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✨Compacted✨

This piece is made entirely of wheel-thrown components: stacked, squished, and sculpted into a cube. It was a really fun (and chaotic) process that taught me how to loosen up on the wheel and think about throwing as a sculptural technique, not just a functional one.

Art, especially ceramics, is my life. It’s how I process, express, and connect and I want to start sharing more of it with you all. So here’s a start! Much love :) 💛

✨Compacted✨

This piece is made entirely of wheel-thrown components: stacked, squished, and sculpted into a cube. It was a really fun (and chaotic) process that taught me how to loosen up on the wheel and think about throwing as a sculptural technique, not just a functional one.

Art, especially ceramics, is my life. It’s how I process, express, and connect and I want to start sharing more of it with you all. So here’s a start! Much love :) 💛

✨Compacted✨

This piece is made entirely of wheel-thrown components: stacked, squished, and sculpted into a cube. It was a really fun (and chaotic) process that taught me how to loosen up on the wheel and think about throwing as a sculptural technique, not just a functional one.

Art, especially ceramics, is my life. It’s how I process, express, and connect and I want to start sharing more of it with you all. So here’s a start! Much love :) 💛

✨Compacted✨

This piece is made entirely of wheel-thrown components: stacked, squished, and sculpted into a cube. It was a really fun (and chaotic) process that taught me how to loosen up on the wheel and think about throwing as a sculptural technique, not just a functional one.

Art, especially ceramics, is my life. It’s how I process, express, and connect and I want to start sharing more of it with you all. So here’s a start! Much love :) 💛

✨Compacted✨

This piece is made entirely of wheel-thrown components: stacked, squished, and sculpted into a cube. It was a really fun (and chaotic) process that taught me how to loosen up on the wheel and think about throwing as a sculptural technique, not just a functional one.

Art, especially ceramics, is my life. It’s how I process, express, and connect and I want to start sharing more of it with you all. So here’s a start! Much love :) 💛

✨Compacted✨

This piece is made entirely of wheel-thrown components: stacked, squished, and sculpted into a cube. It was a really fun (and chaotic) process that taught me how to loosen up on the wheel and think about throwing as a sculptural technique, not just a functional one.

Art, especially ceramics, is my life. It’s how I process, express, and connect and I want to start sharing more of it with you all. So here’s a start! Much love :) 💛

✨Compacted✨

This piece is made entirely of wheel-thrown components: stacked, squished, and sculpted into a cube. It was a really fun (and chaotic) process that taught me how to loosen up on the wheel and think about throwing as a sculptural technique, not just a functional one.

Art, especially ceramics, is my life. It’s how I process, express, and connect and I want to start sharing more of it with you all. So here’s a start! Much love :) 💛

✨Fragments✨

Porcelain slip cast, 40+ forms, intentionally broken.

“Fragments” started as an exploration of repeatable form, my first time ever making a plaster mold, learning the precision of slip casting by recreating a single vintage glass bottle over 40 times in porcelain. But through the destruction of these forms I worked so hard to perfect I was able to think about the value or lack thereof that we place on objects.

What makes an object hold value?

The process became a meditation on control, mess, and defiance. Ever since I was little, I’ve been known for never being able to sit still; always moving, (perhaps a reason why I am so drawn by the tactile nature of working with clay lol). But these breaks aren’t failures they’re my truth, and a celebration of my own imperfections.

Recently on view at the Livingston Center for Art and Culture 💥Thanks for witnessing.

✨Fragments✨

Porcelain slip cast, 40+ forms, intentionally broken.

“Fragments” started as an exploration of repeatable form, my first time ever making a plaster mold, learning the precision of slip casting by recreating a single vintage glass bottle over 40 times in porcelain. But through the destruction of these forms I worked so hard to perfect I was able to think about the value or lack thereof that we place on objects.

What makes an object hold value?

The process became a meditation on control, mess, and defiance. Ever since I was little, I’ve been known for never being able to sit still; always moving, (perhaps a reason why I am so drawn by the tactile nature of working with clay lol). But these breaks aren’t failures they’re my truth, and a celebration of my own imperfections.

