
Finally got round to writing about one of my favourite topics - book covers! It involved me taking a long hard look in the mirror and questioning my own book buying habits as well as speaking to two brilliant designers to uncover whether judging a book by its cover has gone too far.
Thank you so much to Na Kim @na_son and David Pearson @typeasimage for the incredibly interesting and insightful conversations about how this corner of the design industry looks and works today.
In the spirit of the piece (or maybe in fact the opposite spirit!) enjoy a selection of my snaps of book covers I love from my own shelves and ones out and about over the past few years.

Finally got round to writing about one of my favourite topics - book covers! It involved me taking a long hard look in the mirror and questioning my own book buying habits as well as speaking to two brilliant designers to uncover whether judging a book by its cover has gone too far.
Thank you so much to Na Kim @na_son and David Pearson @typeasimage for the incredibly interesting and insightful conversations about how this corner of the design industry looks and works today.
In the spirit of the piece (or maybe in fact the opposite spirit!) enjoy a selection of my snaps of book covers I love from my own shelves and ones out and about over the past few years.

Finally got round to writing about one of my favourite topics - book covers! It involved me taking a long hard look in the mirror and questioning my own book buying habits as well as speaking to two brilliant designers to uncover whether judging a book by its cover has gone too far.
Thank you so much to Na Kim @na_son and David Pearson @typeasimage for the incredibly interesting and insightful conversations about how this corner of the design industry looks and works today.
In the spirit of the piece (or maybe in fact the opposite spirit!) enjoy a selection of my snaps of book covers I love from my own shelves and ones out and about over the past few years.

Finally got round to writing about one of my favourite topics - book covers! It involved me taking a long hard look in the mirror and questioning my own book buying habits as well as speaking to two brilliant designers to uncover whether judging a book by its cover has gone too far.
Thank you so much to Na Kim @na_son and David Pearson @typeasimage for the incredibly interesting and insightful conversations about how this corner of the design industry looks and works today.
In the spirit of the piece (or maybe in fact the opposite spirit!) enjoy a selection of my snaps of book covers I love from my own shelves and ones out and about over the past few years.

Finally got round to writing about one of my favourite topics - book covers! It involved me taking a long hard look in the mirror and questioning my own book buying habits as well as speaking to two brilliant designers to uncover whether judging a book by its cover has gone too far.
Thank you so much to Na Kim @na_son and David Pearson @typeasimage for the incredibly interesting and insightful conversations about how this corner of the design industry looks and works today.
In the spirit of the piece (or maybe in fact the opposite spirit!) enjoy a selection of my snaps of book covers I love from my own shelves and ones out and about over the past few years.

Finally got round to writing about one of my favourite topics - book covers! It involved me taking a long hard look in the mirror and questioning my own book buying habits as well as speaking to two brilliant designers to uncover whether judging a book by its cover has gone too far.
Thank you so much to Na Kim @na_son and David Pearson @typeasimage for the incredibly interesting and insightful conversations about how this corner of the design industry looks and works today.
In the spirit of the piece (or maybe in fact the opposite spirit!) enjoy a selection of my snaps of book covers I love from my own shelves and ones out and about over the past few years.

Finally got round to writing about one of my favourite topics - book covers! It involved me taking a long hard look in the mirror and questioning my own book buying habits as well as speaking to two brilliant designers to uncover whether judging a book by its cover has gone too far.
Thank you so much to Na Kim @na_son and David Pearson @typeasimage for the incredibly interesting and insightful conversations about how this corner of the design industry looks and works today.
In the spirit of the piece (or maybe in fact the opposite spirit!) enjoy a selection of my snaps of book covers I love from my own shelves and ones out and about over the past few years.

Finally got round to writing about one of my favourite topics - book covers! It involved me taking a long hard look in the mirror and questioning my own book buying habits as well as speaking to two brilliant designers to uncover whether judging a book by its cover has gone too far.
Thank you so much to Na Kim @na_son and David Pearson @typeasimage for the incredibly interesting and insightful conversations about how this corner of the design industry looks and works today.
In the spirit of the piece (or maybe in fact the opposite spirit!) enjoy a selection of my snaps of book covers I love from my own shelves and ones out and about over the past few years.

