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And here are a few Set pics.

2nd and 4th 📷 by @peterbohdal

You can see the commercial in previous post.

Here’s a special one. I’ve teamed up with the legendary director Nacho Gayan (@nachogayan) for this project, from the very beginning to the very end of its production, all taken by the hand of the unique talent of EP, Toni Moreno (@soy_toni), pushing the boundaries to design and create a very special building with strange behaviours, to shoot the remake of one of the most iconic scenes of Harry Potter.

This unique project has been scripted and created after a few years’ push by Pol Martinez (@_polmartinez) and Rosas (@rosasagency).

I wanted to give a very special mention and massive thanks to my incredible team in Toronto. Art Directed by my good friend Peter Bodhal (@peterbohdal), Neal Hall (@radioneals) our incredible Set Decorator, Chloe Olson our unique Prop Master, Alex Zuck (@zuuuuuuuuck) our amazing Art Dept Coord, Phil Carvalho (@phillycarvalho) our ultra-skilled Construction Coordinator and all his incredible team, Kim Sison (@kimachuart) our super talented Graphic Designer, Dylan Darwin (@dylandarwin) amazing hand-drawn graphics. Big massive thanks to my right hand for the last 15 years, incredible Draftsman, David Brufau (@dbrenders). This has been one of the most incredible teams I’ve ever worked with.

Many thanks to Agosto Productions (@elagosto).

And here are a few Set pics.

2nd and 4th 📷 by @peterbohdal

You can see the commercial in previous post.

Here’s a special one. I’ve teamed up with the legendary director Nacho Gayan (@nachogayan) for this project, from the very beginning to the very end of its production, all taken by the hand of the unique talent of EP, Toni Moreno (@soy_toni), pushing the boundaries to design and create a very special building with strange behaviours, to shoot the remake of one of the most iconic scenes of Harry Potter.

This unique project has been scripted and created after a few years’ push by Pol Martinez (@_polmartinez) and Rosas (@rosasagency).

I wanted to give a very special mention and massive thanks to my incredible team in Toronto. Art Directed by my good friend Peter Bodhal (@peterbohdal), Neal Hall (@radioneals) our incredible Set Decorator, Chloe Olson our unique Prop Master, Alex Zuck (@zuuuuuuuuck) our amazing Art Dept Coord, Phil Carvalho (@phillycarvalho) our ultra-skilled Construction Coordinator and all his incredible team, Kim Sison (@kimachuart) our super talented Graphic Designer, Dylan Darwin (@dylandarwin) amazing hand-drawn graphics. Big massive thanks to my right hand for the last 15 years, incredible Draftsman, David Brufau (@dbrenders). This has been one of the most incredible teams I’ve ever worked with.

Many thanks to Agosto Productions (@elagosto).

And here are a few Set pics.

2nd and 4th 📷 by @peterbohdal

You can see the commercial in previous post.

Here’s a special one. I’ve teamed up with the legendary director Nacho Gayan (@nachogayan) for this project, from the very beginning to the very end of its production, all taken by the hand of the unique talent of EP, Toni Moreno (@soy_toni), pushing the boundaries to design and create a very special building with strange behaviours, to shoot the remake of one of the most iconic scenes of Harry Potter.

This unique project has been scripted and created after a few years’ push by Pol Martinez (@_polmartinez) and Rosas (@rosasagency).

I wanted to give a very special mention and massive thanks to my incredible team in Toronto. Art Directed by my good friend Peter Bodhal (@peterbohdal), Neal Hall (@radioneals) our incredible Set Decorator, Chloe Olson our unique Prop Master, Alex Zuck (@zuuuuuuuuck) our amazing Art Dept Coord, Phil Carvalho (@phillycarvalho) our ultra-skilled Construction Coordinator and all his incredible team, Kim Sison (@kimachuart) our super talented Graphic Designer, Dylan Darwin (@dylandarwin) amazing hand-drawn graphics. Big massive thanks to my right hand for the last 15 years, incredible Draftsman, David Brufau (@dbrenders). This has been one of the most incredible teams I’ve ever worked with.

Many thanks to Agosto Productions (@elagosto).

And here are a few Set pics.

2nd and 4th 📷 by @peterbohdal

You can see the commercial in previous post.

Here’s a special one. I’ve teamed up with the legendary director Nacho Gayan (@nachogayan) for this project, from the very beginning to the very end of its production, all taken by the hand of the unique talent of EP, Toni Moreno (@soy_toni), pushing the boundaries to design and create a very special building with strange behaviours, to shoot the remake of one of the most iconic scenes of Harry Potter.

This unique project has been scripted and created after a few years’ push by Pol Martinez (@_polmartinez) and Rosas (@rosasagency).

I wanted to give a very special mention and massive thanks to my incredible team in Toronto. Art Directed by my good friend Peter Bodhal (@peterbohdal), Neal Hall (@radioneals) our incredible Set Decorator, Chloe Olson our unique Prop Master, Alex Zuck (@zuuuuuuuuck) our amazing Art Dept Coord, Phil Carvalho (@phillycarvalho) our ultra-skilled Construction Coordinator and all his incredible team, Kim Sison (@kimachuart) our super talented Graphic Designer, Dylan Darwin (@dylandarwin) amazing hand-drawn graphics. Big massive thanks to my right hand for the last 15 years, incredible Draftsman, David Brufau (@dbrenders). This has been one of the most incredible teams I’ve ever worked with.

