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mayazaben
Maya AlZaben
🧿𝓟𝓪𝓵𝓮𝓼𝓽𝓲𝓷𝓲𝓪𝓷 🌺🫧 ꩜ 𓆞
pr @theslowfactory + words in vogue, harper’s bazaar, fashionista, doc journal, gq, etc. °❀⋆.ೃ࿔*
🧠💭Thinking big then even bigger…
The Edward Said-ification of John Galliano’s Fall 1994 collection “Japonisme”....🇯🇵👘💐🇵🇸 an industry favorite at socialite Sao Schlumberger’s 17th century abandoned hotel particulier, the show marked a turning point in Galliano’s career (led to his tenure at Givenchy a year later after being broke + sleeping on floors). This show was a “less is more” moment that proved his strength as a couturier who could layer countless references (or really…worlds 🗺️) into a single look. 🩷💐🩷
The collection mostly drew from the Western + Eastern fantasy of the glamorous Orient, especially Japan, *but* one of its most teeny but significant details actually comes from Palestine!! 🌷Kate Moss’s pink organza kimono (see slide 1-2,sleeves are pulled to the back and tied in a knot) came from photographs of Palestinian women making bread in the 1900s. 🍞🔥 In Palestine, women wore “khaddamah” thobes (everyday dresses) with long, pointed sleeves (known as the “kumm irdin” style) tied behind their backs while working to move freely.
Decades later, the show is Anna Wintour’s favorite of “all time”, and the one show that Linda Evangelista (slide 7) would love to walk again (she said this a week ago to @dazed at PFW!!)
Slides 10-12: snippets of solidarity from the 1979 documentary about Japan + Palestine, taken from Tokyo Reels (a collection of 16mm films assembled by Mohanad Yaqubi in 2015 and preserved by Japanese activists who stood with Palestine after so many of our films were burned and confiscated during the 1982 Israeli invasion of Lebanon. The reels span the 60s–80s.) Check out the complete archive on tokyoreels.com!!!
Slides 3 + 8: Sameeha Jaber Lighting the Fire to Bake Bread, 1900s from the Nimr Murqs collection via the Palestinian Museum Digital Archive.
Slide 9: Thobe abu-metein/jiljileh (a variation of a “malak” dress) from the Widad Kiwar collection, —> added to show sleeves
Slides 1 + 5: Vogue US Oct 1994
@jgalliano can I get the show notes please
The Edward Said-ification of John Galliano’s Fall 1994 collection “Japonisme”....🇯🇵👘💐🇵🇸 an industry favorite at socialite Sao Schlumberger’s 17th century abandoned hotel particulier, the show marked a turning point in Galliano’s career (led to his tenure at Givenchy a year later after being broke + sleeping on floors). This show was a “less is more” moment that proved his strength as a couturier who could layer countless references (or really…worlds 🗺️) into a single look. 🩷💐🩷
The collection mostly drew from the Western + Eastern fantasy of the glamorous Orient, especially Japan, *but* one of its most teeny but significant details actually comes from Palestine!! 🌷Kate Moss’s pink organza kimono (see slide 1-2,sleeves are pulled to the back and tied in a knot) came from photographs of Palestinian women making bread in the 1900s. 🍞🔥 In Palestine, women wore “khaddamah” thobes (everyday dresses) with long, pointed sleeves (known as the “kumm irdin” style) tied behind their backs while working to move freely.
Decades later, the show is Anna Wintour’s favorite of “all time”, and the one show that Linda Evangelista (slide 7) would love to walk again (she said this a week ago to @dazed at PFW!!)
Slides 10-12: snippets of solidarity from the 1979 documentary about Japan + Palestine, taken from Tokyo Reels (a collection of 16mm films assembled by Mohanad Yaqubi in 2015 and preserved by Japanese activists who stood with Palestine after so many of our films were burned and confiscated during the 1982 Israeli invasion of Lebanon. The reels span the 60s–80s.) Check out the complete archive on tokyoreels.com!!!
Slides 3 + 8: Sameeha Jaber Lighting the Fire to Bake Bread, 1900s from the Nimr Murqs collection via the Palestinian Museum Digital Archive.
Slide 9: Thobe abu-metein/jiljileh (a variation of a “malak” dress) from the Widad Kiwar collection, —> added to show sleeves
Slides 1 + 5: Vogue US Oct 1994
@jgalliano can I get the show notes please
The Edward Said-ification of John Galliano’s Fall 1994 collection “Japonisme”....🇯🇵👘💐🇵🇸 an industry favorite at socialite Sao Schlumberger’s 17th century abandoned hotel particulier, the show marked a turning point in Galliano’s career (led to his tenure at Givenchy a year later after being broke + sleeping on floors). This show was a “less is more” moment that proved his strength as a couturier who could layer countless references (or really…worlds 🗺️) into a single look. 🩷💐🩷
The collection mostly drew from the Western + Eastern fantasy of the glamorous Orient, especially Japan, *but* one of its most teeny but significant details actually comes from Palestine!! 🌷Kate Moss’s pink organza kimono (see slide 1-2,sleeves are pulled to the back and tied in a knot) came from photographs of Palestinian women making bread in the 1900s. 🍞🔥 In Palestine, women wore “khaddamah” thobes (everyday dresses) with long, pointed sleeves (known as the “kumm irdin” style) tied behind their backs while working to move freely.
Decades later, the show is Anna Wintour’s favorite of “all time”, and the one show that Linda Evangelista (slide 7) would love to walk again (she said this a week ago to @dazed at PFW!!)
Slides 10-12: snippets of solidarity from the 1979 documentary about Japan + Palestine, taken from Tokyo Reels (a collection of 16mm films assembled by Mohanad Yaqubi in 2015 and preserved by Japanese activists who stood with Palestine after so many of our films were burned and confiscated during the 1982 Israeli invasion of Lebanon. The reels span the 60s–80s.) Check out the complete archive on tokyoreels.com!!!
Slides 3 + 8: Sameeha Jaber Lighting the Fire to Bake Bread, 1900s from the Nimr Murqs collection via the Palestinian Museum Digital Archive.
Slide 9: Thobe abu-metein/jiljileh (a variation of a “malak” dress) from the Widad Kiwar collection, —> added to show sleeves
Slides 1 + 5: Vogue US Oct 1994
@jgalliano can I get the show notes please
The Edward Said-ification of John Galliano’s Fall 1994 collection “Japonisme”....🇯🇵👘💐🇵🇸 an industry favorite at socialite Sao Schlumberger’s 17th century abandoned hotel particulier, the show marked a turning point in Galliano’s career (led to his tenure at Givenchy a year later after being broke + sleeping on floors). This show was a “less is more” moment that proved his strength as a couturier who could layer countless references (or really…worlds 🗺️) into a single look. 🩷💐🩷
The collection mostly drew from the Western + Eastern fantasy of the glamorous Orient, especially Japan, *but* one of its most teeny but significant details actually comes from Palestine!! 🌷Kate Moss’s pink organza kimono (see slide 1-2,sleeves are pulled to the back and tied in a knot) came from photographs of Palestinian women making bread in the 1900s. 🍞🔥 In Palestine, women wore “khaddamah” thobes (everyday dresses) with long, pointed sleeves (known as the “kumm irdin” style) tied behind their backs while working to move freely.
