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Now presenting, esc, a piano based music project, with my first showing, Mother of the Pearl; the Annihilator at The Chapel Performance Space on February 20th, 8-9PM.

This project has been in the works for many years, is deep in my heart, and is fully a collaboration of the sweetest hearts. This album reflects my feelings on humanity’s currently fucked state, and is a cry for the health of the artist; an ancient prayer.

We have limited capacity for this first show at 100 people, most of which is already reserved. I did not know how to offer the remaining seats and so I have hidden a token for them in some of my favorite places and views in Seattle. See photo details above for locations.

There are 12 seats remaining with some wiggle room for +1s.

These seat tokens are located at:
Ravenna Park on the walking bridge
Gas Works down by the water
Downtown at the edge of Pier 62
Discovery Park at my favorite tree view point

At these locations there is a hidden black bag with a piece of paper that has an email inside to send your reservation name. Take one and place the black bag sneakily back where you found it. The details of how to confirm your attendance are on the back.

Feel free to message me for more specific locations and whether there are any remaining seats.

If you’d really really love to come and this is limiting your ability, please message me, we can probably squeeze in a few extra!

Now presenting, esc, a piano based music project, with my first showing, Mother of the Pearl; the Annihilator at The Chapel Performance Space on February 20th, 8-9PM.

This project has been in the works for many years, is deep in my heart, and is fully a collaboration of the sweetest hearts. This album reflects my feelings on humanity’s currently fucked state, and is a cry for the health of the artist; an ancient prayer.

We have limited capacity for this first show at 100 people, most of which is already reserved. I did not know how to offer the remaining seats and so I have hidden a token for them in some of my favorite places and views in Seattle. See photo details above for locations.

There are 12 seats remaining with some wiggle room for +1s.

These seat tokens are located at:
Ravenna Park on the walking bridge
Gas Works down by the water
Downtown at the edge of Pier 62
Discovery Park at my favorite tree view point

At these locations there is a hidden black bag with a piece of paper that has an email inside to send your reservation name. Take one and place the black bag sneakily back where you found it. The details of how to confirm your attendance are on the back.

Feel free to message me for more specific locations and whether there are any remaining seats.

If you’d really really love to come and this is limiting your ability, please message me, we can probably squeeze in a few extra!

Now presenting, esc, a piano based music project, with my first showing, Mother of the Pearl; the Annihilator at The Chapel Performance Space on February 20th, 8-9PM.

This project has been in the works for many years, is deep in my heart, and is fully a collaboration of the sweetest hearts. This album reflects my feelings on humanity’s currently fucked state, and is a cry for the health of the artist; an ancient prayer.

We have limited capacity for this first show at 100 people, most of which is already reserved. I did not know how to offer the remaining seats and so I have hidden a token for them in some of my favorite places and views in Seattle. See photo details above for locations.

There are 12 seats remaining with some wiggle room for +1s.

These seat tokens are located at:
Ravenna Park on the walking bridge
Gas Works down by the water
Downtown at the edge of Pier 62
Discovery Park at my favorite tree view point

At these locations there is a hidden black bag with a piece of paper that has an email inside to send your reservation name. Take one and place the black bag sneakily back where you found it. The details of how to confirm your attendance are on the back.

Feel free to message me for more specific locations and whether there are any remaining seats.

If you’d really really love to come and this is limiting your ability, please message me, we can probably squeeze in a few extra!

Now presenting, esc, a piano based music project, with my first showing, Mother of the Pearl; the Annihilator at The Chapel Performance Space on February 20th, 8-9PM.

This project has been in the works for many years, is deep in my heart, and is fully a collaboration of the sweetest hearts. This album reflects my feelings on humanity’s currently fucked state, and is a cry for the health of the artist; an ancient prayer.

We have limited capacity for this first show at 100 people, most of which is already reserved. I did not know how to offer the remaining seats and so I have hidden a token for them in some of my favorite places and views in Seattle. See photo details above for locations.

There are 12 seats remaining with some wiggle room for +1s.