Many thanks to Agosto Productions (@elagosto).

And here are a few Set pics.

2nd and 4th 📷 by @peterbohdal

You can see the commercial in previous post.

Here’s a special one. I’ve teamed up with the legendary director Nacho Gayan (@nachogayan) for this project, from the very beginning to the very end of its production, all taken by the hand of the unique talent of EP, Toni Moreno (@soy_toni), pushing the boundaries to design and create a very special building with strange behaviours, to shoot the remake of one of the most iconic scenes of Harry Potter.

This unique project has been scripted and created after a few years’ push by Pol Martinez (@_polmartinez) and Rosas (@rosasagency).

I wanted to give a very special mention and massive thanks to my incredible team in Toronto. Art Directed by my good friend Peter Bodhal (@peterbohdal), Neal Hall (@radioneals) our incredible Set Decorator, Chloe Olson our unique Prop Master, Alex Zuck (@zuuuuuuuuck) our amazing Art Dept Coord, Phil Carvalho (@phillycarvalho) our ultra-skilled Construction Coordinator and all his incredible team, Kim Sison (@kimachuart) our super talented Graphic Designer, Dylan Darwin (@dylandarwin) amazing hand-drawn graphics. Big massive thanks to my right hand for the last 15 years, incredible Draftsman, David Brufau (@dbrenders). This has been one of the most incredible teams I’ve ever worked with.

Many thanks to Agosto Productions (@elagosto).

And here are a few Set pics.

2nd and 4th 📷 by @peterbohdal

You can see the commercial in previous post.

Here’s a special one. I’ve teamed up with the legendary director Nacho Gayan (@nachogayan) for this project, from the very beginning to the very end of its production, all taken by the hand of the unique talent of EP, Toni Moreno (@soy_toni), pushing the boundaries to design and create a very special building with strange behaviours, to shoot the remake of one of the most iconic scenes of Harry Potter.

This unique project has been scripted and created after a few years’ push by Pol Martinez (@_polmartinez) and Rosas (@rosasagency).

I wanted to give a very special mention and massive thanks to my incredible team in Toronto. Art Directed by my good friend Peter Bodhal (@peterbohdal), Neal Hall (@radioneals) our incredible Set Decorator, Chloe Olson our unique Prop Master, Alex Zuck (@zuuuuuuuuck) our amazing Art Dept Coord, Phil Carvalho (@phillycarvalho) our ultra-skilled Construction Coordinator and all his incredible team, Kim Sison (@kimachuart) our super talented Graphic Designer, Dylan Darwin (@dylandarwin) amazing hand-drawn graphics. Big massive thanks to my right hand for the last 15 years, incredible Draftsman, David Brufau (@dbrenders). This has been one of the most incredible teams I’ve ever worked with.

Many thanks to Agosto Productions (@elagosto).

And here are a few Set pics.

2nd and 4th 📷 by @peterbohdal

You can see the commercial in previous post.

Here’s a special one. I’ve teamed up with the legendary director Nacho Gayan (@nachogayan) for this project, from the very beginning to the very end of its production, all taken by the hand of the unique talent of EP, Toni Moreno (@soy_toni), pushing the boundaries to design and create a very special building with strange behaviours, to shoot the remake of one of the most iconic scenes of Harry Potter.

This unique project has been scripted and created after a few years’ push by Pol Martinez (@_polmartinez) and Rosas (@rosasagency).

I wanted to give a very special mention and massive thanks to my incredible team in Toronto. Art Directed by my good friend Peter Bodhal (@peterbohdal), Neal Hall (@radioneals) our incredible Set Decorator, Chloe Olson our unique Prop Master, Alex Zuck (@zuuuuuuuuck) our amazing Art Dept Coord, Phil Carvalho (@phillycarvalho) our ultra-skilled Construction Coordinator and all his incredible team, Kim Sison (@kimachuart) our super talented Graphic Designer, Dylan Darwin (@dylandarwin) amazing hand-drawn graphics. Big massive thanks to my right hand for the last 15 years, incredible Draftsman, David Brufau (@dbrenders). This has been one of the most incredible teams I’ve ever worked with.

Many thanks to Agosto Productions (@elagosto).

And here are a few Set pics.

2nd and 4th 📷 by @peterbohdal

You can see the commercial in previous post.

Here’s a special one. I’ve teamed up with the legendary director Nacho Gayan (@nachogayan) for this project, from the very beginning to the very end of its production, all taken by the hand of the unique talent of EP, Toni Moreno (@soy_toni), pushing the boundaries to design and create a very special building with strange behaviours, to shoot the remake of one of the most iconic scenes of Harry Potter.

This unique project has been scripted and created after a few years’ push by Pol Martinez (@_polmartinez) and Rosas (@rosasagency).

I wanted to give a very special mention and massive thanks to my incredible team in Toronto. Art Directed by my good friend Peter Bodhal (@peterbohdal), Neal Hall (@radioneals) our incredible Set Decorator, Chloe Olson our unique Prop Master, Alex Zuck (@zuuuuuuuuck) our amazing Art Dept Coord, Phil Carvalho (@phillycarvalho) our ultra-skilled Construction Coordinator and all his incredible team, Kim Sison (@kimachuart) our super talented Graphic Designer, Dylan Darwin (@dylandarwin) amazing hand-drawn graphics. Big massive thanks to my right hand for the last 15 years, incredible Draftsman, David Brufau (@dbrenders). This has been one of the most incredible teams I’ve ever worked with.

