Nicolas Yuthanan Chalmeau
Storytelling across cultures, operating from Japan.
@sillage.online • @galerie.21.tokyo • @agence_yuthanan

Had the chance to visit the atelier of @_kwangho_lee in Seoul a few weeks ago.
An artist with a singular way of working with materials, textures, and colors.

Had the chance to visit the atelier of @_kwangho_lee in Seoul a few weeks ago.
An artist with a singular way of working with materials, textures, and colors.

Had the chance to visit the atelier of @_kwangho_lee in Seoul a few weeks ago.
An artist with a singular way of working with materials, textures, and colors.

Had the chance to visit the atelier of @_kwangho_lee in Seoul a few weeks ago.
An artist with a singular way of working with materials, textures, and colors.

Had the chance to visit the atelier of @_kwangho_lee in Seoul a few weeks ago.
An artist with a singular way of working with materials, textures, and colors.

Had the chance to visit the atelier of @_kwangho_lee in Seoul a few weeks ago.
An artist with a singular way of working with materials, textures, and colors.

Had the chance to visit the atelier of @_kwangho_lee in Seoul a few weeks ago.
An artist with a singular way of working with materials, textures, and colors.

Had the chance to visit the atelier of @_kwangho_lee in Seoul a few weeks ago.
An artist with a singular way of working with materials, textures, and colors.

Had the chance to visit the atelier of @_kwangho_lee in Seoul a few weeks ago.
An artist with a singular way of working with materials, textures, and colors.

Had the chance to visit the atelier of @_kwangho_lee in Seoul a few weeks ago.
An artist with a singular way of working with materials, textures, and colors.

Had the chance to visit the atelier of @_kwangho_lee in Seoul a few weeks ago.
An artist with a singular way of working with materials, textures, and colors.

Had the chance to visit the atelier of @_kwangho_lee in Seoul a few weeks ago.
An artist with a singular way of working with materials, textures, and colors.

Had the chance to visit the atelier of @_kwangho_lee in Seoul a few weeks ago.
An artist with a singular way of working with materials, textures, and colors.

The last rose harvest of the season, captured through the timeless art of attar making.
Copper vessels, heat, smoke, and gestures passed down through generations, a centuries old craft preserving the quiet poetry of fragrance.

The last rose harvest of the season, captured through the timeless art of attar making.
Copper vessels, heat, smoke, and gestures passed down through generations, a centuries old craft preserving the quiet poetry of fragrance.

The last rose harvest of the season, captured through the timeless art of attar making.
Copper vessels, heat, smoke, and gestures passed down through generations, a centuries old craft preserving the quiet poetry of fragrance.

The last rose harvest of the season, captured through the timeless art of attar making.
Copper vessels, heat, smoke, and gestures passed down through generations, a centuries old craft preserving the quiet poetry of fragrance.

The last rose harvest of the season, captured through the timeless art of attar making.
Copper vessels, heat, smoke, and gestures passed down through generations, a centuries old craft preserving the quiet poetry of fragrance.

The last rose harvest of the season, captured through the timeless art of attar making.
Copper vessels, heat, smoke, and gestures passed down through generations, a centuries old craft preserving the quiet poetry of fragrance.

The last rose harvest of the season, captured through the timeless art of attar making.
Copper vessels, heat, smoke, and gestures passed down through generations, a centuries old craft preserving the quiet poetry of fragrance.

The last rose harvest of the season, captured through the timeless art of attar making.
Copper vessels, heat, smoke, and gestures passed down through generations, a centuries old craft preserving the quiet poetry of fragrance.

The last rose harvest of the season, captured through the timeless art of attar making.
Copper vessels, heat, smoke, and gestures passed down through generations, a centuries old craft preserving the quiet poetry of fragrance.

The last rose harvest of the season, captured through the timeless art of attar making.
Copper vessels, heat, smoke, and gestures passed down through generations, a centuries old craft preserving the quiet poetry of fragrance.

@pesade_official reinterpreted in my Tokyo studio through a composition of textures, colors, and objects collected throughout my journey in India.

@pesade_official reinterpreted in my Tokyo studio through a composition of textures, colors, and objects collected throughout my journey in India.

@pesade_official reinterpreted in my Tokyo studio through a composition of textures, colors, and objects collected throughout my journey in India.

From the warm sandstone of Fatehpur Sikri to the geometric surfaces of Jantar Mantar, this journey became a study of textures, spices, light, and earthy tones that naturally echoed the world of fragrance.

