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✦ 𝑨𝒓𝒆 𝒀𝒐𝒖 𝒂 𝑺𝒐𝒇𝒕𝒘𝒂𝒓𝒆 𝑼𝒑𝒅𝒂𝒕𝒆? ✦ book presentation

✧ Newspeak House | 133 Bethnal Green Rd, London
✧ 30 April 2026 | 7 PM (doors at 6:30 PM)
💖 With 𝗡𝗼𝗿𝗮 𝗢’𝗠𝘂𝗿𝗰𝗵𝘂́ & 𝗔𝗹𝗲𝘅 𝗤𝘂𝗶𝗰𝗵𝗼, moderated by 𝗚𝘂𝘆 𝗠𝗮𝗰𝗸𝗶𝗻𝗻𝗼𝗻-𝗟𝗶𝘁𝘁𝗹𝗲.

Join us in London for the presentation of 𝐴𝑟𝑒 𝑌𝑜𝑢 𝑎 𝑆𝑜𝑓𝑡𝑤𝑎𝑟𝑒 𝑈𝑝𝑑𝑎𝑡𝑒?, a publication exploring how contemporary technology governs attention, emotion, and participation through invisible systems of control.
✧ Come early, grab a copy, and join the conversation. The book will be available at a special event price.

[Event is free, registration required > link in bio]

✦ 𝑨𝒓𝒆 𝒀𝒐𝒖 𝒂 𝑺𝒐𝒇𝒕𝒘𝒂𝒓𝒆 𝑼𝒑𝒅𝒂𝒕𝒆? ✦ book presentation

✧ Newspeak House | 133 Bethnal Green Rd, London
✧ 30 April 2026 | 7 PM (doors at 6:30 PM)
💖 With 𝗡𝗼𝗿𝗮 𝗢’𝗠𝘂𝗿𝗰𝗵𝘂́ & 𝗔𝗹𝗲𝘅 𝗤𝘂𝗶𝗰𝗵𝗼, moderated by 𝗚𝘂𝘆 𝗠𝗮𝗰𝗸𝗶𝗻𝗻𝗼𝗻-𝗟𝗶𝘁𝘁𝗹𝗲.

Join us in London for the presentation of 𝐴𝑟𝑒 𝑌𝑜𝑢 𝑎 𝑆𝑜𝑓𝑡𝑤𝑎𝑟𝑒 𝑈𝑝𝑑𝑎𝑡𝑒?, a publication exploring how contemporary technology governs attention, emotion, and participation through invisible systems of control.
✧ Come early, grab a copy, and join the conversation. The book will be available at a special event price.

[Event is free, registration required > link in bio]

✦ 𝑨𝒓𝒆 𝒀𝒐𝒖 𝒂 𝑺𝒐𝒇𝒕𝒘𝒂𝒓𝒆 𝑼𝒑𝒅𝒂𝒕𝒆? ✦ book presentation

✧ Newspeak House | 133 Bethnal Green Rd, London
✧ 30 April 2026 | 7 PM (doors at 6:30 PM)
💖 With 𝗡𝗼𝗿𝗮 𝗢’𝗠𝘂𝗿𝗰𝗵𝘂́ & 𝗔𝗹𝗲𝘅 𝗤𝘂𝗶𝗰𝗵𝗼, moderated by 𝗚𝘂𝘆 𝗠𝗮𝗰𝗸𝗶𝗻𝗻𝗼𝗻-𝗟𝗶𝘁𝘁𝗹𝗲.

Join us in London for the presentation of 𝐴𝑟𝑒 𝑌𝑜𝑢 𝑎 𝑆𝑜𝑓𝑡𝑤𝑎𝑟𝑒 𝑈𝑝𝑑𝑎𝑡𝑒?, a publication exploring how contemporary technology governs attention, emotion, and participation through invisible systems of control.
✧ Come early, grab a copy, and join the conversation. The book will be available at a special event price.

[Event is free, registration required > link in bio]

✦ 𝑨𝒓𝒆 𝒀𝒐𝒖 𝒂 𝑺𝒐𝒇𝒕𝒘𝒂𝒓𝒆 𝑼𝒑𝒅𝒂𝒕𝒆? ✦ book presentation

✧ Newspeak House | 133 Bethnal Green Rd, London
✧ 30 April 2026 | 7 PM (doors at 6:30 PM)
💖 With 𝗡𝗼𝗿𝗮 𝗢’𝗠𝘂𝗿𝗰𝗵𝘂́ & 𝗔𝗹𝗲𝘅 𝗤𝘂𝗶𝗰𝗵𝗼, moderated by 𝗚𝘂𝘆 𝗠𝗮𝗰𝗸𝗶𝗻𝗻𝗼𝗻-𝗟𝗶𝘁𝘁𝗹𝗲.

Join us in London for the presentation of 𝐴𝑟𝑒 𝑌𝑜𝑢 𝑎 𝑆𝑜𝑓𝑡𝑤𝑎𝑟𝑒 𝑈𝑝𝑑𝑎𝑡𝑒?, a publication exploring how contemporary technology governs attention, emotion, and participation through invisible systems of control.
✧ Come early, grab a copy, and join the conversation. The book will be available at a special event price.