Finally got round to writing about one of my favourite topics - book covers! It involved me taking a long hard look in the mirror and questioning my own book buying habits as well as speaking to two brilliant designers to uncover whether judging a book by its cover has gone too far.
Thank you so much to Na Kim @na_son and David Pearson @typeasimage for the incredibly interesting and insightful conversations about how this corner of the design industry looks and works today.
In the spirit of the piece (or maybe in fact the opposite spirit!) enjoy a selection of my snaps of book covers I love from my own shelves and ones out and about over the past few years.

Finally got round to writing about one of my favourite topics - book covers! It involved me taking a long hard look in the mirror and questioning my own book buying habits as well as speaking to two brilliant designers to uncover whether judging a book by its cover has gone too far.
Thank you so much to Na Kim @na_son and David Pearson @typeasimage for the incredibly interesting and insightful conversations about how this corner of the design industry looks and works today.
In the spirit of the piece (or maybe in fact the opposite spirit!) enjoy a selection of my snaps of book covers I love from my own shelves and ones out and about over the past few years.

Finally got round to writing about one of my favourite topics - book covers! It involved me taking a long hard look in the mirror and questioning my own book buying habits as well as speaking to two brilliant designers to uncover whether judging a book by its cover has gone too far.
Thank you so much to Na Kim @na_son and David Pearson @typeasimage for the incredibly interesting and insightful conversations about how this corner of the design industry looks and works today.
In the spirit of the piece (or maybe in fact the opposite spirit!) enjoy a selection of my snaps of book covers I love from my own shelves and ones out and about over the past few years.

Finally got round to writing about one of my favourite topics - book covers! It involved me taking a long hard look in the mirror and questioning my own book buying habits as well as speaking to two brilliant designers to uncover whether judging a book by its cover has gone too far.
Thank you so much to Na Kim @na_son and David Pearson @typeasimage for the incredibly interesting and insightful conversations about how this corner of the design industry looks and works today.
In the spirit of the piece (or maybe in fact the opposite spirit!) enjoy a selection of my snaps of book covers I love from my own shelves and ones out and about over the past few years.

Finally got round to writing about one of my favourite topics - book covers! It involved me taking a long hard look in the mirror and questioning my own book buying habits as well as speaking to two brilliant designers to uncover whether judging a book by its cover has gone too far.
Thank you so much to Na Kim @na_son and David Pearson @typeasimage for the incredibly interesting and insightful conversations about how this corner of the design industry looks and works today.
In the spirit of the piece (or maybe in fact the opposite spirit!) enjoy a selection of my snaps of book covers I love from my own shelves and ones out and about over the past few years.

Finally got round to writing about one of my favourite topics - book covers! It involved me taking a long hard look in the mirror and questioning my own book buying habits as well as speaking to two brilliant designers to uncover whether judging a book by its cover has gone too far.
Thank you so much to Na Kim @na_son and David Pearson @typeasimage for the incredibly interesting and insightful conversations about how this corner of the design industry looks and works today.
In the spirit of the piece (or maybe in fact the opposite spirit!) enjoy a selection of my snaps of book covers I love from my own shelves and ones out and about over the past few years.

Finally got round to writing about one of my favourite topics - book covers! It involved me taking a long hard look in the mirror and questioning my own book buying habits as well as speaking to two brilliant designers to uncover whether judging a book by its cover has gone too far.
Thank you so much to Na Kim @na_son and David Pearson @typeasimage for the incredibly interesting and insightful conversations about how this corner of the design industry looks and works today.
In the spirit of the piece (or maybe in fact the opposite spirit!) enjoy a selection of my snaps of book covers I love from my own shelves and ones out and about over the past few years.

Finally got round to writing about one of my favourite topics - book covers! It involved me taking a long hard look in the mirror and questioning my own book buying habits as well as speaking to two brilliant designers to uncover whether judging a book by its cover has gone too far.
Thank you so much to Na Kim @na_son and David Pearson @typeasimage for the incredibly interesting and insightful conversations about how this corner of the design industry looks and works today.
In the spirit of the piece (or maybe in fact the opposite spirit!) enjoy a selection of my snaps of book covers I love from my own shelves and ones out and about over the past few years.

Finally got round to writing about one of my favourite topics - book covers! It involved me taking a long hard look in the mirror and questioning my own book buying habits as well as speaking to two brilliant designers to uncover whether judging a book by its cover has gone too far.
Thank you so much to Na Kim @na_son and David Pearson @typeasimage for the incredibly interesting and insightful conversations about how this corner of the design industry looks and works today.
In the spirit of the piece (or maybe in fact the opposite spirit!) enjoy a selection of my snaps of book covers I love from my own shelves and ones out and about over the past few years.

