Stephen Roe
📸🎥 🛹 📍UK

It’s time, once again for my biennial post of @aultagram doing a backside lipslide in Sheffield with his aggressive, singular style… I was just lurking above the spot, drinking a beer and shot 2 frames. This one was good... At this point I retired from skateboard photography, 2-3 minutes after I started skateboard photography. Fujifilm Neopan 1600 +1 on a Canon T90 w/ 28mm f/2.8, and developed in my bathroom in xtol. (Dunno how I remember that)
Traipsing through the archives trying to find a 5 second clip from 20 years ago. No dice. I did find this little skatepark section from one million years ago, which wasn’t really seen. Filmed and edited by the late, great @blackpool_roll
Also, if anybody has the very, very first videos from the Scene Preston (also RIP) website, please lemme know.

@manutd Premier League winners parade fucking way too long ago. Next year though 👹🏆

@manutd Premier League winners parade fucking way too long ago. Next year though 👹🏆

@manutd Premier League winners parade fucking way too long ago. Next year though 👹🏆

followed some random bloke into a 2000 year old hole in the ground. Hand dug by Roman soldiers. Steep as hell, and seemingly endless… Nowt down there. Good job 👏. Jordan.

followed some random bloke into a 2000 year old hole in the ground. Hand dug by Roman soldiers. Steep as hell, and seemingly endless… Nowt down there. Good job 👏. Jordan.

followed some random bloke into a 2000 year old hole in the ground. Hand dug by Roman soldiers. Steep as hell, and seemingly endless… Nowt down there. Good job 👏. Jordan.

followed some random bloke into a 2000 year old hole in the ground. Hand dug by Roman soldiers. Steep as hell, and seemingly endless… Nowt down there. Good job 👏. Jordan.

followed some random bloke into a 2000 year old hole in the ground. Hand dug by Roman soldiers. Steep as hell, and seemingly endless… Nowt down there. Good job 👏. Jordan.

followed some random bloke into a 2000 year old hole in the ground. Hand dug by Roman soldiers. Steep as hell, and seemingly endless… Nowt down there. Good job 👏. Jordan.

followed some random bloke into a 2000 year old hole in the ground. Hand dug by Roman soldiers. Steep as hell, and seemingly endless… Nowt down there. Good job 👏. Jordan.

followed some random bloke into a 2000 year old hole in the ground. Hand dug by Roman soldiers. Steep as hell, and seemingly endless… Nowt down there. Good job 👏. Jordan.

PRINTS! PRINTS! PRINTS! We’re back in the giclee printing business!
Got some prints here for sale. The bigger ones are 13x19” (a3+) £50… and the smaller ones are 9x13” £35. (Can of Guinness for scale & inebriation)
(Plus £5 p&p in the UK & £15 international).
Printed on beautiful @fotospeed baryta 300gsm paper.

PRINTS! PRINTS! PRINTS! We’re back in the giclee printing business!
Got some prints here for sale. The bigger ones are 13x19” (a3+) £50… and the smaller ones are 9x13” £35. (Can of Guinness for scale & inebriation)
(Plus £5 p&p in the UK & £15 international).
Printed on beautiful @fotospeed baryta 300gsm paper.

PRINTS! PRINTS! PRINTS! We’re back in the giclee printing business!
Got some prints here for sale. The bigger ones are 13x19” (a3+) £50… and the smaller ones are 9x13” £35. (Can of Guinness for scale & inebriation)
(Plus £5 p&p in the UK & £15 international).
Printed on beautiful @fotospeed baryta 300gsm paper.

PRINTS! PRINTS! PRINTS! We’re back in the giclee printing business!
Got some prints here for sale. The bigger ones are 13x19” (a3+) £50… and the smaller ones are 9x13” £35. (Can of Guinness for scale & inebriation)
(Plus £5 p&p in the UK & £15 international).
Printed on beautiful @fotospeed baryta 300gsm paper.

PRINTS! PRINTS! PRINTS! We’re back in the giclee printing business!
Got some prints here for sale. The bigger ones are 13x19” (a3+) £50… and the smaller ones are 9x13” £35. (Can of Guinness for scale & inebriation)
(Plus £5 p&p in the UK & £15 international).
Printed on beautiful @fotospeed baryta 300gsm paper.

