Instagram Story Save
Free Save Instagram Story, Reels, Photo, Video, Highlights, IGTV online
coup de coeur de la Modern Art
Contemplations italiennes de Jean luc Bertini
coup de coeur de la Modern Art
Contemplations italiennes de Jean luc Bertini
coup de coeur de la Modern Art
Contemplations italiennes de Jean luc Bertini
coup de coeur de la Modern Art
Contemplations italiennes de Jean luc Bertini
coup de coeur de la Modern Art
Contemplations italiennes de Jean luc Bertini
coup de coeur de la Modern Art
Contemplations italiennes de Jean luc Bertini
coup de coeur de la Modern Art
Contemplations italiennes de Jean luc Bertini
coup de coeur de la Modern Art
Contemplations italiennes de Jean luc Bertini
coup de coeur de la Modern Art
Contemplations italiennes de Jean luc Bertini
Beaussant Lefèvre à Drouot aujourd’hui (my favs) j’ai pas les refs là mais bougez pas ça arrivera peut être
Beaussant Lefèvre à Drouot aujourd’hui (my favs) j’ai pas les refs là mais bougez pas ça arrivera peut être
Beaussant Lefèvre à Drouot aujourd’hui (my favs) j’ai pas les refs là mais bougez pas ça arrivera peut être
Beaussant Lefèvre à Drouot aujourd’hui (my favs) j’ai pas les refs là mais bougez pas ça arrivera peut être
Beaussant Lefèvre à Drouot aujourd’hui (my favs) j’ai pas les refs là mais bougez pas ça arrivera peut être
Beaussant Lefèvre à Drouot aujourd’hui (my favs) j’ai pas les refs là mais bougez pas ça arrivera peut être
Beaussant Lefèvre à Drouot aujourd’hui (my favs) j’ai pas les refs là mais bougez pas ça arrivera peut être
2 mois loin de la france sa culture et Paris-
m’auront aidée à retrouver cette ville et y voir son charme d’un oeil étranger, de ceux dont j’ai entendu le discours rêveur à l’évocation de son nom. Elle me semblait si loin. Si petite. Si différente. De quoi je ne sais pas, je n’y pensais pas réellement, je l’entendais sortir de ma bouche pour grossir d’où je venais, et je l’imaginais dans la pensée des autres, seulement. Je n’e l’habitais plus vraiment.
j’ai retrouvé ce petit truc, qui m’était devenu si étranger et qu’en même temps je connais si bien, ce petit truc qui me fait me dire « comme c’est français » devant ce qui aujourd’hui me surprend, sans le dénigrer ni le moquer, non non, plutôt d’un étonnement amusé.
Plaisir doté d’un sourire léger, fasciné.
celui de retrouver cette lumière et cette atmosphère familière, ces rires et ces mots, ces gestes et ces manières.
Sous ce rire des larmes, au fond une déchirure. celle de ne pouvoir retrouver l’un sans quitter l’autre, de partout être l’un sans l’autre, ou jamais pour très longtemps.
Revenir là d’où je disais venir et Partir de là d’où je vais dire venir
Quand on ne sait plus à quoi on appartient
Les mots les plus simples perdent alors tout leur sens
2 mois loin de la france sa culture et Paris-
m’auront aidée à retrouver cette ville et y voir son charme d’un oeil étranger, de ceux dont j’ai entendu le discours rêveur à l’évocation de son nom. Elle me semblait si loin. Si petite. Si différente. De quoi je ne sais pas, je n’y pensais pas réellement, je l’entendais sortir de ma bouche pour grossir d’où je venais, et je l’imaginais dans la pensée des autres, seulement. Je n’e l’habitais plus vraiment.
j’ai retrouvé ce petit truc, qui m’était devenu si étranger et qu’en même temps je connais si bien, ce petit truc qui me fait me dire « comme c’est français » devant ce qui aujourd’hui me surprend, sans le dénigrer ni le moquer, non non, plutôt d’un étonnement amusé.
Plaisir doté d’un sourire léger, fasciné.
celui de retrouver cette lumière et cette atmosphère familière, ces rires et ces mots, ces gestes et ces manières.
Sous ce rire des larmes, au fond une déchirure. celle de ne pouvoir retrouver l’un sans quitter l’autre, de partout être l’un sans l’autre, ou jamais pour très longtemps.
Revenir là d’où je disais venir et Partir de là d’où je vais dire venir
Quand on ne sait plus à quoi on appartient
Les mots les plus simples perdent alors tout leur sens
2 mois loin de la france sa culture et Paris-
m’auront aidée à retrouver cette ville et y voir son charme d’un oeil étranger, de ceux dont j’ai entendu le discours rêveur à l’évocation de son nom. Elle me semblait si loin. Si petite. Si différente. De quoi je ne sais pas, je n’y pensais pas réellement, je l’entendais sortir de ma bouche pour grossir d’où je venais, et je l’imaginais dans la pensée des autres, seulement. Je n’e l’habitais plus vraiment.
j’ai retrouvé ce petit truc, qui m’était devenu si étranger et qu’en même temps je connais si bien, ce petit truc qui me fait me dire « comme c’est français » devant ce qui aujourd’hui me surprend, sans le dénigrer ni le moquer, non non, plutôt d’un étonnement amusé.