[Event is free, registration required > link in bio]

Pleased to announce I’ve been selected for the Irish Writers Centre National Mentoring Programme, where I’ll be working with Caelainn Hogan over the coming year.

I’ll be using this time to develop my first book Irish Cosmotechnics: Towards Collective Technologies. It looks at how ideas of technology in Ireland are shaped through land, language, architecture, and cultural practices like music and dance. At the centre of this is dúchas, an Irish concept of shared, inherited responsibility, and how this way of organising collective life continues to persist, even after being fractured under British colonisation. The book asks what it might mean to design technologies grounded in a logic that centres collectivity.

Thanks to all the ppl that have been supporting me the past year developing this: @david.capener
@donal_lally @ayoung___kim @yenaku

@irishwriterscentre
@caelainnhogan

Pleased to announce I’ve been selected for the Irish Writers Centre National Mentoring Programme, where I’ll be working with Caelainn Hogan over the coming year.

I’ll be using this time to develop my first book Irish Cosmotechnics: Towards Collective Technologies. It looks at how ideas of technology in Ireland are shaped through land, language, architecture, and cultural practices like music and dance. At the centre of this is dúchas, an Irish concept of shared, inherited responsibility, and how this way of organising collective life continues to persist, even after being fractured under British colonisation. The book asks what it might mean to design technologies grounded in a logic that centres collectivity.

Thanks to all the ppl that have been supporting me the past year developing this: @david.capener
@donal_lally @ayoung___kim @yenaku

@irishwriterscentre
@caelainnhogan

Pleased to announce I’ve been selected for the Irish Writers Centre National Mentoring Programme, where I’ll be working with Caelainn Hogan over the coming year.

I’ll be using this time to develop my first book Irish Cosmotechnics: Towards Collective Technologies. It looks at how ideas of technology in Ireland are shaped through land, language, architecture, and cultural practices like music and dance. At the centre of this is dúchas, an Irish concept of shared, inherited responsibility, and how this way of organising collective life continues to persist, even after being fractured under British colonisation. The book asks what it might mean to design technologies grounded in a logic that centres collectivity.

Thanks to all the ppl that have been supporting me the past year developing this: @david.capener
@donal_lally @ayoung___kim @yenaku

@irishwriterscentre
@caelainnhogan

Pleased to announce I’ve been selected for the Irish Writers Centre National Mentoring Programme, where I’ll be working with Caelainn Hogan over the coming year.

I’ll be using this time to develop my first book Irish Cosmotechnics: Towards Collective Technologies. It looks at how ideas of technology in Ireland are shaped through land, language, architecture, and cultural practices like music and dance. At the centre of this is dúchas, an Irish concept of shared, inherited responsibility, and how this way of organising collective life continues to persist, even after being fractured under British colonisation. The book asks what it might mean to design technologies grounded in a logic that centres collectivity.

Thanks to all the ppl that have been supporting me the past year developing this: @david.capener
@donal_lally @ayoung___kim @yenaku

@irishwriterscentre
@caelainnhogan

ZONAS LIMINARES / LIMINAL ZONES

A centralidade do tema da imigração, no contexto das narrativas populistas que se têm verificado em toda a Europa, tem levado a uma reconfiguração da importância das fronteiras no discurso político, bem como à utilização de estratégias de dissuasão hostis, alicerçadas em tecnologia de ponta. É disso exemplo o projeto Talos, financiado pela União Europeia, que reforça a vigilância e segurança fronteiriça no contexto europeu recorrendo a robots semi-autónomos. Será a partir das experiências do coreógrafo, performer e investigador Arkadi Zaides — com o projeto TALOS —, e da investigadora, artista e curadora Margarida Mendes — com o trabalho desenvolvido na floresta de Białowieża, na fronteira entre Polónia e Bielorrúsia — que a realidade destas zonas liminares será alvo de discussão, numa conversa moderada pela curadora e escritora Nora O’ Murchú.

O acesso à conferência é gratuito.
——
[EN]

The centrality of immigration in populist narratives that have emerged across Europe has led to a reevaluation of the importance of borders in political discourse, as well as the use of hostile deterrence strategies based on cutting-edge technology. An example of this is the Talos project, funded by the European Union, which enhances border surveillance and security in the European context by using semi-autonomous robots.

Drawing on the experiences of choreographer, performer, and researcher Arkadi Zaides—with the TALOS project—and researcher, artist, and curator Margarida Mendes—with her work in the Białowieża Forest, on the border between Poland and Belarus—the reality of these liminal zones will be the subject of discussion in a conversation moderated by curator and writer Nora O’Murchú.

Free entry.
📷 1. Kevin Brennan
📷 2. Dajana Lothert

#index #bragamediaarts @dg.artes #rtcp

ZONAS LIMINARES / LIMINAL ZONES

A centralidade do tema da imigração, no contexto das narrativas populistas que se têm verificado em toda a Europa, tem levado a uma reconfiguração da importância das fronteiras no discurso político, bem como à utilização de estratégias de dissuasão hostis, alicerçadas em tecnologia de ponta. É disso exemplo o projeto Talos, financiado pela União Europeia, que reforça a vigilância e segurança fronteiriça no contexto europeu recorrendo a robots semi-autónomos. Será a partir das experiências do coreógrafo, performer e investigador Arkadi Zaides — com o projeto TALOS —, e da investigadora, artista e curadora Margarida Mendes — com o trabalho desenvolvido na floresta de Białowieża, na fronteira entre Polónia e Bielorrúsia — que a realidade destas zonas liminares será alvo de discussão, numa conversa moderada pela curadora e escritora Nora O’ Murchú.

