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Two days in New York and so much to see! Here I am highlighting New Museum’s exhibition “New Humans: Memories of the Future,” a show filled with visions of a post WW 2 world with echoes of earlier decades and reflections on the future as seen from today. To contemplate the place of humans in relation to machines and visionary thinking was both inspiring and frightening. This was my first visit since the museum reopened, and the building has truly special moments.I also had my first visit to Sotheby’s in the Breuer Building and saw the powerful selection of modern works coming up for sale next week. I am always a fan of Kandinsky, and they have a stellar one. And I saw the Guggenheim’s Carol Bove show curated by colleague and friend @kathbrinson. I only share one photo here because I was so busy enjoying the exhibition I didn’t take many pictures. This image shows a view of the High Gallery from the overlook, which puts the viewer somewhat eye to eye with the sculptures, a phrase I like using because “Eye to Eye” is a work by Louise Bourgeois that was in the retrospective Katherine and I worked on together so many years ago.I was excited to see a new body of work by Nick Cave @jackshainman in which the artist appears in the work and offers a multilayered dialogue with serving trays. I also want to mention the “must see before it closes” Matisse show @acquavellagalleries, open to 22 May.

Two days in New York and so much to see! Here I am highlighting New Museum’s exhibition “New Humans: Memories of the Future,” a show filled with visions of a post WW 2 world with echoes of earlier decades and reflections on the future as seen from today. To contemplate the place of humans in relation to machines and visionary thinking was both inspiring and frightening. This was my first visit since the museum reopened, and the building has truly special moments.I also had my first visit to Sotheby’s in the Breuer Building and saw the powerful selection of modern works coming up for sale next week. I am always a fan of Kandinsky, and they have a stellar one. And I saw the Guggenheim’s Carol Bove show curated by colleague and friend @kathbrinson. I only share one photo here because I was so busy enjoying the exhibition I didn’t take many pictures. This image shows a view of the High Gallery from the overlook, which puts the viewer somewhat eye to eye with the sculptures, a phrase I like using because “Eye to Eye” is a work by Louise Bourgeois that was in the retrospective Katherine and I worked on together so many years ago.I was excited to see a new body of work by Nick Cave @jackshainman in which the artist appears in the work and offers a multilayered dialogue with serving trays. I also want to mention the “must see before it closes” Matisse show @acquavellagalleries, open to 22 May.

Two days in New York and so much to see! Here I am highlighting New Museum’s exhibition “New Humans: Memories of the Future,” a show filled with visions of a post WW 2 world with echoes of earlier decades and reflections on the future as seen from today. To contemplate the place of humans in relation to machines and visionary thinking was both inspiring and frightening. This was my first visit since the museum reopened, and the building has truly special moments.I also had my first visit to Sotheby’s in the Breuer Building and saw the powerful selection of modern works coming up for sale next week. I am always a fan of Kandinsky, and they have a stellar one. And I saw the Guggenheim’s Carol Bove show curated by colleague and friend @kathbrinson. I only share one photo here because I was so busy enjoying the exhibition I didn’t take many pictures. This image shows a view of the High Gallery from the overlook, which puts the viewer somewhat eye to eye with the sculptures, a phrase I like using because “Eye to Eye” is a work by Louise Bourgeois that was in the retrospective Katherine and I worked on together so many years ago.I was excited to see a new body of work by Nick Cave @jackshainman in which the artist appears in the work and offers a multilayered dialogue with serving trays. I also want to mention the “must see before it closes” Matisse show @acquavellagalleries, open to 22 May.

Two days in New York and so much to see! Here I am highlighting New Museum’s exhibition “New Humans: Memories of the Future,” a show filled with visions of a post WW 2 world with echoes of earlier decades and reflections on the future as seen from today. To contemplate the place of humans in relation to machines and visionary thinking was both inspiring and frightening. This was my first visit since the museum reopened, and the building has truly special moments.I also had my first visit to Sotheby’s in the Breuer Building and saw the powerful selection of modern works coming up for sale next week. I am always a fan of Kandinsky, and they have a stellar one. And I saw the Guggenheim’s Carol Bove show curated by colleague and friend @kathbrinson. I only share one photo here because I was so busy enjoying the exhibition I didn’t take many pictures. This image shows a view of the High Gallery from the overlook, which puts the viewer somewhat eye to eye with the sculptures, a phrase I like using because “Eye to Eye” is a work by Louise Bourgeois that was in the retrospective Katherine and I worked on together so many years ago.I was excited to see a new body of work by Nick Cave @jackshainman in which the artist appears in the work and offers a multilayered dialogue with serving trays. I also want to mention the “must see before it closes” Matisse show @acquavellagalleries, open to 22 May.

Two days in New York and so much to see! Here I am highlighting New Museum’s exhibition “New Humans: Memories of the Future,” a show filled with visions of a post WW 2 world with echoes of earlier decades and reflections on the future as seen from today. To contemplate the place of humans in relation to machines and visionary thinking was both inspiring and frightening. This was my first visit since the museum reopened, and the building has truly special moments.I also had my first visit to Sotheby’s in the Breuer Building and saw the powerful selection of modern works coming up for sale next week. I am always a fan of Kandinsky, and they have a stellar one. And I saw the Guggenheim’s Carol Bove show curated by colleague and friend @kathbrinson. I only share one photo here because I was so busy enjoying the exhibition I didn’t take many pictures. This image shows a view of the High Gallery from the overlook, which puts the viewer somewhat eye to eye with the sculptures, a phrase I like using because “Eye to Eye” is a work by Louise Bourgeois that was in the retrospective Katherine and I worked on together so many years ago.I was excited to see a new body of work by Nick Cave @jackshainman in which the artist appears in the work and offers a multilayered dialogue with serving trays. I also want to mention the “must see before it closes” Matisse show @acquavellagalleries, open to 22 May.