Plaisir doté d’un sourire léger, fasciné.
celui de retrouver cette lumière et cette atmosphère familière, ces rires et ces mots, ces gestes et ces manières.
Sous ce rire des larmes, au fond une déchirure. celle de ne pouvoir retrouver l’un sans quitter l’autre, de partout être l’un sans l’autre, ou jamais pour très longtemps.
Revenir là d’où je disais venir et Partir de là d’où je vais dire venir
Quand on ne sait plus à quoi on appartient
Les mots les plus simples perdent alors tout leur sens
2 mois loin de la france sa culture et Paris-
m’auront aidée à retrouver cette ville et y voir son charme d’un oeil étranger, de ceux dont j’ai entendu le discours rêveur à l’évocation de son nom. Elle me semblait si loin. Si petite. Si différente. De quoi je ne sais pas, je n’y pensais pas réellement, je l’entendais sortir de ma bouche pour grossir d’où je venais, et je l’imaginais dans la pensée des autres, seulement. Je n’e l’habitais plus vraiment.
j’ai retrouvé ce petit truc, qui m’était devenu si étranger et qu’en même temps je connais si bien, ce petit truc qui me fait me dire « comme c’est français » devant ce qui aujourd’hui me surprend, sans le dénigrer ni le moquer, non non, plutôt d’un étonnement amusé.
Plaisir doté d’un sourire léger, fasciné.
celui de retrouver cette lumière et cette atmosphère familière, ces rires et ces mots, ces gestes et ces manières.
Sous ce rire des larmes, au fond une déchirure. celle de ne pouvoir retrouver l’un sans quitter l’autre, de partout être l’un sans l’autre, ou jamais pour très longtemps.
Revenir là d’où je disais venir et Partir de là d’où je vais dire venir
Quand on ne sait plus à quoi on appartient
Les mots les plus simples perdent alors tout leur sens
2 mois loin de la france sa culture et Paris-
m’auront aidée à retrouver cette ville et y voir son charme d’un oeil étranger, de ceux dont j’ai entendu le discours rêveur à l’évocation de son nom. Elle me semblait si loin. Si petite. Si différente. De quoi je ne sais pas, je n’y pensais pas réellement, je l’entendais sortir de ma bouche pour grossir d’où je venais, et je l’imaginais dans la pensée des autres, seulement. Je n’e l’habitais plus vraiment.
j’ai retrouvé ce petit truc, qui m’était devenu si étranger et qu’en même temps je connais si bien, ce petit truc qui me fait me dire « comme c’est français » devant ce qui aujourd’hui me surprend, sans le dénigrer ni le moquer, non non, plutôt d’un étonnement amusé.
Plaisir doté d’un sourire léger, fasciné.
celui de retrouver cette lumière et cette atmosphère familière, ces rires et ces mots, ces gestes et ces manières.
Sous ce rire des larmes, au fond une déchirure. celle de ne pouvoir retrouver l’un sans quitter l’autre, de partout être l’un sans l’autre, ou jamais pour très longtemps.
Revenir là d’où je disais venir et Partir de là d’où je vais dire venir
Quand on ne sait plus à quoi on appartient
Les mots les plus simples perdent alors tout leur sens
2 mois loin de la france sa culture et Paris-
m’auront aidée à retrouver cette ville et y voir son charme d’un oeil étranger, de ceux dont j’ai entendu le discours rêveur à l’évocation de son nom. Elle me semblait si loin. Si petite. Si différente. De quoi je ne sais pas, je n’y pensais pas réellement, je l’entendais sortir de ma bouche pour grossir d’où je venais, et je l’imaginais dans la pensée des autres, seulement. Je n’e l’habitais plus vraiment.
j’ai retrouvé ce petit truc, qui m’était devenu si étranger et qu’en même temps je connais si bien, ce petit truc qui me fait me dire « comme c’est français » devant ce qui aujourd’hui me surprend, sans le dénigrer ni le moquer, non non, plutôt d’un étonnement amusé.
Plaisir doté d’un sourire léger, fasciné.
celui de retrouver cette lumière et cette atmosphère familière, ces rires et ces mots, ces gestes et ces manières.
Sous ce rire des larmes, au fond une déchirure. celle de ne pouvoir retrouver l’un sans quitter l’autre, de partout être l’un sans l’autre, ou jamais pour très longtemps.
Revenir là d’où je disais venir et Partir de là d’où je vais dire venir
Quand on ne sait plus à quoi on appartient
Les mots les plus simples perdent alors tout leur sens
2 mois loin de la france sa culture et Paris-
m’auront aidée à retrouver cette ville et y voir son charme d’un oeil étranger, de ceux dont j’ai entendu le discours rêveur à l’évocation de son nom. Elle me semblait si loin. Si petite. Si différente. De quoi je ne sais pas, je n’y pensais pas réellement, je l’entendais sortir de ma bouche pour grossir d’où je venais, et je l’imaginais dans la pensée des autres, seulement. Je n’e l’habitais plus vraiment.
j’ai retrouvé ce petit truc, qui m’était devenu si étranger et qu’en même temps je connais si bien, ce petit truc qui me fait me dire « comme c’est français » devant ce qui aujourd’hui me surprend, sans le dénigrer ni le moquer, non non, plutôt d’un étonnement amusé.
