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Join us and step into the many worlds of the mango with a special guided tour of ‘Mangoes & Meanings’ at the Museum of Goa.

Led by our storytellers, this immersive walkthrough explores the artworks, memories, histories, humour, ecology, and cultural meanings that the Mango holds. Moving across the museum spaces, the tour offers deeper insights into selected works and the many ways artists and communities connect with the mango.

The experience also includes an interactive art activity inspired by the exhibition, followed by a specially curated mango snack and refreshing drink.

🗓️ Date: 7th June, 2026
⏰ Time: 4:00 PM – 6:00 PM (Assembly at 3:45 PM)
🎟️ Registration Fee: ₹750 per person

Join us for an afternoon of stories, conversation, creativity, and mangoes.

Artwork featured on the poster is by Madhvi Srivastava.

To register contact +91 77220 89666
📍Museum of Goa, Pilerne Industrial Estate

#MOGSUNDAYS

This talk brings together history and political narratives to reflect on Goa’s journey toward liberation. Gerald Pereira, arrived in Bombay and joined the Goan Peoples Party (GPP) after being personally initiated by Dr. T. B. Cunha. Alongside fighting for Goa’s freedom, the GPP also played a significant role in the liberation of Dadra and Nagar Haveli.

Through these intertwined stories, speaker Lara Pereira Naique explores how individual lives become part of larger movements for freedom, and how they continue to survive through archives and lived experiences. The session invites audiences to revisit Goa’s past through narratives shaped by courage, companionship, and cultural continuity.

🗓 Date: Sunday, 31st May, 2026
🕚 Time: 11:30 AM
📍 Venue: Museum of Goa, Plot No. 79, Pilerne Industrial Estate, Bardez

Free Entry | RSVP compulsory

Please WhatsApp your name to +91 7722089666

At the Museum of Goa, we invite you to step into the world of one of Goa’s most beloved artists, Mario Miranda.

Presented by The Mustard Seed Art Company, ‘Mario Sossegado De Miranda’ is a play directed by Isabel Santa Rita Vas as a heartfelt tribute to the legendary artist whose observations and humour captured the spirit of everyday Goan life.

Known for his calm demeanor, sharp eye, and unmistakable artistic voice, Mario had a rare ability to find joy, chaos, and character in the ordinary. This performance celebrates the man behind the lines, and the world he so lovingly documented.

📅Date: Saturday, 30 May 2026
🕡Time:6:30 PM – 7:30 PM
📍Venue: Museum of Goa, Pilerne Industrial Estate

Join us for an evening of paying tribute to the brilliant artist.

#artinterpretation

Madhvi Srivastava’s artworks explore the inner worlds held within the mango seed, imagining it not as a remnant of the fruit, but as a site of immense potential. A seed carries within it the possibility of a tree, countless fruits, and entire futures. Through organic forms and cosmic imagery, the artist reflects on the seed’s power of creation, transformation, and regeneration, drawing connections between nature’s cycles and the vastness of the universe itself.

Swipe to read our visitors’ interpretations of this artwork!

This project is one of the ways in which we invite everyone to reflect, celebrate the beauty of different perspectives and engage in meaningful conversations about art.

Currently on display at ‘Mangoes & Meanings’, Museum of Goa.

Open Tuesday to Sunday | 10:00 AM to 6:00 PM.

Closed on Mondays.

📍Pilerne Industrial Estate

#artinterpretation

Madhvi Srivastava’s artworks explore the inner worlds held within the mango seed, imagining it not as a remnant of the fruit, but as a site of immense potential. A seed carries within it the possibility of a tree, countless fruits, and entire futures. Through organic forms and cosmic imagery, the artist reflects on the seed’s power of creation, transformation, and regeneration, drawing connections between nature’s cycles and the vastness of the universe itself.

Swipe to read our visitors’ interpretations of this artwork!

This project is one of the ways in which we invite everyone to reflect, celebrate the beauty of different perspectives and engage in meaningful conversations about art.

Currently on display at ‘Mangoes & Meanings’, Museum of Goa.

Open Tuesday to Sunday | 10:00 AM to 6:00 PM.

Closed on Mondays.

📍Pilerne Industrial Estate

#artinterpretation

Madhvi Srivastava’s artworks explore the inner worlds held within the mango seed, imagining it not as a remnant of the fruit, but as a site of immense potential. A seed carries within it the possibility of a tree, countless fruits, and entire futures. Through organic forms and cosmic imagery, the artist reflects on the seed’s power of creation, transformation, and regeneration, drawing connections between nature’s cycles and the vastness of the universe itself.

Swipe to read our visitors’ interpretations of this artwork!

This project is one of the ways in which we invite everyone to reflect, celebrate the beauty of different perspectives and engage in meaningful conversations about art.

Currently on display at ‘Mangoes & Meanings’, Museum of Goa.

Open Tuesday to Sunday | 10:00 AM to 6:00 PM.

Closed on Mondays.

📍Pilerne Industrial Estate

#artinterpretation

Madhvi Srivastava’s artworks explore the inner worlds held within the mango seed, imagining it not as a remnant of the fruit, but as a site of immense potential. A seed carries within it the possibility of a tree, countless fruits, and entire futures. Through organic forms and cosmic imagery, the artist reflects on the seed’s power of creation, transformation, and regeneration, drawing connections between nature’s cycles and the vastness of the universe itself.

Swipe to read our visitors’ interpretations of this artwork!

This project is one of the ways in which we invite everyone to reflect, celebrate the beauty of different perspectives and engage in meaningful conversations about art.

Currently on display at ‘Mangoes & Meanings’, Museum of Goa.

Open Tuesday to Sunday | 10:00 AM to 6:00 PM.

Closed on Mondays.

📍Pilerne Industrial Estate

#artinterpretation

Madhvi Srivastava’s artworks explore the inner worlds held within the mango seed, imagining it not as a remnant of the fruit, but as a site of immense potential. A seed carries within it the possibility of a tree, countless fruits, and entire futures. Through organic forms and cosmic imagery, the artist reflects on the seed’s power of creation, transformation, and regeneration, drawing connections between nature’s cycles and the vastness of the universe itself.

Swipe to read our visitors’ interpretations of this artwork!

This project is one of the ways in which we invite everyone to reflect, celebrate the beauty of different perspectives and engage in meaningful conversations about art.

Currently on display at ‘Mangoes & Meanings’, Museum of Goa.

Open Tuesday to Sunday | 10:00 AM to 6:00 PM.

Closed on Mondays.

📍Pilerne Industrial Estate

Through Ram Singh’s artworks, we explore how the mango often appears in multiple forms, especially the mango tree, reflecting its importance and the central role nature plays in the community’s surroundings. Living closely with forests and seasonal cycles, the Bhil tribe has long shared a strong relationship with the mango tree.

The Mango Marriage ritual (Aam Aamni ki Shaadi), an ecospiritual ritual practised by the Bhil tribe and other communities, honours nature and ensures prosperity. This symbolic marriage treats trees as living beings and guardians, often performed as a pre-wedding ceremony to honour the tree's contribution to their livelihood.

