Salvar História do Instagram

do u wanna bring it back?

@me4u_v2_fr

written & produced by @cmo.ceo
mixed by @l___n__k____
guitar & bass by @yujnyc
mastered by @jlaportamasters

Find your bliss with @vuoriclothing featuring @livvydunne 🌅🤸🏼‍♀️

director @viviankimx
dp @s.mastorelli
1st ac @arjunbajaja
2nd ac @qbaongo
gaffer @lucius_a_fontenot

edit @cmo.ceo
online @mason_coburn
sound @daniele_devirgilio @parallelpeople.collective
color @kaitlynbattistelli @ethos_studio
shot on @kodak_shootfilm

Find your bliss with @vuoriclothing featuring @livvydunne 🌅🤸🏼‍♀️

director @viviankimx
dp @s.mastorelli
1st ac @arjunbajaja
2nd ac @qbaongo
gaffer @lucius_a_fontenot

edit @cmo.ceo
online @mason_coburn
sound @daniele_devirgilio @parallelpeople.collective
color @kaitlynbattistelli @ethos_studio
shot on @kodak_shootfilm

Find your bliss with @vuoriclothing featuring @livvydunne 🌅🤸🏼‍♀️

director @viviankimx
dp @s.mastorelli
1st ac @arjunbajaja
2nd ac @qbaongo
gaffer @lucius_a_fontenot

edit @cmo.ceo
online @mason_coburn
sound @daniele_devirgilio @parallelpeople.collective
color @kaitlynbattistelli @ethos_studio
shot on @kodak_shootfilm

Find your bliss with @vuoriclothing featuring @livvydunne 🌅🤸🏼‍♀️

director @viviankimx
dp @s.mastorelli
1st ac @arjunbajaja
2nd ac @qbaongo
gaffer @lucius_a_fontenot

edit @cmo.ceo
online @mason_coburn
sound @daniele_devirgilio @parallelpeople.collective
color @kaitlynbattistelli @ethos_studio
shot on @kodak_shootfilm

Find your bliss with @vuoriclothing featuring @livvydunne 🌅🤸🏼‍♀️

director @viviankimx
dp @s.mastorelli
1st ac @arjunbajaja
2nd ac @qbaongo
gaffer @lucius_a_fontenot

edit @cmo.ceo
online @mason_coburn
sound @daniele_devirgilio @parallelpeople.collective
color @kaitlynbattistelli @ethos_studio
shot on @kodak_shootfilm

Find your bliss with @vuoriclothing featuring @livvydunne 🌅🤸🏼‍♀️

director @viviankimx
dp @s.mastorelli
1st ac @arjunbajaja
2nd ac @qbaongo
gaffer @lucius_a_fontenot

edit @cmo.ceo
online @mason_coburn
sound @daniele_devirgilio @parallelpeople.collective
color @kaitlynbattistelli @ethos_studio
shot on @kodak_shootfilm

Find your bliss with @vuoriclothing featuring @livvydunne 🌅🤸🏼‍♀️

director @viviankimx
dp @s.mastorelli
1st ac @arjunbajaja
2nd ac @qbaongo
gaffer @lucius_a_fontenot

edit @cmo.ceo
online @mason_coburn
sound @daniele_devirgilio @parallelpeople.collective
color @kaitlynbattistelli @ethos_studio
shot on @kodak_shootfilm

this is me… now***

—

—

—

*

***havent shown my face on this app in a bit so here u go. couple things.
lil website refresh 3.0 is live.
new music otw (regrettably lol) a more formal announcement on that in the coming months

this is me… now***

—

—

—

*

***havent shown my face on this app in a bit so here u go. couple things.
lil website refresh 3.0 is live.
new music otw (regrettably lol) a more formal announcement on that in the coming months

this is me… now***

—

—

—

*

***havent shown my face on this app in a bit so here u go. couple things.
lil website refresh 3.0 is live.
new music otw (regrettably lol) a more formal announcement on that in the coming months

this is me… now***

—

—

—

*

***havent shown my face on this app in a bit so here u go. couple things.
lil website refresh 3.0 is live.
new music otw (regrettably lol) a more formal announcement on that in the coming months

this is me… now***

—

—

—

*

***havent shown my face on this app in a bit so here u go. couple things.
lil website refresh 3.0 is live.
new music otw (regrettably lol) a more formal announcement on that in the coming months

this is me… now***

—

—

—

*

***havent shown my face on this app in a bit so here u go. couple things.
lil website refresh 3.0 is live.
new music otw (regrettably lol) a more formal announcement on that in the coming months

Feature: PHOTO/GENICS MAG - The Job Interview (2023) dir. Shana Purnama

Shot on Kodak 4-perf 35mm film, which remains one of the most widely used in the film industry for its higher resolution. (Vs. 3-perf or 2-perf).

We loved the juxtaposition of frenetic flash cuts and heightened sound design against longer takes with little to no movement and a more ambient diegetic SFX.

1. Full film
2. Full shot > Strobe cuts + Glitch cuts
3. Strobe cuts + Glitch cuts > Wide shot > Strobe cuts
4. Strobe cuts > macro > subtle dolly in from wide
5. Locked wide w/ subtle dolly in > Flash cuts
6. Locked full shot > Rack focus reveal
7. Medium close up

DIR @shanapurnama
CD/PROD @mdjcreative 
DP @gabrielconnelly
EP @altovisuals / @andresobeirne 
EDITOR@cmo.ceo  @ancillarypost 
SOUND/MIX: Christian Oreste
COLOR @josephbicknell @company_3
CLIENT @photogenicsla
PRODUCER @kiansaleh
ASST: Steph Lebron / @adinapurnama
1ST AC @gfrancobello
2ND AC @Aluiiien
GAFFER @elansherman
PD @gracemusserr
STYLIST @blaircannon_ 
ASST Emily Nolan
MUA @wakana1107
ASST Chika Goto
HAIR STYLIST @chika.hairstylist
PA @adinapurnama / Steph Lebron
FILM @kodak_shootfilm 
FILM LAB @fotokem_la

Feature: PHOTO/GENICS MAG - The Job Interview (2023) dir. Shana Purnama

Shot on Kodak 4-perf 35mm film, which remains one of the most widely used in the film industry for its higher resolution. (Vs. 3-perf or 2-perf).

