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Carl Cheng: Nature Never Loses has been selected for Most Beautiful Swiss Books 2025.

Nature Never Loses is the first major publication to survey six decades of work by Carl Cheng, whose prescient and genre-defying practice has long explored the evolving relationship between technology, ecology, and human systems. The book accompanies the exhibition of the same name organized by The Contemporary Austin.

The project brought together a publication, a traveling exhibition, and an exhibition booklet developed as a shared editorial framework around Cheng’s work. Developed through close collaboration with curator Alex Klein, Studio Lin worked not only as graphic designer but also as a thought partner in shaping the structure and organization of the material across both the book and the exhibition environment.

Thank you to the entire team who contributed their time, care, and expertise to the project. It has been a privilege to work together.

Features contributions from:

Carl Cheng 
Joel Ferree 
Alex Klein 
Gloria Sutton
Celien Govaerts
Andres Pardey 
Amanda Sroka
Rachel Eboh

Edited by:

Alex Klein
Jennifer Krasinski
Rachel Eboh

Published with The Contemporary Austin to accompany the exhibition, which opened in Austin and toured to Institute of Contemporary Art, University of Pennsylvania, Bonnefanten, Museum Tinguely, and Institute of Contemporary Art, Los Angeles (2024–2027).

Studio Lin works with artists, architects, and cultural institutions to develop books, exhibitions, and editorial systems for complex projects.

#mostbeautifulswissbooks
#carlcheng
#bookdesign

Carl Cheng: Nature Never Loses has been selected for Most Beautiful Swiss Books 2025.

Nature Never Loses is the first major publication to survey six decades of work by Carl Cheng, whose prescient and genre-defying practice has long explored the evolving relationship between technology, ecology, and human systems. The book accompanies the exhibition of the same name organized by The Contemporary Austin.

The project brought together a publication, a traveling exhibition, and an exhibition booklet developed as a shared editorial framework around Cheng’s work. Developed through close collaboration with curator Alex Klein, Studio Lin worked not only as graphic designer but also as a thought partner in shaping the structure and organization of the material across both the book and the exhibition environment.

Thank you to the entire team who contributed their time, care, and expertise to the project. It has been a privilege to work together.

Features contributions from:

Carl Cheng 
Joel Ferree 
Alex Klein 
Gloria Sutton
Celien Govaerts
Andres Pardey 
Amanda Sroka
Rachel Eboh

Edited by:

Alex Klein
Jennifer Krasinski
Rachel Eboh

Published with The Contemporary Austin to accompany the exhibition, which opened in Austin and toured to Institute of Contemporary Art, University of Pennsylvania, Bonnefanten, Museum Tinguely, and Institute of Contemporary Art, Los Angeles (2024–2027).

Studio Lin works with artists, architects, and cultural institutions to develop books, exhibitions, and editorial systems for complex projects.

#mostbeautifulswissbooks
#carlcheng
#bookdesign

Carl Cheng: Nature Never Loses has been selected for Most Beautiful Swiss Books 2025.

Nature Never Loses is the first major publication to survey six decades of work by Carl Cheng, whose prescient and genre-defying practice has long explored the evolving relationship between technology, ecology, and human systems. The book accompanies the exhibition of the same name organized by The Contemporary Austin.

The project brought together a publication, a traveling exhibition, and an exhibition booklet developed as a shared editorial framework around Cheng’s work. Developed through close collaboration with curator Alex Klein, Studio Lin worked not only as graphic designer but also as a thought partner in shaping the structure and organization of the material across both the book and the exhibition environment.

Thank you to the entire team who contributed their time, care, and expertise to the project. It has been a privilege to work together.

Features contributions from:

Carl Cheng 
Joel Ferree 
Alex Klein 
Gloria Sutton
Celien Govaerts
Andres Pardey 
Amanda Sroka
Rachel Eboh

Edited by:

Alex Klein
Jennifer Krasinski
Rachel Eboh

Published with The Contemporary Austin to accompany the exhibition, which opened in Austin and toured to Institute of Contemporary Art, University of Pennsylvania, Bonnefanten, Museum Tinguely, and Institute of Contemporary Art, Los Angeles (2024–2027).

Studio Lin works with artists, architects, and cultural institutions to develop books, exhibitions, and editorial systems for complex projects.

#mostbeautifulswissbooks
#carlcheng
#bookdesign

Carl Cheng: Nature Never Loses has been selected for Most Beautiful Swiss Books 2025.

Nature Never Loses is the first major publication to survey six decades of work by Carl Cheng, whose prescient and genre-defying practice has long explored the evolving relationship between technology, ecology, and human systems. The book accompanies the exhibition of the same name organized by The Contemporary Austin.

The project brought together a publication, a traveling exhibition, and an exhibition booklet developed as a shared editorial framework around Cheng’s work. Developed through close collaboration with curator Alex Klein, Studio Lin worked not only as graphic designer but also as a thought partner in shaping the structure and organization of the material across both the book and the exhibition environment.

Thank you to the entire team who contributed their time, care, and expertise to the project. It has been a privilege to work together.

Features contributions from:

Carl Cheng 
Joel Ferree 
Alex Klein 
Gloria Sutton
Celien Govaerts
Andres Pardey 
Amanda Sroka
Rachel Eboh

Edited by:

Alex Klein
Jennifer Krasinski
Rachel Eboh

Published with The Contemporary Austin to accompany the exhibition, which opened in Austin and toured to Institute of Contemporary Art, University of Pennsylvania, Bonnefanten, Museum Tinguely, and Institute of Contemporary Art, Los Angeles (2024–2027).

Studio Lin works with artists, architects, and cultural institutions to develop books, exhibitions, and editorial systems for complex projects.

#mostbeautifulswissbooks
#carlcheng
#bookdesign

Carl Cheng: Nature Never Loses has been selected for Most Beautiful Swiss Books 2025.

Nature Never Loses is the first major publication to survey six decades of work by Carl Cheng, whose prescient and genre-defying practice has long explored the evolving relationship between technology, ecology, and human systems. The book accompanies the exhibition of the same name organized by The Contemporary Austin.

The project brought together a publication, a traveling exhibition, and an exhibition booklet developed as a shared editorial framework around Cheng’s work. Developed through close collaboration with curator Alex Klein, Studio Lin worked not only as graphic designer but also as a thought partner in shaping the structure and organization of the material across both the book and the exhibition environment.

Thank you to the entire team who contributed their time, care, and expertise to the project. It has been a privilege to work together.

Features contributions from:

Carl Cheng 
Joel Ferree 
Alex Klein 
Gloria Sutton
Celien Govaerts
Andres Pardey 
Amanda Sroka
Rachel Eboh

Edited by:

Alex Klein
Jennifer Krasinski
Rachel Eboh

Published with The Contemporary Austin to accompany the exhibition, which opened in Austin and toured to Institute of Contemporary Art, University of Pennsylvania, Bonnefanten, Museum Tinguely, and Institute of Contemporary Art, Los Angeles (2024–2027).

Studio Lin works with artists, architects, and cultural institutions to develop books, exhibitions, and editorial systems for complex projects.

#mostbeautifulswissbooks
#carlcheng
#bookdesign

Carl Cheng: Nature Never Loses has been selected for Most Beautiful Swiss Books 2025.

Nature Never Loses is the first major publication to survey six decades of work by Carl Cheng, whose prescient and genre-defying practice has long explored the evolving relationship between technology, ecology, and human systems. The book accompanies the exhibition of the same name organized by The Contemporary Austin.

The project brought together a publication, a traveling exhibition, and an exhibition booklet developed as a shared editorial framework around Cheng’s work. Developed through close collaboration with curator Alex Klein, Studio Lin worked not only as graphic designer but also as a thought partner in shaping the structure and organization of the material across both the book and the exhibition environment.

Thank you to the entire team who contributed their time, care, and expertise to the project. It has been a privilege to work together.

Features contributions from:

Carl Cheng 
Joel Ferree 
Alex Klein 
Gloria Sutton
Celien Govaerts
Andres Pardey 
Amanda Sroka
Rachel Eboh

Edited by:

Alex Klein
Jennifer Krasinski
Rachel Eboh

Published with The Contemporary Austin to accompany the exhibition, which opened in Austin and toured to Institute of Contemporary Art, University of Pennsylvania, Bonnefanten, Museum Tinguely, and Institute of Contemporary Art, Los Angeles (2024–2027).

Studio Lin works with artists, architects, and cultural institutions to develop books, exhibitions, and editorial systems for complex projects.

#mostbeautifulswissbooks
#carlcheng
#bookdesign

Carl Cheng: Nature Never Loses has been selected for Most Beautiful Swiss Books 2025.

Nature Never Loses is the first major publication to survey six decades of work by Carl Cheng, whose prescient and genre-defying practice has long explored the evolving relationship between technology, ecology, and human systems. The book accompanies the exhibition of the same name organized by The Contemporary Austin.

The project brought together a publication, a traveling exhibition, and an exhibition booklet developed as a shared editorial framework around Cheng’s work. Developed through close collaboration with curator Alex Klein, Studio Lin worked not only as graphic designer but also as a thought partner in shaping the structure and organization of the material across both the book and the exhibition environment.

Thank you to the entire team who contributed their time, care, and expertise to the project. It has been a privilege to work together.

Features contributions from:

Carl Cheng 
Joel Ferree 
Alex Klein 
Gloria Sutton
Celien Govaerts
Andres Pardey 
Amanda Sroka
Rachel Eboh

Edited by:

Alex Klein
Jennifer Krasinski
Rachel Eboh

Published with The Contemporary Austin to accompany the exhibition, which opened in Austin and toured to Institute of Contemporary Art, University of Pennsylvania, Bonnefanten, Museum Tinguely, and Institute of Contemporary Art, Los Angeles (2024–2027).

Studio Lin works with artists, architects, and cultural institutions to develop books, exhibitions, and editorial systems for complex projects.

#mostbeautifulswissbooks
#carlcheng
#bookdesign

Carl Cheng: Nature Never Loses has been selected for Most Beautiful Swiss Books 2025.

Nature Never Loses is the first major publication to survey six decades of work by Carl Cheng, whose prescient and genre-defying practice has long explored the evolving relationship between technology, ecology, and human systems. The book accompanies the exhibition of the same name organized by The Contemporary Austin.

The project brought together a publication, a traveling exhibition, and an exhibition booklet developed as a shared editorial framework around Cheng’s work. Developed through close collaboration with curator Alex Klein, Studio Lin worked not only as graphic designer but also as a thought partner in shaping the structure and organization of the material across both the book and the exhibition environment.

Thank you to the entire team who contributed their time, care, and expertise to the project. It has been a privilege to work together.

Features contributions from:

Carl Cheng 
Joel Ferree 
Alex Klein 
Gloria Sutton
Celien Govaerts
Andres Pardey 
Amanda Sroka
Rachel Eboh

Edited by:

Alex Klein
Jennifer Krasinski
Rachel Eboh

Published with The Contemporary Austin to accompany the exhibition, which opened in Austin and toured to Institute of Contemporary Art, University of Pennsylvania, Bonnefanten, Museum Tinguely, and Institute of Contemporary Art, Los Angeles (2024–2027).

Studio Lin works with artists, architects, and cultural institutions to develop books, exhibitions, and editorial systems for complex projects.

#mostbeautifulswissbooks
#carlcheng
#bookdesign

Carl Cheng: Nature Never Loses has been selected for Most Beautiful Swiss Books 2025.

Nature Never Loses is the first major publication to survey six decades of work by Carl Cheng, whose prescient and genre-defying practice has long explored the evolving relationship between technology, ecology, and human systems. The book accompanies the exhibition of the same name organized by The Contemporary Austin.

The project brought together a publication, a traveling exhibition, and an exhibition booklet developed as a shared editorial framework around Cheng’s work. Developed through close collaboration with curator Alex Klein, Studio Lin worked not only as graphic designer but also as a thought partner in shaping the structure and organization of the material across both the book and the exhibition environment.

Thank you to the entire team who contributed their time, care, and expertise to the project. It has been a privilege to work together.

Features contributions from:

Carl Cheng 
Joel Ferree 
Alex Klein 
Gloria Sutton
Celien Govaerts
Andres Pardey 
Amanda Sroka
Rachel Eboh

Edited by:

Alex Klein
Jennifer Krasinski
Rachel Eboh

Published with The Contemporary Austin to accompany the exhibition, which opened in Austin and toured to Institute of Contemporary Art, University of Pennsylvania, Bonnefanten, Museum Tinguely, and Institute of Contemporary Art, Los Angeles (2024–2027).

