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“Pulse Demon” closes this Saturday 5/7 @belowgrandnyc 52 Allen St. - open Sat 12-5pm and by appointment- with Kadar Brock @kadar_brock_studio , Andrew Ross @andrewross_info , Allyson Vieira @allysonvieirastudio - curated by Bradley Milligan @bradleympaintings & David Arney @davisarney

Here is one of my two works on paper included in the show - so happy to have this piece out in the world -
“trace (And: Now)”, 2018-2023, wax oil pastel, oil, pastel, and dirt on paper with rips, 35.75”x31”

and something I wrote about it:
>This is quite a beat up, irregular form, and the white pattern attempts to create an order for the chaos, an airiness to its intense materiality. To me, it feels like a fragment of some possible larger whole. This pattern comes from a rubbing in white wax oil pastel of the painting ‘And: Now” in progress, which was completed in 2024, and included in my last solo show at James Fuentes. This paper had been around in stacks of paper on my floor for quite some time, mostly existing under my painting table from time to time, collecting oil paint and dirt over the years. When my studio flooded at the end of 2022, this paper was submerged, and gained intense wrinkles because of the water damage, that you can see from the oblique view. This also created a ripple effect in the rubbing. This ‘trace’ for me captures a particular movement of time and change, marking of both daily peripheral residue and sudden acts of chance, held together by the patterns of days always moving forward.<

“Pulse Demon” closes this Saturday 5/7 @belowgrandnyc 52 Allen St. - open Sat 12-5pm and by appointment- with Kadar Brock @kadar_brock_studio , Andrew Ross @andrewross_info , Allyson Vieira @allysonvieirastudio - curated by Bradley Milligan @bradleympaintings & David Arney @davisarney

Here is one of my two works on paper included in the show - so happy to have this piece out in the world -
“trace (And: Now)”, 2018-2023, wax oil pastel, oil, pastel, and dirt on paper with rips, 35.75”x31”

and something I wrote about it:
>This is quite a beat up, irregular form, and the white pattern attempts to create an order for the chaos, an airiness to its intense materiality. To me, it feels like a fragment of some possible larger whole. This pattern comes from a rubbing in white wax oil pastel of the painting ‘And: Now” in progress, which was completed in 2024, and included in my last solo show at James Fuentes. This paper had been around in stacks of paper on my floor for quite some time, mostly existing under my painting table from time to time, collecting oil paint and dirt over the years. When my studio flooded at the end of 2022, this paper was submerged, and gained intense wrinkles because of the water damage, that you can see from the oblique view. This also created a ripple effect in the rubbing. This ‘trace’ for me captures a particular movement of time and change, marking of both daily peripheral residue and sudden acts of chance, held together by the patterns of days always moving forward.<

“Pulse Demon” closes this Saturday 5/7 @belowgrandnyc 52 Allen St. - open Sat 12-5pm and by appointment- with Kadar Brock @kadar_brock_studio , Andrew Ross @andrewross_info , Allyson Vieira @allysonvieirastudio - curated by Bradley Milligan @bradleympaintings & David Arney @davisarney

Here is one of my two works on paper included in the show - so happy to have this piece out in the world -
“trace (And: Now)”, 2018-2023, wax oil pastel, oil, pastel, and dirt on paper with rips, 35.75”x31”

and something I wrote about it:
>This is quite a beat up, irregular form, and the white pattern attempts to create an order for the chaos, an airiness to its intense materiality. To me, it feels like a fragment of some possible larger whole. This pattern comes from a rubbing in white wax oil pastel of the painting ‘And: Now” in progress, which was completed in 2024, and included in my last solo show at James Fuentes. This paper had been around in stacks of paper on my floor for quite some time, mostly existing under my painting table from time to time, collecting oil paint and dirt over the years. When my studio flooded at the end of 2022, this paper was submerged, and gained intense wrinkles because of the water damage, that you can see from the oblique view. This also created a ripple effect in the rubbing. This ‘trace’ for me captures a particular movement of time and change, marking of both daily peripheral residue and sudden acts of chance, held together by the patterns of days always moving forward.<

family + art + Minneapolis skyline // with parents - 2 of my nieces - with the 3 of 7 siblings that were in town /// also not pictured are all the people I haven’t seen in a long while that were so nice to see! //
Un Art Autre is up at @gallery.wick through May 1 - by appointment //

