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Katy Barkan
Los Angeles-based architecture and design studio
Excited to share that I will be joining the faculty of @uscarchitecture in the Fall of 2026. Looking forward to working with all the faculty and students in the years ahead! Congrats also to @hanstursack. Go Trojans!
Excited to share that I will be joining the faculty of @uscarchitecture in the Fall of 2026. Looking forward to working with all the faculty and students in the years ahead! Congrats also to @hanstursack. Go Trojans!
Excited to share that I will be joining the faculty of @uscarchitecture in the Fall of 2026. Looking forward to working with all the faculty and students in the years ahead! Congrats also to @hanstursack. Go Trojans!
We were so lucky to work with @stillroomstudio on our graphic identity, and in the process to reconnect to what we are all about. Here’s to many more colors and collaborations.
We are incredibly proud and honored to have been able to work with the astounding Catherine Opie on the exhibition design for her show “To Be Seen” at the National Portrait Gallery in London on view March 5- May 31, 2026.
Rather than place Opie’s work in the museum, the design of the show aimed to place the museum in the show creating “rooms within rooms” that allow for a direct encounter with the formalities of portraiture and the politics of identity.
The architectural framework of the exhibition recalls the iconic saturated spaces of the NPG while introducing a new and reoriented axis of view. The rooms are set apart suggesting multiple readings of what is within and without, what is included and excluded, what is private and public. However, these binaries do not hold as the rooms break open and collide with the existing structures of the museum, eschewing dichotomies and bringing forward the beautiful complexity of Opie’s work.
To listen to the audioguide of the exhibition design: https://guides.bloombergconnects.org/en-US/guide/nationalPortraitgallery/item/3687f2c6-4187-466f-bd61-b0dbf1b3f39a
#catherineopie #nationalportraitgallery #exhibitiondesign
We are incredibly proud and honored to have been able to work with the astounding Catherine Opie on the exhibition design for her show “To Be Seen” at the National Portrait Gallery in London on view March 5- May 31, 2026.
Rather than place Opie’s work in the museum, the design of the show aimed to place the museum in the show creating “rooms within rooms” that allow for a direct encounter with the formalities of portraiture and the politics of identity.
The architectural framework of the exhibition recalls the iconic saturated spaces of the NPG while introducing a new and reoriented axis of view. The rooms are set apart suggesting multiple readings of what is within and without, what is included and excluded, what is private and public. However, these binaries do not hold as the rooms break open and collide with the existing structures of the museum, eschewing dichotomies and bringing forward the beautiful complexity of Opie’s work.
To listen to the audioguide of the exhibition design: https://guides.bloombergconnects.org/en-US/guide/nationalPortraitgallery/item/3687f2c6-4187-466f-bd61-b0dbf1b3f39a
#catherineopie #nationalportraitgallery #exhibitiondesign
We are incredibly proud and honored to have been able to work with the astounding Catherine Opie on the exhibition design for her show “To Be Seen” at the National Portrait Gallery in London on view March 5- May 31, 2026.
Rather than place Opie’s work in the museum, the design of the show aimed to place the museum in the show creating “rooms within rooms” that allow for a direct encounter with the formalities of portraiture and the politics of identity.
The architectural framework of the exhibition recalls the iconic saturated spaces of the NPG while introducing a new and reoriented axis of view. The rooms are set apart suggesting multiple readings of what is within and without, what is included and excluded, what is private and public. However, these binaries do not hold as the rooms break open and collide with the existing structures of the museum, eschewing dichotomies and bringing forward the beautiful complexity of Opie’s work.
To listen to the audioguide of the exhibition design: https://guides.bloombergconnects.org/en-US/guide/nationalPortraitgallery/item/3687f2c6-4187-466f-bd61-b0dbf1b3f39a
#catherineopie #nationalportraitgallery #exhibitiondesign
We are incredibly proud and honored to have been able to work with the astounding Catherine Opie on the exhibition design for her show “To Be Seen” at the National Portrait Gallery in London on view March 5- May 31, 2026.
