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Bareetlblad x Taymour - Nos Insan / نص انسان, out now at boomkat.com, mastered by @heba_kadry cover art by @mouriiiiiiiiii & @mooni.studio

Cat No: diy12-001
Release date: 09 January 2026
Format: 12” Vinyl Only 180g
______________________________

Jordanian producer Taymour teams up with Palestinian rapper/singer Bareetlblad on a killer mini-album of skewed gothic pop, like some auto-tuned, arabic-language re-imagining of Faith-era The Cure via Dean Blunt, Cocteau Twins x Future. Trust, it’s exceptional stuff, curving melancholy, PNL-style biomechanical rhymes around heartfelt new wave/post-punk loops, like little else.

'NOS INSAN (نص إنسان)' is such a potent fusion of ideas that you wonder why no one tried it sooner. Billed as a break-up record, it's dripping with intensity, finding fragile harmony between Future's slow-burning emo-rap milestone 'HNDRXX' and Martin Hannett's moody canon. If that sounds odd, just imagine a pulverised version of Dean Blunt's catalog: 'Black Metal'-era songwriting, Hype Williams-era beatmaking and Babyfather's plasticky rap commentary.

Haifa-based vocalist Bareetlblad is captivating on 'Sort Akrhek, Ad Ma Ba7ebek (صرت أكرهك ! قد ما بحبك)', singing and rapping over Taymour's beatless, chorus-heavy guitar loops. It's a flawless opener, isolating a mood that's potent and fully unique. There are no beats, just rain-soaked Vini Reilly-style shimmers over Bareetlblad's soaring AutoTuned vox. The album title means "half a man”, a reference to a hollowed-out stretch following a breakup, referencing vintage grunge and shoegaze while at the same time scraping life-or-death imagery from traditional Arabic poetry and the region's melancholy folk music.

Peep 'T2ddamet (تقدمت)', a track that pulls on the interplay between Taymour's '80s Cure-style drum machine splashes and Bareetlblad's melodramatic love-drunk rhymes, or the all-too-brief 'Bdounik (بدونك)', a minute and a half of washy industrial-cum-dreampop guitars over robotic, overdriven sweet nothings that sound as if they're being broadcast - @boomkatonline

#qualityoverquantity #supportyourlocaldealer #cult #classic #newwave #postpunk #mutations

Bareetlblad x Taymour - Nos Insan / نص انسان, out now at boomkat.com, mastered by @heba_kadry cover art by @mouriiiiiiiiii & @mooni.studio

Cat No: diy12-001
Release date: 09 January 2026
Format: 12” Vinyl Only 180g
______________________________

Jordanian producer Taymour teams up with Palestinian rapper/singer Bareetlblad on a killer mini-album of skewed gothic pop, like some auto-tuned, arabic-language re-imagining of Faith-era The Cure via Dean Blunt, Cocteau Twins x Future. Trust, it’s exceptional stuff, curving melancholy, PNL-style biomechanical rhymes around heartfelt new wave/post-punk loops, like little else.

'NOS INSAN (نص إنسان)' is such a potent fusion of ideas that you wonder why no one tried it sooner. Billed as a break-up record, it's dripping with intensity, finding fragile harmony between Future's slow-burning emo-rap milestone 'HNDRXX' and Martin Hannett's moody canon. If that sounds odd, just imagine a pulverised version of Dean Blunt's catalog: 'Black Metal'-era songwriting, Hype Williams-era beatmaking and Babyfather's plasticky rap commentary.

Haifa-based vocalist Bareetlblad is captivating on 'Sort Akrhek, Ad Ma Ba7ebek (صرت أكرهك ! قد ما بحبك)', singing and rapping over Taymour's beatless, chorus-heavy guitar loops. It's a flawless opener, isolating a mood that's potent and fully unique. There are no beats, just rain-soaked Vini Reilly-style shimmers over Bareetlblad's soaring AutoTuned vox. The album title means "half a man”, a reference to a hollowed-out stretch following a breakup, referencing vintage grunge and shoegaze while at the same time scraping life-or-death imagery from traditional Arabic poetry and the region's melancholy folk music.

