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See you all in Europe this EU winter. Get in touch for more info!

See you all in Europe this EU winter. Get in touch for more info!

See you all in Europe this EU winter. Get in touch for more info!

See you all in Europe this EU winter. Get in touch for more info!

See you all in Europe this EU winter. Get in touch for more info!

See you all in Europe this EU winter. Get in touch for more info!

See you all in Europe this EU winter. Get in touch for more info!

See you all in Europe this EU winter. Get in touch for more info!

See you all in Europe this EU winter. Get in touch for more info!

See you all in Europe this EU winter. Get in touch for more info!

See you all in Europe this EU winter. Get in touch for more info!

Apparently selling out fast!
Nicholas Mangan; A World Undone

Edited by Anneke Jaspers and Anna Davis
Texts by Amelia Barikin, Anna Davis, Anneke Jaspers, Nicholas Mangan, Cameron Allan McKean and Marina Vishmidt
Design by Žiga Testen and Stuart Geddes
Co-published by LENZ and Museum of Contemporary Art Australia (MCA)

2024, English, softcover, 20 x 27 cm, 256 pages
ISBN 979-12-80579-69-0

Apparently selling out fast!
Nicholas Mangan; A World Undone

Edited by Anneke Jaspers and Anna Davis
Texts by Amelia Barikin, Anna Davis, Anneke Jaspers, Nicholas Mangan, Cameron Allan McKean and Marina Vishmidt
Design by Žiga Testen and Stuart Geddes
Co-published by LENZ and Museum of Contemporary Art Australia (MCA)

2024, English, softcover, 20 x 27 cm, 256 pages
ISBN 979-12-80579-69-0

Apparently selling out fast!
Nicholas Mangan; A World Undone

Edited by Anneke Jaspers and Anna Davis
Texts by Amelia Barikin, Anna Davis, Anneke Jaspers, Nicholas Mangan, Cameron Allan McKean and Marina Vishmidt
Design by Žiga Testen and Stuart Geddes
Co-published by LENZ and Museum of Contemporary Art Australia (MCA)

2024, English, softcover, 20 x 27 cm, 256 pages
ISBN 979-12-80579-69-0

Apparently selling out fast!
Nicholas Mangan; A World Undone

Edited by Anneke Jaspers and Anna Davis
Texts by Amelia Barikin, Anna Davis, Anneke Jaspers, Nicholas Mangan, Cameron Allan McKean and Marina Vishmidt
Design by Žiga Testen and Stuart Geddes
Co-published by LENZ and Museum of Contemporary Art Australia (MCA)

2024, English, softcover, 20 x 27 cm, 256 pages
ISBN 979-12-80579-69-0

Apparently selling out fast!
Nicholas Mangan; A World Undone

Edited by Anneke Jaspers and Anna Davis
Texts by Amelia Barikin, Anna Davis, Anneke Jaspers, Nicholas Mangan, Cameron Allan McKean and Marina Vishmidt
Design by Žiga Testen and Stuart Geddes
Co-published by LENZ and Museum of Contemporary Art Australia (MCA)

2024, English, softcover, 20 x 27 cm, 256 pages
ISBN 979-12-80579-69-0

Apparently selling out fast!
Nicholas Mangan; A World Undone

Edited by Anneke Jaspers and Anna Davis
Texts by Amelia Barikin, Anna Davis, Anneke Jaspers, Nicholas Mangan, Cameron Allan McKean and Marina Vishmidt
Design by Žiga Testen and Stuart Geddes
Co-published by LENZ and Museum of Contemporary Art Australia (MCA)

2024, English, softcover, 20 x 27 cm, 256 pages
ISBN 979-12-80579-69-0

Apparently selling out fast!
Nicholas Mangan; A World Undone

Edited by Anneke Jaspers and Anna Davis
Texts by Amelia Barikin, Anna Davis, Anneke Jaspers, Nicholas Mangan, Cameron Allan McKean and Marina Vishmidt
Design by Žiga Testen and Stuart Geddes
Co-published by LENZ and Museum of Contemporary Art Australia (MCA)

2024, English, softcover, 20 x 27 cm, 256 pages
ISBN 979-12-80579-69-0

Apparently selling out fast!
Nicholas Mangan; A World Undone

Edited by Anneke Jaspers and Anna Davis
Texts by Amelia Barikin, Anna Davis, Anneke Jaspers, Nicholas Mangan, Cameron Allan McKean and Marina Vishmidt
Design by Žiga Testen and Stuart Geddes
Co-published by LENZ and Museum of Contemporary Art Australia (MCA)

2024, English, softcover, 20 x 27 cm, 256 pages
ISBN 979-12-80579-69-0

Apparently selling out fast!
Nicholas Mangan; A World Undone

Edited by Anneke Jaspers and Anna Davis
Texts by Amelia Barikin, Anna Davis, Anneke Jaspers, Nicholas Mangan, Cameron Allan McKean and Marina Vishmidt
Design by Žiga Testen and Stuart Geddes
Co-published by LENZ and Museum of Contemporary Art Australia (MCA)

2024, English, softcover, 20 x 27 cm, 256 pages
ISBN 979-12-80579-69-0

Recently...

Slides No.1–3
Banjo, 31 Beach Looks, ISBN 978-1-922545-36-7
Published by Perimeter Editions
+
A look at when they were still only 29 looks

Slides No.4–5
NMBW, From No. 2071 to No. 9401
Exhibition and publication at
CACHE 3/46 Little Latrobe St., Melbourne;
part of visual identity redesign;
i.c.w Stuart Geddes and Kim Mumm Hansen

Slide No.6
Anni and Josef Albers;
ISBN 978-0-642-33504-3
Published by the National Gallery of Australia;
i.c.w Stuart Geddes

Slide No.7
Early spring light on 37 Swanston Street

Slides No.8–9
LE TUFFEAU WINES opening soon
Suite 207 Level 2 The Nicholas Building, 37 Swanston Street, call David on (03) 9419 3867

Recently...

