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Rachel Weisz for @nytmag, out in print this coming weekend. Check out @alexandrakleeman’s piece on Weisz’s new psychological thriller “Dead Ringers.” It was an enormous gift to work with a subject so open and trusting of the ideas I brought to set. Rachel is as kind and brilliant as they come.

Thank you so much to @amykellner, @kathyryan and the whole team at @nytmag.

Photo assist: @curtiswallen @sicknansone
Styling: @seandn @szalaymiller
Make-up: @marywilesmakeup
Hair: @kevinryanhair
Studio: @tentonstudio
Talent rep: @rscapellan

And a shout out to my college buddy @poppyrepublic for a stellar performance in the series

Rachel Weisz for @nytmag, out in print this coming weekend. Check out @alexandrakleeman’s piece on Weisz’s new psychological thriller “Dead Ringers.” It was an enormous gift to work with a subject so open and trusting of the ideas I brought to set. Rachel is as kind and brilliant as they come.

Thank you so much to @amykellner, @kathyryan and the whole team at @nytmag.

Photo assist: @curtiswallen @sicknansone
Styling: @seandn @szalaymiller
Make-up: @marywilesmakeup
Hair: @kevinryanhair
Studio: @tentonstudio
Talent rep: @rscapellan

And a shout out to my college buddy @poppyrepublic for a stellar performance in the series

Rachel Weisz for @nytmag, out in print this coming weekend. Check out @alexandrakleeman’s piece on Weisz’s new psychological thriller “Dead Ringers.” It was an enormous gift to work with a subject so open and trusting of the ideas I brought to set. Rachel is as kind and brilliant as they come.

Thank you so much to @amykellner, @kathyryan and the whole team at @nytmag.

Photo assist: @curtiswallen @sicknansone
Styling: @seandn @szalaymiller
Make-up: @marywilesmakeup
Hair: @kevinryanhair
Studio: @tentonstudio
Talent rep: @rscapellan

And a shout out to my college buddy @poppyrepublic for a stellar performance in the series

Mikhail Baryshnikov for @nytmag, fifty years after his defection from the Soviet Union.

Many thanks to the brilliant @nytmag team that was behind this one: @coralie.kraft @kathyryan @j_dims and David Carthas. Photographed in 2023, published in 2024.

Mikhail Baryshnikov for @nytmag, fifty years after his defection from the Soviet Union.

Many thanks to the brilliant @nytmag team that was behind this one: @coralie.kraft @kathyryan @j_dims and David Carthas. Photographed in 2023, published in 2024.

Mikhail Baryshnikov for @nytmag, fifty years after his defection from the Soviet Union.

Many thanks to the brilliant @nytmag team that was behind this one: @coralie.kraft @kathyryan @j_dims and David Carthas. Photographed in 2023, published in 2024.

Mikhail Baryshnikov for @nytmag, fifty years after his defection from the Soviet Union.

Many thanks to the brilliant @nytmag team that was behind this one: @coralie.kraft @kathyryan @j_dims and David Carthas. Photographed in 2023, published in 2024.

Mikhail Baryshnikov for @nytmag, fifty years after his defection from the Soviet Union.

Many thanks to the brilliant @nytmag team that was behind this one: @coralie.kraft @kathyryan @j_dims and David Carthas. Photographed in 2023, published in 2024.

Mikhail Baryshnikov for @nytmag, fifty years after his defection from the Soviet Union.

Many thanks to the brilliant @nytmag team that was behind this one: @coralie.kraft @kathyryan @j_dims and David Carthas. Photographed in 2023, published in 2024.

Tiler Peck’s second commission for The New York City Ballet, “Symphonie Espagnole,” premieres tonight with an ambitious cast of 40 dancers. Photographed for @giadk’s new piece for @nytimes. Thank you @lauraoneillnyc and @laurabrgmn!

Tiler Peck’s second commission for The New York City Ballet, “Symphonie Espagnole,” premieres tonight with an ambitious cast of 40 dancers. Photographed for @giadk’s new piece for @nytimes. Thank you @lauraoneillnyc and @laurabrgmn!

Tiler Peck’s second commission for The New York City Ballet, “Symphonie Espagnole,” premieres tonight with an ambitious cast of 40 dancers. Photographed for @giadk’s new piece for @nytimes. Thank you @lauraoneillnyc and @laurabrgmn!

