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In convo with Patty Mañá, founder and creative director of @nimph_ 🩶✨ for @thecoldmagazine

We talk about NIMPH’s FW26 Barcelona Fashion Week show, A Room to Dream In—an immersive experience that bends the rules of runway—alongside the romance of velvet and lace, Barcelona queer culture, and the “thin veil between reality and imagination.”

NIMPH blends innovation with sentiment; each piece is handcrafted in the heart of the city. Material remnants are reimagined into romantically distressed silhouettes of delicate rebellion, androgynous and experimental. Collections are reclaimed as “chapters.” Mañá’s conscious practice is driven by nostalgic narratives and nature. From swimming in the ocean each week of the year to gathering lace from her grandmother’s closet, NIMPH’s garments reflect the visionary’s mind like a mirror.

“What drew me to fashion was the freedom that happens with clothes: the game of identity, the power of how clothing can make you feel.”

Read the full interview at the link in bio.

In convo with Patty Mañá, founder and creative director of @nimph_ 🩶✨ for @thecoldmagazine

We talk about NIMPH’s FW26 Barcelona Fashion Week show, A Room to Dream In—an immersive experience that bends the rules of runway—alongside the romance of velvet and lace, Barcelona queer culture, and the “thin veil between reality and imagination.”

NIMPH blends innovation with sentiment; each piece is handcrafted in the heart of the city. Material remnants are reimagined into romantically distressed silhouettes of delicate rebellion, androgynous and experimental. Collections are reclaimed as “chapters.” Mañá’s conscious practice is driven by nostalgic narratives and nature. From swimming in the ocean each week of the year to gathering lace from her grandmother’s closet, NIMPH’s garments reflect the visionary’s mind like a mirror.

“What drew me to fashion was the freedom that happens with clothes: the game of identity, the power of how clothing can make you feel.”

Read the full interview at the link in bio.

In convo with Patty Mañá, founder and creative director of @nimph_ 🩶✨ for @thecoldmagazine

We talk about NIMPH’s FW26 Barcelona Fashion Week show, A Room to Dream In—an immersive experience that bends the rules of runway—alongside the romance of velvet and lace, Barcelona queer culture, and the “thin veil between reality and imagination.”

NIMPH blends innovation with sentiment; each piece is handcrafted in the heart of the city. Material remnants are reimagined into romantically distressed silhouettes of delicate rebellion, androgynous and experimental. Collections are reclaimed as “chapters.” Mañá’s conscious practice is driven by nostalgic narratives and nature. From swimming in the ocean each week of the year to gathering lace from her grandmother’s closet, NIMPH’s garments reflect the visionary’s mind like a mirror.

“What drew me to fashion was the freedom that happens with clothes: the game of identity, the power of how clothing can make you feel.”

Read the full interview at the link in bio.

In convo with Patty Mañá, founder and creative director of @nimph_ 🩶✨ for @thecoldmagazine

We talk about NIMPH’s FW26 Barcelona Fashion Week show, A Room to Dream In—an immersive experience that bends the rules of runway—alongside the romance of velvet and lace, Barcelona queer culture, and the “thin veil between reality and imagination.”

NIMPH blends innovation with sentiment; each piece is handcrafted in the heart of the city. Material remnants are reimagined into romantically distressed silhouettes of delicate rebellion, androgynous and experimental. Collections are reclaimed as “chapters.” Mañá’s conscious practice is driven by nostalgic narratives and nature. From swimming in the ocean each week of the year to gathering lace from her grandmother’s closet, NIMPH’s garments reflect the visionary’s mind like a mirror.

“What drew me to fashion was the freedom that happens with clothes: the game of identity, the power of how clothing can make you feel.”

Read the full interview at the link in bio.

In convo with Patty Mañá, founder and creative director of @nimph_ 🩶✨ for @thecoldmagazine

We talk about NIMPH’s FW26 Barcelona Fashion Week show, A Room to Dream In—an immersive experience that bends the rules of runway—alongside the romance of velvet and lace, Barcelona queer culture, and the “thin veil between reality and imagination.”