Studio Lin works with artists, architects, and cultural institutions to develop books, exhibitions, and editorial systems for complex projects.

#mostbeautifulswissbooks
#carlcheng
#bookdesign

Carl Cheng: Nature Never Loses has been selected for Most Beautiful Swiss Books 2025.

Nature Never Loses is the first major publication to survey six decades of work by Carl Cheng, whose prescient and genre-defying practice has long explored the evolving relationship between technology, ecology, and human systems. The book accompanies the exhibition of the same name organized by The Contemporary Austin.

The project brought together a publication, a traveling exhibition, and an exhibition booklet developed as a shared editorial framework around Cheng’s work. Developed through close collaboration with curator Alex Klein, Studio Lin worked not only as graphic designer but also as a thought partner in shaping the structure and organization of the material across both the book and the exhibition environment.

Thank you to the entire team who contributed their time, care, and expertise to the project. It has been a privilege to work together.

Features contributions from:

Carl Cheng 
Joel Ferree 
Alex Klein 
Gloria Sutton
Celien Govaerts
Andres Pardey 
Amanda Sroka
Rachel Eboh

Edited by:

Alex Klein
Jennifer Krasinski
Rachel Eboh

Published with The Contemporary Austin to accompany the exhibition, which opened in Austin and toured to Institute of Contemporary Art, University of Pennsylvania, Bonnefanten, Museum Tinguely, and Institute of Contemporary Art, Los Angeles (2024–2027).

Studio Lin works with artists, architects, and cultural institutions to develop books, exhibitions, and editorial systems for complex projects.

#mostbeautifulswissbooks
#carlcheng
#bookdesign

Carl Cheng: Nature Never Loses has been selected for Most Beautiful Swiss Books 2025.

Nature Never Loses is the first major publication to survey six decades of work by Carl Cheng, whose prescient and genre-defying practice has long explored the evolving relationship between technology, ecology, and human systems. The book accompanies the exhibition of the same name organized by The Contemporary Austin.

The project brought together a publication, a traveling exhibition, and an exhibition booklet developed as a shared editorial framework around Cheng’s work. Developed through close collaboration with curator Alex Klein, Studio Lin worked not only as graphic designer but also as a thought partner in shaping the structure and organization of the material across both the book and the exhibition environment.

Thank you to the entire team who contributed their time, care, and expertise to the project. It has been a privilege to work together.

Features contributions from:

Carl Cheng 
Joel Ferree 
Alex Klein 
Gloria Sutton
Celien Govaerts
Andres Pardey 
Amanda Sroka
Rachel Eboh

Edited by:

Alex Klein
Jennifer Krasinski
Rachel Eboh

Published with The Contemporary Austin to accompany the exhibition, which opened in Austin and toured to Institute of Contemporary Art, University of Pennsylvania, Bonnefanten, Museum Tinguely, and Institute of Contemporary Art, Los Angeles (2024–2027).

Studio Lin works with artists, architects, and cultural institutions to develop books, exhibitions, and editorial systems for complex projects.

#mostbeautifulswissbooks
#carlcheng
#bookdesign

Carl Cheng: Nature Never Loses has been selected for Most Beautiful Swiss Books 2025.

Nature Never Loses is the first major publication to survey six decades of work by Carl Cheng, whose prescient and genre-defying practice has long explored the evolving relationship between technology, ecology, and human systems. The book accompanies the exhibition of the same name organized by The Contemporary Austin.

The project brought together a publication, a traveling exhibition, and an exhibition booklet developed as a shared editorial framework around Cheng’s work. Developed through close collaboration with curator Alex Klein, Studio Lin worked not only as graphic designer but also as a thought partner in shaping the structure and organization of the material across both the book and the exhibition environment.

Thank you to the entire team who contributed their time, care, and expertise to the project. It has been a privilege to work together.

Features contributions from:

Carl Cheng 
Joel Ferree 
Alex Klein 
Gloria Sutton
Celien Govaerts
Andres Pardey 
Amanda Sroka
Rachel Eboh

Edited by:

Alex Klein
Jennifer Krasinski
Rachel Eboh

Published with The Contemporary Austin to accompany the exhibition, which opened in Austin and toured to Institute of Contemporary Art, University of Pennsylvania, Bonnefanten, Museum Tinguely, and Institute of Contemporary Art, Los Angeles (2024–2027).

Studio Lin works with artists, architects, and cultural institutions to develop books, exhibitions, and editorial systems for complex projects.

#mostbeautifulswissbooks
#carlcheng
#bookdesign

Carl Cheng: Nature Never Loses has been selected for Most Beautiful Swiss Books 2025.

Nature Never Loses is the first major publication to survey six decades of work by Carl Cheng, whose prescient and genre-defying practice has long explored the evolving relationship between technology, ecology, and human systems. The book accompanies the exhibition of the same name organized by The Contemporary Austin.

The project brought together a publication, a traveling exhibition, and an exhibition booklet developed as a shared editorial framework around Cheng’s work. Developed through close collaboration with curator Alex Klein, Studio Lin worked not only as graphic designer but also as a thought partner in shaping the structure and organization of the material across both the book and the exhibition environment.

Thank you to the entire team who contributed their time, care, and expertise to the project. It has been a privilege to work together.

Features contributions from:

Carl Cheng 
Joel Ferree 
Alex Klein 
Gloria Sutton
Celien Govaerts
Andres Pardey 
Amanda Sroka
Rachel Eboh

Edited by:

Alex Klein
Jennifer Krasinski
Rachel Eboh

Published with The Contemporary Austin to accompany the exhibition, which opened in Austin and toured to Institute of Contemporary Art, University of Pennsylvania, Bonnefanten, Museum Tinguely, and Institute of Contemporary Art, Los Angeles (2024–2027).

Studio Lin works with artists, architects, and cultural institutions to develop books, exhibitions, and editorial systems for complex projects.

#mostbeautifulswissbooks
#carlcheng
#bookdesign

Carl Cheng: Nature Never Loses has been selected for Most Beautiful Swiss Books 2025.

Nature Never Loses is the first major publication to survey six decades of work by Carl Cheng, whose prescient and genre-defying practice has long explored the evolving relationship between technology, ecology, and human systems. The book accompanies the exhibition of the same name organized by The Contemporary Austin.

The project brought together a publication, a traveling exhibition, and an exhibition booklet developed as a shared editorial framework around Cheng’s work. Developed through close collaboration with curator Alex Klein, Studio Lin worked not only as graphic designer but also as a thought partner in shaping the structure and organization of the material across both the book and the exhibition environment.

Thank you to the entire team who contributed their time, care, and expertise to the project. It has been a privilege to work together.

Features contributions from:

Carl Cheng 
Joel Ferree 
Alex Klein 
Gloria Sutton
Celien Govaerts
Andres Pardey 
Amanda Sroka
Rachel Eboh

Edited by:

Alex Klein
Jennifer Krasinski
Rachel Eboh

Published with The Contemporary Austin to accompany the exhibition, which opened in Austin and toured to Institute of Contemporary Art, University of Pennsylvania, Bonnefanten, Museum Tinguely, and Institute of Contemporary Art, Los Angeles (2024–2027).

Studio Lin works with artists, architects, and cultural institutions to develop books, exhibitions, and editorial systems for complex projects.

#mostbeautifulswissbooks
#carlcheng
#bookdesign

“Everything is in the Process of Becoming Something Else” by MOS Architects for the 5th International Architecture Exhibition’s Electa Book Pavilion. A set of 12 oversized books constructed with materials inspired by Carta Azurra, a blue paper that nods to both Venetian art history and the city’s own status as a collection of islands. 11 books hold pop-up models, with a 12th book containing text and worm’s eye drawings for eachof the pop-up models. Curated by Sylvia Lavin, designed in collaboration with MOS Architects @mmmosarchitects @colorplan_papers

“Everything is in the Process of Becoming Something Else” by MOS Architects for the 5th International Architecture Exhibition’s Electa Book Pavilion. A set of 12 oversized books constructed with materials inspired by Carta Azurra, a blue paper that nods to both Venetian art history and the city’s own status as a collection of islands. 11 books hold pop-up models, with a 12th book containing text and worm’s eye drawings for eachof the pop-up models. Curated by Sylvia Lavin, designed in collaboration with MOS Architects @mmmosarchitects @colorplan_papers

“Everything is in the Process of Becoming Something Else” by MOS Architects for the 5th International Architecture Exhibition’s Electa Book Pavilion. A set of 12 oversized books constructed with materials inspired by Carta Azurra, a blue paper that nods to both Venetian art history and the city’s own status as a collection of islands. 11 books hold pop-up models, with a 12th book containing text and worm’s eye drawings for eachof the pop-up models. Curated by Sylvia Lavin, designed in collaboration with MOS Architects @mmmosarchitects @colorplan_papers

“Everything is in the Process of Becoming Something Else” by MOS Architects for the 5th International Architecture Exhibition’s Electa Book Pavilion. A set of 12 oversized books constructed with materials inspired by Carta Azurra, a blue paper that nods to both Venetian art history and the city’s own status as a collection of islands. 11 books hold pop-up models, with a 12th book containing text and worm’s eye drawings for eachof the pop-up models. Curated by Sylvia Lavin, designed in collaboration with MOS Architects @mmmosarchitects @colorplan_papers

“Everything is in the Process of Becoming Something Else” by MOS Architects for the 5th International Architecture Exhibition’s Electa Book Pavilion. A set of 12 oversized books constructed with materials inspired by Carta Azurra, a blue paper that nods to both Venetian art history and the city’s own status as a collection of islands. 11 books hold pop-up models, with a 12th book containing text and worm’s eye drawings for eachof the pop-up models. Curated by Sylvia Lavin, designed in collaboration with MOS Architects @mmmosarchitects @colorplan_papers

“Everything is in the Process of Becoming Something Else” by MOS Architects for the 5th International Architecture Exhibition’s Electa Book Pavilion. A set of 12 oversized books constructed with materials inspired by Carta Azurra, a blue paper that nods to both Venetian art history and the city’s own status as a collection of islands. 11 books hold pop-up models, with a 12th book containing text and worm’s eye drawings for eachof the pop-up models. Curated by Sylvia Lavin, designed in collaboration with MOS Architects @mmmosarchitects @colorplan_papers

“Everything is in the Process of Becoming Something Else” by MOS Architects for the 5th International Architecture Exhibition’s Electa Book Pavilion. A set of 12 oversized books constructed with materials inspired by Carta Azurra, a blue paper that nods to both Venetian art history and the city’s own status as a collection of islands. 11 books hold pop-up models, with a 12th book containing text and worm’s eye drawings for eachof the pop-up models. Curated by Sylvia Lavin, designed in collaboration with MOS Architects @mmmosarchitects @colorplan_papers

“Everything is in the Process of Becoming Something Else” by MOS Architects for the 5th International Architecture Exhibition’s Electa Book Pavilion. A set of 12 oversized books constructed with materials inspired by Carta Azurra, a blue paper that nods to both Venetian art history and the city’s own status as a collection of islands. 11 books hold pop-up models, with a 12th book containing text and worm’s eye drawings for eachof the pop-up models. Curated by Sylvia Lavin, designed in collaboration with MOS Architects @mmmosarchitects @colorplan_papers

“Everything is in the Process of Becoming Something Else” by MOS Architects for the 5th International Architecture Exhibition’s Electa Book Pavilion. A set of 12 oversized books constructed with materials inspired by Carta Azurra, a blue paper that nods to both Venetian art history and the city’s own status as a collection of islands. 11 books hold pop-up models, with a 12th book containing text and worm’s eye drawings for eachof the pop-up models. Curated by Sylvia Lavin, designed in collaboration with MOS Architects @mmmosarchitects @colorplan_papers

“Everything is in the Process of Becoming Something Else” by MOS Architects for the 5th International Architecture Exhibition’s Electa Book Pavilion. A set of 12 oversized books constructed with materials inspired by Carta Azurra, a blue paper that nods to both Venetian art history and the city’s own status as a collection of islands. 11 books hold pop-up models, with a 12th book containing text and worm’s eye drawings for eachof the pop-up models. Curated by Sylvia Lavin, designed in collaboration with MOS Architects @mmmosarchitects @colorplan_papers

“Everything is in the Process of Becoming Something Else” by MOS Architects for the 5th International Architecture Exhibition’s Electa Book Pavilion. A set of 12 oversized books constructed with materials inspired by Carta Azurra, a blue paper that nods to both Venetian art history and the city’s own status as a collection of islands. 11 books hold pop-up models, with a 12th book containing text and worm’s eye drawings for eachof the pop-up models. Curated by Sylvia Lavin, designed in collaboration with MOS Architects @mmmosarchitects @colorplan_papers

