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Ashley Park | Freelance Motion Designer
📍in London 🇰🇷 ༀ
🍵1/2 of @ayucha.london
📀Certified gong player @gongstories
📩hello@ashleyback.com
My wintertime with a lovely bunch + some exciting things coming very soon ✨✨✨
My wintertime with a lovely bunch + some exciting things coming very soon ✨✨✨
My wintertime with a lovely bunch + some exciting things coming very soon ✨✨✨
My wintertime with a lovely bunch + some exciting things coming very soon ✨✨✨
My wintertime with a lovely bunch + some exciting things coming very soon ✨✨✨
My wintertime with a lovely bunch + some exciting things coming very soon ✨✨✨
My wintertime with a lovely bunch + some exciting things coming very soon ✨✨✨
My wintertime with a lovely bunch + some exciting things coming very soon ✨✨✨
My wintertime with a lovely bunch + some exciting things coming very soon ✨✨✨
My wintertime with a lovely bunch + some exciting things coming very soon ✨✨✨
Rare selfie and late autumn days in London 🇬🇧 Sorry Mum — got another…tattoo…
Rare selfie and late autumn days in London 🇬🇧 Sorry Mum — got another…tattoo…
Rare selfie and late autumn days in London 🇬🇧 Sorry Mum — got another…tattoo…
Rare selfie and late autumn days in London 🇬🇧 Sorry Mum — got another…tattoo…
Rare selfie and late autumn days in London 🇬🇧 Sorry Mum — got another…tattoo…
Rare selfie and late autumn days in London 🇬🇧 Sorry Mum — got another…tattoo…
Rare selfie and late autumn days in London 🇬🇧 Sorry Mum — got another…tattoo…
Rare selfie and late autumn days in London 🇬🇧 Sorry Mum — got another…tattoo…
Rare selfie and late autumn days in London 🇬🇧 Sorry Mum — got another…tattoo…
Rare selfie and late autumn days in London 🇬🇧 Sorry Mum — got another…tattoo…
Rare selfie and late autumn days in London 🇬🇧 Sorry Mum — got another…tattoo…
Rare selfie and late autumn days in London 🇬🇧 Sorry Mum — got another…tattoo…
Rare selfie and late autumn days in London 🇬🇧 Sorry Mum — got another…tattoo…
Rare selfie and late autumn days in London 🇬🇧 Sorry Mum — got another…tattoo…
Rare selfie and late autumn days in London 🇬🇧 Sorry Mum — got another…tattoo…
Rare selfie and late autumn days in London 🇬🇧 Sorry Mum — got another…tattoo…
Rare selfie and late autumn days in London 🇬🇧 Sorry Mum — got another…tattoo…
Rare selfie and late autumn days in London 🇬🇧 Sorry Mum — got another…tattoo…
Rare selfie and late autumn days in London 🇬🇧 Sorry Mum — got another…tattoo…
Rare selfie and late autumn days in London 🇬🇧 Sorry Mum — got another…tattoo…
@lostfrequencies - I had the pleasure working with @boxcat.studio. This set you’re seeing was played at Tomorrowland Festival ✨✨ Huge shoutout to @olivervangent - true legend. I took on 2 concepts and animated them over 2 weeks. Make sure the sound is on! 📣📢
Produced at Boxcat Studio
Directed by Ollie Van Gent
@lostfrequencies - I had the pleasure working with @boxcat.studio. This set you’re seeing was played at Tomorrowland Festival ✨✨ Huge shoutout to @olivervangent - true legend. I took on 2 concepts and animated them over 2 weeks. Make sure the sound is on! 📣📢
Produced at Boxcat Studio
Directed by Ollie Van Gent
PinkPantheress Glastonbury set - I worked on 9 songs, and here are a few of them. I had so much fun working on this ♥️ Thank you so much for the trust! Directed by the fantastic director Tom Taylor and produced at Tanck✨ Have the sound on 📢
Very excited to share this playful and fun motion piece I recently worked on with Spitfire Audio, directed by @joshuacostar ✨
It features the Château Piano - the iconic instrument heard on albums by Elton John, David Bowie, Fleetwood Mac, and many more.
Check it out on their website!
Very excited to share this playful and fun motion piece I recently worked on with Spitfire Audio, directed by @joshuacostar ✨
It features the Château Piano - the iconic instrument heard on albums by Elton John, David Bowie, Fleetwood Mac, and many more.
Check it out on their website!
Very excited to share this playful and fun motion piece I recently worked on with Spitfire Audio, directed by @joshuacostar ✨
It features the Château Piano - the iconic instrument heard on albums by Elton John, David Bowie, Fleetwood Mac, and many more.
Check it out on their website!
Very excited to share this playful and fun motion piece I recently worked on with Spitfire Audio, directed by @joshuacostar ✨
It features the Château Piano - the iconic instrument heard on albums by Elton John, David Bowie, Fleetwood Mac, and many more.
Check it out on their website!
Super excited to finally share this! Huge thanks to NOT Wieden+Kennedy for getting me involved. I was part of the initial stage of the project, where my role was to develop the motion direction and lay the groundwork for the Eurovision team to version out later. Some of my work made it to the final cut, some didn’t — but I’m proud of everything I contributed.
