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Doppo Compressed / Regular / Expanded play with the dim, in-developing 3d tool created by Masaya Ishikawa @kamone 😊

Doppo Compressed / Regular / Expanded play with the dim, in-developing 3d tool created by Masaya Ishikawa @kamone 😊

Doppo Compressed / Regular / Expanded play with the dim, in-developing 3d tool created by Masaya Ishikawa @kamone 😊

Typeface in Use: Haitham in THE IDOLM@STER Gakuen Second Single Series
THE IDOLM@STER Gakuen is the latest mobile idol-producing game in THE IDOLM@STER series. I’m personally very pleased to have my work featured in this title, both as a fan of the game itself and because many of my friends and former colleagues were involved in its creation. The typeface was selected by Kisuke Ohta ( @kisuke_ohta ) and used for headlines throughout this second single series.

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学園アイドルマスター 2ndシングルシリーズの見出し書体にHaithamが使われています。パッケージデザインはキスケさん（ @kisuke_ohta ）。学園アイドルマスターは1ユーザーとして楽しんでいるタイトルでもあり、また多くの知り合いのデザイナーの方々が関わられているので作品の一部に関わることができてとても嬉しく思います！

Typeface in Use: Haitham in THE IDOLM@STER Gakuen Second Single Series
THE IDOLM@STER Gakuen is the latest mobile idol-producing game in THE IDOLM@STER series. I’m personally very pleased to have my work featured in this title, both as a fan of the game itself and because many of my friends and former colleagues were involved in its creation. The typeface was selected by Kisuke Ohta ( @kisuke_ohta ) and used for headlines throughout this second single series.

»»»
学園アイドルマスター 2ndシングルシリーズの見出し書体にHaithamが使われています。パッケージデザインはキスケさん（ @kisuke_ohta ）。学園アイドルマスターは1ユーザーとして楽しんでいるタイトルでもあり、また多くの知り合いのデザイナーの方々が関わられているので作品の一部に関わることができてとても嬉しく思います！

Typeface in Use: Haitham in THE IDOLM@STER Gakuen Second Single Series
THE IDOLM@STER Gakuen is the latest mobile idol-producing game in THE IDOLM@STER series. I’m personally very pleased to have my work featured in this title, both as a fan of the game itself and because many of my friends and former colleagues were involved in its creation. The typeface was selected by Kisuke Ohta ( @kisuke_ohta ) and used for headlines throughout this second single series.

»»»
学園アイドルマスター 2ndシングルシリーズの見出し書体にHaithamが使われています。パッケージデザインはキスケさん（ @kisuke_ohta ）。学園アイドルマスターは1ユーザーとして楽しんでいるタイトルでもあり、また多くの知り合いのデザイナーの方々が関わられているので作品の一部に関わることができてとても嬉しく思います！

Typeface in Use: Haitham in THE IDOLM@STER Gakuen Second Single Series
THE IDOLM@STER Gakuen is the latest mobile idol-producing game in THE IDOLM@STER series. I’m personally very pleased to have my work featured in this title, both as a fan of the game itself and because many of my friends and former colleagues were involved in its creation. The typeface was selected by Kisuke Ohta ( @kisuke_ohta ) and used for headlines throughout this second single series.

»»»
学園アイドルマスター 2ndシングルシリーズの見出し書体にHaithamが使われています。パッケージデザインはキスケさん（ @kisuke_ohta ）。学園アイドルマスターは1ユーザーとして楽しんでいるタイトルでもあり、また多くの知り合いのデザイナーの方々が関わられているので作品の一部に関わることができてとても嬉しく思います！

Typeface in Use: Haitham in THE IDOLM@STER Gakuen Second Single Series
THE IDOLM@STER Gakuen is the latest mobile idol-producing game in THE IDOLM@STER series. I’m personally very pleased to have my work featured in this title, both as a fan of the game itself and because many of my friends and former colleagues were involved in its creation. The typeface was selected by Kisuke Ohta ( @kisuke_ohta ) and used for headlines throughout this second single series.