Slides No.1–3
Banjo, 31 Beach Looks, ISBN 978-1-922545-36-7
Published by Perimeter Editions
+
A look at when they were still only 29 looks

Slides No.4–5
NMBW, From No. 2071 to No. 9401
Exhibition and publication at
CACHE 3/46 Little Latrobe St., Melbourne;
part of visual identity redesign;
i.c.w Stuart Geddes and Kim Mumm Hansen

Slide No.6
Anni and Josef Albers;
ISBN 978-0-642-33504-3
Published by the National Gallery of Australia;
i.c.w Stuart Geddes

Slide No.7
Early spring light on 37 Swanston Street

Slides No.8–9
LE TUFFEAU WINES opening soon
Suite 207 Level 2 The Nicholas Building, 37 Swanston Street, call David on (03) 9419 3867

Recently...

Slides No.1–3
Banjo, 31 Beach Looks, ISBN 978-1-922545-36-7
Published by Perimeter Editions
+
A look at when they were still only 29 looks

Slides No.4–5
NMBW, From No. 2071 to No. 9401
Exhibition and publication at
CACHE 3/46 Little Latrobe St., Melbourne;
part of visual identity redesign;
i.c.w Stuart Geddes and Kim Mumm Hansen

Slide No.6
Anni and Josef Albers;
ISBN 978-0-642-33504-3
Published by the National Gallery of Australia;
i.c.w Stuart Geddes

Slide No.7
Early spring light on 37 Swanston Street

Slides No.8–9
LE TUFFEAU WINES opening soon
Suite 207 Level 2 The Nicholas Building, 37 Swanston Street, call David on (03) 9419 3867

Recently...

Slides No.1–3
Banjo, 31 Beach Looks, ISBN 978-1-922545-36-7
Published by Perimeter Editions
+
A look at when they were still only 29 looks

Slides No.4–5
NMBW, From No. 2071 to No. 9401
Exhibition and publication at
CACHE 3/46 Little Latrobe St., Melbourne;
part of visual identity redesign;
i.c.w Stuart Geddes and Kim Mumm Hansen

Slide No.6
Anni and Josef Albers;
ISBN 978-0-642-33504-3
Published by the National Gallery of Australia;
i.c.w Stuart Geddes

Slide No.7
Early spring light on 37 Swanston Street

Slides No.8–9
LE TUFFEAU WINES opening soon
Suite 207 Level 2 The Nicholas Building, 37 Swanston Street, call David on (03) 9419 3867

Recently...

Slides No.1–3
Banjo, 31 Beach Looks, ISBN 978-1-922545-36-7
Published by Perimeter Editions
+
A look at when they were still only 29 looks

Slides No.4–5
NMBW, From No. 2071 to No. 9401
Exhibition and publication at
CACHE 3/46 Little Latrobe St., Melbourne;
part of visual identity redesign;
i.c.w Stuart Geddes and Kim Mumm Hansen

Slide No.6
Anni and Josef Albers;
ISBN 978-0-642-33504-3
Published by the National Gallery of Australia;
i.c.w Stuart Geddes

Slide No.7
Early spring light on 37 Swanston Street

Slides No.8–9
LE TUFFEAU WINES opening soon
Suite 207 Level 2 The Nicholas Building, 37 Swanston Street, call David on (03) 9419 3867

Recently...

Slides No.1–3
Banjo, 31 Beach Looks, ISBN 978-1-922545-36-7
Published by Perimeter Editions
+
A look at when they were still only 29 looks

Slides No.4–5
NMBW, From No. 2071 to No. 9401
Exhibition and publication at
CACHE 3/46 Little Latrobe St., Melbourne;
part of visual identity redesign;
i.c.w Stuart Geddes and Kim Mumm Hansen

Slide No.6
Anni and Josef Albers;
ISBN 978-0-642-33504-3
Published by the National Gallery of Australia;
i.c.w Stuart Geddes

Slide No.7
Early spring light on 37 Swanston Street

Slides No.8–9
LE TUFFEAU WINES opening soon
Suite 207 Level 2 The Nicholas Building, 37 Swanston Street, call David on (03) 9419 3867

Recently...

Slides No.1–3
Banjo, 31 Beach Looks, ISBN 978-1-922545-36-7
Published by Perimeter Editions
+
A look at when they were still only 29 looks

Slides No.4–5
NMBW, From No. 2071 to No. 9401
Exhibition and publication at
CACHE 3/46 Little Latrobe St., Melbourne;
part of visual identity redesign;
i.c.w Stuart Geddes and Kim Mumm Hansen

Slide No.6
Anni and Josef Albers;
ISBN 978-0-642-33504-3
Published by the National Gallery of Australia;
i.c.w Stuart Geddes

Slide No.7
Early spring light on 37 Swanston Street

Slides No.8–9
LE TUFFEAU WINES opening soon
Suite 207 Level 2 The Nicholas Building, 37 Swanston Street, call David on (03) 9419 3867

Recently...

Slides No.1–3
Banjo, 31 Beach Looks, ISBN 978-1-922545-36-7
Published by Perimeter Editions
+
A look at when they were still only 29 looks

Slides No.4–5
NMBW, From No. 2071 to No. 9401
Exhibition and publication at
CACHE 3/46 Little Latrobe St., Melbourne;
part of visual identity redesign;
i.c.w Stuart Geddes and Kim Mumm Hansen

Slide No.6
Anni and Josef Albers;
ISBN 978-0-642-33504-3
Published by the National Gallery of Australia;
i.c.w Stuart Geddes

Slide No.7
Early spring light on 37 Swanston Street

Slides No.8–9
LE TUFFEAU WINES opening soon
Suite 207 Level 2 The Nicholas Building, 37 Swanston Street, call David on (03) 9419 3867

Recently...