Recently on view at the Livingston Center for Art and Culture 💥Thanks for witnessing.

✨Fragments✨

Porcelain slip cast, 40+ forms, intentionally broken.

“Fragments” started as an exploration of repeatable form, my first time ever making a plaster mold, learning the precision of slip casting by recreating a single vintage glass bottle over 40 times in porcelain. But through the destruction of these forms I worked so hard to perfect I was able to think about the value or lack thereof that we place on objects.

What makes an object hold value?

The process became a meditation on control, mess, and defiance. Ever since I was little, I’ve been known for never being able to sit still; always moving, (perhaps a reason why I am so drawn by the tactile nature of working with clay lol). But these breaks aren’t failures they’re my truth, and a celebration of my own imperfections.

Recently on view at the Livingston Center for Art and Culture 💥Thanks for witnessing.

✨Fragments✨

Porcelain slip cast, 40+ forms, intentionally broken.

“Fragments” started as an exploration of repeatable form, my first time ever making a plaster mold, learning the precision of slip casting by recreating a single vintage glass bottle over 40 times in porcelain. But through the destruction of these forms I worked so hard to perfect I was able to think about the value or lack thereof that we place on objects.

What makes an object hold value?

The process became a meditation on control, mess, and defiance. Ever since I was little, I’ve been known for never being able to sit still; always moving, (perhaps a reason why I am so drawn by the tactile nature of working with clay lol). But these breaks aren’t failures they’re my truth, and a celebration of my own imperfections.

Recently on view at the Livingston Center for Art and Culture 💥Thanks for witnessing.

✨Fragments✨

Porcelain slip cast, 40+ forms, intentionally broken.

“Fragments” started as an exploration of repeatable form, my first time ever making a plaster mold, learning the precision of slip casting by recreating a single vintage glass bottle over 40 times in porcelain. But through the destruction of these forms I worked so hard to perfect I was able to think about the value or lack thereof that we place on objects.

What makes an object hold value?

The process became a meditation on control, mess, and defiance. Ever since I was little, I’ve been known for never being able to sit still; always moving, (perhaps a reason why I am so drawn by the tactile nature of working with clay lol). But these breaks aren’t failures they’re my truth, and a celebration of my own imperfections.

Recently on view at the Livingston Center for Art and Culture 💥Thanks for witnessing.

✨Fragments✨

Porcelain slip cast, 40+ forms, intentionally broken.

“Fragments” started as an exploration of repeatable form, my first time ever making a plaster mold, learning the precision of slip casting by recreating a single vintage glass bottle over 40 times in porcelain. But through the destruction of these forms I worked so hard to perfect I was able to think about the value or lack thereof that we place on objects.

What makes an object hold value?

The process became a meditation on control, mess, and defiance. Ever since I was little, I’ve been known for never being able to sit still; always moving, (perhaps a reason why I am so drawn by the tactile nature of working with clay lol). But these breaks aren’t failures they’re my truth, and a celebration of my own imperfections.

Recently on view at the Livingston Center for Art and Culture 💥Thanks for witnessing.

✨Fragments✨

Porcelain slip cast, 40+ forms, intentionally broken.

“Fragments” started as an exploration of repeatable form, my first time ever making a plaster mold, learning the precision of slip casting by recreating a single vintage glass bottle over 40 times in porcelain. But through the destruction of these forms I worked so hard to perfect I was able to think about the value or lack thereof that we place on objects.

What makes an object hold value?

The process became a meditation on control, mess, and defiance. Ever since I was little, I’ve been known for never being able to sit still; always moving, (perhaps a reason why I am so drawn by the tactile nature of working with clay lol). But these breaks aren’t failures they’re my truth, and a celebration of my own imperfections.

Recently on view at the Livingston Center for Art and Culture 💥Thanks for witnessing.

✨Fragments✨

Porcelain slip cast, 40+ forms, intentionally broken.

“Fragments” started as an exploration of repeatable form, my first time ever making a plaster mold, learning the precision of slip casting by recreating a single vintage glass bottle over 40 times in porcelain. But through the destruction of these forms I worked so hard to perfect I was able to think about the value or lack thereof that we place on objects.