Finally got round to writing about one of my favourite topics - book covers! It involved me taking a long hard look in the mirror and questioning my own book buying habits as well as speaking to two brilliant designers to uncover whether judging a book by its cover has gone too far.
Thank you so much to Na Kim @na_son and David Pearson @typeasimage for the incredibly interesting and insightful conversations about how this corner of the design industry looks and works today.
In the spirit of the piece (or maybe in fact the opposite spirit!) enjoy a selection of my snaps of book covers I love from my own shelves and ones out and about over the past few years.

As a lifelong Wallace & Gromit fan it was a dream come true to interview it’s creator Nick Park ahead of the new film this Christmas. We spoke about all the best things, like the north of England, visible fingerprints, the long legacy of the adored animation and, of course, the return of the best film villain ever created - Feathers McGraw.
To dig into the behind the scenes of the new film I also spoke to its co-director Merlin Crossingham and supervising animator Will Becher to find out what a day on shoot looks like and how the team creates the intricate sets, as well as getting some fun facts along the way (like Feathers being loosely based on the Terminator).
I told @jennysbrewer that I wanted to write this article about two years ago when I first heard there was going to be a new film, so it’s been in the works for a long old time. Massive thanks to Jenny (a fellow W&G fanatic) for the wonderful editing! ✨
Link in bio or over on the @itsnicethat site!

As a lifelong Wallace & Gromit fan it was a dream come true to interview it’s creator Nick Park ahead of the new film this Christmas. We spoke about all the best things, like the north of England, visible fingerprints, the long legacy of the adored animation and, of course, the return of the best film villain ever created - Feathers McGraw.
To dig into the behind the scenes of the new film I also spoke to its co-director Merlin Crossingham and supervising animator Will Becher to find out what a day on shoot looks like and how the team creates the intricate sets, as well as getting some fun facts along the way (like Feathers being loosely based on the Terminator).
I told @jennysbrewer that I wanted to write this article about two years ago when I first heard there was going to be a new film, so it’s been in the works for a long old time. Massive thanks to Jenny (a fellow W&G fanatic) for the wonderful editing! ✨
Link in bio or over on the @itsnicethat site!

As a lifelong Wallace & Gromit fan it was a dream come true to interview it’s creator Nick Park ahead of the new film this Christmas. We spoke about all the best things, like the north of England, visible fingerprints, the long legacy of the adored animation and, of course, the return of the best film villain ever created - Feathers McGraw.
To dig into the behind the scenes of the new film I also spoke to its co-director Merlin Crossingham and supervising animator Will Becher to find out what a day on shoot looks like and how the team creates the intricate sets, as well as getting some fun facts along the way (like Feathers being loosely based on the Terminator).
I told @jennysbrewer that I wanted to write this article about two years ago when I first heard there was going to be a new film, so it’s been in the works for a long old time. Massive thanks to Jenny (a fellow W&G fanatic) for the wonderful editing! ✨
Link in bio or over on the @itsnicethat site!

As a lifelong Wallace & Gromit fan it was a dream come true to interview it’s creator Nick Park ahead of the new film this Christmas. We spoke about all the best things, like the north of England, visible fingerprints, the long legacy of the adored animation and, of course, the return of the best film villain ever created - Feathers McGraw.
To dig into the behind the scenes of the new film I also spoke to its co-director Merlin Crossingham and supervising animator Will Becher to find out what a day on shoot looks like and how the team creates the intricate sets, as well as getting some fun facts along the way (like Feathers being loosely based on the Terminator).
I told @jennysbrewer that I wanted to write this article about two years ago when I first heard there was going to be a new film, so it’s been in the works for a long old time. Massive thanks to Jenny (a fellow W&G fanatic) for the wonderful editing! ✨
Link in bio or over on the @itsnicethat site!

As a lifelong Wallace & Gromit fan it was a dream come true to interview it’s creator Nick Park ahead of the new film this Christmas. We spoke about all the best things, like the north of England, visible fingerprints, the long legacy of the adored animation and, of course, the return of the best film villain ever created - Feathers McGraw.
To dig into the behind the scenes of the new film I also spoke to its co-director Merlin Crossingham and supervising animator Will Becher to find out what a day on shoot looks like and how the team creates the intricate sets, as well as getting some fun facts along the way (like Feathers being loosely based on the Terminator).
I told @jennysbrewer that I wanted to write this article about two years ago when I first heard there was going to be a new film, so it’s been in the works for a long old time. Massive thanks to Jenny (a fellow W&G fanatic) for the wonderful editing! ✨
Link in bio or over on the @itsnicethat site!

