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현재 포항시립미술관에서 네이단 콜리의 국내 첫 미술관 개인전 《마음이 그려낸 풍경》이 개최되었습니다.
이번 개인전에서 그의 대표작 대형 텍스트 조명 조각, 주버 라이트 박스 시리즈와 개인전을 위해 특별히 제작된 건축형태의 검은 목재 조각, 스프레이 페인트 작업을 만나볼 수 있습니다.

Nathan Coley’s first museum solo exhibition in Korea, 𝙔𝙊𝙐 𝙒𝙄𝙇𝙇 𝙒𝙃𝘼𝙏 𝙔𝙊𝙐 𝙄𝙈𝘼𝙂𝙄𝙉𝙀, is currently on view at the Pohang Museum of Steel Art.

The exhibition presents a selection of Nathan Coley's signature large-scale illuminated text works, the Zuber Light Box series, a black timber sculpture of architectural form created specifically for the exhibition, and a spray-painted work.

NATHAN COLEY
YOU WILL WHAT YOU IMAGINE
4 June - 6 Sep 2026
Pohang Museum of Steel Art

@_nathan_coley_
@poma_museum

Now on view @hiveartfair.official
Park Suk Won's Accumulation series at booth A17

HIVE ART FAIR 2026
22 - 24 May
Coex Magok

Park Suk Won
Booth · A17

@swpark41

Now on view @hiveartfair.official
Park Suk Won's Accumulation series at booth A17

HIVE ART FAIR 2026
22 - 24 May
Coex Magok

Park Suk Won
Booth · A17

@swpark41

Now on view @hiveartfair.official
Park Suk Won's Accumulation series at booth A17

HIVE ART FAIR 2026
22 - 24 May
Coex Magok

Park Suk Won
Booth · A17

@swpark41

Now on view @hiveartfair.official
Park Suk Won's Accumulation series at booth A17

HIVE ART FAIR 2026
22 - 24 May
Coex Magok

Park Suk Won
Booth · A17

@swpark41

Now on view @hiveartfair.official
Park Suk Won's Accumulation series at booth A17

HIVE ART FAIR 2026
22 - 24 May
Coex Magok

Park Suk Won
Booth · A17

@swpark41

Now on view @hiveartfair.official
Park Suk Won's Accumulation series at booth A17

HIVE ART FAIR 2026
22 - 24 May
Coex Magok

Park Suk Won
Booth · A17

@swpark41

Now on view @hiveartfair.official
Park Suk Won's Accumulation series at booth A17

HIVE ART FAIR 2026
22 - 24 May
Coex Magok

Park Suk Won
Booth · A17

@swpark41

Now on view @hiveartfair.official
Park Suk Won's Accumulation series at booth A17

HIVE ART FAIR 2026
22 - 24 May
Coex Magok

Park Suk Won
Booth · A17

@swpark41

Now on view @hiveartfair.official
Park Suk Won's Accumulation series at booth A17

HIVE ART FAIR 2026
22 - 24 May
Coex Magok

Park Suk Won
Booth · A17

@swpark41

Now on view @hiveartfair.official
Park Suk Won's Accumulation series at booth A17

HIVE ART FAIR 2026
22 - 24 May
Coex Magok

Park Suk Won
Booth · A17

@swpark41

Now on view @artbusan
Kuho Jung's Bandaji series at booth B33

ART BUSAN 2026
22 - 24 May
Busan Bexco

白骨銅 · Kuho Jung
Booth B33

@jung_kuho

Now on view @artbusan
Kuho Jung's Bandaji series at booth B33

ART BUSAN 2026
22 - 24 May
Busan Bexco

白骨銅 · Kuho Jung
Booth B33

@jung_kuho

Now on view @artbusan
Kuho Jung's Bandaji series at booth B33

ART BUSAN 2026
22 - 24 May
Busan Bexco

白骨銅 · Kuho Jung
Booth B33

@jung_kuho

Now on view @artbusan
Kuho Jung's Bandaji series at booth B33

ART BUSAN 2026
22 - 24 May
Busan Bexco

白骨銅 · Kuho Jung
Booth B33

@jung_kuho

Now on view @artbusan
Kuho Jung's Bandaji series at booth B33

ART BUSAN 2026
22 - 24 May
Busan Bexco

白骨銅 · Kuho Jung
Booth B33

@jung_kuho

Now on view @artbusan
Kuho Jung's Bandaji series at booth B33

ART BUSAN 2026
22 - 24 May
Busan Bexco

白骨銅 · Kuho Jung
Booth B33

@jung_kuho

Now on view @artbusan
Kuho Jung's Bandaji series at booth B33

ART BUSAN 2026
22 - 24 May
Busan Bexco

白骨銅 · Kuho Jung
Booth B33

@jung_kuho

Now on view @artbusan
Kuho Jung's Bandaji series at booth B33

ART BUSAN 2026
22 - 24 May
Busan Bexco

白骨銅 · Kuho Jung
Booth B33

@jung_kuho

Now on view @artbusan
Kuho Jung's Bandaji series at booth B33

ART BUSAN 2026
22 - 24 May
Busan Bexco

白骨銅 · Kuho Jung
Booth B33

@jung_kuho

Now Open HIVE ART FAIR @hiveartfair.official

HIVE ART FAIR 2026
22 - 24 May
Coex Magok

Park Suk Won
Booth · A17

@swpark41

Now Open HIVE ART FAIR @hiveartfair.official

HIVE ART FAIR 2026
22 - 24 May
Coex Magok

Park Suk Won
Booth · A17

@swpark41

Now Open HIVE ART FAIR @hiveartfair.official

HIVE ART FAIR 2026
22 - 24 May
Coex Magok

Park Suk Won
Booth · A17

@swpark41

Now Open HIVE ART FAIR @hiveartfair.official

HIVE ART FAIR 2026
22 - 24 May
Coex Magok

Park Suk Won
Booth · A17

@swpark41

Now open @ARTBUSAN
Visit us at the booth B33

ART BUSAN 2026
22 - 24 May
VIP: 21 May
Busan Bexco

白骨銅 · Kuho Jung
Booth B33

@jung_kuho

_
Photo: Jeon Byung Cheol

Now open @ARTBUSAN
Visit us at the booth B33

ART BUSAN 2026
22 - 24 May
VIP: 21 May
Busan Bexco

白骨銅 · Kuho Jung
Booth B33

@jung_kuho

_
Photo: Jeon Byung Cheol

Now open @ARTBUSAN
Visit us at the booth B33

ART BUSAN 2026
22 - 24 May
VIP: 21 May
Busan Bexco

白骨銅 · Kuho Jung
Booth B33

@jung_kuho

_
Photo: Jeon Byung Cheol

Now open @ARTBUSAN
Visit us at the booth B33

ART BUSAN 2026
22 - 24 May
VIP: 21 May
Busan Bexco

白骨銅 · Kuho Jung
Booth B33

@jung_kuho

_
Photo: Jeon Byung Cheol

Now Open @TEFAF New York 2026

TEFAF New York 2026
15 - 19 May

The Page Gallery · Stand 319

Choi Myoung Young
Park Suk Won
Han Jin
Gwon Osang
Kuho Jung
Andy Warhol
Donald Judd
Richard Pettibone
Kim Tschang-Yeul