What makes an object hold value?

The process became a meditation on control, mess, and defiance. Ever since I was little, I’ve been known for never being able to sit still; always moving, (perhaps a reason why I am so drawn by the tactile nature of working with clay lol). But these breaks aren’t failures they’re my truth, and a celebration of my own imperfections.

Recently on view at the Livingston Center for Art and Culture 💥Thanks for witnessing.

✨Fragments✨

Porcelain slip cast, 40+ forms, intentionally broken.

“Fragments” started as an exploration of repeatable form, my first time ever making a plaster mold, learning the precision of slip casting by recreating a single vintage glass bottle over 40 times in porcelain. But through the destruction of these forms I worked so hard to perfect I was able to think about the value or lack thereof that we place on objects.

What makes an object hold value?

The process became a meditation on control, mess, and defiance. Ever since I was little, I’ve been known for never being able to sit still; always moving, (perhaps a reason why I am so drawn by the tactile nature of working with clay lol). But these breaks aren’t failures they’re my truth, and a celebration of my own imperfections.

Recently on view at the Livingston Center for Art and Culture 💥Thanks for witnessing.

✨Fragments✨

Porcelain slip cast, 40+ forms, intentionally broken.

“Fragments” started as an exploration of repeatable form, my first time ever making a plaster mold, learning the precision of slip casting by recreating a single vintage glass bottle over 40 times in porcelain. But through the destruction of these forms I worked so hard to perfect I was able to think about the value or lack thereof that we place on objects.

What makes an object hold value?

The process became a meditation on control, mess, and defiance. Ever since I was little, I’ve been known for never being able to sit still; always moving, (perhaps a reason why I am so drawn by the tactile nature of working with clay lol). But these breaks aren’t failures they’re my truth, and a celebration of my own imperfections.

Recently on view at the Livingston Center for Art and Culture 💥Thanks for witnessing.

✨Fragments✨

Porcelain slip cast, 40+ forms, intentionally broken.

“Fragments” started as an exploration of repeatable form, my first time ever making a plaster mold, learning the precision of slip casting by recreating a single vintage glass bottle over 40 times in porcelain. But through the destruction of these forms I worked so hard to perfect I was able to think about the value or lack thereof that we place on objects.

What makes an object hold value?

The process became a meditation on control, mess, and defiance. Ever since I was little, I’ve been known for never being able to sit still; always moving, (perhaps a reason why I am so drawn by the tactile nature of working with clay lol). But these breaks aren’t failures they’re my truth, and a celebration of my own imperfections.

Recently on view at the Livingston Center for Art and Culture 💥Thanks for witnessing.

✨Fragments✨

Porcelain slip cast, 40+ forms, intentionally broken.

“Fragments” started as an exploration of repeatable form, my first time ever making a plaster mold, learning the precision of slip casting by recreating a single vintage glass bottle over 40 times in porcelain. But through the destruction of these forms I worked so hard to perfect I was able to think about the value or lack thereof that we place on objects.

What makes an object hold value?

The process became a meditation on control, mess, and defiance. Ever since I was little, I’ve been known for never being able to sit still; always moving, (perhaps a reason why I am so drawn by the tactile nature of working with clay lol). But these breaks aren’t failures they’re my truth, and a celebration of my own imperfections.

Recently on view at the Livingston Center for Art and Culture 💥Thanks for witnessing.

✨Fragments✨

Porcelain slip cast, 40+ forms, intentionally broken.

“Fragments” started as an exploration of repeatable form, my first time ever making a plaster mold, learning the precision of slip casting by recreating a single vintage glass bottle over 40 times in porcelain. But through the destruction of these forms I worked so hard to perfect I was able to think about the value or lack thereof that we place on objects.

What makes an object hold value?

The process became a meditation on control, mess, and defiance. Ever since I was little, I’ve been known for never being able to sit still; always moving, (perhaps a reason why I am so drawn by the tactile nature of working with clay lol). But these breaks aren’t failures they’re my truth, and a celebration of my own imperfections.

