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williamlowart
WILLIAM LOW
Interested in Light
🚫 NFT’s
In painting, #paintcolors are sometimes a subjective choices and sometimes you just have no choice #painting #stilllife #curated #chinaclub#longmarchbar #hongkong #hongkongmoments #red Created exclusively for #rosewoodhongkong #rwjourneys #senseofplace #originalpaintings #originaloilpainting#painting #paintings #williamlo
#issaclevitan clouds - but it’s all my painting.#oldmasters #shore #hongkonglandscape #paintingfromlife #nofilter Created for #rosewoodhotels #rwjourneys #rosewoodhongkong #originalpaintings #originaloilpainting#painting #paintings #williamlo
This Asian American & Pacific Islander (AAPI) Heritage Month, the Museum is pleased to display artwork by numerous artists in Just Powers: Long Island Biennial 2026, including: Verna Lynn Amakawa, Wan Ling Fahrer @wanlingfahrerart , Joan Kim Suzuki @marichanartstudio , William Low @williamlowart , Hui Tian @huitianart , Benjamin Truong @glutaro , and Pinky Urmaza @pinkyurmaza .
Today, we highlight artists Joan Kim Suzuki, Wan Ling Fahrer, and Verna Lynn Amakawa, who have all created work that pays homage to their ancestry.
Inspired by her grandmother’s memories, Joan Kim Suzuki reflects on Korea’s liberation from Japanese colonial rule at the end of World War II in Independence Day. Wan Ling Fahrer references migration and resilience as part of her family’s migration from Hong Kong to the U.S., in New Beginnings. Verna Lynn Amakawa’s work, Buffalo Heart Mountain, speaks to the history of incarceration of Japanese Americans during WWII, and its impact on indigenous peoples.
To read more about these three highlighted works, visit link in bio.
[🎨: Joan Kim Suzuki, Independence Day, 2025, Acrylic, gouache and ink on paper; Wan Ling Fahrer, New Beginnings, 2026, Digital composite photo; Verna Lynn Amakawa, Buffalo Heart Mountain, 2026, acrylic with collage; William Low, Flagship Facade, 2026, oil on linen; Hui Tuan, Identity Study - Horizon of the Self, 2024, oil on canvas, Benjamin Truong, Beaver Jesus, 2025, Mezzotint stone lithograph on masa; Pinky Urmaza, United States of Anxiety, 2026, Book covers, pages, acrylic and graphite.]
This Asian American & Pacific Islander (AAPI) Heritage Month, the Museum is pleased to display artwork by numerous artists in Just Powers: Long Island Biennial 2026, including: Verna Lynn Amakawa, Wan Ling Fahrer @wanlingfahrerart , Joan Kim Suzuki @marichanartstudio , William Low @williamlowart , Hui Tian @huitianart , Benjamin Truong @glutaro , and Pinky Urmaza @pinkyurmaza .
Today, we highlight artists Joan Kim Suzuki, Wan Ling Fahrer, and Verna Lynn Amakawa, who have all created work that pays homage to their ancestry.
Inspired by her grandmother’s memories, Joan Kim Suzuki reflects on Korea’s liberation from Japanese colonial rule at the end of World War II in Independence Day. Wan Ling Fahrer references migration and resilience as part of her family’s migration from Hong Kong to the U.S., in New Beginnings. Verna Lynn Amakawa’s work, Buffalo Heart Mountain, speaks to the history of incarceration of Japanese Americans during WWII, and its impact on indigenous peoples.
To read more about these three highlighted works, visit link in bio.
[🎨: Joan Kim Suzuki, Independence Day, 2025, Acrylic, gouache and ink on paper; Wan Ling Fahrer, New Beginnings, 2026, Digital composite photo; Verna Lynn Amakawa, Buffalo Heart Mountain, 2026, acrylic with collage; William Low, Flagship Facade, 2026, oil on linen; Hui Tuan, Identity Study - Horizon of the Self, 2024, oil on canvas, Benjamin Truong, Beaver Jesus, 2025, Mezzotint stone lithograph on masa; Pinky Urmaza, United States of Anxiety, 2026, Book covers, pages, acrylic and graphite.]