We loved the juxtaposition of frenetic flash cuts and heightened sound design against longer takes with little to no movement and a more ambient diegetic SFX.

1. Full film
2. Full shot > Strobe cuts + Glitch cuts
3. Strobe cuts + Glitch cuts > Wide shot > Strobe cuts
4. Strobe cuts > macro > subtle dolly in from wide
5. Locked wide w/ subtle dolly in > Flash cuts
6. Locked full shot > Rack focus reveal
7. Medium close up

DIR @shanapurnama
CD/PROD @mdjcreative 
DP @gabrielconnelly
EP @altovisuals / @andresobeirne 
EDITOR@cmo.ceo  @ancillarypost 
SOUND/MIX: Christian Oreste
COLOR @josephbicknell @company_3
CLIENT @photogenicsla
PRODUCER @kiansaleh
ASST: Steph Lebron / @adinapurnama
1ST AC @gfrancobello
2ND AC @Aluiiien
GAFFER @elansherman
PD @gracemusserr
STYLIST @blaircannon_ 
ASST Emily Nolan
MUA @wakana1107
ASST Chika Goto
HAIR STYLIST @chika.hairstylist
PA @adinapurnama / Steph Lebron
FILM @kodak_shootfilm 
FILM LAB @fotokem_la

Feature: PHOTO/GENICS MAG - The Job Interview (2023) dir. Shana Purnama

Shot on Kodak 4-perf 35mm film, which remains one of the most widely used in the film industry for its higher resolution. (Vs. 3-perf or 2-perf).

We loved the juxtaposition of frenetic flash cuts and heightened sound design against longer takes with little to no movement and a more ambient diegetic SFX.

1. Full film
2. Full shot > Strobe cuts + Glitch cuts
3. Strobe cuts + Glitch cuts > Wide shot > Strobe cuts
4. Strobe cuts > macro > subtle dolly in from wide
5. Locked wide w/ subtle dolly in > Flash cuts
6. Locked full shot > Rack focus reveal
7. Medium close up

DIR @shanapurnama
CD/PROD @mdjcreative 
DP @gabrielconnelly
EP @altovisuals / @andresobeirne 
EDITOR@cmo.ceo  @ancillarypost 
SOUND/MIX: Christian Oreste
COLOR @josephbicknell @company_3
CLIENT @photogenicsla
PRODUCER @kiansaleh
ASST: Steph Lebron / @adinapurnama
1ST AC @gfrancobello
2ND AC @Aluiiien
GAFFER @elansherman
PD @gracemusserr
STYLIST @blaircannon_ 
ASST Emily Nolan
MUA @wakana1107
ASST Chika Goto
HAIR STYLIST @chika.hairstylist
PA @adinapurnama / Steph Lebron
FILM @kodak_shootfilm 
FILM LAB @fotokem_la

Feature: PHOTO/GENICS MAG - The Job Interview (2023) dir. Shana Purnama

Shot on Kodak 4-perf 35mm film, which remains one of the most widely used in the film industry for its higher resolution. (Vs. 3-perf or 2-perf).

We loved the juxtaposition of frenetic flash cuts and heightened sound design against longer takes with little to no movement and a more ambient diegetic SFX.

1. Full film
2. Full shot > Strobe cuts + Glitch cuts
3. Strobe cuts + Glitch cuts > Wide shot > Strobe cuts
4. Strobe cuts > macro > subtle dolly in from wide
5. Locked wide w/ subtle dolly in > Flash cuts
6. Locked full shot > Rack focus reveal
7. Medium close up

DIR @shanapurnama
CD/PROD @mdjcreative 
DP @gabrielconnelly
EP @altovisuals / @andresobeirne 
EDITOR@cmo.ceo  @ancillarypost 
SOUND/MIX: Christian Oreste
COLOR @josephbicknell @company_3
CLIENT @photogenicsla
PRODUCER @kiansaleh
ASST: Steph Lebron / @adinapurnama
1ST AC @gfrancobello
2ND AC @Aluiiien
GAFFER @elansherman
PD @gracemusserr
STYLIST @blaircannon_ 
ASST Emily Nolan
MUA @wakana1107
ASST Chika Goto
HAIR STYLIST @chika.hairstylist
PA @adinapurnama / Steph Lebron
FILM @kodak_shootfilm 
FILM LAB @fotokem_la

Feature: PHOTO/GENICS MAG - The Job Interview (2023) dir. Shana Purnama

Shot on Kodak 4-perf 35mm film, which remains one of the most widely used in the film industry for its higher resolution. (Vs. 3-perf or 2-perf).

We loved the juxtaposition of frenetic flash cuts and heightened sound design against longer takes with little to no movement and a more ambient diegetic SFX.