Plaisir doté d’un sourire léger, fasciné.
celui de retrouver cette lumière et cette atmosphère familière, ces rires et ces mots, ces gestes et ces manières.
Sous ce rire des larmes, au fond une déchirure. celle de ne pouvoir retrouver l’un sans quitter l’autre, de partout être l’un sans l’autre, ou jamais pour très longtemps.
Revenir là d’où je disais venir et Partir de là d’où je vais dire venir
Quand on ne sait plus à quoi on appartient
Les mots les plus simples perdent alors tout leur sens
2 mois loin de la france sa culture et Paris-
m’auront aidée à retrouver cette ville et y voir son charme d’un oeil étranger, de ceux dont j’ai entendu le discours rêveur à l’évocation de son nom. Elle me semblait si loin. Si petite. Si différente. De quoi je ne sais pas, je n’y pensais pas réellement, je l’entendais sortir de ma bouche pour grossir d’où je venais, et je l’imaginais dans la pensée des autres, seulement. Je n’e l’habitais plus vraiment.
j’ai retrouvé ce petit truc, qui m’était devenu si étranger et qu’en même temps je connais si bien, ce petit truc qui me fait me dire « comme c’est français » devant ce qui aujourd’hui me surprend, sans le dénigrer ni le moquer, non non, plutôt d’un étonnement amusé.
Plaisir doté d’un sourire léger, fasciné.
celui de retrouver cette lumière et cette atmosphère familière, ces rires et ces mots, ces gestes et ces manières.
Sous ce rire des larmes, au fond une déchirure. celle de ne pouvoir retrouver l’un sans quitter l’autre, de partout être l’un sans l’autre, ou jamais pour très longtemps.
Revenir là d’où je disais venir et Partir de là d’où je vais dire venir
Quand on ne sait plus à quoi on appartient
Les mots les plus simples perdent alors tout leur sens
2 mois loin de la france sa culture et Paris-
m’auront aidée à retrouver cette ville et y voir son charme d’un oeil étranger, de ceux dont j’ai entendu le discours rêveur à l’évocation de son nom. Elle me semblait si loin. Si petite. Si différente. De quoi je ne sais pas, je n’y pensais pas réellement, je l’entendais sortir de ma bouche pour grossir d’où je venais, et je l’imaginais dans la pensée des autres, seulement. Je n’e l’habitais plus vraiment.
j’ai retrouvé ce petit truc, qui m’était devenu si étranger et qu’en même temps je connais si bien, ce petit truc qui me fait me dire « comme c’est français » devant ce qui aujourd’hui me surprend, sans le dénigrer ni le moquer, non non, plutôt d’un étonnement amusé.
Plaisir doté d’un sourire léger, fasciné.
celui de retrouver cette lumière et cette atmosphère familière, ces rires et ces mots, ces gestes et ces manières.
Sous ce rire des larmes, au fond une déchirure. celle de ne pouvoir retrouver l’un sans quitter l’autre, de partout être l’un sans l’autre, ou jamais pour très longtemps.
Revenir là d’où je disais venir et Partir de là d’où je vais dire venir
Quand on ne sait plus à quoi on appartient
Les mots les plus simples perdent alors tout leur sens
expo que j’ai vue 2x at Fotografiska in Shanghai - Photographic Geomancy -representing 22 artists
Whether it is the caves leading to a profound past, the vast mountains regarded as spiritual sanctuaries, or the rivers and waterways nourishing civilizations, China’s geography has provided artists with endless inspiration. The « Photographic Geomancy » exhibition focuses on how Chinese artists in recent years have employed photography and video media to reconstruct visual narratives related to geography.
The exhibition is organized around four themes:
« Retracing
Ancient Terrain, »
« Geological Perception, » « Infrastructure
Archaeology, » and « Poems of Phantom Lands. » It showcases how artists, through unique creative practices, weave together the intertwined landscapes of regions, cultures, and histories. Special emphasis is placed on the local experiences and embodied knowledge in contemporary art creation, highlighting the artists’ profound insights into China’s native experiences while seeking unique expressions of local culture within a globalized context.
« Photographic Geomancy: Images, Fieldwork, and the Poetics of Geography » invites audiences to follow the artists’ journeys, traversing the mountains, rivers, and human history of China. At the intersection of visual art, geography, and history, the exhibition reintroduces this vast Chinese land to the audience.
expo que j’ai vue 2x at Fotografiska in Shanghai - Photographic Geomancy -representing 22 artists
Whether it is the caves leading to a profound past, the vast mountains regarded as spiritual sanctuaries, or the rivers and waterways nourishing civilizations, China’s geography has provided artists with endless inspiration. The « Photographic Geomancy » exhibition focuses on how Chinese artists in recent years have employed photography and video media to reconstruct visual narratives related to geography.