This Asian American & Pacific Islander (AAPI) Heritage Month, the Museum is pleased to display artwork by numerous artists in Just Powers: Long Island Biennial 2026, including: Verna Lynn Amakawa, Wan Ling Fahrer @wanlingfahrerart , Joan Kim Suzuki @marichanartstudio , William Low @williamlowart , Hui Tian @huitianart , Benjamin Truong @glutaro , and Pinky Urmaza @pinkyurmaza .
Today, we highlight artists Joan Kim Suzuki, Wan Ling Fahrer, and Verna Lynn Amakawa, who have all created work that pays homage to their ancestry.
Inspired by her grandmother’s memories, Joan Kim Suzuki reflects on Korea’s liberation from Japanese colonial rule at the end of World War II in Independence Day. Wan Ling Fahrer references migration and resilience as part of her family’s migration from Hong Kong to the U.S., in New Beginnings. Verna Lynn Amakawa’s work, Buffalo Heart Mountain, speaks to the history of incarceration of Japanese Americans during WWII, and its impact on indigenous peoples.
To read more about these three highlighted works, visit link in bio.
[🎨: Joan Kim Suzuki, Independence Day, 2025, Acrylic, gouache and ink on paper; Wan Ling Fahrer, New Beginnings, 2026, Digital composite photo; Verna Lynn Amakawa, Buffalo Heart Mountain, 2026, acrylic with collage; William Low, Flagship Facade, 2026, oil on linen; Hui Tuan, Identity Study - Horizon of the Self, 2024, oil on canvas, Benjamin Truong, Beaver Jesus, 2025, Mezzotint stone lithograph on masa; Pinky Urmaza, United States of Anxiety, 2026, Book covers, pages, acrylic and graphite.]
This Asian American & Pacific Islander (AAPI) Heritage Month, the Museum is pleased to display artwork by numerous artists in Just Powers: Long Island Biennial 2026, including: Verna Lynn Amakawa, Wan Ling Fahrer @wanlingfahrerart , Joan Kim Suzuki @marichanartstudio , William Low @williamlowart , Hui Tian @huitianart , Benjamin Truong @glutaro , and Pinky Urmaza @pinkyurmaza .
Today, we highlight artists Joan Kim Suzuki, Wan Ling Fahrer, and Verna Lynn Amakawa, who have all created work that pays homage to their ancestry.
Inspired by her grandmother’s memories, Joan Kim Suzuki reflects on Korea’s liberation from Japanese colonial rule at the end of World War II in Independence Day. Wan Ling Fahrer references migration and resilience as part of her family’s migration from Hong Kong to the U.S., in New Beginnings. Verna Lynn Amakawa’s work, Buffalo Heart Mountain, speaks to the history of incarceration of Japanese Americans during WWII, and its impact on indigenous peoples.
To read more about these three highlighted works, visit link in bio.
[🎨: Joan Kim Suzuki, Independence Day, 2025, Acrylic, gouache and ink on paper; Wan Ling Fahrer, New Beginnings, 2026, Digital composite photo; Verna Lynn Amakawa, Buffalo Heart Mountain, 2026, acrylic with collage; William Low, Flagship Facade, 2026, oil on linen; Hui Tuan, Identity Study - Horizon of the Self, 2024, oil on canvas, Benjamin Truong, Beaver Jesus, 2025, Mezzotint stone lithograph on masa; Pinky Urmaza, United States of Anxiety, 2026, Book covers, pages, acrylic and graphite.]