These seat tokens are located at:
Ravenna Park on the walking bridge
Gas Works down by the water
Downtown at the edge of Pier 62
Discovery Park at my favorite tree view point

At these locations there is a hidden black bag with a piece of paper that has an email inside to send your reservation name. Take one and place the black bag sneakily back where you found it. The details of how to confirm your attendance are on the back.

Feel free to message me for more specific locations and whether there are any remaining seats.

If you’d really really love to come and this is limiting your ability, please message me, we can probably squeeze in a few extra!

Now presenting, esc, a piano based music project, with my first showing, Mother of the Pearl; the Annihilator at The Chapel Performance Space on February 20th, 8-9PM.

This project has been in the works for many years, is deep in my heart, and is fully a collaboration of the sweetest hearts. This album reflects my feelings on humanity’s currently fucked state, and is a cry for the health of the artist; an ancient prayer.

We have limited capacity for this first show at 100 people, most of which is already reserved. I did not know how to offer the remaining seats and so I have hidden a token for them in some of my favorite places and views in Seattle. See photo details above for locations.

There are 12 seats remaining with some wiggle room for +1s.

These seat tokens are located at:
Ravenna Park on the walking bridge
Gas Works down by the water
Downtown at the edge of Pier 62
Discovery Park at my favorite tree view point

At these locations there is a hidden black bag with a piece of paper that has an email inside to send your reservation name. Take one and place the black bag sneakily back where you found it. The details of how to confirm your attendance are on the back.

Feel free to message me for more specific locations and whether there are any remaining seats.

If you’d really really love to come and this is limiting your ability, please message me, we can probably squeeze in a few extra!

Now presenting, esc, a piano based music project, with my first showing, Mother of the Pearl; the Annihilator at The Chapel Performance Space on February 20th, 8-9PM.

This project has been in the works for many years, is deep in my heart, and is fully a collaboration of the sweetest hearts. This album reflects my feelings on humanity’s currently fucked state, and is a cry for the health of the artist; an ancient prayer.

We have limited capacity for this first show at 100 people, most of which is already reserved. I did not know how to offer the remaining seats and so I have hidden a token for them in some of my favorite places and views in Seattle. See photo details above for locations.

There are 12 seats remaining with some wiggle room for +1s.

These seat tokens are located at:
Ravenna Park on the walking bridge
Gas Works down by the water
Downtown at the edge of Pier 62
Discovery Park at my favorite tree view point

At these locations there is a hidden black bag with a piece of paper that has an email inside to send your reservation name. Take one and place the black bag sneakily back where you found it. The details of how to confirm your attendance are on the back.

Feel free to message me for more specific locations and whether there are any remaining seats.

If you’d really really love to come and this is limiting your ability, please message me, we can probably squeeze in a few extra!

Now presenting, esc, a piano based music project, with my first showing, Mother of the Pearl; the Annihilator at The Chapel Performance Space on February 20th, 8-9PM.

This project has been in the works for many years, is deep in my heart, and is fully a collaboration of the sweetest hearts. This album reflects my feelings on humanity’s currently fucked state, and is a cry for the health of the artist; an ancient prayer.

We have limited capacity for this first show at 100 people, most of which is already reserved. I did not know how to offer the remaining seats and so I have hidden a token for them in some of my favorite places and views in Seattle. See photo details above for locations.

There are 12 seats remaining with some wiggle room for +1s.

These seat tokens are located at:
Ravenna Park on the walking bridge
Gas Works down by the water
Downtown at the edge of Pier 62
Discovery Park at my favorite tree view point

At these locations there is a hidden black bag with a piece of paper that has an email inside to send your reservation name. Take one and place the black bag sneakily back where you found it. The details of how to confirm your attendance are on the back.

Feel free to message me for more specific locations and whether there are any remaining seats.

If you’d really really love to come and this is limiting your ability, please message me, we can probably squeeze in a few extra!

Now presenting, esc, a piano based music project, with my first showing, Mother of the Pearl; the Annihilator at The Chapel Performance Space on February 20th, 8-9PM.

This project has been in the works for many years, is deep in my heart, and is fully a collaboration of the sweetest hearts. This album reflects my feelings on humanity’s currently fucked state, and is a cry for the health of the artist; an ancient prayer.