As a lifelong Wallace & Gromit fan it was a dream come true to interview it’s creator Nick Park ahead of the new film this Christmas. We spoke about all the best things, like the north of England, visible fingerprints, the long legacy of the adored animation and, of course, the return of the best film villain ever created - Feathers McGraw.
To dig into the behind the scenes of the new film I also spoke to its co-director Merlin Crossingham and supervising animator Will Becher to find out what a day on shoot looks like and how the team creates the intricate sets, as well as getting some fun facts along the way (like Feathers being loosely based on the Terminator).
I told @jennysbrewer that I wanted to write this article about two years ago when I first heard there was going to be a new film, so it’s been in the works for a long old time. Massive thanks to Jenny (a fellow W&G fanatic) for the wonderful editing! ✨
Link in bio or over on the @itsnicethat site!

As a lifelong Wallace & Gromit fan it was a dream come true to interview it’s creator Nick Park ahead of the new film this Christmas. We spoke about all the best things, like the north of England, visible fingerprints, the long legacy of the adored animation and, of course, the return of the best film villain ever created - Feathers McGraw.
To dig into the behind the scenes of the new film I also spoke to its co-director Merlin Crossingham and supervising animator Will Becher to find out what a day on shoot looks like and how the team creates the intricate sets, as well as getting some fun facts along the way (like Feathers being loosely based on the Terminator).
I told @jennysbrewer that I wanted to write this article about two years ago when I first heard there was going to be a new film, so it’s been in the works for a long old time. Massive thanks to Jenny (a fellow W&G fanatic) for the wonderful editing! ✨
Link in bio or over on the @itsnicethat site!

Edie Medley’s (@edie_med) illustrations never fail to put a smile on my face, especially her recent ongoing series - I’m Not Listening - a collection of mini comics depicting conversations she overhears while working as a part-time manager of a pub. They’re witty, relatable time capsules of social life in 2025.
A few weeks ago I spoke to Edie about the project, how she collects quotes on her notes app, has a ‘bank’ of faces ready and waiting for be drawn and why pubs are such important spaces for conversation and community 🍺
Read more over on the @itsnicethat site!
(You can also buy prints on Edie’s shop! Perfect present for a pal.)

Edie Medley’s (@edie_med) illustrations never fail to put a smile on my face, especially her recent ongoing series - I’m Not Listening - a collection of mini comics depicting conversations she overhears while working as a part-time manager of a pub. They’re witty, relatable time capsules of social life in 2025.
A few weeks ago I spoke to Edie about the project, how she collects quotes on her notes app, has a ‘bank’ of faces ready and waiting for be drawn and why pubs are such important spaces for conversation and community 🍺
Read more over on the @itsnicethat site!
(You can also buy prints on Edie’s shop! Perfect present for a pal.)

Edie Medley’s (@edie_med) illustrations never fail to put a smile on my face, especially her recent ongoing series - I’m Not Listening - a collection of mini comics depicting conversations she overhears while working as a part-time manager of a pub. They’re witty, relatable time capsules of social life in 2025.
A few weeks ago I spoke to Edie about the project, how she collects quotes on her notes app, has a ‘bank’ of faces ready and waiting for be drawn and why pubs are such important spaces for conversation and community 🍺
Read more over on the @itsnicethat site!
(You can also buy prints on Edie’s shop! Perfect present for a pal.)

Edie Medley’s (@edie_med) illustrations never fail to put a smile on my face, especially her recent ongoing series - I’m Not Listening - a collection of mini comics depicting conversations she overhears while working as a part-time manager of a pub. They’re witty, relatable time capsules of social life in 2025.
A few weeks ago I spoke to Edie about the project, how she collects quotes on her notes app, has a ‘bank’ of faces ready and waiting for be drawn and why pubs are such important spaces for conversation and community 🍺
Read more over on the @itsnicethat site!
(You can also buy prints on Edie’s shop! Perfect present for a pal.)