Two days in New York and so much to see! Here I am highlighting New Museum’s exhibition “New Humans: Memories of the Future,” a show filled with visions of a post WW 2 world with echoes of earlier decades and reflections on the future as seen from today. To contemplate the place of humans in relation to machines and visionary thinking was both inspiring and frightening. This was my first visit since the museum reopened, and the building has truly special moments.I also had my first visit to Sotheby’s in the Breuer Building and saw the powerful selection of modern works coming up for sale next week. I am always a fan of Kandinsky, and they have a stellar one. And I saw the Guggenheim’s Carol Bove show curated by colleague and friend @kathbrinson. I only share one photo here because I was so busy enjoying the exhibition I didn’t take many pictures. This image shows a view of the High Gallery from the overlook, which puts the viewer somewhat eye to eye with the sculptures, a phrase I like using because “Eye to Eye” is a work by Louise Bourgeois that was in the retrospective Katherine and I worked on together so many years ago.I was excited to see a new body of work by Nick Cave @jackshainman in which the artist appears in the work and offers a multilayered dialogue with serving trays. I also want to mention the “must see before it closes” Matisse show @acquavellagalleries, open to 22 May.

Two days in New York and so much to see! Here I am highlighting New Museum’s exhibition “New Humans: Memories of the Future,” a show filled with visions of a post WW 2 world with echoes of earlier decades and reflections on the future as seen from today. To contemplate the place of humans in relation to machines and visionary thinking was both inspiring and frightening. This was my first visit since the museum reopened, and the building has truly special moments.I also had my first visit to Sotheby’s in the Breuer Building and saw the powerful selection of modern works coming up for sale next week. I am always a fan of Kandinsky, and they have a stellar one. And I saw the Guggenheim’s Carol Bove show curated by colleague and friend @kathbrinson. I only share one photo here because I was so busy enjoying the exhibition I didn’t take many pictures. This image shows a view of the High Gallery from the overlook, which puts the viewer somewhat eye to eye with the sculptures, a phrase I like using because “Eye to Eye” is a work by Louise Bourgeois that was in the retrospective Katherine and I worked on together so many years ago.I was excited to see a new body of work by Nick Cave @jackshainman in which the artist appears in the work and offers a multilayered dialogue with serving trays. I also want to mention the “must see before it closes” Matisse show @acquavellagalleries, open to 22 May.

This photo was taken at the opening of the show ZERO that I curated in 2014 at the Guggenheim. The exhibition was my dissertation come to life and for my mom and me, it represented a full circle of constant encouragement to reach educational and professional goals that we shared through every year of our life together. She was the best mother, teacher, and friend, who modeled strength and grace. I miss her every day and today wanted to celebrate Yvonne Hargis Fox Hillings.

She would have loved @ncartmuseum’s “Knowing the West” show with the seating area outside the galleries being almost a mirror of my childhood family room.For her, American Indian and Southwest art were reflections of her belief in the centrality of nature.I think of her as I walk through this majestic show that emphasizes women artists, which my mother was.

So excited to have opened “Knowing the West,” an exhibition organized by @crystalbridgesmuseum and featuring artwork by diverse makers of the 19th and early 20th centuries that reflect on the varied experiences and histories of the American West. The show invites visitors to consider what they know about the West and to engage with familiar and overlooked stories of the region.Special shout out to the @ncartmuseum team who designed, installed, and brought to life this spectacular presentation including curator Lauren Applebaum, designer Mary Wolff, lighting designer Kiahana Toomer, and director of interpretive strategy Felicia Knise, among many others. On view until August 9th, “Knowing the West” is part of the statewide America 250 celebration organized by @nc.dncr. @america250nc. Join us May 23 for a community day and Western NC art and craft showcase.

So excited to have opened “Knowing the West,” an exhibition organized by @crystalbridgesmuseum and featuring artwork by diverse makers of the 19th and early 20th centuries that reflect on the varied experiences and histories of the American West. The show invites visitors to consider what they know about the West and to engage with familiar and overlooked stories of the region.Special shout out to the @ncartmuseum team who designed, installed, and brought to life this spectacular presentation including curator Lauren Applebaum, designer Mary Wolff, lighting designer Kiahana Toomer, and director of interpretive strategy Felicia Knise, among many others. On view until August 9th, “Knowing the West” is part of the statewide America 250 celebration organized by @nc.dncr. @america250nc. Join us May 23 for a community day and Western NC art and craft showcase.

So excited to have opened “Knowing the West,” an exhibition organized by @crystalbridgesmuseum and featuring artwork by diverse makers of the 19th and early 20th centuries that reflect on the varied experiences and histories of the American West. The show invites visitors to consider what they know about the West and to engage with familiar and overlooked stories of the region.Special shout out to the @ncartmuseum team who designed, installed, and brought to life this spectacular presentation including curator Lauren Applebaum, designer Mary Wolff, lighting designer Kiahana Toomer, and director of interpretive strategy Felicia Knise, among many others. On view until August 9th, “Knowing the West” is part of the statewide America 250 celebration organized by @nc.dncr. @america250nc. Join us May 23 for a community day and Western NC art and craft showcase.

So excited to have opened “Knowing the West,” an exhibition organized by @crystalbridgesmuseum and featuring artwork by diverse makers of the 19th and early 20th centuries that reflect on the varied experiences and histories of the American West. The show invites visitors to consider what they know about the West and to engage with familiar and overlooked stories of the region.Special shout out to the @ncartmuseum team who designed, installed, and brought to life this spectacular presentation including curator Lauren Applebaum, designer Mary Wolff, lighting designer Kiahana Toomer, and director of interpretive strategy Felicia Knise, among many others. On view until August 9th, “Knowing the West” is part of the statewide America 250 celebration organized by @nc.dncr. @america250nc. Join us May 23 for a community day and Western NC art and craft showcase.

