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Design for Blut und Bodenständig, a reader about the landscape architect and anthroposophist Alwin Seifert and his connection to National Socialist ideology. The publication examines Seifert’s anthroposophic philosophy and gardening practices while also highlighting his role in planning part of the German Autobahn during the NS era. Additionally, it traces the historical and ongoing connections between right-wing politics and environmentalism.

Text and Research by
@messyhistory@beo0ooo

Amazing Images by @contanchi

Traffic sign book display bended with friendly support of@ertlundzull
The publication is part of the group show ein haus ohne mauern bauen at @amerikahaus Munich. If you’re in Munich, visit the exhibition and pick up a free copy! 🐩 🐩 🐩

Design for Blut und Bodenständig, a reader about the landscape architect and anthroposophist Alwin Seifert and his connection to National Socialist ideology. The publication examines Seifert’s anthroposophic philosophy and gardening practices while also highlighting his role in planning part of the German Autobahn during the NS era. Additionally, it traces the historical and ongoing connections between right-wing politics and environmentalism.

Text and Research by
@messyhistory@beo0ooo

Amazing Images by @contanchi

Traffic sign book display bended with friendly support of@ertlundzull
The publication is part of the group show ein haus ohne mauern bauen at @amerikahaus Munich. If you’re in Munich, visit the exhibition and pick up a free copy! 🐩 🐩 🐩

Design for Blut und Bodenständig, a reader about the landscape architect and anthroposophist Alwin Seifert and his connection to National Socialist ideology. The publication examines Seifert’s anthroposophic philosophy and gardening practices while also highlighting his role in planning part of the German Autobahn during the NS era. Additionally, it traces the historical and ongoing connections between right-wing politics and environmentalism.

Text and Research by
@messyhistory@beo0ooo

Amazing Images by @contanchi

Traffic sign book display bended with friendly support of@ertlundzull
The publication is part of the group show ein haus ohne mauern bauen at @amerikahaus Munich. If you’re in Munich, visit the exhibition and pick up a free copy! 🐩 🐩 🐩

Design for Blut und Bodenständig, a reader about the landscape architect and anthroposophist Alwin Seifert and his connection to National Socialist ideology. The publication examines Seifert’s anthroposophic philosophy and gardening practices while also highlighting his role in planning part of the German Autobahn during the NS era. Additionally, it traces the historical and ongoing connections between right-wing politics and environmentalism.

Text and Research by
@messyhistory@beo0ooo

Amazing Images by @contanchi

Traffic sign book display bended with friendly support of@ertlundzull
The publication is part of the group show ein haus ohne mauern bauen at @amerikahaus Munich. If you’re in Munich, visit the exhibition and pick up a free copy! 🐩 🐩 🐩

Design for Blut und Bodenständig, a reader about the landscape architect and anthroposophist Alwin Seifert and his connection to National Socialist ideology. The publication examines Seifert’s anthroposophic philosophy and gardening practices while also highlighting his role in planning part of the German Autobahn during the NS era. Additionally, it traces the historical and ongoing connections between right-wing politics and environmentalism.

Text and Research by
@messyhistory@beo0ooo

Amazing Images by @contanchi

Traffic sign book display bended with friendly support of@ertlundzull
The publication is part of the group show ein haus ohne mauern bauen at @amerikahaus Munich. If you’re in Munich, visit the exhibition and pick up a free copy! 🐩 🐩 🐩

Design for Blut und Bodenständig, a reader about the landscape architect and anthroposophist Alwin Seifert and his connection to National Socialist ideology. The publication examines Seifert’s anthroposophic philosophy and gardening practices while also highlighting his role in planning part of the German Autobahn during the NS era. Additionally, it traces the historical and ongoing connections between right-wing politics and environmentalism.

Text and Research by
@messyhistory@beo0ooo

Amazing Images by @contanchi

Traffic sign book display bended with friendly support of@ertlundzull
The publication is part of the group show ein haus ohne mauern bauen at @amerikahaus Munich. If you’re in Munich, visit the exhibition and pick up a free copy! 🐩 🐩 🐩

Design for Blut und Bodenständig, a reader about the landscape architect and anthroposophist Alwin Seifert and his connection to National Socialist ideology. The publication examines Seifert’s anthroposophic philosophy and gardening practices while also highlighting his role in planning part of the German Autobahn during the NS era. Additionally, it traces the historical and ongoing connections between right-wing politics and environmentalism.

Text and Research by
@messyhistory@beo0ooo

Amazing Images by @contanchi

Traffic sign book display bended with friendly support of@ertlundzull
The publication is part of the group show ein haus ohne mauern bauen at @amerikahaus Munich. If you’re in Munich, visit the exhibition and pick up a free copy! 🐩 🐩 🐩

Design for Blut und Bodenständig, a reader about the landscape architect and anthroposophist Alwin Seifert and his connection to National Socialist ideology. The publication examines Seifert’s anthroposophic philosophy and gardening practices while also highlighting his role in planning part of the German Autobahn during the NS era. Additionally, it traces the historical and ongoing connections between right-wing politics and environmentalism.