Slides No.1–3
Banjo, 31 Beach Looks, ISBN 978-1-922545-36-7
Published by Perimeter Editions
+
A look at when they were still only 29 looks

Slides No.4–5
NMBW, From No. 2071 to No. 9401
Exhibition and publication at
CACHE 3/46 Little Latrobe St., Melbourne;
part of visual identity redesign;
i.c.w Stuart Geddes and Kim Mumm Hansen

Slide No.6
Anni and Josef Albers;
ISBN 978-0-642-33504-3
Published by the National Gallery of Australia;
i.c.w Stuart Geddes

Slide No.7
Early spring light on 37 Swanston Street

Slides No.8–9
LE TUFFEAU WINES opening soon
Suite 207 Level 2 The Nicholas Building, 37 Swanston Street, call David on (03) 9419 3867

Recently...
Slides No.1–2
et al. EPOCHAL; ISBN 978-0-64555-587-5
Published by Monash University Museum of Art
and Monash University Publishing;
i.c.w. Stuart Geddes

Slide No.3
A reproduction of a portrait of William Buckley, the escaped convict from Macclesfield who lived with the Wathaurung people around Geelong for three decades leaning against the wall at the State Library Victoria

Slides No.4–5
Paul Knight, L’ombre de ton ombre;
ISBN 978-1-922545-22-0
Published by Monash University Museum of Art,
UNSW Galleries and Perimeter Editions;
i.c.w. Stuart Geddes
+
Exhibition views

Slides No.6–8
Nicholas Mangan; A World Undone;
ISBN 979-12-80579-69-0
Published by LENZ Press and
Museum of Contemporary Art Australia (MCA);
i.c.w. Stuart Geddes
+
Exhibition views

Recently...
Slides No.1–2
et al. EPOCHAL; ISBN 978-0-64555-587-5
Published by Monash University Museum of Art
and Monash University Publishing;
i.c.w. Stuart Geddes

Slide No.3
A reproduction of a portrait of William Buckley, the escaped convict from Macclesfield who lived with the Wathaurung people around Geelong for three decades leaning against the wall at the State Library Victoria

Slides No.4–5
Paul Knight, L’ombre de ton ombre;
ISBN 978-1-922545-22-0
Published by Monash University Museum of Art,
UNSW Galleries and Perimeter Editions;
i.c.w. Stuart Geddes
+
Exhibition views

Slides No.6–8
Nicholas Mangan; A World Undone;
ISBN 979-12-80579-69-0
Published by LENZ Press and
Museum of Contemporary Art Australia (MCA);
i.c.w. Stuart Geddes
+
Exhibition views

Recently...
Slides No.1–2
et al. EPOCHAL; ISBN 978-0-64555-587-5
Published by Monash University Museum of Art
and Monash University Publishing;
i.c.w. Stuart Geddes

Slide No.3
A reproduction of a portrait of William Buckley, the escaped convict from Macclesfield who lived with the Wathaurung people around Geelong for three decades leaning against the wall at the State Library Victoria

Slides No.4–5
Paul Knight, L’ombre de ton ombre;
ISBN 978-1-922545-22-0
Published by Monash University Museum of Art,
UNSW Galleries and Perimeter Editions;
i.c.w. Stuart Geddes
+
Exhibition views

Slides No.6–8
Nicholas Mangan; A World Undone;
ISBN 979-12-80579-69-0
Published by LENZ Press and
Museum of Contemporary Art Australia (MCA);
i.c.w. Stuart Geddes
+
Exhibition views

Recently...
Slides No.1–2
et al. EPOCHAL; ISBN 978-0-64555-587-5
Published by Monash University Museum of Art
and Monash University Publishing;
i.c.w. Stuart Geddes

Slide No.3
A reproduction of a portrait of William Buckley, the escaped convict from Macclesfield who lived with the Wathaurung people around Geelong for three decades leaning against the wall at the State Library Victoria

Slides No.4–5
Paul Knight, L’ombre de ton ombre;
ISBN 978-1-922545-22-0
Published by Monash University Museum of Art,
UNSW Galleries and Perimeter Editions;
i.c.w. Stuart Geddes
+
Exhibition views

Slides No.6–8
Nicholas Mangan; A World Undone;
ISBN 979-12-80579-69-0
Published by LENZ Press and
Museum of Contemporary Art Australia (MCA);
i.c.w. Stuart Geddes
+
Exhibition views

Recently...
Slides No.1–2
et al. EPOCHAL; ISBN 978-0-64555-587-5
Published by Monash University Museum of Art
and Monash University Publishing;
i.c.w. Stuart Geddes

Slide No.3
A reproduction of a portrait of William Buckley, the escaped convict from Macclesfield who lived with the Wathaurung people around Geelong for three decades leaning against the wall at the State Library Victoria

Slides No.4–5
Paul Knight, L’ombre de ton ombre;
ISBN 978-1-922545-22-0
Published by Monash University Museum of Art,
UNSW Galleries and Perimeter Editions;
i.c.w. Stuart Geddes
+
Exhibition views

Slides No.6–8
Nicholas Mangan; A World Undone;
ISBN 979-12-80579-69-0
Published by LENZ Press and
Museum of Contemporary Art Australia (MCA);
i.c.w. Stuart Geddes
+
Exhibition views

Recently...
Slides No.1–2
et al. EPOCHAL; ISBN 978-0-64555-587-5
Published by Monash University Museum of Art
and Monash University Publishing;
i.c.w. Stuart Geddes

Slide No.3
A reproduction of a portrait of William Buckley, the escaped convict from Macclesfield who lived with the Wathaurung people around Geelong for three decades leaning against the wall at the State Library Victoria

Slides No.4–5
Paul Knight, L’ombre de ton ombre;
ISBN 978-1-922545-22-0
Published by Monash University Museum of Art,
UNSW Galleries and Perimeter Editions;
i.c.w. Stuart Geddes
+
Exhibition views

Slides No.6–8
Nicholas Mangan; A World Undone;
ISBN 979-12-80579-69-0
Published by LENZ Press and
Museum of Contemporary Art Australia (MCA);
i.c.w. Stuart Geddes
+
Exhibition views