NIMPH blends innovation with sentiment; each piece is handcrafted in the heart of the city. Material remnants are reimagined into romantically distressed silhouettes of delicate rebellion, androgynous and experimental. Collections are reclaimed as “chapters.” Mañá’s conscious practice is driven by nostalgic narratives and nature. From swimming in the ocean each week of the year to gathering lace from her grandmother’s closet, NIMPH’s garments reflect the visionary’s mind like a mirror.

“What drew me to fashion was the freedom that happens with clothes: the game of identity, the power of how clothing can make you feel.”

Read the full interview at the link in bio.

In convo with Patty Mañá, founder and creative director of @nimph_ 🩶✨ for @thecoldmagazine

We talk about NIMPH’s FW26 Barcelona Fashion Week show, A Room to Dream In—an immersive experience that bends the rules of runway—alongside the romance of velvet and lace, Barcelona queer culture, and the “thin veil between reality and imagination.”

NIMPH blends innovation with sentiment; each piece is handcrafted in the heart of the city. Material remnants are reimagined into romantically distressed silhouettes of delicate rebellion, androgynous and experimental. Collections are reclaimed as “chapters.” Mañá’s conscious practice is driven by nostalgic narratives and nature. From swimming in the ocean each week of the year to gathering lace from her grandmother’s closet, NIMPH’s garments reflect the visionary’s mind like a mirror.

“What drew me to fashion was the freedom that happens with clothes: the game of identity, the power of how clothing can make you feel.”

Read the full interview at the link in bio.

In convo with Patty Mañá, founder and creative director of @nimph_ 🩶✨ for @thecoldmagazine

We talk about NIMPH’s FW26 Barcelona Fashion Week show, A Room to Dream In—an immersive experience that bends the rules of runway—alongside the romance of velvet and lace, Barcelona queer culture, and the “thin veil between reality and imagination.”

NIMPH blends innovation with sentiment; each piece is handcrafted in the heart of the city. Material remnants are reimagined into romantically distressed silhouettes of delicate rebellion, androgynous and experimental. Collections are reclaimed as “chapters.” Mañá’s conscious practice is driven by nostalgic narratives and nature. From swimming in the ocean each week of the year to gathering lace from her grandmother’s closet, NIMPH’s garments reflect the visionary’s mind like a mirror.

“What drew me to fashion was the freedom that happens with clothes: the game of identity, the power of how clothing can make you feel.”

Read the full interview at the link in bio.

In convo with Patty Mañá, founder and creative director of @nimph_ 🩶✨ for @thecoldmagazine

We talk about NIMPH’s FW26 Barcelona Fashion Week show, A Room to Dream In—an immersive experience that bends the rules of runway—alongside the romance of velvet and lace, Barcelona queer culture, and the “thin veil between reality and imagination.”

NIMPH blends innovation with sentiment; each piece is handcrafted in the heart of the city. Material remnants are reimagined into romantically distressed silhouettes of delicate rebellion, androgynous and experimental. Collections are reclaimed as “chapters.” Mañá’s conscious practice is driven by nostalgic narratives and nature. From swimming in the ocean each week of the year to gathering lace from her grandmother’s closet, NIMPH’s garments reflect the visionary’s mind like a mirror.

“What drew me to fashion was the freedom that happens with clothes: the game of identity, the power of how clothing can make you feel.”

Read the full interview at the link in bio.

In convo with Patty Mañá, founder and creative director of @nimph_ 🩶✨ for @thecoldmagazine

We talk about NIMPH’s FW26 Barcelona Fashion Week show, A Room to Dream In—an immersive experience that bends the rules of runway—alongside the romance of velvet and lace, Barcelona queer culture, and the “thin veil between reality and imagination.”