Decades later, the show is Anna Wintour’s favorite of “all time”, and the one show that Linda Evangelista (slide 7) would love to walk again (she said this a week ago to @dazed at PFW!!)
Slides 10-12: snippets of solidarity from the 1979 documentary about Japan + Palestine, taken from Tokyo Reels (a collection of 16mm films assembled by Mohanad Yaqubi in 2015 and preserved by Japanese activists who stood with Palestine after so many of our films were burned and confiscated during the 1982 Israeli invasion of Lebanon. The reels span the 60s–80s.) Check out the complete archive on tokyoreels.com!!!
Slides 3 + 8: Sameeha Jaber Lighting the Fire to Bake Bread, 1900s from the Nimr Murqs collection via the Palestinian Museum Digital Archive.
Slide 9: Thobe abu-metein/jiljileh (a variation of a “malak” dress) from the Widad Kiwar collection, —> added to show sleeves
Slides 1 + 5: Vogue US Oct 1994
@jgalliano can I get the show notes please
The Edward Said-ification of John Galliano’s Fall 1994 collection “Japonisme”....🇯🇵👘💐🇵🇸 an industry favorite at socialite Sao Schlumberger’s 17th century abandoned hotel particulier, the show marked a turning point in Galliano’s career (led to his tenure at Givenchy a year later after being broke + sleeping on floors). This show was a “less is more” moment that proved his strength as a couturier who could layer countless references (or really…worlds 🗺️) into a single look. 🩷💐🩷
The collection mostly drew from the Western + Eastern fantasy of the glamorous Orient, especially Japan, *but* one of its most teeny but significant details actually comes from Palestine!! 🌷Kate Moss’s pink organza kimono (see slide 1-2,sleeves are pulled to the back and tied in a knot) came from photographs of Palestinian women making bread in the 1900s. 🍞🔥 In Palestine, women wore “khaddamah” thobes (everyday dresses) with long, pointed sleeves (known as the “kumm irdin” style) tied behind their backs while working to move freely.
Decades later, the show is Anna Wintour’s favorite of “all time”, and the one show that Linda Evangelista (slide 7) would love to walk again (she said this a week ago to @dazed at PFW!!)
Slides 10-12: snippets of solidarity from the 1979 documentary about Japan + Palestine, taken from Tokyo Reels (a collection of 16mm films assembled by Mohanad Yaqubi in 2015 and preserved by Japanese activists who stood with Palestine after so many of our films were burned and confiscated during the 1982 Israeli invasion of Lebanon. The reels span the 60s–80s.) Check out the complete archive on tokyoreels.com!!!
Slides 3 + 8: Sameeha Jaber Lighting the Fire to Bake Bread, 1900s from the Nimr Murqs collection via the Palestinian Museum Digital Archive.
Slide 9: Thobe abu-metein/jiljileh (a variation of a “malak” dress) from the Widad Kiwar collection, —> added to show sleeves
Slides 1 + 5: Vogue US Oct 1994
@jgalliano can I get the show notes please
The Edward Said-ification of John Galliano’s Fall 1994 collection “Japonisme”....🇯🇵👘💐🇵🇸 an industry favorite at socialite Sao Schlumberger’s 17th century abandoned hotel particulier, the show marked a turning point in Galliano’s career (led to his tenure at Givenchy a year later after being broke + sleeping on floors). This show was a “less is more” moment that proved his strength as a couturier who could layer countless references (or really…worlds 🗺️) into a single look. 🩷💐🩷
The collection mostly drew from the Western + Eastern fantasy of the glamorous Orient, especially Japan, *but* one of its most teeny but significant details actually comes from Palestine!! 🌷Kate Moss’s pink organza kimono (see slide 1-2,sleeves are pulled to the back and tied in a knot) came from photographs of Palestinian women making bread in the 1900s. 🍞🔥 In Palestine, women wore “khaddamah” thobes (everyday dresses) with long, pointed sleeves (known as the “kumm irdin” style) tied behind their backs while working to move freely.
Decades later, the show is Anna Wintour’s favorite of “all time”, and the one show that Linda Evangelista (slide 7) would love to walk again (she said this a week ago to @dazed at PFW!!)
Slides 10-12: snippets of solidarity from the 1979 documentary about Japan + Palestine, taken from Tokyo Reels (a collection of 16mm films assembled by Mohanad Yaqubi in 2015 and preserved by Japanese activists who stood with Palestine after so many of our films were burned and confiscated during the 1982 Israeli invasion of Lebanon. The reels span the 60s–80s.) Check out the complete archive on tokyoreels.com!!!
Slides 3 + 8: Sameeha Jaber Lighting the Fire to Bake Bread, 1900s from the Nimr Murqs collection via the Palestinian Museum Digital Archive.
Slide 9: Thobe abu-metein/jiljileh (a variation of a “malak” dress) from the Widad Kiwar collection, —> added to show sleeves
Slides 1 + 5: Vogue US Oct 1994
@jgalliano can I get the show notes please
The Edward Said-ification of John Galliano’s Fall 1994 collection “Japonisme”....🇯🇵👘💐🇵🇸 an industry favorite at socialite Sao Schlumberger’s 17th century abandoned hotel particulier, the show marked a turning point in Galliano’s career (led to his tenure at Givenchy a year later after being broke + sleeping on floors). This show was a “less is more” moment that proved his strength as a couturier who could layer countless references (or really…worlds 🗺️) into a single look. 🩷💐🩷
The collection mostly drew from the Western + Eastern fantasy of the glamorous Orient, especially Japan, *but* one of its most teeny but significant details actually comes from Palestine!! 🌷Kate Moss’s pink organza kimono (see slide 1-2,sleeves are pulled to the back and tied in a knot) came from photographs of Palestinian women making bread in the 1900s. 🍞🔥 In Palestine, women wore “khaddamah” thobes (everyday dresses) with long, pointed sleeves (known as the “kumm irdin” style) tied behind their backs while working to move freely.
Decades later, the show is Anna Wintour’s favorite of “all time”, and the one show that Linda Evangelista (slide 7) would love to walk again (she said this a week ago to @dazed at PFW!!)
Slides 10-12: snippets of solidarity from the 1979 documentary about Japan + Palestine, taken from Tokyo Reels (a collection of 16mm films assembled by Mohanad Yaqubi in 2015 and preserved by Japanese activists who stood with Palestine after so many of our films were burned and confiscated during the 1982 Israeli invasion of Lebanon. The reels span the 60s–80s.) Check out the complete archive on tokyoreels.com!!!
Slides 3 + 8: Sameeha Jaber Lighting the Fire to Bake Bread, 1900s from the Nimr Murqs collection via the Palestinian Museum Digital Archive.
Slide 9: Thobe abu-metein/jiljileh (a variation of a “malak” dress) from the Widad Kiwar collection, —> added to show sleeves
Slides 1 + 5: Vogue US Oct 1994
@jgalliano can I get the show notes please
The Edward Said-ification of John Galliano’s Fall 1994 collection “Japonisme”....🇯🇵👘💐🇵🇸 an industry favorite at socialite Sao Schlumberger’s 17th century abandoned hotel particulier, the show marked a turning point in Galliano’s career (led to his tenure at Givenchy a year later after being broke + sleeping on floors). This show was a “less is more” moment that proved his strength as a couturier who could layer countless references (or really…worlds 🗺️) into a single look. 🩷💐🩷
The collection mostly drew from the Western + Eastern fantasy of the glamorous Orient, especially Japan, *but* one of its most teeny but significant details actually comes from Palestine!! 🌷Kate Moss’s pink organza kimono (see slide 1-2,sleeves are pulled to the back and tied in a knot) came from photographs of Palestinian women making bread in the 1900s. 🍞🔥 In Palestine, women wore “khaddamah” thobes (everyday dresses) with long, pointed sleeves (known as the “kumm irdin” style) tied behind their backs while working to move freely.