The exhibition is organized around four themes:
« Retracing
Ancient Terrain, »
« Geological Perception, » « Infrastructure
Archaeology, » and « Poems of Phantom Lands. » It showcases how artists, through unique creative practices, weave together the intertwined landscapes of regions, cultures, and histories. Special emphasis is placed on the local experiences and embodied knowledge in contemporary art creation, highlighting the artists’ profound insights into China’s native experiences while seeking unique expressions of local culture within a globalized context.
« Photographic Geomancy: Images, Fieldwork, and the Poetics of Geography » invites audiences to follow the artists’ journeys, traversing the mountains, rivers, and human history of China. At the intersection of visual art, geography, and history, the exhibition reintroduces this vast Chinese land to the audience.
expo que j’ai vue 2x at Fotografiska in Shanghai - Photographic Geomancy -representing 22 artists
Whether it is the caves leading to a profound past, the vast mountains regarded as spiritual sanctuaries, or the rivers and waterways nourishing civilizations, China’s geography has provided artists with endless inspiration. The « Photographic Geomancy » exhibition focuses on how Chinese artists in recent years have employed photography and video media to reconstruct visual narratives related to geography.
The exhibition is organized around four themes:
« Retracing
Ancient Terrain, »
« Geological Perception, » « Infrastructure
Archaeology, » and « Poems of Phantom Lands. » It showcases how artists, through unique creative practices, weave together the intertwined landscapes of regions, cultures, and histories. Special emphasis is placed on the local experiences and embodied knowledge in contemporary art creation, highlighting the artists’ profound insights into China’s native experiences while seeking unique expressions of local culture within a globalized context.
« Photographic Geomancy: Images, Fieldwork, and the Poetics of Geography » invites audiences to follow the artists’ journeys, traversing the mountains, rivers, and human history of China. At the intersection of visual art, geography, and history, the exhibition reintroduces this vast Chinese land to the audience.
expo que j’ai vue 2x at Fotografiska in Shanghai - Photographic Geomancy -representing 22 artists
Whether it is the caves leading to a profound past, the vast mountains regarded as spiritual sanctuaries, or the rivers and waterways nourishing civilizations, China’s geography has provided artists with endless inspiration. The « Photographic Geomancy » exhibition focuses on how Chinese artists in recent years have employed photography and video media to reconstruct visual narratives related to geography.
The exhibition is organized around four themes:
« Retracing
Ancient Terrain, »
« Geological Perception, » « Infrastructure
Archaeology, » and « Poems of Phantom Lands. » It showcases how artists, through unique creative practices, weave together the intertwined landscapes of regions, cultures, and histories. Special emphasis is placed on the local experiences and embodied knowledge in contemporary art creation, highlighting the artists’ profound insights into China’s native experiences while seeking unique expressions of local culture within a globalized context.
« Photographic Geomancy: Images, Fieldwork, and the Poetics of Geography » invites audiences to follow the artists’ journeys, traversing the mountains, rivers, and human history of China. At the intersection of visual art, geography, and history, the exhibition reintroduces this vast Chinese land to the audience.
expo que j’ai vue 2x at Fotografiska in Shanghai - Photographic Geomancy -representing 22 artists
Whether it is the caves leading to a profound past, the vast mountains regarded as spiritual sanctuaries, or the rivers and waterways nourishing civilizations, China’s geography has provided artists with endless inspiration. The « Photographic Geomancy » exhibition focuses on how Chinese artists in recent years have employed photography and video media to reconstruct visual narratives related to geography.
The exhibition is organized around four themes:
« Retracing
Ancient Terrain, »
« Geological Perception, » « Infrastructure
Archaeology, » and « Poems of Phantom Lands. » It showcases how artists, through unique creative practices, weave together the intertwined landscapes of regions, cultures, and histories. Special emphasis is placed on the local experiences and embodied knowledge in contemporary art creation, highlighting the artists’ profound insights into China’s native experiences while seeking unique expressions of local culture within a globalized context.
« Photographic Geomancy: Images, Fieldwork, and the Poetics of Geography » invites audiences to follow the artists’ journeys, traversing the mountains, rivers, and human history of China. At the intersection of visual art, geography, and history, the exhibition reintroduces this vast Chinese land to the audience.
expo que j’ai vue 2x at Fotografiska in Shanghai - Photographic Geomancy -representing 22 artists
Whether it is the caves leading to a profound past, the vast mountains regarded as spiritual sanctuaries, or the rivers and waterways nourishing civilizations, China’s geography has provided artists with endless inspiration. The « Photographic Geomancy » exhibition focuses on how Chinese artists in recent years have employed photography and video media to reconstruct visual narratives related to geography.
The exhibition is organized around four themes:
« Retracing
Ancient Terrain, »
« Geological Perception, » « Infrastructure
Archaeology, » and « Poems of Phantom Lands. » It showcases how artists, through unique creative practices, weave together the intertwined landscapes of regions, cultures, and histories. Special emphasis is placed on the local experiences and embodied knowledge in contemporary art creation, highlighting the artists’ profound insights into China’s native experiences while seeking unique expressions of local culture within a globalized context.