»»»
学園アイドルマスター 2ndシングルシリーズの見出し書体にHaithamが使われています。パッケージデザインはキスケさん（ @kisuke_ohta ）。学園アイドルマスターは1ユーザーとして楽しんでいるタイトルでもあり、また多くの知り合いのデザイナーの方々が関わられているので作品の一部に関わることができてとても嬉しく思います！

Typeface in Use: Haitham in THE IDOLM@STER Gakuen Second Single Series
THE IDOLM@STER Gakuen is the latest mobile idol-producing game in THE IDOLM@STER series. I’m personally very pleased to have my work featured in this title, both as a fan of the game itself and because many of my friends and former colleagues were involved in its creation. The typeface was selected by Kisuke Ohta ( @kisuke_ohta ) and used for headlines throughout this second single series.

»»»
学園アイドルマスター 2ndシングルシリーズの見出し書体にHaithamが使われています。パッケージデザインはキスケさん（ @kisuke_ohta ）。学園アイドルマスターは1ユーザーとして楽しんでいるタイトルでもあり、また多くの知り合いのデザイナーの方々が関わられているので作品の一部に関わることができてとても嬉しく思います！

My 2nd @fontstand conference was super. It was an amazing opportunity to meet my friends and new friends in Berlin! See you next time🙌

My 2nd @fontstand conference was super. It was an amazing opportunity to meet my friends and new friends in Berlin! See you next time🙌

My 2nd @fontstand conference was super. It was an amazing opportunity to meet my friends and new friends in Berlin! See you next time🙌

My 2nd @fontstand conference was super. It was an amazing opportunity to meet my friends and new friends in Berlin! See you next time🙌

My 2nd @fontstand conference was super. It was an amazing opportunity to meet my friends and new friends in Berlin! See you next time🙌

My 2nd @fontstand conference was super. It was an amazing opportunity to meet my friends and new friends in Berlin! See you next time🙌

My 2nd @fontstand conference was super. It was an amazing opportunity to meet my friends and new friends in Berlin! See you next time🙌

My 2nd @fontstand conference was super. It was an amazing opportunity to meet my friends and new friends in Berlin! See you next time🙌

My 2nd @fontstand conference was super. It was an amazing opportunity to meet my friends and new friends in Berlin! See you next time🙌

My 2nd @fontstand conference was super. It was an amazing opportunity to meet my friends and new friends in Berlin! See you next time🙌

My 2nd @fontstand conference was super. It was an amazing opportunity to meet my friends and new friends in Berlin! See you next time🙌

My 2nd @fontstand conference was super. It was an amazing opportunity to meet my friends and new friends in Berlin! See you next time🙌

My 2nd @fontstand conference was super. It was an amazing opportunity to meet my friends and new friends in Berlin! See you next time🙌

My 2nd @fontstand conference was super. It was an amazing opportunity to meet my friends and new friends in Berlin! See you next time🙌

My 2nd @fontstand conference was super. It was an amazing opportunity to meet my friends and new friends in Berlin! See you next time🙌

My 2nd @fontstand conference was super. It was an amazing opportunity to meet my friends and new friends in Berlin! See you next time🙌

My 2nd @fontstand conference was super. It was an amazing opportunity to meet my friends and new friends in Berlin! See you next time🙌

My 2nd @fontstand conference was super. It was an amazing opportunity to meet my friends and new friends in Berlin! See you next time🙌

My 2nd @fontstand conference was super. It was an amazing opportunity to meet my friends and new friends in Berlin! See you next time🙌

My 2nd @fontstand conference was super. It was an amazing opportunity to meet my friends and new friends in Berlin! See you next time🙌

Creating a new type tester for my website in progress🧑‍💻

Typeface in Use: You can find the Haitham typeface, which is my graduation project at MATD in Shibuya🏙️😊

Yesterday I attended a talk show ‘alternative of book design vol.4’, by Yoshihisa Shirai, who is my professor at Musashino Art University, and Kiyomori Muroga, a famous editor focusing on typography in Japan. The event was organised by the used book store Tiger Mountain and focused on the transition in Japanese editorial design from metal type to phototypesetting and DTP publishing.
It was amazing to learn the context of the 70s and 80s schools of editorial design in Japan.