“Everything is in the Process of Becoming Something Else” by MOS Architects for the 5th International Architecture Exhibition’s Electa Book Pavilion. A set of 12 oversized books constructed with materials inspired by Carta Azurra, a blue paper that nods to both Venetian art history and the city’s own status as a collection of islands. 11 books hold pop-up models, with a 12th book containing text and worm’s eye drawings for eachof the pop-up models. Curated by Sylvia Lavin, designed in collaboration with MOS Architects @mmmosarchitects @colorplan_papers

“Everything is in the Process of Becoming Something Else” by MOS Architects for the 5th International Architecture Exhibition’s Electa Book Pavilion. A set of 12 oversized books constructed with materials inspired by Carta Azurra, a blue paper that nods to both Venetian art history and the city’s own status as a collection of islands. 11 books hold pop-up models, with a 12th book containing text and worm’s eye drawings for eachof the pop-up models. Curated by Sylvia Lavin, designed in collaboration with MOS Architects @mmmosarchitects @colorplan_papers

Delighted to share 4 winners this year for @aigadesign 50 books 50 covers, 2024. Many thanks to our clients and collaborators. Clockwise: 1. Alia Ali … One of Many by @alia.ali.art published by @hatjecantzverlag 2. The Sixth Sphere by Brittany Utting, published by @ricearch 3. An Atlas of Future Hopes and Ideas by Studio Diazmoreno Garciagrinda, published by @ioa.angewandte4. A Compendium of Alternative Worlds … by Studio Diazmoreno Garciagrinda published by @ioa.angewandte

Delighted to share 4 winners this year for @aigadesign 50 books 50 covers, 2024. Many thanks to our clients and collaborators. Clockwise: 1. Alia Ali … One of Many by @alia.ali.art published by @hatjecantzverlag 2. The Sixth Sphere by Brittany Utting, published by @ricearch 3. An Atlas of Future Hopes and Ideas by Studio Diazmoreno Garciagrinda, published by @ioa.angewandte4. A Compendium of Alternative Worlds … by Studio Diazmoreno Garciagrinda published by @ioa.angewandte

Delighted to share 4 winners this year for @aigadesign 50 books 50 covers, 2024. Many thanks to our clients and collaborators. Clockwise: 1. Alia Ali … One of Many by @alia.ali.art published by @hatjecantzverlag 2. The Sixth Sphere by Brittany Utting, published by @ricearch 3. An Atlas of Future Hopes and Ideas by Studio Diazmoreno Garciagrinda, published by @ioa.angewandte4. A Compendium of Alternative Worlds … by Studio Diazmoreno Garciagrinda published by @ioa.angewandte

Delighted to share 4 winners this year for @aigadesign 50 books 50 covers, 2024. Many thanks to our clients and collaborators. Clockwise: 1. Alia Ali … One of Many by @alia.ali.art published by @hatjecantzverlag 2. The Sixth Sphere by Brittany Utting, published by @ricearch 3. An Atlas of Future Hopes and Ideas by Studio Diazmoreno Garciagrinda, published by @ioa.angewandte4. A Compendium of Alternative Worlds … by Studio Diazmoreno Garciagrinda published by @ioa.angewandte

Delighted to share 4 winners this year for @aigadesign 50 books 50 covers, 2024. Many thanks to our clients and collaborators. Clockwise: 1. Alia Ali … One of Many by @alia.ali.art published by @hatjecantzverlag 2. The Sixth Sphere by Brittany Utting, published by @ricearch 3. An Atlas of Future Hopes and Ideas by Studio Diazmoreno Garciagrinda, published by @ioa.angewandte4. A Compendium of Alternative Worlds … by Studio Diazmoreno Garciagrinda published by @ioa.angewandte

Delighted to share 4 winners this year for @aigadesign 50 books 50 covers, 2024. Many thanks to our clients and collaborators. Clockwise: 1. Alia Ali … One of Many by @alia.ali.art published by @hatjecantzverlag 2. The Sixth Sphere by Brittany Utting, published by @ricearch 3. An Atlas of Future Hopes and Ideas by Studio Diazmoreno Garciagrinda, published by @ioa.angewandte4. A Compendium of Alternative Worlds … by Studio Diazmoreno Garciagrinda published by @ioa.angewandte

Delighted to share 4 winners this year for @aigadesign 50 books 50 covers, 2024. Many thanks to our clients and collaborators. Clockwise: 1. Alia Ali … One of Many by @alia.ali.art published by @hatjecantzverlag 2. The Sixth Sphere by Brittany Utting, published by @ricearch 3. An Atlas of Future Hopes and Ideas by Studio Diazmoreno Garciagrinda, published by @ioa.angewandte4. A Compendium of Alternative Worlds … by Studio Diazmoreno Garciagrinda published by @ioa.angewandte

We’re looking to hire either an intern or junior designer, depending on experience and fit. Junior designer candidates should have at least one year of real-world design experience.

The ideal person is well-rounded, with strong skills across publication design, web design, and identity systems. A strong typographic eye and a strong match with Studio Lin’s design sensibility are a must.

This would begin as internship or freelance/project-based support, with the possibility of becoming full-time for the right fit. Remote work is okay.

Please send a portfolio, brief note, and availability to info@studiolin.org

Book launch for Public Spaces by @mmmosarchitects, published by @park_books. Friday, January 23, 6-8pm atDo You Read Me!? (38 St Marks Place) @swissinstitute.

“Nature Never Loses” surveys over 60 years of artist Carl Cheng’s work. Presented chronologically, each project’s images are organized into groupings and laid out like columns of text with one caption at the bottom of each image stack. Carl Cheng’s voice is present throughout the book in a custom cut of Courier starting from the cover.

Studio Lin also designed the exhibition that opened in Austin and has toured to the Institute of Contemporary Art, University of Pennsylvania, Philadelphia; Bonnefanten, Maastricht; Museum Tinguely, Basel; and the Institute of Contemporary Art, Los Angeles (2024–2027).

Published by @jrpeditions. 448 pages with corrugated flexography printed board sleeve.

Designed in collaboration with Curator Alex Klein @apkapkapk and Rachel Eboh @sweetbabyrach.

Edited by Alex Klein and Rachel Eboh with Jennifer Krasinski @prettiestmetals.

With contributions from Carl Cheng, Joel Ferree, Alex Klein, Gloria Sutton, Celien Govaerts, Andres Pardey, Amanda Sroka, and Rachel Eboh.

Printed by Wilco/Jos Morree @wilco_artbooks
Color separations by @colourandbooks

“Nature Never Loses” surveys over 60 years of artist Carl Cheng’s work. Presented chronologically, each project’s images are organized into groupings and laid out like columns of text with one caption at the bottom of each image stack. Carl Cheng’s voice is present throughout the book in a custom cut of Courier starting from the cover.

Studio Lin also designed the exhibition that opened in Austin and has toured to the Institute of Contemporary Art, University of Pennsylvania, Philadelphia; Bonnefanten, Maastricht; Museum Tinguely, Basel; and the Institute of Contemporary Art, Los Angeles (2024–2027).

Published by @jrpeditions. 448 pages with corrugated flexography printed board sleeve.

Designed in collaboration with Curator Alex Klein @apkapkapk and Rachel Eboh @sweetbabyrach.

Edited by Alex Klein and Rachel Eboh with Jennifer Krasinski @prettiestmetals.

With contributions from Carl Cheng, Joel Ferree, Alex Klein, Gloria Sutton, Celien Govaerts, Andres Pardey, Amanda Sroka, and Rachel Eboh.

Printed by Wilco/Jos Morree @wilco_artbooks
Color separations by @colourandbooks

“Nature Never Loses” surveys over 60 years of artist Carl Cheng’s work. Presented chronologically, each project’s images are organized into groupings and laid out like columns of text with one caption at the bottom of each image stack. Carl Cheng’s voice is present throughout the book in a custom cut of Courier starting from the cover.

Studio Lin also designed the exhibition that opened in Austin and has toured to the Institute of Contemporary Art, University of Pennsylvania, Philadelphia; Bonnefanten, Maastricht; Museum Tinguely, Basel; and the Institute of Contemporary Art, Los Angeles (2024–2027).

Published by @jrpeditions. 448 pages with corrugated flexography printed board sleeve.

Designed in collaboration with Curator Alex Klein @apkapkapk and Rachel Eboh @sweetbabyrach.

Edited by Alex Klein and Rachel Eboh with Jennifer Krasinski @prettiestmetals.

With contributions from Carl Cheng, Joel Ferree, Alex Klein, Gloria Sutton, Celien Govaerts, Andres Pardey, Amanda Sroka, and Rachel Eboh.

Printed by Wilco/Jos Morree @wilco_artbooks
Color separations by @colourandbooks

“Nature Never Loses” surveys over 60 years of artist Carl Cheng’s work. Presented chronologically, each project’s images are organized into groupings and laid out like columns of text with one caption at the bottom of each image stack. Carl Cheng’s voice is present throughout the book in a custom cut of Courier starting from the cover.

Studio Lin also designed the exhibition that opened in Austin and has toured to the Institute of Contemporary Art, University of Pennsylvania, Philadelphia; Bonnefanten, Maastricht; Museum Tinguely, Basel; and the Institute of Contemporary Art, Los Angeles (2024–2027).

Published by @jrpeditions. 448 pages with corrugated flexography printed board sleeve.

Designed in collaboration with Curator Alex Klein @apkapkapk and Rachel Eboh @sweetbabyrach.

Edited by Alex Klein and Rachel Eboh with Jennifer Krasinski @prettiestmetals.

With contributions from Carl Cheng, Joel Ferree, Alex Klein, Gloria Sutton, Celien Govaerts, Andres Pardey, Amanda Sroka, and Rachel Eboh.

Printed by Wilco/Jos Morree @wilco_artbooks
Color separations by @colourandbooks

“Nature Never Loses” surveys over 60 years of artist Carl Cheng’s work. Presented chronologically, each project’s images are organized into groupings and laid out like columns of text with one caption at the bottom of each image stack. Carl Cheng’s voice is present throughout the book in a custom cut of Courier starting from the cover.

Studio Lin also designed the exhibition that opened in Austin and has toured to the Institute of Contemporary Art, University of Pennsylvania, Philadelphia; Bonnefanten, Maastricht; Museum Tinguely, Basel; and the Institute of Contemporary Art, Los Angeles (2024–2027).

Published by @jrpeditions. 448 pages with corrugated flexography printed board sleeve.

Designed in collaboration with Curator Alex Klein @apkapkapk and Rachel Eboh @sweetbabyrach.

Edited by Alex Klein and Rachel Eboh with Jennifer Krasinski @prettiestmetals.

With contributions from Carl Cheng, Joel Ferree, Alex Klein, Gloria Sutton, Celien Govaerts, Andres Pardey, Amanda Sroka, and Rachel Eboh.

Printed by Wilco/Jos Morree @wilco_artbooks
Color separations by @colourandbooks

“Nature Never Loses” surveys over 60 years of artist Carl Cheng’s work. Presented chronologically, each project’s images are organized into groupings and laid out like columns of text with one caption at the bottom of each image stack. Carl Cheng’s voice is present throughout the book in a custom cut of Courier starting from the cover.

Studio Lin also designed the exhibition that opened in Austin and has toured to the Institute of Contemporary Art, University of Pennsylvania, Philadelphia; Bonnefanten, Maastricht; Museum Tinguely, Basel; and the Institute of Contemporary Art, Los Angeles (2024–2027).

Published by @jrpeditions. 448 pages with corrugated flexography printed board sleeve.

Designed in collaboration with Curator Alex Klein @apkapkapk and Rachel Eboh @sweetbabyrach.

Edited by Alex Klein and Rachel Eboh with Jennifer Krasinski @prettiestmetals.

With contributions from Carl Cheng, Joel Ferree, Alex Klein, Gloria Sutton, Celien Govaerts, Andres Pardey, Amanda Sroka, and Rachel Eboh.

Printed by Wilco/Jos Morree @wilco_artbooks
Color separations by @colourandbooks

“Nature Never Loses” surveys over 60 years of artist Carl Cheng’s work. Presented chronologically, each project’s images are organized into groupings and laid out like columns of text with one caption at the bottom of each image stack. Carl Cheng’s voice is present throughout the book in a custom cut of Courier starting from the cover.

Studio Lin also designed the exhibition that opened in Austin and has toured to the Institute of Contemporary Art, University of Pennsylvania, Philadelphia; Bonnefanten, Maastricht; Museum Tinguely, Basel; and the Institute of Contemporary Art, Los Angeles (2024–2027).