Text and Research by
@messyhistory@beo0ooo

Amazing Images by @contanchi

Traffic sign book display bended with friendly support of@ertlundzull
The publication is part of the group show ein haus ohne mauern bauen at @amerikahaus Munich. If you’re in Munich, visit the exhibition and pick up a free copy! 🐩 🐩 🐩

Design for Blut und Bodenständig, a reader about the landscape architect and anthroposophist Alwin Seifert and his connection to National Socialist ideology. The publication examines Seifert’s anthroposophic philosophy and gardening practices while also highlighting his role in planning part of the German Autobahn during the NS era. Additionally, it traces the historical and ongoing connections between right-wing politics and environmentalism.

Text and Research by
@messyhistory@beo0ooo

Amazing Images by @contanchi

Traffic sign book display bended with friendly support of@ertlundzull
The publication is part of the group show ein haus ohne mauern bauen at @amerikahaus Munich. If you’re in Munich, visit the exhibition and pick up a free copy! 🐩 🐩 🐩

Design for Blut und Bodenständig, a reader about the landscape architect and anthroposophist Alwin Seifert and his connection to National Socialist ideology. The publication examines Seifert’s anthroposophic philosophy and gardening practices while also highlighting his role in planning part of the German Autobahn during the NS era. Additionally, it traces the historical and ongoing connections between right-wing politics and environmentalism.

Text and Research by
@messyhistory@beo0ooo

Amazing Images by @contanchi

Traffic sign book display bended with friendly support of@ertlundzull
The publication is part of the group show ein haus ohne mauern bauen at @amerikahaus Munich. If you’re in Munich, visit the exhibition and pick up a free copy! 🐩 🐩 🐩

Design for Blut und Bodenständig, a reader about the landscape architect and anthroposophist Alwin Seifert and his connection to National Socialist ideology. The publication examines Seifert’s anthroposophic philosophy and gardening practices while also highlighting his role in planning part of the German Autobahn during the NS era. Additionally, it traces the historical and ongoing connections between right-wing politics and environmentalism.

Text and Research by
@messyhistory@beo0ooo

Amazing Images by @contanchi

Traffic sign book display bended with friendly support of@ertlundzull
The publication is part of the group show ein haus ohne mauern bauen at @amerikahaus Munich. If you’re in Munich, visit the exhibition and pick up a free copy! 🐩 🐩 🐩

Our second release with the launch of our new website! ♈️♉️♊️

#G2Erika has grown in weights and is now available in 5 weights from Light to Thin to Regular to Medium to Bold both in proportional and mono-spaced versions. ♋️♌️♍️

#G2Erika is a soft utilitarian typeface with subtle characteristics. Developing both the Regular and Mono in parallel, they naturally began to influence each other—the monospace retaining its technical precision while adopting a more organic rhythm, and the proportional version inheriting a touch of the monospace’s structured logic. Together, they form a distinctive pair that balances mechanical clarity with humanist nuance. ♎️♏️♐️

Erika loves astronomy, Australian fine dining restaurants, amateur publications and alpine walks. ♑️♒️♓️

Our second release with the launch of our new website! ♈️♉️♊️

#G2Erika has grown in weights and is now available in 5 weights from Light to Thin to Regular to Medium to Bold both in proportional and mono-spaced versions. ♋️♌️♍️

#G2Erika is a soft utilitarian typeface with subtle characteristics. Developing both the Regular and Mono in parallel, they naturally began to influence each other—the monospace retaining its technical precision while adopting a more organic rhythm, and the proportional version inheriting a touch of the monospace’s structured logic. Together, they form a distinctive pair that balances mechanical clarity with humanist nuance. ♎️♏️♐️

Erika loves astronomy, Australian fine dining restaurants, amateur publications and alpine walks. ♑️♒️♓️

Our second release with the launch of our new website! ♈️♉️♊️

#G2Erika has grown in weights and is now available in 5 weights from Light to Thin to Regular to Medium to Bold both in proportional and mono-spaced versions. ♋️♌️♍️

#G2Erika is a soft utilitarian typeface with subtle characteristics. Developing both the Regular and Mono in parallel, they naturally began to influence each other—the monospace retaining its technical precision while adopting a more organic rhythm, and the proportional version inheriting a touch of the monospace’s structured logic. Together, they form a distinctive pair that balances mechanical clarity with humanist nuance. ♎️♏️♐️

Erika loves astronomy, Australian fine dining restaurants, amateur publications and alpine walks. ♑️♒️♓️

‼️G2NEWS‼️
Official Gruppo Due Announcement: 1️⃣New Website 🌐, 2️⃣New Fonts 🔤, ℹ️New Pricing 💰 — and finally, a new home for our beloved speaking stone 🪨🏡. It’s been a minute, and there’s more than IG slides can capture. Visit www.gruppo-due.com (link in bio) and see for yourself.

