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AS ABOVE, SO BELOW
Collateral Event of @labiennale
On view until June 8 🌊

Fish String Theory, 2026 by @ant1bert1

A sound-embedded installation for hydrophone, sculptural fish forms, tensioned strings, machine-listening system, and large language model. Initiated through the As Above, So Below residency.

At the heart of the installation lies a paradox: fish are among the ocean’s most sonically expressive inhabitants, yet their communications often evade human perception. In the Posidonia meadows, fishermen and sailors have long reported a deep, percussive sound known as the “kwa,” resonating through coastal waters. Only recently was this mysterious signal linked to Scorpaena species through the identification of a distinctive sonic apparatus.

Fish String Theory is a listening installation attuned to forms of communication in the Mediterranean Sea that unfold beyond human language. Taking its point of departure from the sound-producing anatomy of Scorpaena, the work reflects on a vocal mechanism in which tendon-like structures resonate in water like strings. Bertin adopts this anatomy as both model and metaphor. Underwater recordings from the Giudecca Lagoon are brought into dialogue with sculptural fish forms fitted with tensioned threads, activated not by human hands but by a machine-listening system trained on Mediterranean marine soundscapes.

Organised by @oneoceanfound
Ideated and conceived by @ZEITGEIST19

Curated by
@ElizabethZhivkova & @FarahPiriyeCoene

Monday - Friday | 10:00 - 18:00
Factory H3. Campo Cosmo, Giudecca, Venice
@serendpt_venezia
Free entry

Images credit:@ant1bert1 and @cleliacadamuro

#BiennaleArte2026 #InMinorKeys
#asabovesobelow

AS ABOVE, SO BELOW
Collateral Event of @labiennale
On view until June 8 🌊

Fish String Theory, 2026 by @ant1bert1

A sound-embedded installation for hydrophone, sculptural fish forms, tensioned strings, machine-listening system, and large language model. Initiated through the As Above, So Below residency.

At the heart of the installation lies a paradox: fish are among the ocean’s most sonically expressive inhabitants, yet their communications often evade human perception. In the Posidonia meadows, fishermen and sailors have long reported a deep, percussive sound known as the “kwa,” resonating through coastal waters. Only recently was this mysterious signal linked to Scorpaena species through the identification of a distinctive sonic apparatus.

Fish String Theory is a listening installation attuned to forms of communication in the Mediterranean Sea that unfold beyond human language. Taking its point of departure from the sound-producing anatomy of Scorpaena, the work reflects on a vocal mechanism in which tendon-like structures resonate in water like strings. Bertin adopts this anatomy as both model and metaphor. Underwater recordings from the Giudecca Lagoon are brought into dialogue with sculptural fish forms fitted with tensioned threads, activated not by human hands but by a machine-listening system trained on Mediterranean marine soundscapes.

Organised by @oneoceanfound
Ideated and conceived by @ZEITGEIST19

Curated by
@ElizabethZhivkova & @FarahPiriyeCoene

Monday - Friday | 10:00 - 18:00
Factory H3. Campo Cosmo, Giudecca, Venice
@serendpt_venezia
Free entry

Images credit:@ant1bert1 and @cleliacadamuro

#BiennaleArte2026 #InMinorKeys
#asabovesobelow

AS ABOVE, SO BELOW
Collateral Event of @labiennale
On view until June 8 🌊

Fish String Theory, 2026 by @ant1bert1

A sound-embedded installation for hydrophone, sculptural fish forms, tensioned strings, machine-listening system, and large language model. Initiated through the As Above, So Below residency.

At the heart of the installation lies a paradox: fish are among the ocean’s most sonically expressive inhabitants, yet their communications often evade human perception. In the Posidonia meadows, fishermen and sailors have long reported a deep, percussive sound known as the “kwa,” resonating through coastal waters. Only recently was this mysterious signal linked to Scorpaena species through the identification of a distinctive sonic apparatus.

Fish String Theory is a listening installation attuned to forms of communication in the Mediterranean Sea that unfold beyond human language. Taking its point of departure from the sound-producing anatomy of Scorpaena, the work reflects on a vocal mechanism in which tendon-like structures resonate in water like strings. Bertin adopts this anatomy as both model and metaphor. Underwater recordings from the Giudecca Lagoon are brought into dialogue with sculptural fish forms fitted with tensioned threads, activated not by human hands but by a machine-listening system trained on Mediterranean marine soundscapes.

Organised by @oneoceanfound
Ideated and conceived by @ZEITGEIST19

Curated by
@ElizabethZhivkova & @FarahPiriyeCoene

Monday - Friday | 10:00 - 18:00
Factory H3. Campo Cosmo, Giudecca, Venice
@serendpt_venezia
Free entry

Images credit:@ant1bert1 and @cleliacadamuro

#BiennaleArte2026 #InMinorKeys
#asabovesobelow

AS ABOVE, SO BELOW
Collateral Event of @labiennale
On view until June 8 🌊

Fish String Theory, 2026 by @ant1bert1

A sound-embedded installation for hydrophone, sculptural fish forms, tensioned strings, machine-listening system, and large language model. Initiated through the As Above, So Below residency.

At the heart of the installation lies a paradox: fish are among the ocean’s most sonically expressive inhabitants, yet their communications often evade human perception. In the Posidonia meadows, fishermen and sailors have long reported a deep, percussive sound known as the “kwa,” resonating through coastal waters. Only recently was this mysterious signal linked to Scorpaena species through the identification of a distinctive sonic apparatus.

Fish String Theory is a listening installation attuned to forms of communication in the Mediterranean Sea that unfold beyond human language. Taking its point of departure from the sound-producing anatomy of Scorpaena, the work reflects on a vocal mechanism in which tendon-like structures resonate in water like strings. Bertin adopts this anatomy as both model and metaphor. Underwater recordings from the Giudecca Lagoon are brought into dialogue with sculptural fish forms fitted with tensioned threads, activated not by human hands but by a machine-listening system trained on Mediterranean marine soundscapes.

Organised by @oneoceanfound
Ideated and conceived by @ZEITGEIST19

Curated by
@ElizabethZhivkova & @FarahPiriyeCoene

Monday - Friday | 10:00 - 18:00
Factory H3. Campo Cosmo, Giudecca, Venice
@serendpt_venezia
Free entry

Images credit:@ant1bert1 and @cleliacadamuro

#BiennaleArte2026 #InMinorKeys
#asabovesobelow

AS ABOVE, SO BELOW
Collateral Event of @labiennale
On view until June 8 🌊

Fish String Theory, 2026 by @ant1bert1

A sound-embedded installation for hydrophone, sculptural fish forms, tensioned strings, machine-listening system, and large language model. Initiated through the As Above, So Below residency.

At the heart of the installation lies a paradox: fish are among the ocean’s most sonically expressive inhabitants, yet their communications often evade human perception. In the Posidonia meadows, fishermen and sailors have long reported a deep, percussive sound known as the “kwa,” resonating through coastal waters. Only recently was this mysterious signal linked to Scorpaena species through the identification of a distinctive sonic apparatus.

Fish String Theory is a listening installation attuned to forms of communication in the Mediterranean Sea that unfold beyond human language. Taking its point of departure from the sound-producing anatomy of Scorpaena, the work reflects on a vocal mechanism in which tendon-like structures resonate in water like strings. Bertin adopts this anatomy as both model and metaphor. Underwater recordings from the Giudecca Lagoon are brought into dialogue with sculptural fish forms fitted with tensioned threads, activated not by human hands but by a machine-listening system trained on Mediterranean marine soundscapes.

