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Sharing a few impressions from our first term projects. Today with @golpayegani.maryam ✏️🔠

“To Woman, Life, Freedom, to Tehran, to my teachers, to all my friends, all the things I learned, all the things I drew, everything I overthought, and to the rare sunny days of The Hague.“

2–6: My revival of Stempel Garamond, guided by Paul van der Laan. 7: Stone carving, guided by Françoise Berserik. 8–12: My contrast project — my first Latin font — guided by Peter Verheul. 13: Manicule drawings in different sizes, guided by Erik van Blokland. 14: My coding project, building a variable sliced color font, guided by Just van Rossum. 15: Lettering for Type and Media in Persian. 16: Me.

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Today with @golpayegani.maryam ✏️🔠

“To Woman, Life, Freedom, to Tehran, to my teachers, to all my friends, all the things I learned, all the things I drew, everything I overthought, and to the rare sunny days of The Hague.“

2–6: My revival of Stempel Garamond, guided by Paul van der Laan. 7: Stone carving, guided by Françoise Berserik. 8–12: My contrast project — my first Latin font — guided by Peter Verheul. 13: Manicule drawings in different sizes, guided by Erik van Blokland. 14: My coding project, building a variable sliced color font, guided by Just van Rossum. 15: Lettering for Type and Media in Persian. 16: Me.

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Today with @golpayegani.maryam ✏️🔠

“To Woman, Life, Freedom, to Tehran, to my teachers, to all my friends, all the things I learned, all the things I drew, everything I overthought, and to the rare sunny days of The Hague.“

2–6: My revival of Stempel Garamond, guided by Paul van der Laan. 7: Stone carving, guided by Françoise Berserik. 8–12: My contrast project — my first Latin font — guided by Peter Verheul. 13: Manicule drawings in different sizes, guided by Erik van Blokland. 14: My coding project, building a variable sliced color font, guided by Just van Rossum. 15: Lettering for Type and Media in Persian. 16: Me.

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Today with @golpayegani.maryam ✏️🔠

“To Woman, Life, Freedom, to Tehran, to my teachers, to all my friends, all the things I learned, all the things I drew, everything I overthought, and to the rare sunny days of The Hague.“

2–6: My revival of Stempel Garamond, guided by Paul van der Laan. 7: Stone carving, guided by Françoise Berserik. 8–12: My contrast project — my first Latin font — guided by Peter Verheul. 13: Manicule drawings in different sizes, guided by Erik van Blokland. 14: My coding project, building a variable sliced color font, guided by Just van Rossum. 15: Lettering for Type and Media in Persian. 16: Me.

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Today with @golpayegani.maryam ✏️🔠

“To Woman, Life, Freedom, to Tehran, to my teachers, to all my friends, all the things I learned, all the things I drew, everything I overthought, and to the rare sunny days of The Hague.“

2–6: My revival of Stempel Garamond, guided by Paul van der Laan. 7: Stone carving, guided by Françoise Berserik. 8–12: My contrast project — my first Latin font — guided by Peter Verheul. 13: Manicule drawings in different sizes, guided by Erik van Blokland. 14: My coding project, building a variable sliced color font, guided by Just van Rossum. 15: Lettering for Type and Media in Persian. 16: Me.

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Today with @golpayegani.maryam ✏️🔠

“To Woman, Life, Freedom, to Tehran, to my teachers, to all my friends, all the things I learned, all the things I drew, everything I overthought, and to the rare sunny days of The Hague.“

2–6: My revival of Stempel Garamond, guided by Paul van der Laan. 7: Stone carving, guided by Françoise Berserik. 8–12: My contrast project — my first Latin font — guided by Peter Verheul. 13: Manicule drawings in different sizes, guided by Erik van Blokland. 14: My coding project, building a variable sliced color font, guided by Just van Rossum. 15: Lettering for Type and Media in Persian. 16: Me.

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Today with @golpayegani.maryam ✏️🔠

“To Woman, Life, Freedom, to Tehran, to my teachers, to all my friends, all the things I learned, all the things I drew, everything I overthought, and to the rare sunny days of The Hague.“

2–6: My revival of Stempel Garamond, guided by Paul van der Laan. 7: Stone carving, guided by Françoise Berserik. 8–12: My contrast project — my first Latin font — guided by Peter Verheul. 13: Manicule drawings in different sizes, guided by Erik van Blokland. 14: My coding project, building a variable sliced color font, guided by Just van Rossum. 15: Lettering for Type and Media in Persian. 16: Me.

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Today with @golpayegani.maryam ✏️🔠

“To Woman, Life, Freedom, to Tehran, to my teachers, to all my friends, all the things I learned, all the things I drew, everything I overthought, and to the rare sunny days of The Hague.“

2–6: My revival of Stempel Garamond, guided by Paul van der Laan. 7: Stone carving, guided by Françoise Berserik. 8–12: My contrast project — my first Latin font — guided by Peter Verheul. 13: Manicule drawings in different sizes, guided by Erik van Blokland. 14: My coding project, building a variable sliced color font, guided by Just van Rossum. 15: Lettering for Type and Media in Persian. 16: Me.

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Today with @golpayegani.maryam ✏️🔠

“To Woman, Life, Freedom, to Tehran, to my teachers, to all my friends, all the things I learned, all the things I drew, everything I overthought, and to the rare sunny days of The Hague.“

2–6: My revival of Stempel Garamond, guided by Paul van der Laan. 7: Stone carving, guided by Françoise Berserik. 8–12: My contrast project — my first Latin font — guided by Peter Verheul. 13: Manicule drawings in different sizes, guided by Erik van Blokland. 14: My coding project, building a variable sliced color font, guided by Just van Rossum. 15: Lettering for Type and Media in Persian. 16: Me.

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Today with @golpayegani.maryam ✏️🔠

“To Woman, Life, Freedom, to Tehran, to my teachers, to all my friends, all the things I learned, all the things I drew, everything I overthought, and to the rare sunny days of The Hague.“

2–6: My revival of Stempel Garamond, guided by Paul van der Laan. 7: Stone carving, guided by Françoise Berserik. 8–12: My contrast project — my first Latin font — guided by Peter Verheul. 13: Manicule drawings in different sizes, guided by Erik van Blokland. 14: My coding project, building a variable sliced color font, guided by Just van Rossum. 15: Lettering for Type and Media in Persian. 16: Me.

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Today with @golpayegani.maryam ✏️🔠

“To Woman, Life, Freedom, to Tehran, to my teachers, to all my friends, all the things I learned, all the things I drew, everything I overthought, and to the rare sunny days of The Hague.“

2–6: My revival of Stempel Garamond, guided by Paul van der Laan. 7: Stone carving, guided by Françoise Berserik. 8–12: My contrast project — my first Latin font — guided by Peter Verheul. 13: Manicule drawings in different sizes, guided by Erik van Blokland. 14: My coding project, building a variable sliced color font, guided by Just van Rossum. 15: Lettering for Type and Media in Persian. 16: Me.

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Today with @golpayegani.maryam ✏️🔠

“To Woman, Life, Freedom, to Tehran, to my teachers, to all my friends, all the things I learned, all the things I drew, everything I overthought, and to the rare sunny days of The Hague.“

2–6: My revival of Stempel Garamond, guided by Paul van der Laan. 7: Stone carving, guided by Françoise Berserik. 8–12: My contrast project — my first Latin font — guided by Peter Verheul. 13: Manicule drawings in different sizes, guided by Erik van Blokland. 14: My coding project, building a variable sliced color font, guided by Just van Rossum. 15: Lettering for Type and Media in Persian. 16: Me.

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Today with @golpayegani.maryam ✏️🔠

“To Woman, Life, Freedom, to Tehran, to my teachers, to all my friends, all the things I learned, all the things I drew, everything I overthought, and to the rare sunny days of The Hague.“

2–6: My revival of Stempel Garamond, guided by Paul van der Laan. 7: Stone carving, guided by Françoise Berserik. 8–12: My contrast project — my first Latin font — guided by Peter Verheul. 13: Manicule drawings in different sizes, guided by Erik van Blokland. 14: My coding project, building a variable sliced color font, guided by Just van Rossum. 15: Lettering for Type and Media in Persian. 16: Me.

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Today with @golpayegani.maryam ✏️🔠

“To Woman, Life, Freedom, to Tehran, to my teachers, to all my friends, all the things I learned, all the things I drew, everything I overthought, and to the rare sunny days of The Hague.“

2–6: My revival of Stempel Garamond, guided by Paul van der Laan. 7: Stone carving, guided by Françoise Berserik. 8–12: My contrast project — my first Latin font — guided by Peter Verheul. 13: Manicule drawings in different sizes, guided by Erik van Blokland. 14: My coding project, building a variable sliced color font, guided by Just van Rossum. 15: Lettering for Type and Media in Persian. 16: Me.

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Today with @golpayegani.maryam ✏️🔠

“To Woman, Life, Freedom, to Tehran, to my teachers, to all my friends, all the things I learned, all the things I drew, everything I overthought, and to the rare sunny days of The Hague.“

2–6: My revival of Stempel Garamond, guided by Paul van der Laan. 7: Stone carving, guided by Françoise Berserik. 8–12: My contrast project — my first Latin font — guided by Peter Verheul. 13: Manicule drawings in different sizes, guided by Erik van Blokland. 14: My coding project, building a variable sliced color font, guided by Just van Rossum. 15: Lettering for Type and Media in Persian. 16: Me.

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Today with @golpayegani.maryam ✏️🔠

“To Woman, Life, Freedom, to Tehran, to my teachers, to all my friends, all the things I learned, all the things I drew, everything I overthought, and to the rare sunny days of The Hague.“

2–6: My revival of Stempel Garamond, guided by Paul van der Laan. 7: Stone carving, guided by Françoise Berserik. 8–12: My contrast project — my first Latin font — guided by Peter Verheul. 13: Manicule drawings in different sizes, guided by Erik van Blokland. 14: My coding project, building a variable sliced color font, guided by Just van Rossum. 15: Lettering for Type and Media in Persian. 16: Me.

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Today with @gintarerazmaite ✏️🔠

1️⃣ Various drawn, printed, carved, woven, and chocolate moulded fragments of all the projects done in the last semester.
2️⃣–6️⃣ An overview of Versia – a revival of Romaansch (Amsterdam Type Foundry). It’s a fresh look at a style that had spread all across Europe and beyond at the start of the 20th century. Now digitised and balanced for a contemporary reader’s eye.
Project guided by Paul van der Laan.
7️⃣, 8️⃣ An attempt to weave type by coding, which comes with an advantage – adjustable thickness of the threads. Also comes in handy when making bookmarks for classmates.
Project guided by Just van Rossum.
9️⃣–1️⃣4️⃣ Suntan – a type family designed as a result of translation contrast research. It spans 6 styles: Regular, Medium, High, Low Contrast, Italic, and Informal.
Project guided by Peter Verheul.
1️⃣5️⃣ Me in my precious nook, where I spent most of my days since September. The time flew by super fast, but I am so grateful it was full of learning, drawing and having fun with TM friends!