O acesso à conferência é gratuito.
——
[EN]

The centrality of immigration in populist narratives that have emerged across Europe has led to a reevaluation of the importance of borders in political discourse, as well as the use of hostile deterrence strategies based on cutting-edge technology. An example of this is the Talos project, funded by the European Union, which enhances border surveillance and security in the European context by using semi-autonomous robots.

Drawing on the experiences of choreographer, performer, and researcher Arkadi Zaides—with the TALOS project—and researcher, artist, and curator Margarida Mendes—with her work in the Białowieża Forest, on the border between Poland and Belarus—the reality of these liminal zones will be the subject of discussion in a conversation moderated by curator and writer Nora O’Murchú.

Free entry.
📷 1. Kevin Brennan
📷 2. Dajana Lothert

#index #bragamediaarts @dg.artes #rtcp

ZONAS LIMINARES / LIMINAL ZONES

A centralidade do tema da imigração, no contexto das narrativas populistas que se têm verificado em toda a Europa, tem levado a uma reconfiguração da importância das fronteiras no discurso político, bem como à utilização de estratégias de dissuasão hostis, alicerçadas em tecnologia de ponta. É disso exemplo o projeto Talos, financiado pela União Europeia, que reforça a vigilância e segurança fronteiriça no contexto europeu recorrendo a robots semi-autónomos. Será a partir das experiências do coreógrafo, performer e investigador Arkadi Zaides — com o projeto TALOS —, e da investigadora, artista e curadora Margarida Mendes — com o trabalho desenvolvido na floresta de Białowieża, na fronteira entre Polónia e Bielorrúsia — que a realidade destas zonas liminares será alvo de discussão, numa conversa moderada pela curadora e escritora Nora O’ Murchú.

O acesso à conferência é gratuito.
——
[EN]

The centrality of immigration in populist narratives that have emerged across Europe has led to a reevaluation of the importance of borders in political discourse, as well as the use of hostile deterrence strategies based on cutting-edge technology. An example of this is the Talos project, funded by the European Union, which enhances border surveillance and security in the European context by using semi-autonomous robots.

Drawing on the experiences of choreographer, performer, and researcher Arkadi Zaides—with the TALOS project—and researcher, artist, and curator Margarida Mendes—with her work in the Białowieża Forest, on the border between Poland and Belarus—the reality of these liminal zones will be the subject of discussion in a conversation moderated by curator and writer Nora O’Murchú.

Free entry.
📷 1. Kevin Brennan
📷 2. Dajana Lothert

#index #bragamediaarts @dg.artes #rtcp

ZONAS LIMINARES / LIMINAL ZONES

A centralidade do tema da imigração, no contexto das narrativas populistas que se têm verificado em toda a Europa, tem levado a uma reconfiguração da importância das fronteiras no discurso político, bem como à utilização de estratégias de dissuasão hostis, alicerçadas em tecnologia de ponta. É disso exemplo o projeto Talos, financiado pela União Europeia, que reforça a vigilância e segurança fronteiriça no contexto europeu recorrendo a robots semi-autónomos. Será a partir das experiências do coreógrafo, performer e investigador Arkadi Zaides — com o projeto TALOS —, e da investigadora, artista e curadora Margarida Mendes — com o trabalho desenvolvido na floresta de Białowieża, na fronteira entre Polónia e Bielorrúsia — que a realidade destas zonas liminares será alvo de discussão, numa conversa moderada pela curadora e escritora Nora O’ Murchú.

O acesso à conferência é gratuito.
——
[EN]

The centrality of immigration in populist narratives that have emerged across Europe has led to a reevaluation of the importance of borders in political discourse, as well as the use of hostile deterrence strategies based on cutting-edge technology. An example of this is the Talos project, funded by the European Union, which enhances border surveillance and security in the European context by using semi-autonomous robots.

Drawing on the experiences of choreographer, performer, and researcher Arkadi Zaides—with the TALOS project—and researcher, artist, and curator Margarida Mendes—with her work in the Białowieża Forest, on the border between Poland and Belarus—the reality of these liminal zones will be the subject of discussion in a conversation moderated by curator and writer Nora O’Murchú.

Free entry.
📷 1. Kevin Brennan
📷 2. Dajana Lothert

#index #bragamediaarts @dg.artes #rtcp

E SE ISTO JÁ NÃO É CAPITALISMO, MAS ALGO PIOR? / WHAT IF THIS IS NO LONGER CAPITALISM, BUT SOMETHING WORSE?

O acutilante olhar de McKenzie Wark tem sido fundamental na leitura das relações entre poder, tecnologia e arte, ao longo das últimas duas décadas. Para esta sessão no INDEX, a autora levanta a possibilidade de existência de “uma nova espécie de classe dominante, acima das que já existiam, cujo poder deriva da extração e da gestão da informação”. De acordo com Wark, não só é hora de perguntar se esta classe dominante emergente está a desestabilizar os compromissos institucionais que os movimentos sociais impuseram à antiga classe dominante, mas, também, que táticas poderão ser mobilizadas contra ela e qual poderá ser o papel da arte nesse contexto. A moderar esta conversa estará a curadora e escritora irlandesa Nora O’ Murchú.