Photo: @charlesroussel

Today we celebrate Park Suk Won (@swpark41) who was born #onthisday 🎊

Park Suk Won (b.1942) is a leading figure in the history of Korean contemporary sculpture. The experience of the Korean War and other significant political uprisings in Korea led him to develop his philosophy that pursues the fundamental value of existing beings. As a sculptor, he embraces the properties of the materials, refraining from figurative images and aligning himself with neutrality. The key elements of his practice are repetition, re-assembly, and accumulation. Though the repetition of simplistic forms resonates with the Minimalism of the West, Park Suk Won distinguishes himself by using nature-based materials, establishing the philosophy of Korean Minimalism.

박석원 (b.1942)은 한국현대조각사를 대표하는 작가입니다. 그는 한국전쟁과 여러 중요한 정치적 사건을 겪으며, 존재하는 것들의 근본적인 가치를 추구하는 철학을 탐구했습니다. 조각가로서 그는 재료의 물성을 강조하며, 반복, 축적, 재조립을 작업의 핵심 요소로 삼습니다. 단순한 형태의 반복은 서양 미니멀리즘을 떠올리게 하지만, 박석원 작가는 자연 기반 재료를 사용함으로써 한국 미니멀리즘의 철학을 보여주고 있습니다.

_

1. Portrait of the artist, ©The Page Gallery
2. Installation view of Changwon Sculpture Biennale, 2024, Handle, 1968-2005, Aluminum, 63 x 200 x 63 cm
3. Installation view of Seoul Olympic Park, Accumulation 8707, 1987, Granite, whinstone, 820 x 300 x 200 cm
4. The Memorial Tower of KAL Airplane Bombed 9045, Granite, black stone, 1990, 800 x 1600 x 200 cm
5. Installation view ofPark Suk Won’s solo exhibition, The Page Gallery, Seoul, 2024, ©The Page Gallery
6. Accumulation-15029, 2015, Granite, aluminum ring, 136.5 x 25 x 24 cm, ©The Page Gallery
7. Accumulation-2398, (detail), 2023, Korean paper on canvas, 130 × 130 cm, ©The Page Gallery

Today we celebrate Park Suk Won (@swpark41) who was born #onthisday 🎊

Park Suk Won (b.1942) is a leading figure in the history of Korean contemporary sculpture. The experience of the Korean War and other significant political uprisings in Korea led him to develop his philosophy that pursues the fundamental value of existing beings. As a sculptor, he embraces the properties of the materials, refraining from figurative images and aligning himself with neutrality. The key elements of his practice are repetition, re-assembly, and accumulation. Though the repetition of simplistic forms resonates with the Minimalism of the West, Park Suk Won distinguishes himself by using nature-based materials, establishing the philosophy of Korean Minimalism.

박석원 (b.1942)은 한국현대조각사를 대표하는 작가입니다. 그는 한국전쟁과 여러 중요한 정치적 사건을 겪으며, 존재하는 것들의 근본적인 가치를 추구하는 철학을 탐구했습니다. 조각가로서 그는 재료의 물성을 강조하며, 반복, 축적, 재조립을 작업의 핵심 요소로 삼습니다. 단순한 형태의 반복은 서양 미니멀리즘을 떠올리게 하지만, 박석원 작가는 자연 기반 재료를 사용함으로써 한국 미니멀리즘의 철학을 보여주고 있습니다.

_

1. Portrait of the artist, ©The Page Gallery
2. Installation view of Changwon Sculpture Biennale, 2024, Handle, 1968-2005, Aluminum, 63 x 200 x 63 cm
3. Installation view of Seoul Olympic Park, Accumulation 8707, 1987, Granite, whinstone, 820 x 300 x 200 cm
4. The Memorial Tower of KAL Airplane Bombed 9045, Granite, black stone, 1990, 800 x 1600 x 200 cm
5. Installation view ofPark Suk Won’s solo exhibition, The Page Gallery, Seoul, 2024, ©The Page Gallery
6. Accumulation-15029, 2015, Granite, aluminum ring, 136.5 x 25 x 24 cm, ©The Page Gallery
7. Accumulation-2398, (detail), 2023, Korean paper on canvas, 130 × 130 cm, ©The Page Gallery

Today we celebrate Park Suk Won (@swpark41) who was born #onthisday 🎊

Park Suk Won (b.1942) is a leading figure in the history of Korean contemporary sculpture. The experience of the Korean War and other significant political uprisings in Korea led him to develop his philosophy that pursues the fundamental value of existing beings. As a sculptor, he embraces the properties of the materials, refraining from figurative images and aligning himself with neutrality. The key elements of his practice are repetition, re-assembly, and accumulation. Though the repetition of simplistic forms resonates with the Minimalism of the West, Park Suk Won distinguishes himself by using nature-based materials, establishing the philosophy of Korean Minimalism.

박석원 (b.1942)은 한국현대조각사를 대표하는 작가입니다. 그는 한국전쟁과 여러 중요한 정치적 사건을 겪으며, 존재하는 것들의 근본적인 가치를 추구하는 철학을 탐구했습니다. 조각가로서 그는 재료의 물성을 강조하며, 반복, 축적, 재조립을 작업의 핵심 요소로 삼습니다. 단순한 형태의 반복은 서양 미니멀리즘을 떠올리게 하지만, 박석원 작가는 자연 기반 재료를 사용함으로써 한국 미니멀리즘의 철학을 보여주고 있습니다.