1. Full film
2. Full shot > Strobe cuts + Glitch cuts
3. Strobe cuts + Glitch cuts > Wide shot > Strobe cuts
4. Strobe cuts > macro > subtle dolly in from wide
5. Locked wide w/ subtle dolly in > Flash cuts
6. Locked full shot > Rack focus reveal
7. Medium close up

DIR @shanapurnama
CD/PROD @mdjcreative 
DP @gabrielconnelly
EP @altovisuals / @andresobeirne 
EDITOR@cmo.ceo  @ancillarypost 
SOUND/MIX: Christian Oreste
COLOR @josephbicknell @company_3
CLIENT @photogenicsla
PRODUCER @kiansaleh
ASST: Steph Lebron / @adinapurnama
1ST AC @gfrancobello
2ND AC @Aluiiien
GAFFER @elansherman
PD @gracemusserr
STYLIST @blaircannon_ 
ASST Emily Nolan
MUA @wakana1107
ASST Chika Goto
HAIR STYLIST @chika.hairstylist
PA @adinapurnama / Steph Lebron
FILM @kodak_shootfilm 
FILM LAB @fotokem_la

Feature: PHOTO/GENICS MAG - The Job Interview (2023) dir. Shana Purnama

Shot on Kodak 4-perf 35mm film, which remains one of the most widely used in the film industry for its higher resolution. (Vs. 3-perf or 2-perf).

We loved the juxtaposition of frenetic flash cuts and heightened sound design against longer takes with little to no movement and a more ambient diegetic SFX.

1. Full film
2. Full shot > Strobe cuts + Glitch cuts
3. Strobe cuts + Glitch cuts > Wide shot > Strobe cuts
4. Strobe cuts > macro > subtle dolly in from wide
5. Locked wide w/ subtle dolly in > Flash cuts
6. Locked full shot > Rack focus reveal
7. Medium close up

DIR @shanapurnama
CD/PROD @mdjcreative 
DP @gabrielconnelly
EP @altovisuals / @andresobeirne 
EDITOR@cmo.ceo  @ancillarypost 
SOUND/MIX: Christian Oreste
COLOR @josephbicknell @company_3
CLIENT @photogenicsla
PRODUCER @kiansaleh
ASST: Steph Lebron / @adinapurnama
1ST AC @gfrancobello
2ND AC @Aluiiien
GAFFER @elansherman
PD @gracemusserr
STYLIST @blaircannon_ 
ASST Emily Nolan
MUA @wakana1107
ASST Chika Goto
HAIR STYLIST @chika.hairstylist
PA @adinapurnama / Steph Lebron
FILM @kodak_shootfilm 
FILM LAB @fotokem_la

Feature: PHOTO/GENICS MAG - The Job Interview (2023) dir. Shana Purnama

Shot on Kodak 4-perf 35mm film, which remains one of the most widely used in the film industry for its higher resolution. (Vs. 3-perf or 2-perf).

We loved the juxtaposition of frenetic flash cuts and heightened sound design against longer takes with little to no movement and a more ambient diegetic SFX.

1. Full film
2. Full shot > Strobe cuts + Glitch cuts
3. Strobe cuts + Glitch cuts > Wide shot > Strobe cuts
4. Strobe cuts > macro > subtle dolly in from wide
5. Locked wide w/ subtle dolly in > Flash cuts
6. Locked full shot > Rack focus reveal
7. Medium close up

DIR @shanapurnama
CD/PROD @mdjcreative 
DP @gabrielconnelly
EP @altovisuals / @andresobeirne 
EDITOR@cmo.ceo  @ancillarypost 
SOUND/MIX: Christian Oreste
COLOR @josephbicknell @company_3
CLIENT @photogenicsla
PRODUCER @kiansaleh
ASST: Steph Lebron / @adinapurnama
1ST AC @gfrancobello
2ND AC @Aluiiien
GAFFER @elansherman
PD @gracemusserr
STYLIST @blaircannon_ 
ASST Emily Nolan
MUA @wakana1107
ASST Chika Goto
HAIR STYLIST @chika.hairstylist
PA @adinapurnama / Steph Lebron
FILM @kodak_shootfilm 
FILM LAB @fotokem_la

Feature: PHOTO/GENICS MAG - The Job Interview (2023) dir. Shana Purnama

Shot on Kodak 4-perf 35mm film, which remains one of the most widely used in the film industry for its higher resolution. (Vs. 3-perf or 2-perf).

We loved the juxtaposition of frenetic flash cuts and heightened sound design against longer takes with little to no movement and a more ambient diegetic SFX.

1. Full film
2. Full shot > Strobe cuts + Glitch cuts
3. Strobe cuts + Glitch cuts > Wide shot > Strobe cuts
4. Strobe cuts > macro > subtle dolly in from wide
5. Locked wide w/ subtle dolly in > Flash cuts
6. Locked full shot > Rack focus reveal
7. Medium close up

DIR @shanapurnama
CD/PROD @mdjcreative 
DP @gabrielconnelly
EP @altovisuals / @andresobeirne 
EDITOR@cmo.ceo  @ancillarypost 
SOUND/MIX: Christian Oreste
COLOR @josephbicknell @company_3
CLIENT @photogenicsla
PRODUCER @kiansaleh
ASST: Steph Lebron / @adinapurnama
1ST AC @gfrancobello
2ND AC @Aluiiien
GAFFER @elansherman
PD @gracemusserr
STYLIST @blaircannon_ 
ASST Emily Nolan
MUA @wakana1107
ASST Chika Goto
HAIR STYLIST @chika.hairstylist
PA @adinapurnama / Steph Lebron
FILM @kodak_shootfilm 
FILM LAB @fotokem_la

Feature: PHOTO/GENICS MAG - The Job Interview (2023) dir. Shana Purnama

Shot on Kodak 4-perf 35mm film, which remains one of the most widely used in the film industry for its higher resolution. (Vs. 3-perf or 2-perf).

We loved the juxtaposition of frenetic flash cuts and heightened sound design against longer takes with little to no movement and a more ambient diegetic SFX.