Tiler Peck’s second commission for The New York City Ballet, “Symphonie Espagnole,” premieres tonight with an ambitious cast of 40 dancers. Photographed for @giadk’s new piece for @nytimes. Thank you @lauraoneillnyc and @laurabrgmn!

Tiler Peck’s second commission for The New York City Ballet, “Symphonie Espagnole,” premieres tonight with an ambitious cast of 40 dancers. Photographed for @giadk’s new piece for @nytimes. Thank you @lauraoneillnyc and @laurabrgmn!

Tiler Peck’s second commission for The New York City Ballet, “Symphonie Espagnole,” premieres tonight with an ambitious cast of 40 dancers. Photographed for @giadk’s new piece for @nytimes. Thank you @lauraoneillnyc and @laurabrgmn!

Because your feed needs more ‘The Devil Wears Prada 2’ content!

Photographed for @nytimes.

Thank you @amandalwebster for the heavy lift of production, direction, and editing that went into these 13 minutes. To @timhoffman_ for the brilliant lighting direction. And @gusselsprout for the great cinematography (video is online).

Because your feed needs more ‘The Devil Wears Prada 2’ content!

Photographed for @nytimes.

Thank you @amandalwebster for the heavy lift of production, direction, and editing that went into these 13 minutes. To @timhoffman_ for the brilliant lighting direction. And @gusselsprout for the great cinematography (video is online).

Because your feed needs more ‘The Devil Wears Prada 2’ content!

Photographed for @nytimes.

Thank you @amandalwebster for the heavy lift of production, direction, and editing that went into these 13 minutes. To @timhoffman_ for the brilliant lighting direction. And @gusselsprout for the great cinematography (video is online).

Because your feed needs more ‘The Devil Wears Prada 2’ content!

Photographed for @nytimes.

Thank you @amandalwebster for the heavy lift of production, direction, and editing that went into these 13 minutes. To @timhoffman_ for the brilliant lighting direction. And @gusselsprout for the great cinematography (video is online).

Because your feed needs more ‘The Devil Wears Prada 2’ content!

Photographed for @nytimes.

Thank you @amandalwebster for the heavy lift of production, direction, and editing that went into these 13 minutes. To @timhoffman_ for the brilliant lighting direction. And @gusselsprout for the great cinematography (video is online).

Because your feed needs more ‘The Devil Wears Prada 2’ content!

Photographed for @nytimes.

Thank you @amandalwebster for the heavy lift of production, direction, and editing that went into these 13 minutes. To @timhoffman_ for the brilliant lighting direction. And @gusselsprout for the great cinematography (video is online).

Because your feed needs more ‘The Devil Wears Prada 2’ content!

Photographed for @nytimes.

Thank you @amandalwebster for the heavy lift of production, direction, and editing that went into these 13 minutes. To @timhoffman_ for the brilliant lighting direction. And @gusselsprout for the great cinematography (video is online).

Because your feed needs more ‘The Devil Wears Prada 2’ content!

Photographed for @nytimes.

Thank you @amandalwebster for the heavy lift of production, direction, and editing that went into these 13 minutes. To @timhoffman_ for the brilliant lighting direction. And @gusselsprout for the great cinematography (video is online).

A few minutes with Anne last week for @nytimes’s @popcast!

Thank you @amandalwebster!

A few minutes with Anne last week for @nytimes’s @popcast!

Thank you @amandalwebster!

A few minutes with Anne last week for @nytimes’s @popcast!

Thank you @amandalwebster!

A few minutes with Anne last week for @nytimes’s @popcast!

Thank you @amandalwebster!

Writer Jay McInerney, photographed last week on the eve of his book launch, for @newstatesman.

Thank you @gerrylb.

(Forcing myself to get back on here!!!)

Kate Winslet for @nytimes.

A few more favorites of the Fritz duo.

Nobuaki Coté and Oliver Szin, two ten-year-old students at the School of American Ballet, rehearse for their role as “Fritz” in this year’s @nycballet production of The Nutcracker.

Thanks so much to @jolieruben. Text by @giadk. Additional thanks to Amy Bordy and @sab_nyc.

A few more favorites of the Fritz duo.

