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CreateNext campaign with @_lugatti_ @9inebro & @sur.render (Client). Awesome project orchestrated for @converse_europe and @snipes_germany ⚔️

Multiple weeks of production, lots of cool people and creative ideas, several content pieces and a final concert featuring a massive custom built 3D LED-Wall. Pretty big step compared to the usual hassle of getting proper credits. Really enjoyed this one! #createnext

Following his exhibition at @bitbaselart ArtWeek Miami 2025, Neil Patrick Harris @nph invited @florian.goerlitz (Client) to install his purchased artwork at his ranch. I watched HIMYM in its entirety countless times in law school, making this a very special moment for me. #neilpatrickharris

@iamgini_ (Client) and @donalfonsobeats landed a placement on Jack Harlow’s Single ‚Set You Free‘ earlier this year. Gini is credited as a singer-songwriter and her vocals are very present throughout the song. Don Alfonso co-produced it alongside @babetruth . This placement, achieved independently, highlights the potential for talented artists who network with others on social media. We’re thankful for the opportunity to collaborate with @jackharlow and @warnermusic! #jackharlow #setyoufree

Hey guys, since I started posting projects I did together with @sur.render as his manager, I got ✨ blessed ✨ by various members of the 3D and VFX scene who started following me. It kind of feels weird to burst out of this bubble in terms of content, as this account is perfectly set up to grow by posting more 3D & VFX projects. I considered giving this account to sur.render for him to display his art or turning it into a platform to arrange partnerships for 3D artists, but in all honesty, I feel like I need to put my anxiety aside and start posting other projects of mine that I loved to work on. 🗯️

First up is @orbitnotthechewinggum during the release of his EP‘s „Perspectives“ and „Summer Someday“.

I did the artist-management together with a former Universal employee named Dario, from whom I learned a lot regarding artist development, and @tobewhy , who supported Orbit in creating one of the most authentic and original visual directions ever. I focused on the contractual side of Orbit’s career, especially contract negotiations.

Both of these EPs will forever hold the most special place in my heart. On one hand, every song is filled with an insane amount of emotional associations from that time, and on the other, the project itself is a testament to every independent music project out there, as it scaled completely through organic reach, a loving international fanbase and a hard working artist with a very clear direction.

This gave me an opportunity to transition from law into artist management, so I’m really happy to make this my first post outside of 3D & VfX. ❤️

Orbit is also about to release his first album, so this feels like a great moment to share those projects. Go check him out! 🌌 #orbit #perspectives #summersomeday

Visuals for @david.kushner - “Skin & Bones” | Client @sur.render ⚡️☠️ w/ honorable mention @hwangproduction

David Kushner’s “Skin and Bones” was a great chance to work on a project that had already made its mark in pop culture, yet still felt very personal. The video has since reached over 12 million views, connecting with people through its subtle visuals and emotional depth. I’ve always been drawn to darker, atmospheric worlds like Lovecraft, Hidetaka Miyazaki, George R.R. Martin or Tolkien. There’s something special about how these worlds balance bleakness with beauty. On top of that, I’ve always liked David’s music, so it was great seeing the everything come together for this.

On a personal note, I watched @sur.render work tirelessly on these visuals, staying up for days on end and pushing through exhaustion to get every detail right. In an age when so much content is generated by an Ai with a single click, this was real, handcrafted work, and I hope people can feel the effort behind every frame. Shoutout to @hwangproduction as well, it’s been over a year and I’m not sure anymore who brought in whom, but glad it came together like this. 👻

“Skin and Bones” Visuals for @david.kushner | Client @sur.render 🩻⚡️

Visuals for @snot and @zillakami - „0%“ | Client @sur.render ◼️◾️◼️

Grateful to have been part of such an ambitious project, both musically and visually. $NOT and Zillakami’s “0%” moves between high-energy chaos and eerie stillness and the video captures that intensity with a mix of raw energy and surreal moments.

@sur.render conceptualized and executed most 3D VFX and animations for the first half of the video, with the 2nd half (quarry scene and all its transitions) realized by @hwangproduction at @null_studios__.

Working within a flexible creative framework, @sur.render developed and brought to life point-cloud animations of custom scenes and products, stylized object rigging, and a range of surreal visual effects in his signature style.

The music video reached over 2.4 million views on YouTube by the end of 2024, and the track, released via @300ent, hit over 9 million streams on Spotify. One of my favorite songs, actually.

“0%” Visuals for @snot and @zillakami | Client @sur.render 🎬🕛

„Crush“ Visuals for @zb1official | Client @sur.render 🎬

I was incredibly grateful for the opportunity to manage sur.render as he took on the role of Lead VFX Director for korean idol group . While many productions in the West try to cut costs with the way social media works nowadays, this one went all in—building a small town alongside a full-scale supermarket, gaming shop, library, and many more detailed environments that felt like the interior of a spaceship. With K-Pop’s unparalleled fan culture driving its impact, the video gained to over 40 million views by 2025. Experiencing firsthand how the K-Pop industry approaches production and artist development was a fascinating insight into a very unique industry.

„Crush“ Visuals for @zb1official | Client @sur.render

“City of Dreams” visuals for @tylayaweh & @chrisbrownofficial | Client @sur.render w/ honorable mention @hwangproduction 🎬