NIMPH blends innovation with sentiment; each piece is handcrafted in the heart of the city. Material remnants are reimagined into romantically distressed silhouettes of delicate rebellion, androgynous and experimental. Collections are reclaimed as “chapters.” Mañá’s conscious practice is driven by nostalgic narratives and nature. From swimming in the ocean each week of the year to gathering lace from her grandmother’s closet, NIMPH’s garments reflect the visionary’s mind like a mirror.

“What drew me to fashion was the freedom that happens with clothes: the game of identity, the power of how clothing can make you feel.”

Read the full interview at the link in bio.

In convo with Patty Mañá, founder and creative director of @nimph_ 🩶✨ for @thecoldmagazine

We talk about NIMPH’s FW26 Barcelona Fashion Week show, A Room to Dream In—an immersive experience that bends the rules of runway—alongside the romance of velvet and lace, Barcelona queer culture, and the “thin veil between reality and imagination.”

NIMPH blends innovation with sentiment; each piece is handcrafted in the heart of the city. Material remnants are reimagined into romantically distressed silhouettes of delicate rebellion, androgynous and experimental. Collections are reclaimed as “chapters.” Mañá’s conscious practice is driven by nostalgic narratives and nature. From swimming in the ocean each week of the year to gathering lace from her grandmother’s closet, NIMPH’s garments reflect the visionary’s mind like a mirror.

“What drew me to fashion was the freedom that happens with clothes: the game of identity, the power of how clothing can make you feel.”

Read the full interview at the link in bio.

In convo with Patty Mañá, founder and creative director of @nimph_ 🩶✨ for @thecoldmagazine

We talk about NIMPH’s FW26 Barcelona Fashion Week show, A Room to Dream In—an immersive experience that bends the rules of runway—alongside the romance of velvet and lace, Barcelona queer culture, and the “thin veil between reality and imagination.”

NIMPH blends innovation with sentiment; each piece is handcrafted in the heart of the city. Material remnants are reimagined into romantically distressed silhouettes of delicate rebellion, androgynous and experimental. Collections are reclaimed as “chapters.” Mañá’s conscious practice is driven by nostalgic narratives and nature. From swimming in the ocean each week of the year to gathering lace from her grandmother’s closet, NIMPH’s garments reflect the visionary’s mind like a mirror.

“What drew me to fashion was the freedom that happens with clothes: the game of identity, the power of how clothing can make you feel.”

Read the full interview at the link in bio.

In convo with Patty Mañá, founder and creative director of @nimph_ 🩶✨ for @thecoldmagazine

We talk about NIMPH’s FW26 Barcelona Fashion Week show, A Room to Dream In—an immersive experience that bends the rules of runway—alongside the romance of velvet and lace, Barcelona queer culture, and the “thin veil between reality and imagination.”

NIMPH blends innovation with sentiment; each piece is handcrafted in the heart of the city. Material remnants are reimagined into romantically distressed silhouettes of delicate rebellion, androgynous and experimental. Collections are reclaimed as “chapters.” Mañá’s conscious practice is driven by nostalgic narratives and nature. From swimming in the ocean each week of the year to gathering lace from her grandmother’s closet, NIMPH’s garments reflect the visionary’s mind like a mirror.

“What drew me to fashion was the freedom that happens with clothes: the game of identity, the power of how clothing can make you feel.”

Read the full interview at the link in bio.

In convo with Patty Mañá, founder and creative director of @nimph_ 🩶✨ for @thecoldmagazine

We talk about NIMPH’s FW26 Barcelona Fashion Week show, A Room to Dream In—an immersive experience that bends the rules of runway—alongside the romance of velvet and lace, Barcelona queer culture, and the “thin veil between reality and imagination.”

NIMPH blends innovation with sentiment; each piece is handcrafted in the heart of the city. Material remnants are reimagined into romantically distressed silhouettes of delicate rebellion, androgynous and experimental. Collections are reclaimed as “chapters.” Mañá’s conscious practice is driven by nostalgic narratives and nature. From swimming in the ocean each week of the year to gathering lace from her grandmother’s closet, NIMPH’s garments reflect the visionary’s mind like a mirror.