O acesso à conferência é gratuito.
——

[EN]

McKenzie Wark’s incisive perspective has been fundamental to understanding the relationships between power, technology, and art over the past two decades. For this session at INDEX, the author raises the possibility of the existence of “a new kind of ruling class”. According to Wark, it is not only time to ask whether this emerging ruling class is destabilizing the institutional commitments that social movements imposed on the old ruling class, but also what tactics might be mobilized against it and what role art might play in this context. Moderating this conversation will be Irish curator and writer Nora O’Murchú.

Free entry.

📷 Z Walsh

#index #bragamediaarts @dg.artes #rtcp

E SE ISTO JÁ NÃO É CAPITALISMO, MAS ALGO PIOR? / WHAT IF THIS IS NO LONGER CAPITALISM, BUT SOMETHING WORSE?

O acutilante olhar de McKenzie Wark tem sido fundamental na leitura das relações entre poder, tecnologia e arte, ao longo das últimas duas décadas. Para esta sessão no INDEX, a autora levanta a possibilidade de existência de “uma nova espécie de classe dominante, acima das que já existiam, cujo poder deriva da extração e da gestão da informação”. De acordo com Wark, não só é hora de perguntar se esta classe dominante emergente está a desestabilizar os compromissos institucionais que os movimentos sociais impuseram à antiga classe dominante, mas, também, que táticas poderão ser mobilizadas contra ela e qual poderá ser o papel da arte nesse contexto. A moderar esta conversa estará a curadora e escritora irlandesa Nora O’ Murchú.

O acesso à conferência é gratuito.
——

[EN]

McKenzie Wark’s incisive perspective has been fundamental to understanding the relationships between power, technology, and art over the past two decades. For this session at INDEX, the author raises the possibility of the existence of “a new kind of ruling class”. According to Wark, it is not only time to ask whether this emerging ruling class is destabilizing the institutional commitments that social movements imposed on the old ruling class, but also what tactics might be mobilized against it and what role art might play in this context. Moderating this conversation will be Irish curator and writer Nora O’Murchú.

Free entry.

📷 Z Walsh

#index #bragamediaarts @dg.artes #rtcp

LIFE WITH ASSETS | NPCS AS INFRASTRUCTURE

The curator Nora O’ Murchú (@noraomurchu) on how contemporary artists mobilize non-player characters to unsettle logics of power

Link in bio!

Mentions include:
@_lanparty_ @bennakim #BenoitPalop @this.isnowhere @jennifermehigan
@transmediale @metalabel__
@grandtheftvi #BrianLarkin @ruby_l00bi #AlanButler #AlexanderGalloway @ryotaro_sato_ @technoflesh
@jacobgaboury @gunseliiiiii
#AudraSimpson @kchayka
alexandra_pfammatter
@billuartmc
@angelawashko
@amfq

LIFE WITH ASSETS | NPCS AS INFRASTRUCTURE

The curator Nora O’ Murchú (@noraomurchu) on how contemporary artists mobilize non-player characters to unsettle logics of power

Link in bio!

Mentions include:
@_lanparty_ @bennakim #BenoitPalop @this.isnowhere @jennifermehigan
@transmediale @metalabel__
@grandtheftvi #BrianLarkin @ruby_l00bi #AlanButler #AlexanderGalloway @ryotaro_sato_ @technoflesh
@jacobgaboury @gunseliiiiii
#AudraSimpson @kchayka
alexandra_pfammatter
@billuartmc
@angelawashko
@amfq

LIFE WITH ASSETS | NPCS AS INFRASTRUCTURE

The curator Nora O’ Murchú (@noraomurchu) on how contemporary artists mobilize non-player characters to unsettle logics of power

Link in bio!

Mentions include:
@_lanparty_ @bennakim #BenoitPalop @this.isnowhere @jennifermehigan
@transmediale @metalabel__
@grandtheftvi #BrianLarkin @ruby_l00bi #AlanButler #AlexanderGalloway @ryotaro_sato_ @technoflesh
@jacobgaboury @gunseliiiiii
#AudraSimpson @kchayka
alexandra_pfammatter
@billuartmc
@angelawashko
@amfq

LIFE WITH ASSETS | NPCS AS INFRASTRUCTURE

The curator Nora O’ Murchú (@noraomurchu) on how contemporary artists mobilize non-player characters to unsettle logics of power

Link in bio!

Mentions include:
@_lanparty_ @bennakim #BenoitPalop @this.isnowhere @jennifermehigan
@transmediale @metalabel__
@grandtheftvi #BrianLarkin @ruby_l00bi #AlanButler #AlexanderGalloway @ryotaro_sato_ @technoflesh
@jacobgaboury @gunseliiiiii
#AudraSimpson @kchayka
alexandra_pfammatter
@billuartmc
@angelawashko
@amfq

LIFE WITH ASSETS | NPCS AS INFRASTRUCTURE

The curator Nora O’ Murchú (@noraomurchu) on how contemporary artists mobilize non-player characters to unsettle logics of power

Link in bio!

