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snellingstudio
Snelling Studio
Interior Lighting and Object Studio | Handcrafted in Aotearoa New Zealand | EST. 2007 | Shipping Worldwide
We are delighted to be exhibiting in Table Manners as part of Melbourne Design Week.
Snelling Studio presents Ut serviamus, a set of five serving instruments shaped through proportion, alignment, and offering. The works draw on the etiquette of shared dining, where serving precedes possession and action is directed toward others. Lathe-turned timber paired with mirrored stainless steel registers these exchanges as spatial and relational gestures between hands.
Ut serviamus, 2026
Set of five serving instruments
Lathe-turned timber, hand-finished mirrored stainless steel
Pictured: Duo Manus, 2026
Lathe-turned timber, hand-finished mirrored stainless steel
325 × 55 × 50 mm
Table Manners is an exhibition narrowing its focus to the objects we bring, repeatedly and intimately, to our mouths. Each designer was commissioned to produce a singular set of cutlery distilled by the guiding principles of their practice, shown alongside historical and contemporary works from the Kraftsman collection.
Opening 14 May at Florian Home as part of Melbourne Design Week.
Images by @georgiasmedley / @objectmassive
Presented by @union.magazine, @objectmassive and @streifen._ with production by @b.ells___
Melbourne Design Week is an initiative of the Victorian Government through Creative Victoria.
We are delighted to be exhibiting in Table Manners as part of Melbourne Design Week.
Snelling Studio presents Ut serviamus, a set of five serving instruments shaped through proportion, alignment, and offering. The works draw on the etiquette of shared dining, where serving precedes possession and action is directed toward others. Lathe-turned timber paired with mirrored stainless steel registers these exchanges as spatial and relational gestures between hands.
Ut serviamus, 2026
Set of five serving instruments
Lathe-turned timber, hand-finished mirrored stainless steel
Pictured: Duo Manus, 2026
Lathe-turned timber, hand-finished mirrored stainless steel
325 × 55 × 50 mm
Table Manners is an exhibition narrowing its focus to the objects we bring, repeatedly and intimately, to our mouths. Each designer was commissioned to produce a singular set of cutlery distilled by the guiding principles of their practice, shown alongside historical and contemporary works from the Kraftsman collection.
Opening 14 May at Florian Home as part of Melbourne Design Week.
Images by @georgiasmedley / @objectmassive
Presented by @union.magazine, @objectmassive and @streifen._ with production by @b.ells___
Melbourne Design Week is an initiative of the Victorian Government through Creative Victoria.
We are delighted to be exhibiting in Table Manners as part of Melbourne Design Week.
Snelling Studio presents Ut serviamus, a set of five serving instruments shaped through proportion, alignment, and offering. The works draw on the etiquette of shared dining, where serving precedes possession and action is directed toward others. Lathe-turned timber paired with mirrored stainless steel registers these exchanges as spatial and relational gestures between hands.
Ut serviamus, 2026
Set of five serving instruments
Lathe-turned timber, hand-finished mirrored stainless steel
Pictured: Duo Manus, 2026
Lathe-turned timber, hand-finished mirrored stainless steel
325 × 55 × 50 mm
Table Manners is an exhibition narrowing its focus to the objects we bring, repeatedly and intimately, to our mouths. Each designer was commissioned to produce a singular set of cutlery distilled by the guiding principles of their practice, shown alongside historical and contemporary works from the Kraftsman collection.
Opening 14 May at Florian Home as part of Melbourne Design Week.
Images by @georgiasmedley / @objectmassive
Presented by @union.magazine, @objectmassive and @streifen._ with production by @b.ells___
Melbourne Design Week is an initiative of the Victorian Government through Creative Victoria.
We are delighted to be exhibiting in Table Manners as part of Melbourne Design Week.
Snelling Studio presents Ut serviamus, a set of five serving instruments shaped through proportion, alignment, and offering. The works draw on the etiquette of shared dining, where serving precedes possession and action is directed toward others. Lathe-turned timber paired with mirrored stainless steel registers these exchanges as spatial and relational gestures between hands.
Ut serviamus, 2026
Set of five serving instruments
Lathe-turned timber, hand-finished mirrored stainless steel
Pictured: Duo Manus, 2026
Lathe-turned timber, hand-finished mirrored stainless steel
325 × 55 × 50 mm
Table Manners is an exhibition narrowing its focus to the objects we bring, repeatedly and intimately, to our mouths. Each designer was commissioned to produce a singular set of cutlery distilled by the guiding principles of their practice, shown alongside historical and contemporary works from the Kraftsman collection.