Recently on view at the Livingston Center for Art and Culture 💥Thanks for witnessing.

✨Fragments✨

Porcelain slip cast, 40+ forms, intentionally broken.

“Fragments” started as an exploration of repeatable form, my first time ever making a plaster mold, learning the precision of slip casting by recreating a single vintage glass bottle over 40 times in porcelain. But through the destruction of these forms I worked so hard to perfect I was able to think about the value or lack thereof that we place on objects.

What makes an object hold value?

The process became a meditation on control, mess, and defiance. Ever since I was little, I’ve been known for never being able to sit still; always moving, (perhaps a reason why I am so drawn by the tactile nature of working with clay lol). But these breaks aren’t failures they’re my truth, and a celebration of my own imperfections.

Recently on view at the Livingston Center for Art and Culture 💥Thanks for witnessing.

Wood-fired foot vase…cuz why not?

#feet #lickmytoes #ceramics

Wood-fired foot vase…cuz why not?

#feet #lickmytoes #ceramics

Wood-fired foot vase…cuz why not?

#feet #lickmytoes #ceramics

Wood-fired foot vase…cuz why not?

#feet #lickmytoes #ceramics

Wood-fired foot vase…cuz why not?

#feet #lickmytoes #ceramics

Wood-fired foot vase…cuz why not?

#feet #lickmytoes #ceramics

me in spain, before any tattoos
just grass and this little soy sauce pot

#nonchalant #woodfire #coolgirl

I am so grateful for the community I have been given through art making❤️

(even when we want to kill eachother)

I am so grateful for the community I have been given through art making❤️

(even when we want to kill eachother)

I am so grateful for the community I have been given through art making❤️

(even when we want to kill eachother)

I am so grateful for the community I have been given through art making❤️

(even when we want to kill eachother)

I am so grateful for the community I have been given through art making❤️

(even when we want to kill eachother)

I am so grateful for the community I have been given through art making❤️

(even when we want to kill eachother)

Stoneware pitcher from our most recent firing in the Chubby Train kiln. Fired to cone 11. Glazed with a blend of wild clays harvested from across Montana.

#pitcher #woodfire #ceramics

Stoneware pitcher from our most recent firing in the Chubby Train kiln. Fired to cone 11. Glazed with a blend of wild clays harvested from across Montana.

#pitcher #woodfire #ceramics

Stoneware pitcher from our most recent firing in the Chubby Train kiln. Fired to cone 11. Glazed with a blend of wild clays harvested from across Montana.

#pitcher #woodfire #ceramics

Stoneware pitcher from our most recent firing in the Chubby Train kiln. Fired to cone 11. Glazed with a blend of wild clays harvested from across Montana.

#pitcher #woodfire #ceramics

My clay creations are my children… putting them in the kiln feels like sending them off to college and hoping they don’t come back broken 🥹🔥

#ceramics #ceramicartist #claylife #ceramicstudio #handbuiltceramics

My clay creations are my children… putting them in the kiln feels like sending them off to college and hoping they don’t come back broken 🥹🔥

#ceramics #ceramicartist #claylife #ceramicstudio #handbuiltceramics

My clay creations are my children… putting them in the kiln feels like sending them off to college and hoping they don’t come back broken 🥹🔥

#ceramics #ceramicartist #claylife #ceramicstudio #handbuiltceramics

My clay creations are my children… putting them in the kiln feels like sending them off to college and hoping they don’t come back broken 🥹🔥

#ceramics #ceramicartist #claylife #ceramicstudio #handbuiltceramics

“Richard and My Ten Toes”
Woodfired stoneware, cone 10

Currently on view in the Galleria Hall Pop Up Gallery at @theemerson_mt as part of “In Good Company,” curated by @russbrausch.
On view through April 24.

“Richard and My Ten Toes”
Woodfired stoneware, cone 10

Currently on view in the Galleria Hall Pop Up Gallery at @theemerson_mt as part of “In Good Company,” curated by @russbrausch.
On view through April 24.

