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Fragments and metaphors of self.
Balance of subtlety, sensitivity and depth.

Selection of works from artist Joy Gregory (born 1959, Oxfordshire, United Kingdom). A Monograph by Autograph ABP.

‘Through close-up confrontation with the photographic lens, [Joy] investigates concepts of beauty, femininity and politics associated with the portrayal of identity.’ Autograph ABP, photography collective est 1988.

Fragments and metaphors of self.
Balance of subtlety, sensitivity and depth.

Selection of works from artist Joy Gregory (born 1959, Oxfordshire, United Kingdom). A Monograph by Autograph ABP.

‘Through close-up confrontation with the photographic lens, [Joy] investigates concepts of beauty, femininity and politics associated with the portrayal of identity.’ Autograph ABP, photography collective est 1988.

Fragments and metaphors of self.
Balance of subtlety, sensitivity and depth.

Selection of works from artist Joy Gregory (born 1959, Oxfordshire, United Kingdom). A Monograph by Autograph ABP.

‘Through close-up confrontation with the photographic lens, [Joy] investigates concepts of beauty, femininity and politics associated with the portrayal of identity.’ Autograph ABP, photography collective est 1988.

Fragments and metaphors of self.
Balance of subtlety, sensitivity and depth.

Selection of works from artist Joy Gregory (born 1959, Oxfordshire, United Kingdom). A Monograph by Autograph ABP.

‘Through close-up confrontation with the photographic lens, [Joy] investigates concepts of beauty, femininity and politics associated with the portrayal of identity.’ Autograph ABP, photography collective est 1988.

Fragments and metaphors of self.
Balance of subtlety, sensitivity and depth.

Selection of works from artist Joy Gregory (born 1959, Oxfordshire, United Kingdom). A Monograph by Autograph ABP.

‘Through close-up confrontation with the photographic lens, [Joy] investigates concepts of beauty, femininity and politics associated with the portrayal of identity.’ Autograph ABP, photography collective est 1988.

Fragments and metaphors of self.
Balance of subtlety, sensitivity and depth.

Selection of works from artist Joy Gregory (born 1959, Oxfordshire, United Kingdom). A Monograph by Autograph ABP.

‘Through close-up confrontation with the photographic lens, [Joy] investigates concepts of beauty, femininity and politics associated with the portrayal of identity.’ Autograph ABP, photography collective est 1988.

Fragments and metaphors of self.
Balance of subtlety, sensitivity and depth.

Selection of works from artist Joy Gregory (born 1959, Oxfordshire, United Kingdom). A Monograph by Autograph ABP.

‘Through close-up confrontation with the photographic lens, [Joy] investigates concepts of beauty, femininity and politics associated with the portrayal of identity.’ Autograph ABP, photography collective est 1988.

Fragments and metaphors of self.
Balance of subtlety, sensitivity and depth.

Selection of works from artist Joy Gregory (born 1959, Oxfordshire, United Kingdom). A Monograph by Autograph ABP.

‘Through close-up confrontation with the photographic lens, [Joy] investigates concepts of beauty, femininity and politics associated with the portrayal of identity.’ Autograph ABP, photography collective est 1988.

Fragments and metaphors of self.
Balance of subtlety, sensitivity and depth.

Selection of works from artist Joy Gregory (born 1959, Oxfordshire, United Kingdom). A Monograph by Autograph ABP.

‘Through close-up confrontation with the photographic lens, [Joy] investigates concepts of beauty, femininity and politics associated with the portrayal of identity.’ Autograph ABP, photography collective est 1988.

Fragments and metaphors of self.
Balance of subtlety, sensitivity and depth.

Selection of works from artist Joy Gregory (born 1959, Oxfordshire, United Kingdom). A Monograph by Autograph ABP.

‘Through close-up confrontation with the photographic lens, [Joy] investigates concepts of beauty, femininity and politics associated with the portrayal of identity.’ Autograph ABP, photography collective est 1988.

References to Mother Nature, abstract organic forms and transgressing limits of creating, “I always have my feet on the ground and my eyes towards the stars…a flight toward infinity, toward the sky while remaining on earth”. A spirit is present in these works, they remain alive.

The work of Catalonian Artist Joan Miró in Miró en Zabalaga. La Fabrica, 2022. Published for the exhibition ‘Miró at Zabalaga’ organised by the Chillida Museum.

References to Mother Nature, abstract organic forms and transgressing limits of creating, “I always have my feet on the ground and my eyes towards the stars…a flight toward infinity, toward the sky while remaining on earth”. A spirit is present in these works, they remain alive.

The work of Catalonian Artist Joan Miró in Miró en Zabalaga. La Fabrica, 2022. Published for the exhibition ‘Miró at Zabalaga’ organised by the Chillida Museum.