« Photographic Geomancy: Images, Fieldwork, and the Poetics of Geography » invites audiences to follow the artists’ journeys, traversing the mountains, rivers, and human history of China. At the intersection of visual art, geography, and history, the exhibition reintroduces this vast Chinese land to the audience.
expo que j’ai vue 2x at Fotografiska in Shanghai - Photographic Geomancy -representing 22 artists
Whether it is the caves leading to a profound past, the vast mountains regarded as spiritual sanctuaries, or the rivers and waterways nourishing civilizations, China’s geography has provided artists with endless inspiration. The « Photographic Geomancy » exhibition focuses on how Chinese artists in recent years have employed photography and video media to reconstruct visual narratives related to geography.
The exhibition is organized around four themes:
« Retracing
Ancient Terrain, »
« Geological Perception, » « Infrastructure
Archaeology, » and « Poems of Phantom Lands. » It showcases how artists, through unique creative practices, weave together the intertwined landscapes of regions, cultures, and histories. Special emphasis is placed on the local experiences and embodied knowledge in contemporary art creation, highlighting the artists’ profound insights into China’s native experiences while seeking unique expressions of local culture within a globalized context.
« Photographic Geomancy: Images, Fieldwork, and the Poetics of Geography » invites audiences to follow the artists’ journeys, traversing the mountains, rivers, and human history of China. At the intersection of visual art, geography, and history, the exhibition reintroduces this vast Chinese land to the audience.
expo que j’ai vue 2x at Fotografiska in Shanghai - Photographic Geomancy -representing 22 artists
Whether it is the caves leading to a profound past, the vast mountains regarded as spiritual sanctuaries, or the rivers and waterways nourishing civilizations, China’s geography has provided artists with endless inspiration. The « Photographic Geomancy » exhibition focuses on how Chinese artists in recent years have employed photography and video media to reconstruct visual narratives related to geography.
The exhibition is organized around four themes:
« Retracing
Ancient Terrain, »
« Geological Perception, » « Infrastructure
Archaeology, » and « Poems of Phantom Lands. » It showcases how artists, through unique creative practices, weave together the intertwined landscapes of regions, cultures, and histories. Special emphasis is placed on the local experiences and embodied knowledge in contemporary art creation, highlighting the artists’ profound insights into China’s native experiences while seeking unique expressions of local culture within a globalized context.
« Photographic Geomancy: Images, Fieldwork, and the Poetics of Geography » invites audiences to follow the artists’ journeys, traversing the mountains, rivers, and human history of China. At the intersection of visual art, geography, and history, the exhibition reintroduces this vast Chinese land to the audience.
expo que j’ai vue 2x at Fotografiska in Shanghai - Photographic Geomancy -representing 22 artists
Whether it is the caves leading to a profound past, the vast mountains regarded as spiritual sanctuaries, or the rivers and waterways nourishing civilizations, China’s geography has provided artists with endless inspiration. The « Photographic Geomancy » exhibition focuses on how Chinese artists in recent years have employed photography and video media to reconstruct visual narratives related to geography.
The exhibition is organized around four themes:
« Retracing
Ancient Terrain, »
« Geological Perception, » « Infrastructure
Archaeology, » and « Poems of Phantom Lands. » It showcases how artists, through unique creative practices, weave together the intertwined landscapes of regions, cultures, and histories. Special emphasis is placed on the local experiences and embodied knowledge in contemporary art creation, highlighting the artists’ profound insights into China’s native experiences while seeking unique expressions of local culture within a globalized context.
« Photographic Geomancy: Images, Fieldwork, and the Poetics of Geography » invites audiences to follow the artists’ journeys, traversing the mountains, rivers, and human history of China. At the intersection of visual art, geography, and history, the exhibition reintroduces this vast Chinese land to the audience.
expo que j’ai vue 2x at Fotografiska in Shanghai - Photographic Geomancy -representing 22 artists
Whether it is the caves leading to a profound past, the vast mountains regarded as spiritual sanctuaries, or the rivers and waterways nourishing civilizations, China’s geography has provided artists with endless inspiration. The « Photographic Geomancy » exhibition focuses on how Chinese artists in recent years have employed photography and video media to reconstruct visual narratives related to geography.
The exhibition is organized around four themes:
« Retracing
Ancient Terrain, »
« Geological Perception, » « Infrastructure
Archaeology, » and « Poems of Phantom Lands. » It showcases how artists, through unique creative practices, weave together the intertwined landscapes of regions, cultures, and histories. Special emphasis is placed on the local experiences and embodied knowledge in contemporary art creation, highlighting the artists’ profound insights into China’s native experiences while seeking unique expressions of local culture within a globalized context.