Peep 'T2ddamet (تقدمت)', a track that pulls on the interplay between Taymour's '80s Cure-style drum machine splashes and Bareetlblad's melodramatic love-drunk rhymes, or the all-too-brief 'Bdounik (بدونك)', a minute and a half of washy industrial-cum-dreampop guitars over robotic, overdriven sweet nothings that sound as if they're being broadcast - @boomkatonline

#qualityoverquantity #supportyourlocaldealer #cult #classic #newwave #postpunk #mutations

Bareetlblad x Taymour - Nos Insan / نص انسان, out now at boomkat.com, mastered by @heba_kadry cover art by @mouriiiiiiiiii & @mooni.studio

Cat No: diy12-001
Release date: 09 January 2026
Format: 12” Vinyl Only 180g
______________________________

Jordanian producer Taymour teams up with Palestinian rapper/singer Bareetlblad on a killer mini-album of skewed gothic pop, like some auto-tuned, arabic-language re-imagining of Faith-era The Cure via Dean Blunt, Cocteau Twins x Future. Trust, it’s exceptional stuff, curving melancholy, PNL-style biomechanical rhymes around heartfelt new wave/post-punk loops, like little else.

'NOS INSAN (نص إنسان)' is such a potent fusion of ideas that you wonder why no one tried it sooner. Billed as a break-up record, it's dripping with intensity, finding fragile harmony between Future's slow-burning emo-rap milestone 'HNDRXX' and Martin Hannett's moody canon. If that sounds odd, just imagine a pulverised version of Dean Blunt's catalog: 'Black Metal'-era songwriting, Hype Williams-era beatmaking and Babyfather's plasticky rap commentary.

Haifa-based vocalist Bareetlblad is captivating on 'Sort Akrhek, Ad Ma Ba7ebek (صرت أكرهك ! قد ما بحبك)', singing and rapping over Taymour's beatless, chorus-heavy guitar loops. It's a flawless opener, isolating a mood that's potent and fully unique. There are no beats, just rain-soaked Vini Reilly-style shimmers over Bareetlblad's soaring AutoTuned vox. The album title means "half a man”, a reference to a hollowed-out stretch following a breakup, referencing vintage grunge and shoegaze while at the same time scraping life-or-death imagery from traditional Arabic poetry and the region's melancholy folk music.

Peep 'T2ddamet (تقدمت)', a track that pulls on the interplay between Taymour's '80s Cure-style drum machine splashes and Bareetlblad's melodramatic love-drunk rhymes, or the all-too-brief 'Bdounik (بدونك)', a minute and a half of washy industrial-cum-dreampop guitars over robotic, overdriven sweet nothings that sound as if they're being broadcast - @boomkatonline

#qualityoverquantity #supportyourlocaldealer #cult #classic #newwave #postpunk #mutations

Bareetlblad x Taymour - Nos Insan / نص انسان, out now at boomkat.com, mastered by @heba_kadry cover art by @mouriiiiiiiiii & @mooni.studio

Cat No: diy12-001
Release date: 09 January 2026
Format: 12” Vinyl Only 180g
______________________________

Jordanian producer Taymour teams up with Palestinian rapper/singer Bareetlblad on a killer mini-album of skewed gothic pop, like some auto-tuned, arabic-language re-imagining of Faith-era The Cure via Dean Blunt, Cocteau Twins x Future. Trust, it’s exceptional stuff, curving melancholy, PNL-style biomechanical rhymes around heartfelt new wave/post-punk loops, like little else.

'NOS INSAN (نص إنسان)' is such a potent fusion of ideas that you wonder why no one tried it sooner. Billed as a break-up record, it's dripping with intensity, finding fragile harmony between Future's slow-burning emo-rap milestone 'HNDRXX' and Martin Hannett's moody canon. If that sounds odd, just imagine a pulverised version of Dean Blunt's catalog: 'Black Metal'-era songwriting, Hype Williams-era beatmaking and Babyfather's plasticky rap commentary.

Haifa-based vocalist Bareetlblad is captivating on 'Sort Akrhek, Ad Ma Ba7ebek (صرت أكرهك ! قد ما بحبك)', singing and rapping over Taymour's beatless, chorus-heavy guitar loops. It's a flawless opener, isolating a mood that's potent and fully unique. There are no beats, just rain-soaked Vini Reilly-style shimmers over Bareetlblad's soaring AutoTuned vox. The album title means "half a man”, a reference to a hollowed-out stretch following a breakup, referencing vintage grunge and shoegaze while at the same time scraping life-or-death imagery from traditional Arabic poetry and the region's melancholy folk music.

