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remake_design
Michael Dyer
Design
“They’re so nice…” jazz photos from the 1980s
by russell lee fine
Available next month
@russellfine @corbettvsdempsey
“They’re so nice…” jazz photos from the 1980s
by russell lee fine
Available next month
@russellfine @corbettvsdempsey
“They’re so nice…” jazz photos from the 1980s
by russell lee fine
Available next month
@russellfine @corbettvsdempsey
“They’re so nice…” jazz photos from the 1980s
by russell lee fine
Available next month
@russellfine @corbettvsdempsey
“They’re so nice…” jazz photos from the 1980s
by russell lee fine
Available next month
@russellfine @corbettvsdempsey
New work: Catalogue for the @metmuseum exhibition, “Gothic by Design: The Dawn of Architectural Draftsmanship.” The book adopts an atypically vertical format, allowing it to better display the content, and giving it a distinct proportional presence. It is set in Jenson, an old-style face with organic eccentricities that complement the ornate visual grammar of gothic architecture.
New work: Catalogue for the @metmuseum exhibition, “Gothic by Design: The Dawn of Architectural Draftsmanship.” The book adopts an atypically vertical format, allowing it to better display the content, and giving it a distinct proportional presence. It is set in Jenson, an old-style face with organic eccentricities that complement the ornate visual grammar of gothic architecture.
New work: Catalogue for the @metmuseum exhibition, “Gothic by Design: The Dawn of Architectural Draftsmanship.” The book adopts an atypically vertical format, allowing it to better display the content, and giving it a distinct proportional presence. It is set in Jenson, an old-style face with organic eccentricities that complement the ornate visual grammar of gothic architecture.
New work: Catalogue for the @metmuseum exhibition, “Gothic by Design: The Dawn of Architectural Draftsmanship.” The book adopts an atypically vertical format, allowing it to better display the content, and giving it a distinct proportional presence. It is set in Jenson, an old-style face with organic eccentricities that complement the ornate visual grammar of gothic architecture.
New work: Catalogue for the @metmuseum exhibition, “Gothic by Design: The Dawn of Architectural Draftsmanship.” The book adopts an atypically vertical format, allowing it to better display the content, and giving it a distinct proportional presence. It is set in Jenson, an old-style face with organic eccentricities that complement the ornate visual grammar of gothic architecture.
New work: Catalogue for the @metmuseum exhibition, “Gothic by Design: The Dawn of Architectural Draftsmanship.” The book adopts an atypically vertical format, allowing it to better display the content, and giving it a distinct proportional presence. It is set in Jenson, an old-style face with organic eccentricities that complement the ornate visual grammar of gothic architecture.
New work: Catalogue for the @metmuseum exhibition, “Gothic by Design: The Dawn of Architectural Draftsmanship.” The book adopts an atypically vertical format, allowing it to better display the content, and giving it a distinct proportional presence. It is set in Jenson, an old-style face with organic eccentricities that complement the ornate visual grammar of gothic architecture.
New work: Catalogue for the @metmuseum exhibition, “Gothic by Design: The Dawn of Architectural Draftsmanship.” The book adopts an atypically vertical format, allowing it to better display the content, and giving it a distinct proportional presence. It is set in Jenson, an old-style face with organic eccentricities that complement the ornate visual grammar of gothic architecture.
New work: Catalogue for the @metmuseum exhibition, “Gothic by Design: The Dawn of Architectural Draftsmanship.” The book adopts an atypically vertical format, allowing it to better display the content, and giving it a distinct proportional presence. It is set in Jenson, an old-style face with organic eccentricities that complement the ornate visual grammar of gothic architecture.
New work: Catalogue for the @metmuseum exhibition, “Gothic by Design: The Dawn of Architectural Draftsmanship.” The book adopts an atypically vertical format, allowing it to better display the content, and giving it a distinct proportional presence. It is set in Jenson, an old-style face with organic eccentricities that complement the ornate visual grammar of gothic architecture.
New work: Catalogue for the @metmuseum exhibition, “Gothic by Design: The Dawn of Architectural Draftsmanship.” The book adopts an atypically vertical format, allowing it to better display the content, and giving it a distinct proportional presence. It is set in Jenson, an old-style face with organic eccentricities that complement the ornate visual grammar of gothic architecture.
New work: Catalogue for the @metmuseum exhibition, “Gothic by Design: The Dawn of Architectural Draftsmanship.” The book adopts an atypically vertical format, allowing it to better display the content, and giving it a distinct proportional presence. It is set in Jenson, an old-style face with organic eccentricities that complement the ornate visual grammar of gothic architecture.