Currently on display at ‘Mangoes & Meanings’, Museum of Goa.

For inquiries, email: exhibitions@museumofgoa.com

Open Tuesday to Sunday | 10:00 AM to 6:00 PM.

Closed on Mondays.

📍Pilerne Industrial Estate

Through Ram Singh’s artworks, we explore how the mango often appears in multiple forms, especially the mango tree, reflecting its importance and the central role nature plays in the community’s surroundings. Living closely with forests and seasonal cycles, the Bhil tribe has long shared a strong relationship with the mango tree.

The Mango Marriage ritual (Aam Aamni ki Shaadi), an ecospiritual ritual practised by the Bhil tribe and other communities, honours nature and ensures prosperity. This symbolic marriage treats trees as living beings and guardians, often performed as a pre-wedding ceremony to honour the tree's contribution to their livelihood.

Currently on display at ‘Mangoes & Meanings’, Museum of Goa.

For inquiries, email: exhibitions@museumofgoa.com

Open Tuesday to Sunday | 10:00 AM to 6:00 PM.

Closed on Mondays.

📍Pilerne Industrial Estate

Through Ram Singh’s artworks, we explore how the mango often appears in multiple forms, especially the mango tree, reflecting its importance and the central role nature plays in the community’s surroundings. Living closely with forests and seasonal cycles, the Bhil tribe has long shared a strong relationship with the mango tree.

The Mango Marriage ritual (Aam Aamni ki Shaadi), an ecospiritual ritual practised by the Bhil tribe and other communities, honours nature and ensures prosperity. This symbolic marriage treats trees as living beings and guardians, often performed as a pre-wedding ceremony to honour the tree's contribution to their livelihood.

Currently on display at ‘Mangoes & Meanings’, Museum of Goa.

For inquiries, email: exhibitions@museumofgoa.com

Open Tuesday to Sunday | 10:00 AM to 6:00 PM.

Closed on Mondays.

📍Pilerne Industrial Estate

Through Ram Singh’s artworks, we explore how the mango often appears in multiple forms, especially the mango tree, reflecting its importance and the central role nature plays in the community’s surroundings. Living closely with forests and seasonal cycles, the Bhil tribe has long shared a strong relationship with the mango tree.

The Mango Marriage ritual (Aam Aamni ki Shaadi), an ecospiritual ritual practised by the Bhil tribe and other communities, honours nature and ensures prosperity. This symbolic marriage treats trees as living beings and guardians, often performed as a pre-wedding ceremony to honour the tree's contribution to their livelihood.

Currently on display at ‘Mangoes & Meanings’, Museum of Goa.

For inquiries, email: exhibitions@museumofgoa.com

Open Tuesday to Sunday | 10:00 AM to 6:00 PM.

Closed on Mondays.

📍Pilerne Industrial Estate

Through Ram Singh’s artworks, we explore how the mango often appears in multiple forms, especially the mango tree, reflecting its importance and the central role nature plays in the community’s surroundings. Living closely with forests and seasonal cycles, the Bhil tribe has long shared a strong relationship with the mango tree.

The Mango Marriage ritual (Aam Aamni ki Shaadi), an ecospiritual ritual practised by the Bhil tribe and other communities, honours nature and ensures prosperity. This symbolic marriage treats trees as living beings and guardians, often performed as a pre-wedding ceremony to honour the tree's contribution to their livelihood.

Currently on display at ‘Mangoes & Meanings’, Museum of Goa.

For inquiries, email: exhibitions@museumofgoa.com

Open Tuesday to Sunday | 10:00 AM to 6:00 PM.

Closed on Mondays.

📍Pilerne Industrial Estate

Through Ram Singh’s artworks, we explore how the mango often appears in multiple forms, especially the mango tree, reflecting its importance and the central role nature plays in the community’s surroundings. Living closely with forests and seasonal cycles, the Bhil tribe has long shared a strong relationship with the mango tree.

The Mango Marriage ritual (Aam Aamni ki Shaadi), an ecospiritual ritual practised by the Bhil tribe and other communities, honours nature and ensures prosperity. This symbolic marriage treats trees as living beings and guardians, often performed as a pre-wedding ceremony to honour the tree's contribution to their livelihood.

Currently on display at ‘Mangoes & Meanings’, Museum of Goa.

For inquiries, email: exhibitions@museumofgoa.com

Open Tuesday to Sunday | 10:00 AM to 6:00 PM.

Closed on Mondays.

📍Pilerne Industrial Estate

Yesterday, we were joined by photographers for a photowalk with artist Indrajit Khambe, a session that invited us to look more closely at spaces we often move through without noticing.

The evening began with an introduction to Indrajit’s practice, grounding us in ideas of familiarity and observation. He spoke about how his journey began with a desire to document places he already knew deeply, while also becoming familiar to the places he wished to photograph. The conversation then opened up into a discussion about the challenges we face when entering the field — how to approach people, moments, and spaces with sensitivity and attention.

We then walked through the exhibition ‘Mangoes & Meanings’, where Indrajit is showcasing a series on the barter systems surrounding mangoes in the markets of Harnai. Through his photographs, everyday exchanges become stories of community, and local economies.

After the walkthrough, we headed to Mapusa Market. Although many of us have visited Mapusa countless times before, seeing it through Indrajit’s lens transformed the experience. We began noticing the market’s openness — how contrasting worlds existed side by side, and how the space welcomed people from all backgrounds equally. We paid attention to what people sold, what vendors wore, their conversations, gestures, textures, and movement.

The photowalk became less about taking photographs and more about learning how to notice, reminding us that familiar places still hold countless stories waiting to be seen.

Yesterday, we were joined by photographers for a photowalk with artist Indrajit Khambe, a session that invited us to look more closely at spaces we often move through without noticing.

The evening began with an introduction to Indrajit’s practice, grounding us in ideas of familiarity and observation. He spoke about how his journey began with a desire to document places he already knew deeply, while also becoming familiar to the places he wished to photograph. The conversation then opened up into a discussion about the challenges we face when entering the field — how to approach people, moments, and spaces with sensitivity and attention.

We then walked through the exhibition ‘Mangoes & Meanings’, where Indrajit is showcasing a series on the barter systems surrounding mangoes in the markets of Harnai. Through his photographs, everyday exchanges become stories of community, and local economies.

After the walkthrough, we headed to Mapusa Market. Although many of us have visited Mapusa countless times before, seeing it through Indrajit’s lens transformed the experience. We began noticing the market’s openness — how contrasting worlds existed side by side, and how the space welcomed people from all backgrounds equally. We paid attention to what people sold, what vendors wore, their conversations, gestures, textures, and movement.

The photowalk became less about taking photographs and more about learning how to notice, reminding us that familiar places still hold countless stories waiting to be seen.

Yesterday, we were joined by photographers for a photowalk with artist Indrajit Khambe, a session that invited us to look more closely at spaces we often move through without noticing.