Edie Medley’s (@edie_med) illustrations never fail to put a smile on my face, especially her recent ongoing series - I’m Not Listening - a collection of mini comics depicting conversations she overhears while working as a part-time manager of a pub. They’re witty, relatable time capsules of social life in 2025.
A few weeks ago I spoke to Edie about the project, how she collects quotes on her notes app, has a ‘bank’ of faces ready and waiting for be drawn and why pubs are such important spaces for conversation and community 🍺
Read more over on the @itsnicethat site!
(You can also buy prints on Edie’s shop! Perfect present for a pal.)
Best thing about my job is getting the chance to yap with people making really cool stuff! My chat with @jeanpiconsuegra and @leohorton about the process behind designing @pigsandplans annual mixtape, See You Next Year 3, went live on @itsnicethat yesterday. It’s full of interesting thoughts on the beauty of long timelines, fruitful creative partnerships and ants! 🐜🐜🐜
Link in bio!

I love @thefencemag! I had a great time chatting to it’s founder and editor Charlie Baker and art director Mathias Clottu (@studiomathiasclottu) about making ‘The UK’s Only Magazine’, and building a visual world that relies heavily on illustration, an ever-changing masthead and mining the archives of other bygone publications.
Link in bio to read!

I love @thefencemag! I had a great time chatting to it’s founder and editor Charlie Baker and art director Mathias Clottu (@studiomathiasclottu) about making ‘The UK’s Only Magazine’, and building a visual world that relies heavily on illustration, an ever-changing masthead and mining the archives of other bygone publications.
Link in bio to read!

I love @thefencemag! I had a great time chatting to it’s founder and editor Charlie Baker and art director Mathias Clottu (@studiomathiasclottu) about making ‘The UK’s Only Magazine’, and building a visual world that relies heavily on illustration, an ever-changing masthead and mining the archives of other bygone publications.
Link in bio to read!

I love @thefencemag! I had a great time chatting to it’s founder and editor Charlie Baker and art director Mathias Clottu (@studiomathiasclottu) about making ‘The UK’s Only Magazine’, and building a visual world that relies heavily on illustration, an ever-changing masthead and mining the archives of other bygone publications.
Link in bio to read!

My interview with @jerkcurb about the visual universe behind his new album, Night Fishing on a Dark Lake, went live on the @itsnicethat site today.
I had such a lovely time at Jacob’s studio chatting about his interwoven process of creating music and making art. Link in bio to read, and give the album a listen - it’s beautiful!

My interview with @jerkcurb about the visual universe behind his new album, Night Fishing on a Dark Lake, went live on the @itsnicethat site today.
I had such a lovely time at Jacob’s studio chatting about his interwoven process of creating music and making art. Link in bio to read, and give the album a listen - it’s beautiful!

My interview with @jerkcurb about the visual universe behind his new album, Night Fishing on a Dark Lake, went live on the @itsnicethat site today.
I had such a lovely time at Jacob’s studio chatting about his interwoven process of creating music and making art. Link in bio to read, and give the album a listen - it’s beautiful!

My interview with @jerkcurb about the visual universe behind his new album, Night Fishing on a Dark Lake, went live on the @itsnicethat site today.
I had such a lovely time at Jacob’s studio chatting about his interwoven process of creating music and making art. Link in bio to read, and give the album a listen - it’s beautiful!

My interview with @jerkcurb about the visual universe behind his new album, Night Fishing on a Dark Lake, went live on the @itsnicethat site today.
I had such a lovely time at Jacob’s studio chatting about his interwoven process of creating music and making art. Link in bio to read, and give the album a listen - it’s beautiful!

My interview with @jerkcurb about the visual universe behind his new album, Night Fishing on a Dark Lake, went live on the @itsnicethat site today.
I had such a lovely time at Jacob’s studio chatting about his interwoven process of creating music and making art. Link in bio to read, and give the album a listen - it’s beautiful!

My interview with @jerkcurb about the visual universe behind his new album, Night Fishing on a Dark Lake, went live on the @itsnicethat site today.
I had such a lovely time at Jacob’s studio chatting about his interwoven process of creating music and making art. Link in bio to read, and give the album a listen - it’s beautiful!

My interview with @jerkcurb about the visual universe behind his new album, Night Fishing on a Dark Lake, went live on the @itsnicethat site today.
I had such a lovely time at Jacob’s studio chatting about his interwoven process of creating music and making art. Link in bio to read, and give the album a listen - it’s beautiful!

My interview with @jerkcurb about the visual universe behind his new album, Night Fishing on a Dark Lake, went live on the @itsnicethat site today.
I had such a lovely time at Jacob’s studio chatting about his interwoven process of creating music and making art. Link in bio to read, and give the album a listen - it’s beautiful!