Organised by @oneoceanfound
Ideated and conceived by @ZEITGEIST19

Curated by
@ElizabethZhivkova & @FarahPiriyeCoene

Monday - Friday | 10:00 - 18:00
Factory H3. Campo Cosmo, Giudecca, Venice
@serendpt_venezia
Free entry

Images credit:@ant1bert1 and @cleliacadamuro

#BiennaleArte2026 #InMinorKeys
#asabovesobelow

AS ABOVE, SO BELOW
Collateral Event of @labiennale
On view until June 8 🌊

Fish String Theory, 2026 by @ant1bert1

A sound-embedded installation for hydrophone, sculptural fish forms, tensioned strings, machine-listening system, and large language model. Initiated through the As Above, So Below residency.

At the heart of the installation lies a paradox: fish are among the ocean’s most sonically expressive inhabitants, yet their communications often evade human perception. In the Posidonia meadows, fishermen and sailors have long reported a deep, percussive sound known as the “kwa,” resonating through coastal waters. Only recently was this mysterious signal linked to Scorpaena species through the identification of a distinctive sonic apparatus.

Fish String Theory is a listening installation attuned to forms of communication in the Mediterranean Sea that unfold beyond human language. Taking its point of departure from the sound-producing anatomy of Scorpaena, the work reflects on a vocal mechanism in which tendon-like structures resonate in water like strings. Bertin adopts this anatomy as both model and metaphor. Underwater recordings from the Giudecca Lagoon are brought into dialogue with sculptural fish forms fitted with tensioned threads, activated not by human hands but by a machine-listening system trained on Mediterranean marine soundscapes.

Organised by @oneoceanfound
Ideated and conceived by @ZEITGEIST19

Curated by
@ElizabethZhivkova & @FarahPiriyeCoene

Monday - Friday | 10:00 - 18:00
Factory H3. Campo Cosmo, Giudecca, Venice
@serendpt_venezia
Free entry

Images credit:@ant1bert1 and @cleliacadamuro

#BiennaleArte2026 #InMinorKeys
#asabovesobelow

On May 8, during the preview days of @labiennale, One Ocean Foundation and ZEITGEIST19 opened the doors to AS ABOVE, SO BELOW - a collateral event of La Biennale di Venezia Arte 2026 🌊

Featuring works by Marshmallow Laser Feast, Antoine Bertin, Yoko Shimizu, Elnara Nasirli, Andrea Crespi, Almagul Menlibayeva, Suad Gara and Orkhan Mammadov, the exhibition opened a contemplative space to reflect on a simple yet urgent question: how can we learn to listen again? To remember that we do not exist separate from nature, but emerge from it.

We gathered for a quiet celebration thanks to @tociavenezia at Fabbrica H3 @serendpt, where the first edition of AS ABOVE, SO BELOW remains on view until June 8.

Curated by
Elizabeth Zhivkova & Farah Piriye Coene

With the graceful support of @rauchfoundation

Under the patronage of @europeanparliament @consolato_giapponese @regioneveneto

Special thanks to @pangaia @storiesof_art @fondazione_cariplo @goetheinstitut_mailand @phibeachofficial EU @spinventures @lago_collective Trust for Mutual Understanding

Grateful to @greenmedialab @wamiwater @chinggiskhan_vodka @favinipapers @nzatu_food_group @hcomm_neurosensory @interfacing_the_ocean_zhdk AUT @cvcaprera @m.a.r.e.cvc @oneearth @aldocoppola

In dialogue with @veniceclimateweek

📸 @cleliacadamuro

On May 8, during the preview days of @labiennale, One Ocean Foundation and ZEITGEIST19 opened the doors to AS ABOVE, SO BELOW - a collateral event of La Biennale di Venezia Arte 2026 🌊

Featuring works by Marshmallow Laser Feast, Antoine Bertin, Yoko Shimizu, Elnara Nasirli, Andrea Crespi, Almagul Menlibayeva, Suad Gara and Orkhan Mammadov, the exhibition opened a contemplative space to reflect on a simple yet urgent question: how can we learn to listen again? To remember that we do not exist separate from nature, but emerge from it.

We gathered for a quiet celebration thanks to @tociavenezia at Fabbrica H3 @serendpt, where the first edition of AS ABOVE, SO BELOW remains on view until June 8.

Curated by
Elizabeth Zhivkova & Farah Piriye Coene

With the graceful support of @rauchfoundation

Under the patronage of @europeanparliament @consolato_giapponese @regioneveneto

Special thanks to @pangaia @storiesof_art @fondazione_cariplo @goetheinstitut_mailand @phibeachofficial EU @spinventures @lago_collective Trust for Mutual Understanding

Grateful to @greenmedialab @wamiwater @chinggiskhan_vodka @favinipapers @nzatu_food_group @hcomm_neurosensory @interfacing_the_ocean_zhdk AUT @cvcaprera @m.a.r.e.cvc @oneearth @aldocoppola

In dialogue with @veniceclimateweek

📸 @cleliacadamuro

On May 8, during the preview days of @labiennale, One Ocean Foundation and ZEITGEIST19 opened the doors to AS ABOVE, SO BELOW - a collateral event of La Biennale di Venezia Arte 2026 🌊

Featuring works by Marshmallow Laser Feast, Antoine Bertin, Yoko Shimizu, Elnara Nasirli, Andrea Crespi, Almagul Menlibayeva, Suad Gara and Orkhan Mammadov, the exhibition opened a contemplative space to reflect on a simple yet urgent question: how can we learn to listen again? To remember that we do not exist separate from nature, but emerge from it.

We gathered for a quiet celebration thanks to @tociavenezia at Fabbrica H3 @serendpt, where the first edition of AS ABOVE, SO BELOW remains on view until June 8.

Curated by
Elizabeth Zhivkova & Farah Piriye Coene

With the graceful support of @rauchfoundation

Under the patronage of @europeanparliament @consolato_giapponese @regioneveneto

Special thanks to @pangaia @storiesof_art @fondazione_cariplo @goetheinstitut_mailand @phibeachofficial EU @spinventures @lago_collective Trust for Mutual Understanding

Grateful to @greenmedialab @wamiwater @chinggiskhan_vodka @favinipapers @nzatu_food_group @hcomm_neurosensory @interfacing_the_ocean_zhdk AUT @cvcaprera @m.a.r.e.cvc @oneearth @aldocoppola

In dialogue with @veniceclimateweek

📸 @cleliacadamuro

On May 8, during the preview days of @labiennale, One Ocean Foundation and ZEITGEIST19 opened the doors to AS ABOVE, SO BELOW - a collateral event of La Biennale di Venezia Arte 2026 🌊

Featuring works by Marshmallow Laser Feast, Antoine Bertin, Yoko Shimizu, Elnara Nasirli, Andrea Crespi, Almagul Menlibayeva, Suad Gara and Orkhan Mammadov, the exhibition opened a contemplative space to reflect on a simple yet urgent question: how can we learn to listen again? To remember that we do not exist separate from nature, but emerge from it.

We gathered for a quiet celebration thanks to @tociavenezia at Fabbrica H3 @serendpt, where the first edition of AS ABOVE, SO BELOW remains on view until June 8.