The evening began with an introduction to Indrajit’s practice, grounding us in ideas of familiarity and observation. He spoke about how his journey began with a desire to document places he already knew deeply, while also becoming familiar to the places he wished to photograph. The conversation then opened up into a discussion about the challenges we face when entering the field — how to approach people, moments, and spaces with sensitivity and attention.

We then walked through the exhibition ‘Mangoes & Meanings’, where Indrajit is showcasing a series on the barter systems surrounding mangoes in the markets of Harnai. Through his photographs, everyday exchanges become stories of community, and local economies.

After the walkthrough, we headed to Mapusa Market. Although many of us have visited Mapusa countless times before, seeing it through Indrajit’s lens transformed the experience. We began noticing the market’s openness — how contrasting worlds existed side by side, and how the space welcomed people from all backgrounds equally. We paid attention to what people sold, what vendors wore, their conversations, gestures, textures, and movement.

The photowalk became less about taking photographs and more about learning how to notice, reminding us that familiar places still hold countless stories waiting to be seen.

Yesterday, we were joined by photographers for a photowalk with artist Indrajit Khambe, a session that invited us to look more closely at spaces we often move through without noticing.

The evening began with an introduction to Indrajit’s practice, grounding us in ideas of familiarity and observation. He spoke about how his journey began with a desire to document places he already knew deeply, while also becoming familiar to the places he wished to photograph. The conversation then opened up into a discussion about the challenges we face when entering the field — how to approach people, moments, and spaces with sensitivity and attention.

We then walked through the exhibition ‘Mangoes & Meanings’, where Indrajit is showcasing a series on the barter systems surrounding mangoes in the markets of Harnai. Through his photographs, everyday exchanges become stories of community, and local economies.

After the walkthrough, we headed to Mapusa Market. Although many of us have visited Mapusa countless times before, seeing it through Indrajit’s lens transformed the experience. We began noticing the market’s openness — how contrasting worlds existed side by side, and how the space welcomed people from all backgrounds equally. We paid attention to what people sold, what vendors wore, their conversations, gestures, textures, and movement.

The photowalk became less about taking photographs and more about learning how to notice, reminding us that familiar places still hold countless stories waiting to be seen.

Yesterday, we were joined by photographers for a photowalk with artist Indrajit Khambe, a session that invited us to look more closely at spaces we often move through without noticing.

The evening began with an introduction to Indrajit’s practice, grounding us in ideas of familiarity and observation. He spoke about how his journey began with a desire to document places he already knew deeply, while also becoming familiar to the places he wished to photograph. The conversation then opened up into a discussion about the challenges we face when entering the field — how to approach people, moments, and spaces with sensitivity and attention.

We then walked through the exhibition ‘Mangoes & Meanings’, where Indrajit is showcasing a series on the barter systems surrounding mangoes in the markets of Harnai. Through his photographs, everyday exchanges become stories of community, and local economies.

After the walkthrough, we headed to Mapusa Market. Although many of us have visited Mapusa countless times before, seeing it through Indrajit’s lens transformed the experience. We began noticing the market’s openness — how contrasting worlds existed side by side, and how the space welcomed people from all backgrounds equally. We paid attention to what people sold, what vendors wore, their conversations, gestures, textures, and movement.

The photowalk became less about taking photographs and more about learning how to notice, reminding us that familiar places still hold countless stories waiting to be seen.

Yesterday, we were joined by photographers for a photowalk with artist Indrajit Khambe, a session that invited us to look more closely at spaces we often move through without noticing.

The evening began with an introduction to Indrajit’s practice, grounding us in ideas of familiarity and observation. He spoke about how his journey began with a desire to document places he already knew deeply, while also becoming familiar to the places he wished to photograph. The conversation then opened up into a discussion about the challenges we face when entering the field — how to approach people, moments, and spaces with sensitivity and attention.

We then walked through the exhibition ‘Mangoes & Meanings’, where Indrajit is showcasing a series on the barter systems surrounding mangoes in the markets of Harnai. Through his photographs, everyday exchanges become stories of community, and local economies.

After the walkthrough, we headed to Mapusa Market. Although many of us have visited Mapusa countless times before, seeing it through Indrajit’s lens transformed the experience. We began noticing the market’s openness — how contrasting worlds existed side by side, and how the space welcomed people from all backgrounds equally. We paid attention to what people sold, what vendors wore, their conversations, gestures, textures, and movement.

The photowalk became less about taking photographs and more about learning how to notice, reminding us that familiar places still hold countless stories waiting to be seen.

Yesterday, we were joined by photographers for a photowalk with artist Indrajit Khambe, a session that invited us to look more closely at spaces we often move through without noticing.

The evening began with an introduction to Indrajit’s practice, grounding us in ideas of familiarity and observation. He spoke about how his journey began with a desire to document places he already knew deeply, while also becoming familiar to the places he wished to photograph. The conversation then opened up into a discussion about the challenges we face when entering the field — how to approach people, moments, and spaces with sensitivity and attention.

We then walked through the exhibition ‘Mangoes & Meanings’, where Indrajit is showcasing a series on the barter systems surrounding mangoes in the markets of Harnai. Through his photographs, everyday exchanges become stories of community, and local economies.

After the walkthrough, we headed to Mapusa Market. Although many of us have visited Mapusa countless times before, seeing it through Indrajit’s lens transformed the experience. We began noticing the market’s openness — how contrasting worlds existed side by side, and how the space welcomed people from all backgrounds equally. We paid attention to what people sold, what vendors wore, their conversations, gestures, textures, and movement.

The photowalk became less about taking photographs and more about learning how to notice, reminding us that familiar places still hold countless stories waiting to be seen.

Yesterday, we were joined by photographers for a photowalk with artist Indrajit Khambe, a session that invited us to look more closely at spaces we often move through without noticing.

The evening began with an introduction to Indrajit’s practice, grounding us in ideas of familiarity and observation. He spoke about how his journey began with a desire to document places he already knew deeply, while also becoming familiar to the places he wished to photograph. The conversation then opened up into a discussion about the challenges we face when entering the field — how to approach people, moments, and spaces with sensitivity and attention.

We then walked through the exhibition ‘Mangoes & Meanings’, where Indrajit is showcasing a series on the barter systems surrounding mangoes in the markets of Harnai. Through his photographs, everyday exchanges become stories of community, and local economies.

After the walkthrough, we headed to Mapusa Market. Although many of us have visited Mapusa countless times before, seeing it through Indrajit’s lens transformed the experience. We began noticing the market’s openness — how contrasting worlds existed side by side, and how the space welcomed people from all backgrounds equally. We paid attention to what people sold, what vendors wore, their conversations, gestures, textures, and movement.

The photowalk became less about taking photographs and more about learning how to notice, reminding us that familiar places still hold countless stories waiting to be seen.

Yesterday, we were joined by photographers for a photowalk with artist Indrajit Khambe, a session that invited us to look more closely at spaces we often move through without noticing.