We have limited capacity for this first show at 100 people, most of which is already reserved. I did not know how to offer the remaining seats and so I have hidden a token for them in some of my favorite places and views in Seattle. See photo details above for locations.

There are 12 seats remaining with some wiggle room for +1s.

These seat tokens are located at:
Ravenna Park on the walking bridge
Gas Works down by the water
Downtown at the edge of Pier 62
Discovery Park at my favorite tree view point

At these locations there is a hidden black bag with a piece of paper that has an email inside to send your reservation name. Take one and place the black bag sneakily back where you found it. The details of how to confirm your attendance are on the back.

Feel free to message me for more specific locations and whether there are any remaining seats.

If you’d really really love to come and this is limiting your ability, please message me, we can probably squeeze in a few extra!

Now presenting, esc, a piano based music project, with my first showing, Mother of the Pearl; the Annihilator at The Chapel Performance Space on February 20th, 8-9PM.

This project has been in the works for many years, is deep in my heart, and is fully a collaboration of the sweetest hearts. This album reflects my feelings on humanity’s currently fucked state, and is a cry for the health of the artist; an ancient prayer.

We have limited capacity for this first show at 100 people, most of which is already reserved. I did not know how to offer the remaining seats and so I have hidden a token for them in some of my favorite places and views in Seattle. See photo details above for locations.

There are 12 seats remaining with some wiggle room for +1s.

These seat tokens are located at:
Ravenna Park on the walking bridge
Gas Works down by the water
Downtown at the edge of Pier 62
Discovery Park at my favorite tree view point

At these locations there is a hidden black bag with a piece of paper that has an email inside to send your reservation name. Take one and place the black bag sneakily back where you found it. The details of how to confirm your attendance are on the back.

Feel free to message me for more specific locations and whether there are any remaining seats.

If you’d really really love to come and this is limiting your ability, please message me, we can probably squeeze in a few extra!

Now presenting, esc, a piano based music project, with my first showing, Mother of the Pearl; the Annihilator at The Chapel Performance Space on February 20th, 8-9PM.

This project has been in the works for many years, is deep in my heart, and is fully a collaboration of the sweetest hearts. This album reflects my feelings on humanity’s currently fucked state, and is a cry for the health of the artist; an ancient prayer.

We have limited capacity for this first show at 100 people, most of which is already reserved. I did not know how to offer the remaining seats and so I have hidden a token for them in some of my favorite places and views in Seattle. See photo details above for locations.

There are 12 seats remaining with some wiggle room for +1s.

These seat tokens are located at:
Ravenna Park on the walking bridge
Gas Works down by the water
Downtown at the edge of Pier 62
Discovery Park at my favorite tree view point

At these locations there is a hidden black bag with a piece of paper that has an email inside to send your reservation name. Take one and place the black bag sneakily back where you found it. The details of how to confirm your attendance are on the back.

Feel free to message me for more specific locations and whether there are any remaining seats.

If you’d really really love to come and this is limiting your ability, please message me, we can probably squeeze in a few extra!

Now presenting, esc, a piano based music project, with my first showing, Mother of the Pearl; the Annihilator at The Chapel Performance Space on February 20th, 8-9PM.

This project has been in the works for many years, is deep in my heart, and is fully a collaboration of the sweetest hearts. This album reflects my feelings on humanity’s currently fucked state, and is a cry for the health of the artist; an ancient prayer.

We have limited capacity for this first show at 100 people, most of which is already reserved. I did not know how to offer the remaining seats and so I have hidden a token for them in some of my favorite places and views in Seattle. See photo details above for locations.

There are 12 seats remaining with some wiggle room for +1s.

These seat tokens are located at:
Ravenna Park on the walking bridge
Gas Works down by the water
Downtown at the edge of Pier 62
Discovery Park at my favorite tree view point

At these locations there is a hidden black bag with a piece of paper that has an email inside to send your reservation name. Take one and place the black bag sneakily back where you found it. The details of how to confirm your attendance are on the back.

Feel free to message me for more specific locations and whether there are any remaining seats.