_

1. Portrait of the artist, ©The Page Gallery
2. Installation view of Changwon Sculpture Biennale, 2024, Handle, 1968-2005, Aluminum, 63 x 200 x 63 cm
3. Installation view of Seoul Olympic Park, Accumulation 8707, 1987, Granite, whinstone, 820 x 300 x 200 cm
4. The Memorial Tower of KAL Airplane Bombed 9045, Granite, black stone, 1990, 800 x 1600 x 200 cm
5. Installation view ofPark Suk Won’s solo exhibition, The Page Gallery, Seoul, 2024, ©The Page Gallery
6. Accumulation-15029, 2015, Granite, aluminum ring, 136.5 x 25 x 24 cm, ©The Page Gallery
7. Accumulation-2398, (detail), 2023, Korean paper on canvas, 130 × 130 cm, ©The Page Gallery

Today we celebrate Park Suk Won (@swpark41) who was born #onthisday 🎊

Park Suk Won (b.1942) is a leading figure in the history of Korean contemporary sculpture. The experience of the Korean War and other significant political uprisings in Korea led him to develop his philosophy that pursues the fundamental value of existing beings. As a sculptor, he embraces the properties of the materials, refraining from figurative images and aligning himself with neutrality. The key elements of his practice are repetition, re-assembly, and accumulation. Though the repetition of simplistic forms resonates with the Minimalism of the West, Park Suk Won distinguishes himself by using nature-based materials, establishing the philosophy of Korean Minimalism.

박석원 (b.1942)은 한국현대조각사를 대표하는 작가입니다. 그는 한국전쟁과 여러 중요한 정치적 사건을 겪으며, 존재하는 것들의 근본적인 가치를 추구하는 철학을 탐구했습니다. 조각가로서 그는 재료의 물성을 강조하며, 반복, 축적, 재조립을 작업의 핵심 요소로 삼습니다. 단순한 형태의 반복은 서양 미니멀리즘을 떠올리게 하지만, 박석원 작가는 자연 기반 재료를 사용함으로써 한국 미니멀리즘의 철학을 보여주고 있습니다.

_

1. Portrait of the artist, ©The Page Gallery
2. Installation view of Changwon Sculpture Biennale, 2024, Handle, 1968-2005, Aluminum, 63 x 200 x 63 cm
3. Installation view of Seoul Olympic Park, Accumulation 8707, 1987, Granite, whinstone, 820 x 300 x 200 cm
4. The Memorial Tower of KAL Airplane Bombed 9045, Granite, black stone, 1990, 800 x 1600 x 200 cm
5. Installation view ofPark Suk Won’s solo exhibition, The Page Gallery, Seoul, 2024, ©The Page Gallery
6. Accumulation-15029, 2015, Granite, aluminum ring, 136.5 x 25 x 24 cm, ©The Page Gallery
7. Accumulation-2398, (detail), 2023, Korean paper on canvas, 130 × 130 cm, ©The Page Gallery

Today we celebrate Park Suk Won (@swpark41) who was born #onthisday 🎊

Park Suk Won (b.1942) is a leading figure in the history of Korean contemporary sculpture. The experience of the Korean War and other significant political uprisings in Korea led him to develop his philosophy that pursues the fundamental value of existing beings. As a sculptor, he embraces the properties of the materials, refraining from figurative images and aligning himself with neutrality. The key elements of his practice are repetition, re-assembly, and accumulation. Though the repetition of simplistic forms resonates with the Minimalism of the West, Park Suk Won distinguishes himself by using nature-based materials, establishing the philosophy of Korean Minimalism.

박석원 (b.1942)은 한국현대조각사를 대표하는 작가입니다. 그는 한국전쟁과 여러 중요한 정치적 사건을 겪으며, 존재하는 것들의 근본적인 가치를 추구하는 철학을 탐구했습니다. 조각가로서 그는 재료의 물성을 강조하며, 반복, 축적, 재조립을 작업의 핵심 요소로 삼습니다. 단순한 형태의 반복은 서양 미니멀리즘을 떠올리게 하지만, 박석원 작가는 자연 기반 재료를 사용함으로써 한국 미니멀리즘의 철학을 보여주고 있습니다.

_

1. Portrait of the artist, ©The Page Gallery
2. Installation view of Changwon Sculpture Biennale, 2024, Handle, 1968-2005, Aluminum, 63 x 200 x 63 cm
3. Installation view of Seoul Olympic Park, Accumulation 8707, 1987, Granite, whinstone, 820 x 300 x 200 cm
4. The Memorial Tower of KAL Airplane Bombed 9045, Granite, black stone, 1990, 800 x 1600 x 200 cm
5. Installation view ofPark Suk Won’s solo exhibition, The Page Gallery, Seoul, 2024, ©The Page Gallery
6. Accumulation-15029, 2015, Granite, aluminum ring, 136.5 x 25 x 24 cm, ©The Page Gallery
7. Accumulation-2398, (detail), 2023, Korean paper on canvas, 130 × 130 cm, ©The Page Gallery

Today we celebrate Park Suk Won (@swpark41) who was born #onthisday 🎊

Park Suk Won (b.1942) is a leading figure in the history of Korean contemporary sculpture. The experience of the Korean War and other significant political uprisings in Korea led him to develop his philosophy that pursues the fundamental value of existing beings. As a sculptor, he embraces the properties of the materials, refraining from figurative images and aligning himself with neutrality. The key elements of his practice are repetition, re-assembly, and accumulation. Though the repetition of simplistic forms resonates with the Minimalism of the West, Park Suk Won distinguishes himself by using nature-based materials, establishing the philosophy of Korean Minimalism.

박석원 (b.1942)은 한국현대조각사를 대표하는 작가입니다. 그는 한국전쟁과 여러 중요한 정치적 사건을 겪으며, 존재하는 것들의 근본적인 가치를 추구하는 철학을 탐구했습니다. 조각가로서 그는 재료의 물성을 강조하며, 반복, 축적, 재조립을 작업의 핵심 요소로 삼습니다. 단순한 형태의 반복은 서양 미니멀리즘을 떠올리게 하지만, 박석원 작가는 자연 기반 재료를 사용함으로써 한국 미니멀리즘의 철학을 보여주고 있습니다.

_

1. Portrait of the artist, ©The Page Gallery
2. Installation view of Changwon Sculpture Biennale, 2024, Handle, 1968-2005, Aluminum, 63 x 200 x 63 cm
3. Installation view of Seoul Olympic Park, Accumulation 8707, 1987, Granite, whinstone, 820 x 300 x 200 cm
4. The Memorial Tower of KAL Airplane Bombed 9045, Granite, black stone, 1990, 800 x 1600 x 200 cm
5. Installation view ofPark Suk Won’s solo exhibition, The Page Gallery, Seoul, 2024, ©The Page Gallery
6. Accumulation-15029, 2015, Granite, aluminum ring, 136.5 x 25 x 24 cm, ©The Page Gallery
7. Accumulation-2398, (detail), 2023, Korean paper on canvas, 130 × 130 cm, ©The Page Gallery

Today we celebrate Park Suk Won (@swpark41) who was born #onthisday 🎊

Park Suk Won (b.1942) is a leading figure in the history of Korean contemporary sculpture. The experience of the Korean War and other significant political uprisings in Korea led him to develop his philosophy that pursues the fundamental value of existing beings. As a sculptor, he embraces the properties of the materials, refraining from figurative images and aligning himself with neutrality. The key elements of his practice are repetition, re-assembly, and accumulation. Though the repetition of simplistic forms resonates with the Minimalism of the West, Park Suk Won distinguishes himself by using nature-based materials, establishing the philosophy of Korean Minimalism.