family + art + Minneapolis skyline // with parents - 2 of my nieces - with the 3 of 7 siblings that were in town /// also not pictured are all the people I haven’t seen in a long while that were so nice to see! //
Un Art Autre is up at @gallery.wick through May 1 - by appointment //

family + art + Minneapolis skyline // with parents - 2 of my nieces - with the 3 of 7 siblings that were in town /// also not pictured are all the people I haven’t seen in a long while that were so nice to see! //
Un Art Autre is up at @gallery.wick through May 1 - by appointment //

family + art + Minneapolis skyline // with parents - 2 of my nieces - with the 3 of 7 siblings that were in town /// also not pictured are all the people I haven’t seen in a long while that were so nice to see! //
Un Art Autre is up at @gallery.wick through May 1 - by appointment //

Reception tonight! 6-8P: UN ART AUTRE, featuring works by Graham Collins, Jessica Dickinson, and Sean Noonan

The title of the exhibition derives from Michel Tapié’s essay, “Un Art Autre.” The essay should serve as a reference, not a prescription; allowing oneself to be intimately open, willingly yearning, and ethereally drifting; to be impacted by the work as a whole, yet sensitive enough to allow oneself to delve into the details. Furthermore, the especially tender basis of this show is how it rests in practice, materiality, (non)gesture, and the places where these themes were contemplated on or explored. All of these themes coexist and undulate in their modality – yet in the utmost intentional way.

WICK is a nomadic gallery operating in established and transient spaces, focusing on critically curated exhibitions.

315 SE MAIN ST MPLS 55414

Photography by Gene Bird

Project support provided by the Visual Arts Fund, administered by Midway Contemporary Art with generous funding from the Andy Warhol Foundation for the Visual Arts, New York.
@visualartsfund @midwayart
@warholfoundation

Artist feature from UN ART AUTRE, which will have its reception this Saturday, 4.25 | 6-8P

Jessica Dickinson was born in St. Paul, MN and has lived and worked in Brooklyn since 1999. 
Solo exhibitions include James Fuentes NY, Altman Siegel, San Francisco, David Petersen Gallery, Minneapolis and Maisterravalbuena, Madrid. Numerous group exhibitions include The Solomon R. Guggenheim Museum, New York; Cranbrook Art Museum, Michigan; Katzen Arts Center at The American University Museum, Washington D.C.; Gladstone Gallery, New York; The Warehouse, Dallas; Eleni Koroneou Gallery, Athens, and The Kitchen, New York. In 2015, the first monograph dedicated to Dickinson’s work was published by Inventory Press. To accompany her 2024 solo exhibition, James Fuentes Press published “Jessica Dickinson”, which focuses on one painting and all its related works. Awards include Steep Rock Arts Residency, a Belle Foundation individual grant, Farpath Residency in Dijon, France, Change Inc. Grant, and The Marie Walsh Sharpe Art Foundation Space Program residency. Public collections include The Solomon R. Guggenheim Museum, New York and The Rachofsky Collection, Dallas. Dickinson received a BFA from the Maryland Institute College of Art and an MFA from Cranbrook Academy of Art. She has taught extensively, and is currently Adjunct Faculty at Cooper Union School of Art and a Faculty Mentor at The Canopy Program. Dickinson is represented by James Fuentes in New York/Los Angeles.

Jessica Dickinson, Or/With/Is, 2021-2023, pastel, graphite, dirt, and oil on paper, 50 x 42.25 inches

For inquiries please email the gallery: director@gallerywick.com

UN ART AUTRE 4.7.26 - 5.1.26
315 SE MAIN ST MPLS

Photography by Gene Bird

Project support provided by the Visual Arts Fund, administered by Midway Contemporary Art with generous funding from the Andy Warhol Foundation for the Visual Arts, New York.
@visualartsfund @midwayart
@warholfoundation

Artist feature from UN ART AUTRE, which will have its reception this Saturday, 4.25 | 6-8P