This Asian American & Pacific Islander (AAPI) Heritage Month, the Museum is pleased to display artwork by numerous artists in Just Powers: Long Island Biennial 2026, including: Verna Lynn Amakawa, Wan Ling Fahrer @wanlingfahrerart , Joan Kim Suzuki @marichanartstudio , William Low @williamlowart , Hui Tian @huitianart , Benjamin Truong @glutaro , and Pinky Urmaza @pinkyurmaza .
Today, we highlight artists Joan Kim Suzuki, Wan Ling Fahrer, and Verna Lynn Amakawa, who have all created work that pays homage to their ancestry.
Inspired by her grandmother’s memories, Joan Kim Suzuki reflects on Korea’s liberation from Japanese colonial rule at the end of World War II in Independence Day. Wan Ling Fahrer references migration and resilience as part of her family’s migration from Hong Kong to the U.S., in New Beginnings. Verna Lynn Amakawa’s work, Buffalo Heart Mountain, speaks to the history of incarceration of Japanese Americans during WWII, and its impact on indigenous peoples.
To read more about these three highlighted works, visit link in bio.
[🎨: Joan Kim Suzuki, Independence Day, 2025, Acrylic, gouache and ink on paper; Wan Ling Fahrer, New Beginnings, 2026, Digital composite photo; Verna Lynn Amakawa, Buffalo Heart Mountain, 2026, acrylic with collage; William Low, Flagship Facade, 2026, oil on linen; Hui Tuan, Identity Study - Horizon of the Self, 2024, oil on canvas, Benjamin Truong, Beaver Jesus, 2025, Mezzotint stone lithograph on masa; Pinky Urmaza, United States of Anxiety, 2026, Book covers, pages, acrylic and graphite.]
This Asian American & Pacific Islander (AAPI) Heritage Month, the Museum is pleased to display artwork by numerous artists in Just Powers: Long Island Biennial 2026, including: Verna Lynn Amakawa, Wan Ling Fahrer @wanlingfahrerart , Joan Kim Suzuki @marichanartstudio , William Low @williamlowart , Hui Tian @huitianart , Benjamin Truong @glutaro , and Pinky Urmaza @pinkyurmaza .
Today, we highlight artists Joan Kim Suzuki, Wan Ling Fahrer, and Verna Lynn Amakawa, who have all created work that pays homage to their ancestry.
Inspired by her grandmother’s memories, Joan Kim Suzuki reflects on Korea’s liberation from Japanese colonial rule at the end of World War II in Independence Day. Wan Ling Fahrer references migration and resilience as part of her family’s migration from Hong Kong to the U.S., in New Beginnings. Verna Lynn Amakawa’s work, Buffalo Heart Mountain, speaks to the history of incarceration of Japanese Americans during WWII, and its impact on indigenous peoples.
To read more about these three highlighted works, visit link in bio.
[🎨: Joan Kim Suzuki, Independence Day, 2025, Acrylic, gouache and ink on paper; Wan Ling Fahrer, New Beginnings, 2026, Digital composite photo; Verna Lynn Amakawa, Buffalo Heart Mountain, 2026, acrylic with collage; William Low, Flagship Facade, 2026, oil on linen; Hui Tuan, Identity Study - Horizon of the Self, 2024, oil on canvas, Benjamin Truong, Beaver Jesus, 2025, Mezzotint stone lithograph on masa; Pinky Urmaza, United States of Anxiety, 2026, Book covers, pages, acrylic and graphite.]
This Asian American & Pacific Islander (AAPI) Heritage Month, the Museum is pleased to display artwork by numerous artists in Just Powers: Long Island Biennial 2026, including: Verna Lynn Amakawa, Wan Ling Fahrer @wanlingfahrerart , Joan Kim Suzuki @marichanartstudio , William Low @williamlowart , Hui Tian @huitianart , Benjamin Truong @glutaro , and Pinky Urmaza @pinkyurmaza .
Today, we highlight artists Joan Kim Suzuki, Wan Ling Fahrer, and Verna Lynn Amakawa, who have all created work that pays homage to their ancestry.