Decades later, the show is Anna Wintour’s favorite of “all time”, and the one show that Linda Evangelista (slide 7) would love to walk again (she said this a week ago to @dazed at PFW!!)
Slides 10-12: snippets of solidarity from the 1979 documentary about Japan + Palestine, taken from Tokyo Reels (a collection of 16mm films assembled by Mohanad Yaqubi in 2015 and preserved by Japanese activists who stood with Palestine after so many of our films were burned and confiscated during the 1982 Israeli invasion of Lebanon. The reels span the 60s–80s.) Check out the complete archive on tokyoreels.com!!!
Slides 3 + 8: Sameeha Jaber Lighting the Fire to Bake Bread, 1900s from the Nimr Murqs collection via the Palestinian Museum Digital Archive.
Slide 9: Thobe abu-metein/jiljileh (a variation of a “malak” dress) from the Widad Kiwar collection, —> added to show sleeves
Slides 1 + 5: Vogue US Oct 1994
@jgalliano can I get the show notes please
The Edward Said-ification of John Galliano’s Fall 1994 collection “Japonisme”....🇯🇵👘💐🇵🇸 an industry favorite at socialite Sao Schlumberger’s 17th century abandoned hotel particulier, the show marked a turning point in Galliano’s career (led to his tenure at Givenchy a year later after being broke + sleeping on floors). This show was a “less is more” moment that proved his strength as a couturier who could layer countless references (or really…worlds 🗺️) into a single look. 🩷💐🩷
The collection mostly drew from the Western + Eastern fantasy of the glamorous Orient, especially Japan, *but* one of its most teeny but significant details actually comes from Palestine!! 🌷Kate Moss’s pink organza kimono (see slide 1-2,sleeves are pulled to the back and tied in a knot) came from photographs of Palestinian women making bread in the 1900s. 🍞🔥 In Palestine, women wore “khaddamah” thobes (everyday dresses) with long, pointed sleeves (known as the “kumm irdin” style) tied behind their backs while working to move freely.
Decades later, the show is Anna Wintour’s favorite of “all time”, and the one show that Linda Evangelista (slide 7) would love to walk again (she said this a week ago to @dazed at PFW!!)
Slides 10-12: snippets of solidarity from the 1979 documentary about Japan + Palestine, taken from Tokyo Reels (a collection of 16mm films assembled by Mohanad Yaqubi in 2015 and preserved by Japanese activists who stood with Palestine after so many of our films were burned and confiscated during the 1982 Israeli invasion of Lebanon. The reels span the 60s–80s.) Check out the complete archive on tokyoreels.com!!!
Slides 3 + 8: Sameeha Jaber Lighting the Fire to Bake Bread, 1900s from the Nimr Murqs collection via the Palestinian Museum Digital Archive.
Slide 9: Thobe abu-metein/jiljileh (a variation of a “malak” dress) from the Widad Kiwar collection, —> added to show sleeves
Slides 1 + 5: Vogue US Oct 1994
@jgalliano can I get the show notes please
The Edward Said-ification of John Galliano’s Fall 1994 collection “Japonisme”....🇯🇵👘💐🇵🇸 an industry favorite at socialite Sao Schlumberger’s 17th century abandoned hotel particulier, the show marked a turning point in Galliano’s career (led to his tenure at Givenchy a year later after being broke + sleeping on floors). This show was a “less is more” moment that proved his strength as a couturier who could layer countless references (or really…worlds 🗺️) into a single look. 🩷💐🩷
The collection mostly drew from the Western + Eastern fantasy of the glamorous Orient, especially Japan, *but* one of its most teeny but significant details actually comes from Palestine!! 🌷Kate Moss’s pink organza kimono (see slide 1-2,sleeves are pulled to the back and tied in a knot) came from photographs of Palestinian women making bread in the 1900s. 🍞🔥 In Palestine, women wore “khaddamah” thobes (everyday dresses) with long, pointed sleeves (known as the “kumm irdin” style) tied behind their backs while working to move freely.
Decades later, the show is Anna Wintour’s favorite of “all time”, and the one show that Linda Evangelista (slide 7) would love to walk again (she said this a week ago to @dazed at PFW!!)
Slides 10-12: snippets of solidarity from the 1979 documentary about Japan + Palestine, taken from Tokyo Reels (a collection of 16mm films assembled by Mohanad Yaqubi in 2015 and preserved by Japanese activists who stood with Palestine after so many of our films were burned and confiscated during the 1982 Israeli invasion of Lebanon. The reels span the 60s–80s.) Check out the complete archive on tokyoreels.com!!!
Slides 3 + 8: Sameeha Jaber Lighting the Fire to Bake Bread, 1900s from the Nimr Murqs collection via the Palestinian Museum Digital Archive.
Slide 9: Thobe abu-metein/jiljileh (a variation of a “malak” dress) from the Widad Kiwar collection, —> added to show sleeves
Slides 1 + 5: Vogue US Oct 1994
@jgalliano can I get the show notes please
The Edward Said-ification of John Galliano’s Fall 1994 collection “Japonisme”....🇯🇵👘💐🇵🇸 an industry favorite at socialite Sao Schlumberger’s 17th century abandoned hotel particulier, the show marked a turning point in Galliano’s career (led to his tenure at Givenchy a year later after being broke + sleeping on floors). This show was a “less is more” moment that proved his strength as a couturier who could layer countless references (or really…worlds 🗺️) into a single look. 🩷💐🩷
The collection mostly drew from the Western + Eastern fantasy of the glamorous Orient, especially Japan, *but* one of its most teeny but significant details actually comes from Palestine!! 🌷Kate Moss’s pink organza kimono (see slide 1-2,sleeves are pulled to the back and tied in a knot) came from photographs of Palestinian women making bread in the 1900s. 🍞🔥 In Palestine, women wore “khaddamah” thobes (everyday dresses) with long, pointed sleeves (known as the “kumm irdin” style) tied behind their backs while working to move freely.
Decades later, the show is Anna Wintour’s favorite of “all time”, and the one show that Linda Evangelista (slide 7) would love to walk again (she said this a week ago to @dazed at PFW!!)
Slides 10-12: snippets of solidarity from the 1979 documentary about Japan + Palestine, taken from Tokyo Reels (a collection of 16mm films assembled by Mohanad Yaqubi in 2015 and preserved by Japanese activists who stood with Palestine after so many of our films were burned and confiscated during the 1982 Israeli invasion of Lebanon. The reels span the 60s–80s.) Check out the complete archive on tokyoreels.com!!!
Slides 3 + 8: Sameeha Jaber Lighting the Fire to Bake Bread, 1900s from the Nimr Murqs collection via the Palestinian Museum Digital Archive.