More updates and posts coming your way in the next few days. Stay tuned!

HUGE thanks to our team member @jonas.gruenwald — the truest stone whisperer. 🗣🪨

‼️G2NEWS‼️
Official Gruppo Due Announcement: 1️⃣New Website 🌐, 2️⃣New Fonts 🔤, ℹ️New Pricing 💰 — and finally, a new home for our beloved speaking stone 🪨🏡. It’s been a minute, and there’s more than IG slides can capture. Visit www.gruppo-due.com (link in bio) and see for yourself.

More updates and posts coming your way in the next few days. Stay tuned!

HUGE thanks to our team member @jonas.gruenwald — the truest stone whisperer. 🗣🪨

New business cup and new website 🍀 Open for new projects and collaborations!

The tour we guided in and around the Vilnius Railway Station on 26 October has been encapsulated in a short reader, inviting you to enter to exit and get lost in transportation. To travel through rendered stories of the Vilnius Railway Station to be, to consider a windowless elevator, politics of speed and think a bit about noise, digestion and finally why the little figures count.

If you wish to travel, dm us for a reader!
The reader is self-published, 28 pages long, stapled golden, in the size of a postcard.

The tour took place in the context of the Baltic Lines exhibition I hope this email finds you well. 💌

This work was supported by Culture Moves Europe.

The tour we guided in and around the Vilnius Railway Station on 26 October has been encapsulated in a short reader, inviting you to enter to exit and get lost in transportation. To travel through rendered stories of the Vilnius Railway Station to be, to consider a windowless elevator, politics of speed and think a bit about noise, digestion and finally why the little figures count.

If you wish to travel, dm us for a reader!
The reader is self-published, 28 pages long, stapled golden, in the size of a postcard.

The tour took place in the context of the Baltic Lines exhibition I hope this email finds you well. 💌

This work was supported by Culture Moves Europe.

The tour we guided in and around the Vilnius Railway Station on 26 October has been encapsulated in a short reader, inviting you to enter to exit and get lost in transportation. To travel through rendered stories of the Vilnius Railway Station to be, to consider a windowless elevator, politics of speed and think a bit about noise, digestion and finally why the little figures count.

If you wish to travel, dm us for a reader!
The reader is self-published, 28 pages long, stapled golden, in the size of a postcard.

The tour took place in the context of the Baltic Lines exhibition I hope this email finds you well. 💌

This work was supported by Culture Moves Europe.

The tour we guided in and around the Vilnius Railway Station on 26 October has been encapsulated in a short reader, inviting you to enter to exit and get lost in transportation. To travel through rendered stories of the Vilnius Railway Station to be, to consider a windowless elevator, politics of speed and think a bit about noise, digestion and finally why the little figures count.

If you wish to travel, dm us for a reader!
The reader is self-published, 28 pages long, stapled golden, in the size of a postcard.

The tour took place in the context of the Baltic Lines exhibition I hope this email finds you well. 💌

This work was supported by Culture Moves Europe.

The tour we guided in and around the Vilnius Railway Station on 26 October has been encapsulated in a short reader, inviting you to enter to exit and get lost in transportation. To travel through rendered stories of the Vilnius Railway Station to be, to consider a windowless elevator, politics of speed and think a bit about noise, digestion and finally why the little figures count.

If you wish to travel, dm us for a reader!
The reader is self-published, 28 pages long, stapled golden, in the size of a postcard.

The tour took place in the context of the Baltic Lines exhibition I hope this email finds you well. 💌

This work was supported by Culture Moves Europe.

The tour we guided in and around the Vilnius Railway Station on 26 October has been encapsulated in a short reader, inviting you to enter to exit and get lost in transportation. To travel through rendered stories of the Vilnius Railway Station to be, to consider a windowless elevator, politics of speed and think a bit about noise, digestion and finally why the little figures count.

If you wish to travel, dm us for a reader!
The reader is self-published, 28 pages long, stapled golden, in the size of a postcard.

The tour took place in the context of the Baltic Lines exhibition I hope this email finds you well. 💌

This work was supported by Culture Moves Europe.

The tour we guided in and around the Vilnius Railway Station on 26 October has been encapsulated in a short reader, inviting you to enter to exit and get lost in transportation. To travel through rendered stories of the Vilnius Railway Station to be, to consider a windowless elevator, politics of speed and think a bit about noise, digestion and finally why the little figures count.