Mentions include:
@_lanparty_ @bennakim #BenoitPalop @this.isnowhere @jennifermehigan
@transmediale @metalabel__
@grandtheftvi #BrianLarkin @ruby_l00bi #AlanButler #AlexanderGalloway @ryotaro_sato_ @technoflesh
@jacobgaboury @gunseliiiiii
#AudraSimpson @kchayka
alexandra_pfammatter
@billuartmc
@angelawashko
@amfq

LIFE WITH ASSETS | NPCS AS INFRASTRUCTURE

The curator Nora O’ Murchú (@noraomurchu) on how contemporary artists mobilize non-player characters to unsettle logics of power

Link in bio!

Mentions include:
@_lanparty_ @bennakim #BenoitPalop @this.isnowhere @jennifermehigan
@transmediale @metalabel__
@grandtheftvi #BrianLarkin @ruby_l00bi #AlanButler #AlexanderGalloway @ryotaro_sato_ @technoflesh
@jacobgaboury @gunseliiiiii
#AudraSimpson @kchayka
alexandra_pfammatter
@billuartmc
@angelawashko
@amfq

Did you miss our year exhibition or want to continue the conversation?The (online) publication The Illusion of Thinking is now available.

The book is part of an interdisciplinary research project examining the assumed capacity of artificial intelligence to think and reason. Through essays and interviews, it addresses algorithmic decision-making, surveillance, digital infrastructures, and the role of images and interfaces in shaping perception and power.

With contributions by @flaviadzodan , @noraomurchu , and @florianweigl_ , and interviews with @constantdullaart , @femherregraven , @lozanohemmer , and Dirk Paesmans @ig.oo_o

Available as a free ePUB via the link in our bio!
A printed edition on 100% recycled paper will follow

13 Scores Against Tech Fascism is an online group exhibition with works by

↪️ @kunsf.xyz: V-Ball
↪️ Alexey Boriskin: Starry Heavens Above You @voidus 
↪️ jiawen uffline: sorri, my data is too dirty for your model
↪️ Annika Santhanam: spam_risk/ @icantevendothat
↪️ David Huerta: Deauth_ority
↪️ NotToday: BitRot @identikitten @_el_nahual
↪️ @el_proyecto_sonidero: The Real Life Continues
↪️ permacomputing.net: Brewing Collectives
↪️ @enkaryon Ang: Glitch Floods: Partisan Ballads
↪️ SignalScribe: Meshstatic
↪️ Rojava Center for Democratic Technologies: Mij (The Fog) @daniploeger
↪️ gabe nascimento: Nunca Mais (Antifa Recipes) @gabirth
↪️ @868.labs: 868wearables @helenanikonole, @kkaterine

Find the exhibition here
🕳https://error417.expectation.fail/13scoresagainsttechfascism
#linkinbio
and as part of the group show Antifascism: Now. @lothringer13 in Munich from Jan 30 til July 31, 2026.

The 13 Scores Against Tech Fascism are situated in very specific contexts; they range from interview protocols exposing the absurd principles guiding tech company leadership, to speculative blueprints of a DIY rocket for disrupting the White House’s Wi-Fi; from a step-by-step guide for turning tennis balls into protest devices to instructions for spamming the ICE hotline or even for using Trojan-horse tactics such as placing left-theory texts inside Jordan Peterson book covers in public libraries. More community-focussed project scores include instructions for producing and distributing mesh devices, and building alternative collective tech infrastructures; from open calls for joyful dance events to transforming recipes used to mask censorship into forms of community activation. Some projects show us easy tricks on how to make our texts too dirty to train large language models, while others build poetic tools for Taiwanese speakers to hide meaning from state sanctioned speech.

The scores operate as frameworks for action. They address intimate, everyday shifts or propose strategies meant to be shared, repeated, and adapted by others.

The projects were selected by @samlavigne @noraomurchu @hito_steyerl as part of the call Error 406 Not Acceptable.
​​​​​​​
Design @davidliebermann

◉◎ 𝟭𝟯 𝗦𝗖𝗢𝗥𝗘𝗦 𝗔𝗚𝗔𝗜𝗡𝗦𝗧 𝗧𝗘𝗖𝗛 𝗙𝗔𝗦𝗖𝗜𝗦𝗠 ◎◉ — Exhibition now online!