Jessica Dickinson was born in St. Paul, MN and has lived and worked in Brooklyn since 1999. 
Solo exhibitions include James Fuentes NY, Altman Siegel, San Francisco, David Petersen Gallery, Minneapolis and Maisterravalbuena, Madrid. Numerous group exhibitions include The Solomon R. Guggenheim Museum, New York; Cranbrook Art Museum, Michigan; Katzen Arts Center at The American University Museum, Washington D.C.; Gladstone Gallery, New York; The Warehouse, Dallas; Eleni Koroneou Gallery, Athens, and The Kitchen, New York. In 2015, the first monograph dedicated to Dickinson’s work was published by Inventory Press. To accompany her 2024 solo exhibition, James Fuentes Press published “Jessica Dickinson”, which focuses on one painting and all its related works. Awards include Steep Rock Arts Residency, a Belle Foundation individual grant, Farpath Residency in Dijon, France, Change Inc. Grant, and The Marie Walsh Sharpe Art Foundation Space Program residency. Public collections include The Solomon R. Guggenheim Museum, New York and The Rachofsky Collection, Dallas. Dickinson received a BFA from the Maryland Institute College of Art and an MFA from Cranbrook Academy of Art. She has taught extensively, and is currently Adjunct Faculty at Cooper Union School of Art and a Faculty Mentor at The Canopy Program. Dickinson is represented by James Fuentes in New York/Los Angeles.

Jessica Dickinson, Or/With/Is, 2021-2023, pastel, graphite, dirt, and oil on paper, 50 x 42.25 inches

For inquiries please email the gallery: director@gallerywick.com

UN ART AUTRE 4.7.26 - 5.1.26
315 SE MAIN ST MPLS

Photography by Gene Bird

Project support provided by the Visual Arts Fund, administered by Midway Contemporary Art with generous funding from the Andy Warhol Foundation for the Visual Arts, New York.
@visualartsfund @midwayart
@warholfoundation

TRANSMISSION FROM MINNEAPOLIS >> Un Art Autre@gallery.wick >> open hours this Sat 4/18 from 2-6pm + Sun 4/19 by appt. >> 315 SE MAIN ST MPLS

>>I’ll be there next Sat 4/25 6-8pm for the artist reception with Graham Collins and Sean Noonan@grahamcollins @past.the.sun >> come by hometown friends say hi >>

Marc Handelman @marcphandelman and Jessica Dickinson’s @onwardsteadfast stunning show continues with visiting hours on Sunday, April 19th from 3-5pm. DM for address and rsvp.

Images:

Dickinson, Is/Know, 2024-2025, Oil on limestone polymer on wood panel, 55” x 49”

Detail shots

Marc Handelman @marcphandelman and Jessica Dickinson’s @onwardsteadfast stunning show continues with visiting hours on Sunday, April 19th from 3-5pm. DM for address and rsvp.

Images:

Dickinson, Is/Know, 2024-2025, Oil on limestone polymer on wood panel, 55” x 49”

Detail shots

Marc Handelman @marcphandelman and Jessica Dickinson’s @onwardsteadfast stunning show continues with visiting hours on Sunday, April 19th from 3-5pm. DM for address and rsvp.

Images:

Dickinson, Is/Know, 2024-2025, Oil on limestone polymer on wood panel, 55” x 49”

Detail shots

Marc Handelman @marcphandelman and Jessica Dickinson’s @onwardsteadfast stunning show continues with visiting hours on Sunday, April 19th from 3-5pm. DM for address and rsvp.

Images:

Dickinson, Is/Know, 2024-2025, Oil on limestone polymer on wood panel, 55” x 49”

Detail shots

On view now: ‘Pulse Demon’ curated by Bradley Milligan and Davis Arney

Jessica Dickinson, trace (Beneath – From/With), 2018-2022, pastel, oil pastel, dust, and oil on paper with fold, holes, Rips
45 1/2 x 20 in

Part of a series she refers to as traces, Jessica Dickinson’s works— trace (Beneath – From/With) and trace (And: Now)—unfold organically alongside her paintings. Often developing over a period of years, these works absorb and record the processes of her studio practice: placed on the floor, moved throughout the space, and incorporating rubbings from accompanying paintings. Each carries its own specific history and materiality, indexing an unselective exposure to the conditions of the studio, including events such as a flood (as in trace (And: Now)).