From the warm sandstone of Fatehpur Sikri to the geometric surfaces of Jantar Mantar, this journey became a study of textures, spices, light, and earthy tones that naturally echoed the world of fragrance.

From the warm sandstone of Fatehpur Sikri to the geometric surfaces of Jantar Mantar, this journey became a study of textures, spices, light, and earthy tones that naturally echoed the world of fragrance.

From the warm sandstone of Fatehpur Sikri to the geometric surfaces of Jantar Mantar, this journey became a study of textures, spices, light, and earthy tones that naturally echoed the world of fragrance.

From the warm sandstone of Fatehpur Sikri to the geometric surfaces of Jantar Mantar, this journey became a study of textures, spices, light, and earthy tones that naturally echoed the world of fragrance.

From the warm sandstone of Fatehpur Sikri to the geometric surfaces of Jantar Mantar, this journey became a study of textures, spices, light, and earthy tones that naturally echoed the world of fragrance.

From the warm sandstone of Fatehpur Sikri to the geometric surfaces of Jantar Mantar, this journey became a study of textures, spices, light, and earthy tones that naturally echoed the world of fragrance.

From the warm sandstone of Fatehpur Sikri to the geometric surfaces of Jantar Mantar, this journey became a study of textures, spices, light, and earthy tones that naturally echoed the world of fragrance.

From the warm sandstone of Fatehpur Sikri to the geometric surfaces of Jantar Mantar, this journey became a study of textures, spices, light, and earthy tones that naturally echoed the world of fragrance.

From the warm sandstone of Fatehpur Sikri to the geometric surfaces of Jantar Mantar, this journey became a study of textures, spices, light, and earthy tones that naturally echoed the world of fragrance.

From the warm sandstone of Fatehpur Sikri to the geometric surfaces of Jantar Mantar, this journey became a study of textures, spices, light, and earthy tones that naturally echoed the world of fragrance.

Exploring the silent courtyards of Fatehpur Sikri, where red sandstone slowly shifts in color under the North Indian sun.
The atmosphere carried the same warm spices and dry intensity I found in An Unseen by @pesade_official.

Exploring the silent courtyards of Fatehpur Sikri, where red sandstone slowly shifts in color under the North Indian sun.
The atmosphere carried the same warm spices and dry intensity I found in An Unseen by @pesade_official.

Exploring the silent courtyards of Fatehpur Sikri, where red sandstone slowly shifts in color under the North Indian sun.
The atmosphere carried the same warm spices and dry intensity I found in An Unseen by @pesade_official.

Exploring the silent courtyards of Fatehpur Sikri, where red sandstone slowly shifts in color under the North Indian sun.
The atmosphere carried the same warm spices and dry intensity I found in An Unseen by @pesade_official.

Exploring the silent courtyards of Fatehpur Sikri, where red sandstone slowly shifts in color under the North Indian sun.
The atmosphere carried the same warm spices and dry intensity I found in An Unseen by @pesade_official.

Exploring the silent courtyards of Fatehpur Sikri, where red sandstone slowly shifts in color under the North Indian sun.
The atmosphere carried the same warm spices and dry intensity I found in An Unseen by @pesade_official.

Exploring the silent courtyards of Fatehpur Sikri, where red sandstone slowly shifts in color under the North Indian sun.
The atmosphere carried the same warm spices and dry intensity I found in An Unseen by @pesade_official.

Exploring the silent courtyards of Fatehpur Sikri, where red sandstone slowly shifts in color under the North Indian sun.
The atmosphere carried the same warm spices and dry intensity I found in An Unseen by @pesade_official.

Exploring the silent courtyards of Fatehpur Sikri, where red sandstone slowly shifts in color under the North Indian sun.
The atmosphere carried the same warm spices and dry intensity I found in An Unseen by @pesade_official.

Exploring the silent courtyards of Fatehpur Sikri, where red sandstone slowly shifts in color under the North Indian sun.
The atmosphere carried the same warm spices and dry intensity I found in An Unseen by @pesade_official.

Exploring the silent courtyards of Fatehpur Sikri, where red sandstone slowly shifts in color under the North Indian sun.
The atmosphere carried the same warm spices and dry intensity I found in An Unseen by @pesade_official.