Curated by
Elizabeth Zhivkova & Farah Piriye Coene

With the graceful support of @rauchfoundation

Under the patronage of @europeanparliament @consolato_giapponese @regioneveneto

Special thanks to @pangaia @storiesof_art @fondazione_cariplo @goetheinstitut_mailand @phibeachofficial EU @spinventures @lago_collective Trust for Mutual Understanding

Grateful to @greenmedialab @wamiwater @chinggiskhan_vodka @favinipapers @nzatu_food_group @hcomm_neurosensory @interfacing_the_ocean_zhdk AUT @cvcaprera @m.a.r.e.cvc @oneearth @aldocoppola

In dialogue with @veniceclimateweek

📸 @cleliacadamuro

On May 8, during the preview days of @labiennale, One Ocean Foundation and ZEITGEIST19 opened the doors to AS ABOVE, SO BELOW - a collateral event of La Biennale di Venezia Arte 2026 🌊

Featuring works by Marshmallow Laser Feast, Antoine Bertin, Yoko Shimizu, Elnara Nasirli, Andrea Crespi, Almagul Menlibayeva, Suad Gara and Orkhan Mammadov, the exhibition opened a contemplative space to reflect on a simple yet urgent question: how can we learn to listen again? To remember that we do not exist separate from nature, but emerge from it.

We gathered for a quiet celebration thanks to @tociavenezia at Fabbrica H3 @serendpt, where the first edition of AS ABOVE, SO BELOW remains on view until June 8.

Curated by
Elizabeth Zhivkova & Farah Piriye Coene

With the graceful support of @rauchfoundation

Under the patronage of @europeanparliament @consolato_giapponese @regioneveneto

Special thanks to @pangaia @storiesof_art @fondazione_cariplo @goetheinstitut_mailand @phibeachofficial EU @spinventures @lago_collective Trust for Mutual Understanding

Grateful to @greenmedialab @wamiwater @chinggiskhan_vodka @favinipapers @nzatu_food_group @hcomm_neurosensory @interfacing_the_ocean_zhdk AUT @cvcaprera @m.a.r.e.cvc @oneearth @aldocoppola

In dialogue with @veniceclimateweek

📸 @cleliacadamuro

On May 8, during the preview days of @labiennale, One Ocean Foundation and ZEITGEIST19 opened the doors to AS ABOVE, SO BELOW - a collateral event of La Biennale di Venezia Arte 2026 🌊

Featuring works by Marshmallow Laser Feast, Antoine Bertin, Yoko Shimizu, Elnara Nasirli, Andrea Crespi, Almagul Menlibayeva, Suad Gara and Orkhan Mammadov, the exhibition opened a contemplative space to reflect on a simple yet urgent question: how can we learn to listen again? To remember that we do not exist separate from nature, but emerge from it.

We gathered for a quiet celebration thanks to @tociavenezia at Fabbrica H3 @serendpt, where the first edition of AS ABOVE, SO BELOW remains on view until June 8.

Curated by
Elizabeth Zhivkova & Farah Piriye Coene

With the graceful support of @rauchfoundation

Under the patronage of @europeanparliament @consolato_giapponese @regioneveneto

Special thanks to @pangaia @storiesof_art @fondazione_cariplo @goetheinstitut_mailand @phibeachofficial EU @spinventures @lago_collective Trust for Mutual Understanding

Grateful to @greenmedialab @wamiwater @chinggiskhan_vodka @favinipapers @nzatu_food_group @hcomm_neurosensory @interfacing_the_ocean_zhdk AUT @cvcaprera @m.a.r.e.cvc @oneearth @aldocoppola

In dialogue with @veniceclimateweek

📸 @cleliacadamuro

On May 8, during the preview days of @labiennale, One Ocean Foundation and ZEITGEIST19 opened the doors to AS ABOVE, SO BELOW - a collateral event of La Biennale di Venezia Arte 2026 🌊

Featuring works by Marshmallow Laser Feast, Antoine Bertin, Yoko Shimizu, Elnara Nasirli, Andrea Crespi, Almagul Menlibayeva, Suad Gara and Orkhan Mammadov, the exhibition opened a contemplative space to reflect on a simple yet urgent question: how can we learn to listen again? To remember that we do not exist separate from nature, but emerge from it.

We gathered for a quiet celebration thanks to @tociavenezia at Fabbrica H3 @serendpt, where the first edition of AS ABOVE, SO BELOW remains on view until June 8.

Curated by
Elizabeth Zhivkova & Farah Piriye Coene

With the graceful support of @rauchfoundation

Under the patronage of @europeanparliament @consolato_giapponese @regioneveneto

Special thanks to @pangaia @storiesof_art @fondazione_cariplo @goetheinstitut_mailand @phibeachofficial EU @spinventures @lago_collective Trust for Mutual Understanding

Grateful to @greenmedialab @wamiwater @chinggiskhan_vodka @favinipapers @nzatu_food_group @hcomm_neurosensory @interfacing_the_ocean_zhdk AUT @cvcaprera @m.a.r.e.cvc @oneearth @aldocoppola

In dialogue with @veniceclimateweek

📸 @cleliacadamuro

On May 8, during the preview days of @labiennale, One Ocean Foundation and ZEITGEIST19 opened the doors to AS ABOVE, SO BELOW - a collateral event of La Biennale di Venezia Arte 2026 🌊

Featuring works by Marshmallow Laser Feast, Antoine Bertin, Yoko Shimizu, Elnara Nasirli, Andrea Crespi, Almagul Menlibayeva, Suad Gara and Orkhan Mammadov, the exhibition opened a contemplative space to reflect on a simple yet urgent question: how can we learn to listen again? To remember that we do not exist separate from nature, but emerge from it.

We gathered for a quiet celebration thanks to @tociavenezia at Fabbrica H3 @serendpt, where the first edition of AS ABOVE, SO BELOW remains on view until June 8.

Curated by
Elizabeth Zhivkova & Farah Piriye Coene

With the graceful support of @rauchfoundation

Under the patronage of @europeanparliament @consolato_giapponese @regioneveneto

Special thanks to @pangaia @storiesof_art @fondazione_cariplo @goetheinstitut_mailand @phibeachofficial EU @spinventures @lago_collective Trust for Mutual Understanding

Grateful to @greenmedialab @wamiwater @chinggiskhan_vodka @favinipapers @nzatu_food_group @hcomm_neurosensory @interfacing_the_ocean_zhdk AUT @cvcaprera @m.a.r.e.cvc @oneearth @aldocoppola

In dialogue with @veniceclimateweek

📸 @cleliacadamuro

On May 8, during the preview days of @labiennale, One Ocean Foundation and ZEITGEIST19 opened the doors to AS ABOVE, SO BELOW - a collateral event of La Biennale di Venezia Arte 2026 🌊

Featuring works by Marshmallow Laser Feast, Antoine Bertin, Yoko Shimizu, Elnara Nasirli, Andrea Crespi, Almagul Menlibayeva, Suad Gara and Orkhan Mammadov, the exhibition opened a contemplative space to reflect on a simple yet urgent question: how can we learn to listen again? To remember that we do not exist separate from nature, but emerge from it.

We gathered for a quiet celebration thanks to @tociavenezia at Fabbrica H3 @serendpt, where the first edition of AS ABOVE, SO BELOW remains on view until June 8.