If you wish to travel, dm us for a reader!
The reader is self-published, 28 pages long, stapled golden, in the size of a postcard.

The tour took place in the context of the Baltic Lines exhibition I hope this email finds you well. 💌

This work was supported by Culture Moves Europe.

The tour we guided in and around the Vilnius Railway Station on 26 October has been encapsulated in a short reader, inviting you to enter to exit and get lost in transportation. To travel through rendered stories of the Vilnius Railway Station to be, to consider a windowless elevator, politics of speed and think a bit about noise, digestion and finally why the little figures count.

If you wish to travel, dm us for a reader!
The reader is self-published, 28 pages long, stapled golden, in the size of a postcard.

The tour took place in the context of the Baltic Lines exhibition I hope this email finds you well. 💌

This work was supported by Culture Moves Europe.

A selection of printed matter for Das Brotbaumregime

Das Brotbaumregime is an exhibition project on Sauerland forest culture initiated by the artist Theresa Kampmeier. The exhibition addresses critical issues, including deforestation, the profound effects of climate change, and the cultural repercussions of the rapid evolution of forest landscapes.

The Visual Identity is based on a collection of symbolic elements that served as props with a guiding character within the exhibition:

The Hiking Stick (soft but instable companion)
The Dung Bug (archivist of human and non-human histores)
The Spruce (costume/uniform, forestry, hat)
The Bread (cultural heritage, pillow )

These characters represent distinct aspects addressed by the exhibiton, and they are seamlessly integrated into digital and physical dimentions of the project.

In collaboration with @bruno_jacoby_official and @bbastrange

A selection of printed matter for Das Brotbaumregime

Das Brotbaumregime is an exhibition project on Sauerland forest culture initiated by the artist Theresa Kampmeier. The exhibition addresses critical issues, including deforestation, the profound effects of climate change, and the cultural repercussions of the rapid evolution of forest landscapes.

The Visual Identity is based on a collection of symbolic elements that served as props with a guiding character within the exhibition:

The Hiking Stick (soft but instable companion)
The Dung Bug (archivist of human and non-human histores)
The Spruce (costume/uniform, forestry, hat)
The Bread (cultural heritage, pillow )

These characters represent distinct aspects addressed by the exhibiton, and they are seamlessly integrated into digital and physical dimentions of the project.

In collaboration with @bruno_jacoby_official and @bbastrange

A selection of printed matter for Das Brotbaumregime

Das Brotbaumregime is an exhibition project on Sauerland forest culture initiated by the artist Theresa Kampmeier. The exhibition addresses critical issues, including deforestation, the profound effects of climate change, and the cultural repercussions of the rapid evolution of forest landscapes.

The Visual Identity is based on a collection of symbolic elements that served as props with a guiding character within the exhibition:

The Hiking Stick (soft but instable companion)
The Dung Bug (archivist of human and non-human histores)
The Spruce (costume/uniform, forestry, hat)
The Bread (cultural heritage, pillow )

These characters represent distinct aspects addressed by the exhibiton, and they are seamlessly integrated into digital and physical dimentions of the project.

In collaboration with @bruno_jacoby_official and @bbastrange

A selection of printed matter for Das Brotbaumregime

Das Brotbaumregime is an exhibition project on Sauerland forest culture initiated by the artist Theresa Kampmeier. The exhibition addresses critical issues, including deforestation, the profound effects of climate change, and the cultural repercussions of the rapid evolution of forest landscapes.

The Visual Identity is based on a collection of symbolic elements that served as props with a guiding character within the exhibition:

The Hiking Stick (soft but instable companion)
The Dung Bug (archivist of human and non-human histores)
The Spruce (costume/uniform, forestry, hat)
The Bread (cultural heritage, pillow )

These characters represent distinct aspects addressed by the exhibiton, and they are seamlessly integrated into digital and physical dimentions of the project.

In collaboration with @bruno_jacoby_official and @bbastrange

A selection of printed matter for Das Brotbaumregime

Das Brotbaumregime is an exhibition project on Sauerland forest culture initiated by the artist Theresa Kampmeier. The exhibition addresses critical issues, including deforestation, the profound effects of climate change, and the cultural repercussions of the rapid evolution of forest landscapes.

The Visual Identity is based on a collection of symbolic elements that served as props with a guiding character within the exhibition:

The Hiking Stick (soft but instable companion)
The Dung Bug (archivist of human and non-human histores)
The Spruce (costume/uniform, forestry, hat)
The Bread (cultural heritage, pillow )

These characters represent distinct aspects addressed by the exhibiton, and they are seamlessly integrated into digital and physical dimentions of the project.