1. Full film
2. Full shot > Strobe cuts + Glitch cuts
3. Strobe cuts + Glitch cuts > Wide shot > Strobe cuts
4. Strobe cuts > macro > subtle dolly in from wide
5. Locked wide w/ subtle dolly in > Flash cuts
6. Locked full shot > Rack focus reveal
7. Medium close up

DIR @shanapurnama
CD/PROD @mdjcreative 
DP @gabrielconnelly
EP @altovisuals / @andresobeirne 
EDITOR@cmo.ceo  @ancillarypost 
SOUND/MIX: Christian Oreste
COLOR @josephbicknell @company_3
CLIENT @photogenicsla
PRODUCER @kiansaleh
ASST: Steph Lebron / @adinapurnama
1ST AC @gfrancobello
2ND AC @Aluiiien
GAFFER @elansherman
PD @gracemusserr
STYLIST @blaircannon_ 
ASST Emily Nolan
MUA @wakana1107
ASST Chika Goto
HAIR STYLIST @chika.hairstylist
PA @adinapurnama / Steph Lebron
FILM @kodak_shootfilm 
FILM LAB @fotokem_la

Feature: PHOTO/GENICS MAG - The Job Interview (2023) dir. Shana Purnama

Shot on Kodak 4-perf 35mm film, which remains one of the most widely used in the film industry for its higher resolution. (Vs. 3-perf or 2-perf).

We loved the juxtaposition of frenetic flash cuts and heightened sound design against longer takes with little to no movement and a more ambient diegetic SFX.

1. Full film
2. Full shot > Strobe cuts + Glitch cuts
3. Strobe cuts + Glitch cuts > Wide shot > Strobe cuts
4. Strobe cuts > macro > subtle dolly in from wide
5. Locked wide w/ subtle dolly in > Flash cuts
6. Locked full shot > Rack focus reveal
7. Medium close up

DIR @shanapurnama
CD/PROD @mdjcreative 
DP @gabrielconnelly
EP @altovisuals / @andresobeirne 
EDITOR@cmo.ceo  @ancillarypost 
SOUND/MIX: Christian Oreste
COLOR @josephbicknell @company_3
CLIENT @photogenicsla
PRODUCER @kiansaleh
ASST: Steph Lebron / @adinapurnama
1ST AC @gfrancobello
2ND AC @Aluiiien
GAFFER @elansherman
PD @gracemusserr
STYLIST @blaircannon_ 
ASST Emily Nolan
MUA @wakana1107
ASST Chika Goto
HAIR STYLIST @chika.hairstylist
PA @adinapurnama / Steph Lebron
FILM @kodak_shootfilm 
FILM LAB @fotokem_la

@daftpunk "Memory Tapes", EP 2-6. @pharrell. @toddedwards3000. @iamdjfalcon. @pandabearofficial. @chilly_gonzales.

Directed by @warrenjfu

Produced by PARTIZAN ENTERTAINMENT
Executive Producers SARA NIX @saranix & PEGAH FARAHMAND @ohpegs
Producers LOU BARDOU-JACQUET & AUGUSTE BAS
Interviewer KIM TAYLOR BENNETT

In Association With DAFT LIFE, LTD.
Creative Director CÉDRIC HERVET
Production Coordinator LANA GREENAWAY
Artist Management Daft Punk BECAUSE MUSIC (EMMANUEL DE BURETEL, JULIEN DEBORGHER, ALEXIS METAOUI, YASMINE EL HAMMOUTI, GRACE LEE)
Artist Management Chilly Gonzales GENTLE THREAT (MELINDA CODY, CAROLINE GUILLAUME)
Archive footage shot by CÉDRIC HERVET FOR DAFT LIFE, LTD.

Cinematography by MAXIME BERGER

Partizan Entertainment Founder GEORGES BERMANN
Managing Partner JULIE FONG
Head of Production ANI MIKIRDICHIAN
Assistant to Warren Fu ELISSA NECHAMKIN
Post Coordinator Partizan BOGUI ADJORLOLO

Post House: @ancillarypost
Post EP: @danielboventer
Editor: @cmo.ceo
Assistant Editor: @mason_coburn
Color: @connorjbailey
Sound Mix: @348chris

@daftpunk "Memory Tapes", EP 2-6. @pharrell. @toddedwards3000. @iamdjfalcon. @pandabearofficial. @chilly_gonzales.

Directed by @warrenjfu

Produced by PARTIZAN ENTERTAINMENT
Executive Producers SARA NIX @saranix & PEGAH FARAHMAND @ohpegs
Producers LOU BARDOU-JACQUET & AUGUSTE BAS
Interviewer KIM TAYLOR BENNETT

In Association With DAFT LIFE, LTD.
Creative Director CÉDRIC HERVET
Production Coordinator LANA GREENAWAY
Artist Management Daft Punk BECAUSE MUSIC (EMMANUEL DE BURETEL, JULIEN DEBORGHER, ALEXIS METAOUI, YASMINE EL HAMMOUTI, GRACE LEE)
Artist Management Chilly Gonzales GENTLE THREAT (MELINDA CODY, CAROLINE GUILLAUME)
Archive footage shot by CÉDRIC HERVET FOR DAFT LIFE, LTD.

Cinematography by MAXIME BERGER

Partizan Entertainment Founder GEORGES BERMANN
Managing Partner JULIE FONG
Head of Production ANI MIKIRDICHIAN
Assistant to Warren Fu ELISSA NECHAMKIN
Post Coordinator Partizan BOGUI ADJORLOLO

Post House: @ancillarypost
Post EP: @danielboventer
Editor: @cmo.ceo
Assistant Editor: @mason_coburn
Color: @connorjbailey
Sound Mix: @348chris

@daftpunk "Memory Tapes", EP 2-6. @pharrell. @toddedwards3000. @iamdjfalcon. @pandabearofficial. @chilly_gonzales.