박석원 (b.1942)은 한국현대조각사를 대표하는 작가입니다. 그는 한국전쟁과 여러 중요한 정치적 사건을 겪으며, 존재하는 것들의 근본적인 가치를 추구하는 철학을 탐구했습니다. 조각가로서 그는 재료의 물성을 강조하며, 반복, 축적, 재조립을 작업의 핵심 요소로 삼습니다. 단순한 형태의 반복은 서양 미니멀리즘을 떠올리게 하지만, 박석원 작가는 자연 기반 재료를 사용함으로써 한국 미니멀리즘의 철학을 보여주고 있습니다.

_

1. Portrait of the artist, ©The Page Gallery
2. Installation view of Changwon Sculpture Biennale, 2024, Handle, 1968-2005, Aluminum, 63 x 200 x 63 cm
3. Installation view of Seoul Olympic Park, Accumulation 8707, 1987, Granite, whinstone, 820 x 300 x 200 cm
4. The Memorial Tower of KAL Airplane Bombed 9045, Granite, black stone, 1990, 800 x 1600 x 200 cm
5. Installation view ofPark Suk Won’s solo exhibition, The Page Gallery, Seoul, 2024, ©The Page Gallery
6. Accumulation-15029, 2015, Granite, aluminum ring, 136.5 x 25 x 24 cm, ©The Page Gallery
7. Accumulation-2398, (detail), 2023, Korean paper on canvas, 130 × 130 cm, ©The Page Gallery

#Exhibition

The exhibition如, 𝙩𝙝𝙞𝙨 𝙞𝙨 𝙞𝙩, which opened on February 26, has closed.
We would like to express our sincere gratitude to the artist and to all the visitors who have shown their great interest and support throughout the exhibition.

The exhibition catalogue for 如, 𝙩𝙝𝙞𝙨 𝙞𝙨 𝙞𝙩 is currently available for purchase on The Page Gallery website and the link in our profile.

2월 26일부터 더페이지갤러리에서 개최된 《如, this is it》가 종료되었습니다.
본 전시를 이끌어주신 작가님들과 큰 관심과 성원을 보내주신 관람객분들께 감사의 뜻을 전합니다.

《如, this is it》 전시 도록은 현재 더페이지갤러리 홈페이지 및 프로필 링크를 통해 구매 가능합니다.

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1-6. Installation view of the exhibition, Photo: Joel Moritz
7. White Porcelain Knee-shaped Water Dropper, Joseon Dynasty(19th C), 9.3 x 8.8cm, Photo: Joel Moritz

#Exhibition

The exhibition如, 𝙩𝙝𝙞𝙨 𝙞𝙨 𝙞𝙩, which opened on February 26, has closed.
We would like to express our sincere gratitude to the artist and to all the visitors who have shown their great interest and support throughout the exhibition.

The exhibition catalogue for 如, 𝙩𝙝𝙞𝙨 𝙞𝙨 𝙞𝙩 is currently available for purchase on The Page Gallery website and the link in our profile.

2월 26일부터 더페이지갤러리에서 개최된 《如, this is it》가 종료되었습니다.
본 전시를 이끌어주신 작가님들과 큰 관심과 성원을 보내주신 관람객분들께 감사의 뜻을 전합니다.

《如, this is it》 전시 도록은 현재 더페이지갤러리 홈페이지 및 프로필 링크를 통해 구매 가능합니다.

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1-6. Installation view of the exhibition, Photo: Joel Moritz
7. White Porcelain Knee-shaped Water Dropper, Joseon Dynasty(19th C), 9.3 x 8.8cm, Photo: Joel Moritz

#Exhibition

The exhibition如, 𝙩𝙝𝙞𝙨 𝙞𝙨 𝙞𝙩, which opened on February 26, has closed.
We would like to express our sincere gratitude to the artist and to all the visitors who have shown their great interest and support throughout the exhibition.

The exhibition catalogue for 如, 𝙩𝙝𝙞𝙨 𝙞𝙨 𝙞𝙩 is currently available for purchase on The Page Gallery website and the link in our profile.

2월 26일부터 더페이지갤러리에서 개최된 《如, this is it》가 종료되었습니다.
본 전시를 이끌어주신 작가님들과 큰 관심과 성원을 보내주신 관람객분들께 감사의 뜻을 전합니다.

《如, this is it》 전시 도록은 현재 더페이지갤러리 홈페이지 및 프로필 링크를 통해 구매 가능합니다.

-
1-6. Installation view of the exhibition, Photo: Joel Moritz
7. White Porcelain Knee-shaped Water Dropper, Joseon Dynasty(19th C), 9.3 x 8.8cm, Photo: Joel Moritz

#Exhibition

The exhibition如, 𝙩𝙝𝙞𝙨 𝙞𝙨 𝙞𝙩, which opened on February 26, has closed.
We would like to express our sincere gratitude to the artist and to all the visitors who have shown their great interest and support throughout the exhibition.

The exhibition catalogue for 如, 𝙩𝙝𝙞𝙨 𝙞𝙨 𝙞𝙩 is currently available for purchase on The Page Gallery website and the link in our profile.

2월 26일부터 더페이지갤러리에서 개최된 《如, this is it》가 종료되었습니다.
본 전시를 이끌어주신 작가님들과 큰 관심과 성원을 보내주신 관람객분들께 감사의 뜻을 전합니다.

《如, this is it》 전시 도록은 현재 더페이지갤러리 홈페이지 및 프로필 링크를 통해 구매 가능합니다.

-
1-6. Installation view of the exhibition, Photo: Joel Moritz
7. White Porcelain Knee-shaped Water Dropper, Joseon Dynasty(19th C), 9.3 x 8.8cm, Photo: Joel Moritz

#Exhibition

The exhibition如, 𝙩𝙝𝙞𝙨 𝙞𝙨 𝙞𝙩, which opened on February 26, has closed.
We would like to express our sincere gratitude to the artist and to all the visitors who have shown their great interest and support throughout the exhibition.

The exhibition catalogue for 如, 𝙩𝙝𝙞𝙨 𝙞𝙨 𝙞𝙩 is currently available for purchase on The Page Gallery website and the link in our profile.