Recently...
Slides No.1–2
et al. EPOCHAL; ISBN 978-0-64555-587-5
Published by Monash University Museum of Art
and Monash University Publishing;
i.c.w. Stuart Geddes

Slide No.3
A reproduction of a portrait of William Buckley, the escaped convict from Macclesfield who lived with the Wathaurung people around Geelong for three decades leaning against the wall at the State Library Victoria

Slides No.4–5
Paul Knight, L’ombre de ton ombre;
ISBN 978-1-922545-22-0
Published by Monash University Museum of Art,
UNSW Galleries and Perimeter Editions;
i.c.w. Stuart Geddes
+
Exhibition views

Slides No.6–8
Nicholas Mangan; A World Undone;
ISBN 979-12-80579-69-0
Published by LENZ Press and
Museum of Contemporary Art Australia (MCA);
i.c.w. Stuart Geddes
+
Exhibition views

Recently...
Slides No.1–2
et al. EPOCHAL; ISBN 978-0-64555-587-5
Published by Monash University Museum of Art
and Monash University Publishing;
i.c.w. Stuart Geddes

Slide No.3
A reproduction of a portrait of William Buckley, the escaped convict from Macclesfield who lived with the Wathaurung people around Geelong for three decades leaning against the wall at the State Library Victoria

Slides No.4–5
Paul Knight, L’ombre de ton ombre;
ISBN 978-1-922545-22-0
Published by Monash University Museum of Art,
UNSW Galleries and Perimeter Editions;
i.c.w. Stuart Geddes
+
Exhibition views

Slides No.6–8
Nicholas Mangan; A World Undone;
ISBN 979-12-80579-69-0
Published by LENZ Press and
Museum of Contemporary Art Australia (MCA);
i.c.w. Stuart Geddes
+
Exhibition views

Melbourne launch of Dale Frank, Artist.
Artworks 2006–2023
Neon Parc South Yarra
1 Hazeldon Place, South Yarra VIC 3141
Wednesday May 15, 2024
6pm–8pm

Me and @stuartgeddes designed this book, @benmorrisphoto took the photos and Neon Parc and Perimeter were crazy enough to publish it. Also – apparently there will be champagne! All are welcome!

Melbourne launch of Dale Frank, Artist.
Artworks 2006–2023
Neon Parc South Yarra
1 Hazeldon Place, South Yarra VIC 3141
Wednesday May 15, 2024
6pm–8pm

Me and @stuartgeddes designed this book, @benmorrisphoto took the photos and Neon Parc and Perimeter were crazy enough to publish it. Also – apparently there will be champagne! All are welcome!

We fully expected to get a brick thrown at when we first proposed to crudely combine documentation of his studio with his paintings to Dale Frank and his gallerist, Geoff Newton. Instead Frank said ‘just get it done already’... our luck doubled when we caught London based photographer Ben Morris on his short Australian stint, commissioning him to “go and shoot app. 900 images of Dale’s studio for the equivalent amount of book pages, should be easy no?”. We had no idea Ben’s one day shoot will turn into an extended weekend and another weekend trip and hundreds of shots on film, digital and polaroid...

One really never expects book projects to be a bit like the filming of Apocalypse Now but there we have it... At over 5kg and roughly A3 in size this book also exceeds the limits of most budget airline’s carry-on luggage allowances. In a time when office supply companies craft beautifully photographed Instagram campaigns to sell their bulldog clip ranges this book is still best experienced in real life. Available to handle @perimeterbooks and elsewhere!

w. @stuartgeddes @benmorrisphoto and w text contributions by @erikojensen and @winnyyoyo among others. Published by Perimeter Books and @neon_parc

We fully expected to get a brick thrown at when we first proposed to crudely combine documentation of his studio with his paintings to Dale Frank and his gallerist, Geoff Newton. Instead Frank said ‘just get it done already’... our luck doubled when we caught London based photographer Ben Morris on his short Australian stint, commissioning him to “go and shoot app. 900 images of Dale’s studio for the equivalent amount of book pages, should be easy no?”. We had no idea Ben’s one day shoot will turn into an extended weekend and another weekend trip and hundreds of shots on film, digital and polaroid...

One really never expects book projects to be a bit like the filming of Apocalypse Now but there we have it... At over 5kg and roughly A3 in size this book also exceeds the limits of most budget airline’s carry-on luggage allowances. In a time when office supply companies craft beautifully photographed Instagram campaigns to sell their bulldog clip ranges this book is still best experienced in real life. Available to handle @perimeterbooks and elsewhere!

w. @stuartgeddes @benmorrisphoto and w text contributions by @erikojensen and @winnyyoyo among others. Published by Perimeter Books and @neon_parc

We fully expected to get a brick thrown at when we first proposed to crudely combine documentation of his studio with his paintings to Dale Frank and his gallerist, Geoff Newton. Instead Frank said ‘just get it done already’... our luck doubled when we caught London based photographer Ben Morris on his short Australian stint, commissioning him to “go and shoot app. 900 images of Dale’s studio for the equivalent amount of book pages, should be easy no?”. We had no idea Ben’s one day shoot will turn into an extended weekend and another weekend trip and hundreds of shots on film, digital and polaroid...

One really never expects book projects to be a bit like the filming of Apocalypse Now but there we have it... At over 5kg and roughly A3 in size this book also exceeds the limits of most budget airline’s carry-on luggage allowances. In a time when office supply companies craft beautifully photographed Instagram campaigns to sell their bulldog clip ranges this book is still best experienced in real life. Available to handle @perimeterbooks and elsewhere!

w. @stuartgeddes @benmorrisphoto and w text contributions by @erikojensen and @winnyyoyo among others. Published by Perimeter Books and @neon_parc

We fully expected to get a brick thrown at when we first proposed to crudely combine documentation of his studio with his paintings to Dale Frank and his gallerist, Geoff Newton. Instead Frank said ‘just get it done already’... our luck doubled when we caught London based photographer Ben Morris on his short Australian stint, commissioning him to “go and shoot app. 900 images of Dale’s studio for the equivalent amount of book pages, should be easy no?”. We had no idea Ben’s one day shoot will turn into an extended weekend and another weekend trip and hundreds of shots on film, digital and polaroid...