“What drew me to fashion was the freedom that happens with clothes: the game of identity, the power of how clothing can make you feel.”

Read the full interview at the link in bio.

𝒜𝓅𝓇𝒾𝓁 𝒾𝓈 𝒶 𝓈𝒽𝓇𝓊ℊℊℯ𝒹-ℴ𝒻𝒻 𝓈𝓁ℯℯ𝓋ℯ 𝓈𝓁𝒾𝒹𝒾𝓃ℊ 𝒻𝓇ℴ𝓂 𝓉𝒽ℯ 𝓈𝒽ℴ𝓊𝓁𝒹ℯ𝓇, 𝓇ℴ𝓊𝓃𝒹 𝒶𝓈 𝒶 ℊ𝓁ℴ𝓈𝓈𝓎 𝓅ℯ𝒶𝓇𝓁. 🫧

🌼 Also, daffodils as rings 🌼

𝒜𝓅𝓇𝒾𝓁 𝒾𝓈 𝒶 𝓈𝒽𝓇𝓊ℊℊℯ𝒹-ℴ𝒻𝒻 𝓈𝓁ℯℯ𝓋ℯ 𝓈𝓁𝒾𝒹𝒾𝓃ℊ 𝒻𝓇ℴ𝓂 𝓉𝒽ℯ 𝓈𝒽ℴ𝓊𝓁𝒹ℯ𝓇, 𝓇ℴ𝓊𝓃𝒹 𝒶𝓈 𝒶 ℊ𝓁ℴ𝓈𝓈𝓎 𝓅ℯ𝒶𝓇𝓁. 🫧

🌼 Also, daffodils as rings 🌼

𝒜𝓅𝓇𝒾𝓁 𝒾𝓈 𝒶 𝓈𝒽𝓇𝓊ℊℊℯ𝒹-ℴ𝒻𝒻 𝓈𝓁ℯℯ𝓋ℯ 𝓈𝓁𝒾𝒹𝒾𝓃ℊ 𝒻𝓇ℴ𝓂 𝓉𝒽ℯ 𝓈𝒽ℴ𝓊𝓁𝒹ℯ𝓇, 𝓇ℴ𝓊𝓃𝒹 𝒶𝓈 𝒶 ℊ𝓁ℴ𝓈𝓈𝓎 𝓅ℯ𝒶𝓇𝓁. 🫧

🌼 Also, daffodils as rings 🌼

𝒜𝓅𝓇𝒾𝓁 𝒾𝓈 𝒶 𝓈𝒽𝓇𝓊ℊℊℯ𝒹-ℴ𝒻𝒻 𝓈𝓁ℯℯ𝓋ℯ 𝓈𝓁𝒾𝒹𝒾𝓃ℊ 𝒻𝓇ℴ𝓂 𝓉𝒽ℯ 𝓈𝒽ℴ𝓊𝓁𝒹ℯ𝓇, 𝓇ℴ𝓊𝓃𝒹 𝒶𝓈 𝒶 ℊ𝓁ℴ𝓈𝓈𝓎 𝓅ℯ𝒶𝓇𝓁. 🫧

🌼 Also, daffodils as rings 🌼

𝒜𝓅𝓇𝒾𝓁 𝒾𝓈 𝒶 𝓈𝒽𝓇𝓊ℊℊℯ𝒹-ℴ𝒻𝒻 𝓈𝓁ℯℯ𝓋ℯ 𝓈𝓁𝒾𝒹𝒾𝓃ℊ 𝒻𝓇ℴ𝓂 𝓉𝒽ℯ 𝓈𝒽ℴ𝓊𝓁𝒹ℯ𝓇, 𝓇ℴ𝓊𝓃𝒹 𝒶𝓈 𝒶 ℊ𝓁ℴ𝓈𝓈𝓎 𝓅ℯ𝒶𝓇𝓁. 🫧

🌼 Also, daffodils as rings 🌼

Two years ago today, poetry and fashion met in a soft collision of cloud and cloth. 🪽

These captured moments are from @roisinpierce ‘s PFW AW24 showcase — her fifth collection, O Lovely One, Girl That Fell from a Star — where the poem, Angel of Hope, rested upon red-cushioned seats and accompanied a vision of angelic resilience and Irish pride.