So excited to have opened “Knowing the West,” an exhibition organized by @crystalbridgesmuseum and featuring artwork by diverse makers of the 19th and early 20th centuries that reflect on the varied experiences and histories of the American West. The show invites visitors to consider what they know about the West and to engage with familiar and overlooked stories of the region.Special shout out to the @ncartmuseum team who designed, installed, and brought to life this spectacular presentation including curator Lauren Applebaum, designer Mary Wolff, lighting designer Kiahana Toomer, and director of interpretive strategy Felicia Knise, among many others. On view until August 9th, “Knowing the West” is part of the statewide America 250 celebration organized by @nc.dncr. @america250nc. Join us May 23 for a community day and Western NC art and craft showcase.

So excited to have opened “Knowing the West,” an exhibition organized by @crystalbridgesmuseum and featuring artwork by diverse makers of the 19th and early 20th centuries that reflect on the varied experiences and histories of the American West. The show invites visitors to consider what they know about the West and to engage with familiar and overlooked stories of the region.Special shout out to the @ncartmuseum team who designed, installed, and brought to life this spectacular presentation including curator Lauren Applebaum, designer Mary Wolff, lighting designer Kiahana Toomer, and director of interpretive strategy Felicia Knise, among many others. On view until August 9th, “Knowing the West” is part of the statewide America 250 celebration organized by @nc.dncr. @america250nc. Join us May 23 for a community day and Western NC art and craft showcase.

So excited to have opened “Knowing the West,” an exhibition organized by @crystalbridgesmuseum and featuring artwork by diverse makers of the 19th and early 20th centuries that reflect on the varied experiences and histories of the American West. The show invites visitors to consider what they know about the West and to engage with familiar and overlooked stories of the region.Special shout out to the @ncartmuseum team who designed, installed, and brought to life this spectacular presentation including curator Lauren Applebaum, designer Mary Wolff, lighting designer Kiahana Toomer, and director of interpretive strategy Felicia Knise, among many others. On view until August 9th, “Knowing the West” is part of the statewide America 250 celebration organized by @nc.dncr. @america250nc. Join us May 23 for a community day and Western NC art and craft showcase.

So excited to have opened “Knowing the West,” an exhibition organized by @crystalbridgesmuseum and featuring artwork by diverse makers of the 19th and early 20th centuries that reflect on the varied experiences and histories of the American West. The show invites visitors to consider what they know about the West and to engage with familiar and overlooked stories of the region.Special shout out to the @ncartmuseum team who designed, installed, and brought to life this spectacular presentation including curator Lauren Applebaum, designer Mary Wolff, lighting designer Kiahana Toomer, and director of interpretive strategy Felicia Knise, among many others. On view until August 9th, “Knowing the West” is part of the statewide America 250 celebration organized by @nc.dncr. @america250nc. Join us May 23 for a community day and Western NC art and craft showcase.

So excited to have opened “Knowing the West,” an exhibition organized by @crystalbridgesmuseum and featuring artwork by diverse makers of the 19th and early 20th centuries that reflect on the varied experiences and histories of the American West. The show invites visitors to consider what they know about the West and to engage with familiar and overlooked stories of the region.Special shout out to the @ncartmuseum team who designed, installed, and brought to life this spectacular presentation including curator Lauren Applebaum, designer Mary Wolff, lighting designer Kiahana Toomer, and director of interpretive strategy Felicia Knise, among many others. On view until August 9th, “Knowing the West” is part of the statewide America 250 celebration organized by @nc.dncr. @america250nc. Join us May 23 for a community day and Western NC art and craft showcase.

So excited to have opened “Knowing the West,” an exhibition organized by @crystalbridgesmuseum and featuring artwork by diverse makers of the 19th and early 20th centuries that reflect on the varied experiences and histories of the American West. The show invites visitors to consider what they know about the West and to engage with familiar and overlooked stories of the region.Special shout out to the @ncartmuseum team who designed, installed, and brought to life this spectacular presentation including curator Lauren Applebaum, designer Mary Wolff, lighting designer Kiahana Toomer, and director of interpretive strategy Felicia Knise, among many others. On view until August 9th, “Knowing the West” is part of the statewide America 250 celebration organized by @nc.dncr. @america250nc. Join us May 23 for a community day and Western NC art and craft showcase.

So excited to have opened “Knowing the West,” an exhibition organized by @crystalbridgesmuseum and featuring artwork by diverse makers of the 19th and early 20th centuries that reflect on the varied experiences and histories of the American West. The show invites visitors to consider what they know about the West and to engage with familiar and overlooked stories of the region.Special shout out to the @ncartmuseum team who designed, installed, and brought to life this spectacular presentation including curator Lauren Applebaum, designer Mary Wolff, lighting designer Kiahana Toomer, and director of interpretive strategy Felicia Knise, among many others. On view until August 9th, “Knowing the West” is part of the statewide America 250 celebration organized by @nc.dncr. @america250nc. Join us May 23 for a community day and Western NC art and craft showcase.

So excited to have opened “Knowing the West,” an exhibition organized by @crystalbridgesmuseum and featuring artwork by diverse makers of the 19th and early 20th centuries that reflect on the varied experiences and histories of the American West. The show invites visitors to consider what they know about the West and to engage with familiar and overlooked stories of the region.Special shout out to the @ncartmuseum team who designed, installed, and brought to life this spectacular presentation including curator Lauren Applebaum, designer Mary Wolff, lighting designer Kiahana Toomer, and director of interpretive strategy Felicia Knise, among many others. On view until August 9th, “Knowing the West” is part of the statewide America 250 celebration organized by @nc.dncr. @america250nc. Join us May 23 for a community day and Western NC art and craft showcase.

