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planxgallery
Plan X
Milan // Capri
A knife, a tattoo reading fuck ’em, a grip that feels both deliberate and instinctive. In Pascal Möhlmann’s painting, these elements do not resolve into a fixed narrative; they build a scene where toughness becomes image, posture becomes language, and meaning remains unsettled.
Part of “The Importance of Importance” now on view at Plan X Milan.
Pascal Möhlmann
VECCHIA SCUOLA, 2026
Oil on canvas
40 x 30 cm
@pascalmoehlmann
A knife, a tattoo reading fuck ’em, a grip that feels both deliberate and instinctive. In Pascal Möhlmann’s painting, these elements do not resolve into a fixed narrative; they build a scene where toughness becomes image, posture becomes language, and meaning remains unsettled.
Part of “The Importance of Importance” now on view at Plan X Milan.
Pascal Möhlmann
VECCHIA SCUOLA, 2026
Oil on canvas
40 x 30 cm
@pascalmoehlmann
We are proud to participate in this year’s edition of @artdubai with (@bosslady_tenu )Yatreda’s solo project. In a moment shaped by geopolitical instability, the role of art feels more urgent than ever: as a space for reflection, transmission, and connection across cultures. Through Digital Nefse, Yatreda gives form to memory and spiritual presence, bringing together sculpture and moving image in a language that speaks across material and digital realms.
///
Exhibition dates: 15-17 May 2026
Preview: 14 May 2026
@bosslady_tenu
We are proud to participate in this year’s edition of @artdubai with (@bosslady_tenu )Yatreda’s solo project. In a moment shaped by geopolitical instability, the role of art feels more urgent than ever: as a space for reflection, transmission, and connection across cultures. Through Digital Nefse, Yatreda gives form to memory and spiritual presence, bringing together sculpture and moving image in a language that speaks across material and digital realms.
///
Exhibition dates: 15-17 May 2026
Preview: 14 May 2026
@bosslady_tenu
“The Importance Of Importance” by @pascalmoehlmann is now on view at Plan X Milan until June 7.
Gallery hours:
Tuesday - Friday ( 10:30 - 13:00 // 14:00 - 18:30 )
Saturday ( 14:00 - 18:30 )
Plan X Milan
Via Marsala 7
“The Importance Of Importance” by @pascalmoehlmann is now on view at Plan X Milan until June 7.
Gallery hours:
Tuesday - Friday ( 10:30 - 13:00 // 14:00 - 18:30 )
Saturday ( 14:00 - 18:30 )
Plan X Milan
Via Marsala 7
“The Importance Of Importance” by @pascalmoehlmann is now on view at Plan X Milan until June 7.
Gallery hours:
Tuesday - Friday ( 10:30 - 13:00 // 14:00 - 18:30 )
Saturday ( 14:00 - 18:30 )
Plan X Milan
Via Marsala 7
“The Importance Of Importance” by @pascalmoehlmann is now on view at Plan X Milan until June 7.
Gallery hours:
Tuesday - Friday ( 10:30 - 13:00 // 14:00 - 18:30 )
Saturday ( 14:00 - 18:30 )
Plan X Milan
Via Marsala 7
“The Importance Of Importance” by @pascalmoehlmann is now on view at Plan X Milan until June 7.
Gallery hours:
Tuesday - Friday ( 10:30 - 13:00 // 14:00 - 18:30 )
Saturday ( 14:00 - 18:30 )
Plan X Milan
Via Marsala 7
“The Importance Of Importance” by @pascalmoehlmann is now on view at Plan X Milan until June 7.
Gallery hours:
Tuesday - Friday ( 10:30 - 13:00 // 14:00 - 18:30 )
Saturday ( 14:00 - 18:30 )
Plan X Milan
Via Marsala 7
“The Importance Of Importance” by @pascalmoehlmann is now on view at Plan X Milan until June 7.
Gallery hours:
Tuesday - Friday ( 10:30 - 13:00 // 14:00 - 18:30 )
Saturday ( 14:00 - 18:30 )
Plan X Milan
Via Marsala 7
“The Importance Of Importance” by @pascalmoehlmann is now on view at Plan X Milan until June 7.