2월 26일부터 더페이지갤러리에서 개최된 《如, this is it》가 종료되었습니다.
본 전시를 이끌어주신 작가님들과 큰 관심과 성원을 보내주신 관람객분들께 감사의 뜻을 전합니다.

《如, this is it》 전시 도록은 현재 더페이지갤러리 홈페이지 및 프로필 링크를 통해 구매 가능합니다.

-
1-6. Installation view of the exhibition, Photo: Joel Moritz
7. White Porcelain Knee-shaped Water Dropper, Joseon Dynasty(19th C), 9.3 x 8.8cm, Photo: Joel Moritz

#Exhibition

The exhibition如, 𝙩𝙝𝙞𝙨 𝙞𝙨 𝙞𝙩, which opened on February 26, has closed.
We would like to express our sincere gratitude to the artist and to all the visitors who have shown their great interest and support throughout the exhibition.

The exhibition catalogue for 如, 𝙩𝙝𝙞𝙨 𝙞𝙨 𝙞𝙩 is currently available for purchase on The Page Gallery website and the link in our profile.

2월 26일부터 더페이지갤러리에서 개최된 《如, this is it》가 종료되었습니다.
본 전시를 이끌어주신 작가님들과 큰 관심과 성원을 보내주신 관람객분들께 감사의 뜻을 전합니다.

《如, this is it》 전시 도록은 현재 더페이지갤러리 홈페이지 및 프로필 링크를 통해 구매 가능합니다.

-
1-6. Installation view of the exhibition, Photo: Joel Moritz
7. White Porcelain Knee-shaped Water Dropper, Joseon Dynasty(19th C), 9.3 x 8.8cm, Photo: Joel Moritz

#Exhibition

The exhibition如, 𝙩𝙝𝙞𝙨 𝙞𝙨 𝙞𝙩, which opened on February 26, has closed.
We would like to express our sincere gratitude to the artist and to all the visitors who have shown their great interest and support throughout the exhibition.

The exhibition catalogue for 如, 𝙩𝙝𝙞𝙨 𝙞𝙨 𝙞𝙩 is currently available for purchase on The Page Gallery website and the link in our profile.

2월 26일부터 더페이지갤러리에서 개최된 《如, this is it》가 종료되었습니다.
본 전시를 이끌어주신 작가님들과 큰 관심과 성원을 보내주신 관람객분들께 감사의 뜻을 전합니다.

《如, this is it》 전시 도록은 현재 더페이지갤러리 홈페이지 및 프로필 링크를 통해 구매 가능합니다.

-
1-6. Installation view of the exhibition, Photo: Joel Moritz
7. White Porcelain Knee-shaped Water Dropper, Joseon Dynasty(19th C), 9.3 x 8.8cm, Photo: Joel Moritz

#OnView

더페이지갤러리는 4월 15일부터 5월 30일까지 서울을 기반으로 활동하는 작가 최비오(b. 1971)의 개인전 《TIME INTERFACE》를 개최합니다. 2022년 더페이지갤러리에서의 개인전 《Observer》 이후 4년 만에 선보이는 이번 전시는 작가가 천착해온 시간의 개념을 회화와 설치 작업을 통해 새롭게 조명합니다. 여기서 시간은 화면 위에 재현되는 대상이 아니라 작품의 형성과 관람의 경험을 조직하는 조건으로 작동하며 전시 제목 《TIME INTERFACE》는 서로 다른 시간들이 하나의 표면과 공간 안에서 교차하고 접속하는 상태를 가리키며 작품과 전시 전반의 구조를 함축합니다.

The Page Gallery presents 𝙏𝙄𝙈𝙀 𝙄𝙉𝙏𝙀𝙍𝙁𝘼𝘾𝙀, a solo exhibition by Seoul-based artist Vio Choe (b. 1971), on view from April 15 to May 30. Four years after his 2022 solo exhibition Observer at The Page Gallery, this exhibition newly examines the artist’s long-standing inquiry into time through painting and installation. Here, time is not treated as something represented on a surface, but as a condition that shapes both the making of the work and the experience of viewing it. The title 𝙏𝙄𝙈𝙀 𝙄𝙉𝙏𝙀𝙍𝙁𝘼𝘾𝙀 refers to a state in which different temporalities intersect and connect within a single surface and space, condensing the structure of both the works and the exhibition as a whole.

VIO CHOE : Time Interface
15 Apr - 30 May 2026
The Page WEST

@viochoe

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1-5. Installation view of the exhibition, Photo: Joel Moritz
6. TIME SIGNALS: Marks (Chronoglyphs), 2025, Acrylic and mixed media on canvas, 162.2 × 130.3 cm (detail), Photo: Joel Moritz

#OnView

더페이지갤러리는 4월 15일부터 5월 30일까지 서울을 기반으로 활동하는 작가 최비오(b. 1971)의 개인전 《TIME INTERFACE》를 개최합니다. 2022년 더페이지갤러리에서의 개인전 《Observer》 이후 4년 만에 선보이는 이번 전시는 작가가 천착해온 시간의 개념을 회화와 설치 작업을 통해 새롭게 조명합니다. 여기서 시간은 화면 위에 재현되는 대상이 아니라 작품의 형성과 관람의 경험을 조직하는 조건으로 작동하며 전시 제목 《TIME INTERFACE》는 서로 다른 시간들이 하나의 표면과 공간 안에서 교차하고 접속하는 상태를 가리키며 작품과 전시 전반의 구조를 함축합니다.

The Page Gallery presents 𝙏𝙄𝙈𝙀 𝙄𝙉𝙏𝙀𝙍𝙁𝘼𝘾𝙀, a solo exhibition by Seoul-based artist Vio Choe (b. 1971), on view from April 15 to May 30. Four years after his 2022 solo exhibition Observer at The Page Gallery, this exhibition newly examines the artist’s long-standing inquiry into time through painting and installation. Here, time is not treated as something represented on a surface, but as a condition that shapes both the making of the work and the experience of viewing it. The title 𝙏𝙄𝙈𝙀 𝙄𝙉𝙏𝙀𝙍𝙁𝘼𝘾𝙀 refers to a state in which different temporalities intersect and connect within a single surface and space, condensing the structure of both the works and the exhibition as a whole.