The online group exhibition features works by 𝗷𝗶𝗮𝘄𝗲𝗻 𝘂𝗳𝗳𝗹𝗶𝗻𝗲, 𝟴𝟲𝟴𝗹𝗮𝗯𝘀, 𝗔𝗹𝗲𝘅𝗲𝘆 𝗕𝗼𝗿𝗶𝘀𝗸𝗶𝗻, 𝗸𝘂𝗻𝘀𝗳.𝘅𝘆𝘇, 𝗧𝗵𝗲 𝗥𝗼𝗷𝗮𝘃𝗮 𝗖𝗲𝗻𝘁𝗲𝗿 𝗳𝗼𝗿 𝗗𝗲𝗺𝗼𝗰𝗿𝗮𝘁𝗶𝗰 𝗧𝗲𝗰𝗵𝗻𝗼𝗹𝗼𝗴𝗶𝗲𝘀, 𝗘𝗹 𝗣𝗿𝗼𝘆𝗲𝗰𝘁𝗼 𝗦𝗼𝗻𝗶𝗱𝗲𝗿𝗼, 𝗘𝗻𝗸𝗮𝗿𝘆𝗼𝗻 𝗔𝗻𝗴, 𝗦𝗶𝗴𝗻𝗮𝗹𝘀 𝗥𝗶𝘀𝗶𝗻𝗴, 𝗡𝗼𝘁𝗧𝗼𝗱𝗮𝘆, 𝗔𝗻𝗻𝗶𝗸𝗮 𝗦𝗮𝗻𝘁𝗵𝗮𝗻𝗮𝗺, 𝗗𝗮𝘃𝗶𝗱 𝗛𝘂𝗲𝗿𝘁𝗮, 𝗽𝗲𝗿𝗺𝗮𝗰𝗼𝗺𝗽𝘂𝘁𝗶𝗻𝗴.𝗻𝗲𝘁 and 𝗴𝗮𝗯𝗲 𝗻𝗮𝘀𝗰𝗶𝗺𝗲𝗻𝘁𝗼 — selected through the open call 𝗘𝗥𝗥𝗢𝗥 𝟰𝟬𝟲 [𝗧𝗘𝗖𝗛 𝗙𝗔𝗦𝗖𝗜𝗦𝗠] 𝗡𝗢𝗧 𝗔𝗖𝗖𝗘𝗣𝗧𝗔𝗕𝗟𝗘, initiated by Error 417 Expectation Failed in 2025.

The projects explore very immediate, poetic, and humorous forms of resistance, refusal, and subversion that push back against tech fascism. Condensed into scores, manuals and how-to’s, the 13 works create frameworks for action. They address everyday shifts or propose strategies meant to be shared, repeated, and adapted by others. Rather than demanding compliance, these instructions invite participation, interpretation, and refusal.

The projects range from interview protocols exposing the absurd principles guiding tech company leadership, to speculative blueprints of a DIY rocket for disrupting the White House’s Wi-Fi; from a step-by-step guide for turning tennis balls into protest devices to instructions for spamming the ICE hotline or even for using Trojan-horse tactics such as placing left-theory texts inside Jordan Peterson book covers in public libraries.

◯ ▶ EXPLORE THE EXHIBITION NOW! ◀ ◯
🕳https://error417.expectation.fail/13scoresagainsttechfascism/
#linkinbio

◎ Jury @hito_steyerl , @noraomurchu and @samlavigne
◍ Exhibition design @davidliebermann
⦿ Banner exhibition collaboration with @kunstsurfer
🕳 https://kunstsurfer.org/

♡ the internet, h8 fascism

Artists:
@identikitten
@_el_nahual
@icantevendothat
@kunsf.xyz
@gabirth
@el_proyecto_sonidero
@enkaryon
@daniploeger
@868.labs
@helenanikonole
@kkaterine
#jiawenuffline #AlexeyBoriskin #rojavacenterfordemocratictechnologies #signalsrising #davidhuerta #permacomputing.net

◉◎ 𝟭𝟯 𝗦𝗖𝗢𝗥𝗘𝗦 𝗔𝗚𝗔𝗜𝗡𝗦𝗧 𝗧𝗘𝗖𝗛 𝗙𝗔𝗦𝗖𝗜𝗦𝗠 ◎◉ — Exhibition now online!

The online group exhibition features works by 𝗷𝗶𝗮𝘄𝗲𝗻 𝘂𝗳𝗳𝗹𝗶𝗻𝗲, 𝟴𝟲𝟴𝗹𝗮𝗯𝘀, 𝗔𝗹𝗲𝘅𝗲𝘆 𝗕𝗼𝗿𝗶𝘀𝗸𝗶𝗻, 𝗸𝘂𝗻𝘀𝗳.𝘅𝘆𝘇, 𝗧𝗵𝗲 𝗥𝗼𝗷𝗮𝘃𝗮 𝗖𝗲𝗻𝘁𝗲𝗿 𝗳𝗼𝗿 𝗗𝗲𝗺𝗼𝗰𝗿𝗮𝘁𝗶𝗰 𝗧𝗲𝗰𝗵𝗻𝗼𝗹𝗼𝗴𝗶𝗲𝘀, 𝗘𝗹 𝗣𝗿𝗼𝘆𝗲𝗰𝘁𝗼 𝗦𝗼𝗻𝗶𝗱𝗲𝗿𝗼, 𝗘𝗻𝗸𝗮𝗿𝘆𝗼𝗻 𝗔𝗻𝗴, 𝗦𝗶𝗴𝗻𝗮𝗹𝘀 𝗥𝗶𝘀𝗶𝗻𝗴, 𝗡𝗼𝘁𝗧𝗼𝗱𝗮𝘆, 𝗔𝗻𝗻𝗶𝗸𝗮 𝗦𝗮𝗻𝘁𝗵𝗮𝗻𝗮𝗺, 𝗗𝗮𝘃𝗶𝗱 𝗛𝘂𝗲𝗿𝘁𝗮, 𝗽𝗲𝗿𝗺𝗮𝗰𝗼𝗺𝗽𝘂𝘁𝗶𝗻𝗴.𝗻𝗲𝘁 and 𝗴𝗮𝗯𝗲 𝗻𝗮𝘀𝗰𝗶𝗺𝗲𝗻𝘁𝗼 — selected through the open call 𝗘𝗥𝗥𝗢𝗥 𝟰𝟬𝟲 [𝗧𝗘𝗖𝗛 𝗙𝗔𝗦𝗖𝗜𝗦𝗠] 𝗡𝗢𝗧 𝗔𝗖𝗖𝗘𝗣𝗧𝗔𝗕𝗟𝗘, initiated by Error 417 Expectation Failed in 2025.