I remain forever grateful, and still in awe of that magical day — when fashion did not simply move forward through Pierce’s empathetic craftsmanship, but seemed to float across a skyline of feathers and stars. ✨

Two years ago today, poetry and fashion met in a soft collision of cloud and cloth. 🪽

These captured moments are from @roisinpierce ‘s PFW AW24 showcase — her fifth collection, O Lovely One, Girl That Fell from a Star — where the poem, Angel of Hope, rested upon red-cushioned seats and accompanied a vision of angelic resilience and Irish pride.

I remain forever grateful, and still in awe of that magical day — when fashion did not simply move forward through Pierce’s empathetic craftsmanship, but seemed to float across a skyline of feathers and stars. ✨

Two years ago today, poetry and fashion met in a soft collision of cloud and cloth. 🪽

These captured moments are from @roisinpierce ‘s PFW AW24 showcase — her fifth collection, O Lovely One, Girl That Fell from a Star — where the poem, Angel of Hope, rested upon red-cushioned seats and accompanied a vision of angelic resilience and Irish pride.

I remain forever grateful, and still in awe of that magical day — when fashion did not simply move forward through Pierce’s empathetic craftsmanship, but seemed to float across a skyline of feathers and stars. ✨

Two years ago today, poetry and fashion met in a soft collision of cloud and cloth. 🪽

These captured moments are from @roisinpierce ‘s PFW AW24 showcase — her fifth collection, O Lovely One, Girl That Fell from a Star — where the poem, Angel of Hope, rested upon red-cushioned seats and accompanied a vision of angelic resilience and Irish pride.

I remain forever grateful, and still in awe of that magical day — when fashion did not simply move forward through Pierce’s empathetic craftsmanship, but seemed to float across a skyline of feathers and stars. ✨

Two years ago today, poetry and fashion met in a soft collision of cloud and cloth. 🪽

These captured moments are from @roisinpierce ‘s PFW AW24 showcase — her fifth collection, O Lovely One, Girl That Fell from a Star — where the poem, Angel of Hope, rested upon red-cushioned seats and accompanied a vision of angelic resilience and Irish pride.

I remain forever grateful, and still in awe of that magical day — when fashion did not simply move forward through Pierce’s empathetic craftsmanship, but seemed to float across a skyline of feathers and stars. ✨

Two years ago today, poetry and fashion met in a soft collision of cloud and cloth. 🪽

These captured moments are from @roisinpierce ‘s PFW AW24 showcase — her fifth collection, O Lovely One, Girl That Fell from a Star — where the poem, Angel of Hope, rested upon red-cushioned seats and accompanied a vision of angelic resilience and Irish pride.

I remain forever grateful, and still in awe of that magical day — when fashion did not simply move forward through Pierce’s empathetic craftsmanship, but seemed to float across a skyline of feathers and stars. ✨

Two years ago today, poetry and fashion met in a soft collision of cloud and cloth. 🪽

These captured moments are from @roisinpierce ‘s PFW AW24 showcase — her fifth collection, O Lovely One, Girl That Fell from a Star — where the poem, Angel of Hope, rested upon red-cushioned seats and accompanied a vision of angelic resilience and Irish pride.

I remain forever grateful, and still in awe of that magical day — when fashion did not simply move forward through Pierce’s empathetic craftsmanship, but seemed to float across a skyline of feathers and stars. ✨

Two years ago today, poetry and fashion met in a soft collision of cloud and cloth. 🪽

These captured moments are from @roisinpierce ‘s PFW AW24 showcase — her fifth collection, O Lovely One, Girl That Fell from a Star — where the poem, Angel of Hope, rested upon red-cushioned seats and accompanied a vision of angelic resilience and Irish pride.