Published by @jrpeditions. 448 pages with corrugated flexography printed board sleeve.

Designed in collaboration with Curator Alex Klein @apkapkapk and Rachel Eboh @sweetbabyrach.

Edited by Alex Klein and Rachel Eboh with Jennifer Krasinski @prettiestmetals.

With contributions from Carl Cheng, Joel Ferree, Alex Klein, Gloria Sutton, Celien Govaerts, Andres Pardey, Amanda Sroka, and Rachel Eboh.

Printed by Wilco/Jos Morree @wilco_artbooks
Color separations by @colourandbooks

“Nature Never Loses” surveys over 60 years of artist Carl Cheng’s work. Presented chronologically, each project’s images are organized into groupings and laid out like columns of text with one caption at the bottom of each image stack. Carl Cheng’s voice is present throughout the book in a custom cut of Courier starting from the cover.

Studio Lin also designed the exhibition that opened in Austin and has toured to the Institute of Contemporary Art, University of Pennsylvania, Philadelphia; Bonnefanten, Maastricht; Museum Tinguely, Basel; and the Institute of Contemporary Art, Los Angeles (2024–2027).

Published by @jrpeditions. 448 pages with corrugated flexography printed board sleeve.

Designed in collaboration with Curator Alex Klein @apkapkapk and Rachel Eboh @sweetbabyrach.

Edited by Alex Klein and Rachel Eboh with Jennifer Krasinski @prettiestmetals.

With contributions from Carl Cheng, Joel Ferree, Alex Klein, Gloria Sutton, Celien Govaerts, Andres Pardey, Amanda Sroka, and Rachel Eboh.

Printed by Wilco/Jos Morree @wilco_artbooks
Color separations by @colourandbooks

“Nature Never Loses” surveys over 60 years of artist Carl Cheng’s work. Presented chronologically, each project’s images are organized into groupings and laid out like columns of text with one caption at the bottom of each image stack. Carl Cheng’s voice is present throughout the book in a custom cut of Courier starting from the cover.

Studio Lin also designed the exhibition that opened in Austin and has toured to the Institute of Contemporary Art, University of Pennsylvania, Philadelphia; Bonnefanten, Maastricht; Museum Tinguely, Basel; and the Institute of Contemporary Art, Los Angeles (2024–2027).

Published by @jrpeditions. 448 pages with corrugated flexography printed board sleeve.

Designed in collaboration with Curator Alex Klein @apkapkapk and Rachel Eboh @sweetbabyrach.

Edited by Alex Klein and Rachel Eboh with Jennifer Krasinski @prettiestmetals.

With contributions from Carl Cheng, Joel Ferree, Alex Klein, Gloria Sutton, Celien Govaerts, Andres Pardey, Amanda Sroka, and Rachel Eboh.

Printed by Wilco/Jos Morree @wilco_artbooks
Color separations by @colourandbooks

“Nature Never Loses” surveys over 60 years of artist Carl Cheng’s work. Presented chronologically, each project’s images are organized into groupings and laid out like columns of text with one caption at the bottom of each image stack. Carl Cheng’s voice is present throughout the book in a custom cut of Courier starting from the cover.

Studio Lin also designed the exhibition that opened in Austin and has toured to the Institute of Contemporary Art, University of Pennsylvania, Philadelphia; Bonnefanten, Maastricht; Museum Tinguely, Basel; and the Institute of Contemporary Art, Los Angeles (2024–2027).

Published by @jrpeditions. 448 pages with corrugated flexography printed board sleeve.

Designed in collaboration with Curator Alex Klein @apkapkapk and Rachel Eboh @sweetbabyrach.

Edited by Alex Klein and Rachel Eboh with Jennifer Krasinski @prettiestmetals.

With contributions from Carl Cheng, Joel Ferree, Alex Klein, Gloria Sutton, Celien Govaerts, Andres Pardey, Amanda Sroka, and Rachel Eboh.

Printed by Wilco/Jos Morree @wilco_artbooks
Color separations by @colourandbooks

“Nature Never Loses” surveys over 60 years of artist Carl Cheng’s work. Presented chronologically, each project’s images are organized into groupings and laid out like columns of text with one caption at the bottom of each image stack. Carl Cheng’s voice is present throughout the book in a custom cut of Courier starting from the cover.

Studio Lin also designed the exhibition that opened in Austin and has toured to the Institute of Contemporary Art, University of Pennsylvania, Philadelphia; Bonnefanten, Maastricht; Museum Tinguely, Basel; and the Institute of Contemporary Art, Los Angeles (2024–2027).

Published by @jrpeditions. 448 pages with corrugated flexography printed board sleeve.

Designed in collaboration with Curator Alex Klein @apkapkapk and Rachel Eboh @sweetbabyrach.

Edited by Alex Klein and Rachel Eboh with Jennifer Krasinski @prettiestmetals.

With contributions from Carl Cheng, Joel Ferree, Alex Klein, Gloria Sutton, Celien Govaerts, Andres Pardey, Amanda Sroka, and Rachel Eboh.

Printed by Wilco/Jos Morree @wilco_artbooks
Color separations by @colourandbooks

“Nature Never Loses” surveys over 60 years of artist Carl Cheng’s work. Presented chronologically, each project’s images are organized into groupings and laid out like columns of text with one caption at the bottom of each image stack. Carl Cheng’s voice is present throughout the book in a custom cut of Courier starting from the cover.

Studio Lin also designed the exhibition that opened in Austin and has toured to the Institute of Contemporary Art, University of Pennsylvania, Philadelphia; Bonnefanten, Maastricht; Museum Tinguely, Basel; and the Institute of Contemporary Art, Los Angeles (2024–2027).

Published by @jrpeditions. 448 pages with corrugated flexography printed board sleeve.

Designed in collaboration with Curator Alex Klein @apkapkapk and Rachel Eboh @sweetbabyrach.

Edited by Alex Klein and Rachel Eboh with Jennifer Krasinski @prettiestmetals.

With contributions from Carl Cheng, Joel Ferree, Alex Klein, Gloria Sutton, Celien Govaerts, Andres Pardey, Amanda Sroka, and Rachel Eboh.

Printed by Wilco/Jos Morree @wilco_artbooks
Color separations by @colourandbooks

“Nature Never Loses” surveys over 60 years of artist Carl Cheng’s work. Presented chronologically, each project’s images are organized into groupings and laid out like columns of text with one caption at the bottom of each image stack. Carl Cheng’s voice is present throughout the book in a custom cut of Courier starting from the cover.

Studio Lin also designed the exhibition that opened in Austin and has toured to the Institute of Contemporary Art, University of Pennsylvania, Philadelphia; Bonnefanten, Maastricht; Museum Tinguely, Basel; and the Institute of Contemporary Art, Los Angeles (2024–2027).

Published by @jrpeditions. 448 pages with corrugated flexography printed board sleeve.

Designed in collaboration with Curator Alex Klein @apkapkapk and Rachel Eboh @sweetbabyrach.

Edited by Alex Klein and Rachel Eboh with Jennifer Krasinski @prettiestmetals.

With contributions from Carl Cheng, Joel Ferree, Alex Klein, Gloria Sutton, Celien Govaerts, Andres Pardey, Amanda Sroka, and Rachel Eboh.

Printed by Wilco/Jos Morree @wilco_artbooks
Color separations by @colourandbooks

“Nature Never Loses” surveys over 60 years of artist Carl Cheng’s work. Presented chronologically, each project’s images are organized into groupings and laid out like columns of text with one caption at the bottom of each image stack. Carl Cheng’s voice is present throughout the book in a custom cut of Courier starting from the cover.

Studio Lin also designed the exhibition that opened in Austin and has toured to the Institute of Contemporary Art, University of Pennsylvania, Philadelphia; Bonnefanten, Maastricht; Museum Tinguely, Basel; and the Institute of Contemporary Art, Los Angeles (2024–2027).

Published by @jrpeditions. 448 pages with corrugated flexography printed board sleeve.

Designed in collaboration with Curator Alex Klein @apkapkapk and Rachel Eboh @sweetbabyrach.

Edited by Alex Klein and Rachel Eboh with Jennifer Krasinski @prettiestmetals.

With contributions from Carl Cheng, Joel Ferree, Alex Klein, Gloria Sutton, Celien Govaerts, Andres Pardey, Amanda Sroka, and Rachel Eboh.

Printed by Wilco/Jos Morree @wilco_artbooks
Color separations by @colourandbooks

“Nature Never Loses” surveys over 60 years of artist Carl Cheng’s work. Presented chronologically, each project’s images are organized into groupings and laid out like columns of text with one caption at the bottom of each image stack. Carl Cheng’s voice is present throughout the book in a custom cut of Courier starting from the cover.

Studio Lin also designed the exhibition that opened in Austin and has toured to the Institute of Contemporary Art, University of Pennsylvania, Philadelphia; Bonnefanten, Maastricht; Museum Tinguely, Basel; and the Institute of Contemporary Art, Los Angeles (2024–2027).

Published by @jrpeditions. 448 pages with corrugated flexography printed board sleeve.

Designed in collaboration with Curator Alex Klein @apkapkapk and Rachel Eboh @sweetbabyrach.

Edited by Alex Klein and Rachel Eboh with Jennifer Krasinski @prettiestmetals.

With contributions from Carl Cheng, Joel Ferree, Alex Klein, Gloria Sutton, Celien Govaerts, Andres Pardey, Amanda Sroka, and Rachel Eboh.

Printed by Wilco/Jos Morree @wilco_artbooks
Color separations by @colourandbooks

“Nature Never Loses” surveys over 60 years of artist Carl Cheng’s work. Presented chronologically, each project’s images are organized into groupings and laid out like columns of text with one caption at the bottom of each image stack. Carl Cheng’s voice is present throughout the book in a custom cut of Courier starting from the cover.

Studio Lin also designed the exhibition that opened in Austin and has toured to the Institute of Contemporary Art, University of Pennsylvania, Philadelphia; Bonnefanten, Maastricht; Museum Tinguely, Basel; and the Institute of Contemporary Art, Los Angeles (2024–2027).

Published by @jrpeditions. 448 pages with corrugated flexography printed board sleeve.

Designed in collaboration with Curator Alex Klein @apkapkapk and Rachel Eboh @sweetbabyrach.

Edited by Alex Klein and Rachel Eboh with Jennifer Krasinski @prettiestmetals.

With contributions from Carl Cheng, Joel Ferree, Alex Klein, Gloria Sutton, Celien Govaerts, Andres Pardey, Amanda Sroka, and Rachel Eboh.

Printed by Wilco/Jos Morree @wilco_artbooks
Color separations by @colourandbooks

“Nature Never Loses” surveys over 60 years of artist Carl Cheng’s work. Presented chronologically, each project’s images are organized into groupings and laid out like columns of text with one caption at the bottom of each image stack. Carl Cheng’s voice is present throughout the book in a custom cut of Courier starting from the cover.

Studio Lin also designed the exhibition that opened in Austin and has toured to the Institute of Contemporary Art, University of Pennsylvania, Philadelphia; Bonnefanten, Maastricht; Museum Tinguely, Basel; and the Institute of Contemporary Art, Los Angeles (2024–2027).

Published by @jrpeditions. 448 pages with corrugated flexography printed board sleeve.

Designed in collaboration with Curator Alex Klein @apkapkapk and Rachel Eboh @sweetbabyrach.

Edited by Alex Klein and Rachel Eboh with Jennifer Krasinski @prettiestmetals.

With contributions from Carl Cheng, Joel Ferree, Alex Klein, Gloria Sutton, Celien Govaerts, Andres Pardey, Amanda Sroka, and Rachel Eboh.

Printed by Wilco/Jos Morree @wilco_artbooks
Color separations by @colourandbooks

“Nature Never Loses” surveys over 60 years of artist Carl Cheng’s work. Presented chronologically, each project’s images are organized into groupings and laid out like columns of text with one caption at the bottom of each image stack. Carl Cheng’s voice is present throughout the book in a custom cut of Courier starting from the cover.

Studio Lin also designed the exhibition that opened in Austin and has toured to the Institute of Contemporary Art, University of Pennsylvania, Philadelphia; Bonnefanten, Maastricht; Museum Tinguely, Basel; and the Institute of Contemporary Art, Los Angeles (2024–2027).

Published by @jrpeditions. 448 pages with corrugated flexography printed board sleeve.

Designed in collaboration with Curator Alex Klein @apkapkapk and Rachel Eboh @sweetbabyrach.