VIO CHOE : Time Interface
15 Apr - 30 May 2026
The Page WEST

@viochoe

-
1-5. Installation view of the exhibition, Photo: Joel Moritz
6. TIME SIGNALS: Marks (Chronoglyphs), 2025, Acrylic and mixed media on canvas, 162.2 × 130.3 cm (detail), Photo: Joel Moritz

#OnView

더페이지갤러리는 4월 15일부터 5월 30일까지 서울을 기반으로 활동하는 작가 최비오(b. 1971)의 개인전 《TIME INTERFACE》를 개최합니다. 2022년 더페이지갤러리에서의 개인전 《Observer》 이후 4년 만에 선보이는 이번 전시는 작가가 천착해온 시간의 개념을 회화와 설치 작업을 통해 새롭게 조명합니다. 여기서 시간은 화면 위에 재현되는 대상이 아니라 작품의 형성과 관람의 경험을 조직하는 조건으로 작동하며 전시 제목 《TIME INTERFACE》는 서로 다른 시간들이 하나의 표면과 공간 안에서 교차하고 접속하는 상태를 가리키며 작품과 전시 전반의 구조를 함축합니다.

The Page Gallery presents 𝙏𝙄𝙈𝙀 𝙄𝙉𝙏𝙀𝙍𝙁𝘼𝘾𝙀, a solo exhibition by Seoul-based artist Vio Choe (b. 1971), on view from April 15 to May 30. Four years after his 2022 solo exhibition Observer at The Page Gallery, this exhibition newly examines the artist’s long-standing inquiry into time through painting and installation. Here, time is not treated as something represented on a surface, but as a condition that shapes both the making of the work and the experience of viewing it. The title 𝙏𝙄𝙈𝙀 𝙄𝙉𝙏𝙀𝙍𝙁𝘼𝘾𝙀 refers to a state in which different temporalities intersect and connect within a single surface and space, condensing the structure of both the works and the exhibition as a whole.

VIO CHOE : Time Interface
15 Apr - 30 May 2026
The Page WEST

@viochoe

-
1-5. Installation view of the exhibition, Photo: Joel Moritz
6. TIME SIGNALS: Marks (Chronoglyphs), 2025, Acrylic and mixed media on canvas, 162.2 × 130.3 cm (detail), Photo: Joel Moritz

#OnView

더페이지갤러리는 4월 15일부터 5월 30일까지 서울을 기반으로 활동하는 작가 최비오(b. 1971)의 개인전 《TIME INTERFACE》를 개최합니다. 2022년 더페이지갤러리에서의 개인전 《Observer》 이후 4년 만에 선보이는 이번 전시는 작가가 천착해온 시간의 개념을 회화와 설치 작업을 통해 새롭게 조명합니다. 여기서 시간은 화면 위에 재현되는 대상이 아니라 작품의 형성과 관람의 경험을 조직하는 조건으로 작동하며 전시 제목 《TIME INTERFACE》는 서로 다른 시간들이 하나의 표면과 공간 안에서 교차하고 접속하는 상태를 가리키며 작품과 전시 전반의 구조를 함축합니다.

The Page Gallery presents 𝙏𝙄𝙈𝙀 𝙄𝙉𝙏𝙀𝙍𝙁𝘼𝘾𝙀, a solo exhibition by Seoul-based artist Vio Choe (b. 1971), on view from April 15 to May 30. Four years after his 2022 solo exhibition Observer at The Page Gallery, this exhibition newly examines the artist’s long-standing inquiry into time through painting and installation. Here, time is not treated as something represented on a surface, but as a condition that shapes both the making of the work and the experience of viewing it. The title 𝙏𝙄𝙈𝙀 𝙄𝙉𝙏𝙀𝙍𝙁𝘼𝘾𝙀 refers to a state in which different temporalities intersect and connect within a single surface and space, condensing the structure of both the works and the exhibition as a whole.

VIO CHOE : Time Interface
15 Apr - 30 May 2026
The Page WEST

@viochoe

-
1-5. Installation view of the exhibition, Photo: Joel Moritz
6. TIME SIGNALS: Marks (Chronoglyphs), 2025, Acrylic and mixed media on canvas, 162.2 × 130.3 cm (detail), Photo: Joel Moritz

#OnView

더페이지갤러리는 4월 15일부터 5월 30일까지 서울을 기반으로 활동하는 작가 최비오(b. 1971)의 개인전 《TIME INTERFACE》를 개최합니다. 2022년 더페이지갤러리에서의 개인전 《Observer》 이후 4년 만에 선보이는 이번 전시는 작가가 천착해온 시간의 개념을 회화와 설치 작업을 통해 새롭게 조명합니다. 여기서 시간은 화면 위에 재현되는 대상이 아니라 작품의 형성과 관람의 경험을 조직하는 조건으로 작동하며 전시 제목 《TIME INTERFACE》는 서로 다른 시간들이 하나의 표면과 공간 안에서 교차하고 접속하는 상태를 가리키며 작품과 전시 전반의 구조를 함축합니다.

The Page Gallery presents 𝙏𝙄𝙈𝙀 𝙄𝙉𝙏𝙀𝙍𝙁𝘼𝘾𝙀, a solo exhibition by Seoul-based artist Vio Choe (b. 1971), on view from April 15 to May 30. Four years after his 2022 solo exhibition Observer at The Page Gallery, this exhibition newly examines the artist’s long-standing inquiry into time through painting and installation. Here, time is not treated as something represented on a surface, but as a condition that shapes both the making of the work and the experience of viewing it. The title 𝙏𝙄𝙈𝙀 𝙄𝙉𝙏𝙀𝙍𝙁𝘼𝘾𝙀 refers to a state in which different temporalities intersect and connect within a single surface and space, condensing the structure of both the works and the exhibition as a whole.

VIO CHOE : Time Interface
15 Apr - 30 May 2026
The Page WEST

@viochoe

-
1-5. Installation view of the exhibition, Photo: Joel Moritz
6. TIME SIGNALS: Marks (Chronoglyphs), 2025, Acrylic and mixed media on canvas, 162.2 × 130.3 cm (detail), Photo: Joel Moritz

#OnView

더페이지갤러리는 4월 15일부터 5월 30일까지 서울을 기반으로 활동하는 작가 최비오(b. 1971)의 개인전 《TIME INTERFACE》를 개최합니다. 2022년 더페이지갤러리에서의 개인전 《Observer》 이후 4년 만에 선보이는 이번 전시는 작가가 천착해온 시간의 개념을 회화와 설치 작업을 통해 새롭게 조명합니다. 여기서 시간은 화면 위에 재현되는 대상이 아니라 작품의 형성과 관람의 경험을 조직하는 조건으로 작동하며 전시 제목 《TIME INTERFACE》는 서로 다른 시간들이 하나의 표면과 공간 안에서 교차하고 접속하는 상태를 가리키며 작품과 전시 전반의 구조를 함축합니다.