Slide 9: Thobe abu-metein/jiljileh (a variation of a “malak” dress) from the Widad Kiwar collection, —> added to show sleeves
Slides 1 + 5: Vogue US Oct 1994
@jgalliano can I get the show notes please
The Edward Said-ification of John Galliano’s Fall 1994 collection “Japonisme”....🇯🇵👘💐🇵🇸 an industry favorite at socialite Sao Schlumberger’s 17th century abandoned hotel particulier, the show marked a turning point in Galliano’s career (led to his tenure at Givenchy a year later after being broke + sleeping on floors). This show was a “less is more” moment that proved his strength as a couturier who could layer countless references (or really…worlds 🗺️) into a single look. 🩷💐🩷
The collection mostly drew from the Western + Eastern fantasy of the glamorous Orient, especially Japan, *but* one of its most teeny but significant details actually comes from Palestine!! 🌷Kate Moss’s pink organza kimono (see slide 1-2,sleeves are pulled to the back and tied in a knot) came from photographs of Palestinian women making bread in the 1900s. 🍞🔥 In Palestine, women wore “khaddamah” thobes (everyday dresses) with long, pointed sleeves (known as the “kumm irdin” style) tied behind their backs while working to move freely.
Decades later, the show is Anna Wintour’s favorite of “all time”, and the one show that Linda Evangelista (slide 7) would love to walk again (she said this a week ago to @dazed at PFW!!)
Slides 10-12: snippets of solidarity from the 1979 documentary about Japan + Palestine, taken from Tokyo Reels (a collection of 16mm films assembled by Mohanad Yaqubi in 2015 and preserved by Japanese activists who stood with Palestine after so many of our films were burned and confiscated during the 1982 Israeli invasion of Lebanon. The reels span the 60s–80s.) Check out the complete archive on tokyoreels.com!!!
Slides 3 + 8: Sameeha Jaber Lighting the Fire to Bake Bread, 1900s from the Nimr Murqs collection via the Palestinian Museum Digital Archive.
Slide 9: Thobe abu-metein/jiljileh (a variation of a “malak” dress) from the Widad Kiwar collection, —> added to show sleeves
Slides 1 + 5: Vogue US Oct 1994
@jgalliano can I get the show notes please
The Edward Said-ification of John Galliano’s Fall 1994 collection “Japonisme”....🇯🇵👘💐🇵🇸 an industry favorite at socialite Sao Schlumberger’s 17th century abandoned hotel particulier, the show marked a turning point in Galliano’s career (led to his tenure at Givenchy a year later after being broke + sleeping on floors). This show was a “less is more” moment that proved his strength as a couturier who could layer countless references (or really…worlds 🗺️) into a single look. 🩷💐🩷
The collection mostly drew from the Western + Eastern fantasy of the glamorous Orient, especially Japan, *but* one of its most teeny but significant details actually comes from Palestine!! 🌷Kate Moss’s pink organza kimono (see slide 1-2,sleeves are pulled to the back and tied in a knot) came from photographs of Palestinian women making bread in the 1900s. 🍞🔥 In Palestine, women wore “khaddamah” thobes (everyday dresses) with long, pointed sleeves (known as the “kumm irdin” style) tied behind their backs while working to move freely.
Decades later, the show is Anna Wintour’s favorite of “all time”, and the one show that Linda Evangelista (slide 7) would love to walk again (she said this a week ago to @dazed at PFW!!)
Slides 10-12: snippets of solidarity from the 1979 documentary about Japan + Palestine, taken from Tokyo Reels (a collection of 16mm films assembled by Mohanad Yaqubi in 2015 and preserved by Japanese activists who stood with Palestine after so many of our films were burned and confiscated during the 1982 Israeli invasion of Lebanon. The reels span the 60s–80s.) Check out the complete archive on tokyoreels.com!!!
Slides 3 + 8: Sameeha Jaber Lighting the Fire to Bake Bread, 1900s from the Nimr Murqs collection via the Palestinian Museum Digital Archive.
Slide 9: Thobe abu-metein/jiljileh (a variation of a “malak” dress) from the Widad Kiwar collection, —> added to show sleeves
Slides 1 + 5: Vogue US Oct 1994
@jgalliano can I get the show notes please
And if I said this is going to be a future prom dress for my future daughters then what…🦚🙂↔️🧿🫧🪬shukran for the fun @ralphlauren @ralphlaurenfragrances 🐎💨
And if I said this is going to be a future prom dress for my future daughters then what…🦚🙂↔️🧿🫧🪬shukran for the fun @ralphlauren @ralphlaurenfragrances 🐎💨
And if I said this is going to be a future prom dress for my future daughters then what…🦚🙂↔️🧿🫧🪬shukran for the fun @ralphlauren @ralphlaurenfragrances 🐎💨
And if I said this is going to be a future prom dress for my future daughters then what…🦚🙂↔️🧿🫧🪬shukran for the fun @ralphlauren @ralphlaurenfragrances 🐎💨
And if I said this is going to be a future prom dress for my future daughters then what…🦚🙂↔️🧿🫧🪬shukran for the fun @ralphlauren @ralphlaurenfragrances 🐎💨
And if I said this is going to be a future prom dress for my future daughters then what…🦚🙂↔️🧿🫧🪬shukran for the fun @ralphlauren @ralphlaurenfragrances 🐎💨
And if I said this is going to be a future prom dress for my future daughters then what…🦚🙂↔️🧿🫧🪬shukran for the fun @ralphlauren @ralphlaurenfragrances 🐎💨
And if I said this is going to be a future prom dress for my future daughters then what…🦚🙂↔️🧿🫧🪬shukran for the fun @ralphlauren @ralphlaurenfragrances 🐎💨
And if I said this is going to be a future prom dress for my future daughters then what…🦚🙂↔️🧿🫧🪬shukran for the fun @ralphlauren @ralphlaurenfragrances 🐎💨
And if I said this is going to be a future prom dress for my future daughters then what…🦚🙂↔️🧿🫧🪬shukran for the fun @ralphlauren @ralphlaurenfragrances 🐎💨
And if I said this is going to be a future prom dress for my future daughters then what…🦚🙂↔️🧿🫧🪬shukran for the fun @ralphlauren @ralphlaurenfragrances 🐎💨
Still thinking a lot about the bezos-sponsored met gala discourse (2nd slide was on my stories the other day) + listening to friends and peers talk through it while also watching actual activism happen on scene (like chris smalls getting arrested outside the gala). Then yesterday I found this bernardine evaristo quote at the strand carts for $3 (feminism: women and womxn in british art”) and while I already agreed with it, it also helped me articulate what I’ve been trying to say —>
1) The met gala sponsorship is probably the least offensive thing about amazon
2) Culture has always been contradictory!!
3) Patronage has historically been one of the only ways large-scale art survives under capitalism
Does this mean we should accept or normalize exploitative systems? Nope!! Just making a point!!
Elites have funded museums and publishing, archives and architecture, etc. for centuries. The House of Worth, the first haute couture house, built its reputation dressing Empress Eugénie, wife of Napoleon III. Ah, couture as we know it was born through imperialism. Noted. But is it so bad to say that I also love admiring beautiful gowns!!??!
So yes, critique the billionaires and amazon and labor exploitation and union busting. But I also think we should be exploiting tf out of billionaire and celebrity vanity for the funding of art and culture as much as possible if it means protecting art (which goes through hundreds of steps to ensure care) in these long-standing institutions. A thousand things can be true at once!!
I’m doubling down on the belief that I can care about all of these issues and still lose my mind over a mugler couture reference. Appreciating beauty does not cancel out political consciousness. Humans are allowed to love art and beauty (even if it’s inaccessible to us normies) and challenge power at the same time + like evaristo says, politics will always come first!!!