“Richard and My Ten Toes”
Woodfired stoneware, cone 10

Currently on view in the Galleria Hall Pop Up Gallery at @theemerson_mt as part of “In Good Company,” curated by @russbrausch.
On view through April 24.

“Richard and My Ten Toes”
Woodfired stoneware, cone 10

Currently on view in the Galleria Hall Pop Up Gallery at @theemerson_mt as part of “In Good Company,” curated by @russbrausch.
On view through April 24.

“Richard and My Ten Toes”
Woodfired stoneware, cone 10

Currently on view in the Galleria Hall Pop Up Gallery at @theemerson_mt as part of “In Good Company,” curated by @russbrausch.
On view through April 24.

Home is where the heart is xoxo🥰❤️

Home is where the heart is xoxo🥰❤️

Home is where the heart is xoxo🥰❤️

Home is where the heart is xoxo🥰❤️

Home is where the heart is xoxo🥰❤️

Home is where the heart is xoxo🥰❤️

Home is where the heart is xoxo🥰❤️

Home is where the heart is xoxo🥰❤️

Home is where the heart is xoxo🥰❤️

Home is where the heart is xoxo🥰❤️

Home is where the heart is xoxo🥰❤️

Home is where the heart is xoxo🥰❤️

Sculptural planter fired in our anagama train kiln🔥fired for 75+ hours at cone 11 with pine and cottonwood. Super stoked on the flashing from being in the front stack, I love this community and the opportunity to fire the kiln!!

Sculptural planter fired in our anagama train kiln🔥fired for 75+ hours at cone 11 with pine and cottonwood. Super stoked on the flashing from being in the front stack, I love this community and the opportunity to fire the kiln!!

Sculptural planter fired in our anagama train kiln🔥fired for 75+ hours at cone 11 with pine and cottonwood. Super stoked on the flashing from being in the front stack, I love this community and the opportunity to fire the kiln!!

Sculptural planter fired in our anagama train kiln🔥fired for 75+ hours at cone 11 with pine and cottonwood. Super stoked on the flashing from being in the front stack, I love this community and the opportunity to fire the kiln!!

Wood fired stoneware chain/lamp/sculpture thingy✨👐>>swipe for goodies🥰

Wood fired stoneware chain/lamp/sculpture thingy✨👐>>swipe for goodies🥰

Wood fired stoneware chain/lamp/sculpture thingy✨👐>>swipe for goodies🥰

Wood fired stoneware chain/lamp/sculpture thingy✨👐>>swipe for goodies🥰

A growing family of forms.
This dinnerware set was made while studying under Josh, using screen-printing techniques I learned at @arrowmont_school as a Wingate Fellow last summer studying with @cerama_gundo and @printerthomas.
Playing with repetition and distortion, lots of babies, lots of color🐣🫟

A growing family of forms.
This dinnerware set was made while studying under Josh, using screen-printing techniques I learned at @arrowmont_school as a Wingate Fellow last summer studying with @cerama_gundo and @printerthomas.
Playing with repetition and distortion, lots of babies, lots of color🐣🫟

A growing family of forms.
This dinnerware set was made while studying under Josh, using screen-printing techniques I learned at @arrowmont_school as a Wingate Fellow last summer studying with @cerama_gundo and @printerthomas.
Playing with repetition and distortion, lots of babies, lots of color🐣🫟

A growing family of forms.
This dinnerware set was made while studying under Josh, using screen-printing techniques I learned at @arrowmont_school as a Wingate Fellow last summer studying with @cerama_gundo and @printerthomas.
Playing with repetition and distortion, lots of babies, lots of color🐣🫟

A growing family of forms.
This dinnerware set was made while studying under Josh, using screen-printing techniques I learned at @arrowmont_school as a Wingate Fellow last summer studying with @cerama_gundo and @printerthomas.
Playing with repetition and distortion, lots of babies, lots of color🐣🫟

A growing family of forms.
This dinnerware set was made while studying under Josh, using screen-printing techniques I learned at @arrowmont_school as a Wingate Fellow last summer studying with @cerama_gundo and @printerthomas.
Playing with repetition and distortion, lots of babies, lots of color🐣🫟