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ICE ENFORCEMENT is occupying and terrorizing the Twin Cities and numerous other cities. This is real and it’s totally insane and unacceptable.

Beautiful and incredibly inspiring exhibition

Dyani White Hawk: Love Language

On view @walkerartcenter

Huge congrats @dwhitehawk

Must see show if in the Twin Cites!

Beautiful and incredibly inspiring exhibition

Dyani White Hawk: Love Language

On view @walkerartcenter

Huge congrats @dwhitehawk

Must see show if in the Twin Cites!

Beautiful and incredibly inspiring exhibition

Dyani White Hawk: Love Language

On view @walkerartcenter

Huge congrats @dwhitehawk

Must see show if in the Twin Cites!

Beautiful and incredibly inspiring exhibition

Dyani White Hawk: Love Language

On view @walkerartcenter

Huge congrats @dwhitehawk

Must see show if in the Twin Cites!

Temporary and Lasting: Works by Yoonmi Nam

Beautiful show on view @highpointprints

Congrats! @yoonmi_nam

Temporary and Lasting: Works by Yoonmi Nam

Beautiful show on view @highpointprints

Congrats! @yoonmi_nam

Temporary and Lasting: Works by Yoonmi Nam

Beautiful show on view @highpointprints

Congrats! @yoonmi_nam

Temporary and Lasting: Works by Yoonmi Nam

Beautiful show on view @highpointprints

Congrats! @yoonmi_nam

Temporary and Lasting: Works by Yoonmi Nam

Beautiful show on view @highpointprints

Congrats! @yoonmi_nam

Temporary and Lasting: Works by Yoonmi Nam

Beautiful show on view @highpointprints

Congrats! @yoonmi_nam

Great to see the gallery shows @interactcenterarts with @rachelcolliermwa

Fantastic shows!

Snake Snake Snake Butterfly by Kaia Burg

Extra Gum London Bus By David Wright

In Every Which Way, 35 Interact artists share recent explorations in fiber arts, from largescale weavings to hand-embroidered tapestries, felted sculptures to a collaborative quilt

Thanks for the walk through @b_kieler

Great to see the gallery shows @interactcenterarts with @rachelcolliermwa

Fantastic shows!

Snake Snake Snake Butterfly by Kaia Burg

Extra Gum London Bus By David Wright

In Every Which Way, 35 Interact artists share recent explorations in fiber arts, from largescale weavings to hand-embroidered tapestries, felted sculptures to a collaborative quilt

Thanks for the walk through @b_kieler

Great to see the gallery shows @interactcenterarts with @rachelcolliermwa

Fantastic shows!

Snake Snake Snake Butterfly by Kaia Burg

Extra Gum London Bus By David Wright

In Every Which Way, 35 Interact artists share recent explorations in fiber arts, from largescale weavings to hand-embroidered tapestries, felted sculptures to a collaborative quilt

Thanks for the walk through @b_kieler

Great to see the gallery shows @interactcenterarts with @rachelcolliermwa

Fantastic shows!

Snake Snake Snake Butterfly by Kaia Burg

Extra Gum London Bus By David Wright

In Every Which Way, 35 Interact artists share recent explorations in fiber arts, from largescale weavings to hand-embroidered tapestries, felted sculptures to a collaborative quilt

Thanks for the walk through @b_kieler

Great to see the gallery shows @interactcenterarts with @rachelcolliermwa

Fantastic shows!

Snake Snake Snake Butterfly by Kaia Burg

Extra Gum London Bus By David Wright

In Every Which Way, 35 Interact artists share recent explorations in fiber arts, from largescale weavings to hand-embroidered tapestries, felted sculptures to a collaborative quilt

Thanks for the walk through @b_kieler

Great to see the gallery shows @interactcenterarts with @rachelcolliermwa

Fantastic shows!

Snake Snake Snake Butterfly by Kaia Burg

Extra Gum London Bus By David Wright

In Every Which Way, 35 Interact artists share recent explorations in fiber arts, from largescale weavings to hand-embroidered tapestries, felted sculptures to a collaborative quilt

Thanks for the walk through @b_kieler

Peter Williams: Homegoing–A Call and Response

@mcadgallery

Fantastic exhibition! A must see! Significant in so many ways!
🔥🔥🔥🔥⚡️⚡️⚡️🌟🌟🌟

Congrats to curator and director @hellokeishawilliams

Congrats to all artists -
Ta-coumba T. Aiken ’74
Leslie Barlow MFA ’16
Sayge Carroll
Candice Davis ’18
Douglas R. Ewart
Russell M. Hamilton
Christopher E. Harrison
Maiya Lea Hartman
Leeya Rose Jackson
Seitu Ken Jones
Nia-Symonne
Lamar Peterson
Bobby Rogers ’14
seangarrison
Jovan C. Speller
Peter Williams ’75