So excited to have opened “Knowing the West,” an exhibition organized by @crystalbridgesmuseum and featuring artwork by diverse makers of the 19th and early 20th centuries that reflect on the varied experiences and histories of the American West. The show invites visitors to consider what they know about the West and to engage with familiar and overlooked stories of the region.Special shout out to the @ncartmuseum team who designed, installed, and brought to life this spectacular presentation including curator Lauren Applebaum, designer Mary Wolff, lighting designer Kiahana Toomer, and director of interpretive strategy Felicia Knise, among many others. On view until August 9th, “Knowing the West” is part of the statewide America 250 celebration organized by @nc.dncr. @america250nc. Join us May 23 for a community day and Western NC art and craft showcase.

So excited to have opened “Knowing the West,” an exhibition organized by @crystalbridgesmuseum and featuring artwork by diverse makers of the 19th and early 20th centuries that reflect on the varied experiences and histories of the American West. The show invites visitors to consider what they know about the West and to engage with familiar and overlooked stories of the region.Special shout out to the @ncartmuseum team who designed, installed, and brought to life this spectacular presentation including curator Lauren Applebaum, designer Mary Wolff, lighting designer Kiahana Toomer, and director of interpretive strategy Felicia Knise, among many others. On view until August 9th, “Knowing the West” is part of the statewide America 250 celebration organized by @nc.dncr. @america250nc. Join us May 23 for a community day and Western NC art and craft showcase.

“Written in the Stars,” our 2026 Art in Bloom theme, invites visitors to find their sign. Based on my conversations, these arrangements are trending and seem likely to be front runners for the People’s Choice ribbon. Don’t forget to vote before we close on Sunday.

“Written in the Stars,” our 2026 Art in Bloom theme, invites visitors to find their sign. Based on my conversations, these arrangements are trending and seem likely to be front runners for the People’s Choice ribbon. Don’t forget to vote before we close on Sunday.

“Written in the Stars,” our 2026 Art in Bloom theme, invites visitors to find their sign. Based on my conversations, these arrangements are trending and seem likely to be front runners for the People’s Choice ribbon. Don’t forget to vote before we close on Sunday.

“Written in the Stars,” our 2026 Art in Bloom theme, invites visitors to find their sign. Based on my conversations, these arrangements are trending and seem likely to be front runners for the People’s Choice ribbon. Don’t forget to vote before we close on Sunday.

“Written in the Stars,” our 2026 Art in Bloom theme, invites visitors to find their sign. Based on my conversations, these arrangements are trending and seem likely to be front runners for the People’s Choice ribbon. Don’t forget to vote before we close on Sunday.

“Written in the Stars,” our 2026 Art in Bloom theme, invites visitors to find their sign. Based on my conversations, these arrangements are trending and seem likely to be front runners for the People’s Choice ribbon. Don’t forget to vote before we close on Sunday.

“Written in the Stars,” our 2026 Art in Bloom theme, invites visitors to find their sign. Based on my conversations, these arrangements are trending and seem likely to be front runners for the People’s Choice ribbon. Don’t forget to vote before we close on Sunday.

“Written in the Stars,” our 2026 Art in Bloom theme, invites visitors to find their sign. Based on my conversations, these arrangements are trending and seem likely to be front runners for the People’s Choice ribbon. Don’t forget to vote before we close on Sunday.

“Written in the Stars,” our 2026 Art in Bloom theme, invites visitors to find their sign. Based on my conversations, these arrangements are trending and seem likely to be front runners for the People’s Choice ribbon. Don’t forget to vote before we close on Sunday.

“Written in the Stars,” our 2026 Art in Bloom theme, invites visitors to find their sign. Based on my conversations, these arrangements are trending and seem likely to be front runners for the People’s Choice ribbon. Don’t forget to vote before we close on Sunday.

Some stunning interpretations of works in the People’s Collection! My Director’s Choice this year was the arrangement for a ceremonial sword with sheath, Yoruba artist, by Katie Whitlow, Gabby Adriano, and Barb Brusso of Daniel’s Florist, Raleigh. They captured the essence and beauty of the object while creating a powerful floral artwork. I also loved the response to our Robert Rauschenberg by the English Garden team (Ashley DeGeus, Michel de Fosse, and Gus Allen), which captured the essence of his work and helped us to continue celebrating the 100th anniversary of his birth.Also sharing responses to our Nevelson, Inness, Sisley, Courbet, Fly whisk, and Said.

Some stunning interpretations of works in the People’s Collection! My Director’s Choice this year was the arrangement for a ceremonial sword with sheath, Yoruba artist, by Katie Whitlow, Gabby Adriano, and Barb Brusso of Daniel’s Florist, Raleigh. They captured the essence and beauty of the object while creating a powerful floral artwork. I also loved the response to our Robert Rauschenberg by the English Garden team (Ashley DeGeus, Michel de Fosse, and Gus Allen), which captured the essence of his work and helped us to continue celebrating the 100th anniversary of his birth.Also sharing responses to our Nevelson, Inness, Sisley, Courbet, Fly whisk, and Said.

Some stunning interpretations of works in the People’s Collection! My Director’s Choice this year was the arrangement for a ceremonial sword with sheath, Yoruba artist, by Katie Whitlow, Gabby Adriano, and Barb Brusso of Daniel’s Florist, Raleigh. They captured the essence and beauty of the object while creating a powerful floral artwork. I also loved the response to our Robert Rauschenberg by the English Garden team (Ashley DeGeus, Michel de Fosse, and Gus Allen), which captured the essence of his work and helped us to continue celebrating the 100th anniversary of his birth.Also sharing responses to our Nevelson, Inness, Sisley, Courbet, Fly whisk, and Said.

Some stunning interpretations of works in the People’s Collection! My Director’s Choice this year was the arrangement for a ceremonial sword with sheath, Yoruba artist, by Katie Whitlow, Gabby Adriano, and Barb Brusso of Daniel’s Florist, Raleigh. They captured the essence and beauty of the object while creating a powerful floral artwork. I also loved the response to our Robert Rauschenberg by the English Garden team (Ashley DeGeus, Michel de Fosse, and Gus Allen), which captured the essence of his work and helped us to continue celebrating the 100th anniversary of his birth.Also sharing responses to our Nevelson, Inness, Sisley, Courbet, Fly whisk, and Said.