Travel has always felt deeply personal to me. It is not only about reaching a destination, but about the emotions, encounters, and memories collected along the way.
Long before borders and cities, people were already moving, following seasons, landscapes, scents, and stories. I like to think travel awakens something ancient in us.
Scented Notes, India is my personal travel diary through the world of fragrance making, an exploration made together with @pesade_official, guided by culture, craft, and the people behind it.
Filmed in Kannauj, Uttar Pradesh, the journey follows roses, jasmine, vetiver, and other local flora as they are transformed into attars.
Beyond perfume, this journey was also about India itself: its warmth, colors, generosity, joyful chaos, and all the encounters that shaped the experience. More than a
documentation of fragrance making, it became a reflection on movement, memory, and the invisible traces that scents can carry across time and places.

Travel has always felt deeply personal to me. It is not only about reaching a destination, but about the emotions, encounters, and memories collected along the way.
Long before borders and cities, people were already moving, following seasons, landscapes, scents, and stories. I like to think travel awakens something ancient in us.
Scented Notes, India is my personal travel diary through the world of fragrance making, an exploration made together with @pesade_official, guided by culture, craft, and the people behind it.
Filmed in Kannauj, Uttar Pradesh, the journey follows roses, jasmine, vetiver, and other local flora as they are transformed into attars.
Beyond perfume, this journey was also about India itself: its warmth, colors, generosity, joyful chaos, and all the encounters that shaped the experience. More than a
documentation of fragrance making, it became a reflection on movement, memory, and the invisible traces that scents can carry across time and places.

Travel has always felt deeply personal to me. It is not only about reaching a destination, but about the emotions, encounters, and memories collected along the way.
Long before borders and cities, people were already moving, following seasons, landscapes, scents, and stories. I like to think travel awakens something ancient in us.
Scented Notes, India is my personal travel diary through the world of fragrance making, an exploration made together with @pesade_official, guided by culture, craft, and the people behind it.
Filmed in Kannauj, Uttar Pradesh, the journey follows roses, jasmine, vetiver, and other local flora as they are transformed into attars.
Beyond perfume, this journey was also about India itself: its warmth, colors, generosity, joyful chaos, and all the encounters that shaped the experience. More than a
documentation of fragrance making, it became a reflection on movement, memory, and the invisible traces that scents can carry across time and places.

Travel has always felt deeply personal to me. It is not only about reaching a destination, but about the emotions, encounters, and memories collected along the way.
Long before borders and cities, people were already moving, following seasons, landscapes, scents, and stories. I like to think travel awakens something ancient in us.
Scented Notes, India is my personal travel diary through the world of fragrance making, an exploration made together with @pesade_official, guided by culture, craft, and the people behind it.
Filmed in Kannauj, Uttar Pradesh, the journey follows roses, jasmine, vetiver, and other local flora as they are transformed into attars.
Beyond perfume, this journey was also about India itself: its warmth, colors, generosity, joyful chaos, and all the encounters that shaped the experience. More than a
documentation of fragrance making, it became a reflection on movement, memory, and the invisible traces that scents can carry across time and places.

Travel has always felt deeply personal to me. It is not only about reaching a destination, but about the emotions, encounters, and memories collected along the way.
Long before borders and cities, people were already moving, following seasons, landscapes, scents, and stories. I like to think travel awakens something ancient in us.
Scented Notes, India is my personal travel diary through the world of fragrance making, an exploration made together with @pesade_official, guided by culture, craft, and the people behind it.
Filmed in Kannauj, Uttar Pradesh, the journey follows roses, jasmine, vetiver, and other local flora as they are transformed into attars.
Beyond perfume, this journey was also about India itself: its warmth, colors, generosity, joyful chaos, and all the encounters that shaped the experience. More than a
documentation of fragrance making, it became a reflection on movement, memory, and the invisible traces that scents can carry across time and places.

Travel has always felt deeply personal to me. It is not only about reaching a destination, but about the emotions, encounters, and memories collected along the way.
Long before borders and cities, people were already moving, following seasons, landscapes, scents, and stories. I like to think travel awakens something ancient in us.
Scented Notes, India is my personal travel diary through the world of fragrance making, an exploration made together with @pesade_official, guided by culture, craft, and the people behind it.
Filmed in Kannauj, Uttar Pradesh, the journey follows roses, jasmine, vetiver, and other local flora as they are transformed into attars.
Beyond perfume, this journey was also about India itself: its warmth, colors, generosity, joyful chaos, and all the encounters that shaped the experience. More than a
documentation of fragrance making, it became a reflection on movement, memory, and the invisible traces that scents can carry across time and places.