In collaboration with @bruno_jacoby_official and @bbastrange

A selection of printed matter for Das Brotbaumregime

Das Brotbaumregime is an exhibition project on Sauerland forest culture initiated by the artist Theresa Kampmeier. The exhibition addresses critical issues, including deforestation, the profound effects of climate change, and the cultural repercussions of the rapid evolution of forest landscapes.

The Visual Identity is based on a collection of symbolic elements that served as props with a guiding character within the exhibition:

The Hiking Stick (soft but instable companion)
The Dung Bug (archivist of human and non-human histores)
The Spruce (costume/uniform, forestry, hat)
The Bread (cultural heritage, pillow )

These characters represent distinct aspects addressed by the exhibiton, and they are seamlessly integrated into digital and physical dimentions of the project.

In collaboration with @bruno_jacoby_official and @bbastrange

Rolling shelf designed for the space run by @airberlinalexanderplatz, located on Friedrichstraße in Berlin Kreuzberg. The space is situated directly across from the iconic Kreuzberg Tower, designed by architect John Hejduk in 1979 as part of the International Building Exhibition in Berlin. The shelf's design echoes the distinctive roof elements and color scheme of the building's façade.

Rolling shelf designed for the space run by @airberlinalexanderplatz, located on Friedrichstraße in Berlin Kreuzberg. The space is situated directly across from the iconic Kreuzberg Tower, designed by architect John Hejduk in 1979 as part of the International Building Exhibition in Berlin. The shelf's design echoes the distinctive roof elements and color scheme of the building's façade.

Rolling shelf designed for the space run by @airberlinalexanderplatz, located on Friedrichstraße in Berlin Kreuzberg. The space is situated directly across from the iconic Kreuzberg Tower, designed by architect John Hejduk in 1979 as part of the International Building Exhibition in Berlin. The shelf's design echoes the distinctive roof elements and color scheme of the building's façade.

Rolling shelf designed for the space run by @airberlinalexanderplatz, located on Friedrichstraße in Berlin Kreuzberg. The space is situated directly across from the iconic Kreuzberg Tower, designed by architect John Hejduk in 1979 as part of the International Building Exhibition in Berlin. The shelf's design echoes the distinctive roof elements and color scheme of the building's façade.

Rolling shelf designed for the space run by @airberlinalexanderplatz, located on Friedrichstraße in Berlin Kreuzberg. The space is situated directly across from the iconic Kreuzberg Tower, designed by architect John Hejduk in 1979 as part of the International Building Exhibition in Berlin. The shelf's design echoes the distinctive roof elements and color scheme of the building's façade.

Visual Identity and trail signs for grosserweltraumweg, an audio walk that spans a 60-kilometer hiking trail through the Totes Gebirge, from Bad Ischl to Hinterstoder. The last missing signs were installed during the six-day opening walk, traversing stone deserts, snowfields, and alms in the beautiful Austrian Alps. Featuring G2 Erika typeface, the signs were produced by a local sign maker and installed with the assistance of the Alpenverein.

Großer Welt Raum Weg is a project by Christoph Viscorsum, in collaboration with Andreas Hagelüken, and curated by @julia.stoff.

This walk is part of @salzkammergut.2024, the European Capital of Culture, and will be maintained for the next 10 years.

Visual Identity and trail signs for grosserweltraumweg, an audio walk that spans a 60-kilometer hiking trail through the Totes Gebirge, from Bad Ischl to Hinterstoder. The last missing signs were installed during the six-day opening walk, traversing stone deserts, snowfields, and alms in the beautiful Austrian Alps. Featuring G2 Erika typeface, the signs were produced by a local sign maker and installed with the assistance of the Alpenverein.

Großer Welt Raum Weg is a project by Christoph Viscorsum, in collaboration with Andreas Hagelüken, and curated by @julia.stoff.

This walk is part of @salzkammergut.2024, the European Capital of Culture, and will be maintained for the next 10 years.

Visual Identity and trail signs for grosserweltraumweg, an audio walk that spans a 60-kilometer hiking trail through the Totes Gebirge, from Bad Ischl to Hinterstoder. The last missing signs were installed during the six-day opening walk, traversing stone deserts, snowfields, and alms in the beautiful Austrian Alps. Featuring G2 Erika typeface, the signs were produced by a local sign maker and installed with the assistance of the Alpenverein.

Großer Welt Raum Weg is a project by Christoph Viscorsum, in collaboration with Andreas Hagelüken, and curated by @julia.stoff.

This walk is part of @salzkammergut.2024, the European Capital of Culture, and will be maintained for the next 10 years.

Visual Identity and trail signs for grosserweltraumweg, an audio walk that spans a 60-kilometer hiking trail through the Totes Gebirge, from Bad Ischl to Hinterstoder. The last missing signs were installed during the six-day opening walk, traversing stone deserts, snowfields, and alms in the beautiful Austrian Alps. Featuring G2 Erika typeface, the signs were produced by a local sign maker and installed with the assistance of the Alpenverein.