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Today with @gintarerazmaite ✏️🔠

1️⃣ Various drawn, printed, carved, woven, and chocolate moulded fragments of all the projects done in the last semester.
2️⃣–6️⃣ An overview of Versia – a revival of Romaansch (Amsterdam Type Foundry). It’s a fresh look at a style that had spread all across Europe and beyond at the start of the 20th century. Now digitised and balanced for a contemporary reader’s eye.
Project guided by Paul van der Laan.
7️⃣, 8️⃣ An attempt to weave type by coding, which comes with an advantage – adjustable thickness of the threads. Also comes in handy when making bookmarks for classmates.
Project guided by Just van Rossum.
9️⃣–1️⃣4️⃣ Suntan – a type family designed as a result of translation contrast research. It spans 6 styles: Regular, Medium, High, Low Contrast, Italic, and Informal.
Project guided by Peter Verheul.
1️⃣5️⃣ Me in my precious nook, where I spent most of my days since September. The time flew by super fast, but I am so grateful it was full of learning, drawing and having fun with TM friends!

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Today with @gintarerazmaite ✏️🔠

1️⃣ Various drawn, printed, carved, woven, and chocolate moulded fragments of all the projects done in the last semester.
2️⃣–6️⃣ An overview of Versia – a revival of Romaansch (Amsterdam Type Foundry). It’s a fresh look at a style that had spread all across Europe and beyond at the start of the 20th century. Now digitised and balanced for a contemporary reader’s eye.
Project guided by Paul van der Laan.
7️⃣, 8️⃣ An attempt to weave type by coding, which comes with an advantage – adjustable thickness of the threads. Also comes in handy when making bookmarks for classmates.
Project guided by Just van Rossum.
9️⃣–1️⃣4️⃣ Suntan – a type family designed as a result of translation contrast research. It spans 6 styles: Regular, Medium, High, Low Contrast, Italic, and Informal.
Project guided by Peter Verheul.
1️⃣5️⃣ Me in my precious nook, where I spent most of my days since September. The time flew by super fast, but I am so grateful it was full of learning, drawing and having fun with TM friends!

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Today with @gintarerazmaite ✏️🔠

1️⃣ Various drawn, printed, carved, woven, and chocolate moulded fragments of all the projects done in the last semester.
2️⃣–6️⃣ An overview of Versia – a revival of Romaansch (Amsterdam Type Foundry). It’s a fresh look at a style that had spread all across Europe and beyond at the start of the 20th century. Now digitised and balanced for a contemporary reader’s eye.
Project guided by Paul van der Laan.
7️⃣, 8️⃣ An attempt to weave type by coding, which comes with an advantage – adjustable thickness of the threads. Also comes in handy when making bookmarks for classmates.
Project guided by Just van Rossum.
9️⃣–1️⃣4️⃣ Suntan – a type family designed as a result of translation contrast research. It spans 6 styles: Regular, Medium, High, Low Contrast, Italic, and Informal.
Project guided by Peter Verheul.
1️⃣5️⃣ Me in my precious nook, where I spent most of my days since September. The time flew by super fast, but I am so grateful it was full of learning, drawing and having fun with TM friends!

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Today with @gintarerazmaite ✏️🔠

1️⃣ Various drawn, printed, carved, woven, and chocolate moulded fragments of all the projects done in the last semester.
2️⃣–6️⃣ An overview of Versia – a revival of Romaansch (Amsterdam Type Foundry). It’s a fresh look at a style that had spread all across Europe and beyond at the start of the 20th century. Now digitised and balanced for a contemporary reader’s eye.
Project guided by Paul van der Laan.
7️⃣, 8️⃣ An attempt to weave type by coding, which comes with an advantage – adjustable thickness of the threads. Also comes in handy when making bookmarks for classmates.
Project guided by Just van Rossum.
9️⃣–1️⃣4️⃣ Suntan – a type family designed as a result of translation contrast research. It spans 6 styles: Regular, Medium, High, Low Contrast, Italic, and Informal.
Project guided by Peter Verheul.
1️⃣5️⃣ Me in my precious nook, where I spent most of my days since September. The time flew by super fast, but I am so grateful it was full of learning, drawing and having fun with TM friends!

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Today with @gintarerazmaite ✏️🔠

1️⃣ Various drawn, printed, carved, woven, and chocolate moulded fragments of all the projects done in the last semester.
2️⃣–6️⃣ An overview of Versia – a revival of Romaansch (Amsterdam Type Foundry). It’s a fresh look at a style that had spread all across Europe and beyond at the start of the 20th century. Now digitised and balanced for a contemporary reader’s eye.
Project guided by Paul van der Laan.
7️⃣, 8️⃣ An attempt to weave type by coding, which comes with an advantage – adjustable thickness of the threads. Also comes in handy when making bookmarks for classmates.
Project guided by Just van Rossum.
9️⃣–1️⃣4️⃣ Suntan – a type family designed as a result of translation contrast research. It spans 6 styles: Regular, Medium, High, Low Contrast, Italic, and Informal.
Project guided by Peter Verheul.
1️⃣5️⃣ Me in my precious nook, where I spent most of my days since September. The time flew by super fast, but I am so grateful it was full of learning, drawing and having fun with TM friends!

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Today with @gintarerazmaite ✏️🔠

1️⃣ Various drawn, printed, carved, woven, and chocolate moulded fragments of all the projects done in the last semester.
2️⃣–6️⃣ An overview of Versia – a revival of Romaansch (Amsterdam Type Foundry). It’s a fresh look at a style that had spread all across Europe and beyond at the start of the 20th century. Now digitised and balanced for a contemporary reader’s eye.
Project guided by Paul van der Laan.
7️⃣, 8️⃣ An attempt to weave type by coding, which comes with an advantage – adjustable thickness of the threads. Also comes in handy when making bookmarks for classmates.
Project guided by Just van Rossum.
9️⃣–1️⃣4️⃣ Suntan – a type family designed as a result of translation contrast research. It spans 6 styles: Regular, Medium, High, Low Contrast, Italic, and Informal.
Project guided by Peter Verheul.
1️⃣5️⃣ Me in my precious nook, where I spent most of my days since September. The time flew by super fast, but I am so grateful it was full of learning, drawing and having fun with TM friends!

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Today with @gintarerazmaite ✏️🔠

1️⃣ Various drawn, printed, carved, woven, and chocolate moulded fragments of all the projects done in the last semester.
2️⃣–6️⃣ An overview of Versia – a revival of Romaansch (Amsterdam Type Foundry). It’s a fresh look at a style that had spread all across Europe and beyond at the start of the 20th century. Now digitised and balanced for a contemporary reader’s eye.
Project guided by Paul van der Laan.
7️⃣, 8️⃣ An attempt to weave type by coding, which comes with an advantage – adjustable thickness of the threads. Also comes in handy when making bookmarks for classmates.
Project guided by Just van Rossum.
9️⃣–1️⃣4️⃣ Suntan – a type family designed as a result of translation contrast research. It spans 6 styles: Regular, Medium, High, Low Contrast, Italic, and Informal.
Project guided by Peter Verheul.
1️⃣5️⃣ Me in my precious nook, where I spent most of my days since September. The time flew by super fast, but I am so grateful it was full of learning, drawing and having fun with TM friends!

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Today with @gintarerazmaite ✏️🔠

1️⃣ Various drawn, printed, carved, woven, and chocolate moulded fragments of all the projects done in the last semester.
2️⃣–6️⃣ An overview of Versia – a revival of Romaansch (Amsterdam Type Foundry). It’s a fresh look at a style that had spread all across Europe and beyond at the start of the 20th century. Now digitised and balanced for a contemporary reader’s eye.
Project guided by Paul van der Laan.
7️⃣, 8️⃣ An attempt to weave type by coding, which comes with an advantage – adjustable thickness of the threads. Also comes in handy when making bookmarks for classmates.
Project guided by Just van Rossum.
9️⃣–1️⃣4️⃣ Suntan – a type family designed as a result of translation contrast research. It spans 6 styles: Regular, Medium, High, Low Contrast, Italic, and Informal.
Project guided by Peter Verheul.
1️⃣5️⃣ Me in my precious nook, where I spent most of my days since September. The time flew by super fast, but I am so grateful it was full of learning, drawing and having fun with TM friends!

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Today with @gintarerazmaite ✏️🔠

1️⃣ Various drawn, printed, carved, woven, and chocolate moulded fragments of all the projects done in the last semester.
2️⃣–6️⃣ An overview of Versia – a revival of Romaansch (Amsterdam Type Foundry). It’s a fresh look at a style that had spread all across Europe and beyond at the start of the 20th century. Now digitised and balanced for a contemporary reader’s eye.
Project guided by Paul van der Laan.
7️⃣, 8️⃣ An attempt to weave type by coding, which comes with an advantage – adjustable thickness of the threads. Also comes in handy when making bookmarks for classmates.
Project guided by Just van Rossum.
9️⃣–1️⃣4️⃣ Suntan – a type family designed as a result of translation contrast research. It spans 6 styles: Regular, Medium, High, Low Contrast, Italic, and Informal.
Project guided by Peter Verheul.
1️⃣5️⃣ Me in my precious nook, where I spent most of my days since September. The time flew by super fast, but I am so grateful it was full of learning, drawing and having fun with TM friends!

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Today with @gintarerazmaite ✏️🔠

1️⃣ Various drawn, printed, carved, woven, and chocolate moulded fragments of all the projects done in the last semester.
2️⃣–6️⃣ An overview of Versia – a revival of Romaansch (Amsterdam Type Foundry). It’s a fresh look at a style that had spread all across Europe and beyond at the start of the 20th century. Now digitised and balanced for a contemporary reader’s eye.
Project guided by Paul van der Laan.
7️⃣, 8️⃣ An attempt to weave type by coding, which comes with an advantage – adjustable thickness of the threads. Also comes in handy when making bookmarks for classmates.
Project guided by Just van Rossum.
9️⃣–1️⃣4️⃣ Suntan – a type family designed as a result of translation contrast research. It spans 6 styles: Regular, Medium, High, Low Contrast, Italic, and Informal.
Project guided by Peter Verheul.
1️⃣5️⃣ Me in my precious nook, where I spent most of my days since September. The time flew by super fast, but I am so grateful it was full of learning, drawing and having fun with TM friends!