Travel has always felt deeply personal to me. It is not only about reaching a destination, but about the emotions, encounters, and memories collected along the way.
Long before borders and cities, people were already moving, following seasons, landscapes, scents, and stories. I like to think travel awakens something ancient in us.
Scented Notes, India is my personal travel diary through the world of fragrance making, an exploration made together with @pesade_official, guided by culture, craft, and the people behind it.
Filmed in Kannauj, Uttar Pradesh, the journey follows roses, jasmine, vetiver, and other local flora as they are transformed into attars.
Beyond perfume, this journey was also about India itself: its warmth, colors, generosity, joyful chaos, and all the encounters that shaped the experience. More than a
documentation of fragrance making, it became a reflection on movement, memory, and the invisible traces that scents can carry across time and places.

Travel has always felt deeply personal to me. It is not only about reaching a destination, but about the emotions, encounters, and memories collected along the way.
Long before borders and cities, people were already moving, following seasons, landscapes, scents, and stories. I like to think travel awakens something ancient in us.
Scented Notes, India is my personal travel diary through the world of fragrance making, an exploration made together with @pesade_official, guided by culture, craft, and the people behind it.
Filmed in Kannauj, Uttar Pradesh, the journey follows roses, jasmine, vetiver, and other local flora as they are transformed into attars.
Beyond perfume, this journey was also about India itself: its warmth, colors, generosity, joyful chaos, and all the encounters that shaped the experience. More than a
documentation of fragrance making, it became a reflection on movement, memory, and the invisible traces that scents can carry across time and places.

Travel has always felt deeply personal to me. It is not only about reaching a destination, but about the emotions, encounters, and memories collected along the way.
Long before borders and cities, people were already moving, following seasons, landscapes, scents, and stories. I like to think travel awakens something ancient in us.
Scented Notes, India is my personal travel diary through the world of fragrance making, an exploration made together with @pesade_official, guided by culture, craft, and the people behind it.
Filmed in Kannauj, Uttar Pradesh, the journey follows roses, jasmine, vetiver, and other local flora as they are transformed into attars.
Beyond perfume, this journey was also about India itself: its warmth, colors, generosity, joyful chaos, and all the encounters that shaped the experience. More than a
documentation of fragrance making, it became a reflection on movement, memory, and the invisible traces that scents can carry across time and places.

Travel has always felt deeply personal to me. It is not only about reaching a destination, but about the emotions, encounters, and memories collected along the way.
Long before borders and cities, people were already moving, following seasons, landscapes, scents, and stories. I like to think travel awakens something ancient in us.
Scented Notes, India is my personal travel diary through the world of fragrance making, an exploration made together with @pesade_official, guided by culture, craft, and the people behind it.
Filmed in Kannauj, Uttar Pradesh, the journey follows roses, jasmine, vetiver, and other local flora as they are transformed into attars.
Beyond perfume, this journey was also about India itself: its warmth, colors, generosity, joyful chaos, and all the encounters that shaped the experience. More than a
documentation of fragrance making, it became a reflection on movement, memory, and the invisible traces that scents can carry across time and places.

Travel has always felt deeply personal to me. It is not only about reaching a destination, but about the emotions, encounters, and memories collected along the way.
Long before borders and cities, people were already moving, following seasons, landscapes, scents, and stories. I like to think travel awakens something ancient in us.
Scented Notes, India is my personal travel diary through the world of fragrance making, an exploration made together with @pesade_official, guided by culture, craft, and the people behind it.
Filmed in Kannauj, Uttar Pradesh, the journey follows roses, jasmine, vetiver, and other local flora as they are transformed into attars.
Beyond perfume, this journey was also about India itself: its warmth, colors, generosity, joyful chaos, and all the encounters that shaped the experience. More than a
documentation of fragrance making, it became a reflection on movement, memory, and the invisible traces that scents can carry across time and places.

Travel has always felt deeply personal to me. It is not only about reaching a destination, but about the emotions, encounters, and memories collected along the way.
Long before borders and cities, people were already moving, following seasons, landscapes, scents, and stories. I like to think travel awakens something ancient in us.
Scented Notes, India is my personal travel diary through the world of fragrance making, an exploration made together with @pesade_official, guided by culture, craft, and the people behind it.
Filmed in Kannauj, Uttar Pradesh, the journey follows roses, jasmine, vetiver, and other local flora as they are transformed into attars.
Beyond perfume, this journey was also about India itself: its warmth, colors, generosity, joyful chaos, and all the encounters that shaped the experience. More than a
documentation of fragrance making, it became a reflection on movement, memory, and the invisible traces that scents can carry across time and places.