Großer Welt Raum Weg is a project by Christoph Viscorsum, in collaboration with Andreas Hagelüken, and curated by @julia.stoff.

This walk is part of @salzkammergut.2024, the European Capital of Culture, and will be maintained for the next 10 years.

Visual Identity and trail signs for grosserweltraumweg, an audio walk that spans a 60-kilometer hiking trail through the Totes Gebirge, from Bad Ischl to Hinterstoder. The last missing signs were installed during the six-day opening walk, traversing stone deserts, snowfields, and alms in the beautiful Austrian Alps. Featuring G2 Erika typeface, the signs were produced by a local sign maker and installed with the assistance of the Alpenverein.

Großer Welt Raum Weg is a project by Christoph Viscorsum, in collaboration with Andreas Hagelüken, and curated by @julia.stoff.

This walk is part of @salzkammergut.2024, the European Capital of Culture, and will be maintained for the next 10 years.

Visual Identity and trail signs for grosserweltraumweg, an audio walk that spans a 60-kilometer hiking trail through the Totes Gebirge, from Bad Ischl to Hinterstoder. The last missing signs were installed during the six-day opening walk, traversing stone deserts, snowfields, and alms in the beautiful Austrian Alps. Featuring G2 Erika typeface, the signs were produced by a local sign maker and installed with the assistance of the Alpenverein.

Großer Welt Raum Weg is a project by Christoph Viscorsum, in collaboration with Andreas Hagelüken, and curated by @julia.stoff.

This walk is part of @salzkammergut.2024, the European Capital of Culture, and will be maintained for the next 10 years.

Visual Identity and trail signs for grosserweltraumweg, an audio walk that spans a 60-kilometer hiking trail through the Totes Gebirge, from Bad Ischl to Hinterstoder. The last missing signs were installed during the six-day opening walk, traversing stone deserts, snowfields, and alms in the beautiful Austrian Alps. Featuring G2 Erika typeface, the signs were produced by a local sign maker and installed with the assistance of the Alpenverein.

Großer Welt Raum Weg is a project by Christoph Viscorsum, in collaboration with Andreas Hagelüken, and curated by @julia.stoff.

This walk is part of @salzkammergut.2024, the European Capital of Culture, and will be maintained for the next 10 years.

Visual Identity and trail signs for grosserweltraumweg, an audio walk that spans a 60-kilometer hiking trail through the Totes Gebirge, from Bad Ischl to Hinterstoder. The last missing signs were installed during the six-day opening walk, traversing stone deserts, snowfields, and alms in the beautiful Austrian Alps. Featuring G2 Erika typeface, the signs were produced by a local sign maker and installed with the assistance of the Alpenverein.

Großer Welt Raum Weg is a project by Christoph Viscorsum, in collaboration with Andreas Hagelüken, and curated by @julia.stoff.

This walk is part of @salzkammergut.2024, the European Capital of Culture, and will be maintained for the next 10 years.

Visual Identity and trail signs for grosserweltraumweg, an audio walk that spans a 60-kilometer hiking trail through the Totes Gebirge, from Bad Ischl to Hinterstoder. The last missing signs were installed during the six-day opening walk, traversing stone deserts, snowfields, and alms in the beautiful Austrian Alps. Featuring G2 Erika typeface, the signs were produced by a local sign maker and installed with the assistance of the Alpenverein.

Großer Welt Raum Weg is a project by Christoph Viscorsum, in collaboration with Andreas Hagelüken, and curated by @julia.stoff.

This walk is part of @salzkammergut.2024, the European Capital of Culture, and will be maintained for the next 10 years.

Visual Identity and trail signs for grosserweltraumweg, an audio walk that spans a 60-kilometer hiking trail through the Totes Gebirge, from Bad Ischl to Hinterstoder. The last missing signs were installed during the six-day opening walk, traversing stone deserts, snowfields, and alms in the beautiful Austrian Alps. Featuring G2 Erika typeface, the signs were produced by a local sign maker and installed with the assistance of the Alpenverein.

Großer Welt Raum Weg is a project by Christoph Viscorsum, in collaboration with Andreas Hagelüken, and curated by @julia.stoff.

This walk is part of @salzkammergut.2024, the European Capital of Culture, and will be maintained for the next 10 years.

The Mountain Theater is a brief sequence of arrangements crafted from small pieces of unfired clay.

As I began assembling the initial figure, Noel, a child from the backyard, unexpectedly entered the stage. The process of arranging each object allowed one figure to evolve into the next, interpreting the preceding form. As the mechanical arrangement caused the unfired clay parts to disintegrate, the figures grew more intricate, gradually dissipating into a fine dust.