Still thinking a lot about the bezos-sponsored met gala discourse (2nd slide was on my stories the other day) + listening to friends and peers talk through it while also watching actual activism happen on scene (like chris smalls getting arrested outside the gala). Then yesterday I found this bernardine evaristo quote at the strand carts for $3 (feminism: women and womxn in british art”) and while I already agreed with it, it also helped me articulate what I’ve been trying to say —>
1) The met gala sponsorship is probably the least offensive thing about amazon
2) Culture has always been contradictory!!
3) Patronage has historically been one of the only ways large-scale art survives under capitalism
Does this mean we should accept or normalize exploitative systems? Nope!! Just making a point!!
Elites have funded museums and publishing, archives and architecture, etc. for centuries. The House of Worth, the first haute couture house, built its reputation dressing Empress Eugénie, wife of Napoleon III. Ah, couture as we know it was born through imperialism. Noted. But is it so bad to say that I also love admiring beautiful gowns!!??!
So yes, critique the billionaires and amazon and labor exploitation and union busting. But I also think we should be exploiting tf out of billionaire and celebrity vanity for the funding of art and culture as much as possible if it means protecting art (which goes through hundreds of steps to ensure care) in these long-standing institutions. A thousand things can be true at once!!
I’m doubling down on the belief that I can care about all of these issues and still lose my mind over a mugler couture reference. Appreciating beauty does not cancel out political consciousness. Humans are allowed to love art and beauty (even if it’s inaccessible to us normies) and challenge power at the same time + like evaristo says, politics will always come first!!!
I went to the bookstore and all I got are these super cool poems from palestinian poet najwan darwish’s anthology “exhausted on the cross” (ft. meme on last slide bc duh 😃)
First photo is unrelated + is the cover of “we computers: a ghazal novel” by hamid ismailov 💻🤖🌺
I went to the bookstore and all I got are these super cool poems from palestinian poet najwan darwish’s anthology “exhausted on the cross” (ft. meme on last slide bc duh 😃)
First photo is unrelated + is the cover of “we computers: a ghazal novel” by hamid ismailov 💻🤖🌺
I went to the bookstore and all I got are these super cool poems from palestinian poet najwan darwish’s anthology “exhausted on the cross” (ft. meme on last slide bc duh 😃)
First photo is unrelated + is the cover of “we computers: a ghazal novel” by hamid ismailov 💻🤖🌺
I went to the bookstore and all I got are these super cool poems from palestinian poet najwan darwish’s anthology “exhausted on the cross” (ft. meme on last slide bc duh 😃)
First photo is unrelated + is the cover of “we computers: a ghazal novel” by hamid ismailov 💻🤖🌺
I went to the bookstore and all I got are these super cool poems from palestinian poet najwan darwish’s anthology “exhausted on the cross” (ft. meme on last slide bc duh 😃)
First photo is unrelated + is the cover of “we computers: a ghazal novel” by hamid ismailov 💻🤖🌺
I went to the bookstore and all I got are these super cool poems from palestinian poet najwan darwish’s anthology “exhausted on the cross” (ft. meme on last slide bc duh 😃)
First photo is unrelated + is the cover of “we computers: a ghazal novel” by hamid ismailov 💻🤖🌺
I went to the bookstore and all I got are these super cool poems from palestinian poet najwan darwish’s anthology “exhausted on the cross” (ft. meme on last slide bc duh 😃)
First photo is unrelated + is the cover of “we computers: a ghazal novel” by hamid ismailov 💻🤖🌺
I went to the bookstore and all I got are these super cool poems from palestinian poet najwan darwish’s anthology “exhausted on the cross” (ft. meme on last slide bc duh 😃)
First photo is unrelated + is the cover of “we computers: a ghazal novel” by hamid ismailov 💻🤖🌺
took a break from monitoring the situation to “yes and? 💅🏼😒” for the night (swipe for ref)
took a break from monitoring the situation to “yes and? 💅🏼😒” for the night (swipe for ref)
took a break from monitoring the situation to “yes and? 💅🏼😒” for the night (swipe for ref)
took a break from monitoring the situation to “yes and? 💅🏼😒” for the night (swipe for ref)
took a break from monitoring the situation to “yes and? 💅🏼😒” for the night (swipe for ref)
took a break from monitoring the situation to “yes and? 💅🏼😒” for the night (swipe for ref)
took a break from monitoring the situation to “yes and? 💅🏼😒” for the night (swipe for ref)
took a break from monitoring the situation to “yes and? 💅🏼😒” for the night (swipe for ref)
On the first day of eid al-fitr, nowruz, and on the spring equinox, I think of those in and from Palestine and Lebanon and Iran. And of my family in Kuwait. I’m aching to see them. And I grieve. And then I remind myself that these holidays largely mark a spiritual beginning of life. That divine justice isn’t a question of if, but when. Our souls remain sovereign even when they try to take everything else away from us. They can shove their superhuman artificial intelligence and psychological warfare down our throats, but the most powerful technology remains our mysticism. Our belief in each other and in future liberation and in our lands that continue to bloom despite destruction. Alhamdililah. And that’s why morale eventually makes or breaks an army. 🎐
1. Yafa-Mermaid (2015) by Imad Abu Shtayyah 🧜🏼♀️
2. An alien encounter by the most talented @mayaghawi (I found this one in 2024 and been in love ever since) 🛸
3. Sonia Sulaiman’s half-siren 🧜🏼♀️half vampire 🧛🏻♀️ palestinian woman (2023)
On the first day of eid al-fitr, nowruz, and on the spring equinox, I think of those in and from Palestine and Lebanon and Iran. And of my family in Kuwait. I’m aching to see them. And I grieve. And then I remind myself that these holidays largely mark a spiritual beginning of life. That divine justice isn’t a question of if, but when. Our souls remain sovereign even when they try to take everything else away from us. They can shove their superhuman artificial intelligence and psychological warfare down our throats, but the most powerful technology remains our mysticism. Our belief in each other and in future liberation and in our lands that continue to bloom despite destruction. Alhamdililah. And that’s why morale eventually makes or breaks an army. 🎐
1. Yafa-Mermaid (2015) by Imad Abu Shtayyah 🧜🏼♀️
2. An alien encounter by the most talented @mayaghawi (I found this one in 2024 and been in love ever since) 🛸
3. Sonia Sulaiman’s half-siren 🧜🏼♀️half vampire 🧛🏻♀️ palestinian woman (2023)