The evening began with an introduction to Indrajit’s practice, grounding us in ideas of familiarity and observation. He spoke about how his journey began with a desire to document places he already knew deeply, while also becoming familiar to the places he wished to photograph. The conversation then opened up into a discussion about the challenges we face when entering the field — how to approach people, moments, and spaces with sensitivity and attention.

We then walked through the exhibition ‘Mangoes & Meanings’, where Indrajit is showcasing a series on the barter systems surrounding mangoes in the markets of Harnai. Through his photographs, everyday exchanges become stories of community, and local economies.

After the walkthrough, we headed to Mapusa Market. Although many of us have visited Mapusa countless times before, seeing it through Indrajit’s lens transformed the experience. We began noticing the market’s openness — how contrasting worlds existed side by side, and how the space welcomed people from all backgrounds equally. We paid attention to what people sold, what vendors wore, their conversations, gestures, textures, and movement.

The photowalk became less about taking photographs and more about learning how to notice, reminding us that familiar places still hold countless stories waiting to be seen.

Yesterday, we were joined by photographers for a photowalk with artist Indrajit Khambe, a session that invited us to look more closely at spaces we often move through without noticing.

The evening began with an introduction to Indrajit’s practice, grounding us in ideas of familiarity and observation. He spoke about how his journey began with a desire to document places he already knew deeply, while also becoming familiar to the places he wished to photograph. The conversation then opened up into a discussion about the challenges we face when entering the field — how to approach people, moments, and spaces with sensitivity and attention.

We then walked through the exhibition ‘Mangoes & Meanings’, where Indrajit is showcasing a series on the barter systems surrounding mangoes in the markets of Harnai. Through his photographs, everyday exchanges become stories of community, and local economies.

After the walkthrough, we headed to Mapusa Market. Although many of us have visited Mapusa countless times before, seeing it through Indrajit’s lens transformed the experience. We began noticing the market’s openness — how contrasting worlds existed side by side, and how the space welcomed people from all backgrounds equally. We paid attention to what people sold, what vendors wore, their conversations, gestures, textures, and movement.

The photowalk became less about taking photographs and more about learning how to notice, reminding us that familiar places still hold countless stories waiting to be seen.

Yesterday, we were joined by photographers for a photowalk with artist Indrajit Khambe, a session that invited us to look more closely at spaces we often move through without noticing.

The evening began with an introduction to Indrajit’s practice, grounding us in ideas of familiarity and observation. He spoke about how his journey began with a desire to document places he already knew deeply, while also becoming familiar to the places he wished to photograph. The conversation then opened up into a discussion about the challenges we face when entering the field — how to approach people, moments, and spaces with sensitivity and attention.

We then walked through the exhibition ‘Mangoes & Meanings’, where Indrajit is showcasing a series on the barter systems surrounding mangoes in the markets of Harnai. Through his photographs, everyday exchanges become stories of community, and local economies.

After the walkthrough, we headed to Mapusa Market. Although many of us have visited Mapusa countless times before, seeing it through Indrajit’s lens transformed the experience. We began noticing the market’s openness — how contrasting worlds existed side by side, and how the space welcomed people from all backgrounds equally. We paid attention to what people sold, what vendors wore, their conversations, gestures, textures, and movement.

The photowalk became less about taking photographs and more about learning how to notice, reminding us that familiar places still hold countless stories waiting to be seen.

Yesterday, we were joined by photographers for a photowalk with artist Indrajit Khambe, a session that invited us to look more closely at spaces we often move through without noticing.

The evening began with an introduction to Indrajit’s practice, grounding us in ideas of familiarity and observation. He spoke about how his journey began with a desire to document places he already knew deeply, while also becoming familiar to the places he wished to photograph. The conversation then opened up into a discussion about the challenges we face when entering the field — how to approach people, moments, and spaces with sensitivity and attention.

We then walked through the exhibition ‘Mangoes & Meanings’, where Indrajit is showcasing a series on the barter systems surrounding mangoes in the markets of Harnai. Through his photographs, everyday exchanges become stories of community, and local economies.

After the walkthrough, we headed to Mapusa Market. Although many of us have visited Mapusa countless times before, seeing it through Indrajit’s lens transformed the experience. We began noticing the market’s openness — how contrasting worlds existed side by side, and how the space welcomed people from all backgrounds equally. We paid attention to what people sold, what vendors wore, their conversations, gestures, textures, and movement.

The photowalk became less about taking photographs and more about learning how to notice, reminding us that familiar places still hold countless stories waiting to be seen.

Yesterday, we were joined by photographers for a photowalk with artist Indrajit Khambe, a session that invited us to look more closely at spaces we often move through without noticing.

The evening began with an introduction to Indrajit’s practice, grounding us in ideas of familiarity and observation. He spoke about how his journey began with a desire to document places he already knew deeply, while also becoming familiar to the places he wished to photograph. The conversation then opened up into a discussion about the challenges we face when entering the field — how to approach people, moments, and spaces with sensitivity and attention.

We then walked through the exhibition ‘Mangoes & Meanings’, where Indrajit is showcasing a series on the barter systems surrounding mangoes in the markets of Harnai. Through his photographs, everyday exchanges become stories of community, and local economies.

After the walkthrough, we headed to Mapusa Market. Although many of us have visited Mapusa countless times before, seeing it through Indrajit’s lens transformed the experience. We began noticing the market’s openness — how contrasting worlds existed side by side, and how the space welcomed people from all backgrounds equally. We paid attention to what people sold, what vendors wore, their conversations, gestures, textures, and movement.

The photowalk became less about taking photographs and more about learning how to notice, reminding us that familiar places still hold countless stories waiting to be seen.

Yesterday, we were joined by photographers for a photowalk with artist Indrajit Khambe, a session that invited us to look more closely at spaces we often move through without noticing.

The evening began with an introduction to Indrajit’s practice, grounding us in ideas of familiarity and observation. He spoke about how his journey began with a desire to document places he already knew deeply, while also becoming familiar to the places he wished to photograph. The conversation then opened up into a discussion about the challenges we face when entering the field — how to approach people, moments, and spaces with sensitivity and attention.

We then walked through the exhibition ‘Mangoes & Meanings’, where Indrajit is showcasing a series on the barter systems surrounding mangoes in the markets of Harnai. Through his photographs, everyday exchanges become stories of community, and local economies.

After the walkthrough, we headed to Mapusa Market. Although many of us have visited Mapusa countless times before, seeing it through Indrajit’s lens transformed the experience. We began noticing the market’s openness — how contrasting worlds existed side by side, and how the space welcomed people from all backgrounds equally. We paid attention to what people sold, what vendors wore, their conversations, gestures, textures, and movement.

The photowalk became less about taking photographs and more about learning how to notice, reminding us that familiar places still hold countless stories waiting to be seen.

Sanskrati Shrivastava’s ( @the.arty.sans ) work centres on the Noorjahan mango from Katthiwada in Alirajpur, known for how large it can grow. Often weighing several kilos, a single fruit can fill both hands, its size far beyond what is usually expected of a mango. In this work, this scale becomes the main focus, drawing attention to its weight, surface, and audacious presence.