Saturdays 12-6pm and by appt thru May 9 @ 52 Allen

@onwardsteadfast
@bradleympaintings
@davisarney

On view now: ‘Pulse Demon’ curated by Bradley Milligan and Davis Arney

Jessica Dickinson, trace (Beneath – From/With), 2018-2022, pastel, oil pastel, dust, and oil on paper with fold, holes, Rips
45 1/2 x 20 in

Part of a series she refers to as traces, Jessica Dickinson’s works— trace (Beneath – From/With) and trace (And: Now)—unfold organically alongside her paintings. Often developing over a period of years, these works absorb and record the processes of her studio practice: placed on the floor, moved throughout the space, and incorporating rubbings from accompanying paintings. Each carries its own specific history and materiality, indexing an unselective exposure to the conditions of the studio, including events such as a flood (as in trace (And: Now)).

Saturdays 12-6pm and by appt thru May 9 @ 52 Allen

@onwardsteadfast
@bradleympaintings
@davisarney

Hi ! This is one of two works in a group exhibition UN ART AUTRE now open in Minneapolis @gallery.wick - excited to show in my hometown of the twin cities again :) - along with Sean Noonan and Graham Collins - on view by appointment or during open hours - this weekend the open hours are Sat 2-6pm and Sun 4-6pm - AND we’ll all be there for the artist reception on 4/25 6-8pm - come by, say hi, hometown friends … /// /// 315 SE MAIN ST MPLS /// up through May 1 /// @grahamcollins @past.the.sun //////// https://www.gallerywick.com
/////////////////////////////////////// @ssetkciw

trace (Is-Here), 2024-2025, pastel, dirt, and oil on paper with rips and holes, 43.5”x36”

Hi ! This is one of two works in a group exhibition UN ART AUTRE now open in Minneapolis @gallery.wick - excited to show in my hometown of the twin cities again :) - along with Sean Noonan and Graham Collins - on view by appointment or during open hours - this weekend the open hours are Sat 2-6pm and Sun 4-6pm - AND we’ll all be there for the artist reception on 4/25 6-8pm - come by, say hi, hometown friends … /// /// 315 SE MAIN ST MPLS /// up through May 1 /// @grahamcollins @past.the.sun //////// https://www.gallerywick.com
/////////////////////////////////////// @ssetkciw

trace (Is-Here), 2024-2025, pastel, dirt, and oil on paper with rips and holes, 43.5”x36”

Hi ! This is one of two works in a group exhibition UN ART AUTRE now open in Minneapolis @gallery.wick - excited to show in my hometown of the twin cities again :) - along with Sean Noonan and Graham Collins - on view by appointment or during open hours - this weekend the open hours are Sat 2-6pm and Sun 4-6pm - AND we’ll all be there for the artist reception on 4/25 6-8pm - come by, say hi, hometown friends … /// /// 315 SE MAIN ST MPLS /// up through May 1 /// @grahamcollins @past.the.sun //////// https://www.gallerywick.com
/////////////////////////////////////// @ssetkciw

trace (Is-Here), 2024-2025, pastel, dirt, and oil on paper with rips and holes, 43.5”x36”

Hello - this is one of two works on paper in the group exhibition “Pulse Demon” opening tomorrow night @belowgrandnyc curated by @bradleympaintings and @davisarney /// all info below

———-
Pulse Demon’ curated by Bradley Milligan and Davis Arney
BELOW GRAND / 52 Allen St., NY / Apr. 4 - May 9
Opening Saturday 5-7pm
Hours: Saturdays 12-6pm and by appointment

Below Grand is pleased to present a group exhibition including Kadar Brock, Jessica Dickinson, Andrew Ross, and Alyson Vieria.

Borrowing its title from Pulse Demon (1996) by Japanese noise artist Merzbow, this exhibition explores feedback as both a framework and a generative method. In a musical context, feedback occurs when an output returns to its input, producing a loop that amplifies and distorts its source—often considered an unwanted byproduct of flawed sound engineering. Merzbow foregrounds this phenomenon, engaging and manipulating it deliberately. Similarly, the artists in this exhibition contend with feedback as a process of recombination, working with the often-overlooked remnants, precursors, and byproducts of studio practice.