One really never expects book projects to be a bit like the filming of Apocalypse Now but there we have it... At over 5kg and roughly A3 in size this book also exceeds the limits of most budget airline’s carry-on luggage allowances. In a time when office supply companies craft beautifully photographed Instagram campaigns to sell their bulldog clip ranges this book is still best experienced in real life. Available to handle @perimeterbooks and elsewhere!

w. @stuartgeddes @benmorrisphoto and w text contributions by @erikojensen and @winnyyoyo among others. Published by Perimeter Books and @neon_parc

We fully expected to get a brick thrown at when we first proposed to crudely combine documentation of his studio with his paintings to Dale Frank and his gallerist, Geoff Newton. Instead Frank said ‘just get it done already’... our luck doubled when we caught London based photographer Ben Morris on his short Australian stint, commissioning him to “go and shoot app. 900 images of Dale’s studio for the equivalent amount of book pages, should be easy no?”. We had no idea Ben’s one day shoot will turn into an extended weekend and another weekend trip and hundreds of shots on film, digital and polaroid...

One really never expects book projects to be a bit like the filming of Apocalypse Now but there we have it... At over 5kg and roughly A3 in size this book also exceeds the limits of most budget airline’s carry-on luggage allowances. In a time when office supply companies craft beautifully photographed Instagram campaigns to sell their bulldog clip ranges this book is still best experienced in real life. Available to handle @perimeterbooks and elsewhere!

w. @stuartgeddes @benmorrisphoto and w text contributions by @erikojensen and @winnyyoyo among others. Published by Perimeter Books and @neon_parc

We fully expected to get a brick thrown at when we first proposed to crudely combine documentation of his studio with his paintings to Dale Frank and his gallerist, Geoff Newton. Instead Frank said ‘just get it done already’... our luck doubled when we caught London based photographer Ben Morris on his short Australian stint, commissioning him to “go and shoot app. 900 images of Dale’s studio for the equivalent amount of book pages, should be easy no?”. We had no idea Ben’s one day shoot will turn into an extended weekend and another weekend trip and hundreds of shots on film, digital and polaroid...

One really never expects book projects to be a bit like the filming of Apocalypse Now but there we have it... At over 5kg and roughly A3 in size this book also exceeds the limits of most budget airline’s carry-on luggage allowances. In a time when office supply companies craft beautifully photographed Instagram campaigns to sell their bulldog clip ranges this book is still best experienced in real life. Available to handle @perimeterbooks and elsewhere!

w. @stuartgeddes @benmorrisphoto and w text contributions by @erikojensen and @winnyyoyo among others. Published by Perimeter Books and @neon_parc

We fully expected to get a brick thrown at when we first proposed to crudely combine documentation of his studio with his paintings to Dale Frank and his gallerist, Geoff Newton. Instead Frank said ‘just get it done already’... our luck doubled when we caught London based photographer Ben Morris on his short Australian stint, commissioning him to “go and shoot app. 900 images of Dale’s studio for the equivalent amount of book pages, should be easy no?”. We had no idea Ben’s one day shoot will turn into an extended weekend and another weekend trip and hundreds of shots on film, digital and polaroid...

One really never expects book projects to be a bit like the filming of Apocalypse Now but there we have it... At over 5kg and roughly A3 in size this book also exceeds the limits of most budget airline’s carry-on luggage allowances. In a time when office supply companies craft beautifully photographed Instagram campaigns to sell their bulldog clip ranges this book is still best experienced in real life. Available to handle @perimeterbooks and elsewhere!

w. @stuartgeddes @benmorrisphoto and w text contributions by @erikojensen and @winnyyoyo among others. Published by Perimeter Books and @neon_parc

We fully expected to get a brick thrown at when we first proposed to crudely combine documentation of his studio with his paintings to Dale Frank and his gallerist, Geoff Newton. Instead Frank said ‘just get it done already’... our luck doubled when we caught London based photographer Ben Morris on his short Australian stint, commissioning him to “go and shoot app. 900 images of Dale’s studio for the equivalent amount of book pages, should be easy no?”. We had no idea Ben’s one day shoot will turn into an extended weekend and another weekend trip and hundreds of shots on film, digital and polaroid...

One really never expects book projects to be a bit like the filming of Apocalypse Now but there we have it... At over 5kg and roughly A3 in size this book also exceeds the limits of most budget airline’s carry-on luggage allowances. In a time when office supply companies craft beautifully photographed Instagram campaigns to sell their bulldog clip ranges this book is still best experienced in real life. Available to handle @perimeterbooks and elsewhere!

w. @stuartgeddes @benmorrisphoto and w text contributions by @erikojensen and @winnyyoyo among others. Published by Perimeter Books and @neon_parc

We fully expected to get a brick thrown at when we first proposed to crudely combine documentation of his studio with his paintings to Dale Frank and his gallerist, Geoff Newton. Instead Frank said ‘just get it done already’... our luck doubled when we caught London based photographer Ben Morris on his short Australian stint, commissioning him to “go and shoot app. 900 images of Dale’s studio for the equivalent amount of book pages, should be easy no?”. We had no idea Ben’s one day shoot will turn into an extended weekend and another weekend trip and hundreds of shots on film, digital and polaroid...