Edited by Alex Klein and Rachel Eboh with Jennifer Krasinski @prettiestmetals.

With contributions from Carl Cheng, Joel Ferree, Alex Klein, Gloria Sutton, Celien Govaerts, Andres Pardey, Amanda Sroka, and Rachel Eboh.

Printed by Wilco/Jos Morree @wilco_artbooks
Color separations by @colourandbooks

“Nature Never Loses” surveys over 60 years of artist Carl Cheng’s work. Presented chronologically, each project’s images are organized into groupings and laid out like columns of text with one caption at the bottom of each image stack. Carl Cheng’s voice is present throughout the book in a custom cut of Courier starting from the cover.

Studio Lin also designed the exhibition that opened in Austin and has toured to the Institute of Contemporary Art, University of Pennsylvania, Philadelphia; Bonnefanten, Maastricht; Museum Tinguely, Basel; and the Institute of Contemporary Art, Los Angeles (2024–2027).

Published by @jrpeditions. 448 pages with corrugated flexography printed board sleeve.

Designed in collaboration with Curator Alex Klein @apkapkapk and Rachel Eboh @sweetbabyrach.

Edited by Alex Klein and Rachel Eboh with Jennifer Krasinski @prettiestmetals.

With contributions from Carl Cheng, Joel Ferree, Alex Klein, Gloria Sutton, Celien Govaerts, Andres Pardey, Amanda Sroka, and Rachel Eboh.

Printed by Wilco/Jos Morree @wilco_artbooks
Color separations by @colourandbooks

“Nature Never Loses” surveys over 60 years of artist Carl Cheng’s work. Presented chronologically, each project’s images are organized into groupings and laid out like columns of text with one caption at the bottom of each image stack. Carl Cheng’s voice is present throughout the book in a custom cut of Courier starting from the cover.

Studio Lin also designed the exhibition that opened in Austin and has toured to the Institute of Contemporary Art, University of Pennsylvania, Philadelphia; Bonnefanten, Maastricht; Museum Tinguely, Basel; and the Institute of Contemporary Art, Los Angeles (2024–2027).

Published by @jrpeditions. 448 pages with corrugated flexography printed board sleeve.

Designed in collaboration with Curator Alex Klein @apkapkapk and Rachel Eboh @sweetbabyrach.

Edited by Alex Klein and Rachel Eboh with Jennifer Krasinski @prettiestmetals.

With contributions from Carl Cheng, Joel Ferree, Alex Klein, Gloria Sutton, Celien Govaerts, Andres Pardey, Amanda Sroka, and Rachel Eboh.

Printed by Wilco/Jos Morree @wilco_artbooks
Color separations by @colourandbooks

Identity and exhibition design for AIANY Design Awards 2025 @centerforarch. Using the most basic elements to convey a spirit of “Integrity over excess.”

Identity and exhibition design for AIANY Design Awards 2025 @centerforarch. Using the most basic elements to convey a spirit of “Integrity over excess.”

Identity and exhibition design for AIANY Design Awards 2025 @centerforarch. Using the most basic elements to convey a spirit of “Integrity over excess.”

Identity and exhibition design for AIANY Design Awards 2025 @centerforarch. Using the most basic elements to convey a spirit of “Integrity over excess.”

Identity and exhibition design for AIANY Design Awards 2025 @centerforarch. Using the most basic elements to convey a spirit of “Integrity over excess.”

Identity and exhibition design for AIANY Design Awards 2025 @centerforarch. Using the most basic elements to convey a spirit of “Integrity over excess.”

Identity and exhibition design for AIANY Design Awards 2025 @centerforarch. Using the most basic elements to convey a spirit of “Integrity over excess.”

Identity and exhibition design for AIANY Design Awards 2025 @centerforarch. Using the most basic elements to convey a spirit of “Integrity over excess.”

Special edition of “Smaller Architecture,” by Michael Meredith @mmmosarchitects. Published as part of the Architecture Exchange @architectureexchange Memo series. The main text runs continuously on the right-hand pages, with footnotes on the left. Both texts fill the entire booklet, ending in the same place.

Special edition of “Smaller Architecture,” by Michael Meredith @mmmosarchitects. Published as part of the Architecture Exchange @architectureexchange Memo series. The main text runs continuously on the right-hand pages, with footnotes on the left. Both texts fill the entire booklet, ending in the same place.

Special edition of “Smaller Architecture,” by Michael Meredith @mmmosarchitects. Published as part of the Architecture Exchange @architectureexchange Memo series. The main text runs continuously on the right-hand pages, with footnotes on the left. Both texts fill the entire booklet, ending in the same place.

Special edition of “Smaller Architecture,” by Michael Meredith @mmmosarchitects. Published as part of the Architecture Exchange @architectureexchange Memo series. The main text runs continuously on the right-hand pages, with footnotes on the left. Both texts fill the entire booklet, ending in the same place.

Special edition of “Smaller Architecture,” by Michael Meredith @mmmosarchitects. Published as part of the Architecture Exchange @architectureexchange Memo series. The main text runs continuously on the right-hand pages, with footnotes on the left. Both texts fill the entire booklet, ending in the same place.

48 page newsprint booklet for “Archival Thinking,” a one-day symposium organized by Cai Foundation @caistudio and @asianculturalcouncil held at @momaps1. Curated by @pholdengraber.

The archives are referenced by 3 inch post it squares and a custom monospaced typeface.

Symposium photo by Jennifer Chen.

48 page newsprint booklet for “Archival Thinking,” a one-day symposium organized by Cai Foundation @caistudio and @asianculturalcouncil held at @momaps1. Curated by @pholdengraber.

The archives are referenced by 3 inch post it squares and a custom monospaced typeface.

Symposium photo by Jennifer Chen.

48 page newsprint booklet for “Archival Thinking,” a one-day symposium organized by Cai Foundation @caistudio and @asianculturalcouncil held at @momaps1. Curated by @pholdengraber.

The archives are referenced by 3 inch post it squares and a custom monospaced typeface.

Symposium photo by Jennifer Chen.

48 page newsprint booklet for “Archival Thinking,” a one-day symposium organized by Cai Foundation @caistudio and @asianculturalcouncil held at @momaps1. Curated by @pholdengraber.

The archives are referenced by 3 inch post it squares and a custom monospaced typeface.

Symposium photo by Jennifer Chen.

48 page newsprint booklet for “Archival Thinking,” a one-day symposium organized by Cai Foundation @caistudio and @asianculturalcouncil held at @momaps1. Curated by @pholdengraber.

The archives are referenced by 3 inch post it squares and a custom monospaced typeface.

Symposium photo by Jennifer Chen.

48 page newsprint booklet for “Archival Thinking,” a one-day symposium organized by Cai Foundation @caistudio and @asianculturalcouncil held at @momaps1. Curated by @pholdengraber.

The archives are referenced by 3 inch post it squares and a custom monospaced typeface.

Symposium photo by Jennifer Chen.

48 page newsprint booklet for “Archival Thinking,” a one-day symposium organized by Cai Foundation @caistudio and @asianculturalcouncil held at @momaps1. Curated by @pholdengraber.

The archives are referenced by 3 inch post it squares and a custom monospaced typeface.

Symposium photo by Jennifer Chen.

48 page newsprint booklet for “Archival Thinking,” a one-day symposium organized by Cai Foundation @caistudio and @asianculturalcouncil held at @momaps1. Curated by @pholdengraber.

The archives are referenced by 3 inch post it squares and a custom monospaced typeface.

Symposium photo by Jennifer Chen.

48 page newsprint booklet for “Archival Thinking,” a one-day symposium organized by Cai Foundation @caistudio and @asianculturalcouncil held at @momaps1. Curated by @pholdengraber.

The archives are referenced by 3 inch post it squares and a custom monospaced typeface.

Symposium photo by Jennifer Chen.

48 page newsprint booklet for “Archival Thinking,” a one-day symposium organized by Cai Foundation @caistudio and @asianculturalcouncil held at @momaps1. Curated by @pholdengraber.

The archives are referenced by 3 inch post it squares and a custom monospaced typeface.

Symposium photo by Jennifer Chen.

48 page newsprint booklet for “Archival Thinking,” a one-day symposium organized by Cai Foundation @caistudio and @asianculturalcouncil held at @momaps1. Curated by @pholdengraber.

The archives are referenced by 3 inch post it squares and a custom monospaced typeface.

Symposium photo by Jennifer Chen.

48 page newsprint booklet for “Archival Thinking,” a one-day symposium organized by Cai Foundation @caistudio and @asianculturalcouncil held at @momaps1. Curated by @pholdengraber.

The archives are referenced by 3 inch post it squares and a custom monospaced typeface.

Symposium photo by Jennifer Chen.

Public Spaces by @mmmosarchitects published by @park_books

“Public space is constantly changing, shifting, never quite fixed. It is formed by laws, by regulations, by private ownership, and by city management. Public spaces are influenced both by the people who oversee them and by those who use them. And because of this, public spaces are never neutral. In Public Spaces, NY, Michael Meredith and Hilary Sample document and analyze Manhattan’s parks, streets, community gardens, privately owned public spaces, recreation areas, waterfronts, and cemeteries. Their book seeks to understand their design, construction, and management, and provides detailed drawings of both the spaces themselves and speculative illustrations about how the public uses the spaces. By examining how public spaces facilitate or hinder inclusion, and by detailing the conflicts and negotiations they provoke, this book creates a discourse to reimagine the future of public life in the United States’ densest city.”

A sequel to Vacant Spaces, NY (published in 2021), Public Spaces, NY invites an imagination of a more inclusive, equitable vision for the shared urban spaces we all navigate.

Covers with hand applied stickers, interior printed 2/2 on 60gsm calendared paper, 632 pages.

Public Spaces by @mmmosarchitects published by @park_books

“Public space is constantly changing, shifting, never quite fixed. It is formed by laws, by regulations, by private ownership, and by city management. Public spaces are influenced both by the people who oversee them and by those who use them. And because of this, public spaces are never neutral. In Public Spaces, NY, Michael Meredith and Hilary Sample document and analyze Manhattan’s parks, streets, community gardens, privately owned public spaces, recreation areas, waterfronts, and cemeteries. Their book seeks to understand their design, construction, and management, and provides detailed drawings of both the spaces themselves and speculative illustrations about how the public uses the spaces. By examining how public spaces facilitate or hinder inclusion, and by detailing the conflicts and negotiations they provoke, this book creates a discourse to reimagine the future of public life in the United States’ densest city.”

A sequel to Vacant Spaces, NY (published in 2021), Public Spaces, NY invites an imagination of a more inclusive, equitable vision for the shared urban spaces we all navigate.

Covers with hand applied stickers, interior printed 2/2 on 60gsm calendared paper, 632 pages.

Public Spaces by @mmmosarchitects published by @park_books

“Public space is constantly changing, shifting, never quite fixed. It is formed by laws, by regulations, by private ownership, and by city management. Public spaces are influenced both by the people who oversee them and by those who use them. And because of this, public spaces are never neutral. In Public Spaces, NY, Michael Meredith and Hilary Sample document and analyze Manhattan’s parks, streets, community gardens, privately owned public spaces, recreation areas, waterfronts, and cemeteries. Their book seeks to understand their design, construction, and management, and provides detailed drawings of both the spaces themselves and speculative illustrations about how the public uses the spaces. By examining how public spaces facilitate or hinder inclusion, and by detailing the conflicts and negotiations they provoke, this book creates a discourse to reimagine the future of public life in the United States’ densest city.”

A sequel to Vacant Spaces, NY (published in 2021), Public Spaces, NY invites an imagination of a more inclusive, equitable vision for the shared urban spaces we all navigate.

Covers with hand applied stickers, interior printed 2/2 on 60gsm calendared paper, 632 pages.

Public Spaces by @mmmosarchitects published by @park_books

“Public space is constantly changing, shifting, never quite fixed. It is formed by laws, by regulations, by private ownership, and by city management. Public spaces are influenced both by the people who oversee them and by those who use them. And because of this, public spaces are never neutral. In Public Spaces, NY, Michael Meredith and Hilary Sample document and analyze Manhattan’s parks, streets, community gardens, privately owned public spaces, recreation areas, waterfronts, and cemeteries. Their book seeks to understand their design, construction, and management, and provides detailed drawings of both the spaces themselves and speculative illustrations about how the public uses the spaces. By examining how public spaces facilitate or hinder inclusion, and by detailing the conflicts and negotiations they provoke, this book creates a discourse to reimagine the future of public life in the United States’ densest city.”