New work: Catalogue for the @metmuseum exhibition, “Gothic by Design: The Dawn of Architectural Draftsmanship.” The book adopts an atypically vertical format, allowing it to better display the content, and giving it a distinct proportional presence. It is set in Jenson, an old-style face with organic eccentricities that complement the ornate visual grammar of gothic architecture.
New work: Catalogue for the @metmuseum exhibition, “Gothic by Design: The Dawn of Architectural Draftsmanship.” The book adopts an atypically vertical format, allowing it to better display the content, and giving it a distinct proportional presence. It is set in Jenson, an old-style face with organic eccentricities that complement the ornate visual grammar of gothic architecture.
New work: Typographic identity and brochure for @fortunyofficial and the POLPO collection. The A4 booklet features a short-cut cover printed with silver ink on a dyed blue uncoated paper. A strip of the image underneath is visible and, when opened, reveals a dramatic aerial photograph of the Venetian lagoon. Throughout the brochure, a second metallic ink is used for discreet typography, organizing the design around a balanced layout that gently focuses attention on the exquisite textiles themselves.
Beautifully printed and produced by @grafiche_veneziane
New work: Typographic identity and brochure for @fortunyofficial and the POLPO collection. The A4 booklet features a short-cut cover printed with silver ink on a dyed blue uncoated paper. A strip of the image underneath is visible and, when opened, reveals a dramatic aerial photograph of the Venetian lagoon. Throughout the brochure, a second metallic ink is used for discreet typography, organizing the design around a balanced layout that gently focuses attention on the exquisite textiles themselves.
Beautifully printed and produced by @grafiche_veneziane
New work: Typographic identity and brochure for @fortunyofficial and the POLPO collection. The A4 booklet features a short-cut cover printed with silver ink on a dyed blue uncoated paper. A strip of the image underneath is visible and, when opened, reveals a dramatic aerial photograph of the Venetian lagoon. Throughout the brochure, a second metallic ink is used for discreet typography, organizing the design around a balanced layout that gently focuses attention on the exquisite textiles themselves.
Beautifully printed and produced by @grafiche_veneziane
New work: Typographic identity and brochure for @fortunyofficial and the POLPO collection. The A4 booklet features a short-cut cover printed with silver ink on a dyed blue uncoated paper. A strip of the image underneath is visible and, when opened, reveals a dramatic aerial photograph of the Venetian lagoon. Throughout the brochure, a second metallic ink is used for discreet typography, organizing the design around a balanced layout that gently focuses attention on the exquisite textiles themselves.
Beautifully printed and produced by @grafiche_veneziane
New work: Typographic identity and brochure for @fortunyofficial and the POLPO collection. The A4 booklet features a short-cut cover printed with silver ink on a dyed blue uncoated paper. A strip of the image underneath is visible and, when opened, reveals a dramatic aerial photograph of the Venetian lagoon. Throughout the brochure, a second metallic ink is used for discreet typography, organizing the design around a balanced layout that gently focuses attention on the exquisite textiles themselves.
Beautifully printed and produced by @grafiche_veneziane
New work: Typographic identity and brochure for @fortunyofficial and the POLPO collection. The A4 booklet features a short-cut cover printed with silver ink on a dyed blue uncoated paper. A strip of the image underneath is visible and, when opened, reveals a dramatic aerial photograph of the Venetian lagoon. Throughout the brochure, a second metallic ink is used for discreet typography, organizing the design around a balanced layout that gently focuses attention on the exquisite textiles themselves.
Beautifully printed and produced by @grafiche_veneziane
New work: Typographic identity and brochure for @fortunyofficial and the POLPO collection. The A4 booklet features a short-cut cover printed with silver ink on a dyed blue uncoated paper. A strip of the image underneath is visible and, when opened, reveals a dramatic aerial photograph of the Venetian lagoon. Throughout the brochure, a second metallic ink is used for discreet typography, organizing the design around a balanced layout that gently focuses attention on the exquisite textiles themselves.
Beautifully printed and produced by @grafiche_veneziane
New work: Typographic identity and brochure for @fortunyofficial and the POLPO collection. The A4 booklet features a short-cut cover printed with silver ink on a dyed blue uncoated paper. A strip of the image underneath is visible and, when opened, reveals a dramatic aerial photograph of the Venetian lagoon. Throughout the brochure, a second metallic ink is used for discreet typography, organizing the design around a balanced layout that gently focuses attention on the exquisite textiles themselves.