I remain forever grateful, and still in awe of that magical day — when fashion did not simply move forward through Pierce’s empathetic craftsmanship, but seemed to float across a skyline of feathers and stars. ✨

Two years ago today, poetry and fashion met in a soft collision of cloud and cloth. 🪽

These digital magazine clippings ✂️ and captured moments are from @roisinpierce ‘s PFW AW24 showcase — her fifth collection, O Lovely One, Girl That Fell from a Star — where the poem, Angel of Hope, rested upon red-cushioned seats and accompanied a vision of angelic resilience and Irish pride.

I remain forever grateful, and still in awe of that magical day — when fashion did not simply move forward through Pierce’s empathetic craftsmanship, but seemed to float across a skyline of feathers and stars. ✨

✂️:
Text 1: @wwd — written by @boothmoore
Text 2: @britishvogue — written by @sarahmower_
Text 3: @kcdworldwide
Text 4: The Irish Examiner — written by Paul McLauchlan
Text 5: @designscene

music: @simonmparris
styling: @elliegracecumming

Two years ago today, poetry and fashion met in a soft collision of cloud and cloth. 🪽

These digital magazine clippings ✂️ and captured moments are from @roisinpierce ‘s PFW AW24 showcase — her fifth collection, O Lovely One, Girl That Fell from a Star — where the poem, Angel of Hope, rested upon red-cushioned seats and accompanied a vision of angelic resilience and Irish pride.

I remain forever grateful, and still in awe of that magical day — when fashion did not simply move forward through Pierce’s empathetic craftsmanship, but seemed to float across a skyline of feathers and stars. ✨

✂️:
Text 1: @wwd — written by @boothmoore
Text 2: @britishvogue — written by @sarahmower_
Text 3: @kcdworldwide
Text 4: The Irish Examiner — written by Paul McLauchlan
Text 5: @designscene

music: @simonmparris
styling: @elliegracecumming

Two years ago today, poetry and fashion met in a soft collision of cloud and cloth. 🪽

These digital magazine clippings ✂️ and captured moments are from @roisinpierce ‘s PFW AW24 showcase — her fifth collection, O Lovely One, Girl That Fell from a Star — where the poem, Angel of Hope, rested upon red-cushioned seats and accompanied a vision of angelic resilience and Irish pride.

I remain forever grateful, and still in awe of that magical day — when fashion did not simply move forward through Pierce’s empathetic craftsmanship, but seemed to float across a skyline of feathers and stars. ✨

✂️:
Text 1: @wwd — written by @boothmoore
Text 2: @britishvogue — written by @sarahmower_
Text 3: @kcdworldwide
Text 4: The Irish Examiner — written by Paul McLauchlan
Text 5: @designscene

music: @simonmparris
styling: @elliegracecumming

Two years ago today, poetry and fashion met in a soft collision of cloud and cloth. 🪽

These digital magazine clippings ✂️ and captured moments are from @roisinpierce ‘s PFW AW24 showcase — her fifth collection, O Lovely One, Girl That Fell from a Star — where the poem, Angel of Hope, rested upon red-cushioned seats and accompanied a vision of angelic resilience and Irish pride.

I remain forever grateful, and still in awe of that magical day — when fashion did not simply move forward through Pierce’s empathetic craftsmanship, but seemed to float across a skyline of feathers and stars. ✨

✂️:
Text 1: @wwd — written by @boothmoore
Text 2: @britishvogue — written by @sarahmower_
Text 3: @kcdworldwide
Text 4: The Irish Examiner — written by Paul McLauchlan
Text 5: @designscene

music: @simonmparris
styling: @elliegracecumming

Two years ago today, poetry and fashion met in a soft collision of cloud and cloth. 🪽

These digital magazine clippings ✂️ and captured moments are from @roisinpierce ‘s PFW AW24 showcase — her fifth collection, O Lovely One, Girl That Fell from a Star — where the poem, Angel of Hope, rested upon red-cushioned seats and accompanied a vision of angelic resilience and Irish pride.