One really never expects book projects to be a bit like the filming of Apocalypse Now but there we have it... At over 5kg and roughly A3 in size this book also exceeds the limits of most budget airline’s carry-on luggage allowances. In a time when office supply companies craft beautifully photographed Instagram campaigns to sell their bulldog clip ranges this book is still best experienced in real life. Available to handle @perimeterbooks and elsewhere!

w. @stuartgeddes @benmorrisphoto and w text contributions by @erikojensen and @winnyyoyo among others. Published by Perimeter Books and @neon_parc

We fully expected to get a brick thrown at when we first proposed to crudely combine documentation of his studio with his paintings to Dale Frank and his gallerist, Geoff Newton. Instead Frank said ‘just get it done already’... our luck doubled when we caught London based photographer Ben Morris on his short Australian stint, commissioning him to “go and shoot app. 900 images of Dale’s studio for the equivalent amount of book pages, should be easy no?”. We had no idea Ben’s one day shoot will turn into an extended weekend and another weekend trip and hundreds of shots on film, digital and polaroid...

One really never expects book projects to be a bit like the filming of Apocalypse Now but there we have it... At over 5kg and roughly A3 in size this book also exceeds the limits of most budget airline’s carry-on luggage allowances. In a time when office supply companies craft beautifully photographed Instagram campaigns to sell their bulldog clip ranges this book is still best experienced in real life. Available to handle @perimeterbooks and elsewhere!

w. @stuartgeddes @benmorrisphoto and w text contributions by @erikojensen and @winnyyoyo among others. Published by Perimeter Books and @neon_parc

A low-key but not lo-fi showcase for BM and A Ltd – a creative studio based in London and New York, w. @j4k3b0n1n and @benmorrisphoto

OUT SOON! Nicholas Mangan, A WORLD UNDONE, 208 × 280 mm, ISBN 979–12–80579–69–0, 256 pp., softcover, 456 BW and color illustrations. Co-published by the Museum of Contemporary Art Australia and LENZ. First edition of 1000 copies. Edited by Anneke Jaspers and Anna Davis. Published on the occasion of the exhibition Nicholas Mangan, A WORLD UNDONE, Museum of Contemporary Art Australia, 5 April – 30 June 2024. Designed w @stuartgeddes AU / NZ distribution by @perimeterbooks

S is for ‘socialist realism’, ‘Socialist Surrealism’ and ‘space exploration’... Multiple Realities: Experimental Art in the Eastern Bloc 1960s–1980s, ISBN 978-1-935963-28-8, hardcover, 480 pp, 180 279 x 240 mm, Edited by Pavel Pyś, published by the Walker Art Center. Read us writing about acid tabs, square books and Mark Fisher Spotify playlists on the Walker website, link in bio. More soon! With @marklifeofthemind @kimmummhansen

S is for ‘socialist realism’, ‘Socialist Surrealism’ and ‘space exploration’... Multiple Realities: Experimental Art in the Eastern Bloc 1960s–1980s, ISBN 978-1-935963-28-8, hardcover, 480 pp, 180 279 x 240 mm, Edited by Pavel Pyś, published by the Walker Art Center. Read us writing about acid tabs, square books and Mark Fisher Spotify playlists on the Walker website, link in bio. More soon! With @marklifeofthemind @kimmummhansen

S is for ‘socialist realism’, ‘Socialist Surrealism’ and ‘space exploration’... Multiple Realities: Experimental Art in the Eastern Bloc 1960s–1980s, ISBN 978-1-935963-28-8, hardcover, 480 pp, 180 279 x 240 mm, Edited by Pavel Pyś, published by the Walker Art Center. Read us writing about acid tabs, square books and Mark Fisher Spotify playlists on the Walker website, link in bio. More soon! With @marklifeofthemind @kimmummhansen

S is for ‘socialist realism’, ‘Socialist Surrealism’ and ‘space exploration’... Multiple Realities: Experimental Art in the Eastern Bloc 1960s–1980s, ISBN 978-1-935963-28-8, hardcover, 480 pp, 180 279 x 240 mm, Edited by Pavel Pyś, published by the Walker Art Center. Read us writing about acid tabs, square books and Mark Fisher Spotify playlists on the Walker website, link in bio. More soon! With @marklifeofthemind @kimmummhansen

S is for ‘socialist realism’, ‘Socialist Surrealism’ and ‘space exploration’... Multiple Realities: Experimental Art in the Eastern Bloc 1960s–1980s, ISBN 978-1-935963-28-8, hardcover, 480 pp, 180 279 x 240 mm, Edited by Pavel Pyś, published by the Walker Art Center. Read us writing about acid tabs, square books and Mark Fisher Spotify playlists on the Walker website, link in bio. More soon! With @marklifeofthemind @kimmummhansen

S is for ‘socialist realism’, ‘Socialist Surrealism’ and ‘space exploration’... Multiple Realities: Experimental Art in the Eastern Bloc 1960s–1980s, ISBN 978-1-935963-28-8, hardcover, 480 pp, 180 279 x 240 mm, Edited by Pavel Pyś, published by the Walker Art Center. Read us writing about acid tabs, square books and Mark Fisher Spotify playlists on the Walker website, link in bio. More soon! With @marklifeofthemind @kimmummhansen

S is for ‘socialist realism’, ‘Socialist Surrealism’ and ‘space exploration’... Multiple Realities: Experimental Art in the Eastern Bloc 1960s–1980s, ISBN 978-1-935963-28-8, hardcover, 480 pp, 180 279 x 240 mm, Edited by Pavel Pyś, published by the Walker Art Center. Read us writing about acid tabs, square books and Mark Fisher Spotify playlists on the Walker website, link in bio. More soon! With @marklifeofthemind @kimmummhansen

Dale Frank, Artist. Artworks 2006–2023, ISBN 978-1-922545-27-5, hardcover, 408 pp, 275 × 370 mm, published by Neon Parc and Perimeter Editions

w. Stuart Geddes, Ben Morris, Dale Frank Studio, Neon Parc and Perimeter Books

Available for pre-orders now at Perimeter Editions (perimetereditions.com). We will definitely post more about this Brontosaurus 🦕 of a book but here’s a start –

The major book – and its seriously major – ‘Dale Frank, Artist. Artworks 2006–2023’ features an immense selection of key works produced over the past seventeen years, a period in which Frank has pushed the limits of his output even further, experimenting with new materials including horror masks, human hair wigs, chocolate fountains, designer furniture, and filmmaking. In many instances, traditional paint is replaced with industrial materials such as resin, varnish, glass, epoxies, and fake blood.