If you’d really really love to come and this is limiting your ability, please message me, we can probably squeeze in a few extra!

Now presenting, esc, a piano based music project, with my first showing, Mother of the Pearl; the Annihilator at The Chapel Performance Space on February 20th, 8-9PM.

This project has been in the works for many years, is deep in my heart, and is fully a collaboration of the sweetest hearts. This album reflects my feelings on humanity’s currently fucked state, and is a cry for the health of the artist; an ancient prayer.

We have limited capacity for this first show at 100 people, most of which is already reserved. I did not know how to offer the remaining seats and so I have hidden a token for them in some of my favorite places and views in Seattle. See photo details above for locations.

There are 12 seats remaining with some wiggle room for +1s.

These seat tokens are located at:
Ravenna Park on the walking bridge
Gas Works down by the water
Downtown at the edge of Pier 62
Discovery Park at my favorite tree view point

At these locations there is a hidden black bag with a piece of paper that has an email inside to send your reservation name. Take one and place the black bag sneakily back where you found it. The details of how to confirm your attendance are on the back.

Feel free to message me for more specific locations and whether there are any remaining seats.

If you’d really really love to come and this is limiting your ability, please message me, we can probably squeeze in a few extra!

Now presenting, esc, a piano based music project, with my first showing, Mother of the Pearl; the Annihilator at The Chapel Performance Space on February 20th, 8-9PM.

This project has been in the works for many years, is deep in my heart, and is fully a collaboration of the sweetest hearts. This album reflects my feelings on humanity’s currently fucked state, and is a cry for the health of the artist; an ancient prayer.

We have limited capacity for this first show at 100 people, most of which is already reserved. I did not know how to offer the remaining seats and so I have hidden a token for them in some of my favorite places and views in Seattle. See photo details above for locations.

There are 12 seats remaining with some wiggle room for +1s.

These seat tokens are located at:
Ravenna Park on the walking bridge
Gas Works down by the water
Downtown at the edge of Pier 62
Discovery Park at my favorite tree view point

At these locations there is a hidden black bag with a piece of paper that has an email inside to send your reservation name. Take one and place the black bag sneakily back where you found it. The details of how to confirm your attendance are on the back.

Feel free to message me for more specific locations and whether there are any remaining seats.

If you’d really really love to come and this is limiting your ability, please message me, we can probably squeeze in a few extra!

Now presenting, esc, a piano based music project, with my first showing, Mother of the Pearl; the Annihilator at The Chapel Performance Space on February 20th, 8-9PM.

This project has been in the works for many years, is deep in my heart, and is fully a collaboration of the sweetest hearts. This album reflects my feelings on humanity’s currently fucked state, and is a cry for the health of the artist; an ancient prayer.

We have limited capacity for this first show at 100 people, most of which is already reserved. I did not know how to offer the remaining seats and so I have hidden a token for them in some of my favorite places and views in Seattle. See photo details above for locations.

There are 12 seats remaining with some wiggle room for +1s.

These seat tokens are located at:
Ravenna Park on the walking bridge
Gas Works down by the water
Downtown at the edge of Pier 62
Discovery Park at my favorite tree view point

At these locations there is a hidden black bag with a piece of paper that has an email inside to send your reservation name. Take one and place the black bag sneakily back where you found it. The details of how to confirm your attendance are on the back.

Feel free to message me for more specific locations and whether there are any remaining seats.

If you’d really really love to come and this is limiting your ability, please message me, we can probably squeeze in a few extra!

Now presenting, esc, a piano based music project, with my first showing, Mother of the Pearl; the Annihilator at The Chapel Performance Space on February 20th, 8-9PM.

This project has been in the works for many years, is deep in my heart, and is fully a collaboration of the sweetest hearts. This album reflects my feelings on humanity’s currently fucked state, and is a cry for the health of the artist; an ancient prayer.

We have limited capacity for this first show at 100 people, most of which is already reserved. I did not know how to offer the remaining seats and so I have hidden a token for them in some of my favorite places and views in Seattle. See photo details above for locations.

There are 12 seats remaining with some wiggle room for +1s.