Some stunning interpretations of works in the People’s Collection! My Director’s Choice this year was the arrangement for a ceremonial sword with sheath, Yoruba artist, by Katie Whitlow, Gabby Adriano, and Barb Brusso of Daniel’s Florist, Raleigh. They captured the essence and beauty of the object while creating a powerful floral artwork. I also loved the response to our Robert Rauschenberg by the English Garden team (Ashley DeGeus, Michel de Fosse, and Gus Allen), which captured the essence of his work and helped us to continue celebrating the 100th anniversary of his birth.Also sharing responses to our Nevelson, Inness, Sisley, Courbet, Fly whisk, and Said.

Some stunning interpretations of works in the People’s Collection! My Director’s Choice this year was the arrangement for a ceremonial sword with sheath, Yoruba artist, by Katie Whitlow, Gabby Adriano, and Barb Brusso of Daniel’s Florist, Raleigh. They captured the essence and beauty of the object while creating a powerful floral artwork. I also loved the response to our Robert Rauschenberg by the English Garden team (Ashley DeGeus, Michel de Fosse, and Gus Allen), which captured the essence of his work and helped us to continue celebrating the 100th anniversary of his birth.Also sharing responses to our Nevelson, Inness, Sisley, Courbet, Fly whisk, and Said.

Some stunning interpretations of works in the People’s Collection! My Director’s Choice this year was the arrangement for a ceremonial sword with sheath, Yoruba artist, by Katie Whitlow, Gabby Adriano, and Barb Brusso of Daniel’s Florist, Raleigh. They captured the essence and beauty of the object while creating a powerful floral artwork. I also loved the response to our Robert Rauschenberg by the English Garden team (Ashley DeGeus, Michel de Fosse, and Gus Allen), which captured the essence of his work and helped us to continue celebrating the 100th anniversary of his birth.Also sharing responses to our Nevelson, Inness, Sisley, Courbet, Fly whisk, and Said.

Some stunning interpretations of works in the People’s Collection! My Director’s Choice this year was the arrangement for a ceremonial sword with sheath, Yoruba artist, by Katie Whitlow, Gabby Adriano, and Barb Brusso of Daniel’s Florist, Raleigh. They captured the essence and beauty of the object while creating a powerful floral artwork. I also loved the response to our Robert Rauschenberg by the English Garden team (Ashley DeGeus, Michel de Fosse, and Gus Allen), which captured the essence of his work and helped us to continue celebrating the 100th anniversary of his birth.Also sharing responses to our Nevelson, Inness, Sisley, Courbet, Fly whisk, and Said.

Some stunning interpretations of works in the People’s Collection! My Director’s Choice this year was the arrangement for a ceremonial sword with sheath, Yoruba artist, by Katie Whitlow, Gabby Adriano, and Barb Brusso of Daniel’s Florist, Raleigh. They captured the essence and beauty of the object while creating a powerful floral artwork. I also loved the response to our Robert Rauschenberg by the English Garden team (Ashley DeGeus, Michel de Fosse, and Gus Allen), which captured the essence of his work and helped us to continue celebrating the 100th anniversary of his birth.Also sharing responses to our Nevelson, Inness, Sisley, Courbet, Fly whisk, and Said.

Some stunning interpretations of works in the People’s Collection! My Director’s Choice this year was the arrangement for a ceremonial sword with sheath, Yoruba artist, by Katie Whitlow, Gabby Adriano, and Barb Brusso of Daniel’s Florist, Raleigh. They captured the essence and beauty of the object while creating a powerful floral artwork. I also loved the response to our Robert Rauschenberg by the English Garden team (Ashley DeGeus, Michel de Fosse, and Gus Allen), which captured the essence of his work and helped us to continue celebrating the 100th anniversary of his birth.Also sharing responses to our Nevelson, Inness, Sisley, Courbet, Fly whisk, and Said.

Art in Bloom is here! Once again @ncartmuseum welcomes floral artists to respond to works in the collection and a theme; this 11th year’s “Written in the Stars” features the zodiac signs including this stunning interpretation of Scorpio.

A magical night in the Ann and Jim Goodnight Museum Park @ncartmuseum with guests of all ages relaxing under the stars and enjoying the musical swings and benches by Daily tous les jours, illuminated for the occasion, and also our newest artwork in the Park “Please Be Seated” by Paul Cockedge.They also captured the occasion with photos in the floral frame by @bloomworksraleigh which, like the evening, is part of our annual Art in Bloom, presented by PNC Bank, opening next week.Following our theme of the zodiac, @moreheadplanetarium and @raleigh_astro partnered tonight on encouraging everyone to look up at the stars, whether on their own or via telescopes. Thanks to everyone who waited so patiently for your turn!

A magical night in the Ann and Jim Goodnight Museum Park @ncartmuseum with guests of all ages relaxing under the stars and enjoying the musical swings and benches by Daily tous les jours, illuminated for the occasion, and also our newest artwork in the Park “Please Be Seated” by Paul Cockedge.They also captured the occasion with photos in the floral frame by @bloomworksraleigh which, like the evening, is part of our annual Art in Bloom, presented by PNC Bank, opening next week.Following our theme of the zodiac, @moreheadplanetarium and @raleigh_astro partnered tonight on encouraging everyone to look up at the stars, whether on their own or via telescopes. Thanks to everyone who waited so patiently for your turn!