Essay in exhibition catalog by @cozzomonster

Peter Williams: Homegoing–A Call and Response

@mcadgallery

Fantastic exhibition! A must see! Significant in so many ways!
🔥🔥🔥🔥⚡️⚡️⚡️🌟🌟🌟

Congrats to curator and director @hellokeishawilliams

Congrats to all artists -
Ta-coumba T. Aiken ’74
Leslie Barlow MFA ’16
Sayge Carroll
Candice Davis ’18
Douglas R. Ewart
Russell M. Hamilton
Christopher E. Harrison
Maiya Lea Hartman
Leeya Rose Jackson
Seitu Ken Jones
Nia-Symonne
Lamar Peterson
Bobby Rogers ’14
seangarrison
Jovan C. Speller
Peter Williams ’75

Essay in exhibition catalog by @cozzomonster

Peter Williams: Homegoing–A Call and Response

@mcadgallery

Fantastic exhibition! A must see! Significant in so many ways!
🔥🔥🔥🔥⚡️⚡️⚡️🌟🌟🌟

Congrats to curator and director @hellokeishawilliams

Congrats to all artists -
Ta-coumba T. Aiken ’74
Leslie Barlow MFA ’16
Sayge Carroll
Candice Davis ’18
Douglas R. Ewart
Russell M. Hamilton
Christopher E. Harrison
Maiya Lea Hartman
Leeya Rose Jackson
Seitu Ken Jones
Nia-Symonne
Lamar Peterson
Bobby Rogers ’14
seangarrison
Jovan C. Speller
Peter Williams ’75

Essay in exhibition catalog by @cozzomonster

Peter Williams: Homegoing–A Call and Response

@mcadgallery

Fantastic exhibition! A must see! Significant in so many ways!
🔥🔥🔥🔥⚡️⚡️⚡️🌟🌟🌟

Congrats to curator and director @hellokeishawilliams

Congrats to all artists -
Ta-coumba T. Aiken ’74
Leslie Barlow MFA ’16
Sayge Carroll
Candice Davis ’18
Douglas R. Ewart
Russell M. Hamilton
Christopher E. Harrison
Maiya Lea Hartman
Leeya Rose Jackson
Seitu Ken Jones
Nia-Symonne
Lamar Peterson
Bobby Rogers ’14
seangarrison
Jovan C. Speller
Peter Williams ’75

Essay in exhibition catalog by @cozzomonster

Peter Williams: Homegoing–A Call and Response

@mcadgallery

Fantastic exhibition! A must see! Significant in so many ways!
🔥🔥🔥🔥⚡️⚡️⚡️🌟🌟🌟

Congrats to curator and director @hellokeishawilliams

Congrats to all artists -
Ta-coumba T. Aiken ’74
Leslie Barlow MFA ’16
Sayge Carroll
Candice Davis ’18
Douglas R. Ewart
Russell M. Hamilton
Christopher E. Harrison
Maiya Lea Hartman
Leeya Rose Jackson
Seitu Ken Jones
Nia-Symonne
Lamar Peterson
Bobby Rogers ’14
seangarrison
Jovan C. Speller
Peter Williams ’75

Essay in exhibition catalog by @cozzomonster

Peter Williams: Homegoing–A Call and Response

@mcadgallery

Fantastic exhibition! A must see! Significant in so many ways!
🔥🔥🔥🔥⚡️⚡️⚡️🌟🌟🌟

Congrats to curator and director @hellokeishawilliams

Congrats to all artists -
Ta-coumba T. Aiken ’74
Leslie Barlow MFA ’16
Sayge Carroll
Candice Davis ’18
Douglas R. Ewart
Russell M. Hamilton
Christopher E. Harrison
Maiya Lea Hartman
Leeya Rose Jackson
Seitu Ken Jones
Nia-Symonne
Lamar Peterson
Bobby Rogers ’14
seangarrison
Jovan C. Speller
Peter Williams ’75

Essay in exhibition catalog by @cozzomonster

Peter Williams: Homegoing–A Call and Response

@mcadgallery

Fantastic exhibition! A must see! Significant in so many ways!
🔥🔥🔥🔥⚡️⚡️⚡️🌟🌟🌟

Congrats to curator and director @hellokeishawilliams

Congrats to all artists -
Ta-coumba T. Aiken ’74
Leslie Barlow MFA ’16
Sayge Carroll
Candice Davis ’18
Douglas R. Ewart
Russell M. Hamilton
Christopher E. Harrison
Maiya Lea Hartman
Leeya Rose Jackson
Seitu Ken Jones
Nia-Symonne
Lamar Peterson
Bobby Rogers ’14
seangarrison
Jovan C. Speller
Peter Williams ’75

Essay in exhibition catalog by @cozzomonster

Peter Williams: Homegoing–A Call and Response

@mcadgallery

Fantastic exhibition! A must see! Significant in so many ways!
🔥🔥🔥🔥⚡️⚡️⚡️🌟🌟🌟

Congrats to curator and director @hellokeishawilliams

Congrats to all artists -
Ta-coumba T. Aiken ’74
Leslie Barlow MFA ’16
Sayge Carroll
Candice Davis ’18
Douglas R. Ewart
Russell M. Hamilton
Christopher E. Harrison
Maiya Lea Hartman
Leeya Rose Jackson
Seitu Ken Jones
Nia-Symonne
Lamar Peterson
Bobby Rogers ’14
seangarrison
Jovan C. Speller
Peter Williams ’75

