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Dressed mullions and a concealed sill for a flat in St Kilda.

A roller-blind-enclosed-soffit-covered sunroom alongside a patio for a terrace in Coogee. New tiles—floor and wall—and a planting and furniture schedule, mostly ready-made and as-found from Ikea, Bunnings, National Tiles, and the local native nursery. Early study with @chunc.ee

Casually stained bricks for an already extended hearth in a corner of existing good character. Split system included. Some roughed in provisions for a wall light and eye plate too.

Casually stained bricks for an already extended hearth in a corner of existing good character. Split system included. Some roughed in provisions for a wall light and eye plate too.

Two new ranges, an opening widened and a second added for the minor reconfiguration of an existing kitchen. Opened rooms but not open plan. An early study for an apartment alteration with Louis Horne. Image by @indicativepictures

Big door small door corner cupboard beside an occasional roller-blind-door mostly resting as a decorative lintel. Studies for a guest room in Shimokitazawa.

Slipped-frieze-esque, possibly Sgraffito in logic and seemingly Secessionist in expression. A study of Hoffmann’s very low relief facade with @indicativepictures

Slipped-frieze-esque, possibly Sgraffito in logic and seemingly Secessionist in expression. A study of Hoffmann’s very low relief facade with @indicativepictures

Screed inlays and skirting board motif for a living room.

Screed inlays and skirting board motif for a living room.

Screed inlays and skirting board motif for a living room.

Paper blind for a hammered glass window to an artificially lit hall.

Partial facade renewal for a stack of semi detached villas. Resealed, patched, partially secured and painted; buttress like metre box added, embellished for plausible grandeur and added good character. Or ultimately, nothing special.

Partial facade renewal for a stack of semi detached villas. Resealed, patched, partially secured and painted; buttress like metre box added, embellished for plausible grandeur and added good character. Or ultimately, nothing special.

More square and a little wider; a room re-proportioned from *2.8×3.5m to 3.5×3.5m. Three new doors and an off-centred, reinstated ceiling rose set beside a new light. An informal middle room, readjusted by relations not just resized by measurements.

*see fig 3.

More square and a little wider; a room re-proportioned from *2.8×3.5m to 3.5×3.5m. Three new doors and an off-centred, reinstated ceiling rose set beside a new light. An informal middle room, readjusted by relations not just resized by measurements.

*see fig 3.

More square and a little wider; a room re-proportioned from *2.8×3.5m to 3.5×3.5m. Three new doors and an off-centred, reinstated ceiling rose set beside a new light. An informal middle room, readjusted by relations not just resized by measurements.

*see fig 3.

A wall light and an occasional column.

A reproportioned opening for people, not cars. A casual entry made formal with some *repainting for decorum and the varnishing of a partially unpainted cypress square post for decorative expression.

*Fence repainted to boundary and roller door repainted to opening reveal height.

With Kate Finning for Garage Talks Ill, an ongoing talk series organised by Andrew Murray, Kate Finning and Jean-Marc Tang.

A wall light and an occasional column.

A reproportioned opening for people, not cars. A casual entry made formal with some *repainting for decorum and the varnishing of a partially unpainted cypress square post for decorative expression.

*Fence repainted to boundary and roller door repainted to opening reveal height.

With Kate Finning for Garage Talks Ill, an ongoing talk series organised by Andrew Murray, Kate Finning and Jean-Marc Tang.

A picture made for a proposal of a minor addition and some subtle embellishments. Three cast iron flowers for a corner of Asplund’s Woodland Chapel. A composite study image over a cropped found photograph by Valentina Solena.