Gallery hours:
Tuesday - Friday ( 10:30 - 13:00 // 14:00 - 18:30 )
Saturday ( 14:00 - 18:30 )
Plan X Milan
Via Marsala 7
“The Importance Of Importance” by @pascalmoehlmann is now on view at Plan X Milan until June 7.
Gallery hours:
Tuesday - Friday ( 10:30 - 13:00 // 14:00 - 18:30 )
Saturday ( 14:00 - 18:30 )
Plan X Milan
Via Marsala 7
“The Importance Of Importance” by @pascalmoehlmann is now on view at Plan X Milan until June 7.
Gallery hours:
Tuesday - Friday ( 10:30 - 13:00 // 14:00 - 18:30 )
Saturday ( 14:00 - 18:30 )
Plan X Milan
Via Marsala 7
Shhh… Pascal Möhlmann exhibition is opening tomorrow May 7 at Plan X Milan. 🤫
Pascal Möhlmann
NOCTURNE 42, 2026
Oil on canvas
100 x 80 cm
@pascalmoehlmann
Shhh… Pascal Möhlmann exhibition is opening tomorrow May 7 at Plan X Milan. 🤫
Pascal Möhlmann
NOCTURNE 42, 2026
Oil on canvas
100 x 80 cm
@pascalmoehlmann
We are honored to announce our participation in Art Dubai this year with a solo booth presentation by the incredibly talented Yatreda (@bosslady_tenu )
We will present two new artworks:
Zewed and Sedea.
Each artwork consists of a sculpture and its adornment, paired with a digital nefse.
Nefse means soul: a first-person film that carries the memory of the physical object.
@artdubai
“Antenna” by @pascalmoehlmann will be part of his upcoming solo exhibition “The Importance of Importance,” opening at Plan X Milan on Thursday, 7 May.
Pascal Möhlmann
ANTENNA, 2026
Oil on canvas
35 × 25 cm
“Antenna” by @pascalmoehlmann will be part of his upcoming solo exhibition “The Importance of Importance,” opening at Plan X Milan on Thursday, 7 May.
Pascal Möhlmann
ANTENNA, 2026
Oil on canvas
35 × 25 cm
Pascal Möhlmann returns to Milan for his second solo exhibition at Plan X, “The Importance of Importance”,
opening 7 May.
In this new body of work, Möhlmann stages images charged with consequence, where figures, objects and gestures seem caught within events whose meaning remains just out of reach. Drawing on the theatrical force of historical painting, he uses light, shadow and composition to create a sense of gravity even when what we are looking at resists full explanation.
At the core of the exhibition is a simple but unresolved question: are the events before us random, or do they belong to a larger, hidden order? In Möhlmann’s hands, painting becomes a way of holding that tension open, producing the sensation of significance without ever fully disclosing its meaning.
@pascalmoehlmann
Rubén Einsmann “La Feira III”
Oil and acrylic on canvas
196 x 160 cm (77 1/8 x 63 in)
Rubén Einsmann “La Feira III”
Oil and acrylic on canvas
196 x 160 cm (77 1/8 x 63 in)
“To see a World in a Grain of Sand,
And a Heaven in a Wild Flower.”
- William Blake
Javier Ruiz
Tres flores, 2025
Oil on canvas
50 x 40 cm (19 3/4 x 15 3/4 in)
@javierruiz_studio
“To see a World in a Grain of Sand,
And a Heaven in a Wild Flower.”
- William Blake
Javier Ruiz
Tres flores, 2025
Oil on canvas
50 x 40 cm (19 3/4 x 15 3/4 in)
@javierruiz_studio
Six N. Five invites us into a visual universe where the digital never feels distant or cold. Through CGI, 3D, and sculpture, Ezequiel Pini builds spaces that seem to hover between the tangible and the imagined, balancing precision with wonder. In his work, natural elements and technological language do not oppose each other, but meet in a seamless, suspended dimension.