Grown in a specific region with particular conditions, the mango carries a strong sense of place. Its size is not just unusual but shaped by its environment. By focusing closely on it, the artist highlights how something familiar can also feel surprising, and how a single fruit can stand out through its sheer scale.

Currently on display at ‘Mangoes & Meanings’, Museum of Goa.

For inquiries, email: exhibitions@museumofgoa.com

Open Tuesday to Sunday | 10:00 AM to 6:00 PM.

Closed on Mondays.

📍Pilerne Industrial Estate

Sanskrati Shrivastava’s ( @the.arty.sans ) work centres on the Noorjahan mango from Katthiwada in Alirajpur, known for how large it can grow. Often weighing several kilos, a single fruit can fill both hands, its size far beyond what is usually expected of a mango. In this work, this scale becomes the main focus, drawing attention to its weight, surface, and audacious presence.

Grown in a specific region with particular conditions, the mango carries a strong sense of place. Its size is not just unusual but shaped by its environment. By focusing closely on it, the artist highlights how something familiar can also feel surprising, and how a single fruit can stand out through its sheer scale.

Currently on display at ‘Mangoes & Meanings’, Museum of Goa.

For inquiries, email: exhibitions@museumofgoa.com

Open Tuesday to Sunday | 10:00 AM to 6:00 PM.

Closed on Mondays.

📍Pilerne Industrial Estate

Sanskrati Shrivastava’s ( @the.arty.sans ) work centres on the Noorjahan mango from Katthiwada in Alirajpur, known for how large it can grow. Often weighing several kilos, a single fruit can fill both hands, its size far beyond what is usually expected of a mango. In this work, this scale becomes the main focus, drawing attention to its weight, surface, and audacious presence.

Grown in a specific region with particular conditions, the mango carries a strong sense of place. Its size is not just unusual but shaped by its environment. By focusing closely on it, the artist highlights how something familiar can also feel surprising, and how a single fruit can stand out through its sheer scale.

Currently on display at ‘Mangoes & Meanings’, Museum of Goa.

For inquiries, email: exhibitions@museumofgoa.com

Open Tuesday to Sunday | 10:00 AM to 6:00 PM.

Closed on Mondays.

📍Pilerne Industrial Estate

Sanskrati Shrivastava’s ( @the.arty.sans ) work centres on the Noorjahan mango from Katthiwada in Alirajpur, known for how large it can grow. Often weighing several kilos, a single fruit can fill both hands, its size far beyond what is usually expected of a mango. In this work, this scale becomes the main focus, drawing attention to its weight, surface, and audacious presence.

Grown in a specific region with particular conditions, the mango carries a strong sense of place. Its size is not just unusual but shaped by its environment. By focusing closely on it, the artist highlights how something familiar can also feel surprising, and how a single fruit can stand out through its sheer scale.

Currently on display at ‘Mangoes & Meanings’, Museum of Goa.

For inquiries, email: exhibitions@museumofgoa.com

Open Tuesday to Sunday | 10:00 AM to 6:00 PM.

Closed on Mondays.

📍Pilerne Industrial Estate

Sanskrati Shrivastava’s ( @the.arty.sans ) work centres on the Noorjahan mango from Katthiwada in Alirajpur, known for how large it can grow. Often weighing several kilos, a single fruit can fill both hands, its size far beyond what is usually expected of a mango. In this work, this scale becomes the main focus, drawing attention to its weight, surface, and audacious presence.

Grown in a specific region with particular conditions, the mango carries a strong sense of place. Its size is not just unusual but shaped by its environment. By focusing closely on it, the artist highlights how something familiar can also feel surprising, and how a single fruit can stand out through its sheer scale.

Currently on display at ‘Mangoes & Meanings’, Museum of Goa.

For inquiries, email: exhibitions@museumofgoa.com

Open Tuesday to Sunday | 10:00 AM to 6:00 PM.

Closed on Mondays.

📍Pilerne Industrial Estate

Sanskrati Shrivastava’s ( @the.arty.sans ) work centres on the Noorjahan mango from Katthiwada in Alirajpur, known for how large it can grow. Often weighing several kilos, a single fruit can fill both hands, its size far beyond what is usually expected of a mango. In this work, this scale becomes the main focus, drawing attention to its weight, surface, and audacious presence.

Grown in a specific region with particular conditions, the mango carries a strong sense of place. Its size is not just unusual but shaped by its environment. By focusing closely on it, the artist highlights how something familiar can also feel surprising, and how a single fruit can stand out through its sheer scale.

Currently on display at ‘Mangoes & Meanings’, Museum of Goa.

For inquiries, email: exhibitions@museumofgoa.com

Open Tuesday to Sunday | 10:00 AM to 6:00 PM.

Closed on Mondays.

📍Pilerne Industrial Estate

Sharada Kerkar, Director of the Museum of Goa and curator of ‘Mangoes & Meanings’, is here to reflect on the ideas, inspirations, and fascinations that shaped the exhibition. She speaks about why the mango became the centre of this exhibition. Through this conversation, she invites us to look at the mango as a symbol layered with culture, memory, ecology, and many meanings.

As the exhibition developed, the team discovered how the mango becomes omnipresent every summer, taking up space in everyday life, history, and imagination. From childhood memories and family rituals to mythology, trade routes, literature, and ecological conversations, the mango revealed itself in unexpected ways. Sharada also speaks about the participatory nature of ‘Mangoes & Meanings’ and how the exhibition continues to grow through the people who engage with it. Visitors bring their own memories, associations, and personal stories connected to mangoes, adding new layers to the exhibition every day.

Watch the conversation to explore the journey behind ‘Mangoes & Meanings’, and discover how one fruit can open up conversations around identity, nostalgia, ecology, history, and belonging.

If mangoes mean more to you than just a fruit, come spend some time with us at 'Mangoes & Meanings' at the Museum of Goa!

Tue - Sun | 10 AM - 6 PM

📍Museum of Goa, Pilerne Industrial Estate

In this work, artist Akhlaq Ahmed ( @shabbu_artist ) reflects on how across India, the mango appears in many forms. It comes in different colours, shapes, and tastes, and grows in many regions. It also travels widely, moving from farms to markets and homes across the country, often transported by trucks carrying the familiar phrase “All India Permit” painted across their backs.

In this work, the artist reimagines that phrase in a street graffiti style, drawing from the visual language of Indian transport vehicles. Written in different Indian languages, the text points to how the mango moves freely across states, regions, and cultures, becoming omnipresent across the country. The work reflects its easy movement and how it is so familiar to people in many parts of India.

Currently on display at ‘Mangoes & Meanings’, Museum of Goa.

For inquiries, email: exhibitions@museumofgoa.com

Open Tuesday to Sunday | 10:00 AM to 6:00 PM.

Closed on Mondays.

