Drawing on a tradition of machine-milled lettering and combining it with the technical geometry of Cera, Cera Round features circular stroke endings and softly rounded corners to create cheerful feeling text. Amongst its smooth, yet precise letterforms, the circular o takes on a new, striking quality. While the regular has been carefully proofed for long editorial texts, Cera Round’s six weights, Thin to Black, plus six Italics, allow for a whole range of expression in display typography. Where the light weights have all the cleanliness and precision of technical drawings, its heavy weights are playful and soft: perfect for strong headlines and packaging projects.

Designer: Lisa Fischbach & Jakob Runge
🔗 typemates.com/fonts/cera-round

#typemates #typestudio #typedesigner #typefoundry #variablefont

🔘 As powerful as any other member of the collection, Cera Round combines warmth with elegance and its support for Cyrillic and Greek makes it a reliable and engaging companion for international communication.

Drawing on a tradition of machine-milled lettering and combining it with the technical geometry of Cera, Cera Round features circular stroke endings and softly rounded corners to create cheerful feeling text. Amongst its smooth, yet precise letterforms, the circular o takes on a new, striking quality. While the regular has been carefully proofed for long editorial texts, Cera Round’s six weights, Thin to Black, plus six Italics, allow for a whole range of expression in display typography. Where the light weights have all the cleanliness and precision of technical drawings, its heavy weights are playful and soft: perfect for strong headlines and packaging projects.

Designer: Lisa Fischbach & Jakob Runge
🔗 typemates.com/fonts/cera-round

#typemates #typestudio #typedesigner #typefoundry #variablefont

🔘 As powerful as any other member of the collection, Cera Round combines warmth with elegance and its support for Cyrillic and Greek makes it a reliable and engaging companion for international communication.

Drawing on a tradition of machine-milled lettering and combining it with the technical geometry of Cera, Cera Round features circular stroke endings and softly rounded corners to create cheerful feeling text. Amongst its smooth, yet precise letterforms, the circular o takes on a new, striking quality. While the regular has been carefully proofed for long editorial texts, Cera Round’s six weights, Thin to Black, plus six Italics, allow for a whole range of expression in display typography. Where the light weights have all the cleanliness and precision of technical drawings, its heavy weights are playful and soft: perfect for strong headlines and packaging projects.

Designer: Lisa Fischbach & Jakob Runge
🔗 typemates.com/fonts/cera-round

#typemates #typestudio #typedesigner #typefoundry #variablefont