References to Mother Nature, abstract organic forms and transgressing limits of creating, “I always have my feet on the ground and my eyes towards the stars…a flight toward infinity, toward the sky while remaining on earth”. A spirit is present in these works, they remain alive.

The work of Catalonian Artist Joan Miró in Miró en Zabalaga. La Fabrica, 2022. Published for the exhibition ‘Miró at Zabalaga’ organised by the Chillida Museum.

References to Mother Nature, abstract organic forms and transgressing limits of creating, “I always have my feet on the ground and my eyes towards the stars…a flight toward infinity, toward the sky while remaining on earth”. A spirit is present in these works, they remain alive.

The work of Catalonian Artist Joan Miró in Miró en Zabalaga. La Fabrica, 2022. Published for the exhibition ‘Miró at Zabalaga’ organised by the Chillida Museum.

References to Mother Nature, abstract organic forms and transgressing limits of creating, “I always have my feet on the ground and my eyes towards the stars…a flight toward infinity, toward the sky while remaining on earth”. A spirit is present in these works, they remain alive.

The work of Catalonian Artist Joan Miró in Miró en Zabalaga. La Fabrica, 2022. Published for the exhibition ‘Miró at Zabalaga’ organised by the Chillida Museum.

References to Mother Nature, abstract organic forms and transgressing limits of creating, “I always have my feet on the ground and my eyes towards the stars…a flight toward infinity, toward the sky while remaining on earth”. A spirit is present in these works, they remain alive.

The work of Catalonian Artist Joan Miró in Miró en Zabalaga. La Fabrica, 2022. Published for the exhibition ‘Miró at Zabalaga’ organised by the Chillida Museum.

References to Mother Nature, abstract organic forms and transgressing limits of creating, “I always have my feet on the ground and my eyes towards the stars…a flight toward infinity, toward the sky while remaining on earth”. A spirit is present in these works, they remain alive.

The work of Catalonian Artist Joan Miró in Miró en Zabalaga. La Fabrica, 2022. Published for the exhibition ‘Miró at Zabalaga’ organised by the Chillida Museum.

Time is marked by weathered concrete structures. An anonymous child on their bike follows the path laid ahead. CCTV cameras tower in silent surveillance. The silhouette of a resident or passer by. Bricks, street lamps, shadows, pathways, trees and the aftermath of rain encapsulate an honest tone of London urbanism. Such imagery sparks a fascination with the many anonymous lives that co-exist amongst each other – moving in both contrast and a-kind-of harmony; akin to the concrete and trees they are surrounded by.

Source:
London Alexandra Road Estate Zine by Craig Atkinson, Café Royal Books, 2014.

Further information:
Designed by American Architect Neave Brown— Inspired by the traditional streets in London, he sought to redefine the notion of urban living with an emphasis on social inclusion and the creation of spaces that encourage interaction between residents.

Time is marked by weathered concrete structures. An anonymous child on their bike follows the path laid ahead. CCTV cameras tower in silent surveillance. The silhouette of a resident or passer by. Bricks, street lamps, shadows, pathways, trees and the aftermath of rain encapsulate an honest tone of London urbanism. Such imagery sparks a fascination with the many anonymous lives that co-exist amongst each other – moving in both contrast and a-kind-of harmony; akin to the concrete and trees they are surrounded by.

Source:
London Alexandra Road Estate Zine by Craig Atkinson, Café Royal Books, 2014.

Further information:
Designed by American Architect Neave Brown— Inspired by the traditional streets in London, he sought to redefine the notion of urban living with an emphasis on social inclusion and the creation of spaces that encourage interaction between residents.

Time is marked by weathered concrete structures. An anonymous child on their bike follows the path laid ahead. CCTV cameras tower in silent surveillance. The silhouette of a resident or passer by. Bricks, street lamps, shadows, pathways, trees and the aftermath of rain encapsulate an honest tone of London urbanism. Such imagery sparks a fascination with the many anonymous lives that co-exist amongst each other – moving in both contrast and a-kind-of harmony; akin to the concrete and trees they are surrounded by.

Source:
London Alexandra Road Estate Zine by Craig Atkinson, Café Royal Books, 2014.

Further information:
Designed by American Architect Neave Brown— Inspired by the traditional streets in London, he sought to redefine the notion of urban living with an emphasis on social inclusion and the creation of spaces that encourage interaction between residents.

Time is marked by weathered concrete structures. An anonymous child on their bike follows the path laid ahead. CCTV cameras tower in silent surveillance. The silhouette of a resident or passer by. Bricks, street lamps, shadows, pathways, trees and the aftermath of rain encapsulate an honest tone of London urbanism. Such imagery sparks a fascination with the many anonymous lives that co-exist amongst each other – moving in both contrast and a-kind-of harmony; akin to the concrete and trees they are surrounded by.