PRINTS! PRINTS! PRINTS! We’re back in the giclee printing business!
Got some prints here for sale. The bigger ones are 13x19” (a3+) £50… and the smaller ones are 9x13” £35. (Can of Guinness for scale & inebriation)
(Plus £5 p&p in the UK & £15 international).
Printed on beautiful @fotospeed baryta 300gsm paper.

PRINTS! PRINTS! PRINTS! We’re back in the giclee printing business!
Got some prints here for sale. The bigger ones are 13x19” (a3+) £50… and the smaller ones are 9x13” £35. (Can of Guinness for scale & inebriation)
(Plus £5 p&p in the UK & £15 international).
Printed on beautiful @fotospeed baryta 300gsm paper.

PRINTS! PRINTS! PRINTS! We’re back in the giclee printing business!
Got some prints here for sale. The bigger ones are 13x19” (a3+) £50… and the smaller ones are 9x13” £35. (Can of Guinness for scale & inebriation)
(Plus £5 p&p in the UK & £15 international).
Printed on beautiful @fotospeed baryta 300gsm paper.

PRINTS! PRINTS! PRINTS! We’re back in the giclee printing business!
Got some prints here for sale. The bigger ones are 13x19” (a3+) £50… and the smaller ones are 9x13” £35. (Can of Guinness for scale & inebriation)
(Plus £5 p&p in the UK & £15 international).
Printed on beautiful @fotospeed baryta 300gsm paper.

PRINTS! PRINTS! PRINTS! We’re back in the giclee printing business!
Got some prints here for sale. The bigger ones are 13x19” (a3+) £50… and the smaller ones are 9x13” £35. (Can of Guinness for scale & inebriation)
(Plus £5 p&p in the UK & £15 international).
Printed on beautiful @fotospeed baryta 300gsm paper.

S’more arid shrubby desert-y regions. Azerbaijan, Death Valley CA, White Sands NM. All on @kodak Portra 400.
Haven’t shot colour film in years it appears 👀

S’more arid shrubby desert-y regions. Azerbaijan, Death Valley CA, White Sands NM. All on @kodak Portra 400.
Haven’t shot colour film in years it appears 👀

S’more arid shrubby desert-y regions. Azerbaijan, Death Valley CA, White Sands NM. All on @kodak Portra 400.
Haven’t shot colour film in years it appears 👀

I’m gonna start sharing some frames from some films I’ve shot over the past years, because a spooky entity told me to in a dream.
This is from a lil’ un we made in Beijing for EA Sports (it’s in the game) and COPA90 a few years back. It follows the story of Nico Yannaris, of East London, who left the UK to become China's first nationalised international football player. I could lay out some wanky schpiel about creative decisions, like how the 4:3 aspect ratio (before it was cool), and tight edge-of-frame dynamics represents his feeling of being trapped back home, and how the 2x anamorphic represents a new freedom (square in the nose, that)... but we all have better things to do... I actually don't, but you might. 😊
Directed by @oikfilms, produced by @subliminal_prod, DP-ed by 🥴✋

I’m gonna start sharing some frames from some films I’ve shot over the past years, because a spooky entity told me to in a dream.
This is from a lil’ un we made in Beijing for EA Sports (it’s in the game) and COPA90 a few years back. It follows the story of Nico Yannaris, of East London, who left the UK to become China's first nationalised international football player. I could lay out some wanky schpiel about creative decisions, like how the 4:3 aspect ratio (before it was cool), and tight edge-of-frame dynamics represents his feeling of being trapped back home, and how the 2x anamorphic represents a new freedom (square in the nose, that)... but we all have better things to do... I actually don't, but you might. 😊
Directed by @oikfilms, produced by @subliminal_prod, DP-ed by 🥴✋

I’m gonna start sharing some frames from some films I’ve shot over the past years, because a spooky entity told me to in a dream.
This is from a lil’ un we made in Beijing for EA Sports (it’s in the game) and COPA90 a few years back. It follows the story of Nico Yannaris, of East London, who left the UK to become China's first nationalised international football player. I could lay out some wanky schpiel about creative decisions, like how the 4:3 aspect ratio (before it was cool), and tight edge-of-frame dynamics represents his feeling of being trapped back home, and how the 2x anamorphic represents a new freedom (square in the nose, that)... but we all have better things to do... I actually don't, but you might. 😊
Directed by @oikfilms, produced by @subliminal_prod, DP-ed by 🥴✋