A sequel to Vacant Spaces, NY (published in 2021), Public Spaces, NY invites an imagination of a more inclusive, equitable vision for the shared urban spaces we all navigate.

Covers with hand applied stickers, interior printed 2/2 on 60gsm calendared paper, 632 pages.

Public Spaces by @mmmosarchitects published by @park_books

“Public space is constantly changing, shifting, never quite fixed. It is formed by laws, by regulations, by private ownership, and by city management. Public spaces are influenced both by the people who oversee them and by those who use them. And because of this, public spaces are never neutral. In Public Spaces, NY, Michael Meredith and Hilary Sample document and analyze Manhattan’s parks, streets, community gardens, privately owned public spaces, recreation areas, waterfronts, and cemeteries. Their book seeks to understand their design, construction, and management, and provides detailed drawings of both the spaces themselves and speculative illustrations about how the public uses the spaces. By examining how public spaces facilitate or hinder inclusion, and by detailing the conflicts and negotiations they provoke, this book creates a discourse to reimagine the future of public life in the United States’ densest city.”

A sequel to Vacant Spaces, NY (published in 2021), Public Spaces, NY invites an imagination of a more inclusive, equitable vision for the shared urban spaces we all navigate.

Covers with hand applied stickers, interior printed 2/2 on 60gsm calendared paper, 632 pages.

Public Spaces by @mmmosarchitects published by @park_books

“Public space is constantly changing, shifting, never quite fixed. It is formed by laws, by regulations, by private ownership, and by city management. Public spaces are influenced both by the people who oversee them and by those who use them. And because of this, public spaces are never neutral. In Public Spaces, NY, Michael Meredith and Hilary Sample document and analyze Manhattan’s parks, streets, community gardens, privately owned public spaces, recreation areas, waterfronts, and cemeteries. Their book seeks to understand their design, construction, and management, and provides detailed drawings of both the spaces themselves and speculative illustrations about how the public uses the spaces. By examining how public spaces facilitate or hinder inclusion, and by detailing the conflicts and negotiations they provoke, this book creates a discourse to reimagine the future of public life in the United States’ densest city.”

A sequel to Vacant Spaces, NY (published in 2021), Public Spaces, NY invites an imagination of a more inclusive, equitable vision for the shared urban spaces we all navigate.

Covers with hand applied stickers, interior printed 2/2 on 60gsm calendared paper, 632 pages.

Public Spaces by @mmmosarchitects published by @park_books

“Public space is constantly changing, shifting, never quite fixed. It is formed by laws, by regulations, by private ownership, and by city management. Public spaces are influenced both by the people who oversee them and by those who use them. And because of this, public spaces are never neutral. In Public Spaces, NY, Michael Meredith and Hilary Sample document and analyze Manhattan’s parks, streets, community gardens, privately owned public spaces, recreation areas, waterfronts, and cemeteries. Their book seeks to understand their design, construction, and management, and provides detailed drawings of both the spaces themselves and speculative illustrations about how the public uses the spaces. By examining how public spaces facilitate or hinder inclusion, and by detailing the conflicts and negotiations they provoke, this book creates a discourse to reimagine the future of public life in the United States’ densest city.”

A sequel to Vacant Spaces, NY (published in 2021), Public Spaces, NY invites an imagination of a more inclusive, equitable vision for the shared urban spaces we all navigate.

Covers with hand applied stickers, interior printed 2/2 on 60gsm calendared paper, 632 pages.

Public Spaces by @mmmosarchitects published by @park_books

“Public space is constantly changing, shifting, never quite fixed. It is formed by laws, by regulations, by private ownership, and by city management. Public spaces are influenced both by the people who oversee them and by those who use them. And because of this, public spaces are never neutral. In Public Spaces, NY, Michael Meredith and Hilary Sample document and analyze Manhattan’s parks, streets, community gardens, privately owned public spaces, recreation areas, waterfronts, and cemeteries. Their book seeks to understand their design, construction, and management, and provides detailed drawings of both the spaces themselves and speculative illustrations about how the public uses the spaces. By examining how public spaces facilitate or hinder inclusion, and by detailing the conflicts and negotiations they provoke, this book creates a discourse to reimagine the future of public life in the United States’ densest city.”

A sequel to Vacant Spaces, NY (published in 2021), Public Spaces, NY invites an imagination of a more inclusive, equitable vision for the shared urban spaces we all navigate.

Covers with hand applied stickers, interior printed 2/2 on 60gsm calendared paper, 632 pages.

Public Spaces by @mmmosarchitects published by @park_books

“Public space is constantly changing, shifting, never quite fixed. It is formed by laws, by regulations, by private ownership, and by city management. Public spaces are influenced both by the people who oversee them and by those who use them. And because of this, public spaces are never neutral. In Public Spaces, NY, Michael Meredith and Hilary Sample document and analyze Manhattan’s parks, streets, community gardens, privately owned public spaces, recreation areas, waterfronts, and cemeteries. Their book seeks to understand their design, construction, and management, and provides detailed drawings of both the spaces themselves and speculative illustrations about how the public uses the spaces. By examining how public spaces facilitate or hinder inclusion, and by detailing the conflicts and negotiations they provoke, this book creates a discourse to reimagine the future of public life in the United States’ densest city.”

A sequel to Vacant Spaces, NY (published in 2021), Public Spaces, NY invites an imagination of a more inclusive, equitable vision for the shared urban spaces we all navigate.

Covers with hand applied stickers, interior printed 2/2 on 60gsm calendared paper, 632 pages.

Public Spaces by @mmmosarchitects published by @park_books

“Public space is constantly changing, shifting, never quite fixed. It is formed by laws, by regulations, by private ownership, and by city management. Public spaces are influenced both by the people who oversee them and by those who use them. And because of this, public spaces are never neutral. In Public Spaces, NY, Michael Meredith and Hilary Sample document and analyze Manhattan’s parks, streets, community gardens, privately owned public spaces, recreation areas, waterfronts, and cemeteries. Their book seeks to understand their design, construction, and management, and provides detailed drawings of both the spaces themselves and speculative illustrations about how the public uses the spaces. By examining how public spaces facilitate or hinder inclusion, and by detailing the conflicts and negotiations they provoke, this book creates a discourse to reimagine the future of public life in the United States’ densest city.”

A sequel to Vacant Spaces, NY (published in 2021), Public Spaces, NY invites an imagination of a more inclusive, equitable vision for the shared urban spaces we all navigate.

Covers with hand applied stickers, interior printed 2/2 on 60gsm calendared paper, 632 pages.

Public Spaces by @mmmosarchitects published by @park_books

“Public space is constantly changing, shifting, never quite fixed. It is formed by laws, by regulations, by private ownership, and by city management. Public spaces are influenced both by the people who oversee them and by those who use them. And because of this, public spaces are never neutral. In Public Spaces, NY, Michael Meredith and Hilary Sample document and analyze Manhattan’s parks, streets, community gardens, privately owned public spaces, recreation areas, waterfronts, and cemeteries. Their book seeks to understand their design, construction, and management, and provides detailed drawings of both the spaces themselves and speculative illustrations about how the public uses the spaces. By examining how public spaces facilitate or hinder inclusion, and by detailing the conflicts and negotiations they provoke, this book creates a discourse to reimagine the future of public life in the United States’ densest city.”

A sequel to Vacant Spaces, NY (published in 2021), Public Spaces, NY invites an imagination of a more inclusive, equitable vision for the shared urban spaces we all navigate.

Covers with hand applied stickers, interior printed 2/2 on 60gsm calendared paper, 632 pages.

Public Spaces by @mmmosarchitects published by @park_books

“Public space is constantly changing, shifting, never quite fixed. It is formed by laws, by regulations, by private ownership, and by city management. Public spaces are influenced both by the people who oversee them and by those who use them. And because of this, public spaces are never neutral. In Public Spaces, NY, Michael Meredith and Hilary Sample document and analyze Manhattan’s parks, streets, community gardens, privately owned public spaces, recreation areas, waterfronts, and cemeteries. Their book seeks to understand their design, construction, and management, and provides detailed drawings of both the spaces themselves and speculative illustrations about how the public uses the spaces. By examining how public spaces facilitate or hinder inclusion, and by detailing the conflicts and negotiations they provoke, this book creates a discourse to reimagine the future of public life in the United States’ densest city.”

A sequel to Vacant Spaces, NY (published in 2021), Public Spaces, NY invites an imagination of a more inclusive, equitable vision for the shared urban spaces we all navigate.

Covers with hand applied stickers, interior printed 2/2 on 60gsm calendared paper, 632 pages.

Public Spaces by @mmmosarchitects published by @park_books

“Public space is constantly changing, shifting, never quite fixed. It is formed by laws, by regulations, by private ownership, and by city management. Public spaces are influenced both by the people who oversee them and by those who use them. And because of this, public spaces are never neutral. In Public Spaces, NY, Michael Meredith and Hilary Sample document and analyze Manhattan’s parks, streets, community gardens, privately owned public spaces, recreation areas, waterfronts, and cemeteries. Their book seeks to understand their design, construction, and management, and provides detailed drawings of both the spaces themselves and speculative illustrations about how the public uses the spaces. By examining how public spaces facilitate or hinder inclusion, and by detailing the conflicts and negotiations they provoke, this book creates a discourse to reimagine the future of public life in the United States’ densest city.”

A sequel to Vacant Spaces, NY (published in 2021), Public Spaces, NY invites an imagination of a more inclusive, equitable vision for the shared urban spaces we all navigate.

Covers with hand applied stickers, interior printed 2/2 on 60gsm calendared paper, 632 pages.

Public Spaces by @mmmosarchitects published by @park_books

“Public space is constantly changing, shifting, never quite fixed. It is formed by laws, by regulations, by private ownership, and by city management. Public spaces are influenced both by the people who oversee them and by those who use them. And because of this, public spaces are never neutral. In Public Spaces, NY, Michael Meredith and Hilary Sample document and analyze Manhattan’s parks, streets, community gardens, privately owned public spaces, recreation areas, waterfronts, and cemeteries. Their book seeks to understand their design, construction, and management, and provides detailed drawings of both the spaces themselves and speculative illustrations about how the public uses the spaces. By examining how public spaces facilitate or hinder inclusion, and by detailing the conflicts and negotiations they provoke, this book creates a discourse to reimagine the future of public life in the United States’ densest city.”

A sequel to Vacant Spaces, NY (published in 2021), Public Spaces, NY invites an imagination of a more inclusive, equitable vision for the shared urban spaces we all navigate.

Covers with hand applied stickers, interior printed 2/2 on 60gsm calendared paper, 632 pages.

Public Spaces by @mmmosarchitects published by @park_books

“Public space is constantly changing, shifting, never quite fixed. It is formed by laws, by regulations, by private ownership, and by city management. Public spaces are influenced both by the people who oversee them and by those who use them. And because of this, public spaces are never neutral. In Public Spaces, NY, Michael Meredith and Hilary Sample document and analyze Manhattan’s parks, streets, community gardens, privately owned public spaces, recreation areas, waterfronts, and cemeteries. Their book seeks to understand their design, construction, and management, and provides detailed drawings of both the spaces themselves and speculative illustrations about how the public uses the spaces. By examining how public spaces facilitate or hinder inclusion, and by detailing the conflicts and negotiations they provoke, this book creates a discourse to reimagine the future of public life in the United States’ densest city.”

A sequel to Vacant Spaces, NY (published in 2021), Public Spaces, NY invites an imagination of a more inclusive, equitable vision for the shared urban spaces we all navigate.

Covers with hand applied stickers, interior printed 2/2 on 60gsm calendared paper, 632 pages.

Public Spaces by @mmmosarchitects published by @park_books

“Public space is constantly changing, shifting, never quite fixed. It is formed by laws, by regulations, by private ownership, and by city management. Public spaces are influenced both by the people who oversee them and by those who use them. And because of this, public spaces are never neutral. In Public Spaces, NY, Michael Meredith and Hilary Sample document and analyze Manhattan’s parks, streets, community gardens, privately owned public spaces, recreation areas, waterfronts, and cemeteries. Their book seeks to understand their design, construction, and management, and provides detailed drawings of both the spaces themselves and speculative illustrations about how the public uses the spaces. By examining how public spaces facilitate or hinder inclusion, and by detailing the conflicts and negotiations they provoke, this book creates a discourse to reimagine the future of public life in the United States’ densest city.”

A sequel to Vacant Spaces, NY (published in 2021), Public Spaces, NY invites an imagination of a more inclusive, equitable vision for the shared urban spaces we all navigate.

Covers with hand applied stickers, interior printed 2/2 on 60gsm calendared paper, 632 pages.