@sixnfive
Six N. Five invites us into a visual universe where the digital never feels distant or cold. Through CGI, 3D, and sculpture, Ezequiel Pini builds spaces that seem to hover between the tangible and the imagined, balancing precision with wonder. In his work, natural elements and technological language do not oppose each other, but meet in a seamless, suspended dimension.
@sixnfive
Six N. Five invites us into a visual universe where the digital never feels distant or cold. Through CGI, 3D, and sculpture, Ezequiel Pini builds spaces that seem to hover between the tangible and the imagined, balancing precision with wonder. In his work, natural elements and technological language do not oppose each other, but meet in a seamless, suspended dimension.
@sixnfive
Six N. Five invites us into a visual universe where the digital never feels distant or cold. Through CGI, 3D, and sculpture, Ezequiel Pini builds spaces that seem to hover between the tangible and the imagined, balancing precision with wonder. In his work, natural elements and technological language do not oppose each other, but meet in a seamless, suspended dimension.
@sixnfive
Six N. Five invites us into a visual universe where the digital never feels distant or cold. Through CGI, 3D, and sculpture, Ezequiel Pini builds spaces that seem to hover between the tangible and the imagined, balancing precision with wonder. In his work, natural elements and technological language do not oppose each other, but meet in a seamless, suspended dimension.
@sixnfive
Six N. Five invites us into a visual universe where the digital never feels distant or cold. Through CGI, 3D, and sculpture, Ezequiel Pini builds spaces that seem to hover between the tangible and the imagined, balancing precision with wonder. In his work, natural elements and technological language do not oppose each other, but meet in a seamless, suspended dimension.
@sixnfive
“Broken Hearted” by @filip_mirazovic
Now on view at Plan X Milan.
Broken Harted,2026
Oil on linen
132 x 83 cm
52 x 32 5/8 in
“Broken Hearted” by @filip_mirazovic
Now on view at Plan X Milan.
Broken Harted,2026
Oil on linen
132 x 83 cm
52 x 32 5/8 in
“Looking Glass Self” by @thankyoux from the series “Perception”.
A work shaped as much by what is concealed as by what remains visible. In Looking Glass Self, areas of the composition are intentionally covered, not to obscure the image, but to sharpen the way we experience it. An embedded digital element introduces a subtle, continuous shift, turning the painting into something unstable, alive, and always slightly out of reach.
ThankYouX
“Looking Glass Self”, 2026
Acrylic and LCD digital screen on wood
125 x 65 cm ( 25.5 x 49.5 inches )
“Looking Glass Self” by @thankyoux from the series “Perception”.
A work shaped as much by what is concealed as by what remains visible. In Looking Glass Self, areas of the composition are intentionally covered, not to obscure the image, but to sharpen the way we experience it. An embedded digital element introduces a subtle, continuous shift, turning the painting into something unstable, alive, and always slightly out of reach.
ThankYouX
“Looking Glass Self”, 2026
Acrylic and LCD digital screen on wood
125 x 65 cm ( 25.5 x 49.5 inches )
“Looking Glass Self” by @thankyoux from the series “Perception”.
A work shaped as much by what is concealed as by what remains visible. In Looking Glass Self, areas of the composition are intentionally covered, not to obscure the image, but to sharpen the way we experience it. An embedded digital element introduces a subtle, continuous shift, turning the painting into something unstable, alive, and always slightly out of reach.
ThankYouX
“Looking Glass Self”, 2026
Acrylic and LCD digital screen on wood
125 x 65 cm ( 25.5 x 49.5 inches )
“Looking Glass Self” by @thankyoux from the series “Perception”.
A work shaped as much by what is concealed as by what remains visible. In Looking Glass Self, areas of the composition are intentionally covered, not to obscure the image, but to sharpen the way we experience it. An embedded digital element introduces a subtle, continuous shift, turning the painting into something unstable, alive, and always slightly out of reach.
ThankYouX
“Looking Glass Self”, 2026
Acrylic and LCD digital screen on wood
125 x 65 cm ( 25.5 x 49.5 inches )
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