Peep 'T2ddamet (تقدمت)', a track that pulls on the interplay between Taymour's '80s Cure-style drum machine splashes and Bareetlblad's melodramatic love-drunk rhymes, or the all-too-brief 'Bdounik (بدونك)', a minute and a half of washy industrial-cum-dreampop guitars over robotic, overdriven sweet nothings that sound as if they're being broadcast - @boomkatonline

#qualityoverquantity #supportyourlocaldealer #cult #classic #newwave #postpunk #mutations

Bareetlblad x Taymour - Nos Insan / نص انسان, out now at boomkat.com, mastered by @heba_kadry cover art by @mouriiiiiiiiii & @mooni.studio

Cat No: diy12-001
Release date: 09 January 2026
Format: 12” Vinyl Only 180g
______________________________

Jordanian producer Taymour teams up with Palestinian rapper/singer Bareetlblad on a killer mini-album of skewed gothic pop, like some auto-tuned, arabic-language re-imagining of Faith-era The Cure via Dean Blunt, Cocteau Twins x Future. Trust, it’s exceptional stuff, curving melancholy, PNL-style biomechanical rhymes around heartfelt new wave/post-punk loops, like little else.

'NOS INSAN (نص إنسان)' is such a potent fusion of ideas that you wonder why no one tried it sooner. Billed as a break-up record, it's dripping with intensity, finding fragile harmony between Future's slow-burning emo-rap milestone 'HNDRXX' and Martin Hannett's moody canon. If that sounds odd, just imagine a pulverised version of Dean Blunt's catalog: 'Black Metal'-era songwriting, Hype Williams-era beatmaking and Babyfather's plasticky rap commentary.

Haifa-based vocalist Bareetlblad is captivating on 'Sort Akrhek, Ad Ma Ba7ebek (صرت أكرهك ! قد ما بحبك)', singing and rapping over Taymour's beatless, chorus-heavy guitar loops. It's a flawless opener, isolating a mood that's potent and fully unique. There are no beats, just rain-soaked Vini Reilly-style shimmers over Bareetlblad's soaring AutoTuned vox. The album title means "half a man”, a reference to a hollowed-out stretch following a breakup, referencing vintage grunge and shoegaze while at the same time scraping life-or-death imagery from traditional Arabic poetry and the region's melancholy folk music.

Peep 'T2ddamet (تقدمت)', a track that pulls on the interplay between Taymour's '80s Cure-style drum machine splashes and Bareetlblad's melodramatic love-drunk rhymes, or the all-too-brief 'Bdounik (بدونك)', a minute and a half of washy industrial-cum-dreampop guitars over robotic, overdriven sweet nothings that sound as if they're being broadcast - @boomkatonline

#qualityoverquantity #supportyourlocaldealer #cult #classic #newwave #postpunk #mutations

Bareetlblad x Taymour - Nos Insan / نص انسان, out now at boomkat.com, mastered by @heba_kadry cover art by @mouriiiiiiiiii & @mooni.studio

Cat No: diy12-001
Release date: 09 January 2026
Format: 12” Vinyl Only 180g
______________________________

Jordanian producer Taymour teams up with Palestinian rapper/singer Bareetlblad on a killer mini-album of skewed gothic pop, like some auto-tuned, arabic-language re-imagining of Faith-era The Cure via Dean Blunt, Cocteau Twins x Future. Trust, it’s exceptional stuff, curving melancholy, PNL-style biomechanical rhymes around heartfelt new wave/post-punk loops, like little else.

'NOS INSAN (نص إنسان)' is such a potent fusion of ideas that you wonder why no one tried it sooner. Billed as a break-up record, it's dripping with intensity, finding fragile harmony between Future's slow-burning emo-rap milestone 'HNDRXX' and Martin Hannett's moody canon. If that sounds odd, just imagine a pulverised version of Dean Blunt's catalog: 'Black Metal'-era songwriting, Hype Williams-era beatmaking and Babyfather's plasticky rap commentary.

Haifa-based vocalist Bareetlblad is captivating on 'Sort Akrhek, Ad Ma Ba7ebek (صرت أكرهك ! قد ما بحبك)', singing and rapping over Taymour's beatless, chorus-heavy guitar loops. It's a flawless opener, isolating a mood that's potent and fully unique. There are no beats, just rain-soaked Vini Reilly-style shimmers over Bareetlblad's soaring AutoTuned vox. The album title means "half a man”, a reference to a hollowed-out stretch following a breakup, referencing vintage grunge and shoegaze while at the same time scraping life-or-death imagery from traditional Arabic poetry and the region's melancholy folk music.

Peep 'T2ddamet (تقدمت)', a track that pulls on the interplay between Taymour's '80s Cure-style drum machine splashes and Bareetlblad's melodramatic love-drunk rhymes, or the all-too-brief 'Bdounik (بدونك)', a minute and a half of washy industrial-cum-dreampop guitars over robotic, overdriven sweet nothings that sound as if they're being broadcast - @boomkatonline

#qualityoverquantity #supportyourlocaldealer #cult #classic #newwave #postpunk #mutations

Taymour: Skeng Bootlegs, out now at boomkat.com in a limited edition dubplate, mastered by motion graphics

Cat No: diyDP-001
Release date: 08 January 2025
Format: Dubplate 7”
______________________________

heavyweight bullets from Amman, Jordan’s Taymour, the first in a dubplate series from London’s diy label, chasing aces by Dijit, Krikor & Tapes.

Both sides of ‘Skeng Bootlegs’ map intrinsic links between Jamaican dancehall and Arabic North African and Middle Eastern autotune applications, threaded thru London’s eye of the needle.
Up top Skeng’s moody 2022 anthem ‘Thug Life’ is neatly alleviated from gully to more gyal friendly with warmer Korg M1-type riffs and pads that soften the blow whilst retaining intact Skeng’s tuff, hypnotic flow. Down below, the hints of Arabic-via-Celtic flutes and chamber strings that juxtapose Skeng’s hard & soft flow on the original ‘Cheese’ are smudged out to a more ethereal club breeze in Taymour’s bootleg, reframed and returned with woozy microtonal bass shift for a sultrier appeal. - @boomkatonline

#qualityoverquantity #supportyourlocaldealer #skeng #tuff #gully

Taymour: Skeng Bootlegs, out now at boomkat.com in a limited edition dubplate, mastered by motion graphics

Cat No: diyDP-001
Release date: 08 January 2025
Format: Dubplate 7”
______________________________

heavyweight bullets from Amman, Jordan’s Taymour, the first in a dubplate series from London’s diy label, chasing aces by Dijit, Krikor & Tapes.

Both sides of ‘Skeng Bootlegs’ map intrinsic links between Jamaican dancehall and Arabic North African and Middle Eastern autotune applications, threaded thru London’s eye of the needle.
Up top Skeng’s moody 2022 anthem ‘Thug Life’ is neatly alleviated from gully to more gyal friendly with warmer Korg M1-type riffs and pads that soften the blow whilst retaining intact Skeng’s tuff, hypnotic flow. Down below, the hints of Arabic-via-Celtic flutes and chamber strings that juxtapose Skeng’s hard & soft flow on the original ‘Cheese’ are smudged out to a more ethereal club breeze in Taymour’s bootleg, reframed and returned with woozy microtonal bass shift for a sultrier appeal. - @boomkatonline

#qualityoverquantity #supportyourlocaldealer #skeng #tuff #gully

Taymour: Skeng Bootlegs, out now at boomkat.com in a limited edition dubplate, mastered by motion graphics

Cat No: diyDP-001
Release date: 08 January 2025
Format: Dubplate 7”
______________________________

heavyweight bullets from Amman, Jordan’s Taymour, the first in a dubplate series from London’s diy label, chasing aces by Dijit, Krikor & Tapes.

Both sides of ‘Skeng Bootlegs’ map intrinsic links between Jamaican dancehall and Arabic North African and Middle Eastern autotune applications, threaded thru London’s eye of the needle.
Up top Skeng’s moody 2022 anthem ‘Thug Life’ is neatly alleviated from gully to more gyal friendly with warmer Korg M1-type riffs and pads that soften the blow whilst retaining intact Skeng’s tuff, hypnotic flow. Down below, the hints of Arabic-via-Celtic flutes and chamber strings that juxtapose Skeng’s hard & soft flow on the original ‘Cheese’ are smudged out to a more ethereal club breeze in Taymour’s bootleg, reframed and returned with woozy microtonal bass shift for a sultrier appeal. - @boomkatonline

#qualityoverquantity #supportyourlocaldealer #skeng #tuff #gully

wk5_saturday_11—23.03_10:30am+10:30pm_1hr: TAYMOUR @tvymour

———————————————————————

Yesterday, Come Closer Soundsystem, curated by Ahmad Zaghmouri @mouriiiiiiiiii, in partnership with the P@l3st!n!an sound platform Radio alHara @radioalhara highlights artists who are in alliance with a free P@l3st!ne. This sound series is a collective manifestation of solidarity with P@l3st!n3 against the ongoing occupation and g3n0c!de of the P@l3st!n!e an people and their land.

YCCs will do a 24-hour take-over of Radio alHara’s program every Saturday until further notice. Sets will be played twice per day - they will be repeated to cater to all the time zones.

To our local listeners - You are more than welcome to join our listening session, every Saturday (1-11 pm) at the Wonder Cabinet @wonder.cabinet in Bethlehem.

This sound system is released alongside Ibrahem Hasan’s @ib.hasa.n 728-page non-linear book, Yesterday, Come Closer.

100% of the profits from “Yesterday, Come Closer” will be given directly to multiple grassroots efforts on the ground in P@l3st!ne.

Limited to 1000

Pre-order now.

Link in bio.

Excited for my debut at the BR Festival in Berlin ma3 5wanii @mouriiiiiiiiii @toumba__ @bint7alal @jude_heib

Another set up online. My guest set for Toumba (thx Toumba) on Movement Radio is up now. More dancehall and more previews, link in bio.

First episode of my show Club 7aram on NTS is on Soundcloud.

1 hour of dancehall with demos of my upcoming bootleg EP. Link in bio

BLTNM afterparty on the 28th

Organized by @diystudioww
Tickets in bio

London on the 28th oofff

BIG MURK at HARARA volume 4 this Friday! Joined by HARARA resident Taymour and our very own Karma 🔥🔥 Book your table online now, or buy your tickets at the door ☄️

Big Murk is a Jordanian producer and DJ working in the region’s electronic and rap scenes, with a focus on UK sounds. He has recently performed at PTX Athens, Colour Factory London and Panke Culture Berlin. Join at us at 7arara 04 for a mix of amapiano, dancehall and Afro house🕺🏼✨❤️‍🔥

🎟 Tickets are 10JDs at the door
⏱ Event runs from 6PM to 12AM
🔞 You must be 18+ for entry
💻 Book a table online at shamselbalad.com

MOURI aka Shabmouri at HARARA volume 3 this Thursday! 🔥🔥 Book your spots online now, or buy your tickets at the door ☄️ Get ready to dance the night away! 🕺🏼✨❤️‍🔥

Co-founder of the influential Ramallah based record label, BLTNM, Mouri has established himself as a reputable DJ sampling from all genres including but not limited to Drum & Bass, Jungle (UK), BAILE, Afro-Tech, Trap and Dub. He has performed internationally including cities such as London, Accra, Dubai and Amman. Across his career, he has also worked with Boiler Room and NTS Radio and has been featured in The Guardian, The Wire, Dazed, Noods, Mille Magazine and TRT.

🎟 Tickets are 10JDs at the door
⏱ Event runs from 6PM to 12AM
🔞 You must be 18+ for entry
💻 Book online at shamselbalad.com

👾 AI image generated by @omarsha3
🖼 Poster design by @karmamalhas

HARARA volume 2 is here with a very special guest this Thursday, AL NATHER! 🔥🔥 Book your spots online now, or buy your tickets at the door ☄️ Get ready to dance the night away! 🕺🏼✨❤️‍🔥

🎟 Tickets are 10JDs at the door
⏱ Event runs from 6PM to 12AM
🔞 You must be 18+ for entry
💻 Book online at shamselbalad.com

👾 AI image generated by @omarsha3
🖼 Poster design by @karmamalhas

First night of my new montly series at @shamselbalad this Thursday. Fee ajwa2

Poster: @lala.diy @karmamalhas @omarsha3