Yesterday I attended a talk show ‘alternative of book design vol.4’, by Yoshihisa Shirai, who is my professor at Musashino Art University, and Kiyomori Muroga, a famous editor focusing on typography in Japan. The event was organised by the used book store Tiger Mountain and focused on the transition in Japanese editorial design from metal type to phototypesetting and DTP publishing.
It was amazing to learn the context of the 70s and 80s schools of editorial design in Japan.

Yesterday I attended a talk show ‘alternative of book design vol.4’, by Yoshihisa Shirai, who is my professor at Musashino Art University, and Kiyomori Muroga, a famous editor focusing on typography in Japan. The event was organised by the used book store Tiger Mountain and focused on the transition in Japanese editorial design from metal type to phototypesetting and DTP publishing.
It was amazing to learn the context of the 70s and 80s schools of editorial design in Japan.

Doppo was used in the “Hoshimachi Suisei Live: REBOOT” side title, posters, etc.!
Logotype was designed by @femt_inc 🫰

Doppo was used in the “Hoshimachi Suisei Live: REBOOT” side title, posters, etc.!
Logotype was designed by @femt_inc 🫰

書体デザイナーという生き方
The Life of a Type Designer

日本、そして世界へ。
夢に向かって働く同世代の「リアル」を可視化する
ドキュメンタリープロジェクト #アサチケハローワールド

あなたの「働き方」や「生き方」のヒントが
ここにあるかもしれません。
⠀
いいね・フォローで新しい世界への一歩を応援してください🕊️
⠀
#キャリア #働き方 #夢 #目標

【アサチケハローワールド vol.3】
安藤真生　Masaki Ando
書体デザイナー、パリ在住。1998年岐阜県多治見市生まれ。
武蔵野美術大学 視覚伝達デザイン学科、NDCでの有馬トモユキのアシスタントデザイナーを経て、2022年から2023年にかけて英レディング大学大学院の書体デザインコース（MATD）を修了。2024年3月より、フランス・パリのBlack [Foundry]に就職し、カスタムおよびリテイルプロジェクトでかなのデザインに携わる。現在は独立し、自身のオリジナル書体や日本のクライアントのカスタム書体の制作に従事。
書体の制作だけでなく、書体を使う環境にも興味を持ち、グラフィックツールやWeb、モーショングラフィックスツールにも触れている。また、趣味のゲーム好きが高じて大乱闘スマッシュブラザーズSPECIALのコミュニティ大会におけるデザインやツール開発も行う。また、書体を作る・使う人々にスポットを当てたPodcast『墨とPath』を同じく書体デザイナーである吉田大成氏と行っている。趣味はカメラ、旅行、ガジェットの購入検討。

music by 騒音のない世界

Past Work: GLOBIS Serif typeface for GLOBIS Corporation with Takram @takram_ (January 2024)
GLOBIS is a corporation that offers MBA programs, corporate training, venture capital, and more worldwide.
With the concept Blue Frame, which Takram defined, this typeface expresses strong will, intelligence, and passion. Letters are influenced by historical engraving elements and modern high-resolution environments.