A magical night in the Ann and Jim Goodnight Museum Park @ncartmuseum with guests of all ages relaxing under the stars and enjoying the musical swings and benches by Daily tous les jours, illuminated for the occasion, and also our newest artwork in the Park “Please Be Seated” by Paul Cockedge.They also captured the occasion with photos in the floral frame by @bloomworksraleigh which, like the evening, is part of our annual Art in Bloom, presented by PNC Bank, opening next week.Following our theme of the zodiac, @moreheadplanetarium and @raleigh_astro partnered tonight on encouraging everyone to look up at the stars, whether on their own or via telescopes. Thanks to everyone who waited so patiently for your turn!

A magical night in the Ann and Jim Goodnight Museum Park @ncartmuseum with guests of all ages relaxing under the stars and enjoying the musical swings and benches by Daily tous les jours, illuminated for the occasion, and also our newest artwork in the Park “Please Be Seated” by Paul Cockedge.They also captured the occasion with photos in the floral frame by @bloomworksraleigh which, like the evening, is part of our annual Art in Bloom, presented by PNC Bank, opening next week.Following our theme of the zodiac, @moreheadplanetarium and @raleigh_astro partnered tonight on encouraging everyone to look up at the stars, whether on their own or via telescopes. Thanks to everyone who waited so patiently for your turn!

A magical night in the Ann and Jim Goodnight Museum Park @ncartmuseum with guests of all ages relaxing under the stars and enjoying the musical swings and benches by Daily tous les jours, illuminated for the occasion, and also our newest artwork in the Park “Please Be Seated” by Paul Cockedge.They also captured the occasion with photos in the floral frame by @bloomworksraleigh which, like the evening, is part of our annual Art in Bloom, presented by PNC Bank, opening next week.Following our theme of the zodiac, @moreheadplanetarium and @raleigh_astro partnered tonight on encouraging everyone to look up at the stars, whether on their own or via telescopes. Thanks to everyone who waited so patiently for your turn!

A magical night in the Ann and Jim Goodnight Museum Park @ncartmuseum with guests of all ages relaxing under the stars and enjoying the musical swings and benches by Daily tous les jours, illuminated for the occasion, and also our newest artwork in the Park “Please Be Seated” by Paul Cockedge.They also captured the occasion with photos in the floral frame by @bloomworksraleigh which, like the evening, is part of our annual Art in Bloom, presented by PNC Bank, opening next week.Following our theme of the zodiac, @moreheadplanetarium and @raleigh_astro partnered tonight on encouraging everyone to look up at the stars, whether on their own or via telescopes. Thanks to everyone who waited so patiently for your turn!

A magical night in the Ann and Jim Goodnight Museum Park @ncartmuseum with guests of all ages relaxing under the stars and enjoying the musical swings and benches by Daily tous les jours, illuminated for the occasion, and also our newest artwork in the Park “Please Be Seated” by Paul Cockedge.They also captured the occasion with photos in the floral frame by @bloomworksraleigh which, like the evening, is part of our annual Art in Bloom, presented by PNC Bank, opening next week.Following our theme of the zodiac, @moreheadplanetarium and @raleigh_astro partnered tonight on encouraging everyone to look up at the stars, whether on their own or via telescopes. Thanks to everyone who waited so patiently for your turn!

Excited to pop up @naturalsciences with their director Denise Young in celebration of our Art in Bloom from 18-22 March and their exhibition “Staying Alive,” opening next Saturday the 14th.

The National Gallery of Art in Washington is currently hosting “The Stars We Do Not See: Australian Indigenous Art,” featuring a tour de force of works from the collection of the National Gallery of Victoria in Melbourne, where I had the honor of curating a Winter Masterpieces show of works from the Guggenheim’s collection in 2007. “The Stars We Do Not See” begins with a video inviting visitors to learn about the concept of Country, the nexus of land, skies, waters, knowledge,bodies, and Law.I was especially interested that the early 1970s marked a major moment when artists in the community of Papunya in the Western Desert began translating ritual designs into independent works of art.Featuring a range of media and art from the late 1800s to today, the show elucidates Indigenous history and art history in Australia. On view until March 1, 2026. @ngvmelbourne @nationalgallery

The National Gallery of Art in Washington is currently hosting “The Stars We Do Not See: Australian Indigenous Art,” featuring a tour de force of works from the collection of the National Gallery of Victoria in Melbourne, where I had the honor of curating a Winter Masterpieces show of works from the Guggenheim’s collection in 2007. “The Stars We Do Not See” begins with a video inviting visitors to learn about the concept of Country, the nexus of land, skies, waters, knowledge,bodies, and Law.I was especially interested that the early 1970s marked a major moment when artists in the community of Papunya in the Western Desert began translating ritual designs into independent works of art.Featuring a range of media and art from the late 1800s to today, the show elucidates Indigenous history and art history in Australia. On view until March 1, 2026. @ngvmelbourne @nationalgallery

The National Gallery of Art in Washington is currently hosting “The Stars We Do Not See: Australian Indigenous Art,” featuring a tour de force of works from the collection of the National Gallery of Victoria in Melbourne, where I had the honor of curating a Winter Masterpieces show of works from the Guggenheim’s collection in 2007. “The Stars We Do Not See” begins with a video inviting visitors to learn about the concept of Country, the nexus of land, skies, waters, knowledge,bodies, and Law.I was especially interested that the early 1970s marked a major moment when artists in the community of Papunya in the Western Desert began translating ritual designs into independent works of art.Featuring a range of media and art from the late 1800s to today, the show elucidates Indigenous history and art history in Australia. On view until March 1, 2026. @ngvmelbourne @nationalgallery

The National Gallery of Art in Washington is currently hosting “The Stars We Do Not See: Australian Indigenous Art,” featuring a tour de force of works from the collection of the National Gallery of Victoria in Melbourne, where I had the honor of curating a Winter Masterpieces show of works from the Guggenheim’s collection in 2007. “The Stars We Do Not See” begins with a video inviting visitors to learn about the concept of Country, the nexus of land, skies, waters, knowledge,bodies, and Law.I was especially interested that the early 1970s marked a major moment when artists in the community of Papunya in the Western Desert began translating ritual designs into independent works of art.Featuring a range of media and art from the late 1800s to today, the show elucidates Indigenous history and art history in Australia. On view until March 1, 2026. @ngvmelbourne @nationalgallery