Public Spaces by @mmmosarchitects published by @park_books

“Public space is constantly changing, shifting, never quite fixed. It is formed by laws, by regulations, by private ownership, and by city management. Public spaces are influenced both by the people who oversee them and by those who use them. And because of this, public spaces are never neutral. In Public Spaces, NY, Michael Meredith and Hilary Sample document and analyze Manhattan’s parks, streets, community gardens, privately owned public spaces, recreation areas, waterfronts, and cemeteries. Their book seeks to understand their design, construction, and management, and provides detailed drawings of both the spaces themselves and speculative illustrations about how the public uses the spaces. By examining how public spaces facilitate or hinder inclusion, and by detailing the conflicts and negotiations they provoke, this book creates a discourse to reimagine the future of public life in the United States’ densest city.”

A sequel to Vacant Spaces, NY (published in 2021), Public Spaces, NY invites an imagination of a more inclusive, equitable vision for the shared urban spaces we all navigate.

Covers with hand applied stickers, interior printed 2/2 on 60gsm calendared paper, 632 pages.

“Carl Cheng, Nature Never Loses” exhibition and booklet design. The first major show of Chinese-American artist; Carl Cheng, curated by Alex Klein. First exhibited at @contemporaryatx, then @icaphiladelphia, and currently at @bonnefanten, later traveling to Tinguely and then Los Angeles. We wanted to tie the design of the booklet and exhibition as closely as possible. A physical and graphic numbering system, with wall texts and image collages printed on adhesive phototex. The booklet provides detailed information about the show that is better suited to archiving then extended wall labels. Booklets printed entirely on newsprint giving a per unit cost of about 60 cents per 20 page full color booklet.

“Carl Cheng, Nature Never Loses” exhibition and booklet design. The first major show of Chinese-American artist; Carl Cheng, curated by Alex Klein. First exhibited at @contemporaryatx, then @icaphiladelphia, and currently at @bonnefanten, later traveling to Tinguely and then Los Angeles. We wanted to tie the design of the booklet and exhibition as closely as possible. A physical and graphic numbering system, with wall texts and image collages printed on adhesive phototex. The booklet provides detailed information about the show that is better suited to archiving then extended wall labels. Booklets printed entirely on newsprint giving a per unit cost of about 60 cents per 20 page full color booklet.

“Carl Cheng, Nature Never Loses” exhibition and booklet design. The first major show of Chinese-American artist; Carl Cheng, curated by Alex Klein. First exhibited at @contemporaryatx, then @icaphiladelphia, and currently at @bonnefanten, later traveling to Tinguely and then Los Angeles. We wanted to tie the design of the booklet and exhibition as closely as possible. A physical and graphic numbering system, with wall texts and image collages printed on adhesive phototex. The booklet provides detailed information about the show that is better suited to archiving then extended wall labels. Booklets printed entirely on newsprint giving a per unit cost of about 60 cents per 20 page full color booklet.

“Carl Cheng, Nature Never Loses” exhibition and booklet design. The first major show of Chinese-American artist; Carl Cheng, curated by Alex Klein. First exhibited at @contemporaryatx, then @icaphiladelphia, and currently at @bonnefanten, later traveling to Tinguely and then Los Angeles. We wanted to tie the design of the booklet and exhibition as closely as possible. A physical and graphic numbering system, with wall texts and image collages printed on adhesive phototex. The booklet provides detailed information about the show that is better suited to archiving then extended wall labels. Booklets printed entirely on newsprint giving a per unit cost of about 60 cents per 20 page full color booklet.

“Carl Cheng, Nature Never Loses” exhibition and booklet design. The first major show of Chinese-American artist; Carl Cheng, curated by Alex Klein. First exhibited at @contemporaryatx, then @icaphiladelphia, and currently at @bonnefanten, later traveling to Tinguely and then Los Angeles. We wanted to tie the design of the booklet and exhibition as closely as possible. A physical and graphic numbering system, with wall texts and image collages printed on adhesive phototex. The booklet provides detailed information about the show that is better suited to archiving then extended wall labels. Booklets printed entirely on newsprint giving a per unit cost of about 60 cents per 20 page full color booklet.

“Carl Cheng, Nature Never Loses” exhibition and booklet design. The first major show of Chinese-American artist; Carl Cheng, curated by Alex Klein. First exhibited at @contemporaryatx, then @icaphiladelphia, and currently at @bonnefanten, later traveling to Tinguely and then Los Angeles. We wanted to tie the design of the booklet and exhibition as closely as possible. A physical and graphic numbering system, with wall texts and image collages printed on adhesive phototex. The booklet provides detailed information about the show that is better suited to archiving then extended wall labels. Booklets printed entirely on newsprint giving a per unit cost of about 60 cents per 20 page full color booklet.

“Carl Cheng, Nature Never Loses” exhibition and booklet design. The first major show of Chinese-American artist; Carl Cheng, curated by Alex Klein. First exhibited at @contemporaryatx, then @icaphiladelphia, and currently at @bonnefanten, later traveling to Tinguely and then Los Angeles. We wanted to tie the design of the booklet and exhibition as closely as possible. A physical and graphic numbering system, with wall texts and image collages printed on adhesive phototex. The booklet provides detailed information about the show that is better suited to archiving then extended wall labels. Booklets printed entirely on newsprint giving a per unit cost of about 60 cents per 20 page full color booklet.

“Carl Cheng, Nature Never Loses” exhibition and booklet design. The first major show of Chinese-American artist; Carl Cheng, curated by Alex Klein. First exhibited at @contemporaryatx, then @icaphiladelphia, and currently at @bonnefanten, later traveling to Tinguely and then Los Angeles. We wanted to tie the design of the booklet and exhibition as closely as possible. A physical and graphic numbering system, with wall texts and image collages printed on adhesive phototex. The booklet provides detailed information about the show that is better suited to archiving then extended wall labels. Booklets printed entirely on newsprint giving a per unit cost of about 60 cents per 20 page full color booklet.

“Carl Cheng, Nature Never Loses” exhibition and booklet design. The first major show of Chinese-American artist; Carl Cheng, curated by Alex Klein. First exhibited at @contemporaryatx, then @icaphiladelphia, and currently at @bonnefanten, later traveling to Tinguely and then Los Angeles. We wanted to tie the design of the booklet and exhibition as closely as possible. A physical and graphic numbering system, with wall texts and image collages printed on adhesive phototex. The booklet provides detailed information about the show that is better suited to archiving then extended wall labels. Booklets printed entirely on newsprint giving a per unit cost of about 60 cents per 20 page full color booklet.

“Carl Cheng, Nature Never Loses” exhibition and booklet design. The first major show of Chinese-American artist; Carl Cheng, curated by Alex Klein. First exhibited at @contemporaryatx, then @icaphiladelphia, and currently at @bonnefanten, later traveling to Tinguely and then Los Angeles. We wanted to tie the design of the booklet and exhibition as closely as possible. A physical and graphic numbering system, with wall texts and image collages printed on adhesive phototex. The booklet provides detailed information about the show that is better suited to archiving then extended wall labels. Booklets printed entirely on newsprint giving a per unit cost of about 60 cents per 20 page full color booklet.

“Carl Cheng, Nature Never Loses” exhibition and booklet design. The first major show of Chinese-American artist; Carl Cheng, curated by Alex Klein. First exhibited at @contemporaryatx, then @icaphiladelphia, and currently at @bonnefanten, later traveling to Tinguely and then Los Angeles. We wanted to tie the design of the booklet and exhibition as closely as possible. A physical and graphic numbering system, with wall texts and image collages printed on adhesive phototex. The booklet provides detailed information about the show that is better suited to archiving then extended wall labels. Booklets printed entirely on newsprint giving a per unit cost of about 60 cents per 20 page full color booklet.

“Carl Cheng, Nature Never Loses” exhibition and booklet design. The first major show of Chinese-American artist; Carl Cheng, curated by Alex Klein. First exhibited at @contemporaryatx, then @icaphiladelphia, and currently at @bonnefanten, later traveling to Tinguely and then Los Angeles. We wanted to tie the design of the booklet and exhibition as closely as possible. A physical and graphic numbering system, with wall texts and image collages printed on adhesive phototex. The booklet provides detailed information about the show that is better suited to archiving then extended wall labels. Booklets printed entirely on newsprint giving a per unit cost of about 60 cents per 20 page full color booklet.

“Carl Cheng, Nature Never Loses” exhibition and booklet design. The first major show of Chinese-American artist; Carl Cheng, curated by Alex Klein. First exhibited at @contemporaryatx, then @icaphiladelphia, and currently at @bonnefanten, later traveling to Tinguely and then Los Angeles. We wanted to tie the design of the booklet and exhibition as closely as possible. A physical and graphic numbering system, with wall texts and image collages printed on adhesive phototex. The booklet provides detailed information about the show that is better suited to archiving then extended wall labels. Booklets printed entirely on newsprint giving a per unit cost of about 60 cents per 20 page full color booklet.

“Carl Cheng, Nature Never Loses” exhibition and booklet design. The first major show of Chinese-American artist; Carl Cheng, curated by Alex Klein. First exhibited at @contemporaryatx, then @icaphiladelphia, and currently at @bonnefanten, later traveling to Tinguely and then Los Angeles. We wanted to tie the design of the booklet and exhibition as closely as possible. A physical and graphic numbering system, with wall texts and image collages printed on adhesive phototex. The booklet provides detailed information about the show that is better suited to archiving then extended wall labels. Booklets printed entirely on newsprint giving a per unit cost of about 60 cents per 20 page full color booklet.

“Carl Cheng, Nature Never Loses” exhibition and booklet design. The first major show of Chinese-American artist; Carl Cheng, curated by Alex Klein. First exhibited at @contemporaryatx, then @icaphiladelphia, and currently at @bonnefanten, later traveling to Tinguely and then Los Angeles. We wanted to tie the design of the booklet and exhibition as closely as possible. A physical and graphic numbering system, with wall texts and image collages printed on adhesive phototex. The booklet provides detailed information about the show that is better suited to archiving then extended wall labels. Booklets printed entirely on newsprint giving a per unit cost of about 60 cents per 20 page full color booklet.

“Carl Cheng, Nature Never Loses” exhibition and booklet design. The first major show of Chinese-American artist; Carl Cheng, curated by Alex Klein. First exhibited at @contemporaryatx, then @icaphiladelphia, and currently at @bonnefanten, later traveling to Tinguely and then Los Angeles. We wanted to tie the design of the booklet and exhibition as closely as possible. A physical and graphic numbering system, with wall texts and image collages printed on adhesive phototex. The booklet provides detailed information about the show that is better suited to archiving then extended wall labels. Booklets printed entirely on newsprint giving a per unit cost of about 60 cents per 20 page full color booklet.

“Carl Cheng, Nature Never Loses” exhibition and booklet design. The first major show of Chinese-American artist; Carl Cheng, curated by Alex Klein. First exhibited at @contemporaryatx, then @icaphiladelphia, and currently at @bonnefanten, later traveling to Tinguely and then Los Angeles. We wanted to tie the design of the booklet and exhibition as closely as possible. A physical and graphic numbering system, with wall texts and image collages printed on adhesive phototex. The booklet provides detailed information about the show that is better suited to archiving then extended wall labels. Booklets printed entirely on newsprint giving a per unit cost of about 60 cents per 20 page full color booklet.

“Carl Cheng, Nature Never Loses” exhibition and booklet design. The first major show of Chinese-American artist; Carl Cheng, curated by Alex Klein. First exhibited at @contemporaryatx, then @icaphiladelphia, and currently at @bonnefanten, later traveling to Tinguely and then Los Angeles. We wanted to tie the design of the booklet and exhibition as closely as possible. A physical and graphic numbering system, with wall texts and image collages printed on adhesive phototex. The booklet provides detailed information about the show that is better suited to archiving then extended wall labels. Booklets printed entirely on newsprint giving a per unit cost of about 60 cents per 20 page full color booklet.

“Carl Cheng, Nature Never Loses” exhibition and booklet design. The first major show of Chinese-American artist; Carl Cheng, curated by Alex Klein. First exhibited at @contemporaryatx, then @icaphiladelphia, and currently at @bonnefanten, later traveling to Tinguely and then Los Angeles. We wanted to tie the design of the booklet and exhibition as closely as possible. A physical and graphic numbering system, with wall texts and image collages printed on adhesive phototex. The booklet provides detailed information about the show that is better suited to archiving then extended wall labels. Booklets printed entirely on newsprint giving a per unit cost of about 60 cents per 20 page full color booklet.