Featuring major new texts by Edward Colless, Erik Jensen, Amelia Winata, and Georgina Reid this vast book (and its really vast) operates in a similarly radical fashion. Juxtaposing and layering Frank’s works over British photographer Ben Morris’s frenetic, high-flash images of the artist’s home, studio, and surrounds, the book offers a dazzling, unsteadying encounter with a practice and a life that clash, coalesce, and collapse in on one another.

Dale Frank, Artist. Artworks 2006–2023, ISBN 978-1-922545-27-5, hardcover, 408 pp, 275 × 370 mm, published by Neon Parc and Perimeter Editions

w. Stuart Geddes, Ben Morris, Dale Frank Studio, Neon Parc and Perimeter Books

Available for pre-orders now at Perimeter Editions (perimetereditions.com). We will definitely post more about this Brontosaurus 🦕 of a book but here’s a start –

The major book – and its seriously major – ‘Dale Frank, Artist. Artworks 2006–2023’ features an immense selection of key works produced over the past seventeen years, a period in which Frank has pushed the limits of his output even further, experimenting with new materials including horror masks, human hair wigs, chocolate fountains, designer furniture, and filmmaking. In many instances, traditional paint is replaced with industrial materials such as resin, varnish, glass, epoxies, and fake blood.

Featuring major new texts by Edward Colless, Erik Jensen, Amelia Winata, and Georgina Reid this vast book (and its really vast) operates in a similarly radical fashion. Juxtaposing and layering Frank’s works over British photographer Ben Morris’s frenetic, high-flash images of the artist’s home, studio, and surrounds, the book offers a dazzling, unsteadying encounter with a practice and a life that clash, coalesce, and collapse in on one another.

Dale Frank, Artist. Artworks 2006–2023, ISBN 978-1-922545-27-5, hardcover, 408 pp, 275 × 370 mm, published by Neon Parc and Perimeter Editions

w. Stuart Geddes, Ben Morris, Dale Frank Studio, Neon Parc and Perimeter Books

Available for pre-orders now at Perimeter Editions (perimetereditions.com). We will definitely post more about this Brontosaurus 🦕 of a book but here’s a start –

The major book – and its seriously major – ‘Dale Frank, Artist. Artworks 2006–2023’ features an immense selection of key works produced over the past seventeen years, a period in which Frank has pushed the limits of his output even further, experimenting with new materials including horror masks, human hair wigs, chocolate fountains, designer furniture, and filmmaking. In many instances, traditional paint is replaced with industrial materials such as resin, varnish, glass, epoxies, and fake blood.

Featuring major new texts by Edward Colless, Erik Jensen, Amelia Winata, and Georgina Reid this vast book (and its really vast) operates in a similarly radical fashion. Juxtaposing and layering Frank’s works over British photographer Ben Morris’s frenetic, high-flash images of the artist’s home, studio, and surrounds, the book offers a dazzling, unsteadying encounter with a practice and a life that clash, coalesce, and collapse in on one another.

Dale Frank, Artist. Artworks 2006–2023, ISBN 978-1-922545-27-5, hardcover, 408 pp, 275 × 370 mm, published by Neon Parc and Perimeter Editions

w. Stuart Geddes, Ben Morris, Dale Frank Studio, Neon Parc and Perimeter Books

Available for pre-orders now at Perimeter Editions (perimetereditions.com). We will definitely post more about this Brontosaurus 🦕 of a book but here’s a start –

The major book – and its seriously major – ‘Dale Frank, Artist. Artworks 2006–2023’ features an immense selection of key works produced over the past seventeen years, a period in which Frank has pushed the limits of his output even further, experimenting with new materials including horror masks, human hair wigs, chocolate fountains, designer furniture, and filmmaking. In many instances, traditional paint is replaced with industrial materials such as resin, varnish, glass, epoxies, and fake blood.

Featuring major new texts by Edward Colless, Erik Jensen, Amelia Winata, and Georgina Reid this vast book (and its really vast) operates in a similarly radical fashion. Juxtaposing and layering Frank’s works over British photographer Ben Morris’s frenetic, high-flash images of the artist’s home, studio, and surrounds, the book offers a dazzling, unsteadying encounter with a practice and a life that clash, coalesce, and collapse in on one another.

Dale Frank, Artist. Artworks 2006–2023, ISBN 978-1-922545-27-5, hardcover, 408 pp, 275 × 370 mm, published by Neon Parc and Perimeter Editions

w. Stuart Geddes, Ben Morris, Dale Frank Studio, Neon Parc and Perimeter Books

Available for pre-orders now at Perimeter Editions (perimetereditions.com). We will definitely post more about this Brontosaurus 🦕 of a book but here’s a start –

The major book – and its seriously major – ‘Dale Frank, Artist. Artworks 2006–2023’ features an immense selection of key works produced over the past seventeen years, a period in which Frank has pushed the limits of his output even further, experimenting with new materials including horror masks, human hair wigs, chocolate fountains, designer furniture, and filmmaking. In many instances, traditional paint is replaced with industrial materials such as resin, varnish, glass, epoxies, and fake blood.

Featuring major new texts by Edward Colless, Erik Jensen, Amelia Winata, and Georgina Reid this vast book (and its really vast) operates in a similarly radical fashion. Juxtaposing and layering Frank’s works over British photographer Ben Morris’s frenetic, high-flash images of the artist’s home, studio, and surrounds, the book offers a dazzling, unsteadying encounter with a practice and a life that clash, coalesce, and collapse in on one another.