Directed by @warrenjfu

Produced by PARTIZAN ENTERTAINMENT
Executive Producers SARA NIX @saranix & PEGAH FARAHMAND @ohpegs
Producers LOU BARDOU-JACQUET & AUGUSTE BAS
Interviewer KIM TAYLOR BENNETT

In Association With DAFT LIFE, LTD.
Creative Director CÉDRIC HERVET
Production Coordinator LANA GREENAWAY
Artist Management Daft Punk BECAUSE MUSIC (EMMANUEL DE BURETEL, JULIEN DEBORGHER, ALEXIS METAOUI, YASMINE EL HAMMOUTI, GRACE LEE)
Artist Management Chilly Gonzales GENTLE THREAT (MELINDA CODY, CAROLINE GUILLAUME)
Archive footage shot by CÉDRIC HERVET FOR DAFT LIFE, LTD.

Cinematography by MAXIME BERGER

Partizan Entertainment Founder GEORGES BERMANN
Managing Partner JULIE FONG
Head of Production ANI MIKIRDICHIAN
Assistant to Warren Fu ELISSA NECHAMKIN
Post Coordinator Partizan BOGUI ADJORLOLO

Post House: @ancillarypost
Post EP: @danielboventer
Editor: @cmo.ceo
Assistant Editor: @mason_coburn
Color: @connorjbailey
Sound Mix: @348chris

@daftpunk "Memory Tapes", EP 2-6. @pharrell. @toddedwards3000. @iamdjfalcon. @pandabearofficial. @chilly_gonzales.

Directed by @warrenjfu

Produced by PARTIZAN ENTERTAINMENT
Executive Producers SARA NIX @saranix & PEGAH FARAHMAND @ohpegs
Producers LOU BARDOU-JACQUET & AUGUSTE BAS
Interviewer KIM TAYLOR BENNETT

In Association With DAFT LIFE, LTD.
Creative Director CÉDRIC HERVET
Production Coordinator LANA GREENAWAY
Artist Management Daft Punk BECAUSE MUSIC (EMMANUEL DE BURETEL, JULIEN DEBORGHER, ALEXIS METAOUI, YASMINE EL HAMMOUTI, GRACE LEE)
Artist Management Chilly Gonzales GENTLE THREAT (MELINDA CODY, CAROLINE GUILLAUME)
Archive footage shot by CÉDRIC HERVET FOR DAFT LIFE, LTD.

Cinematography by MAXIME BERGER

Partizan Entertainment Founder GEORGES BERMANN
Managing Partner JULIE FONG
Head of Production ANI MIKIRDICHIAN
Assistant to Warren Fu ELISSA NECHAMKIN
Post Coordinator Partizan BOGUI ADJORLOLO

Post House: @ancillarypost
Post EP: @danielboventer
Editor: @cmo.ceo
Assistant Editor: @mason_coburn
Color: @connorjbailey
Sound Mix: @348chris

@daftpunk "Memory Tapes", EP 2-6. @pharrell. @toddedwards3000. @iamdjfalcon. @pandabearofficial. @chilly_gonzales.

Directed by @warrenjfu

Produced by PARTIZAN ENTERTAINMENT
Executive Producers SARA NIX @saranix & PEGAH FARAHMAND @ohpegs
Producers LOU BARDOU-JACQUET & AUGUSTE BAS
Interviewer KIM TAYLOR BENNETT

In Association With DAFT LIFE, LTD.
Creative Director CÉDRIC HERVET
Production Coordinator LANA GREENAWAY
Artist Management Daft Punk BECAUSE MUSIC (EMMANUEL DE BURETEL, JULIEN DEBORGHER, ALEXIS METAOUI, YASMINE EL HAMMOUTI, GRACE LEE)
Artist Management Chilly Gonzales GENTLE THREAT (MELINDA CODY, CAROLINE GUILLAUME)
Archive footage shot by CÉDRIC HERVET FOR DAFT LIFE, LTD.

Cinematography by MAXIME BERGER

Partizan Entertainment Founder GEORGES BERMANN
Managing Partner JULIE FONG
Head of Production ANI MIKIRDICHIAN
Assistant to Warren Fu ELISSA NECHAMKIN
Post Coordinator Partizan BOGUI ADJORLOLO

Post House: @ancillarypost
Post EP: @danielboventer
Editor: @cmo.ceo
Assistant Editor: @mason_coburn
Color: @connorjbailey
Sound Mix: @348chris

@daftpunk "Memory Tapes", EP 2-6. @pharrell. @toddedwards3000. @iamdjfalcon. @pandabearofficial. @chilly_gonzales.

Directed by @warrenjfu

Produced by PARTIZAN ENTERTAINMENT
Executive Producers SARA NIX @saranix & PEGAH FARAHMAND @ohpegs
Producers LOU BARDOU-JACQUET & AUGUSTE BAS
Interviewer KIM TAYLOR BENNETT

In Association With DAFT LIFE, LTD.
Creative Director CÉDRIC HERVET
Production Coordinator LANA GREENAWAY
Artist Management Daft Punk BECAUSE MUSIC (EMMANUEL DE BURETEL, JULIEN DEBORGHER, ALEXIS METAOUI, YASMINE EL HAMMOUTI, GRACE LEE)
Artist Management Chilly Gonzales GENTLE THREAT (MELINDA CODY, CAROLINE GUILLAUME)
Archive footage shot by CÉDRIC HERVET FOR DAFT LIFE, LTD.