Nobuaki Coté and Oliver Szin, two ten-year-old students at the School of American Ballet, rehearse for their role as “Fritz” in this year’s @nycballet production of The Nutcracker.

Thanks so much to @jolieruben. Text by @giadk. Additional thanks to Amy Bordy and @sab_nyc.

A few more favorites of the Fritz duo.

Nobuaki Coté and Oliver Szin, two ten-year-old students at the School of American Ballet, rehearse for their role as “Fritz” in this year’s @nycballet production of The Nutcracker.

Thanks so much to @jolieruben. Text by @giadk. Additional thanks to Amy Bordy and @sab_nyc.

A few more favorites of the Fritz duo.

Nobuaki Coté and Oliver Szin, two ten-year-old students at the School of American Ballet, rehearse for their role as “Fritz” in this year’s @nycballet production of The Nutcracker.

Thanks so much to @jolieruben. Text by @giadk. Additional thanks to Amy Bordy and @sab_nyc.

A few more favorites of the Fritz duo.

Nobuaki Coté and Oliver Szin, two ten-year-old students at the School of American Ballet, rehearse for their role as “Fritz” in this year’s @nycballet production of The Nutcracker.

Thanks so much to @jolieruben. Text by @giadk. Additional thanks to Amy Bordy and @sab_nyc.

A few more favorites of the Fritz duo.

Nobuaki Coté and Oliver Szin, two ten-year-old students at the School of American Ballet, rehearse for their role as “Fritz” in this year’s @nycballet production of The Nutcracker.

Thanks so much to @jolieruben. Text by @giadk. Additional thanks to Amy Bordy and @sab_nyc.

A few more favorites of the Fritz duo.

Nobuaki Coté and Oliver Szin, two ten-year-old students at the School of American Ballet, rehearse for their role as “Fritz” in this year’s @nycballet production of The Nutcracker.

Thanks so much to @jolieruben. Text by @giadk. Additional thanks to Amy Bordy and @sab_nyc.

A few more favorites of the Fritz duo.

Nobuaki Coté and Oliver Szin, two ten-year-old students at the School of American Ballet, rehearse for their role as “Fritz” in this year’s @nycballet production of The Nutcracker.

Thanks so much to @jolieruben. Text by @giadk. Additional thanks to Amy Bordy and @sab_nyc.

A few more favorites of the Fritz duo.

Nobuaki Coté and Oliver Szin, two ten-year-old students at the School of American Ballet, rehearse for their role as “Fritz” in this year’s @nycballet production of The Nutcracker.

Thanks so much to @jolieruben. Text by @giadk. Additional thanks to Amy Bordy and @sab_nyc.

A few more favorites of the Fritz duo.

Nobuaki Coté and Oliver Szin, two ten-year-old students at the School of American Ballet, rehearse for their role as “Fritz” in this year’s @nycballet production of The Nutcracker.

Thanks so much to @jolieruben. Text by @giadk. Additional thanks to Amy Bordy and @sab_nyc.

A few more favorites of the Fritz duo.

Nobuaki Coté and Oliver Szin, two ten-year-old students at the School of American Ballet, rehearse for their role as “Fritz” in this year’s @nycballet production of The Nutcracker.

Thanks so much to @jolieruben. Text by @giadk. Additional thanks to Amy Bordy and @sab_nyc.

A few more favorites of the Fritz duo.

Nobuaki Coté and Oliver Szin, two ten-year-old students at the School of American Ballet, rehearse for their role as “Fritz” in this year’s @nycballet production of The Nutcracker.

Thanks so much to @jolieruben. Text by @giadk. Additional thanks to Amy Bordy and @sab_nyc.

Nobuaki Coté and Oliver Szin, two ten-year-old students at the School of American Ballet, star as “Fritz” in this year’s @nycballet production of The Nutcracker. It was a joy shadowing them as they rehearsed this fall. During the posed portraits, they directed me more than I directed them, and I loved every minute. 

Thanks so much to @jolieruben and @nytimes. Text by @giadk. Additional thanks to Amy Bordy, @sab_nyc, and @abbycurtis.photo.

Nobuaki Coté and Oliver Szin, two ten-year-old students at the School of American Ballet, star as “Fritz” in this year’s @nycballet production of The Nutcracker. It was a joy shadowing them as they rehearsed this fall. During the posed portraits, they directed me more than I directed them, and I loved every minute. 