Curated by
Elizabeth Zhivkova & Farah Piriye Coene

With the graceful support of @rauchfoundation

Under the patronage of @europeanparliament @consolato_giapponese @regioneveneto

Special thanks to @pangaia @storiesof_art @fondazione_cariplo @goetheinstitut_mailand @phibeachofficial EU @spinventures @lago_collective Trust for Mutual Understanding

Grateful to @greenmedialab @wamiwater @chinggiskhan_vodka @favinipapers @nzatu_food_group @hcomm_neurosensory @interfacing_the_ocean_zhdk AUT @cvcaprera @m.a.r.e.cvc @oneearth @aldocoppola

In dialogue with @veniceclimateweek

📸 @cleliacadamuro

On May 8, during the preview days of @labiennale, One Ocean Foundation and ZEITGEIST19 opened the doors to AS ABOVE, SO BELOW - a collateral event of La Biennale di Venezia Arte 2026 🌊

Featuring works by Marshmallow Laser Feast, Antoine Bertin, Yoko Shimizu, Elnara Nasirli, Andrea Crespi, Almagul Menlibayeva, Suad Gara and Orkhan Mammadov, the exhibition opened a contemplative space to reflect on a simple yet urgent question: how can we learn to listen again? To remember that we do not exist separate from nature, but emerge from it.

We gathered for a quiet celebration thanks to @tociavenezia at Fabbrica H3 @serendpt, where the first edition of AS ABOVE, SO BELOW remains on view until June 8.

Curated by
Elizabeth Zhivkova & Farah Piriye Coene

With the graceful support of @rauchfoundation

Under the patronage of @europeanparliament @consolato_giapponese @regioneveneto

Special thanks to @pangaia @storiesof_art @fondazione_cariplo @goetheinstitut_mailand @phibeachofficial EU @spinventures @lago_collective Trust for Mutual Understanding

Grateful to @greenmedialab @wamiwater @chinggiskhan_vodka @favinipapers @nzatu_food_group @hcomm_neurosensory @interfacing_the_ocean_zhdk AUT @cvcaprera @m.a.r.e.cvc @oneearth @aldocoppola

In dialogue with @veniceclimateweek

📸 @cleliacadamuro

On May 8, during the preview days of @labiennale, One Ocean Foundation and ZEITGEIST19 opened the doors to AS ABOVE, SO BELOW - a collateral event of La Biennale di Venezia Arte 2026 🌊

Featuring works by Marshmallow Laser Feast, Antoine Bertin, Yoko Shimizu, Elnara Nasirli, Andrea Crespi, Almagul Menlibayeva, Suad Gara and Orkhan Mammadov, the exhibition opened a contemplative space to reflect on a simple yet urgent question: how can we learn to listen again? To remember that we do not exist separate from nature, but emerge from it.

We gathered for a quiet celebration thanks to @tociavenezia at Fabbrica H3 @serendpt, where the first edition of AS ABOVE, SO BELOW remains on view until June 8.

Curated by
Elizabeth Zhivkova & Farah Piriye Coene

With the graceful support of @rauchfoundation

Under the patronage of @europeanparliament @consolato_giapponese @regioneveneto

Special thanks to @pangaia @storiesof_art @fondazione_cariplo @goetheinstitut_mailand @phibeachofficial EU @spinventures @lago_collective Trust for Mutual Understanding

Grateful to @greenmedialab @wamiwater @chinggiskhan_vodka @favinipapers @nzatu_food_group @hcomm_neurosensory @interfacing_the_ocean_zhdk AUT @cvcaprera @m.a.r.e.cvc @oneearth @aldocoppola

In dialogue with @veniceclimateweek

📸 @cleliacadamuro

On May 8, during the preview days of @labiennale, One Ocean Foundation and ZEITGEIST19 opened the doors to AS ABOVE, SO BELOW - a collateral event of La Biennale di Venezia Arte 2026 🌊

Featuring works by Marshmallow Laser Feast, Antoine Bertin, Yoko Shimizu, Elnara Nasirli, Andrea Crespi, Almagul Menlibayeva, Suad Gara and Orkhan Mammadov, the exhibition opened a contemplative space to reflect on a simple yet urgent question: how can we learn to listen again? To remember that we do not exist separate from nature, but emerge from it.

We gathered for a quiet celebration thanks to @tociavenezia at Fabbrica H3 @serendpt, where the first edition of AS ABOVE, SO BELOW remains on view until June 8.

Curated by
Elizabeth Zhivkova & Farah Piriye Coene

With the graceful support of @rauchfoundation

Under the patronage of @europeanparliament @consolato_giapponese @regioneveneto

Special thanks to @pangaia @storiesof_art @fondazione_cariplo @goetheinstitut_mailand @phibeachofficial EU @spinventures @lago_collective Trust for Mutual Understanding

Grateful to @greenmedialab @wamiwater @chinggiskhan_vodka @favinipapers @nzatu_food_group @hcomm_neurosensory @interfacing_the_ocean_zhdk AUT @cvcaprera @m.a.r.e.cvc @oneearth @aldocoppola

In dialogue with @veniceclimateweek

📸 @cleliacadamuro

On May 8, during the preview days of @labiennale, One Ocean Foundation and ZEITGEIST19 opened the doors to AS ABOVE, SO BELOW - a collateral event of La Biennale di Venezia Arte 2026 🌊

Featuring works by Marshmallow Laser Feast, Antoine Bertin, Yoko Shimizu, Elnara Nasirli, Andrea Crespi, Almagul Menlibayeva, Suad Gara and Orkhan Mammadov, the exhibition opened a contemplative space to reflect on a simple yet urgent question: how can we learn to listen again? To remember that we do not exist separate from nature, but emerge from it.

We gathered for a quiet celebration thanks to @tociavenezia at Fabbrica H3 @serendpt, where the first edition of AS ABOVE, SO BELOW remains on view until June 8.

Curated by
Elizabeth Zhivkova & Farah Piriye Coene

With the graceful support of @rauchfoundation

Under the patronage of @europeanparliament @consolato_giapponese @regioneveneto

Special thanks to @pangaia @storiesof_art @fondazione_cariplo @goetheinstitut_mailand @phibeachofficial EU @spinventures @lago_collective Trust for Mutual Understanding

Grateful to @greenmedialab @wamiwater @chinggiskhan_vodka @favinipapers @nzatu_food_group @hcomm_neurosensory @interfacing_the_ocean_zhdk AUT @cvcaprera @m.a.r.e.cvc @oneearth @aldocoppola

In dialogue with @veniceclimateweek

📸 @cleliacadamuro

On May 8, during the preview days of @labiennale, One Ocean Foundation and ZEITGEIST19 opened the doors to AS ABOVE, SO BELOW - a collateral event of La Biennale di Venezia Arte 2026 🌊

Featuring works by Marshmallow Laser Feast, Antoine Bertin, Yoko Shimizu, Elnara Nasirli, Andrea Crespi, Almagul Menlibayeva, Suad Gara and Orkhan Mammadov, the exhibition opened a contemplative space to reflect on a simple yet urgent question: how can we learn to listen again? To remember that we do not exist separate from nature, but emerge from it.

We gathered for a quiet celebration thanks to @tociavenezia at Fabbrica H3 @serendpt, where the first edition of AS ABOVE, SO BELOW remains on view until June 8.