Essay in exhibition catalog by @cozzomonster

🚨 FINAL WEEK 🚨

Drew Peterson and Kim Benson at TOA Presents in Minneapolis

☀️ Weekend Hours ☀️

Friday, July 18 // 3:00 to 6:00pm
Saturday, July 19 // 11:00am to 2:00pm

🎉 Closing Reception 🎉

Thursday, July 24 // 5:00 to 7:00pm

DM or email rob@theorangeadvisory.com with inquiries or to request exhibition PDFs

Drew Peterson: Extraction Sum

Drew Peterson’s paintings seek subtlety and nuance, formally oscillating between components of abstraction and references to both landscape and organic imagery. He plays with perceptions of pictorial space to explore themes relating to attunement, synchronicity, equilibrium and tranquility. The paintings are composed of screenprinted acrylic on Belgian linen. By printing images rather than painting them, Peterson finds solace in the gradual and mediated process of constructing an image, where ink either absorbs into, or builds on top of, the Belgian linen, creating subtle variances across the surface of each painting.

Kim Benson: Jubilant Space I-IV

Kim Benson and Drew Peterson began collaborating on Jubilant Space I-IV in 2022. Their partnership developed organically, rooted in mutual admiration and the convenience of working as neighboring studio artists. With no set outcome in mind beyond the experience of collaboration, they embraced an experimental process that prioritized variety over edition size. Benson’s use of stencils and digitally printed films used in her paintings translated naturally into screen printing, sparking Peterson’s interest in techniques that could heighten the tactile qualities of the medium. Jubilant Space I-IV is a testament to the collaborative process between printer and artist, revealing a shared visual language that emerged through gesture, texture and intuition—an exchange marked not by precision, but by play, responsiveness and a willingness to embrace the unexpected.

Images courtesy @eric.ruby

@drewpetersonart #drewpetersonart @pippyclarke #kimbenson @toapresents #toapresents #theorangeadvisory @entity_editions #entityeditions #painting #printmaking #minneapolis #twincities

🚨 FINAL WEEK 🚨

Drew Peterson and Kim Benson at TOA Presents in Minneapolis

☀️ Weekend Hours ☀️

Friday, July 18 // 3:00 to 6:00pm
Saturday, July 19 // 11:00am to 2:00pm

🎉 Closing Reception 🎉

Thursday, July 24 // 5:00 to 7:00pm

DM or email rob@theorangeadvisory.com with inquiries or to request exhibition PDFs

Drew Peterson: Extraction Sum

Drew Peterson’s paintings seek subtlety and nuance, formally oscillating between components of abstraction and references to both landscape and organic imagery. He plays with perceptions of pictorial space to explore themes relating to attunement, synchronicity, equilibrium and tranquility. The paintings are composed of screenprinted acrylic on Belgian linen. By printing images rather than painting them, Peterson finds solace in the gradual and mediated process of constructing an image, where ink either absorbs into, or builds on top of, the Belgian linen, creating subtle variances across the surface of each painting.

Kim Benson: Jubilant Space I-IV

Kim Benson and Drew Peterson began collaborating on Jubilant Space I-IV in 2022. Their partnership developed organically, rooted in mutual admiration and the convenience of working as neighboring studio artists. With no set outcome in mind beyond the experience of collaboration, they embraced an experimental process that prioritized variety over edition size. Benson’s use of stencils and digitally printed films used in her paintings translated naturally into screen printing, sparking Peterson’s interest in techniques that could heighten the tactile qualities of the medium. Jubilant Space I-IV is a testament to the collaborative process between printer and artist, revealing a shared visual language that emerged through gesture, texture and intuition—an exchange marked not by precision, but by play, responsiveness and a willingness to embrace the unexpected.

Images courtesy @eric.ruby

@drewpetersonart #drewpetersonart @pippyclarke #kimbenson @toapresents #toapresents #theorangeadvisory @entity_editions #entityeditions #painting #printmaking #minneapolis #twincities

🚨 FINAL WEEK 🚨

Drew Peterson and Kim Benson at TOA Presents in Minneapolis

☀️ Weekend Hours ☀️

Friday, July 18 // 3:00 to 6:00pm
Saturday, July 19 // 11:00am to 2:00pm

🎉 Closing Reception 🎉

Thursday, July 24 // 5:00 to 7:00pm

DM or email rob@theorangeadvisory.com with inquiries or to request exhibition PDFs

Drew Peterson: Extraction Sum

Drew Peterson’s paintings seek subtlety and nuance, formally oscillating between components of abstraction and references to both landscape and organic imagery. He plays with perceptions of pictorial space to explore themes relating to attunement, synchronicity, equilibrium and tranquility. The paintings are composed of screenprinted acrylic on Belgian linen. By printing images rather than painting them, Peterson finds solace in the gradual and mediated process of constructing an image, where ink either absorbs into, or builds on top of, the Belgian linen, creating subtle variances across the surface of each painting.