« Photographic Geomancy: Images, Fieldwork, and the Poetics of Geography » invites audiences to follow the artists’ journeys, traversing the mountains, rivers, and human history of China. At the intersection of visual art, geography, and history, the exhibition reintroduces this vast Chinese land to the audience.
expo que j’ai vue 2x at Fotografiska in Shanghai - Photographic Geomancy -representing 22 artists
Whether it is the caves leading to a profound past, the vast mountains regarded as spiritual sanctuaries, or the rivers and waterways nourishing civilizations, China’s geography has provided artists with endless inspiration. The « Photographic Geomancy » exhibition focuses on how Chinese artists in recent years have employed photography and video media to reconstruct visual narratives related to geography.
The exhibition is organized around four themes:
« Retracing
Ancient Terrain, »
« Geological Perception, » « Infrastructure
Archaeology, » and « Poems of Phantom Lands. » It showcases how artists, through unique creative practices, weave together the intertwined landscapes of regions, cultures, and histories. Special emphasis is placed on the local experiences and embodied knowledge in contemporary art creation, highlighting the artists’ profound insights into China’s native experiences while seeking unique expressions of local culture within a globalized context.
« Photographic Geomancy: Images, Fieldwork, and the Poetics of Geography » invites audiences to follow the artists’ journeys, traversing the mountains, rivers, and human history of China. At the intersection of visual art, geography, and history, the exhibition reintroduces this vast Chinese land to the audience.
expo que j’ai vue 2x at Fotografiska in Shanghai - Photographic Geomancy -representing 22 artists
Whether it is the caves leading to a profound past, the vast mountains regarded as spiritual sanctuaries, or the rivers and waterways nourishing civilizations, China’s geography has provided artists with endless inspiration. The « Photographic Geomancy » exhibition focuses on how Chinese artists in recent years have employed photography and video media to reconstruct visual narratives related to geography.
The exhibition is organized around four themes:
« Retracing
Ancient Terrain, »
« Geological Perception, » « Infrastructure
Archaeology, » and « Poems of Phantom Lands. » It showcases how artists, through unique creative practices, weave together the intertwined landscapes of regions, cultures, and histories. Special emphasis is placed on the local experiences and embodied knowledge in contemporary art creation, highlighting the artists’ profound insights into China’s native experiences while seeking unique expressions of local culture within a globalized context.
« Photographic Geomancy: Images, Fieldwork, and the Poetics of Geography » invites audiences to follow the artists’ journeys, traversing the mountains, rivers, and human history of China. At the intersection of visual art, geography, and history, the exhibition reintroduces this vast Chinese land to the audience.
expo que j’ai vue 2x at Fotografiska in Shanghai - Photographic Geomancy -representing 22 artists
Whether it is the caves leading to a profound past, the vast mountains regarded as spiritual sanctuaries, or the rivers and waterways nourishing civilizations, China’s geography has provided artists with endless inspiration. The « Photographic Geomancy » exhibition focuses on how Chinese artists in recent years have employed photography and video media to reconstruct visual narratives related to geography.
The exhibition is organized around four themes:
« Retracing
Ancient Terrain, »
« Geological Perception, » « Infrastructure
Archaeology, » and « Poems of Phantom Lands. » It showcases how artists, through unique creative practices, weave together the intertwined landscapes of regions, cultures, and histories. Special emphasis is placed on the local experiences and embodied knowledge in contemporary art creation, highlighting the artists’ profound insights into China’s native experiences while seeking unique expressions of local culture within a globalized context.
« Photographic Geomancy: Images, Fieldwork, and the Poetics of Geography » invites audiences to follow the artists’ journeys, traversing the mountains, rivers, and human history of China. At the intersection of visual art, geography, and history, the exhibition reintroduces this vast Chinese land to the audience.
expo que j’ai vue 2x at Fotografiska in Shanghai - Photographic Geomancy -representing 22 artists
Whether it is the caves leading to a profound past, the vast mountains regarded as spiritual sanctuaries, or the rivers and waterways nourishing civilizations, China’s geography has provided artists with endless inspiration. The « Photographic Geomancy » exhibition focuses on how Chinese artists in recent years have employed photography and video media to reconstruct visual narratives related to geography.
The exhibition is organized around four themes:
« Retracing
Ancient Terrain, »
« Geological Perception, » « Infrastructure
Archaeology, » and « Poems of Phantom Lands. » It showcases how artists, through unique creative practices, weave together the intertwined landscapes of regions, cultures, and histories. Special emphasis is placed on the local experiences and embodied knowledge in contemporary art creation, highlighting the artists’ profound insights into China’s native experiences while seeking unique expressions of local culture within a globalized context.
« Photographic Geomancy: Images, Fieldwork, and the Poetics of Geography » invites audiences to follow the artists’ journeys, traversing the mountains, rivers, and human history of China. At the intersection of visual art, geography, and history, the exhibition reintroduces this vast Chinese land to the audience.
expo que j’ai vue 2x at Fotografiska in Shanghai - Photographic Geomancy -representing 22 artists
Whether it is the caves leading to a profound past, the vast mountains regarded as spiritual sanctuaries, or the rivers and waterways nourishing civilizations, China’s geography has provided artists with endless inspiration. The « Photographic Geomancy » exhibition focuses on how Chinese artists in recent years have employed photography and video media to reconstruct visual narratives related to geography.