Curated by
Elizabeth Zhivkova & Farah Piriye Coene

With the graceful support of @rauchfoundation

Under the patronage of @europeanparliament @consolato_giapponese @regioneveneto

Special thanks to @pangaia @storiesof_art @fondazione_cariplo @goetheinstitut_mailand @phibeachofficial EU @spinventures @lago_collective Trust for Mutual Understanding

Grateful to @greenmedialab @wamiwater @chinggiskhan_vodka @favinipapers @nzatu_food_group @hcomm_neurosensory @interfacing_the_ocean_zhdk AUT @cvcaprera @m.a.r.e.cvc @oneearth @aldocoppola

In dialogue with @veniceclimateweek

📸 @cleliacadamuro

On May 8, during the preview days of @labiennale, One Ocean Foundation and ZEITGEIST19 opened the doors to AS ABOVE, SO BELOW - a collateral event of La Biennale di Venezia Arte 2026 🌊

Featuring works by Marshmallow Laser Feast, Antoine Bertin, Yoko Shimizu, Elnara Nasirli, Andrea Crespi, Almagul Menlibayeva, Suad Gara and Orkhan Mammadov, the exhibition opened a contemplative space to reflect on a simple yet urgent question: how can we learn to listen again? To remember that we do not exist separate from nature, but emerge from it.

We gathered for a quiet celebration thanks to @tociavenezia at Fabbrica H3 @serendpt, where the first edition of AS ABOVE, SO BELOW remains on view until June 8.

Curated by
Elizabeth Zhivkova & Farah Piriye Coene

With the graceful support of @rauchfoundation

Under the patronage of @europeanparliament @consolato_giapponese @regioneveneto

Special thanks to @pangaia @storiesof_art @fondazione_cariplo @goetheinstitut_mailand @phibeachofficial EU @spinventures @lago_collective Trust for Mutual Understanding

Grateful to @greenmedialab @wamiwater @chinggiskhan_vodka @favinipapers @nzatu_food_group @hcomm_neurosensory @interfacing_the_ocean_zhdk AUT @cvcaprera @m.a.r.e.cvc @oneearth @aldocoppola

In dialogue with @veniceclimateweek

📸 @cleliacadamuro

On May 8, during the preview days of @labiennale, One Ocean Foundation and ZEITGEIST19 opened the doors to AS ABOVE, SO BELOW - a collateral event of La Biennale di Venezia Arte 2026 🌊

Featuring works by Marshmallow Laser Feast, Antoine Bertin, Yoko Shimizu, Elnara Nasirli, Andrea Crespi, Almagul Menlibayeva, Suad Gara and Orkhan Mammadov, the exhibition opened a contemplative space to reflect on a simple yet urgent question: how can we learn to listen again? To remember that we do not exist separate from nature, but emerge from it.

We gathered for a quiet celebration thanks to @tociavenezia at Fabbrica H3 @serendpt, where the first edition of AS ABOVE, SO BELOW remains on view until June 8.

Curated by
Elizabeth Zhivkova & Farah Piriye Coene

With the graceful support of @rauchfoundation

Under the patronage of @europeanparliament @consolato_giapponese @regioneveneto

Special thanks to @pangaia @storiesof_art @fondazione_cariplo @goetheinstitut_mailand @phibeachofficial EU @spinventures @lago_collective Trust for Mutual Understanding

Grateful to @greenmedialab @wamiwater @chinggiskhan_vodka @favinipapers @nzatu_food_group @hcomm_neurosensory @interfacing_the_ocean_zhdk AUT @cvcaprera @m.a.r.e.cvc @oneearth @aldocoppola

In dialogue with @veniceclimateweek

📸 @cleliacadamuro

On May 8, during the preview days of @labiennale, One Ocean Foundation and ZEITGEIST19 opened the doors to AS ABOVE, SO BELOW - a collateral event of La Biennale di Venezia Arte 2026 🌊

Featuring works by Marshmallow Laser Feast, Antoine Bertin, Yoko Shimizu, Elnara Nasirli, Andrea Crespi, Almagul Menlibayeva, Suad Gara and Orkhan Mammadov, the exhibition opened a contemplative space to reflect on a simple yet urgent question: how can we learn to listen again? To remember that we do not exist separate from nature, but emerge from it.

We gathered for a quiet celebration thanks to @tociavenezia at Fabbrica H3 @serendpt, where the first edition of AS ABOVE, SO BELOW remains on view until June 8.

Curated by
Elizabeth Zhivkova & Farah Piriye Coene

With the graceful support of @rauchfoundation

Under the patronage of @europeanparliament @consolato_giapponese @regioneveneto

Special thanks to @pangaia @storiesof_art @fondazione_cariplo @goetheinstitut_mailand @phibeachofficial EU @spinventures @lago_collective Trust for Mutual Understanding

Grateful to @greenmedialab @wamiwater @chinggiskhan_vodka @favinipapers @nzatu_food_group @hcomm_neurosensory @interfacing_the_ocean_zhdk AUT @cvcaprera @m.a.r.e.cvc @oneearth @aldocoppola

In dialogue with @veniceclimateweek

📸 @cleliacadamuro

AS ABOVE, SO BELOW is now discoverable on @particle____

Created by @oneoceanfound in collaboration with @ZEITGEIST19 — part of the Particle Creators ecosystem — the project extends beyond the exhibition space through an audio thematic route that guides visitors across the artworks and the layered connections between artistic practices, memory, and planetary transformation.

Starting from the idea of the ocean as an archive, an atmosphere, and a living system, the route invites visitors to dive deeper into individual artworks and navigate the project at their own pace — before, during, and after the physical visit.

Experience AS ABOVE, SO BELOW on Particle.

•

AS ABOVE, SO BELOW è ora disponibile su Particle!

Creato da One Ocean Foundation in collaborazione con ZEITGEIST19 — parte dell’ecosistema Particle Creators — il progetto si estende oltre lo spazio espositivo attraverso un percorso tematico audio che accompagna i visitatori tra le opere e le connessioni stratificate che attraversano pratiche artistiche, memoria e trasformazione planetaria.

A partire dall’idea dell’oceano come archivio, atmosfera e sistema vivente, il percorso invita i visitatori a immergersi nelle singole opere e a esplorare il progetto al proprio ritmo — prima, durante e dopo la visita fisica.

Scopri AS ABOVE, SO BELOW su Particle.

#BiennaleArte2026 #InMinorKeys
#AsAboveSoBelow

AS ABOVE, SO BELOW
Collateral Event of @labiennale
On view until June 8 🌊

Water Older Than the Sun (Caspian), 2025 by @almagul.menlibayeva and @suadgara

Multimedia installation comprising cybertextile, AI video, documentary footage, and fishing nets. Original Score by Reinhold Heil.

Water Older Than the Sun (Caspian) stages the Caspian Sea as both material presence and cultural archive, foregrounding Central Asian ecological realities too often treated as peripheral to global climate narratives. Real fishing nets gathered from the Caspian shoreline hang and pool across the room, transforming the space into a suspended littoral zone, part ruin, part sanctuary, carrying traces of a disappearing ecosystem and of the communities whose work, knowledge, and survival remain entangled with the sea. Extending the visual world of Suad Gara’s moving-image work into the installation’s physical field, this material presence becomes both sculptural environment and cinematic afterimage: threads of lived reality drawn inland, where absence becomes tangible. At the work’s core is Menlibayeva’s cybertextile, a woven image-surface fusing Central Asian weaving lineages with contemporary computational vision. It converses with the venue’s own palimpsest, once a church, later transformed into a textile factory, binding devotion and production into a single material grammar.