On the first day of eid al-fitr, nowruz, and on the spring equinox, I think of those in and from Palestine and Lebanon and Iran. And of my family in Kuwait. I’m aching to see them. And I grieve. And then I remind myself that these holidays largely mark a spiritual beginning of life. That divine justice isn’t a question of if, but when. Our souls remain sovereign even when they try to take everything else away from us. They can shove their superhuman artificial intelligence and psychological warfare down our throats, but the most powerful technology remains our mysticism. Our belief in each other and in future liberation and in our lands that continue to bloom despite destruction. Alhamdililah. And that’s why morale eventually makes or breaks an army. 🎐
1. Yafa-Mermaid (2015) by Imad Abu Shtayyah 🧜🏼♀️
2. An alien encounter by the most talented @mayaghawi (I found this one in 2024 and been in love ever since) 🛸
3. Sonia Sulaiman’s half-siren 🧜🏼♀️half vampire 🧛🏻♀️ palestinian woman (2023)
A flower in your hair a day (allegedly) keeps the dow over fifty thousand #🌺👩🏻🦰 #💻🎧 #🗺️📝 #🌊🚲🌴 #📉👱🏻♀️
A flower in your hair a day (allegedly) keeps the dow over fifty thousand #🌺👩🏻🦰 #💻🎧 #🗺️📝 #🌊🚲🌴 #📉👱🏻♀️
A flower in your hair a day (allegedly) keeps the dow over fifty thousand #🌺👩🏻🦰 #💻🎧 #🗺️📝 #🌊🚲🌴 #📉👱🏻♀️
A flower in your hair a day (allegedly) keeps the dow over fifty thousand #🌺👩🏻🦰 #💻🎧 #🗺️📝 #🌊🚲🌴 #📉👱🏻♀️
A flower in your hair a day (allegedly) keeps the dow over fifty thousand #🌺👩🏻🦰 #💻🎧 #🗺️📝 #🌊🚲🌴 #📉👱🏻♀️
A flower in your hair a day (allegedly) keeps the dow over fifty thousand #🌺👩🏻🦰 #💻🎧 #🗺️📝 #🌊🚲🌴 #📉👱🏻♀️
A flower in your hair a day (allegedly) keeps the dow over fifty thousand #🌺👩🏻🦰 #💻🎧 #🗺️📝 #🌊🚲🌴 #📉👱🏻♀️
A flower in your hair a day (allegedly) keeps the dow over fifty thousand #🌺👩🏻🦰 #💻🎧 #🗺️📝 #🌊🚲🌴 #📉👱🏻♀️
A flower in your hair a day (allegedly) keeps the dow over fifty thousand #🌺👩🏻🦰 #💻🎧 #🗺️📝 #🌊🚲🌴 #📉👱🏻♀️
A flower in your hair a day (allegedly) keeps the dow over fifty thousand #🌺👩🏻🦰 #💻🎧 #🗺️📝 #🌊🚲🌴 #📉👱🏻♀️
A flower in your hair a day (allegedly) keeps the dow over fifty thousand #🌺👩🏻🦰 #💻🎧 #🗺️📝 #🌊🚲🌴 #📉👱🏻♀️
A flower in your hair a day (allegedly) keeps the dow over fifty thousand #🌺👩🏻🦰 #💻🎧 #🗺️📝 #🌊🚲🌴 #📉👱🏻♀️
A flower in your hair a day (allegedly) keeps the dow over fifty thousand #🌺👩🏻🦰 #💻🎧 #🗺️📝 #🌊🚲🌴 #📉👱🏻♀️
A flower in your hair a day (allegedly) keeps the dow over fifty thousand #🌺👩🏻🦰 #💻🎧 #🗺️📝 #🌊🚲🌴 #📉👱🏻♀️
A flower in your hair a day (allegedly) keeps the dow over fifty thousand #🌺👩🏻🦰 #💻🎧 #🗺️📝 #🌊🚲🌴 #📉👱🏻♀️
A flower in your hair a day (allegedly) keeps the dow over fifty thousand #🌺👩🏻🦰 #💻🎧 #🗺️📝 #🌊🚲🌴 #📉👱🏻♀️
A flower in your hair a day (allegedly) keeps the dow over fifty thousand #🌺👩🏻🦰 #💻🎧 #🗺️📝 #🌊🚲🌴 #📉👱🏻♀️
A flower in your hair a day (allegedly) keeps the dow over fifty thousand #🌺👩🏻🦰 #💻🎧 #🗺️📝 #🌊🚲🌴 #📉👱🏻♀️
A flower in your hair a day (allegedly) keeps the dow over fifty thousand #🌺👩🏻🦰 #💻🎧 #🗺️📝 #🌊🚲🌴 #📉👱🏻♀️
It was a huge honor to interview Cameron Kasky (@cameronkasky) for @everything_political + @theslowfactory and to help platform his experience in Palestine, one so significant that it ultimately marked the end of his congressional race last month.
As you read, you’ll realize (and I say this not once, but twice) Cameron really is just another guy. 😎 Just one trying, and very sincerely making a difference. 🇵🇸🤝
Thank you @celinecelines + @rach.sonis for all your help on this! So proud of this one! 📝
Photos by the most talented @alizayuh 📸
It was a huge honor to interview Cameron Kasky (@cameronkasky) for @everything_political + @theslowfactory and to help platform his experience in Palestine, one so significant that it ultimately marked the end of his congressional race last month.
As you read, you’ll realize (and I say this not once, but twice) Cameron really is just another guy. 😎 Just one trying, and very sincerely making a difference. 🇵🇸🤝
Thank you @celinecelines + @rach.sonis for all your help on this! So proud of this one! 📝
Photos by the most talented @alizayuh 📸
It was a huge honor to interview Cameron Kasky (@cameronkasky) for @everything_political + @theslowfactory and to help platform his experience in Palestine, one so significant that it ultimately marked the end of his congressional race last month.
As you read, you’ll realize (and I say this not once, but twice) Cameron really is just another guy. 😎 Just one trying, and very sincerely making a difference. 🇵🇸🤝
Thank you @celinecelines + @rach.sonis for all your help on this! So proud of this one! 📝
Photos by the most talented @alizayuh 📸
It was a huge honor to interview Cameron Kasky (@cameronkasky) for @everything_political + @theslowfactory and to help platform his experience in Palestine, one so significant that it ultimately marked the end of his congressional race last month.
As you read, you’ll realize (and I say this not once, but twice) Cameron really is just another guy. 😎 Just one trying, and very sincerely making a difference. 🇵🇸🤝
Thank you @celinecelines + @rach.sonis for all your help on this! So proud of this one! 📝
Photos by the most talented @alizayuh 📸
It was a huge honor to interview Cameron Kasky (@cameronkasky) for @everything_political + @theslowfactory and to help platform his experience in Palestine, one so significant that it ultimately marked the end of his congressional race last month.
As you read, you’ll realize (and I say this not once, but twice) Cameron really is just another guy. 😎 Just one trying, and very sincerely making a difference. 🇵🇸🤝
Thank you @celinecelines + @rach.sonis for all your help on this! So proud of this one! 📝
Photos by the most talented @alizayuh 📸
It was a huge honor to interview Cameron Kasky (@cameronkasky) for @everything_political + @theslowfactory and to help platform his experience in Palestine, one so significant that it ultimately marked the end of his congressional race last month.
As you read, you’ll realize (and I say this not once, but twice) Cameron really is just another guy. 😎 Just one trying, and very sincerely making a difference. 🇵🇸🤝
Thank you @celinecelines + @rach.sonis for all your help on this! So proud of this one! 📝
Photos by the most talented @alizayuh 📸
It was a huge honor to interview Cameron Kasky (@cameronkasky) for @everything_political + @theslowfactory and to help platform his experience in Palestine, one so significant that it ultimately marked the end of his congressional race last month.
As you read, you’ll realize (and I say this not once, but twice) Cameron really is just another guy. 😎 Just one trying, and very sincerely making a difference. 🇵🇸🤝
Thank you @celinecelines + @rach.sonis for all your help on this! So proud of this one! 📝
Photos by the most talented @alizayuh 📸
It was a huge honor to interview Cameron Kasky (@cameronkasky) for @everything_political + @theslowfactory and to help platform his experience in Palestine, one so significant that it ultimately marked the end of his congressional race last month.