Travel has always felt deeply personal to me. It is not only about reaching a destination, but about the emotions, encounters, and memories collected along the way.
Long before borders and cities, people were already moving, following seasons, landscapes, scents, and stories. I like to think travel awakens something ancient in us.
Scented Notes, India is my personal travel diary through the world of fragrance making, an exploration made together with @pesade_official, guided by culture, craft, and the people behind it.
Filmed in Kannauj, Uttar Pradesh, the journey follows roses, jasmine, vetiver, and other local flora as they are transformed into attars.
Beyond perfume, this journey was also about India itself: its warmth, colors, generosity, joyful chaos, and all the encounters that shaped the experience. More than a
documentation of fragrance making, it became a reflection on movement, memory, and the invisible traces that scents can carry across time and places.

An interesting book introducing the way local Tibetans dress, documenting the richness of traditional garments, patterns and silhouettes through everyday life and cultural identity.
Tibet Style, photography by Yann Romain, text by Hippolyte Romain. Published by Flammarion in 2006.

An interesting book introducing the way local Tibetans dress, documenting the richness of traditional garments, patterns and silhouettes through everyday life and cultural identity.
Tibet Style, photography by Yann Romain, text by Hippolyte Romain. Published by Flammarion in 2006.

An interesting book introducing the way local Tibetans dress, documenting the richness of traditional garments, patterns and silhouettes through everyday life and cultural identity.
Tibet Style, photography by Yann Romain, text by Hippolyte Romain. Published by Flammarion in 2006.

An interesting book introducing the way local Tibetans dress, documenting the richness of traditional garments, patterns and silhouettes through everyday life and cultural identity.
Tibet Style, photography by Yann Romain, text by Hippolyte Romain. Published by Flammarion in 2006.

An interesting book introducing the way local Tibetans dress, documenting the richness of traditional garments, patterns and silhouettes through everyday life and cultural identity.
Tibet Style, photography by Yann Romain, text by Hippolyte Romain. Published by Flammarion in 2006.

An interesting book introducing the way local Tibetans dress, documenting the richness of traditional garments, patterns and silhouettes through everyday life and cultural identity.
Tibet Style, photography by Yann Romain, text by Hippolyte Romain. Published by Flammarion in 2006.

An interesting book introducing the way local Tibetans dress, documenting the richness of traditional garments, patterns and silhouettes through everyday life and cultural identity.
Tibet Style, photography by Yann Romain, text by Hippolyte Romain. Published by Flammarion in 2006.

An interesting book introducing the way local Tibetans dress, documenting the richness of traditional garments, patterns and silhouettes through everyday life and cultural identity.
Tibet Style, photography by Yann Romain, text by Hippolyte Romain. Published by Flammarion in 2006.

An interesting book introducing the way local Tibetans dress, documenting the richness of traditional garments, patterns and silhouettes through everyday life and cultural identity.
Tibet Style, photography by Yann Romain, text by Hippolyte Romain. Published by Flammarion in 2006.

An interesting book introducing the way local Tibetans dress, documenting the richness of traditional garments, patterns and silhouettes through everyday life and cultural identity.
Tibet Style, photography by Yann Romain, text by Hippolyte Romain. Published by Flammarion in 2006.

Today I had the immense privilege of visiting the atelier of @dogunovastudio in Ota, Gunma. A family tradition where the knowledge of making Haniwa and Dogu has been passed down through generations.
Rooted in Japanese craftsmanship while embracing a contemporary perspective, the studio continues to preserve ancestral techniques and sustain the spirit and knowledge born from Japanese craft traditions.

Today I had the immense privilege of visiting the atelier of @dogunovastudio in Ota, Gunma. A family tradition where the knowledge of making Haniwa and Dogu has been passed down through generations.
Rooted in Japanese craftsmanship while embracing a contemporary perspective, the studio continues to preserve ancestral techniques and sustain the spirit and knowledge born from Japanese craft traditions.

Today I had the immense privilege of visiting the atelier of @dogunovastudio in Ota, Gunma. A family tradition where the knowledge of making Haniwa and Dogu has been passed down through generations.
Rooted in Japanese craftsmanship while embracing a contemporary perspective, the studio continues to preserve ancestral techniques and sustain the spirit and knowledge born from Japanese craft traditions.