Organised by @oneoceanfound
Ideated and conceived by @ZEITGEIST19

Curated by
@ElizabethZhivkova & @FarahPiriyeCoene

Monday - Friday | 10:00 - 18:00
Factory H3. Campo Cosmo, Giudecca, Venice
@serendpt_venezia
Free entry

Images credit: @cleliacadamuro

#BiennaleArte2026 #InMinorKeys
#AsAboveSoBelow

AS ABOVE, SO BELOW
Collateral Event of @labiennale
On view until June 8 🌊

Water Older Than the Sun (Caspian), 2025 by @almagul.menlibayeva and @suadgara

Multimedia installation comprising cybertextile, AI video, documentary footage, and fishing nets. Original Score by Reinhold Heil.

Water Older Than the Sun (Caspian) stages the Caspian Sea as both material presence and cultural archive, foregrounding Central Asian ecological realities too often treated as peripheral to global climate narratives. Real fishing nets gathered from the Caspian shoreline hang and pool across the room, transforming the space into a suspended littoral zone, part ruin, part sanctuary, carrying traces of a disappearing ecosystem and of the communities whose work, knowledge, and survival remain entangled with the sea. Extending the visual world of Suad Gara’s moving-image work into the installation’s physical field, this material presence becomes both sculptural environment and cinematic afterimage: threads of lived reality drawn inland, where absence becomes tangible. At the work’s core is Menlibayeva’s cybertextile, a woven image-surface fusing Central Asian weaving lineages with contemporary computational vision. It converses with the venue’s own palimpsest, once a church, later transformed into a textile factory, binding devotion and production into a single material grammar.

Organised by @oneoceanfound
Ideated and conceived by @ZEITGEIST19

Curated by
@ElizabethZhivkova & @FarahPiriyeCoene

Monday - Friday | 10:00 - 18:00
Factory H3. Campo Cosmo, Giudecca, Venice
@serendpt_venezia
Free entry

Images credit: @cleliacadamuro

#BiennaleArte2026 #InMinorKeys
#AsAboveSoBelow

AS ABOVE, SO BELOW
Collateral Event of @labiennale
On view until June 8 🌊

Water Older Than the Sun (Caspian), 2025 by @almagul.menlibayeva and @suadgara

Multimedia installation comprising cybertextile, AI video, documentary footage, and fishing nets. Original Score by Reinhold Heil.

Water Older Than the Sun (Caspian) stages the Caspian Sea as both material presence and cultural archive, foregrounding Central Asian ecological realities too often treated as peripheral to global climate narratives. Real fishing nets gathered from the Caspian shoreline hang and pool across the room, transforming the space into a suspended littoral zone, part ruin, part sanctuary, carrying traces of a disappearing ecosystem and of the communities whose work, knowledge, and survival remain entangled with the sea. Extending the visual world of Suad Gara’s moving-image work into the installation’s physical field, this material presence becomes both sculptural environment and cinematic afterimage: threads of lived reality drawn inland, where absence becomes tangible. At the work’s core is Menlibayeva’s cybertextile, a woven image-surface fusing Central Asian weaving lineages with contemporary computational vision. It converses with the venue’s own palimpsest, once a church, later transformed into a textile factory, binding devotion and production into a single material grammar.

Organised by @oneoceanfound
Ideated and conceived by @ZEITGEIST19

Curated by
@ElizabethZhivkova & @FarahPiriyeCoene

Monday - Friday | 10:00 - 18:00
Factory H3. Campo Cosmo, Giudecca, Venice
@serendpt_venezia
Free entry

Images credit: @cleliacadamuro

#BiennaleArte2026 #InMinorKeys
#AsAboveSoBelow

AS ABOVE, SO BELOW
Collateral Event of @labiennale
On view until June 8 🌊

Water Older Than the Sun (Caspian), 2025 by @almagul.menlibayeva and @suadgara

Multimedia installation comprising cybertextile, AI video, documentary footage, and fishing nets. Original Score by Reinhold Heil.

Water Older Than the Sun (Caspian) stages the Caspian Sea as both material presence and cultural archive, foregrounding Central Asian ecological realities too often treated as peripheral to global climate narratives. Real fishing nets gathered from the Caspian shoreline hang and pool across the room, transforming the space into a suspended littoral zone, part ruin, part sanctuary, carrying traces of a disappearing ecosystem and of the communities whose work, knowledge, and survival remain entangled with the sea. Extending the visual world of Suad Gara’s moving-image work into the installation’s physical field, this material presence becomes both sculptural environment and cinematic afterimage: threads of lived reality drawn inland, where absence becomes tangible. At the work’s core is Menlibayeva’s cybertextile, a woven image-surface fusing Central Asian weaving lineages with contemporary computational vision. It converses with the venue’s own palimpsest, once a church, later transformed into a textile factory, binding devotion and production into a single material grammar.

Organised by @oneoceanfound
Ideated and conceived by @ZEITGEIST19

Curated by
@ElizabethZhivkova & @FarahPiriyeCoene

Monday - Friday | 10:00 - 18:00
Factory H3. Campo Cosmo, Giudecca, Venice
@serendpt_venezia
Free entry

Images credit: @cleliacadamuro

#BiennaleArte2026 #InMinorKeys
#AsAboveSoBelow

AS ABOVE, SO BELOW unfolds as a healing space for reflection, presence, regeneration and listening 🌊

One of the eight presented worlds, Seeing Echoes in the Mind of the Whale (2024–2025) by Marshmallow Laser Feast, is installed beneath Girolamo Pellegrini’s The Assumption of the Virgin (1672). The space transforms into a contemporary sanctuary for ecological contemplation, where whale vocalisations become an ancient language of planetary memory.

Organized by @oneoceanfound
Conceived and ideated by @ZEITGEIST19

Curated by
@ElizbethZhivkova & @FarahPiriyeCoene

Monday - Friday | 10:00 - 18:00
Factory H3. Campo Cosmo, Giudecca, Venice
@serendpt_venezia
Free entry

@marshmallowlaserfeast, Seeing Echoes in the Mind of the Whale, Venice, 2026. Courtesy of the artist, photo @ersinhanersin

•

AS ABOVE, SO BELOW” si apre come uno spazio di guarigione dedicato alla riflessione, alla presenza, alla rigenerazione e all’ascolto 🌊

Installato sotto L’Assunzione della Vergine di Girolamo Pellegrini del 1672, lo spazio si trasforma in un santuario contemporaneo di contemplazione ecologica, dove le vocalizzazioni delle balene diventano un antico linguaggio della memoria planetaria.

#BiennaleArte2026 #InMinorKeys
#AsAboveSoBelow

AS ABOVE, SO BELOW unfolds as a healing space for reflection, presence, regeneration and listening 🌊

One of the eight presented worlds, Seeing Echoes in the Mind of the Whale (2024–2025) by Marshmallow Laser Feast, is installed beneath Girolamo Pellegrini’s The Assumption of the Virgin (1672). The space transforms into a contemporary sanctuary for ecological contemplation, where whale vocalisations become an ancient language of planetary memory.