Many thanks to Agosto Productions (@elagosto).

And here are a few Set pics.

2nd and 4th 📷 by @peterbohdal

You can see the commercial in previous post.

Here’s a special one. I’ve teamed up with the legendary director Nacho Gayan (@nachogayan) for this project, from the very beginning to the very end of its production, all taken by the hand of the unique talent of EP, Toni Moreno (@soy_toni), pushing the boundaries to design and create a very special building with strange behaviours, to shoot the remake of one of the most iconic scenes of Harry Potter.

This unique project has been scripted and created after a few years’ push by Pol Martinez (@_polmartinez) and Rosas (@rosasagency).

I wanted to give a very special mention and massive thanks to my incredible team in Toronto. Art Directed by my good friend Peter Bodhal (@peterbohdal), Neal Hall (@radioneals) our incredible Set Decorator, Chloe Olson our unique Prop Master, Alex Zuck (@zuuuuuuuuck) our amazing Art Dept Coord, Phil Carvalho (@phillycarvalho) our ultra-skilled Construction Coordinator and all his incredible team, Kim Sison (@kimachuart) our super talented Graphic Designer, Dylan Darwin (@dylandarwin) amazing hand-drawn graphics. Big massive thanks to my right hand for the last 15 years, incredible Draftsman, David Brufau (@dbrenders). This has been one of the most incredible teams I’ve ever worked with.

Many thanks to Agosto Productions (@elagosto).

And here are a few Set pics.

2nd and 4th 📷 by @peterbohdal

You can see the commercial in previous post.

Here’s a special one. I’ve teamed up with the legendary director Nacho Gayan (@nachogayan) for this project, from the very beginning to the very end of its production, all taken by the hand of the unique talent of EP, Toni Moreno (@soy_toni), pushing the boundaries to design and create a very special building with strange behaviours, to shoot the remake of one of the most iconic scenes of Harry Potter.

This unique project has been scripted and created after a few years’ push by Pol Martinez (@_polmartinez) and Rosas (@rosasagency).

I wanted to give a very special mention and massive thanks to my incredible team in Toronto. Art Directed by my good friend Peter Bodhal (@peterbohdal), Neal Hall (@radioneals) our incredible Set Decorator, Chloe Olson our unique Prop Master, Alex Zuck (@zuuuuuuuuck) our amazing Art Dept Coord, Phil Carvalho (@phillycarvalho) our ultra-skilled Construction Coordinator and all his incredible team, Kim Sison (@kimachuart) our super talented Graphic Designer, Dylan Darwin (@dylandarwin) amazing hand-drawn graphics. Big massive thanks to my right hand for the last 15 years, incredible Draftsman, David Brufau (@dbrenders). This has been one of the most incredible teams I’ve ever worked with.

Many thanks to Agosto Productions (@elagosto).

And here are a few Set pics.

2nd and 4th 📷 by @peterbohdal

You can see the commercial in previous post.

Here’s a special one. I’ve teamed up with the legendary director Nacho Gayan (@nachogayan) for this project, from the very beginning to the very end of its production, all taken by the hand of the unique talent of EP, Toni Moreno (@soy_toni), pushing the boundaries to design and create a very special building with strange behaviours, to shoot the remake of one of the most iconic scenes of Harry Potter.

This unique project has been scripted and created after a few years’ push by Pol Martinez (@_polmartinez) and Rosas (@rosasagency).

I wanted to give a very special mention and massive thanks to my incredible team in Toronto. Art Directed by my good friend Peter Bodhal (@peterbohdal), Neal Hall (@radioneals) our incredible Set Decorator, Chloe Olson our unique Prop Master, Alex Zuck (@zuuuuuuuuck) our amazing Art Dept Coord, Phil Carvalho (@phillycarvalho) our ultra-skilled Construction Coordinator and all his incredible team, Kim Sison (@kimachuart) our super talented Graphic Designer, Dylan Darwin (@dylandarwin) amazing hand-drawn graphics. Big massive thanks to my right hand for the last 15 years, incredible Draftsman, David Brufau (@dbrenders). This has been one of the most incredible teams I’ve ever worked with.

Many thanks to Agosto Productions (@elagosto).

And here are a few Set pics.

2nd and 4th 📷 by @peterbohdal

You can see the commercial in previous post.

Here’s a special one. I’ve teamed up with the legendary director Nacho Gayan (@nachogayan) for this project, from the very beginning to the very end of its production, all taken by the hand of the unique talent of EP, Toni Moreno (@soy_toni), pushing the boundaries to design and create a very special building with strange behaviours, to shoot the remake of one of the most iconic scenes of Harry Potter.

This unique project has been scripted and created after a few years’ push by Pol Martinez (@_polmartinez) and Rosas (@rosasagency).