Kim Benson: Jubilant Space I-IV

Kim Benson and Drew Peterson began collaborating on Jubilant Space I-IV in 2022. Their partnership developed organically, rooted in mutual admiration and the convenience of working as neighboring studio artists. With no set outcome in mind beyond the experience of collaboration, they embraced an experimental process that prioritized variety over edition size. Benson’s use of stencils and digitally printed films used in her paintings translated naturally into screen printing, sparking Peterson’s interest in techniques that could heighten the tactile qualities of the medium. Jubilant Space I-IV is a testament to the collaborative process between printer and artist, revealing a shared visual language that emerged through gesture, texture and intuition—an exchange marked not by precision, but by play, responsiveness and a willingness to embrace the unexpected.

Images courtesy @eric.ruby

@drewpetersonart #drewpetersonart @pippyclarke #kimbenson @toapresents #toapresents #theorangeadvisory @entity_editions #entityeditions #painting #printmaking #minneapolis #twincities

🚨 FINAL WEEK 🚨

Drew Peterson and Kim Benson at TOA Presents in Minneapolis

☀️ Weekend Hours ☀️

Friday, July 18 // 3:00 to 6:00pm
Saturday, July 19 // 11:00am to 2:00pm

🎉 Closing Reception 🎉

Thursday, July 24 // 5:00 to 7:00pm

DM or email rob@theorangeadvisory.com with inquiries or to request exhibition PDFs

Drew Peterson: Extraction Sum

Drew Peterson’s paintings seek subtlety and nuance, formally oscillating between components of abstraction and references to both landscape and organic imagery. He plays with perceptions of pictorial space to explore themes relating to attunement, synchronicity, equilibrium and tranquility. The paintings are composed of screenprinted acrylic on Belgian linen. By printing images rather than painting them, Peterson finds solace in the gradual and mediated process of constructing an image, where ink either absorbs into, or builds on top of, the Belgian linen, creating subtle variances across the surface of each painting.

Kim Benson: Jubilant Space I-IV

Kim Benson and Drew Peterson began collaborating on Jubilant Space I-IV in 2022. Their partnership developed organically, rooted in mutual admiration and the convenience of working as neighboring studio artists. With no set outcome in mind beyond the experience of collaboration, they embraced an experimental process that prioritized variety over edition size. Benson’s use of stencils and digitally printed films used in her paintings translated naturally into screen printing, sparking Peterson’s interest in techniques that could heighten the tactile qualities of the medium. Jubilant Space I-IV is a testament to the collaborative process between printer and artist, revealing a shared visual language that emerged through gesture, texture and intuition—an exchange marked not by precision, but by play, responsiveness and a willingness to embrace the unexpected.

Images courtesy @eric.ruby

@drewpetersonart #drewpetersonart @pippyclarke #kimbenson @toapresents #toapresents #theorangeadvisory @entity_editions #entityeditions #painting #printmaking #minneapolis #twincities

🚨 FINAL WEEK 🚨

Drew Peterson and Kim Benson at TOA Presents in Minneapolis

☀️ Weekend Hours ☀️

Friday, July 18 // 3:00 to 6:00pm
Saturday, July 19 // 11:00am to 2:00pm

🎉 Closing Reception 🎉

Thursday, July 24 // 5:00 to 7:00pm

DM or email rob@theorangeadvisory.com with inquiries or to request exhibition PDFs

Drew Peterson: Extraction Sum

Drew Peterson’s paintings seek subtlety and nuance, formally oscillating between components of abstraction and references to both landscape and organic imagery. He plays with perceptions of pictorial space to explore themes relating to attunement, synchronicity, equilibrium and tranquility. The paintings are composed of screenprinted acrylic on Belgian linen. By printing images rather than painting them, Peterson finds solace in the gradual and mediated process of constructing an image, where ink either absorbs into, or builds on top of, the Belgian linen, creating subtle variances across the surface of each painting.

Kim Benson: Jubilant Space I-IV

Kim Benson and Drew Peterson began collaborating on Jubilant Space I-IV in 2022. Their partnership developed organically, rooted in mutual admiration and the convenience of working as neighboring studio artists. With no set outcome in mind beyond the experience of collaboration, they embraced an experimental process that prioritized variety over edition size. Benson’s use of stencils and digitally printed films used in her paintings translated naturally into screen printing, sparking Peterson’s interest in techniques that could heighten the tactile qualities of the medium. Jubilant Space I-IV is a testament to the collaborative process between printer and artist, revealing a shared visual language that emerged through gesture, texture and intuition—an exchange marked not by precision, but by play, responsiveness and a willingness to embrace the unexpected.