Thanks so much to @jolieruben and @nytimes. Text by @giadk. Additional thanks to Amy Bordy, @sab_nyc, and @abbycurtis.photo.

Nobuaki Coté and Oliver Szin, two ten-year-old students at the School of American Ballet, star as “Fritz” in this year’s @nycballet production of The Nutcracker. It was a joy shadowing them as they rehearsed this fall. During the posed portraits, they directed me more than I directed them, and I loved every minute. 

Thanks so much to @jolieruben and @nytimes. Text by @giadk. Additional thanks to Amy Bordy, @sab_nyc, and @abbycurtis.photo.

Nobuaki Coté and Oliver Szin, two ten-year-old students at the School of American Ballet, star as “Fritz” in this year’s @nycballet production of The Nutcracker. It was a joy shadowing them as they rehearsed this fall. During the posed portraits, they directed me more than I directed them, and I loved every minute. 

Thanks so much to @jolieruben and @nytimes. Text by @giadk. Additional thanks to Amy Bordy, @sab_nyc, and @abbycurtis.photo.

Nobuaki Coté and Oliver Szin, two ten-year-old students at the School of American Ballet, star as “Fritz” in this year’s @nycballet production of The Nutcracker. It was a joy shadowing them as they rehearsed this fall. During the posed portraits, they directed me more than I directed them, and I loved every minute. 

Thanks so much to @jolieruben and @nytimes. Text by @giadk. Additional thanks to Amy Bordy, @sab_nyc, and @abbycurtis.photo.

Nobuaki Coté and Oliver Szin, two ten-year-old students at the School of American Ballet, star as “Fritz” in this year’s @nycballet production of The Nutcracker. It was a joy shadowing them as they rehearsed this fall. During the posed portraits, they directed me more than I directed them, and I loved every minute. 

Thanks so much to @jolieruben and @nytimes. Text by @giadk. Additional thanks to Amy Bordy, @sab_nyc, and @abbycurtis.photo.

Nobuaki Coté and Oliver Szin, two ten-year-old students at the School of American Ballet, star as “Fritz” in this year’s @nycballet production of The Nutcracker. It was a joy shadowing them as they rehearsed this fall. During the posed portraits, they directed me more than I directed them, and I loved every minute. 

Thanks so much to @jolieruben and @nytimes. Text by @giadk. Additional thanks to Amy Bordy, @sab_nyc, and @abbycurtis.photo.

Nobuaki Coté and Oliver Szin, two ten-year-old students at the School of American Ballet, star as “Fritz” in this year’s @nycballet production of The Nutcracker. It was a joy shadowing them as they rehearsed this fall. During the posed portraits, they directed me more than I directed them, and I loved every minute. 

Thanks so much to @jolieruben and @nytimes. Text by @giadk. Additional thanks to Amy Bordy, @sab_nyc, and @abbycurtis.photo.

Nobuaki Coté and Oliver Szin, two ten-year-old students at the School of American Ballet, star as “Fritz” in this year’s @nycballet production of The Nutcracker. It was a joy shadowing them as they rehearsed this fall. During the posed portraits, they directed me more than I directed them, and I loved every minute. 

Thanks so much to @jolieruben and @nytimes. Text by @giadk. Additional thanks to Amy Bordy, @sab_nyc, and @abbycurtis.photo.

Nobuaki Coté and Oliver Szin, two ten-year-old students at the School of American Ballet, star as “Fritz” in this year’s @nycballet production of The Nutcracker. It was a joy shadowing them as they rehearsed this fall. During the posed portraits, they directed me more than I directed them, and I loved every minute. 

Thanks so much to @jolieruben and @nytimes. Text by @giadk. Additional thanks to Amy Bordy, @sab_nyc, and @abbycurtis.photo.

Nobuaki Coté and Oliver Szin, two ten-year-old students at the School of American Ballet, star as “Fritz” in this year’s @nycballet production of The Nutcracker. It was a joy shadowing them as they rehearsed this fall. During the posed portraits, they directed me more than I directed them, and I loved every minute. 