📍Pilerne Industrial Estate

In this work, artist Akhlaq Ahmed ( @shabbu_artist ) reflects on how across India, the mango appears in many forms. It comes in different colours, shapes, and tastes, and grows in many regions. It also travels widely, moving from farms to markets and homes across the country, often transported by trucks carrying the familiar phrase “All India Permit” painted across their backs.

In this work, the artist reimagines that phrase in a street graffiti style, drawing from the visual language of Indian transport vehicles. Written in different Indian languages, the text points to how the mango moves freely across states, regions, and cultures, becoming omnipresent across the country. The work reflects its easy movement and how it is so familiar to people in many parts of India.

Currently on display at ‘Mangoes & Meanings’, Museum of Goa.

For inquiries, email: exhibitions@museumofgoa.com

Open Tuesday to Sunday | 10:00 AM to 6:00 PM.

Closed on Mondays.

📍Pilerne Industrial Estate

In this work, artist Akhlaq Ahmed ( @shabbu_artist ) reflects on how across India, the mango appears in many forms. It comes in different colours, shapes, and tastes, and grows in many regions. It also travels widely, moving from farms to markets and homes across the country, often transported by trucks carrying the familiar phrase “All India Permit” painted across their backs.

In this work, the artist reimagines that phrase in a street graffiti style, drawing from the visual language of Indian transport vehicles. Written in different Indian languages, the text points to how the mango moves freely across states, regions, and cultures, becoming omnipresent across the country. The work reflects its easy movement and how it is so familiar to people in many parts of India.

Currently on display at ‘Mangoes & Meanings’, Museum of Goa.

For inquiries, email: exhibitions@museumofgoa.com

Open Tuesday to Sunday | 10:00 AM to 6:00 PM.

Closed on Mondays.

📍Pilerne Industrial Estate

In this work, artist Akhlaq Ahmed ( @shabbu_artist ) reflects on how across India, the mango appears in many forms. It comes in different colours, shapes, and tastes, and grows in many regions. It also travels widely, moving from farms to markets and homes across the country, often transported by trucks carrying the familiar phrase “All India Permit” painted across their backs.

In this work, the artist reimagines that phrase in a street graffiti style, drawing from the visual language of Indian transport vehicles. Written in different Indian languages, the text points to how the mango moves freely across states, regions, and cultures, becoming omnipresent across the country. The work reflects its easy movement and how it is so familiar to people in many parts of India.

Currently on display at ‘Mangoes & Meanings’, Museum of Goa.

For inquiries, email: exhibitions@museumofgoa.com

Open Tuesday to Sunday | 10:00 AM to 6:00 PM.

Closed on Mondays.

📍Pilerne Industrial Estate

In this work, artist Akhlaq Ahmed ( @shabbu_artist ) reflects on how across India, the mango appears in many forms. It comes in different colours, shapes, and tastes, and grows in many regions. It also travels widely, moving from farms to markets and homes across the country, often transported by trucks carrying the familiar phrase “All India Permit” painted across their backs.

In this work, the artist reimagines that phrase in a street graffiti style, drawing from the visual language of Indian transport vehicles. Written in different Indian languages, the text points to how the mango moves freely across states, regions, and cultures, becoming omnipresent across the country. The work reflects its easy movement and how it is so familiar to people in many parts of India.

Currently on display at ‘Mangoes & Meanings’, Museum of Goa.

For inquiries, email: exhibitions@museumofgoa.com

Open Tuesday to Sunday | 10:00 AM to 6:00 PM.

Closed on Mondays.

📍Pilerne Industrial Estate

In this work, artist Akhlaq Ahmed ( @shabbu_artist ) reflects on how across India, the mango appears in many forms. It comes in different colours, shapes, and tastes, and grows in many regions. It also travels widely, moving from farms to markets and homes across the country, often transported by trucks carrying the familiar phrase “All India Permit” painted across their backs.

In this work, the artist reimagines that phrase in a street graffiti style, drawing from the visual language of Indian transport vehicles. Written in different Indian languages, the text points to how the mango moves freely across states, regions, and cultures, becoming omnipresent across the country. The work reflects its easy movement and how it is so familiar to people in many parts of India.

Currently on display at ‘Mangoes & Meanings’, Museum of Goa.

For inquiries, email: exhibitions@museumofgoa.com

Open Tuesday to Sunday | 10:00 AM to 6:00 PM.

Closed on Mondays.

📍Pilerne Industrial Estate

Today’s talk by Parul Abrol offered an urgent look into the lives of Pakistani Hindu migrant communities living along the India–Pakistan border in Rajasthan. Drawing from over two decades of on-ground journalistic work in regions such as Jodhpur and Barmer, Parul took us through stories of migration, survival, and resilience that are too often left out of mainstream conversations.

Through her experiences working closely with these communities, she highlighted the realities of policy-based neglect, identity-based discrimination, and caste-based violence that continue to shape everyday life. Her talk revealed what it means to exist at the centre of the conflict, while simultaneously remaining peripheral to the political and social realities that define the border itself.

Moving beyond headlines and simplified narratives, the session foregrounded the human experiences at the heart of migration and displacement. Parul also reflected on how, as a society, we often only respond to “perfect tragedies” — stories that are easy to simplify, consume, and empathise with. When faced with layered realities shaped by migration, caste, borders, identity, and bureaucracy, we tend to get caught in semantics, debate, and political framing, without ever moving towards meaningful action. Her talk challenged us to sit with discomfort, complexity, and the responsibility of truly listening.

Join us at MOG Sundays as we continue to engage with the crucial conversations shaping our times.

Today’s talk by Parul Abrol offered an urgent look into the lives of Pakistani Hindu migrant communities living along the India–Pakistan border in Rajasthan. Drawing from over two decades of on-ground journalistic work in regions such as Jodhpur and Barmer, Parul took us through stories of migration, survival, and resilience that are too often left out of mainstream conversations.

Through her experiences working closely with these communities, she highlighted the realities of policy-based neglect, identity-based discrimination, and caste-based violence that continue to shape everyday life. Her talk revealed what it means to exist at the centre of the conflict, while simultaneously remaining peripheral to the political and social realities that define the border itself.

Moving beyond headlines and simplified narratives, the session foregrounded the human experiences at the heart of migration and displacement. Parul also reflected on how, as a society, we often only respond to “perfect tragedies” — stories that are easy to simplify, consume, and empathise with. When faced with layered realities shaped by migration, caste, borders, identity, and bureaucracy, we tend to get caught in semantics, debate, and political framing, without ever moving towards meaningful action. Her talk challenged us to sit with discomfort, complexity, and the responsibility of truly listening.

Join us at MOG Sundays as we continue to engage with the crucial conversations shaping our times.

Today’s talk by Parul Abrol offered an urgent look into the lives of Pakistani Hindu migrant communities living along the India–Pakistan border in Rajasthan. Drawing from over two decades of on-ground journalistic work in regions such as Jodhpur and Barmer, Parul took us through stories of migration, survival, and resilience that are too often left out of mainstream conversations.