I wanted to give a very special mention and massive thanks to my incredible team in Toronto. Art Directed by my good friend Peter Bodhal (@peterbohdal), Neal Hall (@radioneals) our incredible Set Decorator, Chloe Olson our unique Prop Master, Alex Zuck (@zuuuuuuuuck) our amazing Art Dept Coord, Phil Carvalho (@phillycarvalho) our ultra-skilled Construction Coordinator and all his incredible team, Kim Sison (@kimachuart) our super talented Graphic Designer, Dylan Darwin (@dylandarwin) amazing hand-drawn graphics. Big massive thanks to my right hand for the last 15 years, incredible Draftsman, David Brufau (@dbrenders). This has been one of the most incredible teams I’ve ever worked with.

Many thanks to Agosto Productions (@elagosto).

And here are a few Set pics.

2nd and 4th 📷 by @peterbohdal

You can see the commercial in previous post.

Here’s a special one. I’ve teamed up with the legendary director Nacho Gayan (@nachogayan) for this project, from the very beginning to the very end of its production, all taken by the hand of the unique talent of EP, Toni Moreno (@soy_toni), pushing the boundaries to design and create a very special building with strange behaviours, to shoot the remake of one of the most iconic scenes of Harry Potter.

This unique project has been scripted and created after a few years’ push by Pol Martinez (@_polmartinez) and Rosas (@rosasagency).

I wanted to give a very special mention and massive thanks to my incredible team in Toronto. Art Directed by my good friend Peter Bodhal (@peterbohdal), Neal Hall (@radioneals) our incredible Set Decorator, Chloe Olson our unique Prop Master, Alex Zuck (@zuuuuuuuuck) our amazing Art Dept Coord, Phil Carvalho (@phillycarvalho) our ultra-skilled Construction Coordinator and all his incredible team, Kim Sison (@kimachuart) our super talented Graphic Designer, Dylan Darwin (@dylandarwin) amazing hand-drawn graphics. Big massive thanks to my right hand for the last 15 years, incredible Draftsman, David Brufau (@dbrenders). This has been one of the most incredible teams I’ve ever worked with.

Many thanks to Agosto Productions (@elagosto).

And here are a few Set pics.

2nd and 4th 📷 by @peterbohdal

You can see the commercial in previous post.

Here’s a special one. I’ve teamed up with the legendary director Nacho Gayan (@nachogayan) for this project, from the very beginning to the very end of its production, all taken by the hand of the unique talent of EP, Toni Moreno (@soy_toni), pushing the boundaries to design and create a very special building with strange behaviours, to shoot the remake of one of the most iconic scenes of Harry Potter.

This unique project has been scripted and created after a few years’ push by Pol Martinez (@_polmartinez) and Rosas (@rosasagency).

I wanted to give a very special mention and massive thanks to my incredible team in Toronto. Art Directed by my good friend Peter Bodhal (@peterbohdal), Neal Hall (@radioneals) our incredible Set Decorator, Chloe Olson our unique Prop Master, Alex Zuck (@zuuuuuuuuck) our amazing Art Dept Coord, Phil Carvalho (@phillycarvalho) our ultra-skilled Construction Coordinator and all his incredible team, Kim Sison (@kimachuart) our super talented Graphic Designer, Dylan Darwin (@dylandarwin) amazing hand-drawn graphics. Big massive thanks to my right hand for the last 15 years, incredible Draftsman, David Brufau (@dbrenders). This has been one of the most incredible teams I’ve ever worked with.

Many thanks to Agosto Productions (@elagosto).

Here are some of my drafts, sketches and brainstorming made to bring this building-machine-archive to life.

You can see the commercial in the previous post.

I’ve teamed up with the legendary director Nacho Gayan (@nachogayan) for this project, from the very beginning to the very end of its production, all taken by the hand of the unique talent of EP, Toni Moreno (@soy_toni), pushing the boundaries to design and create a very special building with strange behaviours, to shoot the remake of one of the most iconic scenes of Harry Potter.

This unique project has been scripted and created after a few years’ push by Pol Martinez (@_polmartinez) and Rosas (@rosasagency).

I wanted to give a very special mention and massive thanks to my incredible team in Toronto. Art Directed by my good friend Peter Bodhal (@peterbohdal), Neal Hall (@radioneals) our incredible Set Decorator, Chloe Olson our unique Prop Master, Alex Zuck (@zuuuuuuuuck) our amazing Art Dept Coord, Phil Carvalho (@phillycarvalho) our ultra-skilled Construction Coordinator and all his incredible team, Kim Sison (@kimachuart) our super talented Graphic Designer, Dylan Darwin (@dylandarwin) amazing hand-drawn graphics. Big massive thanks to my right hand for the last 15 years, incredible Draftsman, David Brufau (@dbrenders). This has been one of the most incredible teams I’ve ever worked with.

Many thanks to Agosto Productions (@elagosto).

In the next posts, I will be displaying set pics, and renders.

Here are some of my drafts, sketches and brainstorming made to bring this building-machine-archive to life.

You can see the commercial in the previous post.

I’ve teamed up with the legendary director Nacho Gayan (@nachogayan) for this project, from the very beginning to the very end of its production, all taken by the hand of the unique talent of EP, Toni Moreno (@soy_toni), pushing the boundaries to design and create a very special building with strange behaviours, to shoot the remake of one of the most iconic scenes of Harry Potter.