Opening 14 May at Florian Home as part of Melbourne Design Week.
Images by @georgiasmedley / @objectmassive
Presented by @union.magazine, @objectmassive and @streifen._ with production by @b.ells___
Melbourne Design Week is an initiative of the Victorian Government through Creative Victoria.
We are delighted to be exhibiting in Table Manners as part of Melbourne Design Week.
Snelling Studio presents Ut serviamus, a set of five serving instruments shaped through proportion, alignment, and offering. The works draw on the etiquette of shared dining, where serving precedes possession and action is directed toward others. Lathe-turned timber paired with mirrored stainless steel registers these exchanges as spatial and relational gestures between hands.
Ut serviamus, 2026
Set of five serving instruments
Lathe-turned timber, hand-finished mirrored stainless steel
Pictured: Duo Manus, 2026
Lathe-turned timber, hand-finished mirrored stainless steel
325 × 55 × 50 mm
Table Manners is an exhibition narrowing its focus to the objects we bring, repeatedly and intimately, to our mouths. Each designer was commissioned to produce a singular set of cutlery distilled by the guiding principles of their practice, shown alongside historical and contemporary works from the Kraftsman collection.
Opening 14 May at Florian Home as part of Melbourne Design Week.
Images by @georgiasmedley / @objectmassive
Presented by @union.magazine, @objectmassive and @streifen._ with production by @b.ells___
Melbourne Design Week is an initiative of the Victorian Government through Creative Victoria.
We are delighted to be exhibiting in Table Manners as part of Melbourne Design Week.
Snelling Studio presents Ut serviamus, a set of five serving instruments shaped through proportion, alignment, and offering. The works draw on the etiquette of shared dining, where serving precedes possession and action is directed toward others. Lathe-turned timber paired with mirrored stainless steel registers these exchanges as spatial and relational gestures between hands.
Ut serviamus, 2026
Set of five serving instruments
Lathe-turned timber, hand-finished mirrored stainless steel
Pictured: Duo Manus, 2026
Lathe-turned timber, hand-finished mirrored stainless steel
325 × 55 × 50 mm
Table Manners is an exhibition narrowing its focus to the objects we bring, repeatedly and intimately, to our mouths. Each designer was commissioned to produce a singular set of cutlery distilled by the guiding principles of their practice, shown alongside historical and contemporary works from the Kraftsman collection.
Opening 14 May at Florian Home as part of Melbourne Design Week.
Images by @georgiasmedley / @objectmassive
Presented by @union.magazine, @objectmassive and @streifen._ with production by @b.ells___
Melbourne Design Week is an initiative of the Victorian Government through Creative Victoria.
We are delighted to be exhibiting in Table Manners as part of Melbourne Design Week.
Snelling Studio presents Ut serviamus, a set of five serving instruments shaped through proportion, alignment, and offering. The works draw on the etiquette of shared dining, where serving precedes possession and action is directed toward others. Lathe-turned timber paired with mirrored stainless steel registers these exchanges as spatial and relational gestures between hands.
Ut serviamus, 2026
Set of five serving instruments
Lathe-turned timber, hand-finished mirrored stainless steel
Pictured: Duo Manus, 2026
Lathe-turned timber, hand-finished mirrored stainless steel
325 × 55 × 50 mm
Table Manners is an exhibition narrowing its focus to the objects we bring, repeatedly and intimately, to our mouths. Each designer was commissioned to produce a singular set of cutlery distilled by the guiding principles of their practice, shown alongside historical and contemporary works from the Kraftsman collection.
Opening 14 May at Florian Home as part of Melbourne Design Week.
Images by @georgiasmedley / @objectmassive
Presented by @union.magazine, @objectmassive and @streifen._ with production by @b.ells___
Melbourne Design Week is an initiative of the Victorian Government through Creative Victoria.
We are delighted to be exhibiting in Table Manners as part of Melbourne Design Week.
Snelling Studio presents Ut serviamus, a set of five serving instruments shaped through proportion, alignment, and offering. The works draw on the etiquette of shared dining, where serving precedes possession and action is directed toward others. Lathe-turned timber paired with mirrored stainless steel registers these exchanges as spatial and relational gestures between hands.
Ut serviamus, 2026
Set of five serving instruments
Lathe-turned timber, hand-finished mirrored stainless steel
Pictured: Duo Manus, 2026
Lathe-turned timber, hand-finished mirrored stainless steel
325 × 55 × 50 mm
Table Manners is an exhibition narrowing its focus to the objects we bring, repeatedly and intimately, to our mouths. Each designer was commissioned to produce a singular set of cutlery distilled by the guiding principles of their practice, shown alongside historical and contemporary works from the Kraftsman collection.