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Past Work: GLOBIS Serif オリジナル書体 (January 2024)
Takram @takram_ 様とGLOBIS株式会社様のコーポレート書体、「GLOBIS Serif」を制作いたしました。
Blue Frameのコンセプトが表す志とその熱量を表すため、歴史的な碑文のエレメントと現代の高解像度環境を併せ持った字形になっています。

Past Work: GLOBIS Serif typeface for GLOBIS Corporation with Takram @takram_ (January 2024)
GLOBIS is a corporation that offers MBA programs, corporate training, venture capital, and more worldwide.
With the concept Blue Frame, which Takram defined, this typeface expresses strong will, intelligence, and passion. Letters are influenced by historical engraving elements and modern high-resolution environments.

»»»
Past Work: GLOBIS Serif オリジナル書体 (January 2024)
Takram @takram_ 様とGLOBIS株式会社様のコーポレート書体、「GLOBIS Serif」を制作いたしました。
Blue Frameのコンセプトが表す志とその熱量を表すため、歴史的な碑文のエレメントと現代の高解像度環境を併せ持った字形になっています。

Past Work: GLOBIS Serif typeface for GLOBIS Corporation with Takram @takram_ (January 2024)
GLOBIS is a corporation that offers MBA programs, corporate training, venture capital, and more worldwide.
With the concept Blue Frame, which Takram defined, this typeface expresses strong will, intelligence, and passion. Letters are influenced by historical engraving elements and modern high-resolution environments.

»»»
Past Work: GLOBIS Serif オリジナル書体 (January 2024)
Takram @takram_ 様とGLOBIS株式会社様のコーポレート書体、「GLOBIS Serif」を制作いたしました。
Blue Frameのコンセプトが表す志とその熱量を表すため、歴史的な碑文のエレメントと現代の高解像度環境を併せ持った字形になっています。

Past Work: GLOBIS Serif typeface for GLOBIS Corporation with Takram @takram_ (January 2024)
GLOBIS is a corporation that offers MBA programs, corporate training, venture capital, and more worldwide.
With the concept Blue Frame, which Takram defined, this typeface expresses strong will, intelligence, and passion. Letters are influenced by historical engraving elements and modern high-resolution environments.

»»»
Past Work: GLOBIS Serif オリジナル書体 (January 2024)
Takram @takram_ 様とGLOBIS株式会社様のコーポレート書体、「GLOBIS Serif」を制作いたしました。
Blue Frameのコンセプトが表す志とその熱量を表すため、歴史的な碑文のエレメントと現代の高解像度環境を併せ持った字形になっています。

Past Work: GLOBIS Serif typeface for GLOBIS Corporation with Takram @takram_ (January 2024)
GLOBIS is a corporation that offers MBA programs, corporate training, venture capital, and more worldwide.
With the concept Blue Frame, which Takram defined, this typeface expresses strong will, intelligence, and passion. Letters are influenced by historical engraving elements and modern high-resolution environments.

»»»
Past Work: GLOBIS Serif オリジナル書体 (January 2024)
Takram @takram_ 様とGLOBIS株式会社様のコーポレート書体、「GLOBIS Serif」を制作いたしました。
Blue Frameのコンセプトが表す志とその熱量を表すため、歴史的な碑文のエレメントと現代の高解像度環境を併せ持った字形になっています。

I designed a visual identity for TECH CHASE Inc., which specialises in tournament organisation and stream technology for the esports domain. The symbol and logotype include a grade/small adjustment variant for clarity, and the logo font has composition and that adjustment as stylistic sets.
»»»
esports業界で競技運営や配信技術を専門にされている株式会社TECH CHASEさんのVIデザインを担当しました。シンボルとロゴタイプは暗い背景や小さいサイズのためのバージョンを内包し、ロゴフォントを使うことでコンポジションやそれらのアジャストメントを呼び出すことが可能です。

I designed a visual identity for TECH CHASE Inc., which specialises in tournament organisation and stream technology for the esports domain. The symbol and logotype include a grade/small adjustment variant for clarity, and the logo font has composition and that adjustment as stylistic sets.
»»»
esports業界で競技運営や配信技術を専門にされている株式会社TECH CHASEさんのVIデザインを担当しました。シンボルとロゴタイプは暗い背景や小さいサイズのためのバージョンを内包し、ロゴフォントを使うことでコンポジションやそれらのアジャストメントを呼び出すことが可能です。