Organized by @oneoceanfound
Conceived and ideated by @ZEITGEIST19

Curated by
@ElizbethZhivkova & @FarahPiriyeCoene

Monday - Friday | 10:00 - 18:00
Factory H3. Campo Cosmo, Giudecca, Venice
@serendpt_venezia
Free entry

@marshmallowlaserfeast, Seeing Echoes in the Mind of the Whale, Venice, 2026. Courtesy of the artist, photo @ersinhanersin

•

AS ABOVE, SO BELOW” si apre come uno spazio di guarigione dedicato alla riflessione, alla presenza, alla rigenerazione e all’ascolto 🌊

Installato sotto L’Assunzione della Vergine di Girolamo Pellegrini del 1672, lo spazio si trasforma in un santuario contemporaneo di contemplazione ecologica, dove le vocalizzazioni delle balene diventano un antico linguaggio della memoria planetaria.

#BiennaleArte2026 #InMinorKeys
#AsAboveSoBelow

AS ABOVE, SO BELOW
Collateral Event of @labiennale
Now on view until June 8 ✨

Presenting Seeing Echoes in the Mind of the Whale (2024–2025) by Marshmallow Laser Feast — an immersive audiovisual installation exploring the sensory world of cetaceans through sound, perception, and deep listening.

Following the journeys of a bottlenose dolphin, a humpback whale, and a sperm whale, the work invites audiences to encounter the ocean through the senses of these extraordinary beings — navigating through vibration, resonance, memory, and song.

Developed in collaboration with filmmaker Tom Mustill and the UPC Bioacoustic Applications Laboratory, the installation bridges scientific research and artistic expression, creating a profound meditation on our relationship with the living ocean.

Organised by @oneoceanfound
Ideated and conceived by @ZEITGEIST19

Curated by
@ElizabethZhivkova & @FarahPiriyeCoene

Monday - Friday | 10:00 - 18:00
Factory H3. Campo Cosmo, Giudecca, Venice
@serendpt_venezia
Free entry

Credit: Marshmallow Laser Feast, Seeing Echoes in the Mind of the Whale, Venice, 2026. Courtesy of the artist, photo Ersin Han Ersin

•

Presentiamo Seeing Echoes in the Mind of the Whale (2024–2025) di Marshmallow Laser Feast — un’installazione audiovisiva immersiva che esplora il mondo sensoriale dei cetacei attraverso il suono, la percezione e l’ascolto profondo.

Seguendo i viaggi di un delfino tursiope, una megattera e un capodoglio, l’opera invita il pubblico a vivere l’oceano attraverso i sensi di questi esseri straordinari — navigando tra vibrazione, risonanza, memoria e canto.

#BiennaleArte2026 #InMinorKeys
#AsAboveSoBelow

AS ABOVE, SO BELOW
Collateral Event of @labiennale
Now on view until June 8 ✨

Visit us and tune in to the healing sound of Nature.

A circular guide through the hidden languages of the living world. Move slowly. Each work is a signal from a system larger than us. This is not a route from beginning to end, but an orbit through sound, light, water, soil, and planetary memory. Listen first. The exhibition speaks in signals, currents, roots, and echoes.

Organised by @oneoceanfound
Ideated and conceived by @ZEITGEIST19

Curated by
@ElizabethZhivkova & @FarahPiriyeCoene

Monday - Friday | 10:00 - 18:00
Factory H3. Campo Cosmo, Giudecca, Venice

Marshmallow Laser Feast, Seeing Echoes in the Mind of the Whale, Venice, 2026. Courtesy of the artist, photo Ersin Han Ersin

Exhibition design & production @we_exhibit
Hospitality partner @serendpt_venezia

With the graceful support of @rauchfoundation

•

AS ABOVE, SO BELOW
Evento Collaterale di @labiennale
In mostra fino all’8 giugno ✨

Venite a trovarci e sintonizzatevi con il suono curativo della Natura…

Una guida circolare attraverso i linguaggi nascosti del mondo vivente. Muoviti lentamente. Ogni opera è un segnale proveniente da un sistema più grande di noi. Questo non è un percorso dall’inizio alla fine, ma un’orbita attraverso suono, luce, acqua, terra e memoria planetaria.

Ascolta prima di tutto.
La mostra parla attraverso segnali, correnti, radici ed echi.

#BiennaleArte2026 #InMinorKeys
#AsAboveSoBelow

DOORS OPEN

So grateful to be opening the gateway of
AS ABOVE, SO BELOW, Collateral Event of Biennale di Venezia Arte 2026 @labiennale

At @ZEITGEIST19, a female-led curatorial collective intersecting art and planetary well-being, we believe in cross-sector collaborations and in the power of storytelling to fundamentally shift the conversation.

As a female-led curatorial collective, deeply grateful for the collaboration with @oneoceanfound for helping bridge art, ecology, planetary memory, and collective responsibility through this shared journey.

For this exhibition we were genuinely inspired by the principles of Hermetic wisdom, the interconnectedness between everything and merging all these invisible to the eye dimensions. We hope to covey the message to slowing down and tuning in above, below and within.

Exhibition on view
9 May - 8 June
Ex church Santi Cosma e Damiano
Fabbrica H3
Giudecca, Venice

Shot by Callum Toy

We are delighted to invite you to the kickoff of AS ABOVE, SO BELOW, a Collateral Event of La Biennale di Venezia Arte 2026. An immersive programme of art, dialogue, sound and oceanic intelligence set within the historic ex-church of Santi Cosma e Damiano on Giudecca.

Organized by @oneoceanfound
Conceived and ideated by @ZEITGEIST19

Curated by
@ElizabethZhivkova & @FarahPiriyeCoene

Host @serendpt_venezia

See you soon ✨🌊

#BiennaleArte2026 #InMinorKeys
#AsAboveSoBelow

We are delighted to invite you to the kickoff of AS ABOVE, SO BELOW, a Collateral Event of La Biennale di Venezia Arte 2026. An immersive programme of art, dialogue, sound and oceanic intelligence set within the historic ex-church of Santi Cosma e Damiano on Giudecca.

Organized by @oneoceanfound
Conceived and ideated by @ZEITGEIST19

Curated by
@ElizabethZhivkova & @FarahPiriyeCoene

Host @serendpt_venezia

See you soon ✨🌊

#BiennaleArte2026 #InMinorKeys
#AsAboveSoBelow

We are delighted to invite you to the kickoff of AS ABOVE, SO BELOW, a Collateral Event of La Biennale di Venezia Arte 2026. An immersive programme of art, dialogue, sound and oceanic intelligence set within the historic ex-church of Santi Cosma e Damiano on Giudecca.

Organized by @oneoceanfound
Conceived and ideated by @ZEITGEIST19

Curated by
@ElizabethZhivkova & @FarahPiriyeCoene

Host @serendpt_venezia

See you soon ✨🌊

#BiennaleArte2026 #InMinorKeys
#AsAboveSoBelow

We are delighted to invite you to the kickoff of AS ABOVE, SO BELOW, a Collateral Event of La Biennale di Venezia Arte 2026. An immersive programme of art, dialogue, sound and oceanic intelligence set within the historic ex-church of Santi Cosma e Damiano on Giudecca.

Organized by @oneoceanfound
Conceived and ideated by @ZEITGEIST19

Curated by
@ElizabethZhivkova & @FarahPiriyeCoene

Host @serendpt_venezia

See you soon ✨🌊

#BiennaleArte2026 #InMinorKeys
#AsAboveSoBelow

We are delighted to invite you to the kickoff of AS ABOVE, SO BELOW, a Collateral Event of La Biennale di Venezia Arte 2026. An immersive programme of art, dialogue, sound and oceanic intelligence set within the historic ex-church of Santi Cosma e Damiano on Giudecca.