The projects explore very immediate, poetic, and humorous forms of resistance, refusal, and subversion that push back against tech fascism. Condensed into scores, manuals and how-to’s, the 13 works create frameworks for action. They address everyday shifts or propose strategies meant to be shared, repeated, and adapted by others. Rather than demanding compliance, these instructions invite participation, interpretation, and refusal.

The projects range from interview protocols exposing the absurd principles guiding tech company leadership, to speculative blueprints of a DIY rocket for disrupting the White House’s Wi-Fi; from a step-by-step guide for turning tennis balls into protest devices to instructions for spamming the ICE hotline or even for using Trojan-horse tactics such as placing left-theory texts inside Jordan Peterson book covers in public libraries.

◯ ▶ EXPLORE THE EXHIBITION NOW! ◀ ◯
🕳https://error417.expectation.fail/13scoresagainsttechfascism/
#linkinbio

◎ Jury @hito_steyerl , @noraomurchu and @samlavigne
◍ Exhibition design @davidliebermann
⦿ Banner exhibition collaboration with @kunstsurfer
🕳 https://kunstsurfer.org/

♡ the internet, h8 fascism

Artists:
@identikitten
@_el_nahual
@icantevendothat
@kunsf.xyz
@gabirth
@el_proyecto_sonidero
@enkaryon
@daniploeger
@868.labs
@helenanikonole
@kkaterine
#jiawenuffline #AlexeyBoriskin #rojavacenterfordemocratictechnologies #signalsrising #davidhuerta #permacomputing.net

✨👧🩰 Triple Canopy and Feral File (@feralfile) are pleased to present StarQuest, an installation and performance-lecture by the artist Maya Man (@mayaontheinternet). Working with generative AI, Man has produced a video-based body of work that takes up the tropes and aesthetics of American competitive dance—a swirl of ambition, discipline, and spectacle—as well as the circulation of performance in the digital age. Drawing on Man’s childhood experience as a competitive dancer, StarQuest restages the choreography and interpersonal dramas of the cult reality television series Dance Moms. In an ever-changing order, AI-generated dancers twirl across the screen and speak of their fears and foibles in faux confessionals, establishing an uncanny friction between authenticity and artifice.

🌟 StarQuest will be on view from 6 to 9 p.m.; Man will present an accompanying performance-lecture at 7 p.m., introduced by the curator Nora O’ Murchú (@noraomurchu). The performance will be followed by a conversation between Man and Rachel Ossip, Triple Canopy’s deputy editor.

Visit the link in Triple Canopy’s profile to RSVP.

Attendance is on a first-come, first-served basis and will be limited to the legal capacity of the venue. RSVPs do not guarantee entry, but help us better prepare for the event and keep you updated about the program.

Berlin friends! Feel warmly invited to the Parasite School taking place at Tropez on August 2nd & 3rd.

Who hosts, and under what terms? From glitchy symbioses to asymmetrical dependencies, the Parasite School thinks with the parasite as a figure of adaptation, survival, and subtle sabotage. For this edition, six artists devise a series of workshops experimenting with tactics for the misuse of systems, from infrastructures and interfaces to economies and architectures of perception.

Join us poolside (and at times, in the pool itself) for sessions by Anna Ehrenstein, Juan Pablo Cámara, Miriam Simun, Matto Zoppi & Tommaso Cappelletti, Nadja Buttendorf, and Xia Lin.

Find out more on each workshop on tropez.de

The Parasite School is co-curated by Nora O' Murchú & Jade Meili Barget for @tropez_tropez

Image credit: Courtesy the artist Miriam Simun, photo by Bieke Depoorter
Design: Minami Shimakage @minamiscimac

Berlin friends! Feel warmly invited to the Parasite School taking place at Tropez on August 2nd & 3rd.

Who hosts, and under what terms? From glitchy symbioses to asymmetrical dependencies, the Parasite School thinks with the parasite as a figure of adaptation, survival, and subtle sabotage. For this edition, six artists devise a series of workshops experimenting with tactics for the misuse of systems, from infrastructures and interfaces to economies and architectures of perception.

Join us poolside (and at times, in the pool itself) for sessions by Anna Ehrenstein, Juan Pablo Cámara, Miriam Simun, Matto Zoppi & Tommaso Cappelletti, Nadja Buttendorf, and Xia Lin.

Find out more on each workshop on tropez.de

The Parasite School is co-curated by Nora O' Murchú & Jade Meili Barget for @tropez_tropez

Image credit: Courtesy the artist Miriam Simun, photo by Bieke Depoorter
Design: Minami Shimakage @minamiscimac

Berlin friends! Feel warmly invited to the Parasite School taking place at Tropez on August 2nd & 3rd.