The exhibition is organized around four themes:
« Retracing
Ancient Terrain, »
« Geological Perception, » « Infrastructure
Archaeology, » and « Poems of Phantom Lands. » It showcases how artists, through unique creative practices, weave together the intertwined landscapes of regions, cultures, and histories. Special emphasis is placed on the local experiences and embodied knowledge in contemporary art creation, highlighting the artists’ profound insights into China’s native experiences while seeking unique expressions of local culture within a globalized context.
« Photographic Geomancy: Images, Fieldwork, and the Poetics of Geography » invites audiences to follow the artists’ journeys, traversing the mountains, rivers, and human history of China. At the intersection of visual art, geography, and history, the exhibition reintroduces this vast Chinese land to the audience.
exhibition I loved in Beijiiiing
- as you enter the tiny room made of long, tall, red and purple velvet curtains, you discover a yellow swimsuit on a mannequin, as if it was here waiting for you to put it on. the bottom of the body is round like a ball, like a big belly, in which you distinguish an old tv screen waiting for signal. you stand a few seconds in front of this strange thing standing here in front of you, and you continue your road, expecting to see other strange objects.
the lights dimmer and dimmer, you can’t see well what’s happening around- is it a mirror? a screen? a big ball? you continue walking carefully, ending up in the middle of a big room, covered by giant pieces of soft veil that hang like immense tents everywhere in the room, reshaping space into an unknown, outer space terrain in which one dives.
We swim there, we lie down, we drown in the flow of images and colors that flood us
thank you for the swimsuit but I prefer swimming naked
exhibition I loved in Beijiiiing
- as you enter the tiny room made of long, tall, red and purple velvet curtains, you discover a yellow swimsuit on a mannequin, as if it was here waiting for you to put it on. the bottom of the body is round like a ball, like a big belly, in which you distinguish an old tv screen waiting for signal. you stand a few seconds in front of this strange thing standing here in front of you, and you continue your road, expecting to see other strange objects.
the lights dimmer and dimmer, you can’t see well what’s happening around- is it a mirror? a screen? a big ball? you continue walking carefully, ending up in the middle of a big room, covered by giant pieces of soft veil that hang like immense tents everywhere in the room, reshaping space into an unknown, outer space terrain in which one dives.
We swim there, we lie down, we drown in the flow of images and colors that flood us
thank you for the swimsuit but I prefer swimming naked
exhibition I loved in Beijiiiing
- as you enter the tiny room made of long, tall, red and purple velvet curtains, you discover a yellow swimsuit on a mannequin, as if it was here waiting for you to put it on. the bottom of the body is round like a ball, like a big belly, in which you distinguish an old tv screen waiting for signal. you stand a few seconds in front of this strange thing standing here in front of you, and you continue your road, expecting to see other strange objects.
the lights dimmer and dimmer, you can’t see well what’s happening around- is it a mirror? a screen? a big ball? you continue walking carefully, ending up in the middle of a big room, covered by giant pieces of soft veil that hang like immense tents everywhere in the room, reshaping space into an unknown, outer space terrain in which one dives.
We swim there, we lie down, we drown in the flow of images and colors that flood us
thank you for the swimsuit but I prefer swimming naked
exhibition I loved in Beijiiiing
- as you enter the tiny room made of long, tall, red and purple velvet curtains, you discover a yellow swimsuit on a mannequin, as if it was here waiting for you to put it on. the bottom of the body is round like a ball, like a big belly, in which you distinguish an old tv screen waiting for signal. you stand a few seconds in front of this strange thing standing here in front of you, and you continue your road, expecting to see other strange objects.
the lights dimmer and dimmer, you can’t see well what’s happening around- is it a mirror? a screen? a big ball? you continue walking carefully, ending up in the middle of a big room, covered by giant pieces of soft veil that hang like immense tents everywhere in the room, reshaping space into an unknown, outer space terrain in which one dives.
We swim there, we lie down, we drown in the flow of images and colors that flood us
thank you for the swimsuit but I prefer swimming naked
exhibition I loved in Beijiiiing
- as you enter the tiny room made of long, tall, red and purple velvet curtains, you discover a yellow swimsuit on a mannequin, as if it was here waiting for you to put it on. the bottom of the body is round like a ball, like a big belly, in which you distinguish an old tv screen waiting for signal. you stand a few seconds in front of this strange thing standing here in front of you, and you continue your road, expecting to see other strange objects.
the lights dimmer and dimmer, you can’t see well what’s happening around- is it a mirror? a screen? a big ball? you continue walking carefully, ending up in the middle of a big room, covered by giant pieces of soft veil that hang like immense tents everywhere in the room, reshaping space into an unknown, outer space terrain in which one dives.