Through her experiences working closely with these communities, she highlighted the realities of policy-based neglect, identity-based discrimination, and caste-based violence that continue to shape everyday life. Her talk revealed what it means to exist at the centre of the conflict, while simultaneously remaining peripheral to the political and social realities that define the border itself.

Moving beyond headlines and simplified narratives, the session foregrounded the human experiences at the heart of migration and displacement. Parul also reflected on how, as a society, we often only respond to “perfect tragedies” — stories that are easy to simplify, consume, and empathise with. When faced with layered realities shaped by migration, caste, borders, identity, and bureaucracy, we tend to get caught in semantics, debate, and political framing, without ever moving towards meaningful action. Her talk challenged us to sit with discomfort, complexity, and the responsibility of truly listening.

Join us at MOG Sundays as we continue to engage with the crucial conversations shaping our times.

Today’s talk by Parul Abrol offered an urgent look into the lives of Pakistani Hindu migrant communities living along the India–Pakistan border in Rajasthan. Drawing from over two decades of on-ground journalistic work in regions such as Jodhpur and Barmer, Parul took us through stories of migration, survival, and resilience that are too often left out of mainstream conversations.

Through her experiences working closely with these communities, she highlighted the realities of policy-based neglect, identity-based discrimination, and caste-based violence that continue to shape everyday life. Her talk revealed what it means to exist at the centre of the conflict, while simultaneously remaining peripheral to the political and social realities that define the border itself.

Moving beyond headlines and simplified narratives, the session foregrounded the human experiences at the heart of migration and displacement. Parul also reflected on how, as a society, we often only respond to “perfect tragedies” — stories that are easy to simplify, consume, and empathise with. When faced with layered realities shaped by migration, caste, borders, identity, and bureaucracy, we tend to get caught in semantics, debate, and political framing, without ever moving towards meaningful action. Her talk challenged us to sit with discomfort, complexity, and the responsibility of truly listening.

Join us at MOG Sundays as we continue to engage with the crucial conversations shaping our times.

What does your favourite mango say about you? 🥭

From the boldness of a Mankurad to the warmth of a Kesar, every mango carries its own personality. Much like people who love it, no two varieties are quite the same, each one has its own charm. Whether you are sweet and dependable, dramatic and unforgettable, or confident with excellent taste, there is probably a mango that feels a little too accurate.

Swipe through to find yours, and tell us which mango describes you best in the comments.

And if mangoes mean more to you than just a fruit, come spend some time with us at 'Mangoes & Meanings' at the Museum of Goa, an exhibition full of stories, memories, obsessions, and unexpected ways of looking at India’s favourite fruit.

Tue - Sun | 10 AM - 6 PM

📍Museum of Goa, Pilerne Industrial Estate

What does your favourite mango say about you? 🥭

From the boldness of a Mankurad to the warmth of a Kesar, every mango carries its own personality. Much like people who love it, no two varieties are quite the same, each one has its own charm. Whether you are sweet and dependable, dramatic and unforgettable, or confident with excellent taste, there is probably a mango that feels a little too accurate.

Swipe through to find yours, and tell us which mango describes you best in the comments.

And if mangoes mean more to you than just a fruit, come spend some time with us at 'Mangoes & Meanings' at the Museum of Goa, an exhibition full of stories, memories, obsessions, and unexpected ways of looking at India’s favourite fruit.

Tue - Sun | 10 AM - 6 PM

📍Museum of Goa, Pilerne Industrial Estate

What does your favourite mango say about you? 🥭

From the boldness of a Mankurad to the warmth of a Kesar, every mango carries its own personality. Much like people who love it, no two varieties are quite the same, each one has its own charm. Whether you are sweet and dependable, dramatic and unforgettable, or confident with excellent taste, there is probably a mango that feels a little too accurate.

Swipe through to find yours, and tell us which mango describes you best in the comments.

And if mangoes mean more to you than just a fruit, come spend some time with us at 'Mangoes & Meanings' at the Museum of Goa, an exhibition full of stories, memories, obsessions, and unexpected ways of looking at India’s favourite fruit.

Tue - Sun | 10 AM - 6 PM

📍Museum of Goa, Pilerne Industrial Estate

What does your favourite mango say about you? 🥭

From the boldness of a Mankurad to the warmth of a Kesar, every mango carries its own personality. Much like people who love it, no two varieties are quite the same, each one has its own charm. Whether you are sweet and dependable, dramatic and unforgettable, or confident with excellent taste, there is probably a mango that feels a little too accurate.

Swipe through to find yours, and tell us which mango describes you best in the comments.

And if mangoes mean more to you than just a fruit, come spend some time with us at 'Mangoes & Meanings' at the Museum of Goa, an exhibition full of stories, memories, obsessions, and unexpected ways of looking at India’s favourite fruit.

Tue - Sun | 10 AM - 6 PM

📍Museum of Goa, Pilerne Industrial Estate

What does your favourite mango say about you? 🥭

From the boldness of a Mankurad to the warmth of a Kesar, every mango carries its own personality. Much like people who love it, no two varieties are quite the same, each one has its own charm. Whether you are sweet and dependable, dramatic and unforgettable, or confident with excellent taste, there is probably a mango that feels a little too accurate.

Swipe through to find yours, and tell us which mango describes you best in the comments.

And if mangoes mean more to you than just a fruit, come spend some time with us at 'Mangoes & Meanings' at the Museum of Goa, an exhibition full of stories, memories, obsessions, and unexpected ways of looking at India’s favourite fruit.

Tue - Sun | 10 AM - 6 PM

📍Museum of Goa, Pilerne Industrial Estate

What does your favourite mango say about you? 🥭

From the boldness of a Mankurad to the warmth of a Kesar, every mango carries its own personality. Much like people who love it, no two varieties are quite the same, each one has its own charm. Whether you are sweet and dependable, dramatic and unforgettable, or confident with excellent taste, there is probably a mango that feels a little too accurate.

Swipe through to find yours, and tell us which mango describes you best in the comments.

And if mangoes mean more to you than just a fruit, come spend some time with us at 'Mangoes & Meanings' at the Museum of Goa, an exhibition full of stories, memories, obsessions, and unexpected ways of looking at India’s favourite fruit.

Tue - Sun | 10 AM - 6 PM

📍Museum of Goa, Pilerne Industrial Estate

What does your favourite mango say about you? 🥭

From the boldness of a Mankurad to the warmth of a Kesar, every mango carries its own personality. Much like people who love it, no two varieties are quite the same, each one has its own charm. Whether you are sweet and dependable, dramatic and unforgettable, or confident with excellent taste, there is probably a mango that feels a little too accurate.

Swipe through to find yours, and tell us which mango describes you best in the comments.

And if mangoes mean more to you than just a fruit, come spend some time with us at 'Mangoes & Meanings' at the Museum of Goa, an exhibition full of stories, memories, obsessions, and unexpected ways of looking at India’s favourite fruit.