Inspired by her grandmother’s memories, Joan Kim Suzuki reflects on Korea’s liberation from Japanese colonial rule at the end of World War II in Independence Day. Wan Ling Fahrer references migration and resilience as part of her family’s migration from Hong Kong to the U.S., in New Beginnings. Verna Lynn Amakawa’s work, Buffalo Heart Mountain, speaks to the history of incarceration of Japanese Americans during WWII, and its impact on indigenous peoples.
To read more about these three highlighted works, visit link in bio.
[🎨: Joan Kim Suzuki, Independence Day, 2025, Acrylic, gouache and ink on paper; Wan Ling Fahrer, New Beginnings, 2026, Digital composite photo; Verna Lynn Amakawa, Buffalo Heart Mountain, 2026, acrylic with collage; William Low, Flagship Facade, 2026, oil on linen; Hui Tuan, Identity Study - Horizon of the Self, 2024, oil on canvas, Benjamin Truong, Beaver Jesus, 2025, Mezzotint stone lithograph on masa; Pinky Urmaza, United States of Anxiety, 2026, Book covers, pages, acrylic and graphite.]
This Asian American & Pacific Islander (AAPI) Heritage Month, the Museum is pleased to display artwork by numerous artists in Just Powers: Long Island Biennial 2026, including: Verna Lynn Amakawa, Wan Ling Fahrer @wanlingfahrerart , Joan Kim Suzuki @marichanartstudio , William Low @williamlowart , Hui Tian @huitianart , Benjamin Truong @glutaro , and Pinky Urmaza @pinkyurmaza .
Today, we highlight artists Joan Kim Suzuki, Wan Ling Fahrer, and Verna Lynn Amakawa, who have all created work that pays homage to their ancestry.
Inspired by her grandmother’s memories, Joan Kim Suzuki reflects on Korea’s liberation from Japanese colonial rule at the end of World War II in Independence Day. Wan Ling Fahrer references migration and resilience as part of her family’s migration from Hong Kong to the U.S., in New Beginnings. Verna Lynn Amakawa’s work, Buffalo Heart Mountain, speaks to the history of incarceration of Japanese Americans during WWII, and its impact on indigenous peoples.
To read more about these three highlighted works, visit link in bio.
[🎨: Joan Kim Suzuki, Independence Day, 2025, Acrylic, gouache and ink on paper; Wan Ling Fahrer, New Beginnings, 2026, Digital composite photo; Verna Lynn Amakawa, Buffalo Heart Mountain, 2026, acrylic with collage; William Low, Flagship Facade, 2026, oil on linen; Hui Tuan, Identity Study - Horizon of the Self, 2024, oil on canvas, Benjamin Truong, Beaver Jesus, 2025, Mezzotint stone lithograph on masa; Pinky Urmaza, United States of Anxiety, 2026, Book covers, pages, acrylic and graphite.]
This Asian American & Pacific Islander (AAPI) Heritage Month, the Museum is pleased to display artwork by numerous artists in Just Powers: Long Island Biennial 2026, including: Verna Lynn Amakawa, Wan Ling Fahrer @wanlingfahrerart , Joan Kim Suzuki @marichanartstudio , William Low @williamlowart , Hui Tian @huitianart , Benjamin Truong @glutaro , and Pinky Urmaza @pinkyurmaza .
Today, we highlight artists Joan Kim Suzuki, Wan Ling Fahrer, and Verna Lynn Amakawa, who have all created work that pays homage to their ancestry.
Inspired by her grandmother’s memories, Joan Kim Suzuki reflects on Korea’s liberation from Japanese colonial rule at the end of World War II in Independence Day. Wan Ling Fahrer references migration and resilience as part of her family’s migration from Hong Kong to the U.S., in New Beginnings. Verna Lynn Amakawa’s work, Buffalo Heart Mountain, speaks to the history of incarceration of Japanese Americans during WWII, and its impact on indigenous peoples.