These seat tokens are located at:
Ravenna Park on the walking bridge
Gas Works down by the water
Downtown at the edge of Pier 62
Discovery Park at my favorite tree view point

At these locations there is a hidden black bag with a piece of paper that has an email inside to send your reservation name. Take one and place the black bag sneakily back where you found it. The details of how to confirm your attendance are on the back.

Feel free to message me for more specific locations and whether there are any remaining seats.

If you’d really really love to come and this is limiting your ability, please message me, we can probably squeeze in a few extra!

Now presenting, esc, a piano based music project, with my first showing, Mother of the Pearl; the Annihilator at The Chapel Performance Space on February 20th, 8-9PM.

This project has been in the works for many years, is deep in my heart, and is fully a collaboration of the sweetest hearts. This album reflects my feelings on humanity’s currently fucked state, and is a cry for the health of the artist; an ancient prayer.

We have limited capacity for this first show at 100 people, most of which is already reserved. I did not know how to offer the remaining seats and so I have hidden a token for them in some of my favorite places and views in Seattle. See photo details above for locations.

There are 12 seats remaining with some wiggle room for +1s.

These seat tokens are located at:
Ravenna Park on the walking bridge
Gas Works down by the water
Downtown at the edge of Pier 62
Discovery Park at my favorite tree view point

At these locations there is a hidden black bag with a piece of paper that has an email inside to send your reservation name. Take one and place the black bag sneakily back where you found it. The details of how to confirm your attendance are on the back.

Feel free to message me for more specific locations and whether there are any remaining seats.

If you’d really really love to come and this is limiting your ability, please message me, we can probably squeeze in a few extra!

Now presenting, esc, a piano based music project, with my first showing, Mother of the Pearl; the Annihilator at The Chapel Performance Space on February 20th, 8-9PM.

This project has been in the works for many years, is deep in my heart, and is fully a collaboration of the sweetest hearts. This album reflects my feelings on humanity’s currently fucked state, and is a cry for the health of the artist; an ancient prayer.

We have limited capacity for this first show at 100 people, most of which is already reserved. I did not know how to offer the remaining seats and so I have hidden a token for them in some of my favorite places and views in Seattle. See photo details above for locations.

There are 12 seats remaining with some wiggle room for +1s.

These seat tokens are located at:
Ravenna Park on the walking bridge
Gas Works down by the water
Downtown at the edge of Pier 62
Discovery Park at my favorite tree view point

At these locations there is a hidden black bag with a piece of paper that has an email inside to send your reservation name. Take one and place the black bag sneakily back where you found it. The details of how to confirm your attendance are on the back.

Feel free to message me for more specific locations and whether there are any remaining seats.

If you’d really really love to come and this is limiting your ability, please message me, we can probably squeeze in a few extra!

Now presenting, esc, a piano based music project, with my first showing, Mother of the Pearl; the Annihilator at The Chapel Performance Space on February 20th, 8-9PM.

This project has been in the works for many years, is deep in my heart, and is fully a collaboration of the sweetest hearts. This album reflects my feelings on humanity’s currently fucked state, and is a cry for the health of the artist; an ancient prayer.

We have limited capacity for this first show at 100 people, most of which is already reserved. I did not know how to offer the remaining seats and so I have hidden a token for them in some of my favorite places and views in Seattle. See photo details above for locations.

There are 12 seats remaining with some wiggle room for +1s.

These seat tokens are located at:
Ravenna Park on the walking bridge
Gas Works down by the water
Downtown at the edge of Pier 62
Discovery Park at my favorite tree view point

At these locations there is a hidden black bag with a piece of paper that has an email inside to send your reservation name. Take one and place the black bag sneakily back where you found it. The details of how to confirm your attendance are on the back.

Feel free to message me for more specific locations and whether there are any remaining seats.

If you’d really really love to come and this is limiting your ability, please message me, we can probably squeeze in a few extra!

Now presenting: esc, a piano based music project, with my first showing, Mother of the Pearl; the Annihilator at The Chapel Performance Space on February 20th, 8-9PM.