Source:
London Alexandra Road Estate Zine by Craig Atkinson, Café Royal Books, 2014.

Further information:
Designed by American Architect Neave Brown— Inspired by the traditional streets in London, he sought to redefine the notion of urban living with an emphasis on social inclusion and the creation of spaces that encourage interaction between residents.

Time is marked by weathered concrete structures. An anonymous child on their bike follows the path laid ahead. CCTV cameras tower in silent surveillance. The silhouette of a resident or passer by. Bricks, street lamps, shadows, pathways, trees and the aftermath of rain encapsulate an honest tone of London urbanism. Such imagery sparks a fascination with the many anonymous lives that co-exist amongst each other – moving in both contrast and a-kind-of harmony; akin to the concrete and trees they are surrounded by.

Source:
London Alexandra Road Estate Zine by Craig Atkinson, Café Royal Books, 2014.

Further information:
Designed by American Architect Neave Brown— Inspired by the traditional streets in London, he sought to redefine the notion of urban living with an emphasis on social inclusion and the creation of spaces that encourage interaction between residents.

Time is marked by weathered concrete structures. An anonymous child on their bike follows the path laid ahead. CCTV cameras tower in silent surveillance. The silhouette of a resident or passer by. Bricks, street lamps, shadows, pathways, trees and the aftermath of rain encapsulate an honest tone of London urbanism. Such imagery sparks a fascination with the many anonymous lives that co-exist amongst each other – moving in both contrast and a-kind-of harmony; akin to the concrete and trees they are surrounded by.

Source:
London Alexandra Road Estate Zine by Craig Atkinson, Café Royal Books, 2014.

Further information:
Designed by American Architect Neave Brown— Inspired by the traditional streets in London, he sought to redefine the notion of urban living with an emphasis on social inclusion and the creation of spaces that encourage interaction between residents.

Time is marked by weathered concrete structures. An anonymous child on their bike follows the path laid ahead. CCTV cameras tower in silent surveillance. The silhouette of a resident or passer by. Bricks, street lamps, shadows, pathways, trees and the aftermath of rain encapsulate an honest tone of London urbanism. Such imagery sparks a fascination with the many anonymous lives that co-exist amongst each other – moving in both contrast and a-kind-of harmony; akin to the concrete and trees they are surrounded by.

Source:
London Alexandra Road Estate Zine by Craig Atkinson, Café Royal Books, 2014.

Further information:
Designed by American Architect Neave Brown— Inspired by the traditional streets in London, he sought to redefine the notion of urban living with an emphasis on social inclusion and the creation of spaces that encourage interaction between residents.

Doris Salcedo
‘Shiboleth’ Installation at Tate Modern, 2007.

Artist Statement
‘Shibboleth is a subterranean chasm that stretches the length of the Tate Modern’s Turbine Hall... By making the floor the principal focus of the project, Salcedo dramatically shifts our perception of the Turbine Hall’s architecture, subtly subverting its claims to monumentality and grandeur. Shibboleth asks questions about the interaction of sculpture and space, about architecture and the values it enshrines, and about the shaky ideological foundations on which Western notions of modernity are built.

For Salcedo, the crack represents a history of racism, running parallel to the history of modernity; a standoff between rich and poor, northern and southern hemispheres. She invites us to look down into it, and to confront discomforting truths about our world.’

‘Carnaval’ by #DeborahTurbeville
Vogue US, 1984

Untitled, 1960 by Agnes Martin

Linck Keramik
Source Title:Selected Works from Linck Archives
2022

Linck Keramik
Source Title:Selected Works from Linck Archives
2022

Linck Keramik
Source Title:Selected Works from Linck Archives
2022

Linck Keramik
Source Title:Selected Works from Linck Archives
2022

Linck Keramik
Source Title:Selected Works from Linck Archives
2022

Artist: Doris Salcedo
Artwork Title: Atrabilious, 1992-93

Source Title: Donald Judd Artworks: 1970 - 1994
Artwork: Untitled, 1986
Description: Chartreuse acrylic on Douglas for plywood with square aluminium tube.

Toni Morrison, Novelist, Discusses Playwriting. Albany, New York 1985

Mark Rothko Exposition, Foundation Louis Vuitton 18.10.23 - 02.04.24 Catalogue. Artwork ‘No.8’ 1964. Oil, acrylic and mixed media on canvas.

Donald Judd Artworks: 1970 - 1994
Untitled 1979, Corteen Steel, 6 units, detail