Opening 14 May at Florian Home as part of Melbourne Design Week.
Images by @georgiasmedley / @objectmassive
Presented by @union.magazine, @objectmassive and @streifen._ with production by @b.ells___
Melbourne Design Week is an initiative of the Victorian Government through Creative Victoria.
Hour Briar Floor Mirror
(H) 1365mm × (W) 630mm × (D) 280mm
Hour Olius Pendant 02
(H) 280mm × (W) 1295mm × (D) 150mm
Hour Briar Floor Mirror
(H) 1365mm × (W) 630mm × (D) 280mm
Hour Phila Table Lamp
(H) 645mm × (W) 355mm × (D) 355mm
Hour Briar Floor Mirror
(H) 1365mm × (W) 630mm × (D) 280mm
Hour Phila Table Lamp
(H) 645mm × (W) 355mm × (D) 355mm
A distilled composition of mirrored forms, the Lens Pendant Major explores light through reflection and repetition. Casting a warm, ambient glow, the piece extends the collection’s sculptural language with quiet clarity and presence.
Lens Pendant Major
From the Lens Collection, 2021
(H) Custom × (Ø) 610mm × (D) 81mm
A distilled composition of mirrored forms, the Lens Pendant Major explores light through reflection and repetition. Casting a warm, ambient glow, the piece extends the collection’s sculptural language with quiet clarity and presence.
Lens Pendant Major
From the Lens Collection, 2021
(H) Custom × (Ø) 610mm × (D) 81mm
Lygia Clark’s practice continues to inform our thinking, particularly her treatment of material as something active, responsive, and held in the hand. Her folded steel works resist fixity, inviting movement, touch, and exchange, shifting the relationship between object and body.
Images courtesy Associação Cultural O Mundo de Lygia Clark
Lygia Clark’s practice continues to inform our thinking, particularly her treatment of material as something active, responsive, and held in the hand. Her folded steel works resist fixity, inviting movement, touch, and exchange, shifting the relationship between object and body.
Images courtesy Associação Cultural O Mundo de Lygia Clark
Lygia Clark’s practice continues to inform our thinking, particularly her treatment of material as something active, responsive, and held in the hand. Her folded steel works resist fixity, inviting movement, touch, and exchange, shifting the relationship between object and body.
Images courtesy Associação Cultural O Mundo de Lygia Clark
Lygia Clark’s practice continues to inform our thinking, particularly her treatment of material as something active, responsive, and held in the hand. Her folded steel works resist fixity, inviting movement, touch, and exchange, shifting the relationship between object and body.
Images courtesy Associação Cultural O Mundo de Lygia Clark
View Maud Keeper, 2026
Hand-turned oiled black walnut, formed mirrored stainless steel
(H) 1435mm × (W) 365mm × (D) 365mm
A vertical spatial keeper informed by the upward rhythm of urban silhouettes in a condition of poised levitation.
Presented with Artor Contemporary at the Aotearoa Art Fair,
30 April – 3 May 2026.
View Maud Keeper, 2026
Hand-turned oiled black walnut, formed mirrored stainless steel
(H) 1435mm × (W) 365mm × (D) 365mm
A vertical spatial keeper informed by the upward rhythm of urban silhouettes in a condition of poised levitation.
Presented with Artor Contemporary at the Aotearoa Art Fair,
30 April – 3 May 2026.
View Oriel Candle Holder, 2026
Hand-turned oiled black walnut, mirrored stainless steel
310 (H) × 70 (W) × 70 (D) mm
A reductive form holding light in stillness and quiet transcendence.
Presented with Artor Contemporary at the Aotearoa Art Fair,
30 April – 3 May 2026.
View Oriel Candle Holder, 2026
Hand-turned oiled black walnut, mirrored stainless steel
310 (H) × 70 (W) × 70 (D) mm
A reductive form holding light in stillness and quiet transcendence.
Presented with Artor Contemporary at the Aotearoa Art Fair,
30 April – 3 May 2026.
View Oriel Candle Holder, 2026
Hand-turned oiled black walnut, mirrored stainless steel
310 (H) × 70 (W) × 70 (D) mm
A reductive form holding light in stillness and quiet transcendence.
Presented with Artor Contemporary at the Aotearoa Art Fair,
30 April – 3 May 2026.
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