This project and music has been in the works for many years, is deep in my heart, and is fully a collaboration of the sweetest hearts. This album reflects my feelings on humanity’s currently fucked state, and is a cry for the health of the artist; an ancient prayer.

For this show, we have limited capacity at 100 people, most of which is already reserved. I did not know how to offer the remaining seats and so I have hidden a token for them in some of my favorite places and views in Seattle. Look for photo details in my next post.

There are 12 seats remaining with some wiggle room for +1s.

These seat tokens are located at:
Ravenna Park on the walking bridge
Gas Works down by the water
Downtown at the edge of Pier 62
Discovery Park at my favorite tree view point

At these locations there is a hidden black bag with an email inside to send your reservation name. The details of these locations are in the post following.

Feel free to message me for more specific location details and whether there are any remaining seats. I’ll update once these are found.

If you’d really really love to come and this is limiting your ability, please message me, we can probably squeeze in a few extra
<3

Now presenting: esc, a piano based music project, with my first showing, Mother of the Pearl; the Annihilator at The Chapel Performance Space on February 20th, 8-9PM.

This project and music has been in the works for many years, is deep in my heart, and is fully a collaboration of the sweetest hearts. This album reflects my feelings on humanity’s currently fucked state, and is a cry for the health of the artist; an ancient prayer.

For this show, we have limited capacity at 100 people, most of which is already reserved. I did not know how to offer the remaining seats and so I have hidden a token for them in some of my favorite places and views in Seattle. Look for photo details in my next post.

There are 12 seats remaining with some wiggle room for +1s.

These seat tokens are located at:
Ravenna Park on the walking bridge
Gas Works down by the water
Downtown at the edge of Pier 62
Discovery Park at my favorite tree view point

At these locations there is a hidden black bag with an email inside to send your reservation name. The details of these locations are in the post following.

Feel free to message me for more specific location details and whether there are any remaining seats. I’ll update once these are found.

If you’d really really love to come and this is limiting your ability, please message me, we can probably squeeze in a few extra
<3

Now presenting: esc, a piano based music project, with my first showing, Mother of the Pearl; the Annihilator at The Chapel Performance Space on February 20th, 8-9PM.

This project and music has been in the works for many years, is deep in my heart, and is fully a collaboration of the sweetest hearts. This album reflects my feelings on humanity’s currently fucked state, and is a cry for the health of the artist; an ancient prayer.

For this show, we have limited capacity at 100 people, most of which is already reserved. I did not know how to offer the remaining seats and so I have hidden a token for them in some of my favorite places and views in Seattle. Look for photo details in my next post.

There are 12 seats remaining with some wiggle room for +1s.

These seat tokens are located at:
Ravenna Park on the walking bridge
Gas Works down by the water
Downtown at the edge of Pier 62
Discovery Park at my favorite tree view point

At these locations there is a hidden black bag with an email inside to send your reservation name. The details of these locations are in the post following.

Feel free to message me for more specific location details and whether there are any remaining seats. I’ll update once these are found.

If you’d really really love to come and this is limiting your ability, please message me, we can probably squeeze in a few extra
<3

next week- the final beta experiment for a project ive been workshopping

Friday, December 19th
8PM
Gallery 1412
w/ The Beachcomber Surfer’s Paradise
small venue / limited capacity

next week- the final beta experiment for a project ive been workshopping

Friday, December 19th
8PM
Gallery 1412
w/ The Beachcomber Surfer’s Paradise
small venue / limited capacity

next week- the final beta experiment for a project ive been workshopping

Friday, December 19th
8PM
Gallery 1412
w/ The Beachcomber Surfer’s Paradise
small venue / limited capacity

more, because i have so many days to be grateful for

celebrating a year of presence with sorrow and joy. thank you to the depthy mecca of precious angels that hold me

(happy sober anniversary to me)

more, because i have so many days to be grateful for

celebrating a year of presence with sorrow and joy. thank you to the depthy mecca of precious angels that hold me

(happy sober anniversary to me)

more, because i have so many days to be grateful for

celebrating a year of presence with sorrow and joy. thank you to the depthy mecca of precious angels that hold me