Today I had the immense privilege of visiting the atelier of @dogunovastudio in Ota, Gunma. A family tradition where the knowledge of making Haniwa and Dogu has been passed down through generations.
Rooted in Japanese craftsmanship while embracing a contemporary perspective, the studio continues to preserve ancestral techniques and sustain the spirit and knowledge born from Japanese craft traditions.

Today I had the immense privilege of visiting the atelier of @dogunovastudio in Ota, Gunma. A family tradition where the knowledge of making Haniwa and Dogu has been passed down through generations.
Rooted in Japanese craftsmanship while embracing a contemporary perspective, the studio continues to preserve ancestral techniques and sustain the spirit and knowledge born from Japanese craft traditions.

Today I had the immense privilege of visiting the atelier of @dogunovastudio in Ota, Gunma. A family tradition where the knowledge of making Haniwa and Dogu has been passed down through generations.
Rooted in Japanese craftsmanship while embracing a contemporary perspective, the studio continues to preserve ancestral techniques and sustain the spirit and knowledge born from Japanese craft traditions.

Today I had the immense privilege of visiting the atelier of @dogunovastudio in Ota, Gunma. A family tradition where the knowledge of making Haniwa and Dogu has been passed down through generations.
Rooted in Japanese craftsmanship while embracing a contemporary perspective, the studio continues to preserve ancestral techniques and sustain the spirit and knowledge born from Japanese craft traditions.

Today I had the immense privilege of visiting the atelier of @dogunovastudio in Ota, Gunma. A family tradition where the knowledge of making Haniwa and Dogu has been passed down through generations.
Rooted in Japanese craftsmanship while embracing a contemporary perspective, the studio continues to preserve ancestral techniques and sustain the spirit and knowledge born from Japanese craft traditions.

Today I had the immense privilege of visiting the atelier of @dogunovastudio in Ota, Gunma. A family tradition where the knowledge of making Haniwa and Dogu has been passed down through generations.
Rooted in Japanese craftsmanship while embracing a contemporary perspective, the studio continues to preserve ancestral techniques and sustain the spirit and knowledge born from Japanese craft traditions.

Today I had the immense privilege of visiting the atelier of @dogunovastudio in Ota, Gunma. A family tradition where the knowledge of making Haniwa and Dogu has been passed down through generations.
Rooted in Japanese craftsmanship while embracing a contemporary perspective, the studio continues to preserve ancestral techniques and sustain the spirit and knowledge born from Japanese craft traditions.

Today I had the immense privilege of visiting the atelier of @dogunovastudio in Ota, Gunma. A family tradition where the knowledge of making Haniwa and Dogu has been passed down through generations.
Rooted in Japanese craftsmanship while embracing a contemporary perspective, the studio continues to preserve ancestral techniques and sustain the spirit and knowledge born from Japanese craft traditions.

Today I had the immense privilege of visiting the atelier of @dogunovastudio in Ota, Gunma. A family tradition where the knowledge of making Haniwa and Dogu has been passed down through generations.
Rooted in Japanese craftsmanship while embracing a contemporary perspective, the studio continues to preserve ancestral techniques and sustain the spirit and knowledge born from Japanese craft traditions.

Today I had the immense privilege of visiting the atelier of @dogunovastudio in Ota, Gunma. A family tradition where the knowledge of making Haniwa and Dogu has been passed down through generations.
Rooted in Japanese craftsmanship while embracing a contemporary perspective, the studio continues to preserve ancestral techniques and sustain the spirit and knowledge born from Japanese craft traditions.

Today I had the immense privilege of visiting the atelier of @dogunovastudio in Ota, Gunma. A family tradition where the knowledge of making Haniwa and Dogu has been passed down through generations.
Rooted in Japanese craftsmanship while embracing a contemporary perspective, the studio continues to preserve ancestral techniques and sustain the spirit and knowledge born from Japanese craft traditions.

Today I had the immense privilege of visiting the atelier of @dogunovastudio in Ota, Gunma. A family tradition where the knowledge of making Haniwa and Dogu has been passed down through generations.
Rooted in Japanese craftsmanship while embracing a contemporary perspective, the studio continues to preserve ancestral techniques and sustain the spirit and knowledge born from Japanese craft traditions.
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