This unique project has been scripted and created after a few years’ push by Pol Martinez (@_polmartinez) and Rosas (@rosasagency).

I wanted to give a very special mention and massive thanks to my incredible team in Toronto. Art Directed by my good friend Peter Bodhal (@peterbohdal), Neal Hall (@radioneals) our incredible Set Decorator, Chloe Olson our unique Prop Master, Alex Zuck (@zuuuuuuuuck) our amazing Art Dept Coord, Phil Carvalho (@phillycarvalho) our ultra-skilled Construction Coordinator and all his incredible team, Kim Sison (@kimachuart) our super talented Graphic Designer, Dylan Darwin (@dylandarwin) amazing hand-drawn graphics. Big massive thanks to my right hand for the last 15 years, incredible Draftsman, David Brufau (@dbrenders). This has been one of the most incredible teams I’ve ever worked with.

Many thanks to Agosto Productions (@elagosto).

In the next posts, I will be displaying set pics, and renders.

Here are some of my drafts, sketches and brainstorming made to bring this building-machine-archive to life.

You can see the commercial in the previous post.

I’ve teamed up with the legendary director Nacho Gayan (@nachogayan) for this project, from the very beginning to the very end of its production, all taken by the hand of the unique talent of EP, Toni Moreno (@soy_toni), pushing the boundaries to design and create a very special building with strange behaviours, to shoot the remake of one of the most iconic scenes of Harry Potter.

This unique project has been scripted and created after a few years’ push by Pol Martinez (@_polmartinez) and Rosas (@rosasagency).

I wanted to give a very special mention and massive thanks to my incredible team in Toronto. Art Directed by my good friend Peter Bodhal (@peterbohdal), Neal Hall (@radioneals) our incredible Set Decorator, Chloe Olson our unique Prop Master, Alex Zuck (@zuuuuuuuuck) our amazing Art Dept Coord, Phil Carvalho (@phillycarvalho) our ultra-skilled Construction Coordinator and all his incredible team, Kim Sison (@kimachuart) our super talented Graphic Designer, Dylan Darwin (@dylandarwin) amazing hand-drawn graphics. Big massive thanks to my right hand for the last 15 years, incredible Draftsman, David Brufau (@dbrenders). This has been one of the most incredible teams I’ve ever worked with.

Many thanks to Agosto Productions (@elagosto).

In the next posts, I will be displaying set pics, and renders.

Here are some of my drafts, sketches and brainstorming made to bring this building-machine-archive to life.

You can see the commercial in the previous post.

I’ve teamed up with the legendary director Nacho Gayan (@nachogayan) for this project, from the very beginning to the very end of its production, all taken by the hand of the unique talent of EP, Toni Moreno (@soy_toni), pushing the boundaries to design and create a very special building with strange behaviours, to shoot the remake of one of the most iconic scenes of Harry Potter.

This unique project has been scripted and created after a few years’ push by Pol Martinez (@_polmartinez) and Rosas (@rosasagency).

I wanted to give a very special mention and massive thanks to my incredible team in Toronto. Art Directed by my good friend Peter Bodhal (@peterbohdal), Neal Hall (@radioneals) our incredible Set Decorator, Chloe Olson our unique Prop Master, Alex Zuck (@zuuuuuuuuck) our amazing Art Dept Coord, Phil Carvalho (@phillycarvalho) our ultra-skilled Construction Coordinator and all his incredible team, Kim Sison (@kimachuart) our super talented Graphic Designer, Dylan Darwin (@dylandarwin) amazing hand-drawn graphics. Big massive thanks to my right hand for the last 15 years, incredible Draftsman, David Brufau (@dbrenders). This has been one of the most incredible teams I’ve ever worked with.

Many thanks to Agosto Productions (@elagosto).

In the next posts, I will be displaying set pics, and renders.

Here are some of my drafts, sketches and brainstorming made to bring this building-machine-archive to life.

You can see the commercial in the previous post.

I’ve teamed up with the legendary director Nacho Gayan (@nachogayan) for this project, from the very beginning to the very end of its production, all taken by the hand of the unique talent of EP, Toni Moreno (@soy_toni), pushing the boundaries to design and create a very special building with strange behaviours, to shoot the remake of one of the most iconic scenes of Harry Potter.

This unique project has been scripted and created after a few years’ push by Pol Martinez (@_polmartinez) and Rosas (@rosasagency).

I wanted to give a very special mention and massive thanks to my incredible team in Toronto. Art Directed by my good friend Peter Bodhal (@peterbohdal), Neal Hall (@radioneals) our incredible Set Decorator, Chloe Olson our unique Prop Master, Alex Zuck (@zuuuuuuuuck) our amazing Art Dept Coord, Phil Carvalho (@phillycarvalho) our ultra-skilled Construction Coordinator and all his incredible team, Kim Sison (@kimachuart) our super talented Graphic Designer, Dylan Darwin (@dylandarwin) amazing hand-drawn graphics. Big massive thanks to my right hand for the last 15 years, incredible Draftsman, David Brufau (@dbrenders). This has been one of the most incredible teams I’ve ever worked with.

Many thanks to Agosto Productions (@elagosto).

In the next posts, I will be displaying set pics, and renders.

Here are some of my drafts, sketches and brainstorming made to bring this building-machine-archive to life.

You can see the commercial in the previous post.