Images courtesy @eric.ruby

@drewpetersonart #drewpetersonart @pippyclarke #kimbenson @toapresents #toapresents #theorangeadvisory @entity_editions #entityeditions #painting #printmaking #minneapolis #twincities

🚨 FINAL WEEK 🚨

Drew Peterson and Kim Benson at TOA Presents in Minneapolis

☀️ Weekend Hours ☀️

Friday, July 18 // 3:00 to 6:00pm
Saturday, July 19 // 11:00am to 2:00pm

🎉 Closing Reception 🎉

Thursday, July 24 // 5:00 to 7:00pm

DM or email rob@theorangeadvisory.com with inquiries or to request exhibition PDFs

Drew Peterson: Extraction Sum

Drew Peterson’s paintings seek subtlety and nuance, formally oscillating between components of abstraction and references to both landscape and organic imagery. He plays with perceptions of pictorial space to explore themes relating to attunement, synchronicity, equilibrium and tranquility. The paintings are composed of screenprinted acrylic on Belgian linen. By printing images rather than painting them, Peterson finds solace in the gradual and mediated process of constructing an image, where ink either absorbs into, or builds on top of, the Belgian linen, creating subtle variances across the surface of each painting.

Kim Benson: Jubilant Space I-IV

Kim Benson and Drew Peterson began collaborating on Jubilant Space I-IV in 2022. Their partnership developed organically, rooted in mutual admiration and the convenience of working as neighboring studio artists. With no set outcome in mind beyond the experience of collaboration, they embraced an experimental process that prioritized variety over edition size. Benson’s use of stencils and digitally printed films used in her paintings translated naturally into screen printing, sparking Peterson’s interest in techniques that could heighten the tactile qualities of the medium. Jubilant Space I-IV is a testament to the collaborative process between printer and artist, revealing a shared visual language that emerged through gesture, texture and intuition—an exchange marked not by precision, but by play, responsiveness and a willingness to embrace the unexpected.

Images courtesy @eric.ruby

@drewpetersonart #drewpetersonart @pippyclarke #kimbenson @toapresents #toapresents #theorangeadvisory @entity_editions #entityeditions #painting #printmaking #minneapolis #twincities

🚨 FINAL WEEK 🚨

Drew Peterson and Kim Benson at TOA Presents in Minneapolis

☀️ Weekend Hours ☀️

Friday, July 18 // 3:00 to 6:00pm
Saturday, July 19 // 11:00am to 2:00pm

🎉 Closing Reception 🎉

Thursday, July 24 // 5:00 to 7:00pm

DM or email rob@theorangeadvisory.com with inquiries or to request exhibition PDFs

Drew Peterson: Extraction Sum

Drew Peterson’s paintings seek subtlety and nuance, formally oscillating between components of abstraction and references to both landscape and organic imagery. He plays with perceptions of pictorial space to explore themes relating to attunement, synchronicity, equilibrium and tranquility. The paintings are composed of screenprinted acrylic on Belgian linen. By printing images rather than painting them, Peterson finds solace in the gradual and mediated process of constructing an image, where ink either absorbs into, or builds on top of, the Belgian linen, creating subtle variances across the surface of each painting.

Kim Benson: Jubilant Space I-IV

Kim Benson and Drew Peterson began collaborating on Jubilant Space I-IV in 2022. Their partnership developed organically, rooted in mutual admiration and the convenience of working as neighboring studio artists. With no set outcome in mind beyond the experience of collaboration, they embraced an experimental process that prioritized variety over edition size. Benson’s use of stencils and digitally printed films used in her paintings translated naturally into screen printing, sparking Peterson’s interest in techniques that could heighten the tactile qualities of the medium. Jubilant Space I-IV is a testament to the collaborative process between printer and artist, revealing a shared visual language that emerged through gesture, texture and intuition—an exchange marked not by precision, but by play, responsiveness and a willingness to embrace the unexpected.

Images courtesy @eric.ruby

@drewpetersonart #drewpetersonart @pippyclarke #kimbenson @toapresents #toapresents #theorangeadvisory @entity_editions #entityeditions #painting #printmaking #minneapolis #twincities

🚨 FINAL WEEK 🚨

Drew Peterson and Kim Benson at TOA Presents in Minneapolis

☀️ Weekend Hours ☀️

Friday, July 18 // 3:00 to 6:00pm
Saturday, July 19 // 11:00am to 2:00pm

🎉 Closing Reception 🎉

Thursday, July 24 // 5:00 to 7:00pm

DM or email rob@theorangeadvisory.com with inquiries or to request exhibition PDFs

Drew Peterson: Extraction Sum

Drew Peterson’s paintings seek subtlety and nuance, formally oscillating between components of abstraction and references to both landscape and organic imagery. He plays with perceptions of pictorial space to explore themes relating to attunement, synchronicity, equilibrium and tranquility. The paintings are composed of screenprinted acrylic on Belgian linen. By printing images rather than painting them, Peterson finds solace in the gradual and mediated process of constructing an image, where ink either absorbs into, or builds on top of, the Belgian linen, creating subtle variances across the surface of each painting.