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Today with @gintarerazmaite ✏️🔠

1️⃣ Various drawn, printed, carved, woven, and chocolate moulded fragments of all the projects done in the last semester.
2️⃣–6️⃣ An overview of Versia – a revival of Romaansch (Amsterdam Type Foundry). It’s a fresh look at a style that had spread all across Europe and beyond at the start of the 20th century. Now digitised and balanced for a contemporary reader’s eye.
Project guided by Paul van der Laan.
7️⃣, 8️⃣ An attempt to weave type by coding, which comes with an advantage – adjustable thickness of the threads. Also comes in handy when making bookmarks for classmates.
Project guided by Just van Rossum.
9️⃣–1️⃣4️⃣ Suntan – a type family designed as a result of translation contrast research. It spans 6 styles: Regular, Medium, High, Low Contrast, Italic, and Informal.
Project guided by Peter Verheul.
1️⃣5️⃣ Me in my precious nook, where I spent most of my days since September. The time flew by super fast, but I am so grateful it was full of learning, drawing and having fun with TM friends!

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Today with @gintarerazmaite ✏️🔠

1️⃣ Various drawn, printed, carved, woven, and chocolate moulded fragments of all the projects done in the last semester.
2️⃣–6️⃣ An overview of Versia – a revival of Romaansch (Amsterdam Type Foundry). It’s a fresh look at a style that had spread all across Europe and beyond at the start of the 20th century. Now digitised and balanced for a contemporary reader’s eye.
Project guided by Paul van der Laan.
7️⃣, 8️⃣ An attempt to weave type by coding, which comes with an advantage – adjustable thickness of the threads. Also comes in handy when making bookmarks for classmates.
Project guided by Just van Rossum.
9️⃣–1️⃣4️⃣ Suntan – a type family designed as a result of translation contrast research. It spans 6 styles: Regular, Medium, High, Low Contrast, Italic, and Informal.
Project guided by Peter Verheul.
1️⃣5️⃣ Me in my precious nook, where I spent most of my days since September. The time flew by super fast, but I am so grateful it was full of learning, drawing and having fun with TM friends!

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Today with @gintarerazmaite ✏️🔠

1️⃣ Various drawn, printed, carved, woven, and chocolate moulded fragments of all the projects done in the last semester.
2️⃣–6️⃣ An overview of Versia – a revival of Romaansch (Amsterdam Type Foundry). It’s a fresh look at a style that had spread all across Europe and beyond at the start of the 20th century. Now digitised and balanced for a contemporary reader’s eye.
Project guided by Paul van der Laan.
7️⃣, 8️⃣ An attempt to weave type by coding, which comes with an advantage – adjustable thickness of the threads. Also comes in handy when making bookmarks for classmates.
Project guided by Just van Rossum.
9️⃣–1️⃣4️⃣ Suntan – a type family designed as a result of translation contrast research. It spans 6 styles: Regular, Medium, High, Low Contrast, Italic, and Informal.
Project guided by Peter Verheul.
1️⃣5️⃣ Me in my precious nook, where I spent most of my days since September. The time flew by super fast, but I am so grateful it was full of learning, drawing and having fun with TM friends!

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Today with @gintarerazmaite ✏️🔠

1️⃣ Various drawn, printed, carved, woven, and chocolate moulded fragments of all the projects done in the last semester.
2️⃣–6️⃣ An overview of Versia – a revival of Romaansch (Amsterdam Type Foundry). It’s a fresh look at a style that had spread all across Europe and beyond at the start of the 20th century. Now digitised and balanced for a contemporary reader’s eye.
Project guided by Paul van der Laan.
7️⃣, 8️⃣ An attempt to weave type by coding, which comes with an advantage – adjustable thickness of the threads. Also comes in handy when making bookmarks for classmates.
Project guided by Just van Rossum.
9️⃣–1️⃣4️⃣ Suntan – a type family designed as a result of translation contrast research. It spans 6 styles: Regular, Medium, High, Low Contrast, Italic, and Informal.
Project guided by Peter Verheul.
1️⃣5️⃣ Me in my precious nook, where I spent most of my days since September. The time flew by super fast, but I am so grateful it was full of learning, drawing and having fun with TM friends!

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Today with @ayaka.b.ito ✏️🔠

“First semester at @typemedia, done✨ Five months of calligraphy, stone carving, Python scripting, revivals, drawing, drawing, drawing, and more crits than I can count — it was a lot. I came to The Hague to dive deep into type design, but it’s really the people who made this semester what it was. Twelve of us from all over the world, crammed into one studio, learning and making together every day. Grateful for this rare and magical little community✏️✨🌙  Now on to the next semester!”

1–4: Contrast typeface family called “Cabinet,” based on broad nib calligraphy. Instructed by Peter Verheul.
5: Python coding experiments. Instructed by Just van Rossum.
6: Snapshots from days and nights over the past five months, including a stone carving exercise taught by Françoise Berserik and Pointed Pen practice taught by Erik van Blokland.
7–10: Revival typeface project — reviving Monotype’s 1925 Horley Old Style from Het Horloge in den loop der eeuwen (The Clock Through the Centuries) by Maurits Elzas, published by W.J. Thieme & Cie, Zutphen, 1935. Instructed by Paul van der Laan.

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Today with @ayaka.b.ito ✏️🔠

“First semester at @typemedia, done✨ Five months of calligraphy, stone carving, Python scripting, revivals, drawing, drawing, drawing, and more crits than I can count — it was a lot. I came to The Hague to dive deep into type design, but it’s really the people who made this semester what it was. Twelve of us from all over the world, crammed into one studio, learning and making together every day. Grateful for this rare and magical little community✏️✨🌙  Now on to the next semester!”

1–4: Contrast typeface family called “Cabinet,” based on broad nib calligraphy. Instructed by Peter Verheul.
5: Python coding experiments. Instructed by Just van Rossum.
6: Snapshots from days and nights over the past five months, including a stone carving exercise taught by Françoise Berserik and Pointed Pen practice taught by Erik van Blokland.
7–10: Revival typeface project — reviving Monotype’s 1925 Horley Old Style from Het Horloge in den loop der eeuwen (The Clock Through the Centuries) by Maurits Elzas, published by W.J. Thieme & Cie, Zutphen, 1935. Instructed by Paul van der Laan.

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Today with @ayaka.b.ito ✏️🔠

“First semester at @typemedia, done✨ Five months of calligraphy, stone carving, Python scripting, revivals, drawing, drawing, drawing, and more crits than I can count — it was a lot. I came to The Hague to dive deep into type design, but it’s really the people who made this semester what it was. Twelve of us from all over the world, crammed into one studio, learning and making together every day. Grateful for this rare and magical little community✏️✨🌙  Now on to the next semester!”

1–4: Contrast typeface family called “Cabinet,” based on broad nib calligraphy. Instructed by Peter Verheul.
5: Python coding experiments. Instructed by Just van Rossum.
6: Snapshots from days and nights over the past five months, including a stone carving exercise taught by Françoise Berserik and Pointed Pen practice taught by Erik van Blokland.
7–10: Revival typeface project — reviving Monotype’s 1925 Horley Old Style from Het Horloge in den loop der eeuwen (The Clock Through the Centuries) by Maurits Elzas, published by W.J. Thieme & Cie, Zutphen, 1935. Instructed by Paul van der Laan.

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Today with @ayaka.b.ito ✏️🔠

“First semester at @typemedia, done✨ Five months of calligraphy, stone carving, Python scripting, revivals, drawing, drawing, drawing, and more crits than I can count — it was a lot. I came to The Hague to dive deep into type design, but it’s really the people who made this semester what it was. Twelve of us from all over the world, crammed into one studio, learning and making together every day. Grateful for this rare and magical little community✏️✨🌙  Now on to the next semester!”

1–4: Contrast typeface family called “Cabinet,” based on broad nib calligraphy. Instructed by Peter Verheul.
5: Python coding experiments. Instructed by Just van Rossum.
6: Snapshots from days and nights over the past five months, including a stone carving exercise taught by Françoise Berserik and Pointed Pen practice taught by Erik van Blokland.
7–10: Revival typeface project — reviving Monotype’s 1925 Horley Old Style from Het Horloge in den loop der eeuwen (The Clock Through the Centuries) by Maurits Elzas, published by W.J. Thieme & Cie, Zutphen, 1935. Instructed by Paul van der Laan.

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Today with @ayaka.b.ito ✏️🔠

“First semester at @typemedia, done✨ Five months of calligraphy, stone carving, Python scripting, revivals, drawing, drawing, drawing, and more crits than I can count — it was a lot. I came to The Hague to dive deep into type design, but it’s really the people who made this semester what it was. Twelve of us from all over the world, crammed into one studio, learning and making together every day. Grateful for this rare and magical little community✏️✨🌙  Now on to the next semester!”

1–4: Contrast typeface family called “Cabinet,” based on broad nib calligraphy. Instructed by Peter Verheul.
5: Python coding experiments. Instructed by Just van Rossum.
6: Snapshots from days and nights over the past five months, including a stone carving exercise taught by Françoise Berserik and Pointed Pen practice taught by Erik van Blokland.
7–10: Revival typeface project — reviving Monotype’s 1925 Horley Old Style from Het Horloge in den loop der eeuwen (The Clock Through the Centuries) by Maurits Elzas, published by W.J. Thieme & Cie, Zutphen, 1935. Instructed by Paul van der Laan.

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Today with @ayaka.b.ito ✏️🔠

“First semester at @typemedia, done✨ Five months of calligraphy, stone carving, Python scripting, revivals, drawing, drawing, drawing, and more crits than I can count — it was a lot. I came to The Hague to dive deep into type design, but it’s really the people who made this semester what it was. Twelve of us from all over the world, crammed into one studio, learning and making together every day. Grateful for this rare and magical little community✏️✨🌙  Now on to the next semester!”

1–4: Contrast typeface family called “Cabinet,” based on broad nib calligraphy. Instructed by Peter Verheul.
5: Python coding experiments. Instructed by Just van Rossum.
6: Snapshots from days and nights over the past five months, including a stone carving exercise taught by Françoise Berserik and Pointed Pen practice taught by Erik van Blokland.
7–10: Revival typeface project — reviving Monotype’s 1925 Horley Old Style from Het Horloge in den loop der eeuwen (The Clock Through the Centuries) by Maurits Elzas, published by W.J. Thieme & Cie, Zutphen, 1935. Instructed by Paul van der Laan.