The Page Gallery presents 𝙏𝙄𝙈𝙀 𝙄𝙉𝙏𝙀𝙍𝙁𝘼𝘾𝙀, a solo exhibition by Seoul-based artist Vio Choe (b. 1971), on view from April 15 to May 30. Four years after his 2022 solo exhibition Observer at The Page Gallery, this exhibition newly examines the artist’s long-standing inquiry into time through painting and installation. Here, time is not treated as something represented on a surface, but as a condition that shapes both the making of the work and the experience of viewing it. The title 𝙏𝙄𝙈𝙀 𝙄𝙉𝙏𝙀𝙍𝙁𝘼𝘾𝙀 refers to a state in which different temporalities intersect and connect within a single surface and space, condensing the structure of both the works and the exhibition as a whole.

VIO CHOE : Time Interface
15 Apr - 30 May 2026
The Page WEST

@viochoe

-
1-5. Installation view of the exhibition, Photo: Joel Moritz
6. TIME SIGNALS: Marks (Chronoglyphs), 2025, Acrylic and mixed media on canvas, 162.2 × 130.3 cm (detail), Photo: Joel Moritz

#ArtFair
Now open @galleriesartfair
Visit us at booth C74

Galleries Art Fair 2026
9 - 12 April
VIP: 8 April
Coex hall C&D

The Page Gallery
Booth C74

#ArtFair
Now open @galleriesartfair
Visit us at booth C74

Galleries Art Fair 2026
9 - 12 April
VIP: 8 April
Coex hall C&D

The Page Gallery
Booth C74

#ArtFair
Now open @galleriesartfair
Visit us at booth C74

Galleries Art Fair 2026
9 - 12 April
VIP: 8 April
Coex hall C&D

The Page Gallery
Booth C74

#ArtFair
Now open @galleriesartfair
Visit us at booth C74

Galleries Art Fair 2026
9 - 12 April
VIP: 8 April
Coex hall C&D

The Page Gallery
Booth C74

#ArtFair
Now open @galleriesartfair
Visit us at booth C74

Galleries Art Fair 2026
9 - 12 April
VIP: 8 April
Coex hall C&D

The Page Gallery
Booth C74

#ArtFair

Now open @artbasel
Visit us at booth 3C31

𝗔𝗿𝘁 𝗕𝗮𝘀𝗲𝗹 𝗛𝗼𝗻𝗴 𝗞𝗼𝗻𝗴
27 - 29 March, 2026
VIP: 25 - 26 March

Han Jin
Insights · 3C31

@andanteespressivo_jin

#ArtFair
Now open @ARTBASEL Hong Kong

The Page Gallery will participate for the first time in Art Basel Hong Kong, presenting a solo booth by Korean artist Han Jin (b. 1979) in the Insights sector at the Hong Kong Convention and Exhibition Centre.

Rooted in painting and drawing, Han Jin’s practice expands into video, sound, and installation, forming a distinctive artistic language that explores boundaries, time, and perception through the lens of sound. For this presentation, The Page Gallery brings together major series from the past decade alongside a newly developed sound work, offering a sensory experience where visual and auditory elements intersect and boundaries become unstable.

Through its first participation in Art Basel Hong Kong, The Page Gallery aims to expand its presence on the international stage and further introduce the work of Korean artists to a global audience.

더페이지갤러리는 홍콩 컨벤션센터에서 개최되는 아트 바젤 홍콩(Art Basel Hong Kong)에 인사이트(Insights) 섹터로 처음 참가하여, 한국 작가 한진(b. 1979)의 단독 부스를 선보입니다.

한진 작가는 회화와 드로잉을 기반으로 비디오, 사운드, 설치로 작업을 확장해왔으며 ‘소리’를 중심으로 경계, 시간, 지각을 탐구하는 독창적인 예술 세계로 주목받고 있습니다. 이번 부스에서는 지난 10여 년간의 주요 연작과 새로운 사운드 작업을 함께 선보이며, 시각과 청각이 교차하는 감각적 경험을 제안합니다.

더페이지갤러리는 이번 아트 바젤 홍콩 첫 참가를 계기로 국제 무대에서의 활동을 확장하고, 한국 작가들의 역량을 더욱 널리 알리고자 합니다.

𝗔𝗿𝘁 𝗕𝗮𝘀𝗲𝗹 𝗛𝗼𝗻𝗴 𝗞𝗼𝗻𝗴
27 - 29 March, 2026
VIP: 25 - 26 March

Han Jin
Insights ·3C31

@andanteespressivo_jin

_
Image
1-5. Installation view of The Page Gallery at Art Basel Hong Kong 2026, Photo: Ringo Cheung
#ThePageGallery #ArtBaselHongKong

#ArtFair
Now open @ARTBASEL Hong Kong

The Page Gallery will participate for the first time in Art Basel Hong Kong, presenting a solo booth by Korean artist Han Jin (b. 1979) in the Insights sector at the Hong Kong Convention and Exhibition Centre.

Rooted in painting and drawing, Han Jin’s practice expands into video, sound, and installation, forming a distinctive artistic language that explores boundaries, time, and perception through the lens of sound. For this presentation, The Page Gallery brings together major series from the past decade alongside a newly developed sound work, offering a sensory experience where visual and auditory elements intersect and boundaries become unstable.

Through its first participation in Art Basel Hong Kong, The Page Gallery aims to expand its presence on the international stage and further introduce the work of Korean artists to a global audience.

더페이지갤러리는 홍콩 컨벤션센터에서 개최되는 아트 바젤 홍콩(Art Basel Hong Kong)에 인사이트(Insights) 섹터로 처음 참가하여, 한국 작가 한진(b. 1979)의 단독 부스를 선보입니다.

한진 작가는 회화와 드로잉을 기반으로 비디오, 사운드, 설치로 작업을 확장해왔으며 ‘소리’를 중심으로 경계, 시간, 지각을 탐구하는 독창적인 예술 세계로 주목받고 있습니다. 이번 부스에서는 지난 10여 년간의 주요 연작과 새로운 사운드 작업을 함께 선보이며, 시각과 청각이 교차하는 감각적 경험을 제안합니다.

더페이지갤러리는 이번 아트 바젤 홍콩 첫 참가를 계기로 국제 무대에서의 활동을 확장하고, 한국 작가들의 역량을 더욱 널리 알리고자 합니다.