To read more about these three highlighted works, visit link in bio.
[🎨: Joan Kim Suzuki, Independence Day, 2025, Acrylic, gouache and ink on paper; Wan Ling Fahrer, New Beginnings, 2026, Digital composite photo; Verna Lynn Amakawa, Buffalo Heart Mountain, 2026, acrylic with collage; William Low, Flagship Facade, 2026, oil on linen; Hui Tuan, Identity Study - Horizon of the Self, 2024, oil on canvas, Benjamin Truong, Beaver Jesus, 2025, Mezzotint stone lithograph on masa; Pinky Urmaza, United States of Anxiety, 2026, Book covers, pages, acrylic and graphite.]
This Asian American & Pacific Islander (AAPI) Heritage Month, the Museum is pleased to display artwork by numerous artists in Just Powers: Long Island Biennial 2026, including: Verna Lynn Amakawa, Wan Ling Fahrer @wanlingfahrerart , Joan Kim Suzuki @marichanartstudio , William Low @williamlowart , Hui Tian @huitianart , Benjamin Truong @glutaro , and Pinky Urmaza @pinkyurmaza .
Today, we highlight artists Joan Kim Suzuki, Wan Ling Fahrer, and Verna Lynn Amakawa, who have all created work that pays homage to their ancestry.
Inspired by her grandmother’s memories, Joan Kim Suzuki reflects on Korea’s liberation from Japanese colonial rule at the end of World War II in Independence Day. Wan Ling Fahrer references migration and resilience as part of her family’s migration from Hong Kong to the U.S., in New Beginnings. Verna Lynn Amakawa’s work, Buffalo Heart Mountain, speaks to the history of incarceration of Japanese Americans during WWII, and its impact on indigenous peoples.
To read more about these three highlighted works, visit link in bio.
[🎨: Joan Kim Suzuki, Independence Day, 2025, Acrylic, gouache and ink on paper; Wan Ling Fahrer, New Beginnings, 2026, Digital composite photo; Verna Lynn Amakawa, Buffalo Heart Mountain, 2026, acrylic with collage; William Low, Flagship Facade, 2026, oil on linen; Hui Tuan, Identity Study - Horizon of the Self, 2024, oil on canvas, Benjamin Truong, Beaver Jesus, 2025, Mezzotint stone lithograph on masa; Pinky Urmaza, United States of Anxiety, 2026, Book covers, pages, acrylic and graphite.]
This Asian American & Pacific Islander (AAPI) Heritage Month, the Museum is pleased to display artwork by numerous artists in Just Powers: Long Island Biennial 2026, including: Verna Lynn Amakawa, Wan Ling Fahrer @wanlingfahrerart , Joan Kim Suzuki @marichanartstudio , William Low @williamlowart , Hui Tian @huitianart , Benjamin Truong @glutaro , and Pinky Urmaza @pinkyurmaza .
Today, we highlight artists Joan Kim Suzuki, Wan Ling Fahrer, and Verna Lynn Amakawa, who have all created work that pays homage to their ancestry.
Inspired by her grandmother’s memories, Joan Kim Suzuki reflects on Korea’s liberation from Japanese colonial rule at the end of World War II in Independence Day. Wan Ling Fahrer references migration and resilience as part of her family’s migration from Hong Kong to the U.S., in New Beginnings. Verna Lynn Amakawa’s work, Buffalo Heart Mountain, speaks to the history of incarceration of Japanese Americans during WWII, and its impact on indigenous peoples.
To read more about these three highlighted works, visit link in bio.
[🎨: Joan Kim Suzuki, Independence Day, 2025, Acrylic, gouache and ink on paper; Wan Ling Fahrer, New Beginnings, 2026, Digital composite photo; Verna Lynn Amakawa, Buffalo Heart Mountain, 2026, acrylic with collage; William Low, Flagship Facade, 2026, oil on linen; Hui Tuan, Identity Study - Horizon of the Self, 2024, oil on canvas, Benjamin Truong, Beaver Jesus, 2025, Mezzotint stone lithograph on masa; Pinky Urmaza, United States of Anxiety, 2026, Book covers, pages, acrylic and graphite.]