I’ve teamed up with the legendary director Nacho Gayan (@nachogayan) for this project, from the very beginning to the very end of its production, all taken by the hand of the unique talent of EP, Toni Moreno (@soy_toni), pushing the boundaries to design and create a very special building with strange behaviours, to shoot the remake of one of the most iconic scenes of Harry Potter.

This unique project has been scripted and created after a few years’ push by Pol Martinez (@_polmartinez) and Rosas (@rosasagency).

I wanted to give a very special mention and massive thanks to my incredible team in Toronto. Art Directed by my good friend Peter Bodhal (@peterbohdal), Neal Hall (@radioneals) our incredible Set Decorator, Chloe Olson our unique Prop Master, Alex Zuck (@zuuuuuuuuck) our amazing Art Dept Coord, Phil Carvalho (@phillycarvalho) our ultra-skilled Construction Coordinator and all his incredible team, Kim Sison (@kimachuart) our super talented Graphic Designer, Dylan Darwin (@dylandarwin) amazing hand-drawn graphics. Big massive thanks to my right hand for the last 15 years, incredible Draftsman, David Brufau (@dbrenders). This has been one of the most incredible teams I’ve ever worked with.

Many thanks to Agosto Productions (@elagosto).

In the next posts, I will be displaying set pics, and renders.

Here are some of my drafts, sketches and brainstorming made to bring this building-machine-archive to life.

You can see the commercial in the previous post.

I’ve teamed up with the legendary director Nacho Gayan (@nachogayan) for this project, from the very beginning to the very end of its production, all taken by the hand of the unique talent of EP, Toni Moreno (@soy_toni), pushing the boundaries to design and create a very special building with strange behaviours, to shoot the remake of one of the most iconic scenes of Harry Potter.

This unique project has been scripted and created after a few years’ push by Pol Martinez (@_polmartinez) and Rosas (@rosasagency).

I wanted to give a very special mention and massive thanks to my incredible team in Toronto. Art Directed by my good friend Peter Bodhal (@peterbohdal), Neal Hall (@radioneals) our incredible Set Decorator, Chloe Olson our unique Prop Master, Alex Zuck (@zuuuuuuuuck) our amazing Art Dept Coord, Phil Carvalho (@phillycarvalho) our ultra-skilled Construction Coordinator and all his incredible team, Kim Sison (@kimachuart) our super talented Graphic Designer, Dylan Darwin (@dylandarwin) amazing hand-drawn graphics. Big massive thanks to my right hand for the last 15 years, incredible Draftsman, David Brufau (@dbrenders). This has been one of the most incredible teams I’ve ever worked with.

Many thanks to Agosto Productions (@elagosto).

In the next posts, I will be displaying set pics, and renders.

Here are some of my drafts, sketches and brainstorming made to bring this building-machine-archive to life.

You can see the commercial in the previous post.

I’ve teamed up with the legendary director Nacho Gayan (@nachogayan) for this project, from the very beginning to the very end of its production, all taken by the hand of the unique talent of EP, Toni Moreno (@soy_toni), pushing the boundaries to design and create a very special building with strange behaviours, to shoot the remake of one of the most iconic scenes of Harry Potter.

This unique project has been scripted and created after a few years’ push by Pol Martinez (@_polmartinez) and Rosas (@rosasagency).

I wanted to give a very special mention and massive thanks to my incredible team in Toronto. Art Directed by my good friend Peter Bodhal (@peterbohdal), Neal Hall (@radioneals) our incredible Set Decorator, Chloe Olson our unique Prop Master, Alex Zuck (@zuuuuuuuuck) our amazing Art Dept Coord, Phil Carvalho (@phillycarvalho) our ultra-skilled Construction Coordinator and all his incredible team, Kim Sison (@kimachuart) our super talented Graphic Designer, Dylan Darwin (@dylandarwin) amazing hand-drawn graphics. Big massive thanks to my right hand for the last 15 years, incredible Draftsman, David Brufau (@dbrenders). This has been one of the most incredible teams I’ve ever worked with.

Many thanks to Agosto Productions (@elagosto).

In the next posts, I will be displaying set pics, and renders.

Here are some of my drafts, sketches and brainstorming made to bring this building-machine-archive to life.

You can see the commercial in the previous post.

I’ve teamed up with the legendary director Nacho Gayan (@nachogayan) for this project, from the very beginning to the very end of its production, all taken by the hand of the unique talent of EP, Toni Moreno (@soy_toni), pushing the boundaries to design and create a very special building with strange behaviours, to shoot the remake of one of the most iconic scenes of Harry Potter.

This unique project has been scripted and created after a few years’ push by Pol Martinez (@_polmartinez) and Rosas (@rosasagency).

I wanted to give a very special mention and massive thanks to my incredible team in Toronto. Art Directed by my good friend Peter Bodhal (@peterbohdal), Neal Hall (@radioneals) our incredible Set Decorator, Chloe Olson our unique Prop Master, Alex Zuck (@zuuuuuuuuck) our amazing Art Dept Coord, Phil Carvalho (@phillycarvalho) our ultra-skilled Construction Coordinator and all his incredible team, Kim Sison (@kimachuart) our super talented Graphic Designer, Dylan Darwin (@dylandarwin) amazing hand-drawn graphics. Big massive thanks to my right hand for the last 15 years, incredible Draftsman, David Brufau (@dbrenders). This has been one of the most incredible teams I’ve ever worked with.