My interview with the founders of @watermelonpictures, Hamza and Badie Ali, went live on It’s Nice That yesterday.
Made to celebrate the best of Palestinian cinema, the brothers explain how the roots of their family business has grown into a platform that reclaims storytelling and sheds light on the ongoing genocide, while also holding space for humour and drama - ultimately showing the beauty and breadth of Palestinian culture.
Thank you to Badie and Hamza for being so generous and sharing your story with me 🍉
Link in bio or over on the @itsnicethat site
Still from Mahdi Fleifel’s To a Land Unknown (2025)

My interview with the photographer Dennis Morris (@dennismcevoymorris) is now live on @itsnicethat. It was an honour to be able to dig into the stories behind some of his photographs of music’s biggest stars, as well as his social documentation of London in the 1960s and 70s, some pieces of which were taken at just nine!
“My objective was to take away the mask. Because, you know, all pop stars wear a mask.”
His exhibition, Music + Life, is running at the @thephotographersgallery from now until 28 September.

My interview with the photographer Dennis Morris (@dennismcevoymorris) is now live on @itsnicethat. It was an honour to be able to dig into the stories behind some of his photographs of music’s biggest stars, as well as his social documentation of London in the 1960s and 70s, some pieces of which were taken at just nine!
“My objective was to take away the mask. Because, you know, all pop stars wear a mask.”
His exhibition, Music + Life, is running at the @thephotographersgallery from now until 28 September.

My interview with the photographer Dennis Morris (@dennismcevoymorris) is now live on @itsnicethat. It was an honour to be able to dig into the stories behind some of his photographs of music’s biggest stars, as well as his social documentation of London in the 1960s and 70s, some pieces of which were taken at just nine!
“My objective was to take away the mask. Because, you know, all pop stars wear a mask.”
His exhibition, Music + Life, is running at the @thephotographersgallery from now until 28 September.

My interview with the photographer Dennis Morris (@dennismcevoymorris) is now live on @itsnicethat. It was an honour to be able to dig into the stories behind some of his photographs of music’s biggest stars, as well as his social documentation of London in the 1960s and 70s, some pieces of which were taken at just nine!
“My objective was to take away the mask. Because, you know, all pop stars wear a mask.”
His exhibition, Music + Life, is running at the @thephotographersgallery from now until 28 September.

My interview with the photographer Dennis Morris (@dennismcevoymorris) is now live on @itsnicethat. It was an honour to be able to dig into the stories behind some of his photographs of music’s biggest stars, as well as his social documentation of London in the 1960s and 70s, some pieces of which were taken at just nine!
“My objective was to take away the mask. Because, you know, all pop stars wear a mask.”
His exhibition, Music + Life, is running at the @thephotographersgallery from now until 28 September.

My interview with the photographer Dennis Morris (@dennismcevoymorris) is now live on @itsnicethat. It was an honour to be able to dig into the stories behind some of his photographs of music’s biggest stars, as well as his social documentation of London in the 1960s and 70s, some pieces of which were taken at just nine!
“My objective was to take away the mask. Because, you know, all pop stars wear a mask.”
His exhibition, Music + Life, is running at the @thephotographersgallery from now until 28 September.

My interview with the photographer Dennis Morris (@dennismcevoymorris) is now live on @itsnicethat. It was an honour to be able to dig into the stories behind some of his photographs of music’s biggest stars, as well as his social documentation of London in the 1960s and 70s, some pieces of which were taken at just nine!
“My objective was to take away the mask. Because, you know, all pop stars wear a mask.”
His exhibition, Music + Life, is running at the @thephotographersgallery from now until 28 September.

My interview with the photographer Dennis Morris (@dennismcevoymorris) is now live on @itsnicethat. It was an honour to be able to dig into the stories behind some of his photographs of music’s biggest stars, as well as his social documentation of London in the 1960s and 70s, some pieces of which were taken at just nine!
“My objective was to take away the mask. Because, you know, all pop stars wear a mask.”
His exhibition, Music + Life, is running at the @thephotographersgallery from now until 28 September.

My interview with the photographer Dennis Morris (@dennismcevoymorris) is now live on @itsnicethat. It was an honour to be able to dig into the stories behind some of his photographs of music’s biggest stars, as well as his social documentation of London in the 1960s and 70s, some pieces of which were taken at just nine!
“My objective was to take away the mask. Because, you know, all pop stars wear a mask.”
His exhibition, Music + Life, is running at the @thephotographersgallery from now until 28 September.