Special thanks to Paris for helping me out in the later stage of the project. NOT W+K design team has been incredibly supportive throughout 💕
Design direction: @jonathan.isaacson
Design team: @zhangzhe_ , @quinaud
Motion team: @ai.irl
Super excited to finally share this! Huge thanks to NOT Wieden+Kennedy for getting me involved. I was part of the initial stage of the project, where my role was to develop the motion direction and lay the groundwork for the Eurovision team to version out later. Some of my work made it to the final cut, some didn’t — but I’m proud of everything I contributed.
Special thanks to Paris for helping me out in the later stage of the project. NOT W+K design team has been incredibly supportive throughout 💕
Design direction: @jonathan.isaacson
Design team: @zhangzhe_ , @quinaud
Motion team: @ai.irl
Super excited to finally share this! Huge thanks to NOT Wieden+Kennedy for getting me involved. I was part of the initial stage of the project, where my role was to develop the motion direction and lay the groundwork for the Eurovision team to version out later. Some of my work made it to the final cut, some didn’t — but I’m proud of everything I contributed.
Special thanks to Paris for helping me out in the later stage of the project. NOT W+K design team has been incredibly supportive throughout 💕
Design direction: @jonathan.isaacson
Design team: @zhangzhe_ , @quinaud
Motion team: @ai.irl
Super excited to finally share this! Huge thanks to NOT Wieden+Kennedy for getting me involved. I was part of the initial stage of the project, where my role was to develop the motion direction and lay the groundwork for the Eurovision team to version out later. Some of my work made it to the final cut, some didn’t — but I’m proud of everything I contributed.
Special thanks to Paris for helping me out in the later stage of the project. NOT W+K design team has been incredibly supportive throughout 💕
Design direction: @jonathan.isaacson
Design team: @zhangzhe_ , @quinaud
Motion team: @ai.irl
Super excited to finally share this! Huge thanks to NOT Wieden+Kennedy for getting me involved. I was part of the initial stage of the project, where my role was to develop the motion direction and lay the groundwork for the Eurovision team to version out later. Some of my work made it to the final cut, some didn’t — but I’m proud of everything I contributed.
Special thanks to Paris for helping me out in the later stage of the project. NOT W+K design team has been incredibly supportive throughout 💕
Design direction: @jonathan.isaacson
Design team: @zhangzhe_ , @quinaud
Motion team: @ai.irl
Super excited to finally share this! Huge thanks to NOT Wieden+Kennedy for getting me involved. I was part of the initial stage of the project, where my role was to develop the motion direction and lay the groundwork for the Eurovision team to version out later. Some of my work made it to the final cut, some didn’t — but I’m proud of everything I contributed.
Special thanks to Paris for helping me out in the later stage of the project. NOT W+K design team has been incredibly supportive throughout 💕
Design direction: @jonathan.isaacson
Design team: @zhangzhe_ , @quinaud
Motion team: @ai.irl
Super excited to finally share this! Huge thanks to NOT Wieden+Kennedy for getting me involved. I was part of the initial stage of the project, where my role was to develop the motion direction and lay the groundwork for the Eurovision team to version out later. Some of my work made it to the final cut, some didn’t — but I’m proud of everything I contributed.
Special thanks to Paris for helping me out in the later stage of the project. NOT W+K design team has been incredibly supportive throughout 💕
Design direction: @jonathan.isaacson
Design team: @zhangzhe_ , @quinaud
Motion team: @ai.irl
Super excited to finally share this! Huge thanks to NOT Wieden+Kennedy for getting me involved. I was part of the initial stage of the project, where my role was to develop the motion direction and lay the groundwork for the Eurovision team to version out later. Some of my work made it to the final cut, some didn’t — but I’m proud of everything I contributed.
Special thanks to Paris for helping me out in the later stage of the project. NOT W+K design team has been incredibly supportive throughout 💕
Design direction: @jonathan.isaacson
Design team: @zhangzhe_ , @quinaud
Motion team: @ai.irl
Super excited to finally share this! Huge thanks to NOT Wieden+Kennedy for getting me involved. I was part of the initial stage of the project, where my role was to develop the motion direction and lay the groundwork for the Eurovision team to version out later. Some of my work made it to the final cut, some didn’t — but I’m proud of everything I contributed.
Special thanks to Paris for helping me out in the later stage of the project. NOT W+K design team has been incredibly supportive throughout 💕
Design direction: @jonathan.isaacson
Design team: @zhangzhe_ , @quinaud
Motion team: @ai.irl
Typography animation for Sixteen Agency. Thank you so much Jack for trusting me to explore different animation styles. It was a quick and fun brief! I worked on both design and animation.
Typography animation for Sixteen Agency. Thank you so much Jack for trusting me to explore different animation styles. It was a quick and fun brief! I worked on both design and animation.
Typography animation for Sixteen Agency. Thank you so much Jack for trusting me to explore different animation styles. It was a quick and fun brief! I worked on both design and animation.
Live visual performance for Miranda Lambert at the People‘s Choice Country Awards with Luke Halls Studio.
I worked as a 2D motion designer, focusing on 2D animation and compositing 3D elements.
Video Direction: Charli Davis
3d Design: Javier Verdugo
Producer: Jenny Rush
My Instagram has been inactive for ages, so I’ve decided to start posting again. A few months ago, I left Studio Moross, where I worked for seven years. Here’s a fantastic project I collaborated on with them a month after leaving. It was such a fun project for DJ Darude, where I focused on motion design and editing.
Creative Direction: @ariesmoross
Project Management: @ashleigh.mcpartland
Design: @johnnybobo_
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