Who hosts, and under what terms? From glitchy symbioses to asymmetrical dependencies, the Parasite School thinks with the parasite as a figure of adaptation, survival, and subtle sabotage. For this edition, six artists devise a series of workshops experimenting with tactics for the misuse of systems, from infrastructures and interfaces to economies and architectures of perception.

Join us poolside (and at times, in the pool itself) for sessions by Anna Ehrenstein, Juan Pablo Cámara, Miriam Simun, Matto Zoppi & Tommaso Cappelletti, Nadja Buttendorf, and Xia Lin.

Find out more on each workshop on tropez.de

The Parasite School is co-curated by Nora O' Murchú & Jade Meili Barget for @tropez_tropez

Image credit: Courtesy the artist Miriam Simun, photo by Bieke Depoorter
Design: Minami Shimakage @minamiscimac

𝗧𝗮𝗰𝘁𝗶𝗰𝘀&𝗣𝗿𝗮𝗰𝘁𝗶𝗰𝗲#𝟭𝟲 is on its way, in #ljubljana, as always!

We are kicking it off with an international conference on 25 February in @kinosiska and continuing with exhibitions, talks, workshops, essays and screenings through mid-June!

👉🏿 aksioma.org/ayasu
[link in bio]

The properties of software—scalability, acceleration, and fragmentation—have transformed it into a power of unprecedented influence. After living through countless updates, we now inhabit a fully fascist operating system—a pervasive, enclosed infrastructure that redefines our everyday and blurs the line between agency and performance. As software-imposed terms and conditions shape our relations within this system, how might subterfuge, secrecy, and deceit become frameworks to move beyond resistance and build systems that foster solidarity, equity, and collective action?

𝗪𝗶𝘁𝗵: 2girls1comp, Alan Butler, Alex Quicho, Clea Bourne, Daphne Dragona, Donatella Della Ratta, Eva Papamargariti, Iva Ramuš Cvetkovič, Joanna Bacas, Jordi Viader Guerrero, Lesia Kulchynska, msn gf, Nelly Yah Pinkrah, Noura Tafeche, Silvia Dal Dosso, Socrates Stamatatos, Sophie Publig, Tommaso Campagna

𝗖𝘂𝗿𝗮𝘁𝗲𝗱 𝗯𝘆: Nora O’ Murchú, Socrates Stamatatos, Janez Fakin Janša, Neja Berger

𝗜𝗻 𝗽𝗮𝗿𝘁𝗻𝗲𝗿𝘀𝗵𝗶𝗽 𝘄𝗶𝘁𝗵: Kino Šiška and @academy_aluo

💦 BERLIN 💦
This Saturday @tropez_tropez hosts the first edition of That's Hot. Situated online and networked amid algorithmic bias and rising alt-right radicals, the girl rages. In the opening event of That's Hot, Ana Teixeira Pinto (Berlin), and Alex Quicho @amfq (London) explore the GIRL as an anti-fascist icon and influencer.

☀️
The internet is easy. Take a selfie, upload a meme, gain followers, repost, own everything. But being a goddess in the rising tides of networked polarisation, data monetization, and libertarian platform CEOs can be boring. Algorithmic patterns on repeat continuously reinforce a caustic hegemonic social order. Platforms relentlessly extract emerging behaviours matching half-formed desires with new markets, extending influence through rapid expansion and dispersion. That’s all so low vibration.

But a girl can plot. With the metrics and logics of the digital long established, she must act under close watch, and her tactical subterfuge needs the many and not the few. That’s Hot celebrates the possibility of a counter-swarm of political sedition and intellectual hostility.

That’s Hot is a series of events co-curated by @greenjade___ me, and @elisehunchuck, commissioned by @tropez_tropez for their SWARM programme.

Come melt in the Berlin heat (lol)
🥹

Images by the best ever @this.isnowhere

💦 BERLIN 💦
This Saturday @tropez_tropez hosts the first edition of That's Hot. Situated online and networked amid algorithmic bias and rising alt-right radicals, the girl rages. In the opening event of That's Hot, Ana Teixeira Pinto (Berlin), and Alex Quicho @amfq (London) explore the GIRL as an anti-fascist icon and influencer.

☀️
The internet is easy. Take a selfie, upload a meme, gain followers, repost, own everything. But being a goddess in the rising tides of networked polarisation, data monetization, and libertarian platform CEOs can be boring. Algorithmic patterns on repeat continuously reinforce a caustic hegemonic social order. Platforms relentlessly extract emerging behaviours matching half-formed desires with new markets, extending influence through rapid expansion and dispersion. That’s all so low vibration.

But a girl can plot. With the metrics and logics of the digital long established, she must act under close watch, and her tactical subterfuge needs the many and not the few. That’s Hot celebrates the possibility of a counter-swarm of political sedition and intellectual hostility.

That’s Hot is a series of events co-curated by @greenjade___ me, and @elisehunchuck, commissioned by @tropez_tropez for their SWARM programme.

Come melt in the Berlin heat (lol)
🥹

Images by the best ever @this.isnowhere