The National Gallery of Art in Washington is currently hosting “The Stars We Do Not See: Australian Indigenous Art,” featuring a tour de force of works from the collection of the National Gallery of Victoria in Melbourne, where I had the honor of curating a Winter Masterpieces show of works from the Guggenheim’s collection in 2007. “The Stars We Do Not See” begins with a video inviting visitors to learn about the concept of Country, the nexus of land, skies, waters, knowledge,bodies, and Law.I was especially interested that the early 1970s marked a major moment when artists in the community of Papunya in the Western Desert began translating ritual designs into independent works of art.Featuring a range of media and art from the late 1800s to today, the show elucidates Indigenous history and art history in Australia. On view until March 1, 2026. @ngvmelbourne @nationalgallery

The National Gallery of Art in Washington is currently hosting “The Stars We Do Not See: Australian Indigenous Art,” featuring a tour de force of works from the collection of the National Gallery of Victoria in Melbourne, where I had the honor of curating a Winter Masterpieces show of works from the Guggenheim’s collection in 2007. “The Stars We Do Not See” begins with a video inviting visitors to learn about the concept of Country, the nexus of land, skies, waters, knowledge,bodies, and Law.I was especially interested that the early 1970s marked a major moment when artists in the community of Papunya in the Western Desert began translating ritual designs into independent works of art.Featuring a range of media and art from the late 1800s to today, the show elucidates Indigenous history and art history in Australia. On view until March 1, 2026. @ngvmelbourne @nationalgallery

The National Gallery of Art in Washington is currently hosting “The Stars We Do Not See: Australian Indigenous Art,” featuring a tour de force of works from the collection of the National Gallery of Victoria in Melbourne, where I had the honor of curating a Winter Masterpieces show of works from the Guggenheim’s collection in 2007. “The Stars We Do Not See” begins with a video inviting visitors to learn about the concept of Country, the nexus of land, skies, waters, knowledge,bodies, and Law.I was especially interested that the early 1970s marked a major moment when artists in the community of Papunya in the Western Desert began translating ritual designs into independent works of art.Featuring a range of media and art from the late 1800s to today, the show elucidates Indigenous history and art history in Australia. On view until March 1, 2026. @ngvmelbourne @nationalgallery

The National Gallery of Art in Washington is currently hosting “The Stars We Do Not See: Australian Indigenous Art,” featuring a tour de force of works from the collection of the National Gallery of Victoria in Melbourne, where I had the honor of curating a Winter Masterpieces show of works from the Guggenheim’s collection in 2007. “The Stars We Do Not See” begins with a video inviting visitors to learn about the concept of Country, the nexus of land, skies, waters, knowledge,bodies, and Law.I was especially interested that the early 1970s marked a major moment when artists in the community of Papunya in the Western Desert began translating ritual designs into independent works of art.Featuring a range of media and art from the late 1800s to today, the show elucidates Indigenous history and art history in Australia. On view until March 1, 2026. @ngvmelbourne @nationalgallery

The National Gallery of Art in Washington is currently hosting “The Stars We Do Not See: Australian Indigenous Art,” featuring a tour de force of works from the collection of the National Gallery of Victoria in Melbourne, where I had the honor of curating a Winter Masterpieces show of works from the Guggenheim’s collection in 2007. “The Stars We Do Not See” begins with a video inviting visitors to learn about the concept of Country, the nexus of land, skies, waters, knowledge,bodies, and Law.I was especially interested that the early 1970s marked a major moment when artists in the community of Papunya in the Western Desert began translating ritual designs into independent works of art.Featuring a range of media and art from the late 1800s to today, the show elucidates Indigenous history and art history in Australia. On view until March 1, 2026. @ngvmelbourne @nationalgallery

The National Gallery of Art in Washington is currently hosting “The Stars We Do Not See: Australian Indigenous Art,” featuring a tour de force of works from the collection of the National Gallery of Victoria in Melbourne, where I had the honor of curating a Winter Masterpieces show of works from the Guggenheim’s collection in 2007. “The Stars We Do Not See” begins with a video inviting visitors to learn about the concept of Country, the nexus of land, skies, waters, knowledge,bodies, and Law.I was especially interested that the early 1970s marked a major moment when artists in the community of Papunya in the Western Desert began translating ritual designs into independent works of art.Featuring a range of media and art from the late 1800s to today, the show elucidates Indigenous history and art history in Australia. On view until March 1, 2026. @ngvmelbourne @nationalgallery

The National Gallery of Art in Washington is currently hosting “The Stars We Do Not See: Australian Indigenous Art,” featuring a tour de force of works from the collection of the National Gallery of Victoria in Melbourne, where I had the honor of curating a Winter Masterpieces show of works from the Guggenheim’s collection in 2007. “The Stars We Do Not See” begins with a video inviting visitors to learn about the concept of Country, the nexus of land, skies, waters, knowledge,bodies, and Law.I was especially interested that the early 1970s marked a major moment when artists in the community of Papunya in the Western Desert began translating ritual designs into independent works of art.Featuring a range of media and art from the late 1800s to today, the show elucidates Indigenous history and art history in Australia. On view until March 1, 2026. @ngvmelbourne @nationalgallery

The National Gallery of Art in Washington is currently hosting “The Stars We Do Not See: Australian Indigenous Art,” featuring a tour de force of works from the collection of the National Gallery of Victoria in Melbourne, where I had the honor of curating a Winter Masterpieces show of works from the Guggenheim’s collection in 2007. “The Stars We Do Not See” begins with a video inviting visitors to learn about the concept of Country, the nexus of land, skies, waters, knowledge,bodies, and Law.I was especially interested that the early 1970s marked a major moment when artists in the community of Papunya in the Western Desert began translating ritual designs into independent works of art.Featuring a range of media and art from the late 1800s to today, the show elucidates Indigenous history and art history in Australia. On view until March 1, 2026. @ngvmelbourne @nationalgallery