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Today with @ayaka.b.ito ✏️🔠

“First semester at @typemedia, done✨ Five months of calligraphy, stone carving, Python scripting, revivals, drawing, drawing, drawing, and more crits than I can count — it was a lot. I came to The Hague to dive deep into type design, but it’s really the people who made this semester what it was. Twelve of us from all over the world, crammed into one studio, learning and making together every day. Grateful for this rare and magical little community✏️✨🌙  Now on to the next semester!”

1–4: Contrast typeface family called “Cabinet,” based on broad nib calligraphy. Instructed by Peter Verheul.
5: Python coding experiments. Instructed by Just van Rossum.
6: Snapshots from days and nights over the past five months, including a stone carving exercise taught by Françoise Berserik and Pointed Pen practice taught by Erik van Blokland.
7–10: Revival typeface project — reviving Monotype’s 1925 Horley Old Style from Het Horloge in den loop der eeuwen (The Clock Through the Centuries) by Maurits Elzas, published by W.J. Thieme & Cie, Zutphen, 1935. Instructed by Paul van der Laan.

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Today with @ayaka.b.ito ✏️🔠

“First semester at @typemedia, done✨ Five months of calligraphy, stone carving, Python scripting, revivals, drawing, drawing, drawing, and more crits than I can count — it was a lot. I came to The Hague to dive deep into type design, but it’s really the people who made this semester what it was. Twelve of us from all over the world, crammed into one studio, learning and making together every day. Grateful for this rare and magical little community✏️✨🌙  Now on to the next semester!”

1–4: Contrast typeface family called “Cabinet,” based on broad nib calligraphy. Instructed by Peter Verheul.
5: Python coding experiments. Instructed by Just van Rossum.
6: Snapshots from days and nights over the past five months, including a stone carving exercise taught by Françoise Berserik and Pointed Pen practice taught by Erik van Blokland.
7–10: Revival typeface project — reviving Monotype’s 1925 Horley Old Style from Het Horloge in den loop der eeuwen (The Clock Through the Centuries) by Maurits Elzas, published by W.J. Thieme & Cie, Zutphen, 1935. Instructed by Paul van der Laan.

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Today with @ayaka.b.ito ✏️🔠

“First semester at @typemedia, done✨ Five months of calligraphy, stone carving, Python scripting, revivals, drawing, drawing, drawing, and more crits than I can count — it was a lot. I came to The Hague to dive deep into type design, but it’s really the people who made this semester what it was. Twelve of us from all over the world, crammed into one studio, learning and making together every day. Grateful for this rare and magical little community✏️✨🌙  Now on to the next semester!”

1–4: Contrast typeface family called “Cabinet,” based on broad nib calligraphy. Instructed by Peter Verheul.
5: Python coding experiments. Instructed by Just van Rossum.
6: Snapshots from days and nights over the past five months, including a stone carving exercise taught by Françoise Berserik and Pointed Pen practice taught by Erik van Blokland.
7–10: Revival typeface project — reviving Monotype’s 1925 Horley Old Style from Het Horloge in den loop der eeuwen (The Clock Through the Centuries) by Maurits Elzas, published by W.J. Thieme & Cie, Zutphen, 1935. Instructed by Paul van der Laan.

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Today with @ayaka.b.ito ✏️🔠

“First semester at @typemedia, done✨ Five months of calligraphy, stone carving, Python scripting, revivals, drawing, drawing, drawing, and more crits than I can count — it was a lot. I came to The Hague to dive deep into type design, but it’s really the people who made this semester what it was. Twelve of us from all over the world, crammed into one studio, learning and making together every day. Grateful for this rare and magical little community✏️✨🌙  Now on to the next semester!”

1–4: Contrast typeface family called “Cabinet,” based on broad nib calligraphy. Instructed by Peter Verheul.
5: Python coding experiments. Instructed by Just van Rossum.
6: Snapshots from days and nights over the past five months, including a stone carving exercise taught by Françoise Berserik and Pointed Pen practice taught by Erik van Blokland.
7–10: Revival typeface project — reviving Monotype’s 1925 Horley Old Style from Het Horloge in den loop der eeuwen (The Clock Through the Centuries) by Maurits Elzas, published by W.J. Thieme & Cie, Zutphen, 1935. Instructed by Paul van der Laan.

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Today with @ayaka.b.ito ✏️🔠

“First semester at @typemedia, done✨ Five months of calligraphy, stone carving, Python scripting, revivals, drawing, drawing, drawing, and more crits than I can count — it was a lot. I came to The Hague to dive deep into type design, but it’s really the people who made this semester what it was. Twelve of us from all over the world, crammed into one studio, learning and making together every day. Grateful for this rare and magical little community✏️✨🌙  Now on to the next semester!”

1–4: Contrast typeface family called “Cabinet,” based on broad nib calligraphy. Instructed by Peter Verheul.
5: Python coding experiments. Instructed by Just van Rossum.
6: Snapshots from days and nights over the past five months, including a stone carving exercise taught by Françoise Berserik and Pointed Pen practice taught by Erik van Blokland.
7–10: Revival typeface project — reviving Monotype’s 1925 Horley Old Style from Het Horloge in den loop der eeuwen (The Clock Through the Centuries) by Maurits Elzas, published by W.J. Thieme & Cie, Zutphen, 1935. Instructed by Paul van der Laan.

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Today with @adriana.garciduenas ✏️🔠

„Los lentes aquí significan… 😎

Six months felt eternal, yet at the same time they passed in the blink of an eye! So much and so little at the same time. TypeMedia truly is a black hole that bends time and space, in the best way, of course. The first semester has ended, and I’m still processing everything that just happened. Lots of fun letters, fo sure!“

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Today with @adriana.garciduenas ✏️🔠

„Los lentes aquí significan… 😎

Six months felt eternal, yet at the same time they passed in the blink of an eye! So much and so little at the same time. TypeMedia truly is a black hole that bends time and space, in the best way, of course. The first semester has ended, and I’m still processing everything that just happened. Lots of fun letters, fo sure!“

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Today with @adriana.garciduenas ✏️🔠

„Los lentes aquí significan… 😎

Six months felt eternal, yet at the same time they passed in the blink of an eye! So much and so little at the same time. TypeMedia truly is a black hole that bends time and space, in the best way, of course. The first semester has ended, and I’m still processing everything that just happened. Lots of fun letters, fo sure!“

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Today with @adriana.garciduenas ✏️🔠

„Los lentes aquí significan… 😎

Six months felt eternal, yet at the same time they passed in the blink of an eye! So much and so little at the same time. TypeMedia truly is a black hole that bends time and space, in the best way, of course. The first semester has ended, and I’m still processing everything that just happened. Lots of fun letters, fo sure!“

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Today with @adriana.garciduenas ✏️🔠

„Los lentes aquí significan… 😎

Six months felt eternal, yet at the same time they passed in the blink of an eye! So much and so little at the same time. TypeMedia truly is a black hole that bends time and space, in the best way, of course. The first semester has ended, and I’m still processing everything that just happened. Lots of fun letters, fo sure!“

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Today with @adriana.garciduenas ✏️🔠

„Los lentes aquí significan… 😎

Six months felt eternal, yet at the same time they passed in the blink of an eye! So much and so little at the same time. TypeMedia truly is a black hole that bends time and space, in the best way, of course. The first semester has ended, and I’m still processing everything that just happened. Lots of fun letters, fo sure!“

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Today with @adriana.garciduenas ✏️🔠

„Los lentes aquí significan… 😎

Six months felt eternal, yet at the same time they passed in the blink of an eye! So much and so little at the same time. TypeMedia truly is a black hole that bends time and space, in the best way, of course. The first semester has ended, and I’m still processing everything that just happened. Lots of fun letters, fo sure!“

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Today with @adriana.garciduenas ✏️🔠

„Los lentes aquí significan… 😎

Six months felt eternal, yet at the same time they passed in the blink of an eye! So much and so little at the same time. TypeMedia truly is a black hole that bends time and space, in the best way, of course. The first semester has ended, and I’m still processing everything that just happened. Lots of fun letters, fo sure!“

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Today with @adriana.garciduenas ✏️🔠

„Los lentes aquí significan… 😎

Six months felt eternal, yet at the same time they passed in the blink of an eye! So much and so little at the same time. TypeMedia truly is a black hole that bends time and space, in the best way, of course. The first semester has ended, and I’m still processing everything that just happened. Lots of fun letters, fo sure!“

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Today with @adriana.garciduenas ✏️🔠

„Los lentes aquí significan… 😎

Six months felt eternal, yet at the same time they passed in the blink of an eye! So much and so little at the same time. TypeMedia truly is a black hole that bends time and space, in the best way, of course. The first semester has ended, and I’m still processing everything that just happened. Lots of fun letters, fo sure!“

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Today with @adriana.garciduenas ✏️🔠

„Los lentes aquí significan… 😎

Six months felt eternal, yet at the same time they passed in the blink of an eye! So much and so little at the same time. TypeMedia truly is a black hole that bends time and space, in the best way, of course. The first semester has ended, and I’m still processing everything that just happened. Lots of fun letters, fo sure!“

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Today with @adriana.garciduenas ✏️🔠

„Los lentes aquí significan… 😎

Six months felt eternal, yet at the same time they passed in the blink of an eye! So much and so little at the same time. TypeMedia truly is a black hole that bends time and space, in the best way, of course. The first semester has ended, and I’m still processing everything that just happened. Lots of fun letters, fo sure!“

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Today with @adriana.garciduenas ✏️🔠

„Los lentes aquí significan… 😎

Six months felt eternal, yet at the same time they passed in the blink of an eye! So much and so little at the same time. TypeMedia truly is a black hole that bends time and space, in the best way, of course. The first semester has ended, and I’m still processing everything that just happened. Lots of fun letters, fo sure!“

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Today with @adriana.garciduenas ✏️🔠

„Los lentes aquí significan… 😎

Six months felt eternal, yet at the same time they passed in the blink of an eye! So much and so little at the same time. TypeMedia truly is a black hole that bends time and space, in the best way, of course. The first semester has ended, and I’m still processing everything that just happened. Lots of fun letters, fo sure!“

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Today with @adriana.garciduenas ✏️🔠

„Los lentes aquí significan… 😎

Six months felt eternal, yet at the same time they passed in the blink of an eye! So much and so little at the same time. TypeMedia truly is a black hole that bends time and space, in the best way, of course. The first semester has ended, and I’m still processing everything that just happened. Lots of fun letters, fo sure!“

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Today with @adriana.garciduenas ✏️🔠