Many thanks to Agosto Productions (@elagosto).

In the next posts, I will be displaying set pics, and renders.

Here are some of my drafts, sketches and brainstorming made to bring this building-machine-archive to life.

You can see the commercial in the previous post.

I’ve teamed up with the legendary director Nacho Gayan (@nachogayan) for this project, from the very beginning to the very end of its production, all taken by the hand of the unique talent of EP, Toni Moreno (@soy_toni), pushing the boundaries to design and create a very special building with strange behaviours, to shoot the remake of one of the most iconic scenes of Harry Potter.

This unique project has been scripted and created after a few years’ push by Pol Martinez (@_polmartinez) and Rosas (@rosasagency).

I wanted to give a very special mention and massive thanks to my incredible team in Toronto. Art Directed by my good friend Peter Bodhal (@peterbohdal), Neal Hall (@radioneals) our incredible Set Decorator, Chloe Olson our unique Prop Master, Alex Zuck (@zuuuuuuuuck) our amazing Art Dept Coord, Phil Carvalho (@phillycarvalho) our ultra-skilled Construction Coordinator and all his incredible team, Kim Sison (@kimachuart) our super talented Graphic Designer, Dylan Darwin (@dylandarwin) amazing hand-drawn graphics. Big massive thanks to my right hand for the last 15 years, incredible Draftsman, David Brufau (@dbrenders). This has been one of the most incredible teams I’ve ever worked with.

Many thanks to Agosto Productions (@elagosto).

In the next posts, I will be displaying set pics, and renders.

Here are some of my drafts, sketches and brainstorming made to bring this building-machine-archive to life.

You can see the commercial in the previous post.

I’ve teamed up with the legendary director Nacho Gayan (@nachogayan) for this project, from the very beginning to the very end of its production, all taken by the hand of the unique talent of EP, Toni Moreno (@soy_toni), pushing the boundaries to design and create a very special building with strange behaviours, to shoot the remake of one of the most iconic scenes of Harry Potter.

This unique project has been scripted and created after a few years’ push by Pol Martinez (@_polmartinez) and Rosas (@rosasagency).

I wanted to give a very special mention and massive thanks to my incredible team in Toronto. Art Directed by my good friend Peter Bodhal (@peterbohdal), Neal Hall (@radioneals) our incredible Set Decorator, Chloe Olson our unique Prop Master, Alex Zuck (@zuuuuuuuuck) our amazing Art Dept Coord, Phil Carvalho (@phillycarvalho) our ultra-skilled Construction Coordinator and all his incredible team, Kim Sison (@kimachuart) our super talented Graphic Designer, Dylan Darwin (@dylandarwin) amazing hand-drawn graphics. Big massive thanks to my right hand for the last 15 years, incredible Draftsman, David Brufau (@dbrenders). This has been one of the most incredible teams I’ve ever worked with.

Many thanks to Agosto Productions (@elagosto).

In the next posts, I will be displaying set pics, and renders.

Here are some of my drafts, sketches and brainstorming made to bring this building-machine-archive to life.

You can see the commercial in the previous post.

I’ve teamed up with the legendary director Nacho Gayan (@nachogayan) for this project, from the very beginning to the very end of its production, all taken by the hand of the unique talent of EP, Toni Moreno (@soy_toni), pushing the boundaries to design and create a very special building with strange behaviours, to shoot the remake of one of the most iconic scenes of Harry Potter.

This unique project has been scripted and created after a few years’ push by Pol Martinez (@_polmartinez) and Rosas (@rosasagency).

I wanted to give a very special mention and massive thanks to my incredible team in Toronto. Art Directed by my good friend Peter Bodhal (@peterbohdal), Neal Hall (@radioneals) our incredible Set Decorator, Chloe Olson our unique Prop Master, Alex Zuck (@zuuuuuuuuck) our amazing Art Dept Coord, Phil Carvalho (@phillycarvalho) our ultra-skilled Construction Coordinator and all his incredible team, Kim Sison (@kimachuart) our super talented Graphic Designer, Dylan Darwin (@dylandarwin) amazing hand-drawn graphics. Big massive thanks to my right hand for the last 15 years, incredible Draftsman, David Brufau (@dbrenders). This has been one of the most incredible teams I’ve ever worked with.

Many thanks to Agosto Productions (@elagosto).

In the next posts, I will be displaying set pics, and renders.

Here are some of my drafts, sketches and brainstorming made to bring this building-machine-archive to life.

You can see the commercial in the previous post.

I’ve teamed up with the legendary director Nacho Gayan (@nachogayan) for this project, from the very beginning to the very end of its production, all taken by the hand of the unique talent of EP, Toni Moreno (@soy_toni), pushing the boundaries to design and create a very special building with strange behaviours, to shoot the remake of one of the most iconic scenes of Harry Potter.

This unique project has been scripted and created after a few years’ push by Pol Martinez (@_polmartinez) and Rosas (@rosasagency).