This Asian American & Pacific Islander (AAPI) Heritage Month, the Museum is pleased to display artwork by numerous artists in Just Powers: Long Island Biennial 2026, including: Verna Lynn Amakawa, Wan Ling Fahrer @wanlingfahrerart , Joan Kim Suzuki @marichanartstudio , William Low @williamlowart , Hui Tian @huitianart , Benjamin Truong @glutaro , and Pinky Urmaza @pinkyurmaza .
Today, we highlight artists Joan Kim Suzuki, Wan Ling Fahrer, and Verna Lynn Amakawa, who have all created work that pays homage to their ancestry.
Inspired by her grandmother’s memories, Joan Kim Suzuki reflects on Korea’s liberation from Japanese colonial rule at the end of World War II in Independence Day. Wan Ling Fahrer references migration and resilience as part of her family’s migration from Hong Kong to the U.S., in New Beginnings. Verna Lynn Amakawa’s work, Buffalo Heart Mountain, speaks to the history of incarceration of Japanese Americans during WWII, and its impact on indigenous peoples.
To read more about these three highlighted works, visit link in bio.
[🎨: Joan Kim Suzuki, Independence Day, 2025, Acrylic, gouache and ink on paper; Wan Ling Fahrer, New Beginnings, 2026, Digital composite photo; Verna Lynn Amakawa, Buffalo Heart Mountain, 2026, acrylic with collage; William Low, Flagship Facade, 2026, oil on linen; Hui Tuan, Identity Study - Horizon of the Self, 2024, oil on canvas, Benjamin Truong, Beaver Jesus, 2025, Mezzotint stone lithograph on masa; Pinky Urmaza, United States of Anxiety, 2026, Book covers, pages, acrylic and graphite.]
I’m grateful to have my latest painting Flagship Facade (Oil on Linen, 44” X 24) included in the Just Powers exhibition at the @heckscher Museum-on view through September 13.
The exhibition uses the Declaration of Independence (1776) and George Grosz’s masterpiece of political art, Eclipse of the Sun (1926), as touchstones for thinking about power, national ideals, and public life.
My painting Flagship Facade reflects a later chapter in the long arc of American independence, rooted in the Declaration of Independence’s rejection of taxation without representation. That early assertion of self-governance shaped the political and economic conditions in which commerce and entrepreneurship could develop over time. The original Lord & Taylor building in NYC appears as a consequence of stability
and confidence, where everyday architecture carries the trace of a nation moving into the industrial age.
Just Powers was juried by Tripoli Patterson, founder and owner, @tripoligallery; photographer @rentsch.andreas, Associate Professor of Photography and Chair of the Art Department, Lycoming College; and Dr. Lauren Rosati, @rose_cestlavie Associate Curator of Modern and Contemporary Art, The Metropolitan Museum of Art. It was curated by Dr. Meredith A. Brown, Consulting Curator of Contemporary Art, The Heckscher Museum of Art.
I’m grateful to have my latest painting Flagship Facade (Oil on Linen, 44” X 24) included in the Just Powers exhibition at the @heckscher Museum-on view through September 13.
The exhibition uses the Declaration of Independence (1776) and George Grosz’s masterpiece of political art, Eclipse of the Sun (1926), as touchstones for thinking about power, national ideals, and public life.
My painting Flagship Facade reflects a later chapter in the long arc of American independence, rooted in the Declaration of Independence’s rejection of taxation without representation. That early assertion of self-governance shaped the political and economic conditions in which commerce and entrepreneurship could develop over time. The original Lord & Taylor building in NYC appears as a consequence of stability
and confidence, where everyday architecture carries the trace of a nation moving into the industrial age.