Rather than place Opie’s work in the museum, the design of the show aimed to place the museum in the show creating “rooms within rooms” that allow for a direct encounter with the formalities of portraiture and the politics of identity.
The architectural framework of the exhibition recalls the iconic saturated spaces of the NPG while introducing a new and reoriented axis of view. The rooms are set apart suggesting multiple readings of what is within and without, what is included and excluded, what is private and public. However, these binaries do not hold as the rooms break open and collide with the existing structures of the museum, eschewing dichotomies and bringing forward the beautiful complexity of Opie’s work.
To listen to the audioguide of the exhibition design: https://guides.bloombergconnects.org/en-US/guide/nationalPortraitgallery/item/3687f2c6-4187-466f-bd61-b0dbf1b3f39a
#catherineopie #nationalportraitgallery #exhibitiondesign
We are incredibly proud and honored to have been able to work with the astounding Catherine Opie on the exhibition design for her show “To Be Seen” at the National Portrait Gallery in London on view March 5- May 31, 2026.
Rather than place Opie’s work in the museum, the design of the show aimed to place the museum in the show creating “rooms within rooms” that allow for a direct encounter with the formalities of portraiture and the politics of identity.
The architectural framework of the exhibition recalls the iconic saturated spaces of the NPG while introducing a new and reoriented axis of view. The rooms are set apart suggesting multiple readings of what is within and without, what is included and excluded, what is private and public. However, these binaries do not hold as the rooms break open and collide with the existing structures of the museum, eschewing dichotomies and bringing forward the beautiful complexity of Opie’s work.
To listen to the audioguide of the exhibition design: https://guides.bloombergconnects.org/en-US/guide/nationalPortraitgallery/item/3687f2c6-4187-466f-bd61-b0dbf1b3f39a
#catherineopie #nationalportraitgallery #exhibitiondesign
We are incredibly proud and honored to have been able to work with the astounding Catherine Opie on the exhibition design for her show “To Be Seen” at the National Portrait Gallery in London on view March 5- May 31, 2026.
Rather than place Opie’s work in the museum, the design of the show aimed to place the museum in the show creating “rooms within rooms” that allow for a direct encounter with the formalities of portraiture and the politics of identity.
The architectural framework of the exhibition recalls the iconic saturated spaces of the NPG while introducing a new and reoriented axis of view. The rooms are set apart suggesting multiple readings of what is within and without, what is included and excluded, what is private and public. However, these binaries do not hold as the rooms break open and collide with the existing structures of the museum, eschewing dichotomies and bringing forward the beautiful complexity of Opie’s work.
To listen to the audioguide of the exhibition design: https://guides.bloombergconnects.org/en-US/guide/nationalPortraitgallery/item/3687f2c6-4187-466f-bd61-b0dbf1b3f39a
#catherineopie #nationalportraitgallery #exhibitiondesign
We are incredibly proud and honored to have been able to work with the astounding Catherine Opie on the exhibition design for her show “To Be Seen” at the National Portrait Gallery in London on view March 5- May 31, 2026.
Rather than place Opie’s work in the museum, the design of the show aimed to place the museum in the show creating “rooms within rooms” that allow for a direct encounter with the formalities of portraiture and the politics of identity.
The architectural framework of the exhibition recalls the iconic saturated spaces of the NPG while introducing a new and reoriented axis of view. The rooms are set apart suggesting multiple readings of what is within and without, what is included and excluded, what is private and public. However, these binaries do not hold as the rooms break open and collide with the existing structures of the museum, eschewing dichotomies and bringing forward the beautiful complexity of Opie’s work.
To listen to the audioguide of the exhibition design: https://guides.bloombergconnects.org/en-US/guide/nationalPortraitgallery/item/3687f2c6-4187-466f-bd61-b0dbf1b3f39a
#catherineopie #nationalportraitgallery #exhibitiondesign
We are incredibly proud and honored to have been able to work with the astounding Catherine Opie on the exhibition design for her show “To Be Seen” at the National Portrait Gallery in London on view March 5- May 31, 2026.