Kim Benson: Jubilant Space I-IV

Kim Benson and Drew Peterson began collaborating on Jubilant Space I-IV in 2022. Their partnership developed organically, rooted in mutual admiration and the convenience of working as neighboring studio artists. With no set outcome in mind beyond the experience of collaboration, they embraced an experimental process that prioritized variety over edition size. Benson’s use of stencils and digitally printed films used in her paintings translated naturally into screen printing, sparking Peterson’s interest in techniques that could heighten the tactile qualities of the medium. Jubilant Space I-IV is a testament to the collaborative process between printer and artist, revealing a shared visual language that emerged through gesture, texture and intuition—an exchange marked not by precision, but by play, responsiveness and a willingness to embrace the unexpected.

Images courtesy @eric.ruby

@drewpetersonart #drewpetersonart @pippyclarke #kimbenson @toapresents #toapresents #theorangeadvisory @entity_editions #entityeditions #painting #printmaking #minneapolis #twincities

🚨 FINAL WEEK 🚨

Drew Peterson and Kim Benson at TOA Presents in Minneapolis

☀️ Weekend Hours ☀️

Friday, July 18 // 3:00 to 6:00pm
Saturday, July 19 // 11:00am to 2:00pm

🎉 Closing Reception 🎉

Thursday, July 24 // 5:00 to 7:00pm

DM or email rob@theorangeadvisory.com with inquiries or to request exhibition PDFs

Drew Peterson: Extraction Sum

Drew Peterson’s paintings seek subtlety and nuance, formally oscillating between components of abstraction and references to both landscape and organic imagery. He plays with perceptions of pictorial space to explore themes relating to attunement, synchronicity, equilibrium and tranquility. The paintings are composed of screenprinted acrylic on Belgian linen. By printing images rather than painting them, Peterson finds solace in the gradual and mediated process of constructing an image, where ink either absorbs into, or builds on top of, the Belgian linen, creating subtle variances across the surface of each painting.

Kim Benson: Jubilant Space I-IV

Kim Benson and Drew Peterson began collaborating on Jubilant Space I-IV in 2022. Their partnership developed organically, rooted in mutual admiration and the convenience of working as neighboring studio artists. With no set outcome in mind beyond the experience of collaboration, they embraced an experimental process that prioritized variety over edition size. Benson’s use of stencils and digitally printed films used in her paintings translated naturally into screen printing, sparking Peterson’s interest in techniques that could heighten the tactile qualities of the medium. Jubilant Space I-IV is a testament to the collaborative process between printer and artist, revealing a shared visual language that emerged through gesture, texture and intuition—an exchange marked not by precision, but by play, responsiveness and a willingness to embrace the unexpected.

Images courtesy @eric.ruby

@drewpetersonart #drewpetersonart @pippyclarke #kimbenson @toapresents #toapresents #theorangeadvisory @entity_editions #entityeditions #painting #printmaking #minneapolis #twincities

🚨 FINAL WEEK 🚨

Drew Peterson and Kim Benson at TOA Presents in Minneapolis

☀️ Weekend Hours ☀️

Friday, July 18 // 3:00 to 6:00pm
Saturday, July 19 // 11:00am to 2:00pm

🎉 Closing Reception 🎉

Thursday, July 24 // 5:00 to 7:00pm

DM or email rob@theorangeadvisory.com with inquiries or to request exhibition PDFs

Drew Peterson: Extraction Sum

Drew Peterson’s paintings seek subtlety and nuance, formally oscillating between components of abstraction and references to both landscape and organic imagery. He plays with perceptions of pictorial space to explore themes relating to attunement, synchronicity, equilibrium and tranquility. The paintings are composed of screenprinted acrylic on Belgian linen. By printing images rather than painting them, Peterson finds solace in the gradual and mediated process of constructing an image, where ink either absorbs into, or builds on top of, the Belgian linen, creating subtle variances across the surface of each painting.

Kim Benson: Jubilant Space I-IV

Kim Benson and Drew Peterson began collaborating on Jubilant Space I-IV in 2022. Their partnership developed organically, rooted in mutual admiration and the convenience of working as neighboring studio artists. With no set outcome in mind beyond the experience of collaboration, they embraced an experimental process that prioritized variety over edition size. Benson’s use of stencils and digitally printed films used in her paintings translated naturally into screen printing, sparking Peterson’s interest in techniques that could heighten the tactile qualities of the medium. Jubilant Space I-IV is a testament to the collaborative process between printer and artist, revealing a shared visual language that emerged through gesture, texture and intuition—an exchange marked not by precision, but by play, responsiveness and a willingness to embrace the unexpected.