Just Powers was juried by Tripoli Patterson, founder and owner, @tripoligallery; photographer @rentsch.andreas, Associate Professor of Photography and Chair of the Art Department, Lycoming College; and Dr. Lauren Rosati, @rose_cestlavie Associate Curator of Modern and Contemporary Art, The Metropolitan Museum of Art. It was curated by Dr. Meredith A. Brown, Consulting Curator of Contemporary Art, The Heckscher Museum of Art.
Study for Neon Mix - 12” x 12” ( 30.48 cm square). Oil on board
#art #oilpaint
Trying to preserve moments with paint.
Flagship Facade, Oil on Linen 2026
#art #painting
I started this painting a few weeks ago during a chilly Sunday morning in #cedarmere … Sorry to see the end of fall colors!
I started this painting a few weeks ago during a chilly Sunday morning in #cedarmere … Sorry to see the end of fall colors!
I started this painting a few weeks ago during a chilly Sunday morning in #cedarmere … Sorry to see the end of fall colors!
I started this painting a few weeks ago during a chilly Sunday morning in #cedarmere … Sorry to see the end of fall colors!
Submission by @williamlowart
“Low Tide Commercial Street”
👨🎨tag your art with
#thealmenaracollection
#figurativeart #figurativeartist #artist #painting #oilpainting #contemporaryart #bamthegram #contemporaryrealism #contemporarypainting #artcollectors #artcollector #fineart #fineartists #artdetail #artwork #emergingartist #artupclose #paintingoftheday #artcontest #artcompetition #artcompetitions #artprize #opencall #opencaliforartist #supportlivingartists #drawing #drawingoftheday #drawings #pencildrawing
I’m happy to announce that 3 of my paintings have been accepted into The Almenara Art Prize 2025 Online Exhibition in the Landscape And Plein Air division:
* Yellow House Sunrise-Oil ‐ linen ‐ 42” x 35”
* Low Tide Commercial Street-Oil ‐ Panel ‐ 18” x 24”
* Sammis Street Sycamores-Oil ‐ linen ‐ 40” x 32”
Link in Bio!
#thealmenaracollection
I’m happy to announce that 3 of my paintings have been accepted into The Almenara Art Prize 2025 Online Exhibition in the Landscape And Plein Air division:
* Yellow House Sunrise-Oil ‐ linen ‐ 42” x 35”
* Low Tide Commercial Street-Oil ‐ Panel ‐ 18” x 24”
* Sammis Street Sycamores-Oil ‐ linen ‐ 40” x 32”
Link in Bio!
#thealmenaracollection
I’m happy to announce that 3 of my paintings have been accepted into The Almenara Art Prize 2025 Online Exhibition in the Landscape And Plein Air division:
* Yellow House Sunrise-Oil ‐ linen ‐ 42” x 35”
* Low Tide Commercial Street-Oil ‐ Panel ‐ 18” x 24”
* Sammis Street Sycamores-Oil ‐ linen ‐ 40” x 32”
Link in Bio!
#thealmenaracollection
I’m proud to announce that my painting Provincetown Townhall (oil, 40”x 30”) has been selected to exhibit in the 112th Annual Exhibition with @alliedartistsofamerica at the Reading Public Museum, PA
*update* @rdgmuseum has acquired this painting for their permanent collection in October 2025.
September 13, 2025 – January 11, 2026
500 Museum Road - Reading, PA 19611
#oilpainting #capecodart #landscape #provincetownart
I’m proud to announce that my painting Provincetown Townhall (oil, 40”x 30”) has been selected to exhibit in the 112th Annual Exhibition with @alliedartistsofamerica at the Reading Public Museum, PA
*update* @rdgmuseum has acquired this painting for their permanent collection in October 2025.
September 13, 2025 – January 11, 2026
500 Museum Road - Reading, PA 19611
#oilpainting #capecodart #landscape #provincetownart
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