The works on view are not offcasts, but recalibrated materials—tools, surfaces, debris, and fragments—that have been reactivated and brought into focus as artworks in their own right. Some works gather and recontextualize the detritus of creative production, indexing the act of making or preserving otherwise ephemeral states. Others originate as instruments or supports for artistic creation, later assuming an autonomous objecthood beyond their initial function. Across these approaches, feedback becomes a productive loop: accumulation, reuse, and transformation converge as artists foreground what is typically discarded or obscured. In this way, the artist emerges as a prosumer, transmuting the reverberations of their own practice into works that render visible the entangled processes of consumption and production.

———-
come see with eyes in body moving through space /// trace (Beneath – From/With), 2018-2022, Pastel, oil pastel, dust, and oil on paper with fold, holes and rips, 45 1/2 x 36 inches //

Hello - this is one of two works on paper in the group exhibition “Pulse Demon” opening tomorrow night @belowgrandnyc curated by @bradleympaintings and @davisarney /// all info below

———-
Pulse Demon’ curated by Bradley Milligan and Davis Arney
BELOW GRAND / 52 Allen St., NY / Apr. 4 - May 9
Opening Saturday 5-7pm
Hours: Saturdays 12-6pm and by appointment

Below Grand is pleased to present a group exhibition including Kadar Brock, Jessica Dickinson, Andrew Ross, and Alyson Vieria.

Borrowing its title from Pulse Demon (1996) by Japanese noise artist Merzbow, this exhibition explores feedback as both a framework and a generative method. In a musical context, feedback occurs when an output returns to its input, producing a loop that amplifies and distorts its source—often considered an unwanted byproduct of flawed sound engineering. Merzbow foregrounds this phenomenon, engaging and manipulating it deliberately. Similarly, the artists in this exhibition contend with feedback as a process of recombination, working with the often-overlooked remnants, precursors, and byproducts of studio practice.

The works on view are not offcasts, but recalibrated materials—tools, surfaces, debris, and fragments—that have been reactivated and brought into focus as artworks in their own right. Some works gather and recontextualize the detritus of creative production, indexing the act of making or preserving otherwise ephemeral states. Others originate as instruments or supports for artistic creation, later assuming an autonomous objecthood beyond their initial function. Across these approaches, feedback becomes a productive loop: accumulation, reuse, and transformation converge as artists foreground what is typically discarded or obscured. In this way, the artist emerges as a prosumer, transmuting the reverberations of their own practice into works that render visible the entangled processes of consumption and production.

———-
come see with eyes in body moving through space /// trace (Beneath – From/With), 2018-2022, Pastel, oil pastel, dust, and oil on paper with fold, holes and rips, 45 1/2 x 36 inches //

Hello - this is one of two works on paper in the group exhibition “Pulse Demon” opening tomorrow night @belowgrandnyc curated by @bradleympaintings and @davisarney /// all info below

———-
Pulse Demon’ curated by Bradley Milligan and Davis Arney
BELOW GRAND / 52 Allen St., NY / Apr. 4 - May 9
Opening Saturday 5-7pm
Hours: Saturdays 12-6pm and by appointment

Below Grand is pleased to present a group exhibition including Kadar Brock, Jessica Dickinson, Andrew Ross, and Alyson Vieria.

Borrowing its title from Pulse Demon (1996) by Japanese noise artist Merzbow, this exhibition explores feedback as both a framework and a generative method. In a musical context, feedback occurs when an output returns to its input, producing a loop that amplifies and distorts its source—often considered an unwanted byproduct of flawed sound engineering. Merzbow foregrounds this phenomenon, engaging and manipulating it deliberately. Similarly, the artists in this exhibition contend with feedback as a process of recombination, working with the often-overlooked remnants, precursors, and byproducts of studio practice.

The works on view are not offcasts, but recalibrated materials—tools, surfaces, debris, and fragments—that have been reactivated and brought into focus as artworks in their own right. Some works gather and recontextualize the detritus of creative production, indexing the act of making or preserving otherwise ephemeral states. Others originate as instruments or supports for artistic creation, later assuming an autonomous objecthood beyond their initial function. Across these approaches, feedback becomes a productive loop: accumulation, reuse, and transformation converge as artists foreground what is typically discarded or obscured. In this way, the artist emerges as a prosumer, transmuting the reverberations of their own practice into works that render visible the entangled processes of consumption and production.