As you read, you’ll realize (and I say this not once, but twice) Cameron really is just another guy. 😎 Just one trying, and very sincerely making a difference. 🇵🇸🤝
Thank you @celinecelines + @rach.sonis for all your help on this! So proud of this one! 📝
Photos by the most talented @alizayuh 📸
It was a huge honor to interview Cameron Kasky (@cameronkasky) for @everything_political + @theslowfactory and to help platform his experience in Palestine, one so significant that it ultimately marked the end of his congressional race last month.
As you read, you’ll realize (and I say this not once, but twice) Cameron really is just another guy. 😎 Just one trying, and very sincerely making a difference. 🇵🇸🤝
Thank you @celinecelines + @rach.sonis for all your help on this! So proud of this one! 📝
Photos by the most talented @alizayuh 📸
It was a huge honor to interview Cameron Kasky (@cameronkasky) for @everything_political + @theslowfactory and to help platform his experience in Palestine, one so significant that it ultimately marked the end of his congressional race last month.
As you read, you’ll realize (and I say this not once, but twice) Cameron really is just another guy. 😎 Just one trying, and very sincerely making a difference. 🇵🇸🤝
Thank you @celinecelines + @rach.sonis for all your help on this! So proud of this one! 📝
Photos by the most talented @alizayuh 📸
It was a huge honor to interview Cameron Kasky (@cameronkasky) for @everything_political + @theslowfactory and to help platform his experience in Palestine, one so significant that it ultimately marked the end of his congressional race last month.
As you read, you’ll realize (and I say this not once, but twice) Cameron really is just another guy. 😎 Just one trying, and very sincerely making a difference. 🇵🇸🤝
Thank you @celinecelines + @rach.sonis for all your help on this! So proud of this one! 📝
Photos by the most talented @alizayuh 📸
It was a huge honor to interview Cameron Kasky (@cameronkasky) for @everything_political + @theslowfactory and to help platform his experience in Palestine, one so significant that it ultimately marked the end of his congressional race last month.
As you read, you’ll realize (and I say this not once, but twice) Cameron really is just another guy. 😎 Just one trying, and very sincerely making a difference. 🇵🇸🤝
Thank you @celinecelines + @rach.sonis for all your help on this! So proud of this one! 📝
Photos by the most talented @alizayuh 📸
It was a huge honor to interview Cameron Kasky (@cameronkasky) for @everything_political + @theslowfactory and to help platform his experience in Palestine, one so significant that it ultimately marked the end of his congressional race last month.
As you read, you’ll realize (and I say this not once, but twice) Cameron really is just another guy. 😎 Just one trying, and very sincerely making a difference. 🇵🇸🤝
Thank you @celinecelines + @rach.sonis for all your help on this! So proud of this one! 📝
Photos by the most talented @alizayuh 📸
It was a huge honor to interview Cameron Kasky (@cameronkasky) for @everything_political + @theslowfactory and to help platform his experience in Palestine, one so significant that it ultimately marked the end of his congressional race last month.
As you read, you’ll realize (and I say this not once, but twice) Cameron really is just another guy. 😎 Just one trying, and very sincerely making a difference. 🇵🇸🤝
Thank you @celinecelines + @rach.sonis for all your help on this! So proud of this one! 📝
Photos by the most talented @alizayuh 📸
Having an extremely hard time carrying on with “business as usual” in a world where the leaders and elites of our so-called “free world” belong to a satanic pedophile cult and are playing in our faces about it. Every country is seeing resignations and consequences but ours?? It is not normal. The depravity of the powerful, or really, the entire ecosystem at the center of American society that protects and enables this behavior, is not normal. Still, all empires fall, and the US is not an exception. They may own the megaphones but not the conversations…we do.
Justice for every woman who was once a girl who needed protection and trusted that those in power would provide it.
Virginia Roberts Giuffre. Maria Farmer. Annie Farmer. Sarah Ransome. Carolyn Andriano. Johanna Sjoberg. Leigh “Skye” Patric. We believe you and will continue to amplify your stories. We are living in a time where gaslighting and manipulation by the rich and powerful don’t work anymore. The spell is broken and you are brave.
Also, <3 to Congresswomen Jasmine Crockett @repjasmine and Pramila Jayapal @repjayapal (they’re the two I’m really keeping up with) for your continued advocacy on these nasty files. You are the future of a just America.
Slide 1: 🇺🇸🖤❤️🩹 Artwork by Bryan Espiritu
Slides 2-5: Passages from Catharine Alice Mackinnon’s “Toward a Feminist Theory of the State” (1989)
Having an extremely hard time carrying on with “business as usual” in a world where the leaders and elites of our so-called “free world” belong to a satanic pedophile cult and are playing in our faces about it. Every country is seeing resignations and consequences but ours?? It is not normal. The depravity of the powerful, or really, the entire ecosystem at the center of American society that protects and enables this behavior, is not normal. Still, all empires fall, and the US is not an exception. They may own the megaphones but not the conversations…we do.
Justice for every woman who was once a girl who needed protection and trusted that those in power would provide it.
Virginia Roberts Giuffre. Maria Farmer. Annie Farmer. Sarah Ransome. Carolyn Andriano. Johanna Sjoberg. Leigh “Skye” Patric. We believe you and will continue to amplify your stories. We are living in a time where gaslighting and manipulation by the rich and powerful don’t work anymore. The spell is broken and you are brave.
Also, <3 to Congresswomen Jasmine Crockett @repjasmine and Pramila Jayapal @repjayapal (they’re the two I’m really keeping up with) for your continued advocacy on these nasty files. You are the future of a just America.
Slide 1: 🇺🇸🖤❤️🩹 Artwork by Bryan Espiritu
Slides 2-5: Passages from Catharine Alice Mackinnon’s “Toward a Feminist Theory of the State” (1989)
Having an extremely hard time carrying on with “business as usual” in a world where the leaders and elites of our so-called “free world” belong to a satanic pedophile cult and are playing in our faces about it. Every country is seeing resignations and consequences but ours?? It is not normal. The depravity of the powerful, or really, the entire ecosystem at the center of American society that protects and enables this behavior, is not normal. Still, all empires fall, and the US is not an exception. They may own the megaphones but not the conversations…we do.
Justice for every woman who was once a girl who needed protection and trusted that those in power would provide it.
Virginia Roberts Giuffre. Maria Farmer. Annie Farmer. Sarah Ransome. Carolyn Andriano. Johanna Sjoberg. Leigh “Skye” Patric. We believe you and will continue to amplify your stories. We are living in a time where gaslighting and manipulation by the rich and powerful don’t work anymore. The spell is broken and you are brave.
Also, <3 to Congresswomen Jasmine Crockett @repjasmine and Pramila Jayapal @repjayapal (they’re the two I’m really keeping up with) for your continued advocacy on these nasty files. You are the future of a just America.
Slide 1: 🇺🇸🖤❤️🩹 Artwork by Bryan Espiritu
Slides 2-5: Passages from Catharine Alice Mackinnon’s “Toward a Feminist Theory of the State” (1989)
Having an extremely hard time carrying on with “business as usual” in a world where the leaders and elites of our so-called “free world” belong to a satanic pedophile cult and are playing in our faces about it. Every country is seeing resignations and consequences but ours?? It is not normal. The depravity of the powerful, or really, the entire ecosystem at the center of American society that protects and enables this behavior, is not normal. Still, all empires fall, and the US is not an exception. They may own the megaphones but not the conversations…we do.