I’m gonna start sharing some frames from some films I’ve shot over the past years, because a spooky entity told me to in a dream.
This is from a lil’ un we made in Beijing for EA Sports (it’s in the game) and COPA90 a few years back. It follows the story of Nico Yannaris, of East London, who left the UK to become China's first nationalised international football player. I could lay out some wanky schpiel about creative decisions, like how the 4:3 aspect ratio (before it was cool), and tight edge-of-frame dynamics represents his feeling of being trapped back home, and how the 2x anamorphic represents a new freedom (square in the nose, that)... but we all have better things to do... I actually don't, but you might. 😊
Directed by @oikfilms, produced by @subliminal_prod, DP-ed by 🥴✋

I’m gonna start sharing some frames from some films I’ve shot over the past years, because a spooky entity told me to in a dream.
This is from a lil’ un we made in Beijing for EA Sports (it’s in the game) and COPA90 a few years back. It follows the story of Nico Yannaris, of East London, who left the UK to become China's first nationalised international football player. I could lay out some wanky schpiel about creative decisions, like how the 4:3 aspect ratio (before it was cool), and tight edge-of-frame dynamics represents his feeling of being trapped back home, and how the 2x anamorphic represents a new freedom (square in the nose, that)... but we all have better things to do... I actually don't, but you might. 😊
Directed by @oikfilms, produced by @subliminal_prod, DP-ed by 🥴✋

I’m gonna start sharing some frames from some films I’ve shot over the past years, because a spooky entity told me to in a dream.
This is from a lil’ un we made in Beijing for EA Sports (it’s in the game) and COPA90 a few years back. It follows the story of Nico Yannaris, of East London, who left the UK to become China's first nationalised international football player. I could lay out some wanky schpiel about creative decisions, like how the 4:3 aspect ratio (before it was cool), and tight edge-of-frame dynamics represents his feeling of being trapped back home, and how the 2x anamorphic represents a new freedom (square in the nose, that)... but we all have better things to do... I actually don't, but you might. 😊
Directed by @oikfilms, produced by @subliminal_prod, DP-ed by 🥴✋

I’m gonna start sharing some frames from some films I’ve shot over the past years, because a spooky entity told me to in a dream.
This is from a lil’ un we made in Beijing for EA Sports (it’s in the game) and COPA90 a few years back. It follows the story of Nico Yannaris, of East London, who left the UK to become China's first nationalised international football player. I could lay out some wanky schpiel about creative decisions, like how the 4:3 aspect ratio (before it was cool), and tight edge-of-frame dynamics represents his feeling of being trapped back home, and how the 2x anamorphic represents a new freedom (square in the nose, that)... but we all have better things to do... I actually don't, but you might. 😊
Directed by @oikfilms, produced by @subliminal_prod, DP-ed by 🥴✋

I’m gonna start sharing some frames from some films I’ve shot over the past years, because a spooky entity told me to in a dream.
This is from a lil’ un we made in Beijing for EA Sports (it’s in the game) and COPA90 a few years back. It follows the story of Nico Yannaris, of East London, who left the UK to become China's first nationalised international football player. I could lay out some wanky schpiel about creative decisions, like how the 4:3 aspect ratio (before it was cool), and tight edge-of-frame dynamics represents his feeling of being trapped back home, and how the 2x anamorphic represents a new freedom (square in the nose, that)... but we all have better things to do... I actually don't, but you might. 😊
Directed by @oikfilms, produced by @subliminal_prod, DP-ed by 🥴✋
Story-save.com is an intuitive online tool that enables users to download and save a variety of content, including stories, photos, videos, and IGTV materials, directly from Instagram. With Story-Save, you can not only easily download diverse content from Instagram but also view it at your convenience, even without internet access. This tool is perfect for those moments when you come across something interesting on Instagram and want to save it for later viewing. Use Story-Save to ensure you don't miss the chance to take your favorite Instagram moments with you!
Avoid app downloads and sign-ups, store stories on the web.
Stories Say goodbye to poor-quality content, preserve only high-resolution Stories.
Devices Download Instagram Stories using any browser, iPhone, Android.
Absolutely no fees. Download any Story at no cost.