I remain forever grateful, and still in awe of that magical day — when fashion did not simply move forward through Pierce’s empathetic craftsmanship, but seemed to float across a skyline of feathers and stars. ✨

✂️:
Text 1: @wwd — written by @boothmoore
Text 2: @britishvogue — written by @sarahmower_
Text 3: @kcdworldwide
Text 4: The Irish Examiner — written by Paul McLauchlan
Text 5: @designscene

music: @simonmparris
styling: @elliegracecumming

Two years ago today, poetry and fashion met in a soft collision of cloud and cloth. 🪽

These digital magazine clippings ✂️ and captured moments are from @roisinpierce ‘s PFW AW24 showcase — her fifth collection, O Lovely One, Girl That Fell from a Star — where the poem, Angel of Hope, rested upon red-cushioned seats and accompanied a vision of angelic resilience and Irish pride.

I remain forever grateful, and still in awe of that magical day — when fashion did not simply move forward through Pierce’s empathetic craftsmanship, but seemed to float across a skyline of feathers and stars. ✨

✂️:
Text 1: @wwd — written by @boothmoore
Text 2: @britishvogue — written by @sarahmower_
Text 3: @kcdworldwide
Text 4: The Irish Examiner — written by Paul McLauchlan
Text 5: @designscene

music: @simonmparris
styling: @elliegracecumming

Two years ago today, poetry and fashion met in a soft collision of cloud and cloth. 🪽

These digital magazine clippings ✂️ and captured moments are from @roisinpierce ‘s PFW AW24 showcase — her fifth collection, O Lovely One, Girl That Fell from a Star — where the poem, Angel of Hope, rested upon red-cushioned seats and accompanied a vision of angelic resilience and Irish pride.

I remain forever grateful, and still in awe of that magical day — when fashion did not simply move forward through Pierce’s empathetic craftsmanship, but seemed to float across a skyline of feathers and stars. ✨

✂️:
Text 1: @wwd — written by @boothmoore
Text 2: @britishvogue — written by @sarahmower_
Text 3: @kcdworldwide
Text 4: The Irish Examiner — written by Paul McLauchlan
Text 5: @designscene

music: @simonmparris
styling: @elliegracecumming

Two years ago today, poetry and fashion met in a soft collision of cloud and cloth. 🪽

These digital magazine clippings ✂️ and captured moments are from @roisinpierce ‘s PFW AW24 showcase — her fifth collection, O Lovely One, Girl That Fell from a Star — where the poem, Angel of Hope, rested upon red-cushioned seats and accompanied a vision of angelic resilience and Irish pride.

I remain forever grateful, and still in awe of that magical day — when fashion did not simply move forward through Pierce’s empathetic craftsmanship, but seemed to float across a skyline of feathers and stars. ✨

✂️:
Text 1: @wwd — written by @boothmoore
Text 2: @britishvogue — written by @sarahmower_
Text 3: @kcdworldwide
Text 4: The Irish Examiner — written by Paul McLauchlan
Text 5: @designscene

music: @simonmparris
styling: @elliegracecumming

Two years ago today, poetry and fashion met in a soft collision of cloud and cloth. 🪽

These digital magazine clippings ✂️ and captured moments are from @roisinpierce ‘s PFW AW24 showcase — her fifth collection, O Lovely One, Girl That Fell from a Star — where the poem, Angel of Hope, rested upon red-cushioned seats and accompanied a vision of angelic resilience and Irish pride.

I remain forever grateful, and still in awe of that magical day — when fashion did not simply move forward through Pierce’s empathetic craftsmanship, but seemed to float across a skyline of feathers and stars. ✨

✂️:
Text 1: @wwd — written by @boothmoore
Text 2: @britishvogue — written by @sarahmower_
Text 3: @kcdworldwide
Text 4: The Irish Examiner — written by Paul McLauchlan
Text 5: @designscene

music: @simonmparris
styling: @elliegracecumming

Two years ago today, poetry and fashion met in a soft collision of cloud and cloth. 🪽

These digital magazine clippings ✂️ and captured moments are from @roisinpierce ‘s PFW AW24 showcase — her fifth collection, O Lovely One, Girl That Fell from a Star — where the poem, Angel of Hope, rested upon red-cushioned seats and accompanied a vision of angelic resilience and Irish pride.