The Mountain Theater is part of a broader exploration within my graduation project, “Roads to Mountains,” which delves into temporary constructions and the stories, traces, and ghosts they encapsulate.

The Mountain Theater is a brief sequence of arrangements crafted from small pieces of unfired clay.

As I began assembling the initial figure, Noel, a child from the backyard, unexpectedly entered the stage. The process of arranging each object allowed one figure to evolve into the next, interpreting the preceding form. As the mechanical arrangement caused the unfired clay parts to disintegrate, the figures grew more intricate, gradually dissipating into a fine dust.

The Mountain Theater is part of a broader exploration within my graduation project, “Roads to Mountains,” which delves into temporary constructions and the stories, traces, and ghosts they encapsulate.

The Mountain Theater is a brief sequence of arrangements crafted from small pieces of unfired clay.

As I began assembling the initial figure, Noel, a child from the backyard, unexpectedly entered the stage. The process of arranging each object allowed one figure to evolve into the next, interpreting the preceding form. As the mechanical arrangement caused the unfired clay parts to disintegrate, the figures grew more intricate, gradually dissipating into a fine dust.

The Mountain Theater is part of a broader exploration within my graduation project, “Roads to Mountains,” which delves into temporary constructions and the stories, traces, and ghosts they encapsulate.

The Mountain Theater is a brief sequence of arrangements crafted from small pieces of unfired clay.

As I began assembling the initial figure, Noel, a child from the backyard, unexpectedly entered the stage. The process of arranging each object allowed one figure to evolve into the next, interpreting the preceding form. As the mechanical arrangement caused the unfired clay parts to disintegrate, the figures grew more intricate, gradually dissipating into a fine dust.

The Mountain Theater is part of a broader exploration within my graduation project, “Roads to Mountains,” which delves into temporary constructions and the stories, traces, and ghosts they encapsulate.

The Mountain Theater is a brief sequence of arrangements crafted from small pieces of unfired clay.

As I began assembling the initial figure, Noel, a child from the backyard, unexpectedly entered the stage. The process of arranging each object allowed one figure to evolve into the next, interpreting the preceding form. As the mechanical arrangement caused the unfired clay parts to disintegrate, the figures grew more intricate, gradually dissipating into a fine dust.

The Mountain Theater is part of a broader exploration within my graduation project, “Roads to Mountains,” which delves into temporary constructions and the stories, traces, and ghosts they encapsulate.

The Mountain Theater is a brief sequence of arrangements crafted from small pieces of unfired clay.

As I began assembling the initial figure, Noel, a child from the backyard, unexpectedly entered the stage. The process of arranging each object allowed one figure to evolve into the next, interpreting the preceding form. As the mechanical arrangement caused the unfired clay parts to disintegrate, the figures grew more intricate, gradually dissipating into a fine dust.

The Mountain Theater is part of a broader exploration within my graduation project, “Roads to Mountains,” which delves into temporary constructions and the stories, traces, and ghosts they encapsulate.

The Mountain Theater is a brief sequence of arrangements crafted from small pieces of unfired clay.

As I began assembling the initial figure, Noel, a child from the backyard, unexpectedly entered the stage. The process of arranging each object allowed one figure to evolve into the next, interpreting the preceding form. As the mechanical arrangement caused the unfired clay parts to disintegrate, the figures grew more intricate, gradually dissipating into a fine dust.

The Mountain Theater is part of a broader exploration within my graduation project, “Roads to Mountains,” which delves into temporary constructions and the stories, traces, and ghosts they encapsulate.

The Mountain Theater is a brief sequence of arrangements crafted from small pieces of unfired clay.

As I began assembling the initial figure, Noel, a child from the backyard, unexpectedly entered the stage. The process of arranging each object allowed one figure to evolve into the next, interpreting the preceding form. As the mechanical arrangement caused the unfired clay parts to disintegrate, the figures grew more intricate, gradually dissipating into a fine dust.

The Mountain Theater is part of a broader exploration within my graduation project, “Roads to Mountains,” which delves into temporary constructions and the stories, traces, and ghosts they encapsulate.

The Mountain Theater is a brief sequence of arrangements crafted from small pieces of unfired clay.

As I began assembling the initial figure, Noel, a child from the backyard, unexpectedly entered the stage. The process of arranging each object allowed one figure to evolve into the next, interpreting the preceding form. As the mechanical arrangement caused the unfired clay parts to disintegrate, the figures grew more intricate, gradually dissipating into a fine dust.

The Mountain Theater is part of a broader exploration within my graduation project, “Roads to Mountains,” which delves into temporary constructions and the stories, traces, and ghosts they encapsulate.

The Mountain Theater is a brief sequence of arrangements crafted from small pieces of unfired clay.