Dale Frank, Artist. Artworks 2006–2023, ISBN 978-1-922545-27-5, hardcover, 408 pp, 275 × 370 mm, published by Neon Parc and Perimeter Editions

w. Stuart Geddes, Ben Morris, Dale Frank Studio, Neon Parc and Perimeter Books

Available for pre-orders now at Perimeter Editions (perimetereditions.com). We will definitely post more about this Brontosaurus 🦕 of a book but here’s a start –

The major book – and its seriously major – ‘Dale Frank, Artist. Artworks 2006–2023’ features an immense selection of key works produced over the past seventeen years, a period in which Frank has pushed the limits of his output even further, experimenting with new materials including horror masks, human hair wigs, chocolate fountains, designer furniture, and filmmaking. In many instances, traditional paint is replaced with industrial materials such as resin, varnish, glass, epoxies, and fake blood.

Featuring major new texts by Edward Colless, Erik Jensen, Amelia Winata, and Georgina Reid this vast book (and its really vast) operates in a similarly radical fashion. Juxtaposing and layering Frank’s works over British photographer Ben Morris’s frenetic, high-flash images of the artist’s home, studio, and surrounds, the book offers a dazzling, unsteadying encounter with a practice and a life that clash, coalesce, and collapse in on one another.

Dale Frank, Artist. Artworks 2006–2023, ISBN 978-1-922545-27-5, hardcover, 408 pp, 275 × 370 mm, published by Neon Parc and Perimeter Editions

w. Stuart Geddes, Ben Morris, Dale Frank Studio, Neon Parc and Perimeter Books

Available for pre-orders now at Perimeter Editions (perimetereditions.com). We will definitely post more about this Brontosaurus 🦕 of a book but here’s a start –

The major book – and its seriously major – ‘Dale Frank, Artist. Artworks 2006–2023’ features an immense selection of key works produced over the past seventeen years, a period in which Frank has pushed the limits of his output even further, experimenting with new materials including horror masks, human hair wigs, chocolate fountains, designer furniture, and filmmaking. In many instances, traditional paint is replaced with industrial materials such as resin, varnish, glass, epoxies, and fake blood.

Featuring major new texts by Edward Colless, Erik Jensen, Amelia Winata, and Georgina Reid this vast book (and its really vast) operates in a similarly radical fashion. Juxtaposing and layering Frank’s works over British photographer Ben Morris’s frenetic, high-flash images of the artist’s home, studio, and surrounds, the book offers a dazzling, unsteadying encounter with a practice and a life that clash, coalesce, and collapse in on one another.

Dale Frank, Artist. Artworks 2006–2023, ISBN 978-1-922545-27-5, hardcover, 408 pp, 275 × 370 mm, published by Neon Parc and Perimeter Editions

w. Stuart Geddes, Ben Morris, Dale Frank Studio, Neon Parc and Perimeter Books

Available for pre-orders now at Perimeter Editions (perimetereditions.com). We will definitely post more about this Brontosaurus 🦕 of a book but here’s a start –

The major book – and its seriously major – ‘Dale Frank, Artist. Artworks 2006–2023’ features an immense selection of key works produced over the past seventeen years, a period in which Frank has pushed the limits of his output even further, experimenting with new materials including horror masks, human hair wigs, chocolate fountains, designer furniture, and filmmaking. In many instances, traditional paint is replaced with industrial materials such as resin, varnish, glass, epoxies, and fake blood.

Featuring major new texts by Edward Colless, Erik Jensen, Amelia Winata, and Georgina Reid this vast book (and its really vast) operates in a similarly radical fashion. Juxtaposing and layering Frank’s works over British photographer Ben Morris’s frenetic, high-flash images of the artist’s home, studio, and surrounds, the book offers a dazzling, unsteadying encounter with a practice and a life that clash, coalesce, and collapse in on one another.

Dale Frank, Artist. Artworks 2006–2023, ISBN 978-1-922545-27-5, hardcover, 408 pp, 275 × 370 mm, published by Neon Parc and Perimeter Editions

w. Stuart Geddes, Ben Morris, Dale Frank Studio, Neon Parc and Perimeter Books

Available for pre-orders now at Perimeter Editions (perimetereditions.com). We will definitely post more about this Brontosaurus 🦕 of a book but here’s a start –

The major book – and its seriously major – ‘Dale Frank, Artist. Artworks 2006–2023’ features an immense selection of key works produced over the past seventeen years, a period in which Frank has pushed the limits of his output even further, experimenting with new materials including horror masks, human hair wigs, chocolate fountains, designer furniture, and filmmaking. In many instances, traditional paint is replaced with industrial materials such as resin, varnish, glass, epoxies, and fake blood.

Featuring major new texts by Edward Colless, Erik Jensen, Amelia Winata, and Georgina Reid this vast book (and its really vast) operates in a similarly radical fashion. Juxtaposing and layering Frank’s works over British photographer Ben Morris’s frenetic, high-flash images of the artist’s home, studio, and surrounds, the book offers a dazzling, unsteadying encounter with a practice and a life that clash, coalesce, and collapse in on one another.

Dale Frank, Artist. Artworks 2006–2023, ISBN 978-1-922545-27-5, hardcover, 408 pp, 275 × 370 mm, published by Neon Parc and Perimeter Editions

w. Stuart Geddes, Ben Morris, Dale Frank Studio, Neon Parc and Perimeter Books

Available for pre-orders now at Perimeter Editions (perimetereditions.com). We will definitely post more about this Brontosaurus 🦕 of a book but here’s a start –

The major book – and its seriously major – ‘Dale Frank, Artist. Artworks 2006–2023’ features an immense selection of key works produced over the past seventeen years, a period in which Frank has pushed the limits of his output even further, experimenting with new materials including horror masks, human hair wigs, chocolate fountains, designer furniture, and filmmaking. In many instances, traditional paint is replaced with industrial materials such as resin, varnish, glass, epoxies, and fake blood.

Featuring major new texts by Edward Colless, Erik Jensen, Amelia Winata, and Georgina Reid this vast book (and its really vast) operates in a similarly radical fashion. Juxtaposing and layering Frank’s works over British photographer Ben Morris’s frenetic, high-flash images of the artist’s home, studio, and surrounds, the book offers a dazzling, unsteadying encounter with a practice and a life that clash, coalesce, and collapse in on one another.