I wanted to give a very special mention and massive thanks to my incredible team in Toronto. Art Directed by my good friend Peter Bodhal (@peterbohdal), Neal Hall (@radioneals) our incredible Set Decorator, Chloe Olson our unique Prop Master, Alex Zuck (@zuuuuuuuuck) our amazing Art Dept Coord, Phil Carvalho (@phillycarvalho) our ultra-skilled Construction Coordinator and all his incredible team, Kim Sison (@kimachuart) our super talented Graphic Designer, Dylan Darwin (@dylandarwin) amazing hand-drawn graphics. Big massive thanks to my right hand for the last 15 years, incredible Draftsman, David Brufau (@dbrenders). This has been one of the most incredible teams I’ve ever worked with.

Many thanks to Agosto Productions (@elagosto).

In the next posts, I will be displaying set pics, and renders.

Here are some of my drafts, sketches and brainstorming made to bring this building-machine-archive to life.

You can see the commercial in the previous post.

I’ve teamed up with the legendary director Nacho Gayan (@nachogayan) for this project, from the very beginning to the very end of its production, all taken by the hand of the unique talent of EP, Toni Moreno (@soy_toni), pushing the boundaries to design and create a very special building with strange behaviours, to shoot the remake of one of the most iconic scenes of Harry Potter.

This unique project has been scripted and created after a few years’ push by Pol Martinez (@_polmartinez) and Rosas (@rosasagency).

I wanted to give a very special mention and massive thanks to my incredible team in Toronto. Art Directed by my good friend Peter Bodhal (@peterbohdal), Neal Hall (@radioneals) our incredible Set Decorator, Chloe Olson our unique Prop Master, Alex Zuck (@zuuuuuuuuck) our amazing Art Dept Coord, Phil Carvalho (@phillycarvalho) our ultra-skilled Construction Coordinator and all his incredible team, Kim Sison (@kimachuart) our super talented Graphic Designer, Dylan Darwin (@dylandarwin) amazing hand-drawn graphics. Big massive thanks to my right hand for the last 15 years, incredible Draftsman, David Brufau (@dbrenders). This has been one of the most incredible teams I’ve ever worked with.

Many thanks to Agosto Productions (@elagosto).

In the next posts, I will be displaying set pics, and renders.

Here’s a special one.
I’ve teamed up with the legendary director Nacho Gayan (@nachogayan) for this project, from the very beginning to the very end of its production, all taken by the hand of the unique talent of EP, Toni Moreno (@soy_toni), pushing the boundaries to design and create a very special building with strange behaviours, to shoot the remake of one of the most iconic scenes of Harry Potter.

This unique project has been scripted and created after a few years’ push by Pol Martinez (@_polmartinez) and Rosas (@rosasagency).

I wanted to give a very special mention and massive thanks to my incredible team in Toronto. Art Directed by my good friend Peter Bodhal (@peterbohdal), Neal Hall (@radioneals) our incredible Set Decorator, Chloe Olson our unique Prop Master, Alex Zuck (@zuuuuuuuuck) our amazing Art Dept Coord, Phil Carvalho (@phillycarvalho) our ultra-skilled Construction Coordinator and all his incredible team, Kim Sison (@kimachuart) our super talented Graphic Designer, Dylan Darwin (@dylandarwin) amazing hand-drawn graphics. Big massive thanks to my right hand for the last 15 years, incredible Draftsman, David Brufau (@dbrenders). This has been one of the most incredible teams I’ve ever worked with.

Thanks to our amazing DOP Paul Meyers (@pmeyersdp), and the talent of Tom Felton (@t22felton) and incredible Susie Trayling.

Many thanks to Agosto Productions (@elagosto), Eva Termini and Sònia Figuera (@sonia_figuera), and local production company Radioactive Film (@radioaktive.film) hosted by Sasha Bevka (@sasha_bevka) and Dan Montgomery (@dan_montgomery).

For all the final part of the project, big thanks to Digital District (@digitaldistrictparis), with VFX Supervisor Marc-Thomas Cavé and VFX Producer Maéva Bonté, and Aubrey Woodwiss (@aubreycolor) in colour grading.

Costume Designer: Georgia Groom (@georgiagroom)
Editor: Arnald Viladomat (@arnaldviladomat).�Music — Luke Atenzio�Sound Design & Mix — Luke Atenzio & Jon Ware

In the next posts, I will be displaying some drafts, set pics, and renders.

A little bit more of underexposure. Don Pedro, once again. Rolleiflex, once agin. (Can’t stop shooting this guy).

Rolleiflex in Toronto (under a snow storm).

Rolleiflex in Toronto (under a snow storm).

Rolleiflex in Toronto (under a snow storm).

85años y todavía luchando.

@pedro_lorenzo_galligo @mariajocalvo

iPhone, Nikon Fm2, Fuji GFX 100 II, OP1 Field

Para...
(Nikon FM2-NIkkor 35mm 1:2-lford Delta 400)

What...
(Nikon FM2-NIkkor 35mm 1:2-lford Delta 400)

Arles. @rencontresarles
IN PRAISE OF ANONYMOUS PHOTOGRAPHY
Found 9th Plate Daguerreotype. (5x6cm)
@galerielumieredesroses

Arles. @rencontresarles
IN PRAISE OF ANONYMOUS PHOTOGRAPHY
Found 9th Plate Daguerreotype. (5x6cm)
@galerielumieredesroses

Un día de esos...

Rolleiflex.