“Carl Cheng, Nature Never Loses” exhibition and booklet design. The first major show of Chinese-American artist; Carl Cheng, curated by Alex Klein. First exhibited at @contemporaryatx, then @icaphiladelphia, and currently at @bonnefanten, later traveling to Tinguely and then Los Angeles. We wanted to tie the design of the booklet and exhibition as closely as possible. A physical and graphic numbering system, with wall texts and image collages printed on adhesive phototex. The booklet provides detailed information about the show that is better suited to archiving then extended wall labels. Booklets printed entirely on newsprint giving a per unit cost of about 60 cents per 20 page full color booklet.

“Bárbara Sánchez-Kane & Sofía Alazraki: Fortuna y Fetiche” Published by Dashwood Books. Case bound with no endpapers, image layouts extend out from the left side, three panel fold out. Essay in English and Spanish illustrated by a thumbnail index of photos from the book.

“At first glance, these photos give the impression of an exquisite corpse, sculptures made with parts that are added without a rational order (...) Sometimes they look like little Frankensteins made of borrowed parts to animate a strange animal; at other times they have the comic qualities of collage, of the sudden laughter provoked by the juxtaposition of two things that contradict each other.”
—Guillermo Osorno⁠

“Bárbara Sánchez-Kane & Sofía Alazraki: Fortuna y Fetiche” Published by Dashwood Books. Case bound with no endpapers, image layouts extend out from the left side, three panel fold out. Essay in English and Spanish illustrated by a thumbnail index of photos from the book.

“At first glance, these photos give the impression of an exquisite corpse, sculptures made with parts that are added without a rational order (...) Sometimes they look like little Frankensteins made of borrowed parts to animate a strange animal; at other times they have the comic qualities of collage, of the sudden laughter provoked by the juxtaposition of two things that contradict each other.”
—Guillermo Osorno⁠

“Bárbara Sánchez-Kane & Sofía Alazraki: Fortuna y Fetiche” Published by Dashwood Books. Case bound with no endpapers, image layouts extend out from the left side, three panel fold out. Essay in English and Spanish illustrated by a thumbnail index of photos from the book.

“At first glance, these photos give the impression of an exquisite corpse, sculptures made with parts that are added without a rational order (...) Sometimes they look like little Frankensteins made of borrowed parts to animate a strange animal; at other times they have the comic qualities of collage, of the sudden laughter provoked by the juxtaposition of two things that contradict each other.”
—Guillermo Osorno⁠

“Bárbara Sánchez-Kane & Sofía Alazraki: Fortuna y Fetiche” Published by Dashwood Books. Case bound with no endpapers, image layouts extend out from the left side, three panel fold out. Essay in English and Spanish illustrated by a thumbnail index of photos from the book.

“At first glance, these photos give the impression of an exquisite corpse, sculptures made with parts that are added without a rational order (...) Sometimes they look like little Frankensteins made of borrowed parts to animate a strange animal; at other times they have the comic qualities of collage, of the sudden laughter provoked by the juxtaposition of two things that contradict each other.”
—Guillermo Osorno⁠

“Bárbara Sánchez-Kane & Sofía Alazraki: Fortuna y Fetiche” Published by Dashwood Books. Case bound with no endpapers, image layouts extend out from the left side, three panel fold out. Essay in English and Spanish illustrated by a thumbnail index of photos from the book.

“At first glance, these photos give the impression of an exquisite corpse, sculptures made with parts that are added without a rational order (...) Sometimes they look like little Frankensteins made of borrowed parts to animate a strange animal; at other times they have the comic qualities of collage, of the sudden laughter provoked by the juxtaposition of two things that contradict each other.”
—Guillermo Osorno⁠

“Bárbara Sánchez-Kane & Sofía Alazraki: Fortuna y Fetiche” Published by Dashwood Books. Case bound with no endpapers, image layouts extend out from the left side, three panel fold out. Essay in English and Spanish illustrated by a thumbnail index of photos from the book.

“At first glance, these photos give the impression of an exquisite corpse, sculptures made with parts that are added without a rational order (...) Sometimes they look like little Frankensteins made of borrowed parts to animate a strange animal; at other times they have the comic qualities of collage, of the sudden laughter provoked by the juxtaposition of two things that contradict each other.”
—Guillermo Osorno⁠

“Bárbara Sánchez-Kane & Sofía Alazraki: Fortuna y Fetiche” Published by Dashwood Books. Case bound with no endpapers, image layouts extend out from the left side, three panel fold out. Essay in English and Spanish illustrated by a thumbnail index of photos from the book.

“At first glance, these photos give the impression of an exquisite corpse, sculptures made with parts that are added without a rational order (...) Sometimes they look like little Frankensteins made of borrowed parts to animate a strange animal; at other times they have the comic qualities of collage, of the sudden laughter provoked by the juxtaposition of two things that contradict each other.”
—Guillermo Osorno⁠

“Bárbara Sánchez-Kane & Sofía Alazraki: Fortuna y Fetiche” Published by Dashwood Books. Case bound with no endpapers, image layouts extend out from the left side, three panel fold out. Essay in English and Spanish illustrated by a thumbnail index of photos from the book.

“At first glance, these photos give the impression of an exquisite corpse, sculptures made with parts that are added without a rational order (...) Sometimes they look like little Frankensteins made of borrowed parts to animate a strange animal; at other times they have the comic qualities of collage, of the sudden laughter provoked by the juxtaposition of two things that contradict each other.”
—Guillermo Osorno⁠

“Bárbara Sánchez-Kane & Sofía Alazraki: Fortuna y Fetiche” Published by Dashwood Books. Case bound with no endpapers, image layouts extend out from the left side, three panel fold out. Essay in English and Spanish illustrated by a thumbnail index of photos from the book.

“At first glance, these photos give the impression of an exquisite corpse, sculptures made with parts that are added without a rational order (...) Sometimes they look like little Frankensteins made of borrowed parts to animate a strange animal; at other times they have the comic qualities of collage, of the sudden laughter provoked by the juxtaposition of two things that contradict each other.”
—Guillermo Osorno⁠

“Bárbara Sánchez-Kane & Sofía Alazraki: Fortuna y Fetiche” Published by Dashwood Books. Case bound with no endpapers, image layouts extend out from the left side, three panel fold out. Essay in English and Spanish illustrated by a thumbnail index of photos from the book.

“At first glance, these photos give the impression of an exquisite corpse, sculptures made with parts that are added without a rational order (...) Sometimes they look like little Frankensteins made of borrowed parts to animate a strange animal; at other times they have the comic qualities of collage, of the sudden laughter provoked by the juxtaposition of two things that contradict each other.”
—Guillermo Osorno⁠

“Bárbara Sánchez-Kane & Sofía Alazraki: Fortuna y Fetiche” Published by Dashwood Books. Case bound with no endpapers, image layouts extend out from the left side, three panel fold out. Essay in English and Spanish illustrated by a thumbnail index of photos from the book.

“At first glance, these photos give the impression of an exquisite corpse, sculptures made with parts that are added without a rational order (...) Sometimes they look like little Frankensteins made of borrowed parts to animate a strange animal; at other times they have the comic qualities of collage, of the sudden laughter provoked by the juxtaposition of two things that contradict each other.”
—Guillermo Osorno⁠

“Bárbara Sánchez-Kane & Sofía Alazraki: Fortuna y Fetiche” Published by Dashwood Books. Case bound with no endpapers, image layouts extend out from the left side, three panel fold out. Essay in English and Spanish illustrated by a thumbnail index of photos from the book.

“At first glance, these photos give the impression of an exquisite corpse, sculptures made with parts that are added without a rational order (...) Sometimes they look like little Frankensteins made of borrowed parts to animate a strange animal; at other times they have the comic qualities of collage, of the sudden laughter provoked by the juxtaposition of two things that contradict each other.”
—Guillermo Osorno⁠

“Bárbara Sánchez-Kane & Sofía Alazraki: Fortuna y Fetiche” Published by Dashwood Books. Case bound with no endpapers, image layouts extend out from the left side, three panel fold out. Essay in English and Spanish illustrated by a thumbnail index of photos from the book.

“At first glance, these photos give the impression of an exquisite corpse, sculptures made with parts that are added without a rational order (...) Sometimes they look like little Frankensteins made of borrowed parts to animate a strange animal; at other times they have the comic qualities of collage, of the sudden laughter provoked by the juxtaposition of two things that contradict each other.”
—Guillermo Osorno⁠

“Bárbara Sánchez-Kane & Sofía Alazraki: Fortuna y Fetiche” Published by Dashwood Books. Case bound with no endpapers, image layouts extend out from the left side, three panel fold out. Essay in English and Spanish illustrated by a thumbnail index of photos from the book.

“At first glance, these photos give the impression of an exquisite corpse, sculptures made with parts that are added without a rational order (...) Sometimes they look like little Frankensteins made of borrowed parts to animate a strange animal; at other times they have the comic qualities of collage, of the sudden laughter provoked by the juxtaposition of two things that contradict each other.”
—Guillermo Osorno⁠

“Bárbara Sánchez-Kane & Sofía Alazraki: Fortuna y Fetiche” Published by Dashwood Books. Case bound with no endpapers, image layouts extend out from the left side, three panel fold out. Essay in English and Spanish illustrated by a thumbnail index of photos from the book.

“At first glance, these photos give the impression of an exquisite corpse, sculptures made with parts that are added without a rational order (...) Sometimes they look like little Frankensteins made of borrowed parts to animate a strange animal; at other times they have the comic qualities of collage, of the sudden laughter provoked by the juxtaposition of two things that contradict each other.”
—Guillermo Osorno⁠

“Bárbara Sánchez-Kane & Sofía Alazraki: Fortuna y Fetiche” Published by Dashwood Books. Case bound with no endpapers, image layouts extend out from the left side, three panel fold out. Essay in English and Spanish illustrated by a thumbnail index of photos from the book.

“At first glance, these photos give the impression of an exquisite corpse, sculptures made with parts that are added without a rational order (...) Sometimes they look like little Frankensteins made of borrowed parts to animate a strange animal; at other times they have the comic qualities of collage, of the sudden laughter provoked by the juxtaposition of two things that contradict each other.”
—Guillermo Osorno⁠

“Bárbara Sánchez-Kane & Sofía Alazraki: Fortuna y Fetiche” Published by Dashwood Books. Case bound with no endpapers, image layouts extend out from the left side, three panel fold out. Essay in English and Spanish illustrated by a thumbnail index of photos from the book.

“At first glance, these photos give the impression of an exquisite corpse, sculptures made with parts that are added without a rational order (...) Sometimes they look like little Frankensteins made of borrowed parts to animate a strange animal; at other times they have the comic qualities of collage, of the sudden laughter provoked by the juxtaposition of two things that contradict each other.”
—Guillermo Osorno⁠

“Bárbara Sánchez-Kane & Sofía Alazraki: Fortuna y Fetiche” Published by Dashwood Books. Case bound with no endpapers, image layouts extend out from the left side, three panel fold out. Essay in English and Spanish illustrated by a thumbnail index of photos from the book.

“At first glance, these photos give the impression of an exquisite corpse, sculptures made with parts that are added without a rational order (...) Sometimes they look like little Frankensteins made of borrowed parts to animate a strange animal; at other times they have the comic qualities of collage, of the sudden laughter provoked by the juxtaposition of two things that contradict each other.”
—Guillermo Osorno⁠

“Bárbara Sánchez-Kane & Sofía Alazraki: Fortuna y Fetiche” Published by Dashwood Books. Case bound with no endpapers, image layouts extend out from the left side, three panel fold out. Essay in English and Spanish illustrated by a thumbnail index of photos from the book.

“At first glance, these photos give the impression of an exquisite corpse, sculptures made with parts that are added without a rational order (...) Sometimes they look like little Frankensteins made of borrowed parts to animate a strange animal; at other times they have the comic qualities of collage, of the sudden laughter provoked by the juxtaposition of two things that contradict each other.”
—Guillermo Osorno⁠

“Bárbara Sánchez-Kane & Sofía Alazraki: Fortuna y Fetiche” Published by Dashwood Books. Case bound with no endpapers, image layouts extend out from the left side, three panel fold out. Essay in English and Spanish illustrated by a thumbnail index of photos from the book.

“At first glance, these photos give the impression of an exquisite corpse, sculptures made with parts that are added without a rational order (...) Sometimes they look like little Frankensteins made of borrowed parts to animate a strange animal; at other times they have the comic qualities of collage, of the sudden laughter provoked by the juxtaposition of two things that contradict each other.”
—Guillermo Osorno⁠