Cinematography by MAXIME BERGER

Partizan Entertainment Founder GEORGES BERMANN
Managing Partner JULIE FONG
Head of Production ANI MIKIRDICHIAN
Assistant to Warren Fu ELISSA NECHAMKIN
Post Coordinator Partizan BOGUI ADJORLOLO

Post House: @ancillarypost
Post EP: @danielboventer
Editor: @cmo.ceo
Assistant Editor: @mason_coburn
Color: @connorjbailey
Sound Mix: @348chris

@daftpunk "Memory Tapes", EP 2-6. @pharrell. @toddedwards3000. @iamdjfalcon. @pandabearofficial. @chilly_gonzales.

Directed by @warrenjfu

Produced by PARTIZAN ENTERTAINMENT
Executive Producers SARA NIX @saranix & PEGAH FARAHMAND @ohpegs
Producers LOU BARDOU-JACQUET & AUGUSTE BAS
Interviewer KIM TAYLOR BENNETT

In Association With DAFT LIFE, LTD.
Creative Director CÉDRIC HERVET
Production Coordinator LANA GREENAWAY
Artist Management Daft Punk BECAUSE MUSIC (EMMANUEL DE BURETEL, JULIEN DEBORGHER, ALEXIS METAOUI, YASMINE EL HAMMOUTI, GRACE LEE)
Artist Management Chilly Gonzales GENTLE THREAT (MELINDA CODY, CAROLINE GUILLAUME)
Archive footage shot by CÉDRIC HERVET FOR DAFT LIFE, LTD.

Cinematography by MAXIME BERGER

Partizan Entertainment Founder GEORGES BERMANN
Managing Partner JULIE FONG
Head of Production ANI MIKIRDICHIAN
Assistant to Warren Fu ELISSA NECHAMKIN
Post Coordinator Partizan BOGUI ADJORLOLO

Post House: @ancillarypost
Post EP: @danielboventer
Editor: @cmo.ceo
Assistant Editor: @mason_coburn
Color: @connorjbailey
Sound Mix: @348chris

@daftpunk "Memory Tapes", EP 2-6. @pharrell. @toddedwards3000. @iamdjfalcon. @pandabearofficial. @chilly_gonzales.

Directed by @warrenjfu

Produced by PARTIZAN ENTERTAINMENT
Executive Producers SARA NIX @saranix & PEGAH FARAHMAND @ohpegs
Producers LOU BARDOU-JACQUET & AUGUSTE BAS
Interviewer KIM TAYLOR BENNETT

In Association With DAFT LIFE, LTD.
Creative Director CÉDRIC HERVET
Production Coordinator LANA GREENAWAY
Artist Management Daft Punk BECAUSE MUSIC (EMMANUEL DE BURETEL, JULIEN DEBORGHER, ALEXIS METAOUI, YASMINE EL HAMMOUTI, GRACE LEE)
Artist Management Chilly Gonzales GENTLE THREAT (MELINDA CODY, CAROLINE GUILLAUME)
Archive footage shot by CÉDRIC HERVET FOR DAFT LIFE, LTD.

Cinematography by MAXIME BERGER

Partizan Entertainment Founder GEORGES BERMANN
Managing Partner JULIE FONG
Head of Production ANI MIKIRDICHIAN
Assistant to Warren Fu ELISSA NECHAMKIN
Post Coordinator Partizan BOGUI ADJORLOLO

Post House: @ancillarypost
Post EP: @danielboventer
Editor: @cmo.ceo
Assistant Editor: @mason_coburn
Color: @connorjbailey
Sound Mix: @348chris

@daftpunk "Memory Tapes", EP 2-6. @pharrell. @toddedwards3000. @iamdjfalcon. @pandabearofficial. @chilly_gonzales.

Directed by @warrenjfu

Produced by PARTIZAN ENTERTAINMENT
Executive Producers SARA NIX @saranix & PEGAH FARAHMAND @ohpegs
Producers LOU BARDOU-JACQUET & AUGUSTE BAS
Interviewer KIM TAYLOR BENNETT

In Association With DAFT LIFE, LTD.
Creative Director CÉDRIC HERVET
Production Coordinator LANA GREENAWAY
Artist Management Daft Punk BECAUSE MUSIC (EMMANUEL DE BURETEL, JULIEN DEBORGHER, ALEXIS METAOUI, YASMINE EL HAMMOUTI, GRACE LEE)
Artist Management Chilly Gonzales GENTLE THREAT (MELINDA CODY, CAROLINE GUILLAUME)
Archive footage shot by CÉDRIC HERVET FOR DAFT LIFE, LTD.

Cinematography by MAXIME BERGER

Partizan Entertainment Founder GEORGES BERMANN
Managing Partner JULIE FONG
Head of Production ANI MIKIRDICHIAN
Assistant to Warren Fu ELISSA NECHAMKIN
Post Coordinator Partizan BOGUI ADJORLOLO

Post House: @ancillarypost
Post EP: @danielboventer
Editor: @cmo.ceo
Assistant Editor: @mason_coburn
Color: @connorjbailey
Sound Mix: @348chris

@daftpunk "Memory Tapes", EP 2-6. @pharrell. @toddedwards3000. @iamdjfalcon. @pandabearofficial. @chilly_gonzales.

Directed by @warrenjfu

Produced by PARTIZAN ENTERTAINMENT
Executive Producers SARA NIX @saranix & PEGAH FARAHMAND @ohpegs
Producers LOU BARDOU-JACQUET & AUGUSTE BAS
Interviewer KIM TAYLOR BENNETT

In Association With DAFT LIFE, LTD.
Creative Director CÉDRIC HERVET
Production Coordinator LANA GREENAWAY
Artist Management Daft Punk BECAUSE MUSIC (EMMANUEL DE BURETEL, JULIEN DEBORGHER, ALEXIS METAOUI, YASMINE EL HAMMOUTI, GRACE LEE)
Artist Management Chilly Gonzales GENTLE THREAT (MELINDA CODY, CAROLINE GUILLAUME)
Archive footage shot by CÉDRIC HERVET FOR DAFT LIFE, LTD.