„Los lentes aquí significan… 😎

Six months felt eternal, yet at the same time they passed in the blink of an eye! So much and so little at the same time. TypeMedia truly is a black hole that bends time and space, in the best way, of course. The first semester has ended, and I’m still processing everything that just happened. Lots of fun letters, fo sure!“

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Today with @adriana.garciduenas ✏️🔠

„Los lentes aquí significan… 😎

Six months felt eternal, yet at the same time they passed in the blink of an eye! So much and so little at the same time. TypeMedia truly is a black hole that bends time and space, in the best way, of course. The first semester has ended, and I’m still processing everything that just happened. Lots of fun letters, fo sure!“

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Today with @adriana.garciduenas ✏️🔠

„Los lentes aquí significan… 😎

Six months felt eternal, yet at the same time they passed in the blink of an eye! So much and so little at the same time. TypeMedia truly is a black hole that bends time and space, in the best way, of course. The first semester has ended, and I’m still processing everything that just happened. Lots of fun letters, fo sure!“

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Today with @adriana.garciduenas ✏️🔠

„Los lentes aquí significan… 😎

Six months felt eternal, yet at the same time they passed in the blink of an eye! So much and so little at the same time. TypeMedia truly is a black hole that bends time and space, in the best way, of course. The first semester has ended, and I’m still processing everything that just happened. Lots of fun letters, fo sure!“

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Today with @adriana.garciduenas ✏️🔠

„Los lentes aquí significan… 😎

Six months felt eternal, yet at the same time they passed in the blink of an eye! So much and so little at the same time. TypeMedia truly is a black hole that bends time and space, in the best way, of course. The first semester has ended, and I’m still processing everything that just happened. Lots of fun letters, fo sure!“

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Continuing with @gabriel.dukic ✨🔠

Long story short —

1–9: Revival research of Antique Oldstyle No. 3, supervised by Paul van der Laan
10–13: Contrast research based on calligraphy with a broad pen, supervised by Peter Verheul
14–15: Stone carving with the guidance of Françoise Berserik.
16: Producing Chocolate Letters with Erik van Blokland
17: Happy me after the presentation

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Continuing with @gabriel.dukic ✨🔠

Long story short —

1–9: Revival research of Antique Oldstyle No. 3, supervised by Paul van der Laan
10–13: Contrast research based on calligraphy with a broad pen, supervised by Peter Verheul
14–15: Stone carving with the guidance of Françoise Berserik.
16: Producing Chocolate Letters with Erik van Blokland
17: Happy me after the presentation

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Continuing with @gabriel.dukic ✨🔠

Long story short —

1–9: Revival research of Antique Oldstyle No. 3, supervised by Paul van der Laan
10–13: Contrast research based on calligraphy with a broad pen, supervised by Peter Verheul
14–15: Stone carving with the guidance of Françoise Berserik.
16: Producing Chocolate Letters with Erik van Blokland
17: Happy me after the presentation

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Continuing with @gabriel.dukic ✨🔠

Long story short —

1–9: Revival research of Antique Oldstyle No. 3, supervised by Paul van der Laan
10–13: Contrast research based on calligraphy with a broad pen, supervised by Peter Verheul
14–15: Stone carving with the guidance of Françoise Berserik.
16: Producing Chocolate Letters with Erik van Blokland
17: Happy me after the presentation

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Continuing with @gabriel.dukic ✨🔠

Long story short —

1–9: Revival research of Antique Oldstyle No. 3, supervised by Paul van der Laan
10–13: Contrast research based on calligraphy with a broad pen, supervised by Peter Verheul
14–15: Stone carving with the guidance of Françoise Berserik.
16: Producing Chocolate Letters with Erik van Blokland
17: Happy me after the presentation

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Continuing with @gabriel.dukic ✨🔠

Long story short —

1–9: Revival research of Antique Oldstyle No. 3, supervised by Paul van der Laan
10–13: Contrast research based on calligraphy with a broad pen, supervised by Peter Verheul
14–15: Stone carving with the guidance of Françoise Berserik.
16: Producing Chocolate Letters with Erik van Blokland
17: Happy me after the presentation

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Continuing with @gabriel.dukic ✨🔠

Long story short —

1–9: Revival research of Antique Oldstyle No. 3, supervised by Paul van der Laan
10–13: Contrast research based on calligraphy with a broad pen, supervised by Peter Verheul
14–15: Stone carving with the guidance of Françoise Berserik.
16: Producing Chocolate Letters with Erik van Blokland
17: Happy me after the presentation

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Continuing with @gabriel.dukic ✨🔠

Long story short —

1–9: Revival research of Antique Oldstyle No. 3, supervised by Paul van der Laan
10–13: Contrast research based on calligraphy with a broad pen, supervised by Peter Verheul
14–15: Stone carving with the guidance of Françoise Berserik.
16: Producing Chocolate Letters with Erik van Blokland
17: Happy me after the presentation

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Continuing with @gabriel.dukic ✨🔠

Long story short —

1–9: Revival research of Antique Oldstyle No. 3, supervised by Paul van der Laan
10–13: Contrast research based on calligraphy with a broad pen, supervised by Peter Verheul
14–15: Stone carving with the guidance of Françoise Berserik.
16: Producing Chocolate Letters with Erik van Blokland
17: Happy me after the presentation

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Continuing with @gabriel.dukic ✨🔠

Long story short —

1–9: Revival research of Antique Oldstyle No. 3, supervised by Paul van der Laan
10–13: Contrast research based on calligraphy with a broad pen, supervised by Peter Verheul
14–15: Stone carving with the guidance of Françoise Berserik.
16: Producing Chocolate Letters with Erik van Blokland
17: Happy me after the presentation

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Continuing with @gabriel.dukic ✨🔠

Long story short —

1–9: Revival research of Antique Oldstyle No. 3, supervised by Paul van der Laan
10–13: Contrast research based on calligraphy with a broad pen, supervised by Peter Verheul
14–15: Stone carving with the guidance of Françoise Berserik.
16: Producing Chocolate Letters with Erik van Blokland
17: Happy me after the presentation

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Continuing with @gabriel.dukic ✨🔠

Long story short —

1–9: Revival research of Antique Oldstyle No. 3, supervised by Paul van der Laan
10–13: Contrast research based on calligraphy with a broad pen, supervised by Peter Verheul
14–15: Stone carving with the guidance of Françoise Berserik.
16: Producing Chocolate Letters with Erik van Blokland
17: Happy me after the presentation

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Continuing with @gabriel.dukic ✨🔠

Long story short —

1–9: Revival research of Antique Oldstyle No. 3, supervised by Paul van der Laan
10–13: Contrast research based on calligraphy with a broad pen, supervised by Peter Verheul
14–15: Stone carving with the guidance of Françoise Berserik.
16: Producing Chocolate Letters with Erik van Blokland
17: Happy me after the presentation

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Continuing with @gabriel.dukic ✨🔠

Long story short —

1–9: Revival research of Antique Oldstyle No. 3, supervised by Paul van der Laan
10–13: Contrast research based on calligraphy with a broad pen, supervised by Peter Verheul
14–15: Stone carving with the guidance of Françoise Berserik.
16: Producing Chocolate Letters with Erik van Blokland
17: Happy me after the presentation

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Continuing with @gabriel.dukic ✨🔠

Long story short —

1–9: Revival research of Antique Oldstyle No. 3, supervised by Paul van der Laan
10–13: Contrast research based on calligraphy with a broad pen, supervised by Peter Verheul
14–15: Stone carving with the guidance of Françoise Berserik.
16: Producing Chocolate Letters with Erik van Blokland
17: Happy me after the presentation

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Continuing with @gabriel.dukic ✨🔠

Long story short —

1–9: Revival research of Antique Oldstyle No. 3, supervised by Paul van der Laan
10–13: Contrast research based on calligraphy with a broad pen, supervised by Peter Verheul
14–15: Stone carving with the guidance of Françoise Berserik.
16: Producing Chocolate Letters with Erik van Blokland
17: Happy me after the presentation

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Continuing with @gabriel.dukic ✨🔠

Long story short —

1–9: Revival research of Antique Oldstyle No. 3, supervised by Paul van der Laan
10–13: Contrast research based on calligraphy with a broad pen, supervised by Peter Verheul
14–15: Stone carving with the guidance of Françoise Berserik.
16: Producing Chocolate Letters with Erik van Blokland
17: Happy me after the presentation

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects.Today featuring @nukiloom 🖋️🔠

“I’ve never seen 5 months pass faster. There must be at least a year’s worth of learning, moving points, and hanging out with type friends packed into the blip that is the first semester at TypeMedia.”

1–7: An exploration of romans with a 1° slant across a range of styles, guided by Peter Verheul
8–14: An inauthentic revival of S. H. de Roos’ Zilvertype, guided by Paul van der Laan
15: Stone-carving, instructed by Françoise Berserik
16: My best attempts at solving the 24-body problem with Drawbot and Python, guided by Just van Rossum
17: Selection of calligraphy, lettering, miscellaneous physical letters.
18: Selection of favourite digital shapes
19: me

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects.Today featuring @nukiloom 🖋️🔠

“I’ve never seen 5 months pass faster. There must be at least a year’s worth of learning, moving points, and hanging out with type friends packed into the blip that is the first semester at TypeMedia.”

1–7: An exploration of romans with a 1° slant across a range of styles, guided by Peter Verheul
8–14: An inauthentic revival of S. H. de Roos’ Zilvertype, guided by Paul van der Laan
15: Stone-carving, instructed by Françoise Berserik
16: My best attempts at solving the 24-body problem with Drawbot and Python, guided by Just van Rossum
17: Selection of calligraphy, lettering, miscellaneous physical letters.
18: Selection of favourite digital shapes
19: me

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects.Today featuring @nukiloom 🖋️🔠

“I’ve never seen 5 months pass faster. There must be at least a year’s worth of learning, moving points, and hanging out with type friends packed into the blip that is the first semester at TypeMedia.”

1–7: An exploration of romans with a 1° slant across a range of styles, guided by Peter Verheul
8–14: An inauthentic revival of S. H. de Roos’ Zilvertype, guided by Paul van der Laan
15: Stone-carving, instructed by Françoise Berserik
16: My best attempts at solving the 24-body problem with Drawbot and Python, guided by Just van Rossum
17: Selection of calligraphy, lettering, miscellaneous physical letters.
18: Selection of favourite digital shapes
19: me

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects.Today featuring @nukiloom 🖋️🔠

“I’ve never seen 5 months pass faster. There must be at least a year’s worth of learning, moving points, and hanging out with type friends packed into the blip that is the first semester at TypeMedia.”