The National Gallery of Art in Washington is currently hosting “The Stars We Do Not See: Australian Indigenous Art,” featuring a tour de force of works from the collection of the National Gallery of Victoria in Melbourne, where I had the honor of curating a Winter Masterpieces show of works from the Guggenheim’s collection in 2007. “The Stars We Do Not See” begins with a video inviting visitors to learn about the concept of Country, the nexus of land, skies, waters, knowledge,bodies, and Law.I was especially interested that the early 1970s marked a major moment when artists in the community of Papunya in the Western Desert began translating ritual designs into independent works of art.Featuring a range of media and art from the late 1800s to today, the show elucidates Indigenous history and art history in Australia. On view until March 1, 2026. @ngvmelbourne @nationalgallery

The National Gallery of Art in Washington is currently hosting “The Stars We Do Not See: Australian Indigenous Art,” featuring a tour de force of works from the collection of the National Gallery of Victoria in Melbourne, where I had the honor of curating a Winter Masterpieces show of works from the Guggenheim’s collection in 2007. “The Stars We Do Not See” begins with a video inviting visitors to learn about the concept of Country, the nexus of land, skies, waters, knowledge,bodies, and Law.I was especially interested that the early 1970s marked a major moment when artists in the community of Papunya in the Western Desert began translating ritual designs into independent works of art.Featuring a range of media and art from the late 1800s to today, the show elucidates Indigenous history and art history in Australia. On view until March 1, 2026. @ngvmelbourne @nationalgallery

The National Gallery of Art in Washington is currently hosting “The Stars We Do Not See: Australian Indigenous Art,” featuring a tour de force of works from the collection of the National Gallery of Victoria in Melbourne, where I had the honor of curating a Winter Masterpieces show of works from the Guggenheim’s collection in 2007. “The Stars We Do Not See” begins with a video inviting visitors to learn about the concept of Country, the nexus of land, skies, waters, knowledge,bodies, and Law.I was especially interested that the early 1970s marked a major moment when artists in the community of Papunya in the Western Desert began translating ritual designs into independent works of art.Featuring a range of media and art from the late 1800s to today, the show elucidates Indigenous history and art history in Australia. On view until March 1, 2026. @ngvmelbourne @nationalgallery

Today @artstogether Rainbow Dance Company under the direction of Kathryn Auman performed an original piece inspired by Karen LaMonte’s “Semi-Reclining Dress Impression with Drapery,” 2005, on view in the European galleries. The dancers recreated the closing movement in the galleries after the 11 am performance with talkback with our Director of Performing Arts and Film Moses Alexander Greene. This is part of a new series responding to artworks in the collection and on loan, Still.Moving. The next in the series will be on January 17th at 11 am and 1 pm in West Building @ncartmuseum.Admission is free.

Today @artstogether Rainbow Dance Company under the direction of Kathryn Auman performed an original piece inspired by Karen LaMonte’s “Semi-Reclining Dress Impression with Drapery,” 2005, on view in the European galleries. The dancers recreated the closing movement in the galleries after the 11 am performance with talkback with our Director of Performing Arts and Film Moses Alexander Greene. This is part of a new series responding to artworks in the collection and on loan, Still.Moving. The next in the series will be on January 17th at 11 am and 1 pm in West Building @ncartmuseum.Admission is free.

Today @artstogether Rainbow Dance Company under the direction of Kathryn Auman performed an original piece inspired by Karen LaMonte’s “Semi-Reclining Dress Impression with Drapery,” 2005, on view in the European galleries. The dancers recreated the closing movement in the galleries after the 11 am performance with talkback with our Director of Performing Arts and Film Moses Alexander Greene. This is part of a new series responding to artworks in the collection and on loan, Still.Moving. The next in the series will be on January 17th at 11 am and 1 pm in West Building @ncartmuseum.Admission is free.

Today @artstogether Rainbow Dance Company under the direction of Kathryn Auman performed an original piece inspired by Karen LaMonte’s “Semi-Reclining Dress Impression with Drapery,” 2005, on view in the European galleries. The dancers recreated the closing movement in the galleries after the 11 am performance with talkback with our Director of Performing Arts and Film Moses Alexander Greene. This is part of a new series responding to artworks in the collection and on loan, Still.Moving. The next in the series will be on January 17th at 11 am and 1 pm in West Building @ncartmuseum.Admission is free.

Today @artstogether Rainbow Dance Company under the direction of Kathryn Auman performed an original piece inspired by Karen LaMonte’s “Semi-Reclining Dress Impression with Drapery,” 2005, on view in the European galleries. The dancers recreated the closing movement in the galleries after the 11 am performance with talkback with our Director of Performing Arts and Film Moses Alexander Greene. This is part of a new series responding to artworks in the collection and on loan, Still.Moving. The next in the series will be on January 17th at 11 am and 1 pm in West Building @ncartmuseum.Admission is free.

Thank you to @secdncr Pamela Cashwell, our Board of Trustees Chair John Davis, our Foundation Board of Directors Chair Diane Bastian, Partner and CEO of HH Architecture Kristen Hess, and John Blakely, Regional Director for Consigli Construction for coming together to celebrate the commencement of construction @ncartmuseum of a series of projects centered on East Building, the Joseph M. Bryan, Jr. Theater in the Museum Park, the Center for Art Conservation and Preservation, and the Ann and Jim Goodnight Museum Park. We are excited to be underway.

I am saddened to learn of Frank Gehry’s passing. I had the honor of working with him and his team on designing the Guggenheim Abu Dhabi, pictured as of three weeks ago.He leaves behind a global architectural legacy.