As I began assembling the initial figure, Noel, a child from the backyard, unexpectedly entered the stage. The process of arranging each object allowed one figure to evolve into the next, interpreting the preceding form. As the mechanical arrangement caused the unfired clay parts to disintegrate, the figures grew more intricate, gradually dissipating into a fine dust.

The Mountain Theater is part of a broader exploration within my graduation project, “Roads to Mountains,” which delves into temporary constructions and the stories, traces, and ghosts they encapsulate.

G2 Lebenszeichen with @bruno_jacoby_official , Soon available @gruppo.due 🌑🌘🌗🌖🌕

G2 Lebenszeichen with @bruno_jacoby_official , Soon available @gruppo.due 🌑🌘🌗🌖🌕

G2 Lebenszeichen with @bruno_jacoby_official , Soon available @gruppo.due 🌑🌘🌗🌖🌕

G2 Lebenszeichen with @bruno_jacoby_official , Soon available @gruppo.due 🌑🌘🌗🌖🌕

Finally Lincos will be released tonight, 8 pm at TvHifi, Schützenstraße 37, KA

Lincos is a constructed language described by the mathematician Dr. Hans Freudenthal for the communication with a person not acquainted with any of our languages or even syntactic structure.
To show the behavior and conversations between individuals, Freudenthal constructs a theater play where different actors talk about mathematics. By using this principle, I did a translation of Freudenthals original book about Lincos published in 1960.
Thanks to @book_boy_hfgk

Finally Lincos will be released tonight, 8 pm at TvHifi, Schützenstraße 37, KA

Lincos is a constructed language described by the mathematician Dr. Hans Freudenthal for the communication with a person not acquainted with any of our languages or even syntactic structure.
To show the behavior and conversations between individuals, Freudenthal constructs a theater play where different actors talk about mathematics. By using this principle, I did a translation of Freudenthals original book about Lincos published in 1960.
Thanks to @book_boy_hfgk

Finally Lincos will be released tonight, 8 pm at TvHifi, Schützenstraße 37, KA

Lincos is a constructed language described by the mathematician Dr. Hans Freudenthal for the communication with a person not acquainted with any of our languages or even syntactic structure.
To show the behavior and conversations between individuals, Freudenthal constructs a theater play where different actors talk about mathematics. By using this principle, I did a translation of Freudenthals original book about Lincos published in 1960.
Thanks to @book_boy_hfgk

Finally Lincos will be released tonight, 8 pm at TvHifi, Schützenstraße 37, KA

Lincos is a constructed language described by the mathematician Dr. Hans Freudenthal for the communication with a person not acquainted with any of our languages or even syntactic structure.
To show the behavior and conversations between individuals, Freudenthal constructs a theater play where different actors talk about mathematics. By using this principle, I did a translation of Freudenthals original book about Lincos published in 1960.
Thanks to @book_boy_hfgk

Finally Lincos will be released tonight, 8 pm at TvHifi, Schützenstraße 37, KA

Lincos is a constructed language described by the mathematician Dr. Hans Freudenthal for the communication with a person not acquainted with any of our languages or even syntactic structure.
To show the behavior and conversations between individuals, Freudenthal constructs a theater play where different actors talk about mathematics. By using this principle, I did a translation of Freudenthals original book about Lincos published in 1960.
Thanks to @book_boy_hfgk

Finally Lincos will be released tonight, 8 pm at TvHifi, Schützenstraße 37, KA

Lincos is a constructed language described by the mathematician Dr. Hans Freudenthal for the communication with a person not acquainted with any of our languages or even syntactic structure.
To show the behavior and conversations between individuals, Freudenthal constructs a theater play where different actors talk about mathematics. By using this principle, I did a translation of Freudenthals original book about Lincos published in 1960.
Thanks to @book_boy_hfgk

Reading the brand new commented edition of Symbolic Messages, a study of received writing and symbols thought to originate outside of human experience. – If one dolphin whistles twice, another would rush to his side. #thedoublebook #accidental interests.
Together with @bruno_jacoby_official and @jmr.schaefer

Reading the brand new commented edition of Symbolic Messages, a study of received writing and symbols thought to originate outside of human experience. – If one dolphin whistles twice, another would rush to his side. #thedoublebook #accidental interests.
Together with @bruno_jacoby_official and @jmr.schaefer

Reading the brand new commented edition of Symbolic Messages, a study of received writing and symbols thought to originate outside of human experience. – If one dolphin whistles twice, another would rush to his side. #thedoublebook #accidental interests.
Together with @bruno_jacoby_official and @jmr.schaefer

Reading the brand new commented edition of Symbolic Messages, a study of received writing and symbols thought to originate outside of human experience. – If one dolphin whistles twice, another would rush to his side. #thedoublebook #accidental interests.
Together with @bruno_jacoby_official and @jmr.schaefer