Justice for every woman who was once a girl who needed protection and trusted that those in power would provide it.
Virginia Roberts Giuffre. Maria Farmer. Annie Farmer. Sarah Ransome. Carolyn Andriano. Johanna Sjoberg. Leigh “Skye” Patric. We believe you and will continue to amplify your stories. We are living in a time where gaslighting and manipulation by the rich and powerful don’t work anymore. The spell is broken and you are brave.
Also, <3 to Congresswomen Jasmine Crockett @repjasmine and Pramila Jayapal @repjayapal (they’re the two I’m really keeping up with) for your continued advocacy on these nasty files. You are the future of a just America.
Slide 1: 🇺🇸🖤❤️🩹 Artwork by Bryan Espiritu
Slides 2-5: Passages from Catharine Alice Mackinnon’s “Toward a Feminist Theory of the State” (1989)
Having an extremely hard time carrying on with “business as usual” in a world where the leaders and elites of our so-called “free world” belong to a satanic pedophile cult and are playing in our faces about it. Every country is seeing resignations and consequences but ours?? It is not normal. The depravity of the powerful, or really, the entire ecosystem at the center of American society that protects and enables this behavior, is not normal. Still, all empires fall, and the US is not an exception. They may own the megaphones but not the conversations…we do.
Justice for every woman who was once a girl who needed protection and trusted that those in power would provide it.
Virginia Roberts Giuffre. Maria Farmer. Annie Farmer. Sarah Ransome. Carolyn Andriano. Johanna Sjoberg. Leigh “Skye” Patric. We believe you and will continue to amplify your stories. We are living in a time where gaslighting and manipulation by the rich and powerful don’t work anymore. The spell is broken and you are brave.
Also, <3 to Congresswomen Jasmine Crockett @repjasmine and Pramila Jayapal @repjayapal (they’re the two I’m really keeping up with) for your continued advocacy on these nasty files. You are the future of a just America.
Slide 1: 🇺🇸🖤❤️🩹 Artwork by Bryan Espiritu
Slides 2-5: Passages from Catharine Alice Mackinnon’s “Toward a Feminist Theory of the State” (1989)
Having an extremely hard time carrying on with “business as usual” in a world where the leaders and elites of our so-called “free world” belong to a satanic pedophile cult and are playing in our faces about it. Every country is seeing resignations and consequences but ours?? It is not normal. The depravity of the powerful, or really, the entire ecosystem at the center of American society that protects and enables this behavior, is not normal. Still, all empires fall, and the US is not an exception. They may own the megaphones but not the conversations…we do.
Justice for every woman who was once a girl who needed protection and trusted that those in power would provide it.
Virginia Roberts Giuffre. Maria Farmer. Annie Farmer. Sarah Ransome. Carolyn Andriano. Johanna Sjoberg. Leigh “Skye” Patric. We believe you and will continue to amplify your stories. We are living in a time where gaslighting and manipulation by the rich and powerful don’t work anymore. The spell is broken and you are brave.
Also, <3 to Congresswomen Jasmine Crockett @repjasmine and Pramila Jayapal @repjayapal (they’re the two I’m really keeping up with) for your continued advocacy on these nasty files. You are the future of a just America.
Slide 1: 🇺🇸🖤❤️🩹 Artwork by Bryan Espiritu
Slides 2-5: Passages from Catharine Alice Mackinnon’s “Toward a Feminist Theory of the State” (1989)
Having an extremely hard time carrying on with “business as usual” in a world where the leaders and elites of our so-called “free world” belong to a satanic pedophile cult and are playing in our faces about it. Every country is seeing resignations and consequences but ours?? It is not normal. The depravity of the powerful, or really, the entire ecosystem at the center of American society that protects and enables this behavior, is not normal. Still, all empires fall, and the US is not an exception. They may own the megaphones but not the conversations…we do.
Justice for every woman who was once a girl who needed protection and trusted that those in power would provide it.
Virginia Roberts Giuffre. Maria Farmer. Annie Farmer. Sarah Ransome. Carolyn Andriano. Johanna Sjoberg. Leigh “Skye” Patric. We believe you and will continue to amplify your stories. We are living in a time where gaslighting and manipulation by the rich and powerful don’t work anymore. The spell is broken and you are brave.
Also, <3 to Congresswomen Jasmine Crockett @repjasmine and Pramila Jayapal @repjayapal (they’re the two I’m really keeping up with) for your continued advocacy on these nasty files. You are the future of a just America.
Slide 1: 🇺🇸🖤❤️🩹 Artwork by Bryan Espiritu
Slides 2-5: Passages from Catharine Alice Mackinnon’s “Toward a Feminist Theory of the State” (1989)
Having an extremely hard time carrying on with “business as usual” in a world where the leaders and elites of our so-called “free world” belong to a satanic pedophile cult and are playing in our faces about it. Every country is seeing resignations and consequences but ours?? It is not normal. The depravity of the powerful, or really, the entire ecosystem at the center of American society that protects and enables this behavior, is not normal. Still, all empires fall, and the US is not an exception. They may own the megaphones but not the conversations…we do.
Justice for every woman who was once a girl who needed protection and trusted that those in power would provide it.
Virginia Roberts Giuffre. Maria Farmer. Annie Farmer. Sarah Ransome. Carolyn Andriano. Johanna Sjoberg. Leigh “Skye” Patric. We believe you and will continue to amplify your stories. We are living in a time where gaslighting and manipulation by the rich and powerful don’t work anymore. The spell is broken and you are brave.
Also, <3 to Congresswomen Jasmine Crockett @repjasmine and Pramila Jayapal @repjayapal (they’re the two I’m really keeping up with) for your continued advocacy on these nasty files. You are the future of a just America.
Slide 1: 🇺🇸🖤❤️🩹 Artwork by Bryan Espiritu
Slides 2-5: Passages from Catharine Alice Mackinnon’s “Toward a Feminist Theory of the State” (1989)
Having an extremely hard time carrying on with “business as usual” in a world where the leaders and elites of our so-called “free world” belong to a satanic pedophile cult and are playing in our faces about it. Every country is seeing resignations and consequences but ours?? It is not normal. The depravity of the powerful, or really, the entire ecosystem at the center of American society that protects and enables this behavior, is not normal. Still, all empires fall, and the US is not an exception. They may own the megaphones but not the conversations…we do.
Justice for every woman who was once a girl who needed protection and trusted that those in power would provide it.
Virginia Roberts Giuffre. Maria Farmer. Annie Farmer. Sarah Ransome. Carolyn Andriano. Johanna Sjoberg. Leigh “Skye” Patric. We believe you and will continue to amplify your stories. We are living in a time where gaslighting and manipulation by the rich and powerful don’t work anymore. The spell is broken and you are brave.
Also, <3 to Congresswomen Jasmine Crockett @repjasmine and Pramila Jayapal @repjayapal (they’re the two I’m really keeping up with) for your continued advocacy on these nasty files. You are the future of a just America.
Slide 1: 🇺🇸🖤❤️🩹 Artwork by Bryan Espiritu
Slides 2-5: Passages from Catharine Alice Mackinnon’s “Toward a Feminist Theory of the State” (1989)
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