My interview with the photographer Dennis Morris (@dennismcevoymorris) is now live on @itsnicethat. It was an honour to be able to dig into the stories behind some of his photographs of music’s biggest stars, as well as his social documentation of London in the 1960s and 70s, some pieces of which were taken at just nine!
“My objective was to take away the mask. Because, you know, all pop stars wear a mask.”
His exhibition, Music + Life, is running at the @thephotographersgallery from now until 28 September.
It’s back! Over on @itsnicethat we’ve launched our Ones to Watch series, a curated showcase dedicated to championing standout work from emerging creatives. We’re looking for individuals that show great potential, original thinking, innovative ideation and – of course – a brilliant creative eye.
Applications are now open, so you can put yourself forward to be included in the final selection!
Closes 22 June.
Link in bio for more info and the application form.
Lovely identity from @nataliawitwicka

@koestlerarts is one of the UK’s leading charities supporting the arts in criminal justice settings, and each year it hosts an exhibition of prisoner-made art.
I had an interesting chat with artists @jeremydeller and @bapou_costi about what it was like to curate this years show (which had over 7000 submissions) and why organisations like Koestler are so important.
The theme of this years exhibition is No Comment, touching on the “safest thing to say” if you get arrested, but also the process of looking at the art from a visual perspective, rather than a place of judgement.
It’s now running at @southbankcentre until the 15th December. As ever, it’s a brilliant exhibition - there’s a massive range of art and poetry on display, and you can write feedback forms on your favourite piece, that go directly back to the artist.
Link in bio to read more, or over on the @itsnicethat site.

@koestlerarts is one of the UK’s leading charities supporting the arts in criminal justice settings, and each year it hosts an exhibition of prisoner-made art.
I had an interesting chat with artists @jeremydeller and @bapou_costi about what it was like to curate this years show (which had over 7000 submissions) and why organisations like Koestler are so important.
The theme of this years exhibition is No Comment, touching on the “safest thing to say” if you get arrested, but also the process of looking at the art from a visual perspective, rather than a place of judgement.
It’s now running at @southbankcentre until the 15th December. As ever, it’s a brilliant exhibition - there’s a massive range of art and poetry on display, and you can write feedback forms on your favourite piece, that go directly back to the artist.
Link in bio to read more, or over on the @itsnicethat site.

@koestlerarts is one of the UK’s leading charities supporting the arts in criminal justice settings, and each year it hosts an exhibition of prisoner-made art.
I had an interesting chat with artists @jeremydeller and @bapou_costi about what it was like to curate this years show (which had over 7000 submissions) and why organisations like Koestler are so important.
The theme of this years exhibition is No Comment, touching on the “safest thing to say” if you get arrested, but also the process of looking at the art from a visual perspective, rather than a place of judgement.
It’s now running at @southbankcentre until the 15th December. As ever, it’s a brilliant exhibition - there’s a massive range of art and poetry on display, and you can write feedback forms on your favourite piece, that go directly back to the artist.
Link in bio to read more, or over on the @itsnicethat site.

@koestlerarts is one of the UK’s leading charities supporting the arts in criminal justice settings, and each year it hosts an exhibition of prisoner-made art.
I had an interesting chat with artists @jeremydeller and @bapou_costi about what it was like to curate this years show (which had over 7000 submissions) and why organisations like Koestler are so important.
The theme of this years exhibition is No Comment, touching on the “safest thing to say” if you get arrested, but also the process of looking at the art from a visual perspective, rather than a place of judgement.
It’s now running at @southbankcentre until the 15th December. As ever, it’s a brilliant exhibition - there’s a massive range of art and poetry on display, and you can write feedback forms on your favourite piece, that go directly back to the artist.
Link in bio to read more, or over on the @itsnicethat site.

@koestlerarts is one of the UK’s leading charities supporting the arts in criminal justice settings, and each year it hosts an exhibition of prisoner-made art.
I had an interesting chat with artists @jeremydeller and @bapou_costi about what it was like to curate this years show (which had over 7000 submissions) and why organisations like Koestler are so important.
The theme of this years exhibition is No Comment, touching on the “safest thing to say” if you get arrested, but also the process of looking at the art from a visual perspective, rather than a place of judgement.
It’s now running at @southbankcentre until the 15th December. As ever, it’s a brilliant exhibition - there’s a massive range of art and poetry on display, and you can write feedback forms on your favourite piece, that go directly back to the artist.
Link in bio to read more, or over on the @itsnicethat site.