Images courtesy @eric.ruby

@drewpetersonart #drewpetersonart @pippyclarke #kimbenson @toapresents #toapresents #theorangeadvisory @entity_editions #entityeditions #painting #printmaking #minneapolis #twincities

🚨 FINAL WEEK 🚨

Drew Peterson and Kim Benson at TOA Presents in Minneapolis

☀️ Weekend Hours ☀️

Friday, July 18 // 3:00 to 6:00pm
Saturday, July 19 // 11:00am to 2:00pm

🎉 Closing Reception 🎉

Thursday, July 24 // 5:00 to 7:00pm

DM or email rob@theorangeadvisory.com with inquiries or to request exhibition PDFs

Drew Peterson: Extraction Sum

Drew Peterson’s paintings seek subtlety and nuance, formally oscillating between components of abstraction and references to both landscape and organic imagery. He plays with perceptions of pictorial space to explore themes relating to attunement, synchronicity, equilibrium and tranquility. The paintings are composed of screenprinted acrylic on Belgian linen. By printing images rather than painting them, Peterson finds solace in the gradual and mediated process of constructing an image, where ink either absorbs into, or builds on top of, the Belgian linen, creating subtle variances across the surface of each painting.

Kim Benson: Jubilant Space I-IV

Kim Benson and Drew Peterson began collaborating on Jubilant Space I-IV in 2022. Their partnership developed organically, rooted in mutual admiration and the convenience of working as neighboring studio artists. With no set outcome in mind beyond the experience of collaboration, they embraced an experimental process that prioritized variety over edition size. Benson’s use of stencils and digitally printed films used in her paintings translated naturally into screen printing, sparking Peterson’s interest in techniques that could heighten the tactile qualities of the medium. Jubilant Space I-IV is a testament to the collaborative process between printer and artist, revealing a shared visual language that emerged through gesture, texture and intuition—an exchange marked not by precision, but by play, responsiveness and a willingness to embrace the unexpected.

Images courtesy @eric.ruby

@drewpetersonart #drewpetersonart @pippyclarke #kimbenson @toapresents #toapresents #theorangeadvisory @entity_editions #entityeditions #painting #printmaking #minneapolis #twincities

🚨 FINAL WEEK 🚨

Drew Peterson and Kim Benson at TOA Presents in Minneapolis

☀️ Weekend Hours ☀️

Friday, July 18 // 3:00 to 6:00pm
Saturday, July 19 // 11:00am to 2:00pm

🎉 Closing Reception 🎉

Thursday, July 24 // 5:00 to 7:00pm

DM or email rob@theorangeadvisory.com with inquiries or to request exhibition PDFs

Drew Peterson: Extraction Sum

Drew Peterson’s paintings seek subtlety and nuance, formally oscillating between components of abstraction and references to both landscape and organic imagery. He plays with perceptions of pictorial space to explore themes relating to attunement, synchronicity, equilibrium and tranquility. The paintings are composed of screenprinted acrylic on Belgian linen. By printing images rather than painting them, Peterson finds solace in the gradual and mediated process of constructing an image, where ink either absorbs into, or builds on top of, the Belgian linen, creating subtle variances across the surface of each painting.

Kim Benson: Jubilant Space I-IV

Kim Benson and Drew Peterson began collaborating on Jubilant Space I-IV in 2022. Their partnership developed organically, rooted in mutual admiration and the convenience of working as neighboring studio artists. With no set outcome in mind beyond the experience of collaboration, they embraced an experimental process that prioritized variety over edition size. Benson’s use of stencils and digitally printed films used in her paintings translated naturally into screen printing, sparking Peterson’s interest in techniques that could heighten the tactile qualities of the medium. Jubilant Space I-IV is a testament to the collaborative process between printer and artist, revealing a shared visual language that emerged through gesture, texture and intuition—an exchange marked not by precision, but by play, responsiveness and a willingness to embrace the unexpected.

Images courtesy @eric.ruby

@drewpetersonart #drewpetersonart @pippyclarke #kimbenson @toapresents #toapresents #theorangeadvisory @entity_editions #entityeditions #painting #printmaking #minneapolis #twincities

Great to see new work @highpointprints

2024-25 Jerome Early Career Printmakers Residency Exhibition

Image 1 Nancy Ariza @nancy__ariza
Image 2 Conor McGrann @cgmcgrann
Image 3 Emma Ulen-Klees @emma.ulenklees

Great to see new work @highpointprints

2024-25 Jerome Early Career Printmakers Residency Exhibition

Image 1 Nancy Ariza @nancy__ariza
Image 2 Conor McGrann @cgmcgrann
Image 3 Emma Ulen-Klees @emma.ulenklees

Great to see new work @highpointprints

2024-25 Jerome Early Career Printmakers Residency Exhibition

Image 1 Nancy Ariza @nancy__ariza
Image 2 Conor McGrann @cgmcgrann
Image 3 Emma Ulen-Klees @emma.ulenklees

I’m thrilled to have my painting “Wall Flower” (2022) on view @walkerartcenter

Featured in “This Must Be the Place: Inside the Walker’s Collection” curated by Henriette Huldisch, chief curator and director of Curatorial Affairs

It is a beautiful exhibition and I’m honored to have my work in fabulous company. Get over to the Walker and check it out!

Thank you for this opportunity @hhuldisch

Wonderful to see Pao Houa Her: The Imaginative Landscape at the JMKAC in Sheboygan, WI. Numerous installations throughout the city.

