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nowhereboogie
Brian Calvin
Almine Rech Gallery
Anton Kern Gallery
Corvi-Mora
Corbett vs Dempsey
A few days early but happy 85th birthday to Bobby D. Can’t imagine a world without you @bobdylan @bobdylancenter
A few days early but happy 85th birthday to Bobby D. Can’t imagine a world without you @bobdylan @bobdylancenter
A few days early but happy 85th birthday to Bobby D. Can’t imagine a world without you @bobdylan @bobdylancenter
One last reminder that “HEAD/SPACE” and “HOURS” are being released at 9am PST Thursday May 7 by @margins_imprint
MARGINS will be at the Los Angeles Art Book Fair sharing Booth A7 with @mountanalog
If you’re planning to attend LAABF, you can make arrangements to pick up up a print. If not, you can still pick them up via www.marginsimprint.com
A few people have asked whether these are prints. I’ve tried my best to explain in the slides. They’re a hybrid for sure—put simply they are unique hand drawn variations in mixed media over printed images.
One last reminder that “HEAD/SPACE” and “HOURS” are being released at 9am PST Thursday May 7 by @margins_imprint
MARGINS will be at the Los Angeles Art Book Fair sharing Booth A7 with @mountanalog
If you’re planning to attend LAABF, you can make arrangements to pick up up a print. If not, you can still pick them up via www.marginsimprint.com
A few people have asked whether these are prints. I’ve tried my best to explain in the slides. They’re a hybrid for sure—put simply they are unique hand drawn variations in mixed media over printed images.
One last reminder that “HEAD/SPACE” and “HOURS” are being released at 9am PST Thursday May 7 by @margins_imprint
MARGINS will be at the Los Angeles Art Book Fair sharing Booth A7 with @mountanalog
If you’re planning to attend LAABF, you can make arrangements to pick up up a print. If not, you can still pick them up via www.marginsimprint.com
A few people have asked whether these are prints. I’ve tried my best to explain in the slides. They’re a hybrid for sure—put simply they are unique hand drawn variations in mixed media over printed images.
One last reminder that “HEAD/SPACE” and “HOURS” are being released at 9am PST Thursday May 7 by @margins_imprint
MARGINS will be at the Los Angeles Art Book Fair sharing Booth A7 with @mountanalog
If you’re planning to attend LAABF, you can make arrangements to pick up up a print. If not, you can still pick them up via www.marginsimprint.com
A few people have asked whether these are prints. I’ve tried my best to explain in the slides. They’re a hybrid for sure—put simply they are unique hand drawn variations in mixed media over printed images.
One last reminder that “HEAD/SPACE” and “HOURS” are being released at 9am PST Thursday May 7 by @margins_imprint
MARGINS will be at the Los Angeles Art Book Fair sharing Booth A7 with @mountanalog
If you’re planning to attend LAABF, you can make arrangements to pick up up a print. If not, you can still pick them up via www.marginsimprint.com
A few people have asked whether these are prints. I’ve tried my best to explain in the slides. They’re a hybrid for sure—put simply they are unique hand drawn variations in mixed media over printed images.
Fantastic lunch and studio visit with @deanwareham today. Scroll through to enjoy Dean reaching to recover the solo to Stray Cat Strut on the very same Gibson ES-335 “Studio” that he played in Galaxie 500. I can attest that he nailed the solo when I wasn’t filming but I find these versions charmingly compelling. A guitar/painting trade was involved but rest assured Dean went home with his G500 Black Beauty. I first met Dean at a Galaxie 500 show in 1990 at the Kennel Club in San Francisco. I was just barely underage but got a press pass from Jeff Klindt at Thrasher Magazine. I wore a camera around my neck even though I didn’t really know how to operate it. We went backstage and Dean was kind to a nerdy young superfan. Now we’re both “dignified and old” but I’m still a superfan. @taqueriacuernavaca
Fantastic lunch and studio visit with @deanwareham today. Scroll through to enjoy Dean reaching to recover the solo to Stray Cat Strut on the very same Gibson ES-335 “Studio” that he played in Galaxie 500. I can attest that he nailed the solo when I wasn’t filming but I find these versions charmingly compelling. A guitar/painting trade was involved but rest assured Dean went home with his G500 Black Beauty. I first met Dean at a Galaxie 500 show in 1990 at the Kennel Club in San Francisco. I was just barely underage but got a press pass from Jeff Klindt at Thrasher Magazine. I wore a camera around my neck even though I didn’t really know how to operate it. We went backstage and Dean was kind to a nerdy young superfan. Now we’re both “dignified and old” but I’m still a superfan. @taqueriacuernavaca