———-
come see with eyes in body moving through space /// trace (Beneath – From/With), 2018-2022, Pastel, oil pastel, dust, and oil on paper with fold, holes and rips, 45 1/2 x 36 inches //

Hello - this is one of two works on paper in the group exhibition “Pulse Demon” opening tomorrow night @belowgrandnyc curated by @bradleympaintings and @davisarney /// all info below

———-
Pulse Demon’ curated by Bradley Milligan and Davis Arney
BELOW GRAND / 52 Allen St., NY / Apr. 4 - May 9
Opening Saturday 5-7pm
Hours: Saturdays 12-6pm and by appointment

Below Grand is pleased to present a group exhibition including Kadar Brock, Jessica Dickinson, Andrew Ross, and Alyson Vieria.

Borrowing its title from Pulse Demon (1996) by Japanese noise artist Merzbow, this exhibition explores feedback as both a framework and a generative method. In a musical context, feedback occurs when an output returns to its input, producing a loop that amplifies and distorts its source—often considered an unwanted byproduct of flawed sound engineering. Merzbow foregrounds this phenomenon, engaging and manipulating it deliberately. Similarly, the artists in this exhibition contend with feedback as a process of recombination, working with the often-overlooked remnants, precursors, and byproducts of studio practice.

The works on view are not offcasts, but recalibrated materials—tools, surfaces, debris, and fragments—that have been reactivated and brought into focus as artworks in their own right. Some works gather and recontextualize the detritus of creative production, indexing the act of making or preserving otherwise ephemeral states. Others originate as instruments or supports for artistic creation, later assuming an autonomous objecthood beyond their initial function. Across these approaches, feedback becomes a productive loop: accumulation, reuse, and transformation converge as artists foreground what is typically discarded or obscured. In this way, the artist emerges as a prosumer, transmuting the reverberations of their own practice into works that render visible the entangled processes of consumption and production.

———-
come see with eyes in body moving through space /// trace (Beneath – From/With), 2018-2022, Pastel, oil pastel, dust, and oil on paper with fold, holes and rips, 45 1/2 x 36 inches //

PINKBEAM is thrilled to announce our upcoming show, featuring the luminous work of Marc Handelman @marcphandelman and Jessica Dickinson @onwardsteadfast.

Viewing hours will begin on Sunday, April 5th from 3 to 5pm. DM for address and to rsvp.

Images:

Dickinson, 2021-2024, notebook drawings for Is/Know 1-9, colored pencil on paper with linen tape, 11.75” x 16”

Handelman, 2025, Salish, Blackfeet and Little Shell Chippewa Territory, Near the Great Falls, July 17, 1806, oil on canvas, 20” x 30”

PINKBEAM is thrilled to announce our upcoming show, featuring the luminous work of Marc Handelman @marcphandelman and Jessica Dickinson @onwardsteadfast.

Viewing hours will begin on Sunday, April 5th from 3 to 5pm. DM for address and to rsvp.

Images:

Dickinson, 2021-2024, notebook drawings for Is/Know 1-9, colored pencil on paper with linen tape, 11.75” x 16”

Handelman, 2025, Salish, Blackfeet and Little Shell Chippewa Territory, Near the Great Falls, July 17, 1806, oil on canvas, 20” x 30”

PINKBEAM is thrilled to announce our upcoming show, featuring the luminous work of Marc Handelman @marcphandelman and Jessica Dickinson @onwardsteadfast.

Viewing hours will begin on Sunday, April 5th from 3 to 5pm. DM for address and to rsvp.

Images:

Dickinson, 2021-2024, notebook drawings for Is/Know 1-9, colored pencil on paper with linen tape, 11.75” x 16”

Handelman, 2025, Salish, Blackfeet and Little Shell Chippewa Territory, Near the Great Falls, July 17, 1806, oil on canvas, 20” x 30”

PINKBEAM is thrilled to announce our upcoming show, featuring the luminous work of Marc Handelman @marcphandelman and Jessica Dickinson @onwardsteadfast.

Viewing hours will begin on Sunday, April 5th from 3 to 5pm. DM for address and to rsvp.