Beautifully printed and produced by @grafiche_veneziane
New work: Typographic identity and brochure for @fortunyofficial and the POLPO collection. The A4 booklet features a short-cut cover printed with silver ink on a dyed blue uncoated paper. A strip of the image underneath is visible and, when opened, reveals a dramatic aerial photograph of the Venetian lagoon. Throughout the brochure, a second metallic ink is used for discreet typography, organizing the design around a balanced layout that gently focuses attention on the exquisite textiles themselves.
Beautifully printed and produced by @grafiche_veneziane
New work: Typographic identity and brochure for @fortunyofficial and the POLPO collection. The A4 booklet features a short-cut cover printed with silver ink on a dyed blue uncoated paper. A strip of the image underneath is visible and, when opened, reveals a dramatic aerial photograph of the Venetian lagoon. Throughout the brochure, a second metallic ink is used for discreet typography, organizing the design around a balanced layout that gently focuses attention on the exquisite textiles themselves.
Beautifully printed and produced by @grafiche_veneziane
New work: Typographic identity and brochure for @fortunyofficial and the POLPO collection. The A4 booklet features a short-cut cover printed with silver ink on a dyed blue uncoated paper. A strip of the image underneath is visible and, when opened, reveals a dramatic aerial photograph of the Venetian lagoon. Throughout the brochure, a second metallic ink is used for discreet typography, organizing the design around a balanced layout that gently focuses attention on the exquisite textiles themselves.
Beautifully printed and produced by @grafiche_veneziane
New work: Typographic identity and brochure for @fortunyofficial and the POLPO collection. The A4 booklet features a short-cut cover printed with silver ink on a dyed blue uncoated paper. A strip of the image underneath is visible and, when opened, reveals a dramatic aerial photograph of the Venetian lagoon. Throughout the brochure, a second metallic ink is used for discreet typography, organizing the design around a balanced layout that gently focuses attention on the exquisite textiles themselves.
Beautifully printed and produced by @grafiche_veneziane
Lovely moment of serendipitous light, photo of “Donald Judd Furniture” by @bookshop_us / @juddfoundation @donaldjuddfurniture
Probably the most beautiful press test I’ve worked on, a flood of silver ink on dyed black paper, for “Donald Judd 1957–1963: Paintings and Objects”
New work: Boxed set for @corbettvsdempseymusic celebrating the extraordinary legacy of the Empty Bottle Jazz and Improvised Music Series
New work: Boxed set for @corbettvsdempseymusic celebrating the extraordinary legacy of the Empty Bottle Jazz and Improvised Music Series
New work: Boxed set for @corbettvsdempseymusic celebrating the extraordinary legacy of the Empty Bottle Jazz and Improvised Music Series
New work: Boxed set for @corbettvsdempseymusic celebrating the extraordinary legacy of the Empty Bottle Jazz and Improvised Music Series
New work: Boxed set for @corbettvsdempseymusic celebrating the extraordinary legacy of the Empty Bottle Jazz and Improvised Music Series
New work: Boxed set for @corbettvsdempseymusic celebrating the extraordinary legacy of the Empty Bottle Jazz and Improvised Music Series
New work: Boxed set for @corbettvsdempseymusic celebrating the extraordinary legacy of the Empty Bottle Jazz and Improvised Music Series
New work: Boxed set for @corbettvsdempseymusic celebrating the extraordinary legacy of the Empty Bottle Jazz and Improvised Music Series
Ken Vandermark, “October Flowers for Joe McPhee”. Very happy to see this new album design for @ken_vandermark and @corbettvsdempseymusic — an entrancing solo effort, dedicated to the legendary Joe McPhee. The cover features artwork by Arch Connelly, and the interior panels and disc are the “flowers” — solid swatches of pure color, sampled from the art.
Ken Vandermark, “October Flowers for Joe McPhee”. Very happy to see this new album design for @ken_vandermark and @corbettvsdempseymusic — an entrancing solo effort, dedicated to the legendary Joe McPhee. The cover features artwork by Arch Connelly, and the interior panels and disc are the “flowers” — solid swatches of pure color, sampled from the art.
Ken Vandermark, “October Flowers for Joe McPhee”. Very happy to see this new album design for @ken_vandermark and @corbettvsdempseymusic — an entrancing solo effort, dedicated to the legendary Joe McPhee. The cover features artwork by Arch Connelly, and the interior panels and disc are the “flowers” — solid swatches of pure color, sampled from the art.
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