Such significant and inspiring work!
Congrats @paohouaher
Visit @jmkac on view thru 8/31

Sheboygan is a neat city! @visitsheboygan

Wonderful to see Pao Houa Her: The Imaginative Landscape at the JMKAC in Sheboygan, WI. Numerous installations throughout the city.

Such significant and inspiring work!
Congrats @paohouaher
Visit @jmkac on view thru 8/31

Sheboygan is a neat city! @visitsheboygan

Wonderful to see Pao Houa Her: The Imaginative Landscape at the JMKAC in Sheboygan, WI. Numerous installations throughout the city.

Such significant and inspiring work!
Congrats @paohouaher
Visit @jmkac on view thru 8/31

Sheboygan is a neat city! @visitsheboygan

Wonderful to see Pao Houa Her: The Imaginative Landscape at the JMKAC in Sheboygan, WI. Numerous installations throughout the city.

Such significant and inspiring work!
Congrats @paohouaher
Visit @jmkac on view thru 8/31

Sheboygan is a neat city! @visitsheboygan

Wonderful to see Pao Houa Her: The Imaginative Landscape at the JMKAC in Sheboygan, WI. Numerous installations throughout the city.

Such significant and inspiring work!
Congrats @paohouaher
Visit @jmkac on view thru 8/31

Sheboygan is a neat city! @visitsheboygan

Wonderful to see Pao Houa Her: The Imaginative Landscape at the JMKAC in Sheboygan, WI. Numerous installations throughout the city.

Such significant and inspiring work!
Congrats @paohouaher
Visit @jmkac on view thru 8/31

Sheboygan is a neat city! @visitsheboygan

Wonderful to see Pao Houa Her: The Imaginative Landscape at the JMKAC in Sheboygan, WI. Numerous installations throughout the city.

Such significant and inspiring work!
Congrats @paohouaher
Visit @jmkac on view thru 8/31

Sheboygan is a neat city! @visitsheboygan

Wonderful to see Pao Houa Her: The Imaginative Landscape at the JMKAC in Sheboygan, WI. Numerous installations throughout the city.

Such significant and inspiring work!
Congrats @paohouaher
Visit @jmkac on view thru 8/31

Sheboygan is a neat city! @visitsheboygan

Must see exhibition:

Kandis Williams: A Surface

Curated by Taylor Jasper, Susan and Rob White Assistant Curator, Visual Arts; with Laurel Rand-Lewis, Curatorial Fellow, Visual Arts

Congrats 🎉 ⚡️⚡️⚡️! @kandis_williams @jasper_taylor_jasper

On view @walkerartcenter

Must see exhibition:

Kandis Williams: A Surface

Curated by Taylor Jasper, Susan and Rob White Assistant Curator, Visual Arts; with Laurel Rand-Lewis, Curatorial Fellow, Visual Arts

Congrats 🎉 ⚡️⚡️⚡️! @kandis_williams @jasper_taylor_jasper

On view @walkerartcenter

Must see exhibition:

Kandis Williams: A Surface

Curated by Taylor Jasper, Susan and Rob White Assistant Curator, Visual Arts; with Laurel Rand-Lewis, Curatorial Fellow, Visual Arts

Congrats 🎉 ⚡️⚡️⚡️! @kandis_williams @jasper_taylor_jasper

On view @walkerartcenter

Must see exhibition:

Kandis Williams: A Surface

Curated by Taylor Jasper, Susan and Rob White Assistant Curator, Visual Arts; with Laurel Rand-Lewis, Curatorial Fellow, Visual Arts

Congrats 🎉 ⚡️⚡️⚡️! @kandis_williams @jasper_taylor_jasper

On view @walkerartcenter

Must see exhibition:

Kandis Williams: A Surface

Curated by Taylor Jasper, Susan and Rob White Assistant Curator, Visual Arts; with Laurel Rand-Lewis, Curatorial Fellow, Visual Arts

Congrats 🎉 ⚡️⚡️⚡️! @kandis_williams @jasper_taylor_jasper

On view @walkerartcenter

Great to see
2024 McKnight Printmaking Fellowship Exhibitions

Congrats to @fidencio.f.perez (first 3 images) and @grace.sippy (following 3 images)

On view @highpointprints

Great to see
2024 McKnight Printmaking Fellowship Exhibitions

Congrats to @fidencio.f.perez (first 3 images) and @grace.sippy (following 3 images)

On view @highpointprints

Great to see
2024 McKnight Printmaking Fellowship Exhibitions

Congrats to @fidencio.f.perez (first 3 images) and @grace.sippy (following 3 images)

On view @highpointprints

Great to see
2024 McKnight Printmaking Fellowship Exhibitions

Congrats to @fidencio.f.perez (first 3 images) and @grace.sippy (following 3 images)

On view @highpointprints

Great to see
2024 McKnight Printmaking Fellowship Exhibitions

Congrats to @fidencio.f.perez (first 3 images) and @grace.sippy (following 3 images)

On view @highpointprints

Great to see
2024 McKnight Printmaking Fellowship Exhibitions

Congrats to @fidencio.f.perez (first 3 images) and @grace.sippy (following 3 images)

On view @highpointprints