(happy sober anniversary to me)

more, because i have so many days to be grateful for

celebrating a year of presence with sorrow and joy. thank you to the depthy mecca of precious angels that hold me

(happy sober anniversary to me)

more, because i have so many days to be grateful for

celebrating a year of presence with sorrow and joy. thank you to the depthy mecca of precious angels that hold me

(happy sober anniversary to me)

more, because i have so many days to be grateful for

celebrating a year of presence with sorrow and joy. thank you to the depthy mecca of precious angels that hold me

(happy sober anniversary to me)

more, because i have so many days to be grateful for

celebrating a year of presence with sorrow and joy. thank you to the depthy mecca of precious angels that hold me

(happy sober anniversary to me)

more, because i have so many days to be grateful for

celebrating a year of presence with sorrow and joy. thank you to the depthy mecca of precious angels that hold me

(happy sober anniversary to me)

more, because i have so many days to be grateful for

celebrating a year of presence with sorrow and joy. thank you to the depthy mecca of precious angels that hold me

(happy sober anniversary to me)

more, because i have so many days to be grateful for

celebrating a year of presence with sorrow and joy. thank you to the depthy mecca of precious angels that hold me

(happy sober anniversary to me)

more, because i have so many days to be grateful for

celebrating a year of presence with sorrow and joy. thank you to the depthy mecca of precious angels that hold me

(happy sober anniversary to me)

more, because i have so many days to be grateful for

celebrating a year of presence with sorrow and joy. thank you to the depthy mecca of precious angels that hold me

(happy sober anniversary to me)

more, because i have so many days to be grateful for

celebrating a year of presence with sorrow and joy. thank you to the depthy mecca of precious angels that hold me

(happy sober anniversary to me)

more, because i have so many days to be grateful for

celebrating a year of presence with sorrow and joy. thank you to the depthy mecca of precious angels that hold me

(happy sober anniversary to me)

more, because i have so many days to be grateful for

celebrating a year of presence with sorrow and joy. thank you to the depthy mecca of precious angels that hold me

(happy sober anniversary to me)

more, because i have so many days to be grateful for

celebrating a year of presence with sorrow and joy. thank you to the depthy mecca of precious angels that hold me

(happy sober anniversary to me)

more, because i have so many days to be grateful for

celebrating a year of presence with sorrow and joy. thank you to the depthy mecca of precious angels that hold me

(happy sober anniversary to me)

more, because i have so many days to be grateful for

celebrating a year of presence with sorrow and joy. thank you to the depthy mecca of precious angels that hold me

(happy sober anniversary to me)

more, because i have so many days to be grateful for

celebrating a year of presence with sorrow and joy. thank you to the depthy mecca of precious angels that hold me

(happy sober anniversary to me)

more, because i have so many days to be grateful for

celebrating a year of presence with sorrow and joy. thank you to the depthy mecca of precious angels that hold me

(happy sober anniversary to me)

it’s my sober anniversary. here are a million pictures from my sweetest days over the last year and an ancient capture by @portal2myfantasy that never surfaced

crack, the shell comes new

it’s my sober anniversary. here are a million pictures from my sweetest days over the last year and an ancient capture by @portal2myfantasy that never surfaced

crack, the shell comes new

it’s my sober anniversary. here are a million pictures from my sweetest days over the last year and an ancient capture by @portal2myfantasy that never surfaced

crack, the shell comes new

it’s my sober anniversary. here are a million pictures from my sweetest days over the last year and an ancient capture by @portal2myfantasy that never surfaced

crack, the shell comes new

it’s my sober anniversary. here are a million pictures from my sweetest days over the last year and an ancient capture by @portal2myfantasy that never surfaced

crack, the shell comes new

it’s my sober anniversary. here are a million pictures from my sweetest days over the last year and an ancient capture by @portal2myfantasy that never surfaced

crack, the shell comes new

it’s my sober anniversary. here are a million pictures from my sweetest days over the last year and an ancient capture by @portal2myfantasy that never surfaced

crack, the shell comes new

it’s my sober anniversary. here are a million pictures from my sweetest days over the last year and an ancient capture by @portal2myfantasy that never surfaced