Cinematography by MAXIME BERGER

Partizan Entertainment Founder GEORGES BERMANN
Managing Partner JULIE FONG
Head of Production ANI MIKIRDICHIAN
Assistant to Warren Fu ELISSA NECHAMKIN
Post Coordinator Partizan BOGUI ADJORLOLO

Post House: @ancillarypost
Post EP: @danielboventer
Editor: @cmo.ceo
Assistant Editor: @mason_coburn
Color: @connorjbailey
Sound Mix: @348chris

mantis hands - i'm so - mv
directed by @_eileeny_ 🫰🫰🫰

Artist: @mantis.hands
Director: @_eileeny_
Starring: @jnnykim, Taejeon Moon
Production Company: @ozuwasright
EP: @caro.juna
Producer: @_eileeny_
DP: @haansolrim
PA: @hunjiya
Editor: @cmo.ceo
Post House: @ancillarypost
Post EP: @danielboventer
Colorist: @ayumiashleycolor
Graphics: @4gm_studio
Special Thanks: @hwang_you_sik

mantis hands - i'm so - mv
directed by @_eileeny_ 🫰🫰🫰

Artist: @mantis.hands
Director: @_eileeny_
Starring: @jnnykim, Taejeon Moon
Production Company: @ozuwasright
EP: @caro.juna
Producer: @_eileeny_
DP: @haansolrim
PA: @hunjiya
Editor: @cmo.ceo
Post House: @ancillarypost
Post EP: @danielboventer
Colorist: @ayumiashleycolor
Graphics: @4gm_studio
Special Thanks: @hwang_you_sik

mantis hands - i'm so - mv
directed by @_eileeny_ 🫰🫰🫰

Artist: @mantis.hands
Director: @_eileeny_
Starring: @jnnykim, Taejeon Moon
Production Company: @ozuwasright
EP: @caro.juna
Producer: @_eileeny_
DP: @haansolrim
PA: @hunjiya
Editor: @cmo.ceo
Post House: @ancillarypost
Post EP: @danielboventer
Colorist: @ayumiashleycolor
Graphics: @4gm_studio
Special Thanks: @hwang_you_sik

mantis hands - i'm so - mv
directed by @_eileeny_ 🫰🫰🫰

Artist: @mantis.hands
Director: @_eileeny_
Starring: @jnnykim, Taejeon Moon
Production Company: @ozuwasright
EP: @caro.juna
Producer: @_eileeny_
DP: @haansolrim
PA: @hunjiya
Editor: @cmo.ceo
Post House: @ancillarypost
Post EP: @danielboventer
Colorist: @ayumiashleycolor
Graphics: @4gm_studio
Special Thanks: @hwang_you_sik

mantis hands - i'm so - mv
directed by @_eileeny_ 🫰🫰🫰

Artist: @mantis.hands
Director: @_eileeny_
Starring: @jnnykim, Taejeon Moon
Production Company: @ozuwasright
EP: @caro.juna
Producer: @_eileeny_
DP: @haansolrim
PA: @hunjiya
Editor: @cmo.ceo
Post House: @ancillarypost
Post EP: @danielboventer
Colorist: @ayumiashleycolor
Graphics: @4gm_studio
Special Thanks: @hwang_you_sik

mantis hands - i'm so - mv
directed by @_eileeny_ 🫰🫰🫰

Artist: @mantis.hands
Director: @_eileeny_
Starring: @jnnykim, Taejeon Moon
Production Company: @ozuwasright
EP: @caro.juna
Producer: @_eileeny_
DP: @haansolrim
PA: @hunjiya
Editor: @cmo.ceo
Post House: @ancillarypost
Post EP: @danielboventer
Colorist: @ayumiashleycolor
Graphics: @4gm_studio
Special Thanks: @hwang_you_sik

mantis hands - i'm so - mv
directed by @_eileeny_ 🫰🫰🫰

Artist: @mantis.hands
Director: @_eileeny_
Starring: @jnnykim, Taejeon Moon
Production Company: @ozuwasright
EP: @caro.juna
Producer: @_eileeny_
DP: @haansolrim
PA: @hunjiya
Editor: @cmo.ceo
Post House: @ancillarypost
Post EP: @danielboventer
Colorist: @ayumiashleycolor
Graphics: @4gm_studio
Special Thanks: @hwang_you_sik

mantis hands - i'm so - mv
directed by @_eileeny_ 🫰🫰🫰

Artist: @mantis.hands
Director: @_eileeny_
Starring: @jnnykim, Taejeon Moon
Production Company: @ozuwasright
EP: @caro.juna
Producer: @_eileeny_
DP: @haansolrim
PA: @hunjiya
Editor: @cmo.ceo
Post House: @ancillarypost
Post EP: @danielboventer
Colorist: @ayumiashleycolor
Graphics: @4gm_studio
Special Thanks: @hwang_you_sik

mantis hands - i'm so - mv
directed by @_eileeny_ 🫰🫰🫰

Artist: @mantis.hands
Director: @_eileeny_
Starring: @jnnykim, Taejeon Moon
Production Company: @ozuwasright
EP: @caro.juna
Producer: @_eileeny_
DP: @haansolrim
PA: @hunjiya
Editor: @cmo.ceo
Post House: @ancillarypost
Post EP: @danielboventer
Colorist: @ayumiashleycolor
Graphics: @4gm_studio
Special Thanks: @hwang_you_sik

ifudo freestyle :40

ifudo freestyle :40

ifudo freestyle :40

@soundcloud 'scenes - la r&b' dc
directed by @cont4ct

thanks to cam for letting me really go crazy with this 🎥🎥🎥

ft. @indiashawn @destinconrad @dmile85 @kennygotsoul @jackdine @lovealexisley @fanahues

