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SLEEP? Watercolor, ink, acrylic, charcoal, and color pencil on illustration board 30 x 35 inches

New work for the upcoming 2-person show with @kevinfordpainter this Saturday February 10th @turleygallery 3 - 5 pm in Hudson Valley. Hope to see you there ☮️☮️🍄😻🌹❤️

#drawing #painting

SLEEP? Watercolor, ink, acrylic, charcoal, and color pencil on illustration board 30 x 35 inches

New work for the upcoming 2-person show with @kevinfordpainter this Saturday February 10th @turleygallery 3 - 5 pm in Hudson Valley. Hope to see you there ☮️☮️🍄😻🌹❤️

#drawing #painting

SLEEP? Watercolor, ink, acrylic, charcoal, and color pencil on illustration board 30 x 35 inches

New work for the upcoming 2-person show with @kevinfordpainter this Saturday February 10th @turleygallery 3 - 5 pm in Hudson Valley. Hope to see you there ☮️☮️🍄😻🌹❤️

#drawing #painting

SLEEP? Watercolor, ink, acrylic, charcoal, and color pencil on illustration board 30 x 35 inches

New work for the upcoming 2-person show with @kevinfordpainter this Saturday February 10th @turleygallery 3 - 5 pm in Hudson Valley. Hope to see you there ☮️☮️🍄😻🌹❤️

#drawing #painting

𝐊𝐞𝐯𝐢𝐧 𝐅𝐨𝐫𝐝, 𝐃𝐚𝐧𝐢𝐞𝐥 𝐇𝐞𝐫𝐰𝐢𝐭𝐭
𝘺𝘰𝘶 𝘵𝘩𝘪𝘯𝘬, 𝘺𝘰𝘶 𝘬𝘯𝘰𝘸
February 10–March 17, 2024
Opening Reception, February 10, 3-5pm
𝐀𝐫𝐭𝐢𝐬𝐭 𝐝𝐢𝐬𝐜𝐮𝐬𝐬𝐢𝐨𝐧 𝐥𝐞𝐝 𝐛𝐲 𝐑𝐨𝐛𝐞𝐫𝐭 𝐒𝐭𝐨𝐫𝐫,
𝐌𝐚𝐫𝐜𝐡 𝟐, 𝟑𝐩𝐦

In you think, you know artists Kevin Ford and Daniel Herwitt are brought together through their vivid color palettes and the ability to skew that which is familiar to call into question that which we know empirically and that which we understand intuitively. In Ford’s soft-focus paintings, mundane moments and objects become dreamlike, while Herwitt’s hallucinatory illustrations seem to have their own pulse pulling the viewer into worlds, within worlds, within worlds.

Image: Daniel Herwitt, 𝘕𝘢𝘵𝘪𝘰𝘯𝘢𝘭 𝘙𝘦𝘫𝘦𝘤𝘵𝘪𝘰𝘯, 2024, acrylic, watercolor, ink, color pencil, charcoal, 30x40 inches.

#danielherwitt #sunflower_form #kevinford #robertstorr #turleygallery

Looking forward to showing this drawing in “Retinal Hysteria,” curated by Robert Storr at @v_over_m opening this Thursday, November 16th, 6-8pm.

See you soon 👽

Looking forward to showing this drawing in “Retinal Hysteria,” curated by Robert Storr at @v_over_m opening this Thursday, November 16th, 6-8pm.

See you soon 👽

Looking forward to showing this drawing in “Retinal Hysteria,” curated by Robert Storr at @v_over_m opening this Thursday, November 16th, 6-8pm.

See you soon 👽

Looking forward to showing this drawing in “Retinal Hysteria,” curated by Robert Storr at @v_over_m opening this Thursday, November 16th, 6-8pm.

See you soon 👽

40 today 💜😸
0ld bones

40 today 💜😸
0ld bones

40 today 💜😸
0ld bones

40 today 💜😸
0ld bones

I’m happy to announce that the lovely people at @broccoli_mag have published a selection of my recent work 🌞 Thank you to the lovely people @e____l_____f______ and @anjalouise for putting this project together 💜 ☮️ You can join the waitlist @broccoli_mag

Thank you for looking 👀

I’m happy to announce that the lovely people at @broccoli_mag have published a selection of my recent work 🌞 Thank you to the lovely people @e____l_____f______ and @anjalouise for putting this project together 💜 ☮️ You can join the waitlist @broccoli_mag

Thank you for looking 👀

I’m happy to announce that the lovely people at @broccoli_mag have published a selection of my recent work 🌞 Thank you to the lovely people @e____l_____f______ and @anjalouise for putting this project together 💜 ☮️ You can join the waitlist @broccoli_mag

Thank you for looking 👀

Finishing touches on this zombie hand for @sagharborsouthamptonbooks
Ink on paper 📝 🧟‍♂️

Older graphite drawings 💀

I use to be obsessed with this medium, but the patience it requires has shifted. Often felt like dental work :) however, it’s so satisfying watching the gradual layers deepen.
✍🏼 ✍🏼 ✍🏼

Older graphite drawings 💀

I use to be obsessed with this medium, but the patience it requires has shifted. Often felt like dental work :) however, it’s so satisfying watching the gradual layers deepen.
✍🏼 ✍🏼 ✍🏼

Older graphite drawings 💀

I use to be obsessed with this medium, but the patience it requires has shifted. Often felt like dental work :) however, it’s so satisfying watching the gradual layers deepen.
✍🏼 ✍🏼 ✍🏼

Older graphite drawings 💀

I use to be obsessed with this medium, but the patience it requires has shifted. Often felt like dental work :) however, it’s so satisfying watching the gradual layers deepen.
✍🏼 ✍🏼 ✍🏼

Philip Guston is dead 💀 💡
Ink and paint on paper 📝

Lunar Moth fade 🌟 ⭐️ 💫
Colors pencil and ink on paper 📝

Lunar Moth fade 🌟 ⭐️ 💫
Colors pencil and ink on paper 📝

Original illustration poster for @gratefulshredmusic :) Thank you @ericmayerswork and @austinmccutchen for inviting me on the project. All my work is always made by hand 🤚 🔮😸💜

Ink, watercolor, color pencil, and chalk on Bristol. 18 x 24 inches
☮️

Original illustration poster for @gratefulshredmusic :) Thank you @ericmayerswork and @austinmccutchen for inviting me on the project. All my work is always made by hand 🤚 🔮😸💜

Ink, watercolor, color pencil, and chalk on Bristol. 18 x 24 inches
☮️

Original illustration poster for @gratefulshredmusic :) Thank you @ericmayerswork and @austinmccutchen for inviting me on the project. All my work is always made by hand 🤚 🔮😸💜

Ink, watercolor, color pencil, and chalk on Bristol. 18 x 24 inches
☮️

Drawing ✍🏼

🧊 🩸 🇺🇸
Pencil and ink on paper 📝