crack, the shell comes new

it’s my sober anniversary. here are a million pictures from my sweetest days over the last year and an ancient capture by @portal2myfantasy that never surfaced

crack, the shell comes new

it’s my sober anniversary. here are a million pictures from my sweetest days over the last year and an ancient capture by @portal2myfantasy that never surfaced

crack, the shell comes new

it’s my sober anniversary. here are a million pictures from my sweetest days over the last year and an ancient capture by @portal2myfantasy that never surfaced

crack, the shell comes new

it’s my sober anniversary. here are a million pictures from my sweetest days over the last year and an ancient capture by @portal2myfantasy that never surfaced

crack, the shell comes new

it’s my sober anniversary. here are a million pictures from my sweetest days over the last year and an ancient capture by @portal2myfantasy that never surfaced

crack, the shell comes new

it’s my sober anniversary. here are a million pictures from my sweetest days over the last year and an ancient capture by @portal2myfantasy that never surfaced

crack, the shell comes new

it’s my sober anniversary. here are a million pictures from my sweetest days over the last year and an ancient capture by @portal2myfantasy that never surfaced

crack, the shell comes new

it’s my sober anniversary. here are a million pictures from my sweetest days over the last year and an ancient capture by @portal2myfantasy that never surfaced

crack, the shell comes new

it’s my sober anniversary. here are a million pictures from my sweetest days over the last year and an ancient capture by @portal2myfantasy that never surfaced

crack, the shell comes new

it’s my sober anniversary. here are a million pictures from my sweetest days over the last year and an ancient capture by @portal2myfantasy that never surfaced

crack, the shell comes new

it’s my sober anniversary. here are a million pictures from my sweetest days over the last year and an ancient capture by @portal2myfantasy that never surfaced

crack, the shell comes new

it’s my sober anniversary. here are a million pictures from my sweetest days over the last year and an ancient capture by @portal2myfantasy that never surfaced

crack, the shell comes new

watching window

—-

eyes open under storms, we shift again

hbd @brideofrabbits 🖤

this is what we do with our nights

s0ng “28” by @s280f

—
grateful for these small safe places to hide and heal and prepare for some unknown. a rising come inside each we grow.

mustering the courage to be seen

🌿🌿🌿

wicked lil album release run comin up- this shot’s from a music video to be released mid June. Slide 2 is 1 of 3 summer/fall shows we will be playing, each very special (we’re playing outside, I can’t wait)this one with loves—@stetsonheatseeker @crazy.eyes.seattle @bad.optics at @addaball

🍄FREE SHOW🍄
Come slang some p-ball June 11th sweet darlings 🌀🌿🪳🐛🦟🐞🐇🖤🍄👀❤️‍🔥💗🕷💜🐜📷🎠🤤😁💄😄

shot by @verdantwxtch

🌿🌿🌿

wicked lil album release run comin up- this shot’s from a music video to be released mid June. Slide 2 is 1 of 3 summer/fall shows we will be playing, each very special (we’re playing outside, I can’t wait)this one with loves—@stetsonheatseeker @crazy.eyes.seattle @bad.optics at @addaball

🍄FREE SHOW🍄
Come slang some p-ball June 11th sweet darlings 🌀🌿🪳🐛🦟🐞🐇🖤🍄👀❤️‍🔥💗🕷💜🐜📷🎠🤤😁💄😄

shot by @verdantwxtch

🌿🌿🌿

wicked lil album release run comin up- this shot’s from a music video to be released mid June. Slide 2 is 1 of 3 summer/fall shows we will be playing, each very special (we’re playing outside, I can’t wait)this one with loves—@stetsonheatseeker @crazy.eyes.seattle @bad.optics at @addaball

🍄FREE SHOW🍄
Come slang some p-ball June 11th sweet darlings 🌀🌿🪳🐛🦟🐞🐇🖤🍄👀❤️‍🔥💗🕷💜🐜📷🎠🤤😁💄😄

shot by @verdantwxtch

i love those breaky noises (hello snot face!)

*the only way to treat a cop car*
give me back my bus bitches