Fantastic lunch and studio visit with @deanwareham today. Scroll through to enjoy Dean reaching to recover the solo to Stray Cat Strut on the very same Gibson ES-335 “Studio” that he played in Galaxie 500. I can attest that he nailed the solo when I wasn’t filming but I find these versions charmingly compelling. A guitar/painting trade was involved but rest assured Dean went home with his G500 Black Beauty. I first met Dean at a Galaxie 500 show in 1990 at the Kennel Club in San Francisco. I was just barely underage but got a press pass from Jeff Klindt at Thrasher Magazine. I wore a camera around my neck even though I didn’t really know how to operate it. We went backstage and Dean was kind to a nerdy young superfan. Now we’re both “dignified and old” but I’m still a superfan. @taqueriacuernavaca
Fantastic lunch and studio visit with @deanwareham today. Scroll through to enjoy Dean reaching to recover the solo to Stray Cat Strut on the very same Gibson ES-335 “Studio” that he played in Galaxie 500. I can attest that he nailed the solo when I wasn’t filming but I find these versions charmingly compelling. A guitar/painting trade was involved but rest assured Dean went home with his G500 Black Beauty. I first met Dean at a Galaxie 500 show in 1990 at the Kennel Club in San Francisco. I was just barely underage but got a press pass from Jeff Klindt at Thrasher Magazine. I wore a camera around my neck even though I didn’t really know how to operate it. We went backstage and Dean was kind to a nerdy young superfan. Now we’re both “dignified and old” but I’m still a superfan. @taqueriacuernavaca
Fantastic lunch and studio visit with @deanwareham today. Scroll through to enjoy Dean reaching to recover the solo to Stray Cat Strut on the very same Gibson ES-335 “Studio” that he played in Galaxie 500. I can attest that he nailed the solo when I wasn’t filming but I find these versions charmingly compelling. A guitar/painting trade was involved but rest assured Dean went home with his G500 Black Beauty. I first met Dean at a Galaxie 500 show in 1990 at the Kennel Club in San Francisco. I was just barely underage but got a press pass from Jeff Klindt at Thrasher Magazine. I wore a camera around my neck even though I didn’t really know how to operate it. We went backstage and Dean was kind to a nerdy young superfan. Now we’re both “dignified and old” but I’m still a superfan. @taqueriacuernavaca
Fantastic lunch and studio visit with @deanwareham today. Scroll through to enjoy Dean reaching to recover the solo to Stray Cat Strut on the very same Gibson ES-335 “Studio” that he played in Galaxie 500. I can attest that he nailed the solo when I wasn’t filming but I find these versions charmingly compelling. A guitar/painting trade was involved but rest assured Dean went home with his G500 Black Beauty. I first met Dean at a Galaxie 500 show in 1990 at the Kennel Club in San Francisco. I was just barely underage but got a press pass from Jeff Klindt at Thrasher Magazine. I wore a camera around my neck even though I didn’t really know how to operate it. We went backstage and Dean was kind to a nerdy young superfan. Now we’re both “dignified and old” but I’m still a superfan. @taqueriacuernavaca
Fantastic lunch and studio visit with @deanwareham today. Scroll through to enjoy Dean reaching to recover the solo to Stray Cat Strut on the very same Gibson ES-335 “Studio” that he played in Galaxie 500. I can attest that he nailed the solo when I wasn’t filming but I find these versions charmingly compelling. A guitar/painting trade was involved but rest assured Dean went home with his G500 Black Beauty. I first met Dean at a Galaxie 500 show in 1990 at the Kennel Club in San Francisco. I was just barely underage but got a press pass from Jeff Klindt at Thrasher Magazine. I wore a camera around my neck even though I didn’t really know how to operate it. We went backstage and Dean was kind to a nerdy young superfan. Now we’re both “dignified and old” but I’m still a superfan. @taqueriacuernavaca
“Analog”, an exhibition celebrating the 30th anniversary of the opening of @antonkerngallery, premieres tonight in NYC. Congratulations! 🎉
Face to Face, 2026,
acrylic on linen,
23.5” x 19.75”
(60cm x 50cm)
“Wallflowering”, 2025
Acrylic on canvas
60” diameter
On view in the exhibition “Brian Calvin, Maureen Gallace, Diane Simpson” @corbettvsdempsey through February 28
“Wallflowering”, 2025
Acrylic on canvas
60” diameter
On view in the exhibition “Brian Calvin, Maureen Gallace, Diane Simpson” @corbettvsdempsey through February 28
“Wallflowering”, 2025
Acrylic on canvas
60” diameter
On view in the exhibition “Brian Calvin, Maureen Gallace, Diane Simpson” @corbettvsdempsey through February 28
“Wallflowering”, 2025
Acrylic on canvas
60” diameter
On view in the exhibition “Brian Calvin, Maureen Gallace, Diane Simpson” @corbettvsdempsey through February 28
Brian Calvin, Maureen Gallace, Diane Simpson
opening reception tonight from 6-8pm
@corbettvsdempsey
@maureengallace
#dianesimpson
Brian Calvin, Maureen Gallace, Diane Simpson
opening reception tonight from 6-8pm
@corbettvsdempsey
@maureengallace
#dianesimpson
Brian Calvin, Maureen Gallace, Diane Simpson
opening reception tonight from 6-8pm
@corbettvsdempsey
@maureengallace
#dianesimpson
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