1–7: An exploration of romans with a 1° slant across a range of styles, guided by Peter Verheul
8–14: An inauthentic revival of S. H. de Roos’ Zilvertype, guided by Paul van der Laan
15: Stone-carving, instructed by Françoise Berserik
16: My best attempts at solving the 24-body problem with Drawbot and Python, guided by Just van Rossum
17: Selection of calligraphy, lettering, miscellaneous physical letters.
18: Selection of favourite digital shapes
19: me

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects.Today featuring @nukiloom 🖋️🔠

“I’ve never seen 5 months pass faster. There must be at least a year’s worth of learning, moving points, and hanging out with type friends packed into the blip that is the first semester at TypeMedia.”

1–7: An exploration of romans with a 1° slant across a range of styles, guided by Peter Verheul
8–14: An inauthentic revival of S. H. de Roos’ Zilvertype, guided by Paul van der Laan
15: Stone-carving, instructed by Françoise Berserik
16: My best attempts at solving the 24-body problem with Drawbot and Python, guided by Just van Rossum
17: Selection of calligraphy, lettering, miscellaneous physical letters.
18: Selection of favourite digital shapes
19: me

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects.Today featuring @nukiloom 🖋️🔠

“I’ve never seen 5 months pass faster. There must be at least a year’s worth of learning, moving points, and hanging out with type friends packed into the blip that is the first semester at TypeMedia.”

1–7: An exploration of romans with a 1° slant across a range of styles, guided by Peter Verheul
8–14: An inauthentic revival of S. H. de Roos’ Zilvertype, guided by Paul van der Laan
15: Stone-carving, instructed by Françoise Berserik
16: My best attempts at solving the 24-body problem with Drawbot and Python, guided by Just van Rossum
17: Selection of calligraphy, lettering, miscellaneous physical letters.
18: Selection of favourite digital shapes
19: me

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects.Today featuring @nukiloom 🖋️🔠

“I’ve never seen 5 months pass faster. There must be at least a year’s worth of learning, moving points, and hanging out with type friends packed into the blip that is the first semester at TypeMedia.”

1–7: An exploration of romans with a 1° slant across a range of styles, guided by Peter Verheul
8–14: An inauthentic revival of S. H. de Roos’ Zilvertype, guided by Paul van der Laan
15: Stone-carving, instructed by Françoise Berserik
16: My best attempts at solving the 24-body problem with Drawbot and Python, guided by Just van Rossum
17: Selection of calligraphy, lettering, miscellaneous physical letters.
18: Selection of favourite digital shapes
19: me

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects.Today featuring @nukiloom 🖋️🔠

“I’ve never seen 5 months pass faster. There must be at least a year’s worth of learning, moving points, and hanging out with type friends packed into the blip that is the first semester at TypeMedia.”

1–7: An exploration of romans with a 1° slant across a range of styles, guided by Peter Verheul
8–14: An inauthentic revival of S. H. de Roos’ Zilvertype, guided by Paul van der Laan
15: Stone-carving, instructed by Françoise Berserik
16: My best attempts at solving the 24-body problem with Drawbot and Python, guided by Just van Rossum
17: Selection of calligraphy, lettering, miscellaneous physical letters.
18: Selection of favourite digital shapes
19: me

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects.Today featuring @nukiloom 🖋️🔠

“I’ve never seen 5 months pass faster. There must be at least a year’s worth of learning, moving points, and hanging out with type friends packed into the blip that is the first semester at TypeMedia.”

1–7: An exploration of romans with a 1° slant across a range of styles, guided by Peter Verheul
8–14: An inauthentic revival of S. H. de Roos’ Zilvertype, guided by Paul van der Laan
15: Stone-carving, instructed by Françoise Berserik
16: My best attempts at solving the 24-body problem with Drawbot and Python, guided by Just van Rossum
17: Selection of calligraphy, lettering, miscellaneous physical letters.
18: Selection of favourite digital shapes
19: me

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects.Today featuring @nukiloom 🖋️🔠

“I’ve never seen 5 months pass faster. There must be at least a year’s worth of learning, moving points, and hanging out with type friends packed into the blip that is the first semester at TypeMedia.”

1–7: An exploration of romans with a 1° slant across a range of styles, guided by Peter Verheul
8–14: An inauthentic revival of S. H. de Roos’ Zilvertype, guided by Paul van der Laan
15: Stone-carving, instructed by Françoise Berserik
16: My best attempts at solving the 24-body problem with Drawbot and Python, guided by Just van Rossum
17: Selection of calligraphy, lettering, miscellaneous physical letters.
18: Selection of favourite digital shapes
19: me

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects.Today featuring @nukiloom 🖋️🔠

“I’ve never seen 5 months pass faster. There must be at least a year’s worth of learning, moving points, and hanging out with type friends packed into the blip that is the first semester at TypeMedia.”

1–7: An exploration of romans with a 1° slant across a range of styles, guided by Peter Verheul
8–14: An inauthentic revival of S. H. de Roos’ Zilvertype, guided by Paul van der Laan
15: Stone-carving, instructed by Françoise Berserik
16: My best attempts at solving the 24-body problem with Drawbot and Python, guided by Just van Rossum
17: Selection of calligraphy, lettering, miscellaneous physical letters.
18: Selection of favourite digital shapes
19: me

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects.Today featuring @nukiloom 🖋️🔠

“I’ve never seen 5 months pass faster. There must be at least a year’s worth of learning, moving points, and hanging out with type friends packed into the blip that is the first semester at TypeMedia.”

1–7: An exploration of romans with a 1° slant across a range of styles, guided by Peter Verheul
8–14: An inauthentic revival of S. H. de Roos’ Zilvertype, guided by Paul van der Laan
15: Stone-carving, instructed by Françoise Berserik
16: My best attempts at solving the 24-body problem with Drawbot and Python, guided by Just van Rossum
17: Selection of calligraphy, lettering, miscellaneous physical letters.
18: Selection of favourite digital shapes
19: me

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects.Today featuring @nukiloom 🖋️🔠

“I’ve never seen 5 months pass faster. There must be at least a year’s worth of learning, moving points, and hanging out with type friends packed into the blip that is the first semester at TypeMedia.”

1–7: An exploration of romans with a 1° slant across a range of styles, guided by Peter Verheul
8–14: An inauthentic revival of S. H. de Roos’ Zilvertype, guided by Paul van der Laan
15: Stone-carving, instructed by Françoise Berserik
16: My best attempts at solving the 24-body problem with Drawbot and Python, guided by Just van Rossum
17: Selection of calligraphy, lettering, miscellaneous physical letters.
18: Selection of favourite digital shapes
19: me

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects.Today featuring @nukiloom 🖋️🔠

“I’ve never seen 5 months pass faster. There must be at least a year’s worth of learning, moving points, and hanging out with type friends packed into the blip that is the first semester at TypeMedia.”

1–7: An exploration of romans with a 1° slant across a range of styles, guided by Peter Verheul
8–14: An inauthentic revival of S. H. de Roos’ Zilvertype, guided by Paul van der Laan
15: Stone-carving, instructed by Françoise Berserik
16: My best attempts at solving the 24-body problem with Drawbot and Python, guided by Just van Rossum
17: Selection of calligraphy, lettering, miscellaneous physical letters.
18: Selection of favourite digital shapes
19: me

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects.Today featuring @nukiloom 🖋️🔠

“I’ve never seen 5 months pass faster. There must be at least a year’s worth of learning, moving points, and hanging out with type friends packed into the blip that is the first semester at TypeMedia.”

1–7: An exploration of romans with a 1° slant across a range of styles, guided by Peter Verheul
8–14: An inauthentic revival of S. H. de Roos’ Zilvertype, guided by Paul van der Laan
15: Stone-carving, instructed by Françoise Berserik
16: My best attempts at solving the 24-body problem with Drawbot and Python, guided by Just van Rossum
17: Selection of calligraphy, lettering, miscellaneous physical letters.
18: Selection of favourite digital shapes
19: me

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects.Today featuring @nukiloom 🖋️🔠

“I’ve never seen 5 months pass faster. There must be at least a year’s worth of learning, moving points, and hanging out with type friends packed into the blip that is the first semester at TypeMedia.”

1–7: An exploration of romans with a 1° slant across a range of styles, guided by Peter Verheul
8–14: An inauthentic revival of S. H. de Roos’ Zilvertype, guided by Paul van der Laan
15: Stone-carving, instructed by Françoise Berserik
16: My best attempts at solving the 24-body problem with Drawbot and Python, guided by Just van Rossum
17: Selection of calligraphy, lettering, miscellaneous physical letters.
18: Selection of favourite digital shapes
19: me

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects.Today featuring @nukiloom 🖋️🔠

“I’ve never seen 5 months pass faster. There must be at least a year’s worth of learning, moving points, and hanging out with type friends packed into the blip that is the first semester at TypeMedia.”

1–7: An exploration of romans with a 1° slant across a range of styles, guided by Peter Verheul
8–14: An inauthentic revival of S. H. de Roos’ Zilvertype, guided by Paul van der Laan
15: Stone-carving, instructed by Françoise Berserik
16: My best attempts at solving the 24-body problem with Drawbot and Python, guided by Just van Rossum
17: Selection of calligraphy, lettering, miscellaneous physical letters.
18: Selection of favourite digital shapes
19: me

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects.Today featuring @nukiloom 🖋️🔠

“I’ve never seen 5 months pass faster. There must be at least a year’s worth of learning, moving points, and hanging out with type friends packed into the blip that is the first semester at TypeMedia.”

1–7: An exploration of romans with a 1° slant across a range of styles, guided by Peter Verheul
8–14: An inauthentic revival of S. H. de Roos’ Zilvertype, guided by Paul van der Laan
15: Stone-carving, instructed by Françoise Berserik
16: My best attempts at solving the 24-body problem with Drawbot and Python, guided by Just van Rossum
17: Selection of calligraphy, lettering, miscellaneous physical letters.
18: Selection of favourite digital shapes
19: me

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects.Today featuring @nukiloom 🖋️🔠

“I’ve never seen 5 months pass faster. There must be at least a year’s worth of learning, moving points, and hanging out with type friends packed into the blip that is the first semester at TypeMedia.”