Organized by @oneoceanfound
Conceived and ideated by @ZEITGEIST19

Curated by
@ElizabethZhivkova & @FarahPiriyeCoene

Host @serendpt_venezia

See you soon ✨🌊

#BiennaleArte2026 #InMinorKeys
#AsAboveSoBelow

We are delighted to invite you to the kickoff of AS ABOVE, SO BELOW, a Collateral Event of La Biennale di Venezia Arte 2026. An immersive programme of art, dialogue, sound and oceanic intelligence set within the historic ex-church of Santi Cosma e Damiano on Giudecca.

Organized by @oneoceanfound
Conceived and ideated by @ZEITGEIST19

Curated by
@ElizabethZhivkova & @FarahPiriyeCoene

Host @serendpt_venezia

See you soon ✨🌊

#BiennaleArte2026 #InMinorKeys
#AsAboveSoBelow

Meet the artists shaping the
AS ABOVE, SO BELOW Collateral Event of @labiennale di Venezia 2026:

Orkhan Mammadov is a pioneering media artist whose work merges traditional cultural motifs with cutting-edge technology, using patterns and carpet illustrations as datasets for AI and machine learning-driven digital and physical artworks, including data sculptures, paintings, and immersive installations. @orkhan.art’s practice explores the intersection of heritage, computation, and visual storytelling, transforming traditional motifs into dynamic, interactive experiences that challenge perceptions of culture and technology. His work has been presented in international exhibitions, media art festivals, and biennials, including the Sharjah Biennale, Ars Electronica Festival, and the Istanbul Design Biennial, earning recognition for innovative integration of technology and tradition. He has also collaborated with cultural institutions and technology labs globally to push the boundaries of media art.

🗓️ 9 May - 8 June | free entry
📍Ex church Santi Cosma e Damiano, Factory H3
🌊 Giudecca, Venice

AS ABOVE, SO BELOW
Organised by @oneoceanfound
Ideated & conceived by @ZEITGEIST19

Curated by
@ElizabethZhivkova & @FarahPiriyeCoene

Image: ©Orkhan Mammadov

•

Orkhan Mammadov è un artista dei media pionieristico il cui lavoro fonde motivi culturali tradizionali con tecnologie all’avanguardia. Utilizza pattern e illustrazioni di tappeti come dataset per opere digitali e fisiche basate su intelligenza artificiale e machine learning, tra cui sculture di dati, dipinti e installazioni immersive. La pratica di @orkhan.art esplora l’intersezione tra patrimonio culturale, computazione e narrazione visiva, trasformando motivi tradizionali in esperienze dinamiche e interattive che mettono in discussione le percezioni di cultura e tecnologia.

#BiennaleArte2026 #InMinorKeys
#AsAboveSoBelow

First day of @labiennale Preview Week - a beautiful way to wake up: our exhibition featured in @nytimes

Available in print and digital. Link in bio.

✍️ Keridwen Cornelius

AS ABOVE, SO BELOW
Organized by @oneoceanfound
Ideated and Conceived by @ZEITGEIST19

Curated by
@ElizabethZhivkova & @FarahPiriyeCoene

🗓️ 9 May - 8 June | free entry
📍Ex church Santi Cosma e Damiano, Factory H3
🌊 Giudecca, Venice

@marshmallowlaserfeast @ant1bert1 @almagul.menlibayeva @suadgara @elnara.nasirli @andcrespi @orkhan.art

#BiennaleArte2026 #InMinorKeys

First day of @labiennale Preview Week - a beautiful way to wake up: our exhibition featured in @nytimes

Available in print and digital. Link in bio.

✍️ Keridwen Cornelius

AS ABOVE, SO BELOW
Organized by @oneoceanfound
Ideated and Conceived by @ZEITGEIST19

Curated by
@ElizabethZhivkova & @FarahPiriyeCoene

🗓️ 9 May - 8 June | free entry
📍Ex church Santi Cosma e Damiano, Factory H3
🌊 Giudecca, Venice

@marshmallowlaserfeast @ant1bert1 @almagul.menlibayeva @suadgara @elnara.nasirli @andcrespi @orkhan.art

#BiennaleArte2026 #InMinorKeys

First day of @labiennale Preview Week - a beautiful way to wake up: our exhibition featured in @nytimes

Available in print and digital. Link in bio.

✍️ Keridwen Cornelius

AS ABOVE, SO BELOW
Organized by @oneoceanfound
Ideated and Conceived by @ZEITGEIST19

Curated by
@ElizabethZhivkova & @FarahPiriyeCoene

🗓️ 9 May - 8 June | free entry
📍Ex church Santi Cosma e Damiano, Factory H3
🌊 Giudecca, Venice

@marshmallowlaserfeast @ant1bert1 @almagul.menlibayeva @suadgara @elnara.nasirli @andcrespi @orkhan.art

#BiennaleArte2026 #InMinorKeys

Meet the artists shaping the
AS ABOVE, SO BELOW Collateral Event of @labiennale di Venezia 2026:

Antoine Bertin is a French artist working at the intersection of science and sensory immersion, field recording and sound storytelling, data and music composition. His creations take the form of listening experiences, immersive moments and audio meditations exploring our relationships with the living world. His work has been presented at Tate Britain, Palais de Tokyo, Serpentine Gallery, KIKK festival, STRP festival, Sonar+D, CCCB Barcelona, Dutch Design Week, Nuit Blanche Paris, le 104, Centre Wallonie Bruxelles, Gaité Lyrique. He produces a quarterly show called “Edge of the forest” on NTS radio weaving together field recordings, data sonifications and science inspired meditations. In 2024, he began a practice-based PhD with ZHdK’s Interfacing the Ocean group, researching underwater soundscapes and fish communication in the Mediterranean. His thesis investigates how artistic experiences can foster sustainable connections between humans and marine life.

🗓️ 9 May - 8 June | free entry
📍Ex church Santi Cosma e Damiano, Factory H3
🌊 Giudecca, Venice

AS ABOVE, SO BELOW
Organised by @oneoceanfound
Ideated & conceived by @ZEITGEIST19

Curated by
@ElizabethZhivkova & @FarahPiriyeCoene

Image: ©Antoine Bertin

•

Antoine Bertin è un artista francese che lavora all’intersezione tra scienza e immersione sensoriale, registrazione sul campo e narrazione sonora, dati e composizione musicale. Le sue creazioni prendono la forma di esperienze di ascolto, momenti immersivi e meditazioni audio che esplorano le nostre relazioni con il mondo vivente. Il suo lavoro è stato presentato alla Tate Britain, al Palais de Tokyo, alla Serpentine Gallery, al KIKK festival, allo STRP festival, al Sonar+D, al CCCB Barcelona, alla Dutch Design Week, alla Nuit Blanche Paris, al le 104, al Centre Wallonie Bruxelles, alla Gaité Lyrique. Produce uno show trimestrale chiamato “Edge of the forest” su NTS radio che intreccia registrazioni sul campo, sonificazioni di dati e meditazioni ispirate alla scienza.

#BiennaleArte2026 #InMinorKeys #AsAboveSoBelow