Images:

Dickinson, 2021-2024, notebook drawings for Is/Know 1-9, colored pencil on paper with linen tape, 11.75” x 16”

Handelman, 2025, Salish, Blackfeet and Little Shell Chippewa Territory, Near the Great Falls, July 17, 1806, oil on canvas, 20” x 30”

my true / cathedral / is- / the empty / space- / the buildings / make- / as seen / from my / first floor / brooklyn window. / the random architect- / that placed / me right / here / in / the center- / to contemplate- / this angular / canyon- / where light / from above / finds form- / and summons / me- / as the /clouds move / slow or fast / or not- / and the / winds push / plastic bags / and leaves- / over the barren / blacktop- / in silent / devotion- / this spare / void- / amplifies / the limitless / glory- / of the / everyday.

my true / cathedral / is- / the empty / space- / the buildings / make- / as seen / from my / first floor / brooklyn window. / the random architect- / that placed / me right / here / in / the center- / to contemplate- / this angular / canyon- / where light / from above / finds form- / and summons / me- / as the /clouds move / slow or fast / or not- / and the / winds push / plastic bags / and leaves- / over the barren / blacktop- / in silent / devotion- / this spare / void- / amplifies / the limitless / glory- / of the / everyday.

my true / cathedral / is- / the empty / space- / the buildings / make- / as seen / from my / first floor / brooklyn window. / the random architect- / that placed / me right / here / in / the center- / to contemplate- / this angular / canyon- / where light / from above / finds form- / and summons / me- / as the /clouds move / slow or fast / or not- / and the / winds push / plastic bags / and leaves- / over the barren / blacktop- / in silent / devotion- / this spare / void- / amplifies / the limitless / glory- / of the / everyday.

my true / cathedral / is- / the empty / space- / the buildings / make- / as seen / from my / first floor / brooklyn window. / the random architect- / that placed / me right / here / in / the center- / to contemplate- / this angular / canyon- / where light / from above / finds form- / and summons / me- / as the /clouds move / slow or fast / or not- / and the / winds push / plastic bags / and leaves- / over the barren / blacktop- / in silent / devotion- / this spare / void- / amplifies / the limitless / glory- / of the / everyday.

a breaking / of truth- / the sudden / clashes- / of slow / undoing- / from afar- / stories / of dignity’s / betrayal- / and from / here- / illusion / is fading- / as the / small bits- / the glimpses: / shackles- / dragging- / taken- / empty- / amidst /frozen / streets- / all trust / and faith- / harshly chipped / down- / as eyes / there / witness- / this / unbelief-
————
I made this earlier last week when I couldn’t sleep after days of hearing news and talking to family back in St. Paul, Minnesota - there is some glimmer of hope now but raids are still happening and families are still afraid to leave their homes - when you’re on strike today consider donating to @thezccsaintpaul where a local food cooperative is gathering and boxing food and nourishment to be delivered to neighbors - onward and steadfast x Jess

a breaking / of truth- / the sudden / clashes- / of slow / undoing- / from afar- / stories / of dignity’s / betrayal- / and from / here- / illusion / is fading- / as the / small bits- / the glimpses: / shackles- / dragging- / taken- / empty- / amidst /frozen / streets- / all trust / and faith- / harshly chipped / down- / as eyes / there / witness- / this / unbelief-
————
I made this earlier last week when I couldn’t sleep after days of hearing news and talking to family back in St. Paul, Minnesota - there is some glimmer of hope now but raids are still happening and families are still afraid to leave their homes - when you’re on strike today consider donating to @thezccsaintpaul where a local food cooperative is gathering and boxing food and nourishment to be delivered to neighbors - onward and steadfast x Jess

a breaking / of truth- / the sudden / clashes- / of slow / undoing- / from afar- / stories / of dignity’s / betrayal- / and from / here- / illusion / is fading- / as the / small bits- / the glimpses: / shackles- / dragging- / taken- / empty- / amidst /frozen / streets- / all trust / and faith- / harshly chipped / down- / as eyes / there / witness- / this / unbelief-
————
I made this earlier last week when I couldn’t sleep after days of hearing news and talking to family back in St. Paul, Minnesota - there is some glimmer of hope now but raids are still happening and families are still afraid to leave their homes - when you’re on strike today consider donating to @thezccsaintpaul where a local food cooperative is gathering and boxing food and nourishment to be delivered to neighbors - onward and steadfast x Jess