Rather than place Opie’s work in the museum, the design of the show aimed to place the museum in the show creating “rooms within rooms” that allow for a direct encounter with the formalities of portraiture and the politics of identity.
The architectural framework of the exhibition recalls the iconic saturated spaces of the NPG while introducing a new and reoriented axis of view. The rooms are set apart suggesting multiple readings of what is within and without, what is included and excluded, what is private and public. However, these binaries do not hold as the rooms break open and collide with the existing structures of the museum, eschewing dichotomies and bringing forward the beautiful complexity of Opie’s work.
To listen to the audioguide of the exhibition design: https://guides.bloombergconnects.org/en-US/guide/nationalPortraitgallery/item/3687f2c6-4187-466f-bd61-b0dbf1b3f39a
#catherineopie #nationalportraitgallery #exhibitiondesign
We are incredibly proud and honored to have been able to work with the astounding Catherine Opie on the exhibition design for her show “To Be Seen” at the National Portrait Gallery in London on view March 5- May 31, 2026.
Rather than place Opie’s work in the museum, the design of the show aimed to place the museum in the show creating “rooms within rooms” that allow for a direct encounter with the formalities of portraiture and the politics of identity.
The architectural framework of the exhibition recalls the iconic saturated spaces of the NPG while introducing a new and reoriented axis of view. The rooms are set apart suggesting multiple readings of what is within and without, what is included and excluded, what is private and public. However, these binaries do not hold as the rooms break open and collide with the existing structures of the museum, eschewing dichotomies and bringing forward the beautiful complexity of Opie’s work.
To listen to the audioguide of the exhibition design: https://guides.bloombergconnects.org/en-US/guide/nationalPortraitgallery/item/3687f2c6-4187-466f-bd61-b0dbf1b3f39a
#catherineopie #nationalportraitgallery #exhibitiondesign
We are incredibly proud and honored to have been able to work with the astounding Catherine Opie on the exhibition design for her show “To Be Seen” at the National Portrait Gallery in London on view March 5- May 31, 2026.
Rather than place Opie’s work in the museum, the design of the show aimed to place the museum in the show creating “rooms within rooms” that allow for a direct encounter with the formalities of portraiture and the politics of identity.
The architectural framework of the exhibition recalls the iconic saturated spaces of the NPG while introducing a new and reoriented axis of view. The rooms are set apart suggesting multiple readings of what is within and without, what is included and excluded, what is private and public. However, these binaries do not hold as the rooms break open and collide with the existing structures of the museum, eschewing dichotomies and bringing forward the beautiful complexity of Opie’s work.
To listen to the audioguide of the exhibition design: https://guides.bloombergconnects.org/en-US/guide/nationalPortraitgallery/item/3687f2c6-4187-466f-bd61-b0dbf1b3f39a
#catherineopie #nationalportraitgallery #exhibitiondesign
Sometimes House, “The House Transformed” exhibition, Princeton University, 2025. @princetonarchitecture
Sometimes House, “The House Transformed” exhibition, Princeton University, 2025. @princetonarchitecture
Sometimes House, “The House Transformed” exhibition, Princeton University, 2025. @princetonarchitecture
Sometimes House, “The House Transformed” exhibition, Princeton University, 2025. @princetonarchitecture
Sometimes House, “The House Transformed” exhibition, Princeton University, 2025. @princetonarchitecture
Obelisk Interior, American Academy in Rome, 2021. @amacademyrome @societyoffellows_aar #romeprize
Obelisk Interior, American Academy in Rome, 2021. @amacademyrome @societyoffellows_aar #romeprize
Obelisk Interior, American Academy in Rome, 2021. @amacademyrome @societyoffellows_aar #romeprize
12 Columns. Altadena CA, 2024. Lost to Eaton Fire. Stay tuned for rebuilding plans. #altadenastrong
12 Columns. Altadena CA, 2024. Lost to Eaton Fire. Stay tuned for rebuilding plans. #altadenastrong
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