Thanks so much to @jolieruben and @nytimes. Text by @giadk. Additional thanks to Amy Bordy, @sab_nyc, and @abbycurtis.photo.

Nobuaki Coté and Oliver Szin, two ten-year-old students at the School of American Ballet, star as “Fritz” in this year’s @nycballet production of The Nutcracker. It was a joy shadowing them as they rehearsed this fall. During the posed portraits, they directed me more than I directed them, and I loved every minute. 

Thanks so much to @jolieruben and @nytimes. Text by @giadk. Additional thanks to Amy Bordy, @sab_nyc, and @abbycurtis.photo.

Nobuaki Coté and Oliver Szin, two ten-year-old students at the School of American Ballet, star as “Fritz” in this year’s @nycballet production of The Nutcracker. It was a joy shadowing them as they rehearsed this fall. During the posed portraits, they directed me more than I directed them, and I loved every minute. 

Thanks so much to @jolieruben and @nytimes. Text by @giadk. Additional thanks to Amy Bordy, @sab_nyc, and @abbycurtis.photo.

Nobuaki Coté and Oliver Szin, two ten-year-old students at the School of American Ballet, star as “Fritz” in this year’s @nycballet production of The Nutcracker. It was a joy shadowing them as they rehearsed this fall. During the posed portraits, they directed me more than I directed them, and I loved every minute. 

Thanks so much to @jolieruben and @nytimes. Text by @giadk. Additional thanks to Amy Bordy, @sab_nyc, and @abbycurtis.photo.

Tatiana Schlossberg for @newyorkermag, photographed this past Tuesday. Schlossberg writes for the magazine about receiving a terminal leukemia diagnosis at age 35, which she discovered hours after giving birth to her second child last May. She touches on the experience of being dependent on a strained healthcare system while her cousin, RFK Jr., wields his influence. You can find Tatiana’s essay on the front page of newyorker.com today.

Thank you Tatiana, @roybeeson, @nickrapaz, @noelletheard and @joannamilter.

Tatiana Schlossberg for @newyorkermag, photographed this past Tuesday. Schlossberg writes for the magazine about receiving a terminal leukemia diagnosis at age 35, which she discovered hours after giving birth to her second child last May. She touches on the experience of being dependent on a strained healthcare system while her cousin, RFK Jr., wields his influence. You can find Tatiana’s essay on the front page of newyorker.com today.

Thank you Tatiana, @roybeeson, @nickrapaz, @noelletheard and @joannamilter.

Myha’la, last August.

Photographed for @time.

Myha’la, last August.

Photographed for @time.

Ten years in the making, Ken Burns’s 12-hour documentary “The American Revolution” premieres this week on PBS. I joined him back in September for thirty minutes on a battlefield outside Saratoga Springs, NY where the first major patriot victory of the war took place. He believes that our current political climate isn’t unique to our time: “almost all of American history is division.”

Thank you @ericabackerberg @nytimes.

Ten years in the making, Ken Burns’s 12-hour documentary “The American Revolution” premieres this week on PBS. I joined him back in September for thirty minutes on a battlefield outside Saratoga Springs, NY where the first major patriot victory of the war took place. He believes that our current political climate isn’t unique to our time: “almost all of American history is division.”

Thank you @ericabackerberg @nytimes.

Ten years in the making, Ken Burns’s 12-hour documentary “The American Revolution” premieres this week on PBS. I joined him back in September for thirty minutes on a battlefield outside Saratoga Springs, NY where the first major patriot victory of the war took place. He believes that our current political climate isn’t unique to our time: “almost all of American history is division.”

Thank you @ericabackerberg @nytimes.

Ten years in the making, Ken Burns’s 12-hour documentary “The American Revolution” premieres this week on PBS. I joined him back in September for thirty minutes on a battlefield outside Saratoga Springs, NY where the first major patriot victory of the war took place. He believes that our current political climate isn’t unique to our time: “almost all of American history is division.”

Thank you @ericabackerberg @nytimes.

Ten years in the making, Ken Burns’s 12-hour documentary “The American Revolution” premieres this week on PBS. I joined him back in September for thirty minutes on a battlefield outside Saratoga Springs, NY where the first major patriot victory of the war took place. He believes that our current political climate isn’t unique to our time: “almost all of American history is division.”

Thank you @ericabackerberg @nytimes.