1–7: An exploration of romans with a 1° slant across a range of styles, guided by Peter Verheul
8–14: An inauthentic revival of S. H. de Roos’ Zilvertype, guided by Paul van der Laan
15: Stone-carving, instructed by Françoise Berserik
16: My best attempts at solving the 24-body problem with Drawbot and Python, guided by Just van Rossum
17: Selection of calligraphy, lettering, miscellaneous physical letters.
18: Selection of favourite digital shapes
19: me

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Continuing with @lisarouba 🔠✨

“Finished my first Type & Media semester ⭐︎ The following slides give a small glimpse into what I’ve been working on over the past few months — reviving Lutetia, writing code, researching contrast, and carving letters.
Can’t wait to continue next semester. So happy to be here ♡”

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Continuing with @lisarouba 🔠✨

“Finished my first Type & Media semester ⭐︎ The following slides give a small glimpse into what I’ve been working on over the past few months — reviving Lutetia, writing code, researching contrast, and carving letters.
Can’t wait to continue next semester. So happy to be here ♡”

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Continuing with @lisarouba 🔠✨

“Finished my first Type & Media semester ⭐︎ The following slides give a small glimpse into what I’ve been working on over the past few months — reviving Lutetia, writing code, researching contrast, and carving letters.
Can’t wait to continue next semester. So happy to be here ♡”

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Continuing with @lisarouba 🔠✨

“Finished my first Type & Media semester ⭐︎ The following slides give a small glimpse into what I’ve been working on over the past few months — reviving Lutetia, writing code, researching contrast, and carving letters.
Can’t wait to continue next semester. So happy to be here ♡”

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Continuing with @lisarouba 🔠✨

“Finished my first Type & Media semester ⭐︎ The following slides give a small glimpse into what I’ve been working on over the past few months — reviving Lutetia, writing code, researching contrast, and carving letters.
Can’t wait to continue next semester. So happy to be here ♡”

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Continuing with @lisarouba 🔠✨

“Finished my first Type & Media semester ⭐︎ The following slides give a small glimpse into what I’ve been working on over the past few months — reviving Lutetia, writing code, researching contrast, and carving letters.
Can’t wait to continue next semester. So happy to be here ♡”

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Continuing with @lisarouba 🔠✨

“Finished my first Type & Media semester ⭐︎ The following slides give a small glimpse into what I’ve been working on over the past few months — reviving Lutetia, writing code, researching contrast, and carving letters.
Can’t wait to continue next semester. So happy to be here ♡”

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Continuing with @lisarouba 🔠✨

“Finished my first Type & Media semester ⭐︎ The following slides give a small glimpse into what I’ve been working on over the past few months — reviving Lutetia, writing code, researching contrast, and carving letters.
Can’t wait to continue next semester. So happy to be here ♡”

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Continuing with @lisarouba 🔠✨

“Finished my first Type & Media semester ⭐︎ The following slides give a small glimpse into what I’ve been working on over the past few months — reviving Lutetia, writing code, researching contrast, and carving letters.
Can’t wait to continue next semester. So happy to be here ♡”

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Continuing with @lisarouba 🔠✨

“Finished my first Type & Media semester ⭐︎ The following slides give a small glimpse into what I’ve been working on over the past few months — reviving Lutetia, writing code, researching contrast, and carving letters.
Can’t wait to continue next semester. So happy to be here ♡”

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Continuing with @lisarouba 🔠✨

“Finished my first Type & Media semester ⭐︎ The following slides give a small glimpse into what I’ve been working on over the past few months — reviving Lutetia, writing code, researching contrast, and carving letters.
Can’t wait to continue next semester. So happy to be here ♡”

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a few impressions from our first term projects. Continuing with @lisarouba 🔠✨

“Finished my first Type & Media semester ⭐︎ The following slides give a small glimpse into what I’ve been working on over the past few months — reviving Lutetia, writing code, researching contrast, and carving letters.
Can’t wait to continue next semester. So happy to be here ♡”

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a small series of insights from our first-term projects. Today with @typolajna 🖋️🔠

“First semester done! ✨ Full of hard work, new tools, techniques, thoughts, self-doubt, inspiration, exploration, and chocolate-covered peanuts. I’ve been learning a lot about both type and myself. Grateful to be part of such a loving and supportive community. Stay tuned for our final projects!”

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a small series of insights from our first-term projects. Today with @typolajna 🖋️🔠

“First semester done! ✨ Full of hard work, new tools, techniques, thoughts, self-doubt, inspiration, exploration, and chocolate-covered peanuts. I’ve been learning a lot about both type and myself. Grateful to be part of such a loving and supportive community. Stay tuned for our final projects!”

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a small series of insights from our first-term projects. Today with @typolajna 🖋️🔠

“First semester done! ✨ Full of hard work, new tools, techniques, thoughts, self-doubt, inspiration, exploration, and chocolate-covered peanuts. I’ve been learning a lot about both type and myself. Grateful to be part of such a loving and supportive community. Stay tuned for our final projects!”

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a small series of insights from our first-term projects. Today with @typolajna 🖋️🔠

“First semester done! ✨ Full of hard work, new tools, techniques, thoughts, self-doubt, inspiration, exploration, and chocolate-covered peanuts. I’ve been learning a lot about both type and myself. Grateful to be part of such a loving and supportive community. Stay tuned for our final projects!”

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a small series of insights from our first-term projects. Today with @typolajna 🖋️🔠

“First semester done! ✨ Full of hard work, new tools, techniques, thoughts, self-doubt, inspiration, exploration, and chocolate-covered peanuts. I’ve been learning a lot about both type and myself. Grateful to be part of such a loving and supportive community. Stay tuned for our final projects!”

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a small series of insights from our first-term projects. Today with @typolajna 🖋️🔠

“First semester done! ✨ Full of hard work, new tools, techniques, thoughts, self-doubt, inspiration, exploration, and chocolate-covered peanuts. I’ve been learning a lot about both type and myself. Grateful to be part of such a loving and supportive community. Stay tuned for our final projects!”

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a small series of insights from our first-term projects. Today with @typolajna 🖋️🔠

“First semester done! ✨ Full of hard work, new tools, techniques, thoughts, self-doubt, inspiration, exploration, and chocolate-covered peanuts. I’ve been learning a lot about both type and myself. Grateful to be part of such a loving and supportive community. Stay tuned for our final projects!”

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a small series of insights from our first-term projects. Today with @typolajna 🖋️🔠

“First semester done! ✨ Full of hard work, new tools, techniques, thoughts, self-doubt, inspiration, exploration, and chocolate-covered peanuts. I’ve been learning a lot about both type and myself. Grateful to be part of such a loving and supportive community. Stay tuned for our final projects!”

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a small series of insights from our first-term projects. Today with @typolajna 🖋️🔠

“First semester done! ✨ Full of hard work, new tools, techniques, thoughts, self-doubt, inspiration, exploration, and chocolate-covered peanuts. I’ve been learning a lot about both type and myself. Grateful to be part of such a loving and supportive community. Stay tuned for our final projects!”

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a small series of insights from our first-term projects. Today with @typolajna 🖋️🔠

“First semester done! ✨ Full of hard work, new tools, techniques, thoughts, self-doubt, inspiration, exploration, and chocolate-covered peanuts. I’ve been learning a lot about both type and myself. Grateful to be part of such a loving and supportive community. Stay tuned for our final projects!”

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a small series of insights from our first-term projects. Today with @typolajna 🖋️🔠

“First semester done! ✨ Full of hard work, new tools, techniques, thoughts, self-doubt, inspiration, exploration, and chocolate-covered peanuts. I’ve been learning a lot about both type and myself. Grateful to be part of such a loving and supportive community. Stay tuned for our final projects!”

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a small series of insights from our first-term projects. Continuing with @just.lu.stuff 🖋️🔠

“Told you to be prepared for t/m spam, here it is … Went a little quiet, but consider this a catch-up of my work since my last post. After countless edits, mess-ups, and small wins, I’m happy to share some of the projects I’ve been working on. Just getting started …”

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a small series of insights from our first-term projects. Continuing with @just.lu.stuff 🖋️🔠

“Told you to be prepared for t/m spam, here it is … Went a little quiet, but consider this a catch-up of my work since my last post. After countless edits, mess-ups, and small wins, I’m happy to share some of the projects I’ve been working on. Just getting started …”

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a small series of insights from our first-term projects. Continuing with @just.lu.stuff 🖋️🔠

“Told you to be prepared for t/m spam, here it is … Went a little quiet, but consider this a catch-up of my work since my last post. After countless edits, mess-ups, and small wins, I’m happy to share some of the projects I’ve been working on. Just getting started …”

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a small series of insights from our first-term projects. Continuing with @just.lu.stuff 🖋️🔠

“Told you to be prepared for t/m spam, here it is … Went a little quiet, but consider this a catch-up of my work since my last post. After countless edits, mess-ups, and small wins, I’m happy to share some of the projects I’ve been working on. Just getting started …”

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a small series of insights from our first-term projects. Continuing with @just.lu.stuff 🖋️🔠

“Told you to be prepared for t/m spam, here it is … Went a little quiet, but consider this a catch-up of my work since my last post. After countless edits, mess-ups, and small wins, I’m happy to share some of the projects I’ve been working on. Just getting started …”

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a small series of insights from our first-term projects. Continuing with @just.lu.stuff 🖋️🔠

“Told you to be prepared for t/m spam, here it is … Went a little quiet, but consider this a catch-up of my work since my last post. After countless edits, mess-ups, and small wins, I’m happy to share some of the projects I’ve been working on. Just getting started …”

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a small series of insights from our first-term projects. Kicking things off today with @franzi.hauber 🖋️🔠

_ ·1·2·3·4·5·_ Process of the revival project based on the typeface “Erbar Grotesk” _·6·_ It’s me – Franzi :) _·7·8·_ Stonecarving _·9·10·_ Calligraphy practice _·11·12·_ Process of a typefamily with six styles: high, medium, regular and low contrast, italic and a display style _·13·14·15·16·_ a coded tool with which one master can be drawn → 49 masters are created based on a grid from (2,2) to (8,8) and merged into a variable font

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a small series of insights from our first-term projects. Kicking things off today with @franzi.hauber 🖋️🔠

_ ·1·2·3·4·5·_ Process of the revival project based on the typeface “Erbar Grotesk” _·6·_ It’s me – Franzi :) _·7·8·_ Stonecarving _·9·10·_ Calligraphy practice _·11·12·_ Process of a typefamily with six styles: high, medium, regular and low contrast, italic and a display style _·13·14·15·16·_ a coded tool with which one master can be drawn → 49 masters are created based on a grid from (2,2) to (8,8) and merged into a variable font

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a small series of insights from our first-term projects. Kicking things off today with @franzi.hauber 🖋️🔠