@soundcloud 'scenes - la r&b' dc
directed by @cont4ct

thanks to cam for letting me really go crazy with this 🎥🎥🎥

ft. @indiashawn @destinconrad @dmile85 @kennygotsoul @jackdine @lovealexisley @fanahues

@soundcloud 'scenes - la r&b' dc
directed by @cont4ct

thanks to cam for letting me really go crazy with this 🎥🎥🎥

ft. @indiashawn @destinconrad @dmile85 @kennygotsoul @jackdine @lovealexisley @fanahues

@soundcloud 'scenes - la r&b' dc
directed by @cont4ct

thanks to cam for letting me really go crazy with this 🎥🎥🎥

ft. @indiashawn @destinconrad @dmile85 @kennygotsoul @jackdine @lovealexisley @fanahues

@soundcloud 'scenes - la r&b' dc
directed by @cont4ct

thanks to cam for letting me really go crazy with this 🎥🎥🎥

ft. @indiashawn @destinconrad @dmile85 @kennygotsoul @jackdine @lovealexisley @fanahues

@soundcloud 'scenes - la r&b' dc
directed by @cont4ct

thanks to cam for letting me really go crazy with this 🎥🎥🎥

ft. @indiashawn @destinconrad @dmile85 @kennygotsoul @jackdine @lovealexisley @fanahues

@soundcloud 'scenes - la r&b' dc
directed by @cont4ct

thanks to cam for letting me really go crazy with this 🎥🎥🎥

ft. @indiashawn @destinconrad @dmile85 @kennygotsoul @jackdine @lovealexisley @fanahues

@soundcloud 'scenes - la r&b' dc
directed by @cont4ct

thanks to cam for letting me really go crazy with this 🎥🎥🎥

ft. @indiashawn @destinconrad @dmile85 @kennygotsoul @jackdine @lovealexisley @fanahues

@soundcloud 'scenes - la r&b' dc
directed by @cont4ct

thanks to cam for letting me really go crazy with this 🎥🎥🎥

ft. @indiashawn @destinconrad @dmile85 @kennygotsoul @jackdine @lovealexisley @fanahues

@ekkstacy for @soundcloud - directed by @lowerca.se

thanks to @liamareardon + @hannanymous for letting me get extra weird on this one

cc: @ancillarypost @underhill.film @danielboventer
@mason_coburn @daniele_devirgilio @connorjbailey

@ekkstacy for @soundcloud - directed by @lowerca.se

thanks to @liamareardon + @hannanymous for letting me get extra weird on this one

cc: @ancillarypost @underhill.film @danielboventer
@mason_coburn @daniele_devirgilio @connorjbailey

@ekkstacy for @soundcloud - directed by @lowerca.se

thanks to @liamareardon + @hannanymous for letting me get extra weird on this one

cc: @ancillarypost @underhill.film @danielboventer
@mason_coburn @daniele_devirgilio @connorjbailey

@ekkstacy for @soundcloud - directed by @lowerca.se

thanks to @liamareardon + @hannanymous for letting me get extra weird on this one

cc: @ancillarypost @underhill.film @danielboventer
@mason_coburn @daniele_devirgilio @connorjbailey

@ekkstacy for @soundcloud - directed by @lowerca.se

thanks to @liamareardon + @hannanymous for letting me get extra weird on this one

cc: @ancillarypost @underhill.film @danielboventer
@mason_coburn @daniele_devirgilio @connorjbailey

@ekkstacy for @soundcloud - directed by @lowerca.se

thanks to @liamareardon + @hannanymous for letting me get extra weird on this one

cc: @ancillarypost @underhill.film @danielboventer
@mason_coburn @daniele_devirgilio @connorjbailey

@ekkstacy for @soundcloud - directed by @lowerca.se

thanks to @liamareardon + @hannanymous for letting me get extra weird on this one

cc: @ancillarypost @underhill.film @danielboventer
@mason_coburn @daniele_devirgilio @connorjbailey

@ekkstacy for @soundcloud - directed by @lowerca.se

thanks to @liamareardon + @hannanymous for letting me get extra weird on this one

cc: @ancillarypost @underhill.film @danielboventer
@mason_coburn @daniele_devirgilio @connorjbailey

@ekkstacy for @soundcloud - directed by @lowerca.se

thanks to @liamareardon + @hannanymous for letting me get extra weird on this one

cc: @ancillarypost @underhill.film @danielboventer
@mason_coburn @daniele_devirgilio @connorjbailey

@ekkstacy for @soundcloud - directed by @lowerca.se

thanks to @liamareardon + @hannanymous for letting me get extra weird on this one

cc: @ancillarypost @underhill.film @danielboventer
@mason_coburn @daniele_devirgilio @connorjbailey

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locked in: a slow descent into the madness of the humanmind in isolation

locked in: a slow descent into the madness of the humanmind in isolation

locked in: a slow descent into the madness of the humanmind in isolation

locked in: a slow descent into the madness of the humanmind in isolation

locked in: a slow descent into the madness of the humanmind in isolation

locked in: a slow descent into the madness of the humanmind in isolation

locked in: a slow descent into the madness of the humanmind in isolation

locked in: a slow descent into the madness of the humanmind in isolation

Here for bizness