@koestlerarts is one of the UK’s leading charities supporting the arts in criminal justice settings, and each year it hosts an exhibition of prisoner-made art.
I had an interesting chat with artists @jeremydeller and @bapou_costi about what it was like to curate this years show (which had over 7000 submissions) and why organisations like Koestler are so important.
The theme of this years exhibition is No Comment, touching on the “safest thing to say” if you get arrested, but also the process of looking at the art from a visual perspective, rather than a place of judgement.
It’s now running at @southbankcentre until the 15th December. As ever, it’s a brilliant exhibition - there’s a massive range of art and poetry on display, and you can write feedback forms on your favourite piece, that go directly back to the artist.
Link in bio to read more, or over on the @itsnicethat site.

@koestlerarts is one of the UK’s leading charities supporting the arts in criminal justice settings, and each year it hosts an exhibition of prisoner-made art.
I had an interesting chat with artists @jeremydeller and @bapou_costi about what it was like to curate this years show (which had over 7000 submissions) and why organisations like Koestler are so important.
The theme of this years exhibition is No Comment, touching on the “safest thing to say” if you get arrested, but also the process of looking at the art from a visual perspective, rather than a place of judgement.
It’s now running at @southbankcentre until the 15th December. As ever, it’s a brilliant exhibition - there’s a massive range of art and poetry on display, and you can write feedback forms on your favourite piece, that go directly back to the artist.
Link in bio to read more, or over on the @itsnicethat site.

@koestlerarts is one of the UK’s leading charities supporting the arts in criminal justice settings, and each year it hosts an exhibition of prisoner-made art.
I had an interesting chat with artists @jeremydeller and @bapou_costi about what it was like to curate this years show (which had over 7000 submissions) and why organisations like Koestler are so important.
The theme of this years exhibition is No Comment, touching on the “safest thing to say” if you get arrested, but also the process of looking at the art from a visual perspective, rather than a place of judgement.
It’s now running at @southbankcentre until the 15th December. As ever, it’s a brilliant exhibition - there’s a massive range of art and poetry on display, and you can write feedback forms on your favourite piece, that go directly back to the artist.
Link in bio to read more, or over on the @itsnicethat site.

@koestlerarts is one of the UK’s leading charities supporting the arts in criminal justice settings, and each year it hosts an exhibition of prisoner-made art.
I had an interesting chat with artists @jeremydeller and @bapou_costi about what it was like to curate this years show (which had over 7000 submissions) and why organisations like Koestler are so important.
The theme of this years exhibition is No Comment, touching on the “safest thing to say” if you get arrested, but also the process of looking at the art from a visual perspective, rather than a place of judgement.
It’s now running at @southbankcentre until the 15th December. As ever, it’s a brilliant exhibition - there’s a massive range of art and poetry on display, and you can write feedback forms on your favourite piece, that go directly back to the artist.
Link in bio to read more, or over on the @itsnicethat site.

@koestlerarts is one of the UK’s leading charities supporting the arts in criminal justice settings, and each year it hosts an exhibition of prisoner-made art.
I had an interesting chat with artists @jeremydeller and @bapou_costi about what it was like to curate this years show (which had over 7000 submissions) and why organisations like Koestler are so important.
The theme of this years exhibition is No Comment, touching on the “safest thing to say” if you get arrested, but also the process of looking at the art from a visual perspective, rather than a place of judgement.
It’s now running at @southbankcentre until the 15th December. As ever, it’s a brilliant exhibition - there’s a massive range of art and poetry on display, and you can write feedback forms on your favourite piece, that go directly back to the artist.
Link in bio to read more, or over on the @itsnicethat site.

@koestlerarts is one of the UK’s leading charities supporting the arts in criminal justice settings, and each year it hosts an exhibition of prisoner-made art.
I had an interesting chat with artists @jeremydeller and @bapou_costi about what it was like to curate this years show (which had over 7000 submissions) and why organisations like Koestler are so important.
The theme of this years exhibition is No Comment, touching on the “safest thing to say” if you get arrested, but also the process of looking at the art from a visual perspective, rather than a place of judgement.
It’s now running at @southbankcentre until the 15th December. As ever, it’s a brilliant exhibition - there’s a massive range of art and poetry on display, and you can write feedback forms on your favourite piece, that go directly back to the artist.
Link in bio to read more, or over on the @itsnicethat site.
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