_ ·1·2·3·4·5·_ Process of the revival project based on the typeface “Erbar Grotesk” _·6·_ It’s me – Franzi :) _·7·8·_ Stonecarving _·9·10·_ Calligraphy practice _·11·12·_ Process of a typefamily with six styles: high, medium, regular and low contrast, italic and a display style _·13·14·15·16·_ a coded tool with which one master can be drawn → 49 masters are created based on a grid from (2,2) to (8,8) and merged into a variable font

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a small series of insights from our first-term projects. Kicking things off today with @franzi.hauber 🖋️🔠

_ ·1·2·3·4·5·_ Process of the revival project based on the typeface “Erbar Grotesk” _·6·_ It’s me – Franzi :) _·7·8·_ Stonecarving _·9·10·_ Calligraphy practice _·11·12·_ Process of a typefamily with six styles: high, medium, regular and low contrast, italic and a display style _·13·14·15·16·_ a coded tool with which one master can be drawn → 49 masters are created based on a grid from (2,2) to (8,8) and merged into a variable font

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a small series of insights from our first-term projects. Kicking things off today with @franzi.hauber 🖋️🔠

_ ·1·2·3·4·5·_ Process of the revival project based on the typeface “Erbar Grotesk” _·6·_ It’s me – Franzi :) _·7·8·_ Stonecarving _·9·10·_ Calligraphy practice _·11·12·_ Process of a typefamily with six styles: high, medium, regular and low contrast, italic and a display style _·13·14·15·16·_ a coded tool with which one master can be drawn → 49 masters are created based on a grid from (2,2) to (8,8) and merged into a variable font

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a small series of insights from our first-term projects. Kicking things off today with @franzi.hauber 🖋️🔠

_ ·1·2·3·4·5·_ Process of the revival project based on the typeface “Erbar Grotesk” _·6·_ It’s me – Franzi :) _·7·8·_ Stonecarving _·9·10·_ Calligraphy practice _·11·12·_ Process of a typefamily with six styles: high, medium, regular and low contrast, italic and a display style _·13·14·15·16·_ a coded tool with which one master can be drawn → 49 masters are created based on a grid from (2,2) to (8,8) and merged into a variable font

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a small series of insights from our first-term projects. Kicking things off today with @franzi.hauber 🖋️🔠

_ ·1·2·3·4·5·_ Process of the revival project based on the typeface “Erbar Grotesk” _·6·_ It’s me – Franzi :) _·7·8·_ Stonecarving _·9·10·_ Calligraphy practice _·11·12·_ Process of a typefamily with six styles: high, medium, regular and low contrast, italic and a display style _·13·14·15·16·_ a coded tool with which one master can be drawn → 49 masters are created based on a grid from (2,2) to (8,8) and merged into a variable font

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a small series of insights from our first-term projects. Kicking things off today with @franzi.hauber 🖋️🔠

_ ·1·2·3·4·5·_ Process of the revival project based on the typeface “Erbar Grotesk” _·6·_ It’s me – Franzi :) _·7·8·_ Stonecarving _·9·10·_ Calligraphy practice _·11·12·_ Process of a typefamily with six styles: high, medium, regular and low contrast, italic and a display style _·13·14·15·16·_ a coded tool with which one master can be drawn → 49 masters are created based on a grid from (2,2) to (8,8) and merged into a variable font

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a small series of insights from our first-term projects. Kicking things off today with @franzi.hauber 🖋️🔠

_ ·1·2·3·4·5·_ Process of the revival project based on the typeface “Erbar Grotesk” _·6·_ It’s me – Franzi :) _·7·8·_ Stonecarving _·9·10·_ Calligraphy practice _·11·12·_ Process of a typefamily with six styles: high, medium, regular and low contrast, italic and a display style _·13·14·15·16·_ a coded tool with which one master can be drawn → 49 masters are created based on a grid from (2,2) to (8,8) and merged into a variable font

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a small series of insights from our first-term projects. Kicking things off today with @franzi.hauber 🖋️🔠

_ ·1·2·3·4·5·_ Process of the revival project based on the typeface “Erbar Grotesk” _·6·_ It’s me – Franzi :) _·7·8·_ Stonecarving _·9·10·_ Calligraphy practice _·11·12·_ Process of a typefamily with six styles: high, medium, regular and low contrast, italic and a display style _·13·14·15·16·_ a coded tool with which one master can be drawn → 49 masters are created based on a grid from (2,2) to (8,8) and merged into a variable font

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a small series of insights from our first-term projects. Kicking things off today with @franzi.hauber 🖋️🔠

_ ·1·2·3·4·5·_ Process of the revival project based on the typeface “Erbar Grotesk” _·6·_ It’s me – Franzi :) _·7·8·_ Stonecarving _·9·10·_ Calligraphy practice _·11·12·_ Process of a typefamily with six styles: high, medium, regular and low contrast, italic and a display style _·13·14·15·16·_ a coded tool with which one master can be drawn → 49 masters are created based on a grid from (2,2) to (8,8) and merged into a variable font

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a small series of insights from our first-term projects. Kicking things off today with @franzi.hauber 🖋️🔠

_ ·1·2·3·4·5·_ Process of the revival project based on the typeface “Erbar Grotesk” _·6·_ It’s me – Franzi :) _·7·8·_ Stonecarving _·9·10·_ Calligraphy practice _·11·12·_ Process of a typefamily with six styles: high, medium, regular and low contrast, italic and a display style _·13·14·15·16·_ a coded tool with which one master can be drawn → 49 masters are created based on a grid from (2,2) to (8,8) and merged into a variable font

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a small series of insights from our first-term projects. Kicking things off today with @franzi.hauber 🖋️🔠

_ ·1·2·3·4·5·_ Process of the revival project based on the typeface “Erbar Grotesk” _·6·_ It’s me – Franzi :) _·7·8·_ Stonecarving _·9·10·_ Calligraphy practice _·11·12·_ Process of a typefamily with six styles: high, medium, regular and low contrast, italic and a display style _·13·14·15·16·_ a coded tool with which one master can be drawn → 49 masters are created based on a grid from (2,2) to (8,8) and merged into a variable font

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a small series of insights from our first-term projects. Kicking things off today with @franzi.hauber 🖋️🔠

_ ·1·2·3·4·5·_ Process of the revival project based on the typeface “Erbar Grotesk” _·6·_ It’s me – Franzi :) _·7·8·_ Stonecarving _·9·10·_ Calligraphy practice _·11·12·_ Process of a typefamily with six styles: high, medium, regular and low contrast, italic and a display style _·13·14·15·16·_ a coded tool with which one master can be drawn → 49 masters are created based on a grid from (2,2) to (8,8) and merged into a variable font

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a small series of insights from our first-term projects. Kicking things off today with @franzi.hauber 🖋️🔠

_ ·1·2·3·4·5·_ Process of the revival project based on the typeface “Erbar Grotesk” _·6·_ It’s me – Franzi :) _·7·8·_ Stonecarving _·9·10·_ Calligraphy practice _·11·12·_ Process of a typefamily with six styles: high, medium, regular and low contrast, italic and a display style _·13·14·15·16·_ a coded tool with which one master can be drawn → 49 masters are created based on a grid from (2,2) to (8,8) and merged into a variable font

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Sharing a small series of insights from our first-term projects. Kicking things off today with @franzi.hauber 🖋️🔠

_ ·1·2·3·4·5·_ Process of the revival project based on the typeface “Erbar Grotesk” _·6·_ It’s me – Franzi :) _·7·8·_ Stonecarving _·9·10·_ Calligraphy practice _·11·12·_ Process of a typefamily with six styles: high, medium, regular and low contrast, italic and a display style _·13·14·15·16·_ a coded tool with which one master can be drawn → 49 masters are created based on a grid from (2,2) to (8,8) and merged into a variable font

#TypeMedia #TM2526 #TypeDesign #Design #RoyalAcademyofArt

Thinking about applying to TypeMedia?
We’re hosting Online Portfolio Talks on Wednesday January 28 (14:00–17:00). Get feedback directly from us, TypeMedia students ✨ Email typemedia@kabk.nl to join!

Artwork by @gintarerazmaite

Once upon a time—not too long ago—we held our midterm presentations ✨🎉
With love,
Aya, Alaa, Franzi, Adriana, Maryam, Lisa, Tereza, Gabriel, Eemil, Nu, Gintarė & Lu

Once upon a time—not too long ago—we held our midterm presentations ✨🎉
With love,
Aya, Alaa, Franzi, Adriana, Maryam, Lisa, Tereza, Gabriel, Eemil, Nu, Gintarė & Lu

Once upon a time—not too long ago—we held our midterm presentations ✨🎉
With love,
Aya, Alaa, Franzi, Adriana, Maryam, Lisa, Tereza, Gabriel, Eemil, Nu, Gintarė & Lu

Once upon a time—not too long ago—we held our midterm presentations ✨🎉
With love,
Aya, Alaa, Franzi, Adriana, Maryam, Lisa, Tereza, Gabriel, Eemil, Nu, Gintarė & Lu

Once upon a time—not too long ago—we held our midterm presentations ✨🎉
With love,
Aya, Alaa, Franzi, Adriana, Maryam, Lisa, Tereza, Gabriel, Eemil, Nu, Gintarė & Lu

Once upon a time—not too long ago—we held our midterm presentations ✨🎉
With love,
Aya, Alaa, Franzi, Adriana, Maryam, Lisa, Tereza, Gabriel, Eemil, Nu, Gintarė & Lu

Once upon a time—not too long ago—we held our midterm presentations ✨🎉
With love,
Aya, Alaa, Franzi, Adriana, Maryam, Lisa, Tereza, Gabriel, Eemil, Nu, Gintarė & Lu

Once upon a time—not too long ago—we held our midterm presentations ✨🎉
With love,
Aya, Alaa, Franzi, Adriana, Maryam, Lisa, Tereza, Gabriel, Eemil, Nu, Gintarė & Lu

Once upon a time—not too long ago—we held our midterm presentations ✨🎉
With love,
Aya, Alaa, Franzi, Adriana, Maryam, Lisa, Tereza, Gabriel, Eemil, Nu, Gintarė & Lu

Once upon a time—not too long ago—we held our midterm presentations ✨🎉
With love,
Aya, Alaa, Franzi, Adriana, Maryam, Lisa, Tereza, Gabriel, Eemil, Nu, Gintarė & Lu

Once upon a time—not too long ago—we held our midterm presentations ✨🎉
With love,
Aya, Alaa, Franzi, Adriana, Maryam, Lisa, Tereza, Gabriel, Eemil, Nu, Gintarė & Lu

Once upon a time—not too long ago—we held our midterm presentations ✨🎉
With love,
Aya, Alaa, Franzi, Adriana, Maryam, Lisa, Tereza, Gabriel, Eemil, Nu, Gintarė & Lu