I remain forever grateful, and still in awe of that magical day — when fashion did not simply move forward through Pierce’s empathetic craftsmanship, but seemed to float across a skyline of feathers and stars. ✨

✂️:
Text 1: @wwd — written by @boothmoore
Text 2: @britishvogue — written by @sarahmower_
Text 3: @kcdworldwide
Text 4: The Irish Examiner — written by Paul McLauchlan
Text 5: @designscene

music: @simonmparris
styling: @elliegracecumming

Two years ago today, poetry and fashion met in a soft collision of cloud and cloth. 🪽

These digital magazine clippings ✂️ and captured moments are from @roisinpierce ‘s PFW AW24 showcase — her fifth collection, O Lovely One, Girl That Fell from a Star — where the poem, Angel of Hope, rested upon red-cushioned seats and accompanied a vision of angelic resilience and Irish pride.

I remain forever grateful, and still in awe of that magical day — when fashion did not simply move forward through Pierce’s empathetic craftsmanship, but seemed to float across a skyline of feathers and stars. ✨

✂️:
Text 1: @wwd — written by @boothmoore
Text 2: @britishvogue — written by @sarahmower_
Text 3: @kcdworldwide
Text 4: The Irish Examiner — written by Paul McLauchlan
Text 5: @designscene

music: @simonmparris
styling: @elliegracecumming

Two years ago today, poetry and fashion met in a soft collision of cloud and cloth. 🪽

These digital magazine clippings ✂️ and captured moments are from @roisinpierce ‘s PFW AW24 showcase — her fifth collection, O Lovely One, Girl That Fell from a Star — where the poem, Angel of Hope, rested upon red-cushioned seats and accompanied a vision of angelic resilience and Irish pride.

I remain forever grateful, and still in awe of that magical day — when fashion did not simply move forward through Pierce’s empathetic craftsmanship, but seemed to float across a skyline of feathers and stars. ✨

✂️:
Text 1: @wwd — written by @boothmoore
Text 2: @britishvogue — written by @sarahmower_
Text 3: @kcdworldwide
Text 4: The Irish Examiner — written by Paul McLauchlan
Text 5: @designscene

music: @simonmparris
styling: @elliegracecumming

There may be more to come of this small and delicate poem, once the blurriness of my regretful sadness becomes clear and finds a place to call home.

I suppose it tends to be louder inside

And a sincere question to my conscience—

When grief becomes quiet does it also become lost? 🐎

And a sincere question to my conscience—

When grief becomes quiet does it also become lost? 🐎

And a sincere question to my conscience—

When grief becomes quiet does it also become lost? 🐎

Stepping into your first year without someone you have known every single day of your existence is an extremely difficult and painfully sad thing. As the months go by, loss seems to become more lonely and much more clear.

But here’s to the year of the horse 🐎 I will let my grief become a stallion that gallops alongside me, to remind me of movement rather than stagnancy. I must treasure rather than resent. Cherish rather than fear.

The first stanza from The Dawn of Winter. ❄️
Good morning to all — lonely or in love, lustful or leaving, and to those peaceful and lingering in their solitude. ☕️

Excerpt from The Dawn of Winter 🖤

From the winter archive. I suppose stashed away to reappear the following year? I remember I was inspired by Ellen Bass’s poem, Getting into Bed on a December Night. It made me want to write about the reverse: Love in the winter morning. Love at the beginning of when winter starts. The tragedy that is leaving the warmth of the bed in the early winter morning, when your tucked up next to your winter lover.

❄️ ❄️ ❄️ ❄️ ❄️ ❄️