We swim there, we lie down, we drown in the flow of images and colors that flood us
thank you for the swimsuit but I prefer swimming naked
exhibition I loved in Beijiiiing
- as you enter the tiny room made of long, tall, red and purple velvet curtains, you discover a yellow swimsuit on a mannequin, as if it was here waiting for you to put it on. the bottom of the body is round like a ball, like a big belly, in which you distinguish an old tv screen waiting for signal. you stand a few seconds in front of this strange thing standing here in front of you, and you continue your road, expecting to see other strange objects.
the lights dimmer and dimmer, you can’t see well what’s happening around- is it a mirror? a screen? a big ball? you continue walking carefully, ending up in the middle of a big room, covered by giant pieces of soft veil that hang like immense tents everywhere in the room, reshaping space into an unknown, outer space terrain in which one dives.
We swim there, we lie down, we drown in the flow of images and colors that flood us
thank you for the swimsuit but I prefer swimming naked
exhibition I loved in Beijiiiing
- as you enter the tiny room made of long, tall, red and purple velvet curtains, you discover a yellow swimsuit on a mannequin, as if it was here waiting for you to put it on. the bottom of the body is round like a ball, like a big belly, in which you distinguish an old tv screen waiting for signal. you stand a few seconds in front of this strange thing standing here in front of you, and you continue your road, expecting to see other strange objects.
the lights dimmer and dimmer, you can’t see well what’s happening around- is it a mirror? a screen? a big ball? you continue walking carefully, ending up in the middle of a big room, covered by giant pieces of soft veil that hang like immense tents everywhere in the room, reshaping space into an unknown, outer space terrain in which one dives.
We swim there, we lie down, we drown in the flow of images and colors that flood us
thank you for the swimsuit but I prefer swimming naked
exhibition I loved in Beijiiiing
- as you enter the tiny room made of long, tall, red and purple velvet curtains, you discover a yellow swimsuit on a mannequin, as if it was here waiting for you to put it on. the bottom of the body is round like a ball, like a big belly, in which you distinguish an old tv screen waiting for signal. you stand a few seconds in front of this strange thing standing here in front of you, and you continue your road, expecting to see other strange objects.
the lights dimmer and dimmer, you can’t see well what’s happening around- is it a mirror? a screen? a big ball? you continue walking carefully, ending up in the middle of a big room, covered by giant pieces of soft veil that hang like immense tents everywhere in the room, reshaping space into an unknown, outer space terrain in which one dives.
We swim there, we lie down, we drown in the flow of images and colors that flood us
thank you for the swimsuit but I prefer swimming naked
青岛textures and european looking house (bc it was occupied by germans (merci encore noémie de m’éduquer screenshot rights go to you)
青岛textures and european looking house (bc it was occupied by germans (merci encore noémie de m’éduquer screenshot rights go to you)
青岛textures and european looking house (bc it was occupied by germans (merci encore noémie de m’éduquer screenshot rights go to you)
青岛textures and european looking house (bc it was occupied by germans (merci encore noémie de m’éduquer screenshot rights go to you)
青岛textures and european looking house (bc it was occupied by germans (merci encore noémie de m’éduquer screenshot rights go to you)
青岛textures and european looking house (bc it was occupied by germans (merci encore noémie de m’éduquer screenshot rights go to you)
青岛textures and european looking house (bc it was occupied by germans (merci encore noémie de m’éduquer screenshot rights go to you)
青岛textures and european looking house (bc it was occupied by germans (merci encore noémie de m’éduquer screenshot rights go to you)
青岛textures and european looking house (bc it was occupied by germans (merci encore noémie de m’éduquer screenshot rights go to you)
青岛textures and european looking house (bc it was occupied by germans (merci encore noémie de m’éduquer screenshot rights go to you)
les design des cigarettes en chine and my favorite cigar 🥥 (seule fois ou y aura ma tete ici)
les design des cigarettes en chine and my favorite cigar 🥥 (seule fois ou y aura ma tete ici)
les design des cigarettes en chine and my favorite cigar 🥥 (seule fois ou y aura ma tete ici)
les design des cigarettes en chine and my favorite cigar 🥥 (seule fois ou y aura ma tete ici)
Story Save - Best free tool for saving Stories, Reels, Photos, Videos, Highlights, IGTV to your phone.
Story-save.com is an intuitive online tool that enables users to download and save a variety of content, including stories, photos, videos, and IGTV materials, directly from Instagram. With Story-Save, you can not only easily download diverse content from Instagram but also view it at your convenience, even without internet access. This tool is perfect for those moments when you come across something interesting on Instagram and want to save it for later viewing. Use Story-Save to ensure you don't miss the chance to take your favorite Instagram moments with you!
Our advantages:
No Need to Register
Avoid app downloads and sign-ups, store stories on the web.
Exclusive High-Quality
Stories Say goodbye to poor-quality content, preserve only high-resolution Stories.
Accessible on All
Devices Download Instagram Stories using any browser, iPhone, Android.
Completely Free to Use
Absolutely no fees. Download any Story at no cost.
Frequently Asked Questions
- 1. Go to the Instagram Story Downloader tool.
- 2. Next, type the username of the Instagram profile into the provided field and click on the Download button.
- 3. You'll then see all the Stories that are available for the current 24-hour period. Select the ones you want and hit Download.