I designed a visual identity for TECH CHASE Inc., which specialises in tournament organisation and stream technology for the esports domain. The symbol and logotype include a grade/small adjustment variant for clarity, and the logo font has composition and that adjustment as stylistic sets.
»»»
esports業界で競技運営や配信技術を専門にされている株式会社TECH CHASEさんのVIデザインを担当しました。シンボルとロゴタイプは暗い背景や小さいサイズのためのバージョンを内包し、ロゴフォントを使うことでコンポジションやそれらのアジャストメントを呼び出すことが可能です。

I designed a visual identity for TECH CHASE Inc., which specialises in tournament organisation and stream technology for the esports domain. The symbol and logotype include a grade/small adjustment variant for clarity, and the logo font has composition and that adjustment as stylistic sets.
»»»
esports業界で競技運営や配信技術を専門にされている株式会社TECH CHASEさんのVIデザインを担当しました。シンボルとロゴタイプは暗い背景や小さいサイズのためのバージョンを内包し、ロゴフォントを使うことでコンポジションやそれらのアジャストメントを呼び出すことが可能です。

I designed a visual identity for TECH CHASE Inc., which specialises in tournament organisation and stream technology for the esports domain. The symbol and logotype include a grade/small adjustment variant for clarity, and the logo font has composition and that adjustment as stylistic sets.
»»»
esports業界で競技運営や配信技術を専門にされている株式会社TECH CHASEさんのVIデザインを担当しました。シンボルとロゴタイプは暗い背景や小さいサイズのためのバージョンを内包し、ロゴフォントを使うことでコンポジションやそれらのアジャストメントを呼び出すことが可能です。

Typeface in Use: Doppo in KZHCUP RUMBLE in STREET FIGHTER 6 Opening Movie

KZHCUP RUBMLE is a streaming and offline event with STREET FIGHTER 6, organised by VTuber Kuzuha. The typeface is chosen by motion designer りくると (Recruit), and used for one of the primary typefaces in the opening movie.
CG: Akabane
Direction: TOHRU MiTSUHASHi

»»»
1.23に配信とオフラインで開催されたKZHCUP RUMBLE in STREET FIGHTER 6のオープニング映像にDoppoが使われております。映像デザインは西武撃や篝火を一緒にやっているりくるとくん、CGはAkabaneさん、ディレクションはTOHRU MiTSUHASHiさんが担当されています。

Typeface in Use: Doppo in KZHCUP RUMBLE in STREET FIGHTER 6 Opening Movie

KZHCUP RUBMLE is a streaming and offline event with STREET FIGHTER 6, organised by VTuber Kuzuha. The typeface is chosen by motion designer りくると (Recruit), and used for one of the primary typefaces in the opening movie.
CG: Akabane
Direction: TOHRU MiTSUHASHi

»»»
1.23に配信とオフラインで開催されたKZHCUP RUMBLE in STREET FIGHTER 6のオープニング映像にDoppoが使われております。映像デザインは西武撃や篝火を一緒にやっているりくるとくん、CGはAkabaneさん、ディレクションはTOHRU MiTSUHASHiさんが担当されています。

Past Work: 狼炎 (Roen) logotype (Aug 2024)
Roen is a community competition of GUILTY GEAR -STRIVE- in Tokyo and online.

Past Work: 狼炎 (Roen) logotype (Aug 2024)
Roen is a community competition of GUILTY GEAR -STRIVE- in Tokyo and online.

Past Work: 狼炎 (Roen) logotype (Aug 2024)
Roen is a community competition of GUILTY GEAR -STRIVE- in Tokyo and online.

Past Work: 狼炎 (Roen) logotype (Aug 2024)
Roen is a community competition of GUILTY GEAR -STRIVE- in Tokyo and online.