Tue - Sun | 10 AM - 6 PM

📍Museum of Goa, Pilerne Industrial Estate

What does your favourite mango say about you? 🥭

From the boldness of a Mankurad to the warmth of a Kesar, every mango carries its own personality. Much like people who love it, no two varieties are quite the same, each one has its own charm. Whether you are sweet and dependable, dramatic and unforgettable, or confident with excellent taste, there is probably a mango that feels a little too accurate.

Swipe through to find yours, and tell us which mango describes you best in the comments.

And if mangoes mean more to you than just a fruit, come spend some time with us at 'Mangoes & Meanings' at the Museum of Goa, an exhibition full of stories, memories, obsessions, and unexpected ways of looking at India’s favourite fruit.

Tue - Sun | 10 AM - 6 PM

📍Museum of Goa, Pilerne Industrial Estate

What does your favourite mango say about you? 🥭

From the boldness of a Mankurad to the warmth of a Kesar, every mango carries its own personality. Much like people who love it, no two varieties are quite the same, each one has its own charm. Whether you are sweet and dependable, dramatic and unforgettable, or confident with excellent taste, there is probably a mango that feels a little too accurate.

Swipe through to find yours, and tell us which mango describes you best in the comments.

And if mangoes mean more to you than just a fruit, come spend some time with us at 'Mangoes & Meanings' at the Museum of Goa, an exhibition full of stories, memories, obsessions, and unexpected ways of looking at India’s favourite fruit.

Tue - Sun | 10 AM - 6 PM

📍Museum of Goa, Pilerne Industrial Estate

What does your favourite mango say about you? 🥭

From the boldness of a Mankurad to the warmth of a Kesar, every mango carries its own personality. Much like people who love it, no two varieties are quite the same, each one has its own charm. Whether you are sweet and dependable, dramatic and unforgettable, or confident with excellent taste, there is probably a mango that feels a little too accurate.

Swipe through to find yours, and tell us which mango describes you best in the comments.

And if mangoes mean more to you than just a fruit, come spend some time with us at 'Mangoes & Meanings' at the Museum of Goa, an exhibition full of stories, memories, obsessions, and unexpected ways of looking at India’s favourite fruit.

Tue - Sun | 10 AM - 6 PM

📍Museum of Goa, Pilerne Industrial Estate

What does your favourite mango say about you? 🥭

From the boldness of a Mankurad to the warmth of a Kesar, every mango carries its own personality. Much like people who love it, no two varieties are quite the same, each one has its own charm. Whether you are sweet and dependable, dramatic and unforgettable, or confident with excellent taste, there is probably a mango that feels a little too accurate.

Swipe through to find yours, and tell us which mango describes you best in the comments.

And if mangoes mean more to you than just a fruit, come spend some time with us at 'Mangoes & Meanings' at the Museum of Goa, an exhibition full of stories, memories, obsessions, and unexpected ways of looking at India’s favourite fruit.

Tue - Sun | 10 AM - 6 PM

📍Museum of Goa, Pilerne Industrial Estate

What does your favourite mango say about you? 🥭

From the boldness of a Mankurad to the warmth of a Kesar, every mango carries its own personality. Much like people who love it, no two varieties are quite the same, each one has its own charm. Whether you are sweet and dependable, dramatic and unforgettable, or confident with excellent taste, there is probably a mango that feels a little too accurate.

Swipe through to find yours, and tell us which mango describes you best in the comments.

And if mangoes mean more to you than just a fruit, come spend some time with us at 'Mangoes & Meanings' at the Museum of Goa, an exhibition full of stories, memories, obsessions, and unexpected ways of looking at India’s favourite fruit.

Tue - Sun | 10 AM - 6 PM

📍Museum of Goa, Pilerne Industrial Estate

Through Nishtha Manchanda’s ( @nishtha.manchanda ) artwork, the mango is transformed into a luxury object rather than something to be eaten. This gesture is deliberate. Set against recent moments in Goa, where varieties like Mankurad have reached striking prices, the work draws attention to how value can shift. What is usually shared, seasonal, and abundant begins to move through ideas of rarity, display, and status.

The mango here is still recognisable, but it is no longer accessible. It cannot be touched, cut, or consumed. In becoming permanent, it also becomes distant. The work asks what is lost when something so ordinary is turned into something to be admired rather than experienced, and who it is finally for.

Currently on display at ‘Mangoes & Meanings’, Museum of Goa.

For inquiries, email: exhibitions@museumofgoa.com

Open Tuesday to Sunday | 10:00 AM to 6:00 PM.

Closed on Mondays.

📍Pilerne Industrial Estate

Through Nishtha Manchanda’s ( @nishtha.manchanda ) artwork, the mango is transformed into a luxury object rather than something to be eaten. This gesture is deliberate. Set against recent moments in Goa, where varieties like Mankurad have reached striking prices, the work draws attention to how value can shift. What is usually shared, seasonal, and abundant begins to move through ideas of rarity, display, and status.

The mango here is still recognisable, but it is no longer accessible. It cannot be touched, cut, or consumed. In becoming permanent, it also becomes distant. The work asks what is lost when something so ordinary is turned into something to be admired rather than experienced, and who it is finally for.

Currently on display at ‘Mangoes & Meanings’, Museum of Goa.

For inquiries, email: exhibitions@museumofgoa.com

Open Tuesday to Sunday | 10:00 AM to 6:00 PM.

Closed on Mondays.

📍Pilerne Industrial Estate

Through Nishtha Manchanda’s ( @nishtha.manchanda ) artwork, the mango is transformed into a luxury object rather than something to be eaten. This gesture is deliberate. Set against recent moments in Goa, where varieties like Mankurad have reached striking prices, the work draws attention to how value can shift. What is usually shared, seasonal, and abundant begins to move through ideas of rarity, display, and status.

The mango here is still recognisable, but it is no longer accessible. It cannot be touched, cut, or consumed. In becoming permanent, it also becomes distant. The work asks what is lost when something so ordinary is turned into something to be admired rather than experienced, and who it is finally for.

Currently on display at ‘Mangoes & Meanings’, Museum of Goa.

For inquiries, email: exhibitions@museumofgoa.com

Open Tuesday to Sunday | 10:00 AM to 6:00 PM.

Closed on Mondays.

📍Pilerne Industrial Estate

Through Nishtha Manchanda’s ( @nishtha.manchanda ) artwork, the mango is transformed into a luxury object rather than something to be eaten. This gesture is deliberate. Set against recent moments in Goa, where varieties like Mankurad have reached striking prices, the work draws attention to how value can shift. What is usually shared, seasonal, and abundant begins to move through ideas of rarity, display, and status.

The mango here is still recognisable, but it is no longer accessible. It cannot be touched, cut, or consumed. In becoming permanent, it also becomes distant. The work asks what is lost when something so ordinary is turned into something to be admired rather than experienced, and who it is finally for.

Currently on display at ‘Mangoes & Meanings’, Museum of Goa.

For inquiries, email: exhibitions@museumofgoa.com

Open Tuesday to Sunday | 10:00 AM to 6:00 PM.

Closed on Mondays.

📍Pilerne Industrial Estate