𝗔𝗿𝘁 𝗕𝗮𝘀𝗲𝗹 𝗛𝗼𝗻𝗴 𝗞𝗼𝗻𝗴
27 - 29 March, 2026
VIP: 25 - 26 March

Han Jin
Insights ·3C31

@andanteespressivo_jin

_
Image
1-5. Installation view of The Page Gallery at Art Basel Hong Kong 2026, Photo: Ringo Cheung
#ThePageGallery #ArtBaselHongKong

#ArtFair
Now open @ARTBASEL Hong Kong

The Page Gallery will participate for the first time in Art Basel Hong Kong, presenting a solo booth by Korean artist Han Jin (b. 1979) in the Insights sector at the Hong Kong Convention and Exhibition Centre.

Rooted in painting and drawing, Han Jin’s practice expands into video, sound, and installation, forming a distinctive artistic language that explores boundaries, time, and perception through the lens of sound. For this presentation, The Page Gallery brings together major series from the past decade alongside a newly developed sound work, offering a sensory experience where visual and auditory elements intersect and boundaries become unstable.

Through its first participation in Art Basel Hong Kong, The Page Gallery aims to expand its presence on the international stage and further introduce the work of Korean artists to a global audience.

더페이지갤러리는 홍콩 컨벤션센터에서 개최되는 아트 바젤 홍콩(Art Basel Hong Kong)에 인사이트(Insights) 섹터로 처음 참가하여, 한국 작가 한진(b. 1979)의 단독 부스를 선보입니다.

한진 작가는 회화와 드로잉을 기반으로 비디오, 사운드, 설치로 작업을 확장해왔으며 ‘소리’를 중심으로 경계, 시간, 지각을 탐구하는 독창적인 예술 세계로 주목받고 있습니다. 이번 부스에서는 지난 10여 년간의 주요 연작과 새로운 사운드 작업을 함께 선보이며, 시각과 청각이 교차하는 감각적 경험을 제안합니다.

더페이지갤러리는 이번 아트 바젤 홍콩 첫 참가를 계기로 국제 무대에서의 활동을 확장하고, 한국 작가들의 역량을 더욱 널리 알리고자 합니다.

𝗔𝗿𝘁 𝗕𝗮𝘀𝗲𝗹 𝗛𝗼𝗻𝗴 𝗞𝗼𝗻𝗴
27 - 29 March, 2026
VIP: 25 - 26 March

Han Jin
Insights ·3C31

@andanteespressivo_jin

_
Image
1-5. Installation view of The Page Gallery at Art Basel Hong Kong 2026, Photo: Ringo Cheung
#ThePageGallery #ArtBaselHongKong

#ArtFair
Now open @ARTBASEL Hong Kong

The Page Gallery will participate for the first time in Art Basel Hong Kong, presenting a solo booth by Korean artist Han Jin (b. 1979) in the Insights sector at the Hong Kong Convention and Exhibition Centre.

Rooted in painting and drawing, Han Jin’s practice expands into video, sound, and installation, forming a distinctive artistic language that explores boundaries, time, and perception through the lens of sound. For this presentation, The Page Gallery brings together major series from the past decade alongside a newly developed sound work, offering a sensory experience where visual and auditory elements intersect and boundaries become unstable.

Through its first participation in Art Basel Hong Kong, The Page Gallery aims to expand its presence on the international stage and further introduce the work of Korean artists to a global audience.

더페이지갤러리는 홍콩 컨벤션센터에서 개최되는 아트 바젤 홍콩(Art Basel Hong Kong)에 인사이트(Insights) 섹터로 처음 참가하여, 한국 작가 한진(b. 1979)의 단독 부스를 선보입니다.

한진 작가는 회화와 드로잉을 기반으로 비디오, 사운드, 설치로 작업을 확장해왔으며 ‘소리’를 중심으로 경계, 시간, 지각을 탐구하는 독창적인 예술 세계로 주목받고 있습니다. 이번 부스에서는 지난 10여 년간의 주요 연작과 새로운 사운드 작업을 함께 선보이며, 시각과 청각이 교차하는 감각적 경험을 제안합니다.

더페이지갤러리는 이번 아트 바젤 홍콩 첫 참가를 계기로 국제 무대에서의 활동을 확장하고, 한국 작가들의 역량을 더욱 널리 알리고자 합니다.

𝗔𝗿𝘁 𝗕𝗮𝘀𝗲𝗹 𝗛𝗼𝗻𝗴 𝗞𝗼𝗻𝗴
27 - 29 March, 2026
VIP: 25 - 26 March

Han Jin
Insights ·3C31

@andanteespressivo_jin

_
Image
1-5. Installation view of The Page Gallery at Art Basel Hong Kong 2026, Photo: Ringo Cheung
#ThePageGallery #ArtBaselHongKong

#ArtFair
Now open @ARTBASEL Hong Kong

The Page Gallery will participate for the first time in Art Basel Hong Kong, presenting a solo booth by Korean artist Han Jin (b. 1979) in the Insights sector at the Hong Kong Convention and Exhibition Centre.

Rooted in painting and drawing, Han Jin’s practice expands into video, sound, and installation, forming a distinctive artistic language that explores boundaries, time, and perception through the lens of sound. For this presentation, The Page Gallery brings together major series from the past decade alongside a newly developed sound work, offering a sensory experience where visual and auditory elements intersect and boundaries become unstable.

Through its first participation in Art Basel Hong Kong, The Page Gallery aims to expand its presence on the international stage and further introduce the work of Korean artists to a global audience.

더페이지갤러리는 홍콩 컨벤션센터에서 개최되는 아트 바젤 홍콩(Art Basel Hong Kong)에 인사이트(Insights) 섹터로 처음 참가하여, 한국 작가 한진(b. 1979)의 단독 부스를 선보입니다.

한진 작가는 회화와 드로잉을 기반으로 비디오, 사운드, 설치로 작업을 확장해왔으며 ‘소리’를 중심으로 경계, 시간, 지각을 탐구하는 독창적인 예술 세계로 주목받고 있습니다. 이번 부스에서는 지난 10여 년간의 주요 연작과 새로운 사운드 작업을 함께 선보이며, 시각과 청각이 교차하는 감각적 경험을 제안합니다.

더페이지갤러리는 이번 아트 바젤 홍콩 첫 참가를 계기로 국제 무대에서의 활동을 확장하고, 한국 작가들의 역량을 더욱 널리 알리고자 합니다.

𝗔𝗿𝘁 𝗕𝗮𝘀𝗲𝗹 𝗛𝗼𝗻𝗴 𝗞𝗼𝗻𝗴
27 - 29 March, 2026
VIP: 25 - 26 March

Han Jin
Insights ·3C31

@andanteespressivo_jin

_
Image
1-5. Installation view of The Page Gallery at Art Basel Hong Kong 2